Stone Mattress: Nine Tales Online
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Margaret Atwood 2017
Emcke 2016 Kermani 2015 Lanier 2014 Margaret Atwood 2017 Alexijewitsch 2013 Liao 2012 Sansal 2011 Grossman 2010 Magris 2009 Kiefer 2008 Friedländer 2007 Lepenies 2006 Pamuk 2005 Esterházy 2004 Sontag 2003 Conferment speeches Achebe 2002 Habermas 2001 Peace Prize of the German Book Trade 2017 Djebar 2000 Sunday, October 15, 2017 Stern 1999 Walser 1998 Kemal 1997 Vargas Llosa 1996 Schimmel 1995 Semprún 1994 Schorlemmer 1993 Oz 1992 Konrád 1991 Dedecius 1990 Havel 1989 Lenz 1988 Jonas 1987 Bartoszewski 1986 Kollek 1985 Paz 1984 The spoken word prevails. Sperber 1983 Kennan 1982 Kopelew 1981 Cardenal 1980 Menuhin 1979 Lindgren 1978 Kołakowski 1977 Frisch 1976 Grosser 1975 Frère Roger 1974 The Club of Rome 1973 Korczak 1972 Dönhoff 1971 Myrdal 1970 Mitscherlich 1969 Senghor 1968 Bloch 1967 Bea/Visser 't Hooft 1966 Sachs 1965 Marcel 1964 Weizsäcker 1963 Hinweis: Die ausschließlichen Rechte für die Reden liegen bei den Autoren. Tillich 1962 Radhakrishnan 1961 Die Nutzung der Texte ist ohne ausdrückliche Lizenz nicht gestattet, sofern Gollancz 1960 nicht gesetzliche Bestimmungen eine Nutzung ausnahmsweise erlauben. Heuss 1959 Jaspers 1958 Wilder 1957 Schneider 1956 Hesse 1955 Burckhardt 1954 Buber 1953 Guardini 1952 Schweitzer 1951 Tau 1950 Friedenspreis des Deutschen Buchhandels 2017 Peter Feldmann Lord Mayor of the City of Frankfurt Greeting On behalf of the City of Frankfurt, I would like what I can say with confidence is that I and many to welcome you to the presentation of this year’s other readers know that your books have changed Peace Prize of the German Book Trade to Margaret our world. Among many other things, you have Atwood. -
List of Works by Margaret Atwood
LIST OF WORKS BY MARGARET ATWOOD Note: This bibliography lists Atwood’s novels, short fiction, poetry, and nonfiction books. It is current as of 2019. Dates in parentheses re- fer to the initial date of publication; when there is variance across countries, the date refers to the Canadian publication. We have used standard abbreviations for Atwood’s works across the essays; how- ever, contributors have used a range of editions (Canadian, American, British, etc.), reflecting the wide circulation of Atwood’s writing. For details on the specific editions consulted by contributors, please see the bibliography immediately following each essay. For a complete bibliography of Atwood’s works, including small press editions, children’s books, scripts, and edited volumes, see http://mar- garetatwood.ca/full-bibliography-2/ Novels EW The Edible Woman (1969) Surf. Surfacing (1972) LO Lady Oracle (1976) LBM Life Before Man (1979) BH Bodily Harm (1981) HT The Handmaid’s Tale (1985) CE Cat’s Eye (1988) RB The Robber Bride (1993) AG Alias Grace (1996) BA The Blind Assassin (2000) O&C Oryx and Crake (2003) P The Penelopiad (2005) YF Year of the Flood (2009) MA MaddAddam (2013) HGL The Heart Goes Last (2015) HS Hag-Seed (2016) Test. The Testaments (2019) ix x THE BIBLE AND MARGARET ATWOOD Short Fiction DG Dancing Girls (1977) MD Murder in the Dark (1983) BE Bluebeard’s Egg (1983) WT Wilderness Tips (1991) GB Good Bones (1992) GBSM Good Bones and Simple Murders (1994) Tent The Tent (2006) MD Moral Disorder (2006) SM Stone Mattress (2014) Poetry CG The Circle -
Book Club Kit Discussion Guide Handmaid's Tale by Margaret
