DOCSLIB.ORG

Zainichi (Koreans in Japan): Diasporic Nationalism and Postcolonial Identity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zainichi (Koreans in Japan): Diasporic Nationalism and Postcolonial Identity Zainichi (Koreans in Japan): Diasporic Nationalism and Postcolonial Identity John Lie Published in association with University of California Press Description: This book traces the origins and transformations of a people—the Zainichi, migrants from the Korean peninsula to Japan and their descendants. Using a wide range of arguments and evidence—historical and comparative, political and social, literary and pop-cultural—John Lie reveals the social and historical conditions that gave rise to Zainichi identity, while simultaneously demonstrating its complex, fractured, even ephemeral nature. Key to understanding Zainichi ideology are, for Lie, the nationalist yearnings it expressed from a condition of diaspora and discrimination. Lie’s nuanced treatment acknowledges both the tragic and triumphant qualities embedded in this formulation, while resisting the essentialism it implies. Rather, he embraces the vicissitudes of the lived experience of Koreans in Japan, shedding light on the vexing topics of diaspora, migration, identity, and group formation. Author: John Lie is Class of 1959 Professor of Sociology and Dean of International and Area Studies at the University of California, Berkeley. Zainichi (Koreans in Japan) UUC-Lie-revises.inddC-Lie-revises.indd i 88/27/2008/27/2008 11:12:27:12:27 PPMM UUC-Lie-revises.inddC-Lie-revises.indd iiii 88/27/2008/27/2008 11:12:44:12:44 PPMM Zainichi (Koreans in Japan) Diasporic Nationalism and Postcolonial Identity John Lie Global, Area, and International Archive University of California Press Berkeley los Angeles London UUC-Lie-revises.inddC-Lie-revises.indd iiiiii 88/27/2008/27/2008 11:12:45:12:45 PPMM Frontispiece: Y. David Chung, Satisfaction (detail), 1993, graphite and watercolor. The Global, Area, and International Archive (GAIA) is an initiative of International and Area Studies, University of California, Berkeley, in partnership with the University of California Press, the California Digital Library, and international research programs across the UC system. GAIA volumes, which are published in both print and open- access digital editions, represent the best traditions of regional studies, reconfigured through fresh global, transnational, and thematic perspectives. University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2008 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Lie, John. Zainichi (Koreans in Japan) : diasporic nationalism and postcolonial identity / John Lie. p. cm. — (Global, area, and international archive) Includes bibliographical references and index. isbn : 978-0-520-25820-4 (pbk. : alk. paper) 1. Koreans — Japan. 2. Japan — Ethnic relations. I. Title. DS832.7.K6L54 2008 305.895’7052 — dc22 2008019409 Manufactured in the United States of America 17 16 15 14 13 12 11 10 09 08 10 9 8 7 6 5 4 3 2 1 The paper used in this publication meets the minimum requirements of ansi/niso z r 39.48 – 1992 ( 1997) (Permanence of Paper). UUC-Lie-revises.inddC-Lie-revises.indd iivv 88/27/2008/27/2008 11:12:46:12:46 PPMM For Charis and Charlotte UUC-Lie-revises.inddC-Lie-revises.indd v 88/27/2008/27/2008 11:12:46:12:46 PPMM UUC-Lie-revises.inddC-Lie-revises.indd vvii 88/27/2008/27/2008 11:12:46:12:46 PPMM Contents Preface ix 1. Silence 1 2. Exile 32 3. Cunning 66 4. Recognition 97 5. Reconciliation 133 6. Reflections 168 References 195 Index 219 UUC-Lie-revises.inddC-Lie-revises.indd vviiii 88/27/2008/27/2008 11:12:46:12:46 PPMM UUC-Lie-revises.inddC-Lie-revises.indd vviiiiii 88/27/2008/27/2008 11:12:46:12:46 PPMM Preface Human beings may very well have a nesting instinct — a deep desire to settle down — but they have also uprooted themselves out of necessity or volition. These two impulses clashed