Academic Writing: a Handbook for International Students, Third Edition
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Fifteen Minutes of Fame, Fame in Fifteen Minutes
Andy Warhol and the Dawn of Modern-Day Celebrity Culture 113 Alicja Piechucka Fi!een Minutes of Fame, Fame in Fi!een Minutes: Andy Warhol and the Dawn of Modern-Day Celebrity Culture Life imitates art more than art imitates life. –Oscar Wilde Celebrity is a mask that eats into the face. –John Updike If someone conducted a poll to choose an American personality who best embodies the 1960s, Andy Warhol would be a strong candidate. Pop art, the movement Warhol is typically associated with, !ourished in the 60s. It was also during that decade that Warhol’s career peaked. From 1964 till 1968 his studio, known as the Silver Factory, became not just a hothouse of artistic activity, but also the embodiment of the zeitgeist: the “sex, drugs and rock’n’roll” culture of the period with its penchant for experimentation and excess, the revolution in morals and sexuality (Korichi 182–183, 206–208). "e seventh decade of the twentieth century was also the time when Warhol opened an important chapter in his painterly career. In the early sixties, he started executing celebrity portraits. In 1962, he completed series such as Marilyn and Red Elvis as well as portraits of Natalie Wood and Warren Beatty, followed, a year later, by Jackie and Ten Lizes. In total, Warhol produced hundreds of paintings depicting stars and famous personalities. "is major chapter in his artistic career coincided, in 1969, with the founding of Interview magazine, a monthly devoted to cinema and to the celebration of celebrity, in which Warhol was the driving force. -
Clue # 3 Did You Know? Andy Warhol Produced Around 60 Films
Clue # 3 Did you know? Andy Warhol produced around 60 films. • Andrew Warhola was born on August 6, 1928 in Pittsburgh, Pennsylvania. He was a famous artist during the Pop Art movement. His most famous works are Campbell's Soup Cans, Moonwalk, Marilyn Monroe, Che, and Eight Elvises. • He studied art at Carnegie Mellon University in Pittsburgh. • He worked with different forms of media such as: painting, printmaking, photography, drawing, sculpture, film and music. • On one of his first jobs his name was misspelled as "Warhol“ and he liked it. • He explored pop culture with brands like Coca Cola, Campbells’ and Watties' soup. In 1961, he began to mass-produce commercial goods with his art. He called it Pop Art. One example was the Campbell's Soup cans. In one of his paintings, he had two hundred Campbell's soup cans. • Andy also used pictures of famous people, repeating the same portrait over and over in different colors. He painted Marilyn Monroe, Elvis Presley, Elizabeth Taylor, and Mao Zedong. He used bright colors and silk screening techniques to create his artwork in large quantities. • He opened a new art studio called "The Factory" where he painted, held parties and sold a lot of his art to celebrities. He also founded the New York Academy of Art in 1979. • In 1968, he was shot three times by a woman named Valerie Solanas but he survived. What was the name of his studio where he sold art to celebrities? Question A. Carnegie Mellon B. New York Academy of Art C. Solanas Question D. -
A Quick Guide to Scholarly Publishing
A QUICK GUIDE TO SCHOLARLY PUBLISHING GRADUATE WRITING CENTER • GRADUATE DIVISION UNIVERSITY OF CALIFORNIA • BERKELEY Belcher, Wendy Laura. Writing Your Journal Article in 12 Weeks: A Guide to Academic Publishing Success. Thousand Oaks, CA: SAGE Publications, 2009. Benson, Philippa J., and Susan C. Silver. What Editors Want: An Author’s Guide to Scientific Journal Publishing. Chicago: University of Chicago Press, 2013. Derricourt, Robin. An Author’s Guide to Scholarly Publishing. Princeton, NJ: Princeton University Press, 1996. Germano, William. From Dissertation to Book. 2nd ed. Chicago Guides to Writing, Editing, and Publishing. Chicago: University of Chicago Press, 2013. ———. Getting It Published: A Guide for Scholars and Anyone Else Serious about Serious Books. 