Book Club Kit Discussion Guide Handmaid’s Tale By Margaret Atwood Author: Margaret Atwood was born in 1939 in Ottawa, and grew up in northern Ontario and Quebec, and in Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master’s degree from Radcliffe College. Margaret Atwood is the author of more than forty books of fiction, poetry, and critical essays. Her latest book of short stories is Stone Mattress: Nine Tales (2014). Her MaddAddam trilogy – the Giller and Booker prize- nominated Oryx and Crake (2003), The Year of the Flood (2009), and MaddAddam (2013) – is currently being adapted for HBO. The Door is her latest volume of poetry (2007). Her most recent non-fiction books are Payback: Debt and the Shadow Side of Wealth (2008) and In Other Worlds: SF and the Human Imagination (2011). Her novels include The Blind Assassin, winner of the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; and The Robber Bride, Cat’s Eye, The Handmaid’s Tale – coming soon as a TV series with MGM and Hulu – and The Penelopiad. Her new novel, The Heart Goes Last, was published in September 2015. Forthcoming in 2016 are Hag-Seed, a novel revisitation of Shakespeare’s play The Tempest, for the Hogarth Shakespeare Project, and Angel Catbird – with a cat-bird superhero – a graphic novel with co-creator Johnnie Christmas. (Dark Horse.) Margaret Atwood lives in Toronto with writer Graeme Gibson. (From author’s website.) Summary: In the world of the near future, who will control women's bodies? Offred is a Handmaid in the Republic of Gilead. -
Moral Disorder Margaret Atwood
BIBLIOTECA TECLA SALA March 15, 2018 Moral Disorder Margaret Atwood Introduction Margaret Atwood has frequently been cited as one of the foremost writers of our time. Moral Disorder could be seen as a collection of eleven stories that is almost a novel ... or a novel broken up into eleven stories. It resembles a photograph album - a series of clearly observed moments that trace the course of a life, and the lives intertwined with it - those of parents, siblings, children, friends, enemies, teachers and even animals. And as in a photograph album, times change; every decade is here, from the 1930s through the 50s, 60s and 70s to the present day. The settings are equally varied: large cities, suburbs, farms, northern forests. By turns funny, moving, lyrical, incisive, tragic, earthy, shocking and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and inimitable Contents: style to their best advantage. As the The New York Times has said, 'Atwood has complete access to her Introduction 1 people's emotional histories, complete understanding of their hearts and imaginations.' Biography: 2 Margaret Atwood [https://www.bloomsbury.com/uk/moral-disorder- 9780747581628/] Two reviews from 3-4 The Guardian The Tent - by 5 Margaret Atwood Notes 6 Page 2 Biography: Margaret Atwood Margaret Atwood is a Canadian puritanical, theocratic dystopia in writer born on November 18, which a select group of fertile 1939 in Ottawa. The women — a condition which has internationally-known author has become a rarity — are made to written award-winning poetry, bear children for corporate male short-stories and novels, overlords. -
Uncanny Spaces and Troubled Times in Margaret Atwood's Poetry
Article “It always Takes a Long Time/to Decipher Where You Are”: Uncanny Spaces and Troubled Times in Margaret Atwood’s Poetry Eleonora Rao Department of Humanities, University of Salerno, Fisciano, 84084 Italy; [email protected] Received: 27 July 2017; Accepted: 15 August 2017; Published: 18 August 2017 Abstract: The focus is on Atwood’s most recent poetry collections; Morning in the Burned House (1995) and The Door (2007), in addition to the prose poems volume The Tent (2006). They have in common, albeit with a different emphasis, a preoccupation with mortality and with the writing of poetry itself. They also share a special concern for space. This reading considers space and landscape to function as metonyms. Space here is far from being passive; instead it is constantly in the process of being constructed. The disorientation that the poetic personae experience in these texts follows a labyrinthine pattern where heterogeneity and multiplicity in the sense of contemporaneous plurality prevail. In this perspective, the identity of a