To Read the Full Article, You May Download the Magazine Here

Total Page:16

File Type:pdf, Size:1020Kb

To Read the Full Article, You May Download the Magazine Here THE MAGAZINE OF THE NATIONAL ASSOCIATION FOR INTERPRETATION NOVEMBER/DECEMBER 2019 LegacyVOLUME 30, NUMBER 6 INTERPRETING MUSIC A OKPOP’s Music Gallery explores musical connections. See the story on page 12. Contents © hsd FEATURES 6 Interpreting an American Soundscape Legacy Rolando Herts November/December 2019 12 OKPOP: Musical Connections in a Crossroad of Volume 30, Number 6 Creativity Emily Friesen, Christine Echtner Editor Paul Caputo 15 The Song of a Nation 15 Samara Stirneman Associate Editors Parker McMullen-Bushman 18 The Art and Artifact of Music in Cultural Margo Carlock Interpretation William Bevil Eva Paleczny, Jake Paleczny Jose Chavez 21 The Beat Goes On Copy Editor Elizabeth Meyers Richard Thorum 24 Following the Fiddler Home Letters to the Editor Legacy welcomes your input. Send William Ray 21 letters to [email protected] or 230 26 Cherry Street, Fort Collins, CO 80521. Interpreting Music Through Confusion Legacy reserves the right to edit letters. james allen, Jr. Submit a Story Idea E-mail queries to NAI Deputy Director DEPARTMENTS Paul Caputo at [email protected]. 2 First Impressions: Algonquin Loggers Day, Ontario Find information about upcoming themes Parks at www.interpnet.com. 4 Editor’s Desk: The Language of Music, Paul Caputo Subscriptions: $30 U.S./$40 international. Legacy magazine is published bimonthly. 30 Justice for All: Making Music in a Messed Up World, Copyright ©2019 NAI. ISSN 10523774. Larry Beck 24 34 On Interpretation: The National Park Service and American Engagement with History, W. Maclane Hull, John Garrison Marks ON THE COVER 36 Commentary: A New Perspective to Inclusive Teaching, Keith Johnson, “Prince of Legacy is published by the National Association for the Delta Blues,” performs Interpretation. Electronic distribution furnished by Yvonne Schramm EBSCO Publishing/EBSCOhost, a registered trademark at a Delta State University of EBSCO Publishing. 38 Perspective: Just Words, Bob Carter event in Cleveland, 40 From the President: We Stand on the Shoulders of Mississippi. LEGACY 1 Giants, Jay Miller Interpreting an Performance at a Mississippi Delta Blues Bar in Rio American Soundscape de Janeiro, Brazil. MISSISSIPPI: “THE BIRTHPLACE OF AMERICA’S MUSIC” Come to Mississippi University-Community-Engaged the Mississippi Delta region, which is The birthplace of the blues. Soundscape Interpretation known worldwide as the “Birthplace Come on Music heritage in Mississippi carries of the Blues.” To the birthplace of the blues. a legendary mystique that is well While this music heritage You see, we talkin’ about a blues land suited to interpretive storytelling. interpretation may be crafted with Home of that hoochie coochie man! In-the-know locals are proud to a hint of healthy creative license, share how Mississippi has earned the stories point to the importance —“Come to Mississippi” its claim to fame as “The Birthplace of pride of place and economic Keith Johnson, of America’s Music.” Invoking their opportunity. This is especially so in Prince of the Delta Blues, 2018 Southern storytelling authority, they the Mississippi Delta, proudly known will tell you that no other state has as the “Birthplace of the Blues” and produced such a high percentage problematically labelled as the of internationally known, world- poorest region in the poorest state in class musicians. They will tell you the United States. that Mississippi has produced more Since 2000, The Delta Center for Grammy Award-winning artists Culture and Learning at Delta State than any state in the country. They University has forged local, national, will go on to say that this is why the and international collaborations first Grammy Museum outside of to create and facilitate various Los Angeles was built at Delta State interpretation programs that tell ROLANDO HERTS University in Cleveland, the heart of Mississippi Delta stories. As part 6 NOVEMBER/DECEMBER 2019 of the university’s commitment to other socio-cultural contradictions They become even clearer when address longstanding educational, that capture the essence of our shared the Mississippi Delta is contrasted social, economic, and cultural American and human experience. with its geographic neighbor, the challenges in the region, The Delta Through programs like the Mississippi Hills, another storied Center’s programs create safe International Conference on the music heritage soundscape widely spaces for historically marginalized Blues and the Most Southern