Everything but the Girl Idlewild Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Everything But The Girl Idlewild mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Idlewild Country: US Released: 1993 Style: Downtempo, Synth-pop MP3 version RAR size: 1300 mb FLAC version RAR size: 1584 mb WMA version RAR size: 1380 mb Rating: 4.6 Votes: 899 Other Formats: WAV AA XM AU MMF AHX VOX Tracklist Hide Credits I Don't Want To Talk About It 1 4:16 Written-By – Danny Whitten Love Is Here Where I Live 2 3:54 Written-By – Watt/Thorn* These Early Days 3 3:49 Written-By – Thorn* I Always Was Your Girl 4 3:59 Written-By – Watt/Thorn* Oxford Street 5 3:20 Written-By – Thorn* The Night I Heard Caruso Sing 6 2:54 Written-By – Watt* Goodbye Sunday 7 4:00 Written-By – Watt/Thorn* Shadow On A Harvest Moon 8 3:38 Written-By – Thorn* Blue Moon Rose 9 3:35 Written-By – Watt/Thorn* Tears All Over Town 10 4:34 Written-By – Watt* Lonesome For A Place I Know 11 4:00 Written-By – Watt/Thorn* Apron Strings 12 3:08 Written-By – Watt/Thorn* Companies, etc. Phonographic Copyright (p) – WEA Records Ltd. Copyright (c) – WEA Records Ltd. Marketed By – Warner Bros. Records Inc. Manufactured By – WEA Manufacturing Recorded At – Livingston Studios Mixed At – Livingston Studios Pressed By – Specialty Records Corporation Credits Alto Saxophone – Peter King Bass Guitar – Chucho Merchan (tracks: 11), Steve Pearce* (tracks: 1 to 10, 12) Design [Cover Design] – Caryn Gough Engineer – Jerry Boys Guitar [Guitars], Vocals – Ben Watt Photography By [Cover Photograph] – Richard Haughton Piano, Synthesizer [Synthesisers] – Damon Butcher Producer – Ben Watt Tenor Saxophone – Ian Fraser Trumpet – James McMillan Vocals – Tracey Thorn Notes Variant including Specialty Records Corporation logo at runout with Mould SID code. Barcode and Other Identifiers Barcode (Text): 0 7599-25721-2 5 Matrix / Runout (Variant 1): [Specialty 'S' Logo] 1 25721-2 RE-1 OLY##2 M1S5 Matrix / Runout (Variant 2): [Specialty 'S' Logo] 1 25721-2 RE-1 OLY##2 M1S4 Mould SID Code (Variant 1): IFPI 2U3N Mould SID Code (Variant 2): IFPI 2U7B Other versions Title Category Artist Label Category Country Year (Format) BYN 14, Everything But Idlewild (LP, Blanco Y BYN 14, Europe 1988 242288-1 The Girl Album) Negro, WEA 242288-1 Blanco Y BYNC 16, Everything But Idlewild (Cass, Negro, BYNC 16, UK & 1988 243840-4 The Girl Album) Blanco Y 243840-4 Europe Negro Everything But Idlewild (LP, WEA 242288-1 242288-1 Spain 1988 The Girl Album) Records Ltd. Everything But Idlewild (CD, WEA 243 840-2 243 840-2 UK 1988 The Girl Album) Records Ltd. Everything But Idlewild (CD, Blanco Y 2292-43840-2 2292-43840-2 UK 1988 The Girl Album) Negro Related Music albums to Idlewild by Everything But The Girl Perry Watt - Perry Come Watt? Everything But The Girl - Angel EverythingButTheGirl - Temperamental Benjanet - Watt Gaal 60 Watt Kid - 60 Watt Kid Pete Thorn - Pete Thorn II Everything But The Girl - Amplified Heart - WATT ET JENNY Everything But The Girl - Eden Everything But The Girl - Like The Deserts Miss The Rain.

