En 3176 3.0A

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Fall/Winter 2016-2017 AP/EN 3176 3.0A (F) Comics and Cartoons I Course Director: Jordana Greenblatt Delivery Format: Lecture + Tutorial Time: Lecture: Tuesdays, 8:30am ‐ 10:30am Tutorial 1: Tuesdays, 10:30am ‐ 11:30am Tutorial 2: Tuesdays, 11:30am ‐ 12:30pm Tutorial 4: Tuesdays, 10:30am ‐ 11:30am Tutorial 5: Tuesdays, 11:30am ‐ 12:30pm Tutorial 6: Tuesdays, 12:30pm ‐ 1:30pm Description: From The Yellow Kid in the late 19th century to the Cold War moral panic about comics and the introduction of the Comics Code, the comics and cartoons we study in this course reflect, affect, and were affected by American social and political attitudes through the late 19th century and the first half of the 20th century. We will pay special attention to the relationship between comics and American culture, exploring the influence of political, social, and intellectual movements on comics. Our investigations will cover surreal newspaper comics (Little Nemo, Krazy Kat), early superheroes (Superman, Batman, Miss Fury, Wonder Woman), work by early women in comics (Golden Eyes, Miss Fury, Patty‐ Jo ‘n’ Ginger), and a selection of the SciFi, horror, and war comics that so concerned 1950s politicians and lawmakers. The comics and cartoons we will explore engage with issues relevant to the America of their times—the two World Wars, the changing role of women and attitudes towards gender, issues of race and/or class, prohibition, and a range of other contemporary concerns. Through studying American comics of this era, we will learn to understand and analyze the unique attributes of the medium, while investigating the ways in which various comics creators reflected and/or challenged the attitudes and issues of their day. Category: D Area: NA Period: NA Historical Requirement: NA Requirements: Mid‐term test (25%) 2000‐2500 word research essay (30%) Final exam (30%) Participation/Contribution to tutorial (15%) Reading List: Books and course‐kit are available from the YorkU bookstore. Some comics must be purchased through comixology.com. Some of the material is available online. Please note that you will need the course kit. Bookstore: Herriman, George. Krazy & Ignatz, 1922‐24: At Last My Drim of Love Has Come True McCloud, Scott. Understanding Comics: The Invisible Art . Course Kit [indicated throughout the syllabus], includes secondary readings by various authors, as well as comics by Nell Brinkley, Jackie Ormes, and Tarpé Mills. Online [indicated throughout syllabus]: Various comics, including The Yellow Kid, Little Nemo in Slumberland , and a range of SciFi, Horror, and EC Comics. EComics [indicated throughout syllabus] available from Comixology: Siegel, Jerry and Joe Shuster. Superman Chronicles, Vol 1. Various issues of early superhero comics [specified in the syllabus], including Batman, Detective Comics , and Sensation Comics Open To: Yr2, Yr3 and Yr4.

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Natania Aparecida Da Silva Nogueira As Representações Femininas Nas Histórias Em Quadrinhos Norte-Americanas: June Tarpé

NATANIA APARECIDA DA SILVA NOGUEIRA AS REPRESENTAÇÕES FEMININAS NAS HISTÓRIAS EM QUADRINHOS NORTE-AMERICANAS: JUNE TARPÉ MILLS E SUA MISS FURY (1941 – 1952) NITERÓI – 2015 NATANIA APARECIDA DA SILVA NOGUEIRA AS REPRESENTAÇÕES FEMININAS NAS HISTÓRIAS EM QUADRINHOS NORTE-AMERICANAS: JUNE TARPÉ MILLS E SUA MISS FURY (1941 – 1952) Dissertação de mestrado apresentada ao curso de Pós Graduação em História da Universidade Salgado de Oliveira, UNIVERSO, Niterói, Rio de Janeiro, como requisito para a obtenção do título de Mestre em História. Orientadora: Mary del Priore NITERÓI – 2015 Ficha catalográfica elaborada pela Biblioteca Universo Campus Niterói N778r Nogueira, Natania Aparecida da Silva. As representações femininas nas Histórias em Quadrinhos norte-americanas: June Tarpé Mills e sua Miss Fury (1941-1952) / Antônio Paulo dos Santos Filho. - Niterói, 2015. 154p. : il Bibliografia: p. 148-154 Dissertação apresentada para obtenção do Grau de Mestre em História - Universidade Salgado de Oliveira, 2015. Orientador: Dsc. Mary Lucy Murray Del Priore. 1. História contemporânea - Séc. XX. 2. História em quadrinhos - Estados Unidos - História e crítica. 3. Mulheres - Conduta - História em quadrinhos. 4. Representações sociais. 5. Mulheres - História. 6. Histórias em quadrinhos - Aspectos psicológicos. I. Título. II.Subtítulo: June Tarpé Mills e sua Miss Fury (1941-1952). CDD 909.82 Bibliotecária: Elizabeth Franco Martins CRB 7/4990 NATANIA APARECIDA DA SILVA NOGUEIRA AS REPRESENTAÇÕES FEMININAS NAS HISTÓRIAS EM QUADRINHOS NORTE-AMERICANAS: JUNE
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Download Pamphlets on Labor Law, Tort Immunity and Other Subjects from the Ancel Glink Library