Place on known as the birthplace of Elvis. communities to take pride in sharing Earth workshops for K–12 educators, Given the diverse audiences that visit and interpreting their own stories. The Delta Center immerses residents The Delta Center, interpreting with This includes blues, a musical art and visitors in experiences that a universal language clarifies the form transplanted from Africa illuminate how Mississippi people, contradictions and, ultimately, clears through the transatlantic slave trade places, and culture crafted the pathways to shared understanding. to the cotton producing soils of blues and other musical genres. I This universal language is music. Mississippi. Enslaved Africans forced presented on The Delta Center’s to chop and pick cotton under cruel, place-based experiential learning Mississippi Delta and Hills dehumanizing conditions channeled projects at NAI’s 2019 International Soundscapes in Contrast their oppression into musical Conference in Brazil. The conference The Mississippi Delta and Mississippi expression, crying out to be heard, theme, “Building Interpretive Hills regions are two distinct to be liberated—work songs, field Alliances for Collective Impact,” soundscapes: interpretive, narrative- hollers, and spirituals that became offered an ideal platform for sharing rich destination regions under the blues. how our university-community- constant authorship processes that engaged interpretation work fosters connect music, place, and identity Don’t the Delta look lonesome conversations about race relations, with past and present socio-cultural When that evening sun go down? social justice, cultural representation, dynamics. Both regions represent Don’t this Delta look lonesome and other challenging topics through historical and cultural intersections When that evenin’ sun goes down? Mississippi’s music heritage. of the various music genres that Well, you been lookin’ for your baby In doing this work, we invariably Mississippians have crafted. They Don’t know where she could be found are confronted with the challenge of are the places where blues, country, —“Mississippi Blues” interpreting a host of socio-cultural gospel, rock ‘n’ roll, and soul have William Brown, 1942 contradictions that reflect broader been innovated and interpreted American life: wealth and poverty, by musicians, scholars, and local Blues songs tell the collective story of black and white, urban and rural, institutions, collectively telling African Americans’ ongoing struggle power and powerless, and sacred to live through four centuries of and secular. These contradictions oppression and accrued disadvantage. are alarmingly ever present in A Chicago blues band performs at African Americans have lived the Mississippi Delta soundscape. Mississippi Delta Blues Fest in Brazil. through slavery, sharecropping, the Jim Crow era, the Great Migration, mass incarceration, economic terrorism, and other institutionalized conditions driven by racism and white supremacy. Blues music tells this story. It embodies the hopelessness of surviving at the lower physiological and safety levels of Maslow’s hierarchy of needs, as well as the hope of attaining higher levels of love, esteem, and self-actualization. Blues music is the root of all American music genres. These genres—including country, gospel, rock ‘n’ roll, and soul—are encoded with blues’ paradox of hope and hopelessness. As the “Birthplace of America’s Music,” Mississippi is a collection of regional soundscapes where one can hear, feel, and bear witness to hope and hopelessness and LEGACY 7 the complex, multifaceted story of hills—but also due to complex socio- Robert Johnson, the “King of the America. cultural relationships that influenced Delta Blues.” Though currently no Both the Mississippi Delta and musical styles. These contrasts longer in operation, the sharecropper Mississippi Hills are Congressionally can and do serve as a provocative shack that once housed Po’ Monkey’s designated National Heritage Areas, interpretation tool for music heritage Lounge, the world renowned last rural places recognized by the National storytellers. juke joint in the U.S., still stands at the Park Service where historic, cultural, Mississippi writers like William edge of a Delta cotton field. and natural resources combine to Faulkner, Tennessee Williams, and Such Delta music heritage sites form nationally important, lived-in Richard Wright have characterized coalesce with raw emotional sounds landscapes. National Heritage Areas the Delta historically as a morally from souls long gone and resonate are committed to building regional relaxed cotton kingdom ruled with past and present race relations capacity to provide authentic cultural by wealthy white aristocrats who and chronic poverty. The sites and heritage tourism experiences by benefited from the free labor of stories often intersect with the Great engaging local communities in African Americans. The Delta still Migration, which took the blues interpreting and telling their stories. features vestiges of plantation life to Chicago