mightily in the twentieth century. Governments frequently sought to enhance allegiance by fostering nation- alism — with its attendant beliefs in shared genealogy and geography, his- tory, and culture — but they also deployed soldiers and banished dissidents. Even as nationalism became a potent political ideology and at times a redemptive religion, people deracinated themselves in order to avoid dan- ger, pursue profi t, seek adventure, or follow kin. Korean nationalism fl our- ished when its largely rural population was profoundly and repeatedly unsettled by the looming threat of colonial subjection, the collapse of a long-lasting dynasty, the nascent but turbulent development of capitalist industrialization, the discipline and violence of Japanese colonialism, the murder and mayhem of a fratricidal war and the ensuing division of the putative homeland, and the consequent churnings of urbanization and modernization. Perhaps it is not surprising that people who live in inter- esting times should express heartfelt beliefs in their solidarity born of blood and soil, custom and tradition. Contradictory to the core, to be sure, but somehow complementary are the reality of change and difference and the ideology of stasis and commonality. This book focuses on a population (Koreans in Japan) and delineates the birth and transformation of a peoplehood identity (Zainichi). It is neither a comprehensive history of the Korean minority in Japan nor a systematic study of ethnogenesis and ethnic relations (there exist, even in English, many books on these topics: see for instance Mitchell 1967, Lee and De Vos 1981, Weiner 1989, Ryang 1997, Hicks 1998, Lie 2001, Chapman 2008, Ryang and Lie 2008). Instead, I stress the instability and complexity of a ix UUC-Lie-revises.inddC-Lie-revises.indd iixx 88/27/2008/27/2008 11:12:46:12:46 PPMM x / Preface postcolonial, diasporic identity in Japan called Zainichi, the literal transla- tion of which would be “residing in Japan,” with an inevitable inflection on its impermanence. One may very well be Zainichi Chinese or Zainichi American, but the term refers almost always — by ethnic Japanese and eth- nic Koreans alike — to a population of colonial-era migrants from the Korean peninsula that settled in the Japanese archipelago and their descendants. Nationalist discourse often asserts the chasm between Korea and Japan and the essential homogeneity of each population. This line of thinking minimizes or ignores connections, differences, and changes; thus there are Japanese in Japan and Koreans in Korea, but not Koreans in Japan or Japanese in Korea except as short-term sojourners. Ontologically speaking, Zainichi should somehow not exist. Reality is more complicated, confus- ing, confounding. Consider only the basic facts of nationality and name. During the colonial period (1910 – 45), Koreans living on both the Japanese archipelago and the Korean peninsula were Japanese imperial subjects. In spite of colonial racism, Japanese law and official discourse decreed ethnic Koreans as Japanese nationals and the Emperor’s children. The 1952 San Francisco Peace Treaty restored Japanese sovereignty but rescinded Japanese citizenship for ethnic Koreans remaining in Japan. Overnight, imperial subjects became resident foreigners; Japanese citizens became Koreans [Chösenjin] when there was no Korea, only two warring states claiming the mantle of Korea. By the end of the Korean War in 1953, the political division in the pen- insula rendered difficult what in English is an uncomplicated assertion of being “Korean.” Partisan politics, with more than an innuendo of racial discrimination, plagued the seemingly simple act of appellation. In Japan, the very name Korea became contested: Chösen — the common colonial- era appellation — came to refer to North Korea (Kita Chösen for North Korea, and Chösenjin for Koreans affiliated with North Korea). Simultaneously, Chösen — inflected by both colonial-era domination and postwar anticommunism — was a racial epithet. In the 1950s, the term for ethnic Koreans in Japan was Zainichi Chösenjin, reflecting in part the population’s overwhelming allegiance to North Korea (often called the “Republic” [Kyöwakoku]). Later, waning allegiance to the North, espe- cially after the 1965 Normalization Treaty between Japan and South Korea, required an explicit reference to the divided Korea: Kankoku was the pre- ferred South Korean term for (South) Korea and Kankokujin for Koreans affiliated with South Korea. Hence, the normative nomenclature in the 1970s and 1980s for the totality of ethnic Koreans in Japan was the rather cumbersome Zainichi Kankoku Chösenjin [resident South Koreans and UUC-Lie-revises.inddC-Lie-revises.indd x 88/27/2008/27/2008 11:12:46:12:46 PPMM Preface / xi North Koreans in Japan] — though those strongly allied with one of the two Koreas would prefer either Zainichi Kankokujin or Zainichi Chösenjin. When NHK — Japan’s national broadcasting service — aired a course on the Korean language in 1984, it avoided both renditions in Japanese [Chösengo or Kankokugo] and instead opted for the name of the script (han’gul) (Ömura 2003:267 – 84). By the 1980s, some used the English term “Korean” to neutralize the split between the two Koreas — Zainichi Korians [resident Koreans in Japan] (Önuma 2004:iv – v). Others preferred the Sinified equiv- alent, Zainichi Kanjin (Yoon 1992:204). The ideology of Japanese cultural and ethnic homogeneity had effectively barred the plausibility in Japan of the term Korean Japanese [Kankokukei or Chösenkei Nihonjin, or Nihonseki Chösenjin or Kankokujin or Korian] (cf. Kishida 1999:61 – 62; Kim Yondal 2003b:21 – 23). By 1995, however, a popular Zainichi singer, Arai Eiichi, would identify himself as “Korean Japanese” in his autobio- graphical song, “Chonhä e no michi” (The road to Chonhä). No wonder most people were confused (Miyauchi 1999), even though shifts of ethnic appellation are generic, as we can see in the serially acceptable terms Colored, Negro, Black, and African American in the twentieth-century United States.
Load more

Recommended publications
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Designing for Dream Spaces
    DESIGNING FOR DREAM SPACES: EXPLORING DIGITALLY ENHANCED SPACE FOR CHILDREN’S ENGAGEMENT WITH MUSEUM OBJECTS KATARZYNA WARPAS A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for the degree of Doctor of Philosophy April 2013 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purposes of assessment, publication or for any other purpose (unless otherwise indicated). Save for any express acknowledgments, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own efforts and of no other person. The right of Katarzyna Warpas to be identified as author of this work is asserted in accordance with ss.77 and 78 of the Copyright, Designs and Patents Act 1988. At this date copyright is owned by the author. Signature……………………………………….. Date…………………………………………….. 2 “BUILDING THAT BRIDGE BETWEEN VISITORS AND OBJECTS (…) IS THE ESSENCE OF A GOOD MUSEUM DESIGN.” JOHN H. FALK, 2009 3 4 ABSTRACT This thesis presents an investigation into the potential of digitally enhanced exhibition spaces to foster the engagement of children within family groups with museum objects on display, i.e. where physical contact is prohibited. The main focus is on the influence of digital enhancement on visitors’ engagement with artefacts and not on the digital elements themselves. This study has taken the mixed methods approach. It combines ethnographically- informed field studies with a design intervention within an overarching methodology of action research. In the review of literature, research from multiple fields including museum studies, interaction design and play research was brought together and examined from the perspective of exhibition design.
