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Indo-Russia-A-Connect-Over-Millennia.Pdf
Autobiography of India Indo Russia Connect Autobiography of India INDIA CONNECTS INDO - RUSSIA A Connect Over Millennia D.K.HARI D.K.HEMA HARI BHARATH GYAN SERIES Bridging Worlds Thru Knowledge Experience The Knowledge Of India Indo – Russia A Connect Over Millennia 2 / 165 Autobiography of India Indo Russia Connect Dedication This book is a part of our series, Autobiography of India, dedicated to our twin nephews, Aditya and Varun, who along with millions of other children world over, represent for us, the future of India and the world. It is our way of transmitting to them what we have learnt from our ancestors, about our ancestors and their way of sustaining themselves and the ecosystem around them for their sustained prosperity. Also, with their names, Aditya, the name for the divine Sun and Varun, the name of the divinity for Rain, they are for us, constant reminders of how blessed this land Bharatavarsha is, to receive bountiful rain and shine consistently. Rain and Shine are what our ancestors had leveraged ingeniously which made them last across generations, as a long-lasting, prosperous civilization and a role model for millennia. Aditya and Varun seem to be telling us all, Of what use is it to complain and whine? If you do not leverage your rain and shine! It is time we also start harnessing the Rain and Shine wisely and with responsibility, for the future of this civilization as well as mankind. We get a Rainbow, Indradhanush, only when there is Rain and Shine together! It is called Indra’s Dhanush, bow, as the spectrum of colours they produce, arc the sky like a bow. -
Sculptor Nina Slobodinskaya (1898-1984)
1 de 2 SCULPTOR NINA SLOBODINSKAYA (1898-1984). LIFE AND SEARCH OF CREATIVE BOUNDARIES IN THE SOVIET EPOCH Anastasia GNEZDILOVA Dipòsit legal: Gi. 2081-2016 http://hdl.handle.net/10803/334701 http://creativecommons.org/licenses/by/4.0/deed.ca Aquesta obra està subjecta a una llicència Creative Commons Reconeixement Esta obra está bajo una licencia Creative Commons Reconocimiento This work is licensed under a Creative Commons Attribution licence TESI DOCTORAL Sculptor Nina Slobodinskaya (1898 -1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 TESI DOCTORAL Sculptor Nina Slobodinskaya (1898-1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 Programa de doctorat: Ciències humanes I de la cultura Dirigida per: Dra. Maria-Josep Balsach i Peig Memòria presentada per optar al títol de doctora per la Universitat de Girona 1 2 Acknowledgments First of all I would like to thank my scientific tutor Maria-Josep Balsach I Peig, who inspired and encouraged me to work on subject which truly interested me, but I did not dare considering to work on it, although it was most actual, despite all seeming difficulties. Her invaluable support and wise and unfailing guiadance throughthout all work periods were crucial as returned hope and belief in proper forces in moments of despair and finally to bring my study to a conclusion. My research would not be realized without constant sacrifices, enormous patience, encouragement and understanding, moral support, good advices, and faith in me of all my family: my husband Daniel, my parents Andrey and Tamara, my ount Liubov, my children Iaroslav and Maria, my parents-in-law Francesc and Maria –Antonia, and my sister-in-law Silvia. -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
Painting the Masters. the Mystery of Hermann Schmiechen
Painting the Masters The Mystery of Hermann Schmiechen Massimo Introvigne (UPS, Torino, Italy) Besançon’s Forbidden Image One of the first books where sociology of religion met history of art was L’image interdite. Une histoire intellectuelle de l’iconoclasme, published by French social historian Alain Besançon in 1994 Iconoclasm vs Iconodulism The controversial book argued that Western art history is defined by opposition between iconoclasm (i.e the idea that the sacred should not be represented visually) and iconodulism (i.e support for sacred images) Although the terminology dates back to the Byzantine iconoclastic riots of the 8th century (right), modern Western iconoclasm originated with John Calvin (1509-1564) and became culturally dominant after the Enlightenment Iconoclasm: not against art, but against an art representing God or divine spirits Besançon’s definition of iconoclasm is not identical with some dictionary definitions of the same word. For him, iconoclasm is not against art and may even promote it. It only excludes from the field of art the representation of God and divine spirits or beings Image