English, Intended Mostly for the Social Studies Teachers. Some Units Dealing with Problem

Total Page:16

File Type:pdf, Size:1020Kb

English, Intended Mostly for the Social Studies Teachers. Some Units Dealing with Problem AFRICAN. STUDIES IN FRENCH 9 the African tapes were recorded in simpie Frenchby the children and were accompanied by the .researcher'sexplanatory notes in English, intended mostly for the socialstudies teachers. Some units dealing with problem: in African educationwere pre. fired expressly for teachers. The researcher photographedand uocu- mented much more material than could he edited andused during the two -year period. On her return, she classified 650additional slides and worked them into II supplementary units. ROLE OF A. DMINISTRATORS (1 ) The project director, who also,2ri",/ed as an instructor, acted as liaison with the U.S. Office of Education, withadminis trators and teachers in the cooperating schools, and with thepar- ents of participants. While she was on leave in Africa, her associ- ate assumed these responsibilities in addition to teaching both groups of students. (2 I The Ministry of Education in Upper Volta gave Ina' approval for the researcher-facilitator's work, and the Inspector of Elementary Education for Ouahigouya assigneda group of 40 boys and 40 girls in classes corresponding to the fifth and sixth grades hisp:Articipate --toldsr the direction of there- searcher-facilitator. ROLE OF PARENTS Bening meetings were hold aboutonce 1 month for (11, parents of the' participating American students to acquaint them with the project materials and aetivilies. Parents also participated in an evaluative surxex retarding 'their children's attitudestoward the project. ROLE OF SPECIAL CONSULTANTS In constructing the experimental design and evaluativepro- cedures. consultants were employed in language pedagogy, lan- guage sequence,Mossiculture.anthropology,testing,socio- pSychology, and African studies. 2 ; OPTIONS AND PERSPECTIVES A Sourcebook of Innovative Foreign Language Programs in Action, K-12 F. WILLIAM D. LOVE LUCILLE J. HONIG Project Director, Co-Author Project Assistant,,Co-Apthor THE AMERICAN COUNCIL ON THE TV ACHING OF FOREIGN LANGUAGES BELA H.. BANATHY SHARON ENTWISTLE Prim ipal Invest:pito:. Project Coordinator FAR WEST LABORATORY FOR EDUCATIONAL RESEARCH AND DEVELOPMENT U S OEPARTME NT OF Mt ALTH, EDUCATION & WELFARE NATIONAL INSTITUTE OF EDUCA' ION fosCM( OMEN! HASIff f N REPRO (),)I't XAT if AS PE(' tvED FROM 11AI PE I4SON 0.44ANIZATiC)N ORIGIN A iNG IT POINTS Of OEN OR OPINIONS STATE 0 DO NO1 NECf SSAPILYREEPE NT Of f 1(1AL NATIONAL Ns'ITUTF OF Published I (-)f< AT ION POST T ION OR POI Iry THE MODERN LANGUAGE ASSOCIATION OF AMERICA New York 1973 The research reported herein was performed pursuant to a contractwith the Office of Education, U.S. Department of Health, Education, andWelfare. Contractors undertaking such projects under Government sponsorship are encouraged to express freely their professional judgment in the conduct of the project. Points of view or opinions stated do Dot, therefore, necessarily represent offic:I Office of Education position or poliCy. The American Council on the Teaching of Foreign Languages, as a nonprofit individual membership organization, promotes the study of foreign lan- guages and provides services to those concerned with foreign language education. The Far West Laboratory for Educational Research and Development is a nonprofit public organizatiou supported in part by funds from the United States Office of Education and the National Institute of 'Education, Depart- ment of Health, Education, and Welfare. Library of Congress Catale? Card No. 73.78994 ISBN 0-87352-070-x The Modern Language Association of America 62 Fifth Avenue New York, New York 10011 Designed by The Etheredges ACKNOWLEDGMENTS' The authors wish to thank Julia Pe Ipv, Chief of the Research Section of the Division of Foreign Studies of the Institute of.Inter- national Studies at the U.S. Office of Education, for her role in --developinglhe_surysy. We would also like to thank Maria Swanson for her work as a consultant, the members of the committee that reviewed sample program descriptions prior to publication, all the program directors who responded to thesurvey questionnaire, andfor both their good ideas andprograms and