Copy Link

Recommended publications

Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
[Show full text]
The Songs Songs That Mention Joni (Or One of Her Songs)
Inspired by Joni - the Songs Songs That Mention Joni (or one of her songs) Compiled by: Simon Montgomery, © 2003 Latest Update: May 15, 2021 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1968 Scorpio Lynn Miles Dancing Alone - Songs Of William Hawkins 1969 Spinning Wheel Blood, Sweat, and Tears Blood, Sweat, and Tears 1971 Billy The Mountain Frank Zappa / The Mothers Just Another Band From L.A. Going To California Led Zeppelin Led Zeppelin IV Going To California Led Zeppelin BBC Sessions 1972 Somebody Beautiful Just Undid Me Peter Allen Tenterfield Saddler Thoughts Have Turned Flo & Eddie The Phlorescent Leech & Eddie Going To California (Live) Led Zeppelin How The West Was Won 1973 Funny That Way Melissa Manchester Home To Myself You Put Me Thru Hell Original Cast The Best Of The National Lampoon Radio Hour (Joni Mitchell Parody) If We Only Had The Time Flo & Eddie Flo & Eddie 1974 Kama Sutra Time Flo & Eddie Illegal, Immoral & Fattening The Best Of My Love Eagles On The Border 1975 Tangled Up In Blue Bob Dylan Blood On The Tracks Uncle Sea-Bird Pete Atkin Live Libel Joni Eric Kloss Bodies' Warmth Passarela Nana Caymmi Ponta De Areia 1976 Superstar Paul Davis Southern Tracks & Fantasies If You Donít Like Hank Williams Kris Kristofferson Surreal Thing Makes Me Think of You Sandy Denny The Attic Tracks Vol. 4: Together Again Turntable Lady Curtis & Wargo 7" 45rpm Single 1978 So Blue Stan Rogers Turnaround Happy Birthday (to Joni Mitchell) Dr. John Period On Horizon 1979 (We Are) The Nowtones Blotto Hello! My Name Is Blotto.
[Show full text]
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs.
[Show full text]
E Guide the Travel Guide with Its Own Website
Londonwww.elondon.dk.com e guide the travel guide with its own website always up-to-date d what’s happening now London e guide In style • In the know • Online www.elondon.dk.com Produced by Blue Island Publishing Contributors Jonathan Cox, Michael Ellis, Andrew Humphreys, Lisa Ritchie Photographer Max Alexander Reproduced in Singapore by Colourscan Printed and bound in Singapore by Tien Wah Press First published in Great Britain in 2005 by Dorling Kindersley Limited 80 Strand, London WC2R 0RL Reprinted with revisions 2006 Copyright © 2005, 2006 Dorling Kindersley Limited, London A Penguin Company All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the copyright owner. A CIP catalogue record is available from the British Library. ISBN 1 4053 1401 X ISBN 978 1 40531 401 5 The information in this e>>guide is checked annually. This guide is supported by a dedicated website which provides the very latest information for visitors to London; please see pages 6–7 for the web address and password. Some information, however, is liable to change, and the publishers cannot accept responsibility for any consequences arising from the use of this book, nor for any material on third party websites, and cannot guarantee that any website address in this book will be a suitable source of travel information. We value the views and suggestions of our readers very highly. Please write to: Publisher, DK Eyewitness Travel Guides, Dorling Kindersley, 80 Strand, London WC2R 0RL, Great Britain.
[Show full text]
First Ever 'National Album Day' Announced for October 13Th 2018
– Embargoed to 00.01 hours, 23rd July 2018 – First ever ‘National Album Day’ announced for October 13th 2018 Week-long build-up of events & activity celebrating the UK’s love of the album Supported by BBC Music and with backing across the music community Artist engagement, leading the national conversation around the format as it evolves At 3.33(r)pm on Saturday, 13th October – British public invited to play favourite record Marking the 70th anniversary of the album in 2018 London, 23rd July 2018 – All sectors of the British music community have come together with BBC Music to proudly announce a new annual event – the first-ever National Album Day on Saturday, 13th October 2018. National Album Day will mark the culmination of a week-long series of events and activity around the country that will celebrate all aspects of the UK’s love of the album – new releases and classic recordings across all genres of music. It will also pay tribute to the sleeve artwork that contributes to the album’s iconic appeal. This inaugural event comes in a year that coincides with the 70th anniversary of the album1. Planned activity will include dedicated BBC Music programming and editorial support; retail events and artist personal appearances; Classic Album Sundays LP playbacks and artist interviews/fan Q&As; and online listening parties. A social media campaign (@AlbumDayUK/#NationalAlbumDay) will invite people to nominate and share the album that has most inspired them; and at 3.33pm on 13th October – National Album Day – fans, stores, radio stations and public spaces will be invited to play their favourite album in full.