JUNE 2011 | VOLUME XXIX ISSUE 3 ILLINOIS LIBRARY ASSOCIATION ILLINOIS LIBRARY ILLINOIS LIBRARY ASSOCIATION ILLINOIS LIBRARY The Illinois Library Association Reporter is a forum for those who are improving and reinventing Illinois libraries, with articles that seek to: explore new ideas and practices from all types of libraries and library systems; examine the challenges facing the profession; and inform the library community and its supporters with news and comment about important issues. The ILA Reporter is produced and circulated with the purpose of enhancing and supporting the value of libraries, which provide free and equal access to information. This access is essential for an open democratic society, an informed electorate, and the advancement of knowledge for all people. ON THE COVER Miss Fury, #3 (January 1944) Miss Fury was not the first female superhero (The Woman in Red predates her by a year), but she was the first superhero created by a female cartoonist (Tarpé Mills). Miss Fury, published by the Bell Syndicate, began as a newspaper strip in April 1941. Her alter ego was wealthy socialite Marla Drake, and although she had no superpowers, her skintight cat suit did conceal her identity. It also allowed her to do things most bored society women would never dream of. Miss Fury ran for just over ten years, which is considered a respectable run for superheroes of this era. See article beginning on page 8. The Illinois Library Association is the voice for Illinois libraries and the millions who depend The Illinois Library Association has three full-time staff members. It is governed by on them.
Miss Fury: a Primeira Super-Heroína De Autoria Feminina1