    [Show full text]
  • Chinese (Chin) 1
    CHINESE (CHIN) 1 CHIN 242. Chinese Qin Music. 3 Credits. CHINESE (CHIN) This course offers students an opportunity to learn the aesthetics, culture, and history of qin, and study the music through learning the CHIN 101. Elementary Chinese I. 4 Credits. beginning levels of qin pieces. Introduction to Mandarin Chinese, focusing on pronunciation, simple Gen Ed: VP, BN, EE- Performing Arts. conversation, and basic grammar. Reading and writing Chinese Grading status: Letter grade. characters are also taught. Writing Chinese characters is required. Four CHIN 244. Introduction to Modern Chinese Culture through Cinema. 3 hours per week. Students may not receive credit for both CHIN 101 or Credits. CHIN 102 and CHIN 111. This course uses select feature and documentary films, supplemented by Gen Ed: FL. texts of critical and creative literature, to introduce students to a broad Grading status: Letter grade. overview of modern China since the mid-19th century, focusing on the CHIN 102. Elementary Chinese II. 4 Credits. major events that have shaped a turbulent course of decline, revolution, Continued training in listening, speaking, reading, and writing on everyday and resurgence. topics. Writing Chinese characters is required. Four hours per week. Gen Ed: VP, BN. Students may not receive credit for both CHIN 101 or CHIN 102 and Grading status: Letter grade. CHIN 111. CHIN 252. Introduction to Chinese Culture through Narrative. 3 Credits. Requisites: Prerequisite, CHIN 101. This course shows how Chinese historical legends define and transmit Gen Ed: FL. the values, concepts, figures of speech, and modes of behavior that Grading status: Letter grade. constitute Chinese culture.
    [Show full text]
  • I Know. I Want. I Dream
    I KNOW. I WANT. I DREAM. GIRLS’ INSIGHTS FOR BUILDING A BETTER WORLD GIRL INSIGHTS REPORT The International Center for Research on Women (ICRW) 2CV is a research agency that gives people a voice so works to empower women, advance gender equality and they can influence the world around them. 2CV designs fight poverty in the developing world. To accomplish this, research to help change happen; using innovative, immersive ICRW works with partners in the public and private sectors methodologies, and sensitivity for people and cultures, to and civil society to conduct empirical research, build capacity uncover inspiring truths. 2CV works with NGO, public and and advocate for evidence-based practical ways to change private organizations to explore opportunities for change. policies and programs. TABLE OF CONTENTS 7 FOREWORD 9 ABOUT THE CONTRIBUTORS 11 ACKNOWLEDGEMENTS 13 EXECUTIVE SUMMARY 16 INTRODUCTION 16 BACKGROUND A The Significance of Adolescence B Now is the Moment: Building Momentum for the Adolescent Girl Development Agenda 19 AMPLIFYING GIRLS’ VOICES: THE GIRL DECLARATION A Technical Working Group B Post-2015 Adolescent Girl Consultations 23 FINDINGS FROM POST-2015 ADOLESCENT GIRL CONSULTATIONS A The Voices of Girls: Key Similarities B The Voices of Girls: Key Differences C Findings by Theme GIRLS’ IDENTITY Legal Identity Social Identity Marriage Implications Of Findings On Girls’ Identity GIRLS’ ENVIRONMENTS Social Support Safety And Security Local Environment Implications Of Findings On Girls’ Environments GIRLS’ ASSETS AND OPPORTUNITIES Health Girls’ Emotions Education Jobs And Money Implications Of Findings On Girls’ Assets And Opportunities 66 CONCLUSION 68 ENDNOTES GIRL INSIGHTS REPORT FOREWORD | 7 FOREWORD In 2009, ICRW published Girls Speak: A New Voice in Global Development as the fourth report of the Girls Count report series.
    [Show full text]
  • Yun Mi Hwang Phd Thesis
    SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree.
    [Show full text]
  • Strangers at Home: North Koreans in the South
    STRANGERS AT HOME: NORTH KOREANS IN THE SOUTH Asia Report N°208 – 14 July 2011 TABLE OF CONTENTS EXECUTIVE SUMMARY ...................................................................................................... i I. INTRODUCTION ............................................................................................................. 1 II. CHANGING POLICIES TOWARDS DEFECTORS ................................................... 2 III. LESSONS FROM KOREAN HISTORY ........................................................................ 5 A. COLD WAR USES AND ABUSES .................................................................................................... 5 B. CHANGING GOVERNMENT ATTITUDES ......................................................................................... 8 C. A CHANGING NATION .................................................................................................................. 9 IV. THE PROBLEMS DEFECTORS FACE ...................................................................... 11 A. HEALTH ..................................................................................................................................... 11 1. Mental health ............................................................................................................................. 11 2. Physical health ........................................................................................................................... 12 B. LIVELIHOODS ............................................................................................................................