place becomes open and provisional, including that of a place called home. Keywords: contemporary poetry; space and place; liminality You remember this. No, you dreamed it. Your dream was of choking, and sinking down, and blankness. You woke from your nightmare and it had already happened. Everything was gone. Everything, and everyone—fathers, mothers, brothers, sisters, the cousins, the tables and chairs and toys and beds—all swept away. Nothing is left of them. Nothing remains but the erased beach and the silence. (Atwood 2006b, p. 149) The “nightmare” described by Margaret Atwood in her 2006 collection of poems, short prose poems, and fictional essays The Tent plays heavily on the Freudian Unheimliche—“the uncanny”— evoking the speaker’s most intimate fears of sudden, inexplicable loss of home and the familiar. -
Margaret Atwood
Margaret Eleanor Atwood Margaret Eleanor Atwood (Ottawa, 1939) si laurea nel 1961 presso il Victoria College dell’Università di Toronto. È una poetessa, scrittrice, ambientalista, critica letteraria, femminista e attivista. La sua produzione letteraria, tra poesie, saggi, racconti per ragazzi e romanzi, si avvicina ai sessanta titoli. Tra i numerosi riconoscimenti, riceve il premio Arthur C. Clarke, il Premio Principe delle Asturie per la letteratura e, soprattutto, il prestigioso Booker Prize (finalista per cinque volte, e vincitrice con The Blind Assassin, L’assassino cieco, nel 2000); è inoltre finalista sette volte del Governor General’s Award (un riconoscimento offerto dal Primo Ministro del Canada) vincendolo in due occasioni con The Circle Game e Il racconto dell’ancella. Con Alias Grace (L’altra Grace) si aggiudica il Giller Prize in Canada e il Premio Mondello in Italia. Quest’anno l’unione dei librai tedeschi le ha conferito a Francoforte il Friedenspreis/Premio della pace. Tra i lavori più recenti, nel 2016 pubblica una rivisitazione de La Tempesta di William Shakespeare, Hag-Seed (in Italia uscito per Rizzoli col titolo Seme di strega), e una graphic novel, Angela Catbird creata insieme al disegnatore Johnnie Christmas e con l'intervento della colorist Tamra Bonvillain. I suoi romanzi, tradotti in tutto il mondo, in Italia dall’inizio del Duemila sono pubblicati dalla casa editrice Ponte alle Grazie. Dai sui libri sono prodotti alcuni cortometraggi, un film di Volker Schlöndorff, The Handmaid’s Tale (Il racconto dell’Ancella) -
MS ATWOOD (Margaret) Papers Coll 00520
MS ATWOOD (Margaret) Papers Coll 00520 Gift of Margaret Atwood, 2007 Dates: [1972]-2007 (Bulk: 2003-2007) Extent: 17 boxes (2 metres) Scope and Content: This Margaret Atwood accession complements and builds on the existing Atwood collections held at the Fisher Library. It includes manuscript drafts – both holograph and word processed – of Atwood’s 2006 short story collection Moral Disorder, as well manuscripts and related material for various projects, including short articles, lectures and speeches. There is also a large collection of material dealing with various causes (cultural and environmental, as well as her work with PEN Canada), and administrative material dealing with the founding of the Griffin Award for Poetry. Box 1 Moral Disorder 28 Folders Consists primarily of manuscript drafts of the stories that comprise the collection Moral Disorder (published 2006 in Canada and the US). Note: Stories are arranged in the order they appear in the book. Folder 1 “Time Chart for Short Story Book,” 2005 WP Folders 2-3 Acknowledgements and Contents, MS draft, 2006 Folders 4-7 “The Bad News” Folder 4 MS draft, [First and second drafts], [2004?] WP with holograph revisions, holograph notes Folder 5 MS draft, [200-] WP Folder 6 MS draft, [200-] WP Folder 7 MS draft, [Version 3], [2006] WP Folders 8-12 “The Art of Cooking and Serving” 1 MS ATWOOD (Margaret) Papers Coll 00520 Folder 8 MS draft/notes, [200-] Holograph Folder 9 MS draft, [200-] WP Folder 10 MS draft, [200-] WP with holograph revisions Folder 11 MS draft, [200-] WP Folder 12 MS -