Recommended publications
  • 1 Birthplace of America's Music Tour Tunica, Clarksdale, Cleveland
    Birthplace of America’s Music Tour Tunica, Clarksdale, Cleveland, Indianola, Greenwood, Meridian, Hattiesburg Mississippi is widely considered the Birthplace of America’s Music, the one place where visitors can trace the blues, rock ‘n’ roll and country to their roots. This tour follows Highway 61, the “blues highway,” through the Mississippi Delta where the blues originated, and then visits Meridian, home of the father of country music, Jimmie Rogers. There, you’ll tour his namesake museum and the new Mississippi Arts & Entertainment Experience. This tour also visits the interactive GRAMMY Museum® Mississippi, the B.B. King Museum and much more. Thursday, March 15 Southaven to Oxford, MS You'll find "South of the Ordinary" – otherwise known as DeSoto County – in a lovely corner of Northwest Mississippi, just minutes from Memphis, Tennessee. Arrival and Transportation Instructions from Memphis International Airport: Once you have gathered your baggage, please exit the baggage claim area. Look for a friendly face holding a sign imprinted with your name and Visit Desoto County. You will be transported to the Courtyard by Marriott in Southaven, Mississippi. For those of you arriving on Wednesday, March 14, you will receive an additional email with arrival instructions. Your Visit Mississippi escort for this FAM is Paula Travis, and your Visit DeSoto County host is Kim Terrell. Paula’s cell 601-573-6295 Kim’s cell 901-870-3578 Hospitality Suite at Courtyard by Marriott 7225 Sleepy Hollow Drive, Southaven, MS 38671 662-996-1480 3:45pm Meet in lobby with luggage to board bus 4:00 pm Depart Southaven for Tunica 4:30 pm Arrive Tunica Nearby casino gaming attractions only add to the excitement in Tunica, where the U.S.
    [Show full text]
  • Totalitarian Dynamics, Colonial History, and Modernity: the US South After the Civil War
    ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials dʼinvestigació i docència en els termes establerts a lʼart. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix lʼautorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No sʼautoritza la seva reproducció o altres formes dʼexplotació efectuades amb finalitats de lucre ni la seva comunicació pública des dʼun lloc aliè al servei TDX. Tampoc sʼautoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. En cualquier caso, en la utilización de sus contenidos se deberá indicar de forma clara el nombre y apellidos de la persona autora y el título de la tesis doctoral.
    [Show full text]
  • Robert Johnson from Wikipedia, the Free Encyclopedia
    Robert Johnson From Wikipedia, the free encyclopedia Background information Birth name Robert Leroy Johnson Born May 8, 1911 Hazlehurst, Mississippi Died August 16, 1938 (aged 27) Greenwood, Mississippi Genres Delta blues Occupation(s) Musician, songwriter Instruments Guitar, vocals, harmonica Years active 1929 – 1938 Notable instruments Gibson L-1 Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American singer-songwriter and musician. His landmark recordings in 1936 and 1937, display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend, including the Faustian myth that he sold his soul at a crossroads to achieve success. As an itinerant performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. It was only after the reissue of his recordings in 1961, on the LP King of the Delta Blues Singers that his work reached a wider audience. Johnson is now recognized as a master of the blues, particularly of the Mississippi Delta blues style. He is credited by many rock musicians as an important influence; Eric Clapton has called Johnson "the most important blues singer that ever lived." Johnson was inducted into the Rock and Roll Hall of Fame as an early Influence in their first induction ceremony in 1986. In 2010, David Fricke ranked Johnson fifth in Rolling Stone′s list of the 100 Greatest Guitarists of All Time. Life and career Early life Robert Johnson was born in Hazlehurst, Mississippi possibly on May 8, 1911, to Julia Major Dodds (born October 1874) and Noah Johnson (born December 1884).