    [Show full text]
  • Protoculture Addicts #68
    Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF NEWS ANIME & MANGA NEWS: Japan / North America ............................................................... 5, 10 Claude J. Pelletier [CJP] — Publisher / Manager ANIME & MANGA RELEASES ................................................................................................. 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES ............................................................................................................ 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 11 Contributing Editors Aaron K. Dawe, Asaka Dawe, Keith Dawe REVIEWS Kevin Lillard, James S. Taylor MODELS: ....................................................................................................................... 33, 39 MANGA: ............................................................................................................................. 40 Layout FESTIVAL: Fantasia 2001 (Anime, Part 2) The Safe House Metropolis ...................................................................................................................... 42 Cover Millenium Actress ...........................................................................................................
    [Show full text]
  • “This Is My Heart” Patita Uddharana Dasa, Editor / Compiler
    “This Is My Heart” Patita Uddharana dasa, Editor / Compiler “This Is My Heart” Remembrances of ISKCON Press …and other relevant stories Manhattan / Boston / Brooklyn 1968-1971 1 Essays by the Assembled Devotees “This Is My Heart” Remembrances of ISKCON Press …and other relevant stories Manhattan / Boston / Brooklyn 1968-1971 Patita Uddharana Dasa Vaishnava Astrologer and Author of: 2 -The Bhrigu Project (5 volumes) (with Abhaya Mudra Dasi), -Shri Chanakya-niti with extensive Commentary, -Motorcycle Yoga (Royal Enflied Books) (as Miles Davis), -What Is Your Rashi? (Sagar Publications Delhi) (as Miles Davis), -This Is My Heart (Archives free download) (Editor / Compiler), -Shri Pushpanjali –A Triumph over Impersonalism -Vraja Mandala Darshan – Touring the Land of Krishna -Horoscope for Disaster (ms.) -Bharata Darshan (ms.) ―I am very pleased also to note your appreciation for our Bhagavad-gita As It Is, and I want that all of my students will understand this book very nicely. This will be a great asset to our preaching activities.‖ (-Shrila Prabhupada, letter to Patita Uddharana, 31 May 1969) For my eternal companion in devotional service to Shri Guru and Gauranga Shrimati Abhaya Mudra Devi Dasi A veritable representative of Goddess Lakshmi in Krishna’s service without whose help this book would not have been possible ―We are supposed to take our husband or our wife as our eternal companion or assistant in Krishna conscious service, and there is promise never to separate.‖ (Shrila Prabhupada, letter 4 January 1973) (Shri Narada tells King Yudhishthira:) ―The woman who engages in the service of her 3 husband, following strictly in the footsteps of the goddess of fortune, surely returns home, back to Godhead, with her devotee husband, and lives very happily in the Vaikuṇṭha planets.‖ “Shrila Prabhupada” by Abhaya Mudra Dasi “Offer my blessings to all the workers of ISKCON Press because that is my life.” (-Shrila Prabhupada, letter 19 December 1970) 4 Table of Contents Introduction ―Books Any Man Would Be Proud to Have‖ ……...
    [Show full text]
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O.