of Byzantine Emperor Leo III (685-741) on a coin: Leo, a leading iconoclast, was obviously not against representing himself Abstract Art as Iconoclasm Besançon* also argued that: 1. Iconoclasm is a distinctive trait of modernity, and abstract art is its most mature fruit 2. Symbolism, at first sight anti-iconoclastic, by substituting the Christian foundations of sacred art with a very different esoteric spirituality, in fact prepared the way for abstract iconoclasm 3. Several abstract painters, including Piet Mondrian (1872- 1944) passed at one stage through symbolism (Evolution, 1910-1911, left) * … with whom I do not necessarily agree Besançon and Theosophy Besançon claimed to be among the first social historians to devote serious attentions to Madame Blavatsky (1831-1891) and other Theosophical classics. -
Friedrichs Type Inequalities in Arbitrary Domains
Friedrichs type inequalities in arbitrary domains Andrea Cianchi Vladimir Maz’ya To Ari Laptev on the occasion of his 70th birthday 1 Introduction Almost one century ago, in his paper [8] on boundary value and eigenvalue problems in the elasticity theory of plates, K.Friedrichs showed that, given a bounded open set Ω R2 satisfying a very mild regularity condition on the boundary ∂Ω, there exists a constant⊂ C = C(Ω) such that u 2 Ω C u 2 Ω + u 2 Ω (1.1) k kL ( ) ≤ k∇ kL ( ) k kL (∂ ) for every sufficiently smooth function u : Ω R. Here, 2 Ω stands for the → k · kL (∂ ) L2-norm on ∂Ω with respect to the (n 1)-dimensional Hausdorff measure. As noticed in the same paper, an application of inequality− (1.1) to the first-order derivatives of u yields 2 u 2 Ω C u 2 Ω + u 2 Ω (1.2) k∇ kL ( ) ≤ k∇ kL ( ) k∇ kL (∂ ) for some constant C = C(Ω). Inequality (1.1) can be regarded as a forerunner of inequalities in Sobolev type spaces involving trace norms over the boundary of the underlying domain. The latter play a role in a variety of problems in the theory of partial differential equations, including the analysis of solutions to elliptic equations subject to Robin boundary conditions. Criteria for the validity of inequalities of the form u Lq (Ω) C u L p (Ω) + C u Lr (∂Ω), (1.3) k k ≤ 1 k∇ k 2 k k A. Cianchi: Dipartimento di Matematica e Informatica “U.Dini", Università di Firenze, Viale Mor- gagni 67/a 50134, Firenze (Italy); email: andrea.ciamchi@unifi.it V. -
$ L^ P $ Solvability of the Stationary Stokes Problem on Domains With
Abstract The Dirichlet boundary value problem for the Stokes operator with Lp data in any dimension on domains with conical singularity (not necessary a Lipschitz graph) is considered. We establish the solvability of the problem for all p ∈ (2 − ε, ∞] and also its solvability in C(D) for the data in C(∂D). arXiv:1007.5495v1 [math.AP] 30 Jul 2010 1 Lp solvability of the Stationary Stokes problem on domains with conical singularity in any dimension ∗ Martin Dindos The University of Edinburgh and Maxwell Institute of Mathematical Sciences JCMB, The King’s Buildings Mayfield Road, Edinburgh EH9 3JZ, Scotland [email protected] Vladimir Maz’ya Department of Mathematical Sciences, M&O Building, University of Liverpool, Liverpool L69 7ZL, UK and Department of Mathematics, Link¨oping University, SE-581 83 Link¨oping, Sweden [email protected] In memory of Michael Sh. Birman Keywords: Lam´eand Stokes systems, Lp solvability, Dirichlet problem 1 Introduction In this paper we study the Stokes system (which is the linearized version of the stationary Navier-Stokes system) on a fixed domain D ⊂ Rn, for n ≥ 3. In fact, we establish our result for a both Lam´esystem (ν < 1/2) and the Stokes system (ν = 1/2). We want to consider a classical question of the solvability of the Lp Dirichlet problem on the domain D. Let us recall that the Dirichlet problem for the system (1.1) is Lp solvable on the domain D if for all vector fields f ∈ Lp(∂D) there is a pair of (u, p) (here u : D → Rn, p : D → R) such that − ∆u + ∇p = 0, div u + (1 − 2ν)p =0 in D, (1.1) u ∂D = f almost everywhere, ∗ p u ∈ L (∂D), ∗Mathematics Subject Classifications: 35J57, 35J47 2 and moreover for some C > 0 independent of f the estimate ∗ ku kLp(∂D) ≤ CkfkLp(∂D) holds. -
Curriculum Vitae