their extensive cooperationthe directors of 'he rnograms chosen for description in this book. Finally, we would especially like to thank C. Edward Scebold, Executive Secretary of the American Councilon the Teaching of Foreign Languages, fdr providing valuablepractical assistance and moral support. FWDL LJH 41s 4 CONTENTS 0. INTRODUCTION XV 4 SECTION I F AFRICAN STUDIES IN FRENCH FOR THE ELEMENTARY GRADES 3 Mount St. Joseph, Ohio Language and anthropology are combined ina long-terin exchange of slides, tapes, letters, and realia between FLES studentsfn Cincin= nail and their peers in Upper Volta, Africa BUTLER AREA LANGUAGE SATURATION PROGRAM. IS Butler, Pennsylvania Sixth-graders use French to study math, science, health, socialstudies, and art CHINESE-RUSSIAN STUDY CENTER 26 Toledo, Ohio Magnet center for high school students offeringcourses in Russian and Chinese language, cultkre, and history CONTACT4TUDY-OFMEXICO 37. Tacoma,Washington High school students spend 12 weeks in Mexico during,the school year for homestays, travel, and independent research vii a* viiiCON1ENTS FOREIGN LANGUAGE EXPLORATION PROGRAM (FLEX) 49- Topeka, Kansas Junior hig h ,school students get a "taste" of fivedifferent languages ow. FO REIGN LANGUAGE INCENTIVE PROGRAM (FLIP) 56 Casper, Wyoming A three-day summer language institute plannedand conducted by students fronttsolated areas of Wyoming FOREIGN LANGUAGE WITHOUT FAILURE 65 Chagrin Falls, Ohio Small-group commiinicatiog exercises. mastery testing, andCREDIF audio-visual approach for high school classes in French,Spanish, and RUSAtall THE FRENCH IN DELAWARE 78 Greenville, Delaware An advanced course that draws on research in local historicalarchives 0 GERMAN LANGUAGE SUMMERCAMP 86 Seattle, Washington Ten to eighteen-year7olds use German in a camp organized by local educators with the.help of a German-American organization . GUIDED INDIVIDUALIZED_ STUDY IN- FOREIGN LANGUAGES 97 Garden City, New York High school program of self-instruction in Chinese and Japanese INDIVIDUALIZED GERMANINSTRUCTION 105 Morgan-Hill, California Nongraded program using teacher-prepared I,APs in over 40 courses in beginning, intermediate, and advanced German IDUNLIZE DAN STRAJCTIO_N, FOREIGN LANGUAGES 117 West Bend, Wisconsin District-wide program of nottiraded continuous progress in French, German, "and _Spanish CONTENTS - ix JOHKDEWEY HIGH SCHOOL ` FOREIGN- LANGUAGE PROGRAM 132 Brooklyn, New York Foreign languages in a high school committed to continuous progress and individualized instruction LATIN FLES PROGR'AM 143 Washington, D.C. A---estrict-wide plogram of Latin°Maderelevant and useful for fifth- and sixth-grade inner-city students MANAGED SELF-INSTRUCTION USING PROGRAMMED MATERIALS /53 Tucson, Arizona _ District-wide program of independent study and consultations with native speakers of French. Spanish, Hebrew, Latin, and German MINI-COURgli. CURRICULUM 10 Ridgefield, Connecticut Specialized ten-week courses for students in advanced Gentian .. : MINORITY STUDIES IN FOREIGN LANGUAGES 173 - Prince George's County. Maryland 71w study of ethnic and cultural minorities integrated into the high .school foreign `language (Wrier:Mtn r . QUINMESTER PROGRAM IN FOREIGN LANGUAGES /85 Miami (W.de County), Florida Short -terse fort ign language courses in a school distruA that operates yed:round on pine-week cycles THE SKYLINE CENTER: WORLD LA GUAGE CLUSTER AND CAREER DEVELOPMENT 'ENTER /93 -- -- --- -_ ___ Dallas, Texas A magnet school that includes foreikW langtainid-vocation-oliented_____, foreign language courses x - CONTENTS SOUTHCAROLINNTUDY-TOUR OF FRANCE 204 Columbia, South Carolina Three-month summer program organized by oneteacher with home- .stays, travel, and instructionthroughout France STUDENT-CENTERED CLASSROOM 215 Clarence,New York , , JJ Small-grfoup and individualized study in conjunctionwith specific teacheribelutviors SUMMER 'FOREIGN LANGUAGE DAY HOUSE INSTITUTES 225 . Chicago,Illinois - Junior and senior high school students explore foreignlanguages and the ethnic neighborhoods of Chicago in aneight-week summeren- richment program SUP.ERVISED MULTI -MEDIA CORRESPONDENCE STUDY 232 Boutder, Colorado Videotapes and "telelectur:s" bring French and Spanish instruction to students in high school.