3rd ed. Chicago: University of Chicago Press, 2016. Goldbort, Robert. Writing for Science. New Haven & London: Yale University Press, 2006. Harman, Eleanor, Ian Montagnes, Siobhan McMenemy, and Chris Bucci, eds. The Thesis and the Book: A Guide for First- Time Academic Authors. 2nd ed. Toronto: University of Toronto Press, 2003. Harmon, Joseph E., and Alan G. Gross. The Craft of Scientific Communication. Chicago: University of Chicago Press, 2010. Huff, Anne Sigismund. Writing for Scholarly Publication. Thousand Oaks, CA: SAGE Publications, 1999. Luey, Beth. Handbook for Academic Authors. 5th ed. Cambridge, UK: Cambridge University Press, 2009. Luey, Beth, ed. Revising Your Dissertation: Advice from Leading Editors. Updated ed. Berkeley: University of California Press, 2007. Matthews, Janice R., John M. Bowen, and Robert W. Matthews. Successful Scientific Writing: A Step-by-Step Guide for the Biological and Medical Sciences. 3rd ed. Cambridge, UK: Cambridge University Press, 2008. Moxley, Joseph M. PUBLISH, Don’t Perish: The Scholar’s Guide to Academic Writing and Publishing. -
Academic Writing
Academic Writing Most international students need to write essays and reports for exams and coursework, but writing good academic English is one of the most demanding tasks students face. This new, fourth edition of Academic Writing: A Handbook for International Students has been completely revised to help students reach this goal. The four main parts of Academic Writing are: • The Writing Process • Elements of Writing • Vocabulary for Writing • Writing Models Each part is divided into short units that contain examples, explanations and exercises, for use in the classroom or for self-study. The units are clearly organised to allow teachers and students to find the help they need with writing tasks, while cross-referencing allows easy access to relevant sections. In the first part, each stage of the writing process is demonstrated and practised, from selecting suitable sources, reading, note-making and planning through to rewriting and proofreading. The fourth edition of this popular book builds on the success of the earlier editions, and has a special focus on the vital topic of academic vocabulary in Part 3, ‘Vocabulary for Writing’. Part 3 deals with areas such as nouns and adjectives, adverbs and verbs, synonyms, prefixes and prepositions, in an academic context. More key features of the book include: • All elements of writing are clearly explained, with a full glossary for reference • Models provided for all types of academic texts: essays, reports, reviews and case studies • Full range of practice exercises, with answer key included • Use of authentic academic texts • A companion website offers further practice with a range of additional exercises • Fully updated, with sections on finding electronic sources and evaluating Internet material All international students wanting to maximise their academic potential will find this practical and easy-to-use book an invaluable guide to writing in English for their degree courses. -
Using a Survey of Writing Assignments to Make Informed Curricular Decisions
WPA: Writing Program Administration, Volume 8, Number 3, Spring 1985 © Council of Writing Program Administrators Using a Survey of Writing Assignments to Make Informed Curricular Decisions Jeanette Harris and Christine Hult Because almost every member of an English department teaches fresh man composition, all too often the course is shaped by the diverse theories and inclinations of those who teach it. Many English faculty, especially those trained in literature, still believe that freshman composi tion should teach students how to read and write about literature. Others see its purpose as teaching students to write about themselves. Still others insist that freshman composition should give students tradi tional instruction in the rhetorical modes. But increasing numbers are convinced that freshman composition, if it is to survive as part of a college's or university's core curriculum, must prepare students for majors in other disciplines. In fact, the academic community accepts the usual composition requirement because it assumes we are providing students with generally useful writing skills-not only those that stu dents need in their academic lives but also those they will later need in their professional lives. In order to discover the writing skills needed by students, we must move beyond the confines of our own discipline and into the academic community at large. Although much has been written about our obliga tion to extend writing instruction across the curriculum, very little attention has been given to an equally important obligation; our respon sibility to incorporate the writing assignments of other disciplines into ourown curricula. As Arthur M. Eastman suggested in a paper presented at the 1981 annual meeting of the Modern Language Association, our mission to teach literacy is two-fold. -