    [Show full text]
  • Variations on a Theme CONTENTS
    November 2011 Vol. 5 No. 7 Variations on a Theme CONTENTS COVER STORY 4 Variations on a Theme Japan’s many varied theme parks and museums highlight the ingenuity of Japanese people in a wide range of fields. This month’s Cover Story shows how, beginning with a look at the newly opened • • AIZAWA TADASHI Fujiko F Fujio Museum in Kawasaki City, Kanagawa Prefecture, which Front cover: Visitors to the Fujio • F • Fujiko Museum enjoy free access to the manga celebrates the life and work of the eponymous manga creator. library. 6 Walk into the Movies 14 Super Tanks Shonai Eigamura “movie village” in Yamagata Pre- fecture is known to many as the Japanese Hollywood. 8 Where the Visitors Are the Animals’ Toys Asahiyama Zoo Director Gen Bando explains the / OF OCEAN EXPO PARK COURTESY CHURAUMIOKINAWA AQUARIUM thinking behind the “behavioral exhibits” at the Acrylic panels made by Nippura Co. of Takamatsu, popular Asahikawa, Hokkaido, zoo. Kagawa Prefecture, are used in some of the world’s biggest aquarium tanks. 10 Moving Houses 16 Paradise Re-Found At the Edo-Tokyo Open Air Architectural Museum in Koganei, Tokyo, buildings dating from the mid-sev- Spa Resort Hawaiians in Fukushima Prefecture has enteenth to mid-twentieth century have been relo- re-opened for business following repair work to fa- cated and carefully restored. cilities damaged by the Great East Japan Earthquake of March 11. 12 Oodles of Instant Noodles 18 Transforming Ideas into Following the opening of the Cup Noodles Museum Products and Services in Yokohama, Kanagawa Prefecture in September, Cool Japan Strategy Promotion Program Creative Museum Director Yukitaka Tsutsui relates the Director Naoki Ito shares his thoughts on Japanese history of this popular fast food form.
    [Show full text]
  • The Social Meanings of Hula
    The social meanings of hula Hawaiian traditions and politicized identities in Hilo Eilin Holtan Torgersen Thesis submitted in partial fulfilment of the M.A. degree Department of Social Anthropology, University of Bergen June 2010 Front cover photograph: “Hula - Na 'Olelo O Ka Pu'uwai, Hula - The Language Of The Heart: Champion dancer Haunani Paredes moves to the chant Kui Wailua , from the legend of Pele, the Fire Goddess, and Pele's sister, Hi'iaka” (Braun 2008), used with the permission of the photographer. © Randy Jay Braun, http://www.randyjaybraun.com/woh.html. 2 Hula is the language of the heart, therefore the heartbeat of the Hawaiian people - King David Kal ākaua 3 Contents Acknowledgements ....................................................................................................................6 Chapter One: Introduction Introduction.................................................................................................................................8 Central themes and problems......................................................................................................9 Resistance, identity and the continuity of cultural forms..............................................10 Knowledge, blood and Hawaiian identity.....................................................................13 Existing research on hula dance................................................................................................14 Methodology.............................................................................................................................16
    [Show full text]
  • Cantonese As a World Language from Pearl River and Beyond
    Volume 10 Issue 2 (2021) Cantonese as a World Language From Pearl River and Beyond Jiaqing Zeng1 and Asif Agha2 1St. Paul’s School, Concord, NH, USA 2University of Pennsylvania, Philadelphia, PA, USA DOI: https://doi.org/10.47611/jsrhs.v10i2.1435 ABSTRACT In this paper, I will be comparing different registers of Cantonese from all around the world, mainly focusing on the Pearl River Delta region after the 1800s. Yet my larger purpose is to draw attention to how these different registers relate to the cultural values and social lives of the people living in those places. Max Weinreich, a pioneer sociolinguist and Yiddish scholar once said, “a language is a dialect with an army and a navy (Fishman).” Cantonese is no exception, and the state of this language has been dependent upon four factors: the geographic distribution of the Cantonese- speaking population, the economic development of Cantonese-speaking regions, official status, and international sig- nificance. Introduction Cantonese is one of the Chinese dialects and the mother tongue for the Guangfu people of Han Chinese, who were originally from China’s Lingnan region. The language has a complete set of nine tones, retaining many features of Middle Ancient Chinese since the area seldom suffered from wars and was unaffected by the nomadic minorities in northern China. It has a complete series of characters that can be expressed independently from other Chinese lan- guages, and it is the only Chinese language that has been studied in foreign universities in addition to Mandarin. It originated from Canton (Guangzhou) because of the important role that Canton had played in China’s important pol- itics, economy, and culture since ancient times, and it still has official status in Hong Kong and Macau today.
    [Show full text]