^ too small to hire foreign language staffs TOTAL IMMERSION LANGUAGE PROGRAM (TIP) 243 Commack, New Yitrk French or Spanish used three periods a day, five days a week, for three years in senior high school history and literature courses and a variety of mini-courses SECTION II- AftERDEEN-L'UNION JUMELAGE 255 Aberdeen, Maryland High ichool French students exchange letters, slides, and visits with peers in France CONTENTS xi ADVANCED FRENCH CONVERSATION 259 Old Westbury, NewYork Cassette recorders used as the key to personalized instruction AUGUST MARTIN HIGH SCHOOL FOREIGN LANGUAGE PROGRAM 262 Jamaica, New York Foreign languages in a high school with on aviation and aerospace orientation * .. COMPUTER-ASSISTED INDEPENDENT LATIN STUDY 265 Urbana, Illinois, High school students me a universitx computer in studying Latin *. CONCORDIA LANGUAGE ILLAGES 268 Moorhead, Minnesota Instruction in five different languages combined with a wide range .. of outdoor activities ' .!.1 IA COORDINATION OF SKILLS IN AN INDIVIDUALIZED PROGRAM 272 i Norman, Oklahoma Modular schedulink is the backbone of individualized and small-group instruction . 1. .,. DELAWARE-PANAMA EXCHANGE PROGRAM 275 Dover,
Recommended publications
  • AERO 11 Copy
    TALK AT NY OPEN CENTER Three days after getting back from the trip to the Alternative Education Conference in Boulder, I was scheduled to speak at the New York Open Center, in New York City. This was set up at the suggestion of Center Director Ralph White, who had heard about my teacher education conferences in Russia, and wanted to share information about a new center they are setting up there. Although there were not many pre-registered, I was surprised to find an overflow audience at the Center, with great interest in educational alternatives. People who attended that presentation continue to contact us almost daily. The Open Center is a non-profit Holistic Learning Center, featuring a wide variety of presentations and workshops. 83 Spring St., NY, NY 10012. 212 219-2527. FERNANDEZ, MEIER, AND RILEY AT EWA MEETING At the Education Writers Conference in Boston, I got to meet the Secretary of Education, Richard W. Riley. After he talking about the possibility of new national standards, a quasi-national curriculum, I told him that there were hundreds of thousands of homeschoolers and thousands of alternative schools that did not want a curriculum imposed on them. I asked him how he would approach that fact. He responded that "When we establish these standards they will uplift us all." I did not find that reply comforting. On the other hand, I am pleased that Madelin Kunin, former governor of Vermont, is the new Deputy Secretary of Education. She once spoke at the graduation of Shaker Mountain School when I was Headmaster, and is quite familiar with educational alternatives.
    [Show full text]
  • Summer Camps, Institutes & Programs
    SUMMER CAMPS, INSTITUTES The 2019 Musical America Guide & PROGRAMS November 2018 Editor’s Note SUMMER CAMPS, A friend of mine who edits books by day and plays the violin (rather well) by night says her The 2019 Musical America Guide summer “chamber music camp” is the highlight of her year. She describes one week of coaching INSTITUTES and performing in a string quartet, where many of the campers are new faces. The season is summer; the setting is bucolic—a college campus—and the attire is strictly casual. & PROGRAMS In our second annual Summer Camps, Institutes, and Programs Guide, you’ll find a number of these music-as-avocation summertime happenings, along with many pre-professional programs, for pre-teens to post grads. Some focus strictly on classical music; others cross over into pop and cabaret and some offer a full range, from jazz to band, theater, dance, and even the visual arts. The pre-college programs also tend to include the more traditional camp fare, such as horseback riding and archery. The Guide contains nearly 200 national and international listings. Some combine learning from the pros by day with listening to them perform by night. Others put the talent-in-training on stage and charge admission. Some take place over a weekend, others last all summer. At the Salzburg Summer Music Academy, 1,000 students work with a faculty of 70; at the Bang on a Can Summer Festival, the count is 40 teachers to 11 students; at NYO Jazz, it’s 22 to 10; at Tanglewood it’s 155 to 75.