    [Show full text]
  • Traveling the Mississippi Blues Trail
    PAGE 8 Holmes County HERALD - Thursday, february 6, 2020 sippi 38614). ning songs and musicians. region–and the world–today. Traveling the Mississippi Blues Trail Take Highway 49 and head Of course, purists will On your next trip to visit The Mississippi Delta is the home of the Blues and the heart of the Trail to Greenwood to visit the want to visit to the birthplace the Delta, why not travel graves–and learn the lore–of of it all, Dockery Farms (229 the Trail and celebrate the Mississippi Delta Robert Johnson. Highway 8, Cleveland, Mis- Blues? Tourism Association Continue on Highway 49 sissippi 38732), just outside If you go For die-hard Blues fans, to Yazoo County and check of Cleveland. It’s said that Many come for music and it’s nirvana. For music lovers out the legendary Blue Front Charley Patton started it all fall in love with the food! A it’s eye-opening. For travel- Café (107 East Railroad Av- at this very spot along the trip through the Delta is a ers in the Mississippi Delta enue, Bentonia, Mississippi river. feast for the taste buds. Lo- it’s an unforgettable jour- 39040). Considered the old- Next, travel to Leland to cal catfish, whether fried up ney. The Mississippi Blues est active juke joint in Mis- visit the Highway 61 Blues like the old days or finessed Trail is a favorite way for sissippi, this is where the Museum (307 North Broad by award-winning chefs, is music lovers to explore the Bentonia Blues was born and Street, Leland, Mississippi a specialty here.
    [Show full text]
  • Interview with Charles Reed
    1 Black Liberations Movement Mosaic Under the direction of: Professors Jeremy Ball, Kim Lacy Rogers, and Amy Wlodarski Community Studies Center Dickinson College, Carlisle, PA 17013 Black Liberations Movement Mosaic Oral History Interview with Mr. Charles Reid By Atandi Anyona Coahoma Community College, Clarksdale, Mississippi, USA October 29, 2008 2 Interview with Mr. Charles Reid Interviewed on October 29, 2008 Location: Coahoma Community College, Clarkesdale, Mississippi, USA Interviewer: Atandi Anyona Transcriber: Ryan Koons Language: English Black Liberation Movements Mosaic *Transcript edited by narrator* Atandi Anyona: Okay, my name is Atandi Anyona from Dickinson College. And I'm going to be interviewing Mr. Charles Reid. I hope it's okay if we record the interview. Charles Reid: Yes, it's fine. Atandi Anyona: And would you begin by giving us a small introduction about who you are, where you were born, and things like that? Charles Reid: Okay. Well, as you said, I'm Charles Reid. I am from Clarksdale, Coahoma County, Mississippi. I was born and grew up most of my life, spent most of my life—growing up and adulthood, with the exception of the time I spent going off to college and in the military. And I worked two years in Boston, Massachusetts. And I worked 18 months in Texas. But other than that I've been here as a citizen of this area. And, I have been employed here at the Coahoma Community College for most of my adult life. I am now 73 years old and retired. 3 Atandi Anyona: How did you end up in the teaching profession here? Charles Reid: After finishing college and getting into the military I just decided I just wanted to come back and give something back to my community.
    [Show full text]
  • Dockery Farms and the Birth of the Blues
    Dockery Farms and the Birth of the Blues Dockery Farms began as a cotton plantation in the Mississippi Delta. Although cotton was king in the post-Civil War South, it has been the music from the fields and cabins of Dockery Farms that make it famous as a birthplace of the blues. From its beginnings in the late 19th century through the rise of such unforgettable Delta bluesmen as Charley Patton, Robert Johnson, Son House, and Howlin' Wolf, to the many legendary blues musicians today, Dockery Farms has provided fertile ground for the blues. The vivid poetry, powerful songs, and intense performing styles of the blues have touched people of all ages around the world. The music that was created, at least in part, by Dockery farm workers a century ago continues to influence popular culture to this day. It was a welcome diversion from their hard lives and a form of personal expression that spoke of woes and joys alike in a musical language all its own. Will Dockery, the son of a Confederate general that died at the battle of Bull Run, founded the plantation. Young Will Dockery had graduated from the University of Mississippi and in 1885, with a gift of $1,000 from his grandmother, purchased forest and swampland in the Mississippi Delta near the Yazoo and Sunflower Rivers. Recognizing the richness of the soil, he cleared the woods and drained the swamps opening the land for cotton. Word went out for workers and before long African-American families began to flock to Dockery Farms in search of work in the fields and, as tenant farmers (sharecroppers,) they cultivated cotton on the rich farmland.