Atwood's Body Politic
UDC 821.111(71).09 Atvud M. Michelle Gadpaille Faculty of Arts, University of Maribor ATWOOD’S BODY POLITIC:7 A Ta XONOMY OF G E ND E R RepRESENTATION In the 1980s and 90s a gap appeared in the rank of feminist literary theorists. On one side were the essentialists, and on the other the constructivists, and between them lay a woman’s body. Some French theorists maintained that woman’s writing was a bodily experience, not divorced from the body as the post- enlightenment tradition would have it. “Write yourself. Your body must be heard,” said Hélène Cixous (Cixous 2001: 2043). In contrast, there was Monique Wittig’s non-essentialist stance, while Judith Butler gave the literary world gender as construction, even as performance. Long before Butler’s Undoing Gender (2004), Bodies That Matter (1993), and Gender Trouble (1990), Margaret Atwood had been deconstructing gender forms in her work. Starting with The Edible Woman in 1969, Surfacing (1972), Cat’s Eye (1982), Bluebeard’s Egg (1983) and The Handmaid’s Tale (1985), and including the more recent works, Moral Disorder (2006) and The Tent (2006), Atwood’s writing demonstrated that gender is, as Butler affirms, a cumulative performance communicated to society at large through a system of socially-constituted signs in behaviour, dress, and language, including the silent languages of the body. This paper will propose a taxonomy of gender performance as evident in a range of Atwood’s fiction, particularly in the early fiction, where the social and political tussle over women’s bodies is powerfully enacted. -
TRAUMA RETOLD by the CHARACTERS of MARGARET ATWOOD Dissertation Submitted to St. Teresa's College (Autonomous) in Partial
================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 21:6 June 2021 ================================================================ TRAUMA RETOLD BY THE CHARACTERS OF MARGARET ATWOOD Dissertation submitted to St. Teresa’s College (Autonomous) in partial fulfilment of the requirement for the degree of MASTER OF PHILOSOPHY in English Language and Literature By VENI MARIADAS Register No. SMP16EN009 September 2017 ================================================================= Language in India www.languageinindia.com ISSN 1930-2940 21:6 June 2021 Veni Mariadas TRAUMA RETOLD BY THE CHARACTERS OF MARGARET ATWOOD – M.Phil. Dissertation 1 TRAUMA RETOLD BY THE CHARACTERS OF MARGARET ATWOOD Dissertation submitted to St. Teresa’s College (Autonomous) in partial fulfilment of the requirement for the degree of MASTER OF PHILOSOPHY in English Language and Literature By VENI MARIADAS Register No. SMP16EN009 Supervisor DR. LATHA R. NAIR Department of English St. Teresa’s College (Autonomous) Ernakulam Kerala September 2017 ================================================================= Language in India www.languageinindia.com ISSN 1930-2940 21:6 June 2021 Veni Mariadas TRAUMA RETOLD BY THE CHARACTERS OF MARGARET ATWOOD – M.Phil. Dissertation 2 DECLARATION I hereby declare that this dissertation entitled “Trauma Retold by the Characters of Margaret Atwood”, is a record of bona fide work done by me under the supervision of Dr. Latha R. Nair, Associate Professor, Department -
Cambridge University Press 978-1-108-48635-4 — the Cambridge Companion to Margaret Atwood Edited by Coral Ann Howells Index More Information