[Show full text]
T of À1 Radio
ism JOEL L.R.PHELPS EVERCLEAR ,•• ,."., !, •• P1 NEW MUSIC REPORT M Q AND NOT U CIRCLE December 25, 2000 I www.cmj.com 138.0 ******* **** ** * *ALL FOR ADC 90198 24498 Frederick Gier KUOR -REDLANDS 5319 HONDA AVE APT G ATASCADERO, CA 93422-3428 ON BEING NO. 1, TOURING WITH U2 & WHY WILL OLDHAM AND RAYMOND CARVER KICK ASS tof à1 Radio HOW PERFORMANCE ROYALTIES WILL AFFECT COLLEGE RADIO WHAT IT'S DOING TO INDIE RETAIL INCLUDING THE BLAZING HIT SINGLE "OH NO" ALBUM IN STORES NOW EF •TARIM INEWELII KUM. G RAP at MOP«, DEAD PREZ PHARCIAHE MUNCH •GHOST FACE NOTORIOUS J11" MONEY PASTOR TROY Et MASTER HUM BIG NUMB e PRODIGY•COCOA BROVAZ HATE DOME t.Q-TIIP Et WORDS e!' le.‘111,-ZéRVIAIMPUIMTPIeliElrÓ Issue 696 • Vol 65 • No 2 Campus VVebcasting: thriving. But passion alone isn't enough 11 The Beginning Of The End? when facing the likes of Best Buy and Earlier this month, the U.S. Copyright Office other monster chains, whose predatory ruled that FCC-licensed radio stations tactics are pricing many mom-and-pops offering their programming online are not out of business. exempt from license fees, which could open the door for record companies looking to 12 PJ Harvey: Tales From collect millions of dollars from broadcasters. The Gypsy Heart Colleges may be among the hardest hit. As she prepares to hit the road in support of her sixth and perhaps best album to date, 10 Sticker Shock Polly Jean Harvey chats with CMJ about A passion for music has kept indie music being No.
[Show full text]
Key Music Books You Must Read
KEY MUSIC BOOKS YOU MUST READ This selection of books is divided into two categories – essential reading for anyone wanting to commit to a career in the music industry; and entertaining reads which are informative and enjoyable but are essentially geared at all music enthusiasts. ESSENTIAL READING FOR MUSIC STUDENTS “How music works” by David Byrne Chapter 7 of this book is entitled “Business and Finances (distribution and survival options for music artists)” and it is absolutely essential reading for any songwriter or musician. David Byrne of legendary rock group Talking Heads explains the detailed financial ins and outs of one of his album releases. He outlines the various costs involved and who gets the various percentages. He uses colour-coded diagrams to convey how the money pie is shared. At the same time, he describes the complex financial mechanisms of the modern music business. This is unmissable information. Few working musicians take the time to explain the money trail to newcomers who usually believe there is a pot of gold at the end of the rainbow. What Byrne explains is how a musician who is willing to keep a lid on costs can make a modest living recording albums and touring. The rest of the book has a lot of interesting material, some of it a bit academic, some of it needing effort to persevere. But Byrne's enthusiasm for music usually carries you along. I liked the following bits in particular: Music as social glue, as a self- empowering social agent (pages 291-293); the value of music education (pages 295- 296); eight rules about how to create a music scene (pages 251-263); how recording technology is now incredibly accessible and cheap so there is no need for albums to be costly to record (pages 180-181); and the mp3 – poorer sound quality but maybe it is better to value convenience over sound (pages 124-126).
[Show full text]
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world.
[Show full text]
“I Felt a Kind of Sweet Giddiness When I Met Mingus.”