    [Show full text]
  • ( ( ( ( ( ( ( ( ( ( ( ( ROCKEFELLER CARILLON NEW MUSIC FESTIVAL ) ) ) ) ) ) ) ) ) ) ) )I
    ( ( ( ( ( ( ( ( ( ( ( ( ROCKEFELLER CARILLON NEW MUSIC FESTIVAL ) ) ) ) ) ) ) ) ) ) ) )I FRIDAY MAY 25 TO SATURDAY MAY 26, 2018 Harper Court Campus North Parking ( ( ( ( ( ( ( ( ( ABOUT THE FESTIVAL ))))))))) The contemporary carillon owes its origin to bell towers that functioned in medieval times as primary means of communication to the inhabitants of the cities in which they were located. The ringing of bells signaled not only the time of day but also the start of civic and spiritual events: a call to prayer, the arrival of visitors, a warning such as the outbreak of a fire. From the beginning of the sixteenth century, bellringers in Flanders and neighboring areas (today Belgium and The Netherlands) began to add the playing of melodies, using a baton keyboard, and thus the carillon that we know today was born. In the early twentieth century, as technical keyboard innovations began to allow for the expression of Medical touch, the carillon started developing as a concert instrument. Today’s carillonneurs perform all kinds of Campus Parking B music on the bells, to the delight of listeners: classical arrangements, jazz standards, pop tunes, folk songs, film music, and original compositions. And now we are heralding a new era during which music is being written especially for the carillon, and prolifically. Every piece of carillon music played at this weekend festival here at Rockefeller Chapel has been written in the twenty-first century, some 95% of it within the past five years, representing an extraordinary outpouring of new music for bells. Rockefeller Chapel regularly commissions the composition of new music—choral, organ, or carillon—and University carillonneur Joey Brink works with composers both here at the University of Chicago and worldwide to add to the rapidly flowing stream of new carillon repertoire.
    [Show full text]
  • NHMF Program 20141021
    New Horizons Music Festival Truman State University. October 24-25, 2014. Welcome. It is somewhat amazing to me that it has been a full year since I directed my first Festival. In 2013 we presented The Truman Dances, a world premiere from Paul Chihara commissioned for the Truman Symphony Orchestra, and twenty-eight other performances spread across five concerts and a gallery exhibition. I’m proud to say that this sixteenth Festival of contemporary music is even more ambitious. The six concerts and the exhibition and presentations feature a variety of styles and formats and focus on works and performers from outside the local community. We are very excited be hosting Amy X Neuburg, our featured guest artist. Ms. Neuburg is known for her detailed cabaret song compositions constructed with her very personal mix of electronic percussion and live looping. I first met Amy at a composer/playwrights residency in Los Angeles in 2001, have seen her perform several times since and am really pleased to be able to present her art to the Truman community. Her solo performance is a new concert format for the Festival, and I think points to a new future for the Festival as a presenter. pincusioned is also an example of this new trajectory. Joining us from Arizona, the duo describes itself as a “group [that] has been seeking to reexamine multimedia by artfully combining emerging and anachronistic technologies to create improvised performances non-linear sound and visuals.” I can’t wait to experience their music in person! New musical-theatre will also bow at the Festival for the first time.