Revista Água Viva ISSN 1678-7471 MISS FURY: A PRIMEIRA SUPER-HEROÍNA DE AUTORIA FEMININA1 MISS FURY: THE FIRST COMIC-BOOK SUPERHEROINE CREATED BY A FEMALE COMIC BOOK ARTIST Jaqueline dos Santos Cunha2 Recebido em: 03 dez. 2019. Aceito em: 29 mar. 2020. DOI: 10.26512/aguaviva.v5i1.28429 RESUMO: O presente trabalho discute sobre as rupturas e as continuidades no que toca à representação dos estereótipos femininos na produção quadrinística estadunidense Miss Fury (1941 - 1952), concebida como a primeira super-heroína de autoria feminina. Criação artística de June Tarpey Mills (1912, 1988), Miss Fury foi lançada na ocasião da Segunda Guerra Mundial. Neste momento de transformações sociais e culturais experimentado pelos EUA na metade do século XX, as mulheres foram levadas a contribuir com sua mão de obra nos mais variados cargos, inclusive nas forças armadas e na produção de histórias em quadrinhos. Desse modo, as histórias em quadrinhos, seguindo uma retórica de guerra, funcionavam como uma espécie de propagada do tipo de mulher que os Estados Unidos precisavam para aquele momento. É este papel que a referida super-heroína representa. Palavras-chave: Representação. Super-heroína. Autoria feminina. ABSTRACT: The study discusses the ruptures and continuities in the representation of female stereotypes in the American comic book, Miss Fury (1941 - 1952), which featured the first superheroine of female authorship. In the US during World War II, a period of social and cultural transformation, women were encouraged to take jobs in all fields formerly occupied by men, including in the armed forces and in the comic book industry. Contributing to male displacement, comic books functioned as a sort of propaganda depicting the kind of woman the United States needed at that moment.
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Age of Ultron (AU) (crossover Amazing Spider-Man Annual, The. Anole 698 series) 698 See Spider-Man, Amazing Spider- Ant-Man (1st) 225, 226, 229, 231, Index Agent X 679 Man Annual, The 235, 236–37, 240–41, 300, 305, Agents of S. H. I. E. L. D. (TV Amazing Spider-Man Special, The. 317, 325, 485, 501–03, 628, 681. Italic numerals refer to pages of the series) 699. See also Captain See Spider-Man, Amazing Spider- See also Giant-Man; Goliath (1st); TASCHEN book 75 Years of Marvel America, Captain America: Man Special, The Henry (Hank) Pym; Wasp, The which include images. The Winter Soldier (movie); Amazing Spider-Man, The (book). See (1st); Yellowjacket (1st) S. H. I. E. L. D. Spider-Man, Amazing Spider- Ant-Man (2nd) 581, 591, 628, 653. A Aggamon 281 Man, The (book) See also Scott Lang “Amazing Case of the Human Torch, Aja, David 685, 697 “Amazing Spider-Man, The” (comic Ant-Man (3rd) 691 The” (short story) 55 Alascia, Vince 29, 63, 68, 100 strip). See Spider-Man, “Amazing Antonioni, Michelangelo 468 A.I.M. (Advanced Idea Alcala, Alfredo 574 Spider-Man, The” (comic strip) Apache Kid 120. See also Western Mechanics) 381 Alderman, Jack 73 Amazing Spider-Man, The (movie). Gunfighters (vols. 1–2) Aaron Stack 596. See also Machine Aldrin, Edwin (“Buzz”) 453 See Spider-Man, Amazing Spider- Apache Kid, The 106 Man Alex Summers 475. See also Havok Man, The (movie) Apocalypse 654 Aaron, Jason 691, 694 Alf 649 Amazing Spider-Man, The (TV Apollo 11 453 ABC (American Broadcasting Alias (live TV version) 699 series) (1977–79).
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Genre En Séries, 10 | 2019 Marvel’S Telltale Super-Girls in the Marvel Rising Franchise 2

Genre en séries Cinéma, télévision, médias 10 | 2019 Superhéroïnes : un genre à part ? Marvel’s Telltale Super-Girls in the Marvel Rising Franchise Charles Joseph Electronic version URL: http://journals.openedition.org/ges/712 DOI: 10.4000/ges.712 ISSN: 2431-6563 Publisher Presses universitaires de Bordeaux Electronic reference Charles Joseph, “Marvel’s Telltale Super-Girls in the Marvel Rising Franchise”, Genre en séries [Online], 10 | 2019, Online since 01 December 2019, connection on 19 February 2021. URL: http:// journals.openedition.org/ges/712 ; DOI: https://doi.org/10.4000/ges.712 This text was automatically generated on 19 February 2021. La revue Genre en séries est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modiﬁcation 4.0 International. Marvel’s Telltale Super-Girls in the Marvel Rising Franchise 1 Marvel’s Telltale Super-Girls in the Marvel Rising Franchise Charles Joseph “When a threat no one could have expected bears down on the Marvel Universe, this ragtag, untrained band of teens have no choice but to rise together and prove to the world that sometimes the difference between a “hero” and “misfit” is just in the name.” 1 This official logline for the feature-length animated film Marvel Rising: Secret Warriors was unveiled in early December 2017 as Cort Lane (Marvel Senior Vice-President Animation & Family Entertainment) and Sana Amanat (Marvel Vice-President of Content & Character Development) announced Marvel’s “new multiplatform animation franchise featuring the next generation superheroes” Marvel Rising (Hipes, 2017). While no specific gender is specified or mentioned within these few lines, this “untrained band of teens” is predominantly female with strong young women written as leads for this new team.
Celebrating the Comics, Cartoons and Creators Of