Umberto Mosco WPI Harold J. Gay Professor of Mathematics May 18, 2021 Department of Mathematical Sciences Phone: (508) 831-5074, Worcester Polytechnic Institute Fax: (508) 831-5824, Worcester, MA 01609 Email: [email protected] Curriculum Vitae Current position: Harold J. Gay Professor of Mathematics, Worcester Polytechnic Institute, Worcester MA, U.S.A. Languages: English, French, German, Italian (mother language) Specialization: Applied Mathematics Research Interests:: Fractal and Partial Differential Equations, Homog- enization, Finite Elements Methods, Stochastic Optimal Control, Variational Inequalities, Potential Theory, Convex Analysis, Functional Convergence. Twelve Most Relevant Research Articles 1. Time, Space, Similarity. Chapter of the book "New Trends in Differential Equations, Control Theory and Optimization, pp. 261-276, WSPC-World Scientific Publishing Company, Hackenseck, NJ, 2016. 2. Layered fractal fibers and potentials (with M.A.Vivaldi). J. Math. Pures Appl. 103 (2015) pp. 1198-1227. (Received 10.21.2013, Available online 11.4.2014). 3. Vanishing viscosity for fractal sets (with M.A.Vivaldi). Discrete and Con- tinuous Dynamical Systems - Special Volume dedicated to Louis Niren- berg, 28, N. 3, (2010) pp. 1207-1235. 4. Fractal reinforcement of elastic membranes (with M.A.Vivaldi). Arch. Rational Mech. Anal. 194, (2009) pp. 49-74. 5. Gauged Sobolev Inequalities. Applicable Analysis, 86, no. 3 (2007), 367- 402. 6. Invariant field metrics and dynamic scaling on fractals. Phys. Rev. Let- ters, 79, no. 21, Nov. (1997), pp. 4067-4070. 7. Variational fractals. Ann. Scuola Norm. Sup. Pisa Cl. Sci. (4) 25 (1997) No. 3-4, pp. 683-712. 8. A Saint-Venant type principle for Dirichlet forms on discontinuous media (with M. -
145 1 Empire and Occultism
NOTES 1 Empire and Occultism 1. Eric Mahoney, Religious Syncretism (London: SCM Press, 2006). 2. Quoted from Speech Genres, 2, by Joseph Roach, Cities of the Dead: Circum-Atlantic Performance (New York: Columbia University Press, 1996), 187. 3. For magic and the marvellous, Gordon in Valerie Flint, Richard Gordon, Georg Luck and Daniel Ogden, The Athlone History of Witchcraft and Magic in Europe, vol. 2, Ancient Greece and Rome (London: Athlone Press 1999), 168ff. 4. Roger Griffin, Modernism and Fascism: The Sense of a Beginning under Mussolini and Hitler (Basingstoke: Palgrave Macmillan, 2007). 5. Griffin’s introduction to Ben Hutchinson, Modernism and Style (Basingstoke: Palgrave Macmillan, 2011), xii; idem, Terrorist’s Creed: Fanatical Violence and the Human Need for Meaning (Basingstoke: Palgrave Macmillan, 2012), 53, 73. Key terms from Griffin’s work will intermittently recur in this study. 6. Suzanne Marchand, German Orientalism in the Age of Empire: Religion, Race, and Scholarship (New York: Cambridge University Press, 2010). 7. Ibid., 256 for the ‘reconvergence’ point. 8. Mahoney, Syncretism, 118. 9. Gary Lachman, Madame Blavatsky: The Mother of Modern Spirituality (New York: Tarcher/Penguin USA, 2012); Stephen Prothero, The White Buddhist: The Asian Odyssey of Henry Steel Olcott (Bloomington: Indiana University Press, 2012); Joscelyn Godwin, The Theosophical Enlightenment (Albany: SUNY Press, 1994). 10. Martha Shuchard, Restoring the Temple of Vision: Cabalistic Freemasonry and Stuart Culture (Leiden: Brill, 2002). There are Masonic ‘survivals’ and Cabalistic allusions in Theosophy, but these did not greatly impact on the art world. 11. Catherine Wessinger, Annie Besant and Progressive Messianism, 1874–1933 (Lewiston, NY: Edwin Mellen Press, 1988); Gregory Tillett, The Elder Brother: A Biography of Charles Webster Leadbeater (London: Routledge Kegan Paul, 1982). -
Nicholas Roerich - a Quest and a Legacy Edited by Dr
Invitation Cultural Wing of the High Commission of India 8 South Audley Street, Mayfair London W1K 1HF, United Kingdom Tel. +44 (0)20 7491 3567 The Nehru Centre, Niyogi Books and Kodansha Europe sincerely hope you will be able to join us for Lectures and a Panel Discussion in Celebration of the Publication of a new book of essays by prominent scholars and contributors entitled Nicholas Roerich - A Quest and A Legacy Edited by Dr. Manju Kak at The Nehru Centre 8 South Audley Street, Mayfair, London on Thursday, September 5th 2013 at 6:30 pm. Refreshments will be served. Doors will be open from 5:45 pm (see below for further details) Portrait of Nicholas Roerich in a Tibetan Robe by Svetoslav Roerich, 1933. In the Nicholas Roerich Museum, New York. R.S.V.P. Nicholas Roerich - A Quest & A Legacy If you are able to join us, it would be most helpful if you CONTENTS could let us know at: [email protected] An Introduction - Manju Kak Nicholas Roerich: Artist and Messiah - Madhavan K. Palat What is the draw and pull of a man Glimpses of Inner Asia - Suchandana Chatterjee who was a mystic, a painter of moun- tains and a formulator of transcenden- A Caravan in Time and Space - L.V. Shaposhnikova tal philosophies of great depth? Nich- Luminosity and the Natural Mind - Andrea Loseries olas Roerich continues to arouse the interest of extensive scholarship, both The Central Asian Expedition - A.V. Stecenko adulatory and critical. Some give him The Mountain of the Five Treasures - Ringee Eden Wangdi the status of a demigod, while others The Chintamani Stone - Ian Heron relegate him to being a maverick, an adventurer with megalomaniacal de- Conditional Love - John McCannon lusions. -