    [Show full text]
  • Summer Camps, Institutes & Programs
    2020 Guide to SUMMER CAMPS, INSTITUTES & PROGRAMS November 2019 Editor’s Note The retired banker who played a mean alto sax in high school and is eager to pick it up again; 2020 Guide to the young teenager whose teacher thinks he may be a budding countertenor; the 23-year- old violinist just out of conservatory—amateur to pro, they all could find their summertime SUMMER CAMPS, dreams. With nearly 300 entries, our annual guide is our biggest and most varied to date. From a villa in Tuscany to a log cabin in the Colorado Rockies, summer programs are popping INSTITUTES & PROGRAMS up everywhere. In the former, an aspiring cabaret singer takes a week off from her boring day job in the U.S. to train by day in the picturesque hills of Italy with an experienced pro and dine on five-course gourmet meals by night. In the latter, the conservatory cellist studies for two months with a renowned pedagogue and spends his or her nights playing in an orchestra for concerts that charge admission. And usually, making music is only one part of the mix. These relaxed, often bucolic settings provide vast opportunities for networking and for just plain making new friends. Some of them offer regular camp activities, such as hiking and swimming; one program in Western Galilee, Israel, provides archery instruction along with master classes in string playing and chamber music. In virtually all cases, the chance to mix and mingle with the faculty is a given—meals are often served in a common dining room and the attire, except perhaps at those evening events, is strictly casual.
    [Show full text]
  • TELLING TIME: Reflections on a Life in Music Stanley Walden
    TELLING TIME: Reflections on a Life in Music Stanley Walden For Rhonda TABLE OF CONTENTS Preface i Introduction iii Chapter 1 1967-69: The Road to Calcutta! 1 Chapter 2 1932-39: Another Brooklyn Story 8 Chapter 3 1940-50: Schools and Friends. And Others. 11 Chapter 4 1950-55: College: Becoming a Musician 27 Chapter 5 1955-57: The Draft, and a Proposal 39 Chapter 6 1957-68: New York: Two Kids with Two Kids 56 Chapter 7 1968-70: Oh! Calcutta! 73 Chapter 8 1970-71: First Work with Tabori--Pinkville 81 Chapter 9 1972-89: Hin und Her (Back and Forth) 85 Chapter 10 1989-2003: HdK Berlin, Munich, Vienna 114 Chapter 11 2003-2012: Retirement: Palm Springs 126 Chapter 12 2012-2014: 60 Years--Final Curtain & Encore 132 Chapter 13 2014-16: The Goldberg Variations 136 Chapter 14 2015-16: 55 Years--Another Final Curtain 138 Chapter 15 Reflections 140 Appendices 1 Sons 143 2 Musings and Jottings by Bobbie Walden as she 145 approached her death 3 Close (and Closer) Calls 151 4 Thoughts on Improvisation 155 5 Some Observations by an American Acting in the 159 German Theater (1984) Index 164 i Preface: Talking to the Wrong End of the Dog When I met Stanley Walden, I didn’t know much about music. Now, three years later, I know a little more about music, but only a little. My mother warned me that I’d regret quitting piano lessons when I was nine, and sure enough, I do. What I do know a lot more about now than before I met Stan Walden, though, is musicians.
    [Show full text]
  • Connecting with the Earth and Its People
    California Association of Independent Schools Faculty Newsletter Fall/Winter 2005 CONNECTING WITH THE EARTH AND ITS PEOPLE INSIDE: It IS Easy Being Green Environmental Education in Our Backyard Little Green Schoolhouse Tracking Bats and Mission Statements From Local to Global: Young Women Empowered ...and more Faculty Newsletter Fall/Winter 2005 From the Editor “He had always thought of the sea as la mar which is what people call her in Spanish when they love her.” – The Old Man and the Sea by Ernest Hemingway TT he year 2005 began in the aftermath of a cataclysmic tsunami, and has been blasted into autumn by a procession of disasters: hurricanes, and a catastrophic earthquake. Mother Nature has taken center stage. Whatever was, or was not done that could have been, or whatever meaning people make of it, one of the things that seems clear is that we can choose to see nature as the old man saw the sea, or we can see her as the younger fisherman saw her, as “el mar which is masculine.” In this view the sea, and by extension Mother Nature, becomes “a contestant or a place or even an enemy.” The NAIS conference in San Diego last February promoted the old man’s view in its theme, “Educating for Sustainability.” Eight faculty members from Turning Point School in Culver City returned to school so inspired that they formed the “Green Team,” a voluntary committee of interested faculty and administration with the mission to promote sustainability in classrooms and around campus. Matthew Kline shares the details. In other articles, you will see how CAIS schools are responding to the challenge of sustainability while, increasingly, finding new ways to serve and learn globally as well as locally.