LONDON a MEMPHIS a EL PORTAL APRIL 2016 Issue 269 FEATURES 40 TRACEY THORN TheEverythingButTheGirl singer speaks to Andrew Male aboutthehighsandlowsoflife as an indie icon, and her new career as an acclaimed author. 46 FIELD MUSIC After12yearsofDIYjazz-pop- soul,andaheartyendorsement fromPrince,istheworldfinally ready for the Brewis Brothers? Ben Myers find out. 50 DAVE DAVIES TheyoungestKinkbrother takesMarkPaytressona journeyintohisremarkable musicalpast,andapresent world of psychic magick and extraterrestrials. 58 MICHAEL CHAPMAN Celebrating 50 years on the road, the hard-as-nails Yorkshire singer-songwriter givesBenThompsonamusical survival masterclass. 62 JONI MITCHELL Howdida’60sacousticfolkicon reinvent herself and confound her critics in the 1970s? David Frickewatchesthechanges. COVER STORY 70 IGGY POP On the eveofhisfarewellfrommusic, Mr James Osterberg speaks to KeithCameronabout50years on the rock’n’roll front line. Plus: Swan-song collaborators Josh Homme, Matt Helders andDeanFertitadiscussthe method and madness of Iggy old and new. “I felt a kind of sweet giddiness whenImetMingus.” JONIMITCHELLLOOKSBACKONTHE LIBERATIONOFHERJAZZYEARS.P62 Henry Diltz MOJO 3 Desert blooms: Joni Mitchell takes the air outside Las Vegas, Nevada, May 1978. MOJO 63 AN DOWN THE BLOCK OUTSIDE THE BAKED POTATO ON TUESDAY 3. Named after the main dish on the menu, the small, venerable Los Angeles jazz d by pianist Don Randi in 1970 – hosted a popular residency by a combo of top, ers who also happened to be among the busiest session musicians in town. The r, saxophonist Tom Scott, made records with John Coltrane’s producer Bob Thiele ing business in TV and movie scores. But the other cats were his equals in resumé. Sample was a founding member of hard-bop-turned-R&B stars The Crusaders; Bennett grew up in the bebop era and worked with singers Peggy Lee and Ella ummer John Guerin played with Thelonious Monk, Lou Rawls and Linda Ronstadt late line-up of The Byrds.
[Show full text]
Grant County Planning and Zoning on WES
Bald and Golden Eagles, Grant and Codington Counties, 2017 & 2018 Grant County Planning and Zoning on WES April 17th, 2018 1. Questions from the public 2. General information and where to find more information, includes setback information from Vesta manuals, health, decommissioning and return on Tax Production Credit 3. Health information and where to find more, includes Cooper interview and personal testimony 4. Property value loses, includes report from PUC debunking the Next Era claim 5. Decommissioning issues 6. Language used in Wind Contracts This book contains websites and where to find more information. If you have questions, need additional reports you may contact Vince Meyer 605-949-1916 Facts, Findings and Conclusions We would like FINDINGS to the following issues to be addressed as answers in local newspapers for the public to review and discuss. 1. Has Next Era, APEX, or any wind energy developer, provided scientific methods to prove flicker, sound, infrasound or other nuisance, will trespass on to non-participants' land, for a certain allotment of time, please present the methods and studies to support the claim. 2. Have Planning and Zoning members and Commissioners read a Turbine manual for all the models being proposed to be used for safety setbacks? If so, where is a manual for the public to evaluate? 3. Has a MSDS for the county? 4. Wind farms are privately owned. They do not supply electricity to the public. Their electricity is for sale. Hence they are not a public utility. How will the county or township handle trespassing on private land be it rights-of-ways or other types of property? 5.