Abstract and Applied Analysis, Volume 2011, Article ID 545264, 19 Pages, 2011
Nikolai Azbelev −−− the Giant of Causal Mathematics Efim A. Galperin Universite du Quebec a Montreal, Canada One of the greatest mathematicians of all times, Nikolai Viktorovich Azbelev has died. He is one of those great scholars who rise to lasting prominence after leaving this world of fast market values in science. He left immortal ideas that are changing mathematics. I met him 20 years ago at the first world Congress of Nonlinear Analysts (1992) in Tampa, USA, and later in Ariel and Athens. We talked a lot about differential equations with deviating arguments, the branch of mathematics not duly recognized at the time and, I am afraid, not clearly understood right now. The classical theories of ODEs and PDEs well presented in all textbooks, monographs and high level articles in mathematics are physically invalid, and Nikolai Azbelev felt it strongly although he could not tell it from the podium of a congress. Even now, it is not common to talk about it. To put things straight, consider the 2nd law of Newton usually formulated in textbooks as follows: ma = mx’’ = F(t, x, v), v = x’ = lim[x(t+ dt) – x(t)]/dt as dt→ 0. Here the mass m is presumed to be constant. For m ≠ const, Georg Buquoy proposed (1812) another formula: mdv + (v – w)dm = F(t, x, v)dt where v – w is the relative velocity with which dm is ejected from a moving body. Both formulas are however non-causal, thus physically invalid, since at any current moment t, the value x(t + dt), dt > 0, does not exist and cannot be known (measured) at a future moment t + dt > t not yet realized. -
Differences and Sameness
Diferences and Sameness: Abstract Secularity in the Case of Nicholas Roerich1 The article explores the conceptual structures behind secularity and associated concepts such as immanence versus transcendence and progress versus anachronism by drawing on the life and Mi You and Eszter Szakács activities of Nicholas Roerich (1874–1947). Roerich was a Russian painter, theosophist and archaeolo- gist. He established his reputation both as a spiritual leader and as a painter mixing syncretic religious symbols, from Orthodox Mi You (由宓) is a curator, researcher, and academic staff member at the Academy of Christianity, Theosophy to Tibetan Buddhism. Together with his Media Arts in Cologne. Her long-term research and curatorial project takes the Silk Road as a figuration for deep-time, deep-space, de-centralised and nomadic imageries. Under wife, he pursued—and ultimately failed—to establish Shambhala this theme she has curated a series of performative programmes at the Asian Culture (paradise in Tibetan Buddhism) in the area from Tibet to South- Center Theatre in Gwangju, South Korea, and the inaugural Ulaanbaatar International ern Siberia, in a time of great geopolitical tension. Media Art Festival, Mongolia (2016). Her academic interests lie in performance philoso- phy, science and technology studies, as well as philosophy of immanence in Eastern and Western traditions. She is a Fellow of the Alexander von Humboldt Foundation (Germany) We argue that Roerich’s enterprise emerges from the ruins of and serves as advisor to The Institute for Provocation (Beijing). multiple broken orders: the empire/transnationalism, tradi- Eszter Szakács is a curator and editor based in Budapest. She has worked at tranzit.hu tionalism, mysticism, religiosity and Communism on the one since 2011. -
Modernism and the Spiritual in Russian Art New Perspectives
Modernism and the Spiritual in Russian Art New Perspectives EDITED BY LOUISE HARDIMAN AND NICOLA KOZICHAROW https://www.openbookpublishers.com © 2017 Louise Hardiman and Nicola Kozicharow. Copyright of each chapter is maintained by the author. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Louise Hardiman and Nicola Kozicharow, Modernism and the Spiritual in Russian Art: New Perspectives. Cambridge, UK: Open Book Publishers, 2017, https://doi.org/10.11647/OBP.0115 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/609#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/609#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. The publication of this volume has been made possible by a grant from the Scouloudi Foundation in association with the Institute of Historical Research at the School of Advanced Study, University of London.