Publishing and Academic Writing: Experiences of Authors Who Have
Publishing and Academic Writing: Experiences of Authors Who Have Published in PROFILE*1 Publicación y escritura académica: experiencias de autores que han publicado en PROFILE Melba L. Cárdenas2** Universidad Nacional de Colombia, Bogotá, Colombia The increase in the publication of academic journals is closely related to the growing interest of re- search communities as well as of institutional policies that demand visibility of the work done by their staff through publications in highly-ranked journals. The purpose of this paper is to portray the experi- ences of some authors who published their articles in the PROFILE journal, which is edited in Colombia, South America. Data were gathered using a survey carried out through the use of a questionnaire. The results indicate the reasons the authors submitted their manuscripts, their experiences along the process of publication, and what the publication of their articles in the journal has meant to them. The authors’ responses and the reflections derived from them also show that despite the difficulties faced, there were achievements and lessons learned as well as challenges ahead to ensure the sustainability of the journal and teachers’ empowerment. Key words: Academic journals, getting published, PROFILE Journal, publishing articles, teachers as writers. El aumento de la publicación de artículos en revistas académicas está relacionado con el creciente interés en ello por parte de los grupos de investigación, así como con las políticas institucionales que buscan dar mayor visibilidad a sus trabajos. El objetivo de este artículo es recoger las experiencias de algunos autores que publicaron en la revista PROFILE, editada en Colombia, Sur América. -
Buying In, Selling Short: a Pedagogy Against the Rhetoric of Online Paper Mills
Buying In, Selling Short: A Pedagogy against the Rhetoric of Online Paper Mills Kelly Ritter I don’t cheat, but not because it is unacceptable. I don’t cheat because I’m picky about my work and would never use someone else’s, especially if they didn’t write as well as me. — English 101 student Unlike other forms of academic dishonesty, which are driven only by the desire for a reward or at least the pursuit of a discrete “right” answer, pla- giarism is additionally, and importantly, reliant on students’ perceptions of authorship. The purchase of essays from paper mill Web sites, as one of the more egregious forms of plagiarism, is generally undertheorized in English studies, perhaps because it is often viewed as a less complicated problem in the context of larger, more “forgivable” acts such as the visible rise of cut and paste and other types of academic dishonesty at the postsecondary level. Clearly, however, the advent of digital technologies that allow access to completed papers on a variety of topics, often at a low price or at no cost and delivered instantly to one’s e-mail inbox, has created valid concern among faculty, especially those involved in the teaching of writing.1 This concern has generated a great amount of discussion about detecting such wholesale (and frequently labeled as criminal) plagiarism, diverting attention away from Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture Volume 6, Number 1, © 2006 Duke University Press 25 the more productive discussion of how faculty might prevent such plagiarism from occurring in the first place. -
Hermeneutics: a Literary Interpretive Art