    [Show full text]
  • So Much of the History of the Mississippi Delta Is Not About Its Structures As It Is About Its People and Its Land
    MDTA.ProfileSheets.History_Layout 1 11/1/16 5:33 AM Page 1 Travel Through Delta History So much of the history of the Mississippi Delta is not about its structures as it is about its people and its land. Relatively speaking, the Delta is just not that old. Settlements started rising up in early 1800s and by the 1820s towns were being incorporated. With the rise of King Cotton some even became fairly large cities. Little remains, however, of the physical history of the Delta prior to the Civil War. Take your time and get know the Delta’s incredible history. Our history includes interpretation of the Native American experience, the rise of agriculture, the Civil War, Civil Rights and of the incredible music known as the Delta Blues. • Hernando DeSoto, the first European to travel the mighty Mississippi River arrived in what is now DeSoto County in 1542. The 41-acre Hernando DeSoto River Park is located just north of Lake Comorant on the banks of the Mississippi River. After getting up close and personal with Old Man River stop by the DeSoto County Courthouse in Hernando to view murals depicting DeSoto’s arrival to the area. Erected shortly after the end of the Civil War, the DeSoto County Confederate Monument is one of Mississippi’s oldest. The monument is located in the Hernando Memorial Cemetery. • In operation since 1944, the Riverside Hotel in Clarksdale was formerly the G.T. Thomas Afro-American Hospital. In 1937 the legendary Blues artist Bessie Smith was injured in an automobile accident near Clarksdale and was refused treatment at the whites-only hospital.
    [Show full text]
  • Extra Special Supplement to the Great R&B Files Includes Updated
    The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years.
    [Show full text]
  • NEH July 2016 Daniel Warner Rich Soil, Poor People- a Week in The
    Rich Soil, Poor People: A Week in the Mississippi Delta by Daniel Warner The Mississippi Delta has a certain agreeability to it. The people are humble here, acquainted with patterns of patience as seasons of planting and harvest and the give and take of drought and flood continue to shape their lives. Maybe they are humble because they know they are dependent. They depend on the land, the river, the harvest, the planter, the Lord. Like many charming places and charming people, you get a sense that you understand the Delta before you do. It invites you in, but it does not rush to show its cards. The quest for empire and glory in the heart of its historic characters is reminiscent of a Steinbeck novel. The sheer flatness of the land, though, pauses the parallel to life in the desert valleys of central California. Cotton in the fields of the Delta did not shine with the same opportunity for a new life as gold did in rivers of the West. There has always been an arrangement of things here, a set social order, a clear understanding as to whose the opportunity was. In the late 19th century, the Delta was still uncharted wilderness at the heart of a country already explored—swamp and jungle in the early era of iron horses and skyscrapers. Roaming panthers and bears haunted the cypress trees. The fear these beasts inspired can still be heard in the melodies of the oldest surviving Delta blues players. The Delta ceded this ancient landscape as it was reimagined by planters as a crescent of unprecedented fertility, stretching from Memphis to Vicksburg.