    [Show full text]
  • Alarm Will Sound Mizzou New Music Eight World Premieres
    Mizzou International Composers Festival July 20-25, 2015 Alarm Will Sound THURSDAY, JULY 23, 2015 7:30 PM Mizzou New Music FRIDAY, JULY 24, 2015 7:30 PM Eight World Premieres Saturday, July 25, 2015 7:30 PM We’re Blazing New Trails with the Hottest New Music… All Thanks to Your Cool Support Congratulations and many thanks to Dr. Jeanne and Rex SLAY & Sinquefield, Sinquefield Charitable Foundation and the ASSOCIATES University of Missouri – Columbia for their www.slayandassociates.com vision and commitment in bringing this festival to Missouri. Mizzou International Composers Festival July 20 - 25, 2015 • Festival Schedule Schedule subject to change. For an updated schedule, visit composersfestival.missouri.edu. Monday, July 20, 2015 10:00 AM – 12:00 PM: Fine Arts Building Room 145 on the MU Campus – Resident Composer Presentations – Open to the Public 1:30 PM – 5:20 PM: Fine Arts Building Room 145 on the MU Campus – Resident Composer Presentations – Open to the Public Tuesday, July 21, 2015 9:00 AM – 12:00 PM: Missouri Teatre – AWS Rehearsal – Open to the Public 3:00 PM – 5:00 PM: Fine Arts Building Room 145 on the MU Campus – Resident Composer Presentations – Open to the Public 7:00 PM: Fine Arts Building Room 145 on the MU Campus – Hans Abrahamsen, Guest Composer Presentation – Open to the Public 8:15 PM: Fine Arts Building Room 145 on the MU Campus – Carl Schimmel Composer Presentation – Open to the Public Wednesday, July 22, 2015 1:30 PM – 4:30 PM: Missouri Teatre – AWS Rehearsal– Open to the Public 7:00 PM: Fine Arts Building Room
    [Show full text]
  • EXTENSIONS of REMARKS 39565 Mr
    December 12, 1974 EXTENSIONS OF REMARKS 39565 Mr. ALLEN. Will the Senator make a The PRESIDING OFFICER. The Sen- Richard T. Kennedy, of the District of Co­ similar r3quest as to the cloture vote on ator is correct. lumbia, for a term of 5 years. the Hugh Scott amendment? Mr. GRIFFIN. I thank the Chair. ORDER POR AMENDMENTS TO SUPPLEMENTAL APPROPRIATIONS 1975 CONFERENCE REPORT TO BE CONSIDERED AS HAVING MET REQUIREMENTS CONFIRMATIONS OF RULE XXII ADJOURNMENT TO 9 A.M. Executive nominations confirmed by Mr. ROBERT c. BYRD. I make a simi­ TOMORROW the Senate December 12, 1974: lar request, Mr. President, that any Mr. ROBERT c. BYRD. Mr. Presi­ NATIONAL CREDIT UNION BOARD amendments to the Scott amendment at dent, if there be no further business to Kathryne Ford Vachon, of Florida, to be a the desk at this time be considered as come before the Senate, I move, in ac­ member of the National Credit Union Board having met the reading requirements cordance with the previous order, that for the remainder of the term expiring De· under the rule. the Senate stand in adjournment until cember 31, 1978. Mr. ALLEN. What about subsequent the hour of 9 o'clock tomorrow morning. NUCLAR REGULATORY COMMISSION amendments up to the time of voting? The motion was agreed to; and at 8: 39 Wlllia.m A. Anders, of Virginia, to be a Mr. ROBERT C. BYRD. I have refer­ p.m., the Senate adjourned until tomor­ member of the Nuclear Regulatory Commis­ ence to the motion to invoke cloture on row, Friday, December 13, 1974, at 9 a.m.