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2019 Hermeneutics: A Literary Interpretive Art David A. Reitman The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3403 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] HERMENEUTICS: A LITERARY INTERPRETATIVE ART by DAVID A. REITMAN A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 © 2019 DAVID A. REITMAN All Rights Reserved ii Hermeneutics: A Literary Interpretative Art by David A. Reitman This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date George Fragopoulos Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Hermeneutics: A Literary Interpretative Art by David A. Reitman Advisor: George Fragopoulos This thesis examines the historical traditions of hermeneutics and its potential to enhance the process of literary interpretation and understanding. The discussion draws from the historical emplotment of hermeneutics as literary theory and method presented in the Norton Anthology of Theory and Criticism with further elaboration from several other texts. The central aim of the thesis is to illuminate the challenges inherent in the literary interpretive arts by investigating select philosophical and linguistic approaches to the study and practice of literary theory and criticism embodied within the canonical works of the Anthology. -
Lucy Sparrow Photo: Dafydd Jones 18 Hot &Coolart
FREE 18 HOT & COOL ART YOU NEVER FELT LUCY SPARROW LIKE THIS BEFORE DAFYDD JONES PHOTO: LUCY SPARROW GALLERIES ONE, TWO & THREE THE FUTURE CAN WAIT OCT LONDON’S NEW WAVE ARTISTS PROGRAMME curated by Zavier Ellis & Simon Rumley 13 – 17 OCT - VIP PREVIEW 12 OCT 6 - 9pm GALLERY ONE PETER DENCH DENCH DOES DALLAS 20 OCT - 7 NOV GALLERY TWO MARGUERITE HORNER CARS AND STREETS 20 - 30 OCT GALLERY ONE RUSSELL BAKER ICE 10 NOV – 22 DEC GALLERY TWO NEIL LIBBERT UNSEEN PORTRAITS 1958-1998 10 NOV – 22 DEC A NEW NOT-FOR-PROFIT LONDON EXHIBITION PLATFORM SUPPORTING THE FUSION OF ART, PHOTOGRAPHY & CULTURE Art Bermondsey Project Space, 183-185 Bermondsey Street London SE1 3UW Telephone 0203 441 5858 Email [email protected] MODERN BRITISH & CONTEMPORARY ART 20—24 January 2016 Business Design Centre Islington, London N1 Book Tickets londonartfair.co.uk F22_Artwork_FINAL.indd 1 09/09/2015 15:11 THE MAYOR GALLERY FORTHCOMING 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com EXHIBITIONS WIFREDO ARCAY CUBAN STRUCTURES THE MAYOR GALLERY 13 OCT - 20 NOV Wifredo Arcay (b. 1925, Cuba - d. 1997, France) “ETNAIRAV” 1959 Latex paint on plywood relief 90 x 82 x 8 cm 35 1/2 x 32 1/4 x 3 1/8 inches WOJCIECH FANGOR WORKS FROM THE 1960s FRIEZE MASTERS, D12 14 - 18 OCT Wojciech Fangor (b.1922, Poland) No. 15 1963 Oil on canvas 99 x 99 cm 39 x 39 inches STATE_OCT15.indd 1 03/09/2015 15:55 CAPTURED BY DAFYDD JONES i SPY [email protected] EWAN MCGREGOR EVE MAVRAKIS & Friend NICK LAIRD ZADIE SMITH GRAHAM NORTON ELENA SHCHUKINA ALESSANDRO GRASSINI-GRIMALDI SILVIA BRUTTINI VANESSA ARELLE YINKA SHONIBARE NIMROD KAMER HENRY HUDSON PHILIP COLBERT SANTA PASTERA IZABELLA ANDERSSON POPPY DELEVIGNE ALEXA CHUNG EMILIA FOX KARINA BURMAN SOPHIE DAHL LYNETTE YIADOM-BOAKYE CHIWETEL EJIOFOR EVGENY LEBEDEV MARC QUINN KENSINGTON GARDENS Serpentine Gallery summer party co-hosted by Christopher Kane. -
Grammar for Academic Writing
GRAMMAR FOR ACADEMIC WRITING Tony Lynch and Kenneth Anderson (revised & updated by Anthony Elloway) © 2013 English Language Teaching Centre University of Edinburgh GRAMMAR FOR ACADEMIC WRITING Contents Unit 1 PACKAGING INFORMATION 1 Punctuation 1 Grammatical construction of the sentence 2 Types of clause 3 Grammar: rules and resources 4 Ways of packaging information in sentences 5 Linking markers 6 Relative clauses 8 Paragraphing 9 Extended Writing Task (Task 1.13 or 1.14) 11 Study Notes on Unit 12 Unit 2 INFORMATION SEQUENCE: Describing 16 Ordering the information 16 Describing a system 20 Describing procedures 21 A general procedure 22 Describing causal relationships 22 Extended Writing Task (Task 2.7 or 2.8 or 2.9 or 2.11) 24 Study Notes on Unit 25 Unit 3 INDIRECTNESS: Making requests 27 Written requests 28 Would 30 The language of requests 33 Expressing a problem 34 Extended Writing Task (Task 3.11 or 3.12) 35 Study Notes on Unit 36 Unit 4 THE FUTURE: Predicting and proposing 40 Verb forms 40 Will and Going to in speech