[Show full text]
Bibliography
NUNSWITHGUNSDESIGN 1999 AN ESSAY IN UNSYMOLISATION 1 BIBLIOGRAPHY Adams, Douglas. [1979] The Hitchhikers Guide to the Galaxy, London, Pan Books. Bachelard, Gaston. [1969] The Poetics of Space, Boston, Beacon Press. Bandini, Micha. [1993] ‘Postmodernity, architecture and critical practice’ - from Bird, Jon.…etc (ed) Mapping the Futures: Local Cultures and Global Change, London, Routledge. Berman, Marshall. [1983] All That Is Solid Melts Into Air, London, Verso. Bird, Jon. Curtis, Barry. Putnam, Tim. Robertson, George. & Tickner, lisa. (ed) [1993] Mapping the Futures: Local Cultures and Global Change, London, Routledge. Blakely, Edward J. & Snyder, Mary Gail. [1997] ‘Divided we fall: gated and walled communities in the United States’ - from Ellin, Nan. [1997] Architecture of fear, New York, Princeton Architectural Press Bowkett, Steve. & Tankard, Jane. [1997] ‘That’s the way the money goes pop goes the weasel!’ – from The Oxford Review of Architecture 1997, Oxford, School of Architecture, Oxford Brookes University. Bryson, Bill. [1995] Notes From a Small Island, London, Black Swan Books. Carnaffan, Graham. [1997] ‘New Towns’ - from Lang, Peter. & Miller, Tam. (ed) [1997] Suburban Discipline, New York, Princeton Architectural Press. Collins, Jeff. & Selina, Howard. [1998] Heidegger For Beginners, Cambridge, Icon Books. Colomina, Beatriz. [1994] Privacy and Publicity: Modern Architecture as Mass Media, London. Massachusetts Institute of Technology Press. Cubitt, Sean. [1996] ‘Supernatural futures: theses on digital aesthetics’ - from Robertson, George. Mash, Melinda. Ticker, Lisa. Curtis, Barry. And Putnam, Tim. [1996] Future Natural: nature/science/culture, London, Routledge. Douglas, John. & Olshaker, Mark. [1995] Mindhunter: inside the FBI elite serial crime unit, London, Arrow Books Ltd. Duncan, Nancy G. & Duncan, James S. [1997] ‘Deep Suburban Irony: The perils of democracy in Westchester County, New York’ - from Silverstone, Roger.
[Show full text]
Everything but the Girl Eden Mp3, Flac, Wma
Everything But The Girl Eden mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Latin Album: Eden Country: UK & Europe Released: 1985 Style: Acoustic, Bossanova MP3 version RAR size: 1312 mb FLAC version RAR size: 1970 mb WMA version RAR size: 1581 mb Rating: 4.8 Votes: 674 Other Formats: AAC MP2 AA AIFF WMA AU DXD Tracklist Hide Credits Each And Every One A1 2:45 Written-By – Ben Watt and Tracey Thorn* Bittersweet A2 2:49 Written-By – Tracey Thorn Tender Blue A3 3:02 Written-By – Ben Watt Another Bridge A4 2:11 Written-By – Ben Watt and Tracey Thorn* The Spice Of Life A5 3:29 Written-By – Tracey Thorn The Dustbowl A6 1:37 Written-By – Tracey Thorn Crabwalk B1 3:25 Written-By – Ben Watt Even So B2 2:31 Written-By – Tracey Thorn Frost And Fire B3 3:11 Written-By – Tracey Thorn and Ben Watt* Fascination B4 3:20 Written-By – Tracey Thorn I Must Confess B5 3:10 Written-By – Ben Watt Soft Touch B6 2:01 Written-By – Ben Watt Companies, etc. Manufactured By – Record Service GmbH Phonographic Copyright (p) – WEA Records Ltd. Copyright (c) – WEA Records Ltd. Made By – WEA Musik GmbH Published By – Complete Music Ltd. Recorded At – Power Plant Studios Credits Acoustic Guitar, Vocals – Tracey Thorn Alto Saxophone – Pete King* Cover – Jane Fox Double Bass – Chucho Merchan Drums – Charles Hayward Engineer – Mike Pela Guitar – Simon Booth Guitar, Organ [Hammond], Vocals, Piano, Arranged By [Horn] – Ben Watt Percussion – Joao Bosco De Oliveira Producer – Robin Millar Tenor Saxophone – Nigel Nash Trumpet, Flugelhorn – Dick Pearce Notes Produced for Modern Media London Ltd.
[Show full text]