Cambridge University Press 978-1-108-48635-4 — The Cambridge Companion to Margaret Atwood Edited by Coral Ann Howells Index More Information Index Alias Grace Circle Game, The, 17–18, 144 historical novel, 26, 96, 98, 100, 111, 190–191 “Circle Game, The”, 17–18, 144 quilt motif, 95–97, 100–102, 106, 111 “City Planners, The”, 145 trickster narrator, 96–97, 101, 106, 111–112 “Explorers”, 132, 145 TV adaptation, 2, 94, 190–191 “Place: Fragments, A”, 145 Ahmed, Sarah, 32, 41–43 “Pre-Amphibian”, 145 Animals in That Country, The “Settlers”, 18, 145 “I Was Reading a Scientific Article”, 146 “This Is a Photograph of Me”, 17, 142, 144 “Progressive Insanities of a Pioneer”, 18, 143, 147 digital technology, uses of Atwood, Margaret social media, 2, 5, 10, 176, 183, 190 artistic development, 185 surveillance, 39, 42, 181–183, 194, 199 awards, 2, 3, 18 theatrical effects, 118 early years, 14–17 video games, 72, 174, 192–194 internationalism, 1–5, 8, 14, 23–24, 55, 157, 167 Dearly,28, 155 interpreting Canada, 22–26 Dickens, Charles, 78, 98, 110, 121, 193 literary celebrity, 3, 10, 29 Door, The writing, on, 110, 111 “Door, The”, 28, 142, 152–153, 155, 156 works (see specific titles) “My Mother Dwindles”, 153 “Nobody cares who wins”, 154–155 Bakhtin, Mikhail, 109, 127, 129, 139 “Poet has come back, The”, 154 Barthes, Roland, 109, 111, 122 “Poetry Reading”, 154 Blind Assassin, The “Sor Juana”, 154 narrative techniques, 2–3, 6, 47, 97, 104, 112, Double Persephone, 16, 17, 109, 111 130–131, 134, 137 Dystopias, 7–9, 171–173 title, 109 post-apocalyptic, 26–27, 59, 76–77, 84–85, Bluebeard’s Egg 172–173, 178, 181 “Significant Moments in the Life of My totalitarian, 72, 182, 184 Mother”, 124 Bodily Harm, 22–23, 31–32, 37, 41, 45, 50, 60 Edible Woman, The, 10, 19–20, 30, 61, 64, 111 Bouson, J. -
Download (245Kb)
LJMU Research Online Tolan, F Introduction (to the Margaret Atwood special issue) http://researchonline.ljmu.ac.uk/id/eprint/11825/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Tolan, F (2017) Introduction (to the Margaret Atwood special issue). Contemporary Women's Writing, 11 (3). pp. 291-296. ISSN 1754-1484 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ Introduction Margaret Atwood’s bibliography, as it appears on her website, stretches to nearly ninety discreet items, exclusive of reviews and critical articles (which one imagines she must surely have lost count of by now). It includes sixteen novels, eight short story collections, and seventeen poetry collections; it encompasses children’s books, graphic novels, non-fiction, television scripts and edited works. -
M. Atwood's Wilderness TipsAs a Dialogical Narrative
Master’s Degree in European, American and Postcolonial Language and Literature Final Thesis M. Atwood’s W ilderness Tips as a Dialogical Narrative Supervisor Prof. Pia Masiero Assistant supervisor Prof. Simone Francescato Graduand Liliia Kuchmarenko 871575 Academic Year 2018 / 2019 Table of Contents Introduction……………………………………………………………………………………..3 1. True Trash: Dialogue as a way to wholenes..………………………………………………...6 2. Playing creator of others to become creator of the self: intertextuality in M.Atwood’s “Hairball”....................................................................................................................................21 3. Isis in Darkness: carnivalization as a mean for setting the Great Dialogue………………………………………………………………………...……………...31 4. The Bog body chronotope as a mean of constructing the time and space compositional level in “The Bog Man”.......................................................................................................................40 5. Dialogue with the other as a dialogue with the self in “Death by Landscape”..................................................................................................................................48 6. “Uncles” as a combination of hidden internal polemic discourse and polemically colored biography………………………………………………………………………………………56 7. Macro- and micro-dialogues as means of idea representation in “The Age of Lead”...........................................................................................................................................69