and writing 43 Verbs of intention 44 Non-verb forms 45 Extended Writing Task (Task 4.10 or 4.11) 46 Study Notes on Unit 47 ii GRAMMAR FOR ACADEMIC WRITING Unit 5 THE PAST: Reporting 49 Past versus Present 50 Past versus Present Perfect 51 Past versus Past Perfect 54 Reported speech 56 Extended Writing Task (Task 5.11 or 5.12) 59 Study Notes on Unit 60 Unit 6 BEING CONCISE: Using nouns and adverbs 64 Packaging ideas: clauses and noun phrases 65 Compressing noun phrases 68 ‘Summarising’ nouns 71 Extended Writing Task (Task 6.13) 73 Study Notes on Unit 74 Unit 7 SPECULATING: Conditionals and modals 77 Drawing conclusions 77 Modal verbs 78 Would 79 Alternative conditionals 80 Speculating about the past 81 Would have 83 Making recommendations 84 Extended Writing Task (Task 7.13) 86 Study Notes on Unit 87 iii GRAMMAR FOR ACADEMIC WRITING Introduction Grammar for Academic Writing provides a selective overview of the key areas of English grammar that you need to master, in order to express yourself correctly and appropriately in academic writing. -
A Report from Kyoto University Academic Writing Courses Autho
Students' Perceptions of Difficulties with Academic Writing: A Title Report from Kyoto University Academic Writing Courses Author(s) Dalsky, David; Tajino, Akira Citation 京都大学高等教育研究 (2007), 13: 45-52 Issue Date 2007-12-01 URL http://hdl.handle.net/2433/54214 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University 京都大学高等教育研究第13 号 (2007) Students'Perceptions Students'Perceptions of Difficulties with Academic Writing: A Report from Kyoto University Academic Writing Courses David Dalsky (Graduate (Graduate School of Human and Environmental Studies, Kyoto University) Akira Tajino (Center (Center for the Promotion of Excellence in Higher Education, Kyoto University) Summary Academic writing is one of the keys to success in students'academic lives, yet one of the most difficult skills to learn. learn. In 2006, Kyoto University adopted a new English curriculum in Liberal Arts and General Education requiring all first-year first-year and second-year students to enroll in academic English courses. This paper aims to identify and report the difficulties difficulties students face in the process of academic writing in their transition from high school to their first and second year year at the university. The study discussed in this paper was conducted in two first-year academic writing courses and one second-year academic writing course at Kyoto University in spring 2007. At the end of the term, the students completed completed a survey about their perceptions of difficulties with the content of the course. The first-year students reported most difficulty with adapting to the transition from high school practical English (English for General Purposes) to university university academic English (English for Academic Purposes), especially with writing in a formal style and thinking about about the rules of academic writing. -
Vintage Game Consoles: an INSIDE LOOK at APPLE, ATARI
Vintage Game Consoles Bound to Create You are a creator. Whatever your form of expression — photography, filmmaking, animation, games, audio, media communication, web design, or theatre — you simply want to create without limitation. Bound by nothing except your own creativity and determination. Focal Press can help. For over 75 years Focal has published books that support your creative goals. Our founder, Andor Kraszna-Krausz, established Focal in 1938 so you could have access to leading-edge expert knowledge, techniques, and tools that allow you to create without constraint. We strive to create exceptional, engaging, and practical content that helps you master your passion. Focal Press and you. Bound to create. We’d love to hear how we’ve helped you create. Share your experience: www.focalpress.com/boundtocreate Vintage Game Consoles AN INSIDE LOOK AT APPLE, ATARI, COMMODORE, NINTENDO, AND THE GREATEST GAMING PLATFORMS OF ALL TIME Bill Loguidice and Matt Barton First published 2014 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2014 Taylor & Francis The right of Bill Loguidice and Matt Barton to be identified as the authors of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.