ISSUE 4 SUMMER 2020 FREE! CELEBRATING THE COMICS, CARTOONS AND CREATORS OF CENTRAL OHIO COVER ILLUSTRATION BY BRIAN CANINI CONTRIBUTORS AARON ANDREWS JUAN ARGIL thatjuanartist.com COLUMBUSSCRIBBLER.COM Cover Illustration by Brian Canini instagram.com/briancanini GREG BALDRIDGE BRENT BOWMAN teechcartoon.tumblr.com facebook/The-Art-of-Brent-Bowman CONTENTS PAGE 1 MASKS AREN’T JUST FOR SUPERHEROES by Jack Wallace & Brian Canini PAGE 2 TEN QUESTIONS WITH VICTOR DANDRIDGE PAGE 3 FINE YOUNG FOLKS by James F. Thomas KHAILA CARR BOB CORBY khailacarr.com backporchcomics.com PAGE 4 DAILY LIVES OF AMERICAN PIGEONS EPISODE #202 by Jackalyn Fleming PAGE 5 COMMENT WARS by Juan Argil PAGE 6 THE CITY by Bob Corby PAGE 7 FURY IN THE SKIES - A BRIEF HISTORY OF TARPÉ MILLS AND MISS FURY by Brian Canini KEITH CRETIN MICHAEL FEHSKENS PAGE 8 WEST 8TH AVENUE By Khaila Carr wgcomics.com michaelfehskens.com PAGE 9 HOW TO MAKE A MINI-COMIC By Steve Steiner DIEDO by Greg Baldridge PAGE 10 & 11 TREVOR TRIAD IS GEOMETRIC JUSTICE by Steve Steiner PAGE 12 NOT SO FUNNIES - TALES OF THE COMIC PEEPS by Keith Cretin & Michael Neno JACKALYN FLEMING CANADA KECK PAGE 13 ROYAL FLUSHED by Tom Williams behance.net/jackalynfleming facebook/rumineracomics PAGE 14 & 15 MEET THE PEOPLE OF COLUMBUS: CATIE RANDAZZO AND MATTHEW HEAGGANS By Jack Wallace, Brent Bowman, and Chris Allen PAGE 16 COMIC STORE PROFILE - THE LAUGHING OGRE KID’S KORNER by Sofia W. PAGE 17 KID STARFISH by Brian Canini MICHAEL NENO JAMES F. THOMAS PAGE 18 COMIC REVIEWS by Derek Baxter nenoworld.com instagram/jamesfthomas
The Marginalization of Female Creators and Consumers in Comics

INKING OVER THE GLASS CEILING: THE MARGINALIZATION OF FEMALE CREATORS AND CONSUMERS IN COMICS A thesis submitted to the College of the Arts of Kent State University School of Art in partial fulfillment of the requirements for the degree of Master of Arts. by Maria Campbell August, 2015 Thesis written by Maria Campbell B.F.A, Lesley University, 2011 M.F.A., Kent State University, 2015 Approved by Diane Scillia, Ph.D., Advisor Christine Havice, Ph.D., Director, School of Art John R. Crawford, Ed.D., Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES……………………………………………………………….v ACKNOWLEDGMENTS………………………………………………………viii AUTHOR’S NOTE……………………………………………………………….ix INTRODUCTION………………………………………………………………...1 CHAPTER ONE THE ORIGINS OF COMICS AND THE GOLDEN AGE……………………….6 The Early History of Comic Strips…………………………………………...6 World War II and the Golden Age……………………………………….......9 Wonder Woman and Her Creators………………………………………….11 The Seduction of the Innocent………………………………………….......13 Jackie Ormes………………………………………………………………..17 The Silver (1956-1970) and Bronze Ages (1970-1985) of Comics Sales…..19 CHAPTER TWO UNDERGROUND COMICS TO MODERN DAY..……………………………23 Pop Art and Comix………………………………………………………....23 Feminist Anthologies……………………………………………………….26 Alternative Comics and Graphic Novels……………………………………27 Women in Refrigerators…………………………………………………….31 “No Girls Allowed” in Comic Books……………………………………….34 Feminist Writers and Heroines…………………………………………......37 Bitch Planet…………………………………………………………………42 CHAPTER THREE MANGA IN AMERICA AND WEBCOMICS….................................................45