    [Show full text]
  • Sephardic Dissertation Post-Defense
    Informed and Informative: New Choral Arrangements of Sephardic Music Sarah Riskind A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2018 Reading Committee: Giselle Wyers, Chair Geoffrey Boers JoAnn Taricani Program Authorized to Offer Degree: School of Music University of Washington !i © 2018 Sarah Riskind !ii Abstract Informed and Informative: New Choral Arrangements of Sephardic Music Sarah Riskind Chair of the Supervisory Committee: Giselle Wyers School of Music In the choral field, there is an opportunity for greater awareness and understanding of Sephardic Jewish music. A small but significant number of choral arrangements exist, but it is difficult for conductors to acquire the knowledge necessary to inform their singers and audience members effectively. This study discusses how published choral arrangements of Judeo-Spanish, or Ladino, music reflect the Mediterranean heritage of Sephardic Jews, in addition to their origins in medieval Spain and Portugal. Three new arrangements created by the author as a central part of the dissertation show how musical techniques and background information can convey nuances about Sephardic history and culture. They reflect features such as the Turkish makam modal system, heterophonic textures, Mediterranean-inspired vocal production recommendations, and instruments native to the regions of the Sephardic diaspora. The romance “Lavaba la Blanka Ninya,” the copla “Esta Noche de Purim,” and the cantiga de novia “Las Kazas de la Boda” demonstrate how arrangers can be more transparent about the Western influences on music from other cultures. !iii TABLE OF CONTENTS 1. Introduction 1 1.1. Judaism and Multiculturalism 1 1.2 Approaches to Non-Western Repertoire 3 2.
    [Show full text]
  • PRESENTER and COMPOSER BIOGRAPHIES Arthur, Claire Claire Arthur Is a Phd Student in Music Theory/Cognition and Works in The
    31st Annual CMS Great Lakes Regional Conference Friday, March 22nd- Saturday, March 23rd, 2013 PRESENTER AND COMPOSER BIOGRAPHIES Arthur, Claire Claire Arthur is a PhD student in music theory/cognition and works in the Cognitive and Systematic Musicology Laboratory at the Ohio State University. Bomgardner, Stephen D. Stephen Bomgardner is Associate Professor of Music at Drury University in Springfield, Missouri. His musical career combines full-time teaching with an active performing career as a tenor soloist in recitals, opera and oratorio. He has performed over 120 solo and chamber music recitals in Boston, Los Angeles, Seattle, Minneapolis, Kansas City, New Orleans, Houston, and numerous other cities across the United States. Additionally, he has been invited to give 22 lecture recitals on various topics at the Texas Music Educators Association, Kansas Music Educators Association, and College Music Society regional and national conferences. His professional operatic repertoire includes 27 character tenor roles and recent performances include Spoletta (Tosca), Goro (Madama Butterfly), King Kaspar (Amahl and the Night Visitors), and the Counselor (Trial by Jury) with the Springfield Symphony Orchestra and the Springfield Opera. At Drury University, he teaches voice lessons, voice-related courses, and music history. He holds the Doctor of Musical Arts from Boston University’s School of Music, the Master of Music from Rice University’s Shepherd School of Music, and the Bachelor of Music from Fort Hays State University. Boyd, Kathleen E. Dr. Kate Boyd has performed as a soloist on many concert series, as a concerto soloist, and as a guest artist with established chamber music ensembles throughout the United States and beyond.
    [Show full text]
  • Charles C Thomas Charles
    CHARLES C THOMAS • PUBLISHER LTD. CHARLES C THOMAS PUBLISHER LTD. SUMMER 2018 CATALOG SUMMER 2018 CATALOG BEHAVIORAL SCIENCES • BIOMEDICAL SCIENCES • CRIMINAL JUSTICE & POLICE SCIENCE EDUCATION & SPECIAL EDUCATION • SPEECH LANGUAGE AND HEARING GENERAL INFORMATION CHARLES C THOMAS • PUBLISHER, LTD. has been books that are satisfactory in regard to their physical qualities producing a strong list of specialty titles and textbooks in the and artistic possibilities and appropriate for their intended read- biomedical sciences since 1927. In addition, we also have an ers. Thomas books will be true to those laws of quality that as- active program in producing books for the behavioral sciences, sure a good name and good will. education and special education, speech-language and hearing, as well as rehabilitation and long-term care. Thomas also is one WE always give prompt and careful consideration to man- of the largest producers of books in all areas of criminal justice uscripts submitted to us for publication. We welcome the op- and law enforcement. portunity to hear from potential authors who may need our counsel. We suggest emailing Michael Thomas at mthomas@ OUR GOAL has been and is to publish original, significant ti- ccthomas.com or telephoning. tles that will accommodate current needs for information and that often will become standard texts and classics in their re- THOMAS books are distributed throughout the world and are spective fields. often translated into many languages. Every book receives in- dividual consideration and careful planning with respect to its WHEN we accept a manuscript for publication, we expedite marketing needs. its production into final form.
    [Show full text]