    [Show full text]
  • Mississippi Magic: Summer Library Program, 1999. INSTITUTION Mississippi Library Commission, Jackson
    DOCUMENT RESUME ED 439 705 IR 057 796 AUTHOR Hudspeth, Jean; Shurden, Lynn Fletcher TITLE Mississippi Magic: Summer Library Program, 1999. INSTITUTION Mississippi Library Commission, Jackson. PUB DATE 1999-00-00 NOTE 197p. PUB TYPE Guides Non-Classroom (055) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Childrens Libraries; *Childrens Literature; Elementary Education; Handicrafts; *Library Services; Preschool Education; Public Libraries; *Reading Programs; State Programs; *Summer Programs IDENTIFIERS Mississippi ABSTRACT This manual for the 1999 Mississippi summer library program for preschool through elementary age children contains the following sections:(1) Introduction, including planning, promotional activities, sample radio spots and press releases, sample letters to parents, tips for including children with disabilities, a general bibliography, a Mississippi resources bibliography, selected promotional resources, supply sources, craft recipes, t-shirt iron-ons, and an evaluation form;(2) Resources for Challenged Children;(3) Bibliography, including preschool titles, lower elementary fiction, lower elementary nonfiction, upper elementary fiction, and upper elementary nonfiction;(4) Displays and Promotions;(5) Preschcol Programs;(6) Elementary Programs;(7) Activities, Games, and Coloring Sheets; and (8) Crafts. The appendix includes a list of Mississippi summer library programs, clip art, and activity sheets. (MES) Reproductions supplied by EDRS are the best that can be made from the original document. a 1999 Summer Library Program BESTCOPYAVAILABLE Missississiyyi Library Commission CN U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement N PERMISSION TO REPRODUCE AND EDUCATIONAL RESOURCES INFORMATION DISSEMINATE THIS MATERIAL HAS CENTER (ERIC) BEEN GRANTED BY ft) This document has been reproduced as received from the person or organization originating it. B_. J Hudspeth_ I:1 Minor changes have been made to improve reproduction quality.
    [Show full text]
  • *Ss26/R5* Mississippi Legislature Second
    MISSISSIPPI LEGISLATURE SECOND EXTRAORDINARY SESSION 2006 By: Senator(s) Horhn To: Rules SENATE RESOLUTION NO. 1 1 A RESOLUTION COMMEMORATING THE LIFE AND LEGACY OF NOTED 1920s 2 MISSISSIPPI BLUESMAN TOMMY JOHNSON OF CRYSTAL SPRINGS, 3 MISSISSIPPI, ON THE 50TH ANNIVERSARY OF HIS DEATH. 4 WHEREAS, next to Son House and Charley Patton, no one was 5 more important to the development of pre-Robert Johnson Delta 6 blues than Tommy Johnson. Armed with a powerful voice that could 7 go from a growl to an eerie falsetto range and a guitar style that 8 had all of the early figures and licks of the Delta style clearly 9 delineated, Johnson only recorded for two years, from 1928 to 10 1930, but left behind a body of work that's hard to ignore; and 11 WHEREAS, there is no doubt that the music of Tommy Johnson 12 epitomized the Mississippi Blues at its most expressive and 13 poetic. Johnson achieved the perfection of a regional vocal and 14 instrumental tradition, while realizing its potential for the 15 development of a unique and personal means of communication. He 16 was an individualist, whose sense of timing and rhythm, sensitive 17 guitar playing and impressive vocal range were innate; and 18 WHEREAS, the legend of Tommy Johnson is even harder to 19 ignore. The stories about his live performances, where he would 20 play the guitar behind his neck in emulation of Charley Patton's 21 showboating while hollering the blues at full throated level for 22 hours without a break, are part of his legend, as is his 23 uncontrolled lifestyle, which constantly got him in trouble.
    [Show full text]
  • Yours to Discover % the Official USA Destination Guide % All 50 States % What Ttoo Sell % How to Sell It
    C anadian T raveller • Ameri c a Y ours T o Disco v er • J uly 2007/08 3 Yours To Discover To Yours Publications Mail Agreement 40623544 • www.canadiantraveller.net • The Official Sponsor Publication of the Association of Canadian Travel Agencies Travel Association of Canadian The Official Sponsor Publication ofthe • 40623544 •www.canadiantraveller.net Agreement Publications Mail T W O A S A e Y America e W America e W P S a % % % % % % % % g ge I 1 N 2 7 Destination Guide USA The Official How To SellIt How To What T All 50States Destination Guide USA The Official How To SellIt How To Sell What To All 50States Industry News When You Really Need It…Daily! – TRAVELHotNews.com ReallyNeedIt…Daily!– You When Industry News o Sell July 2007/08 Thinking U.S.? Think US. Air Canada flies to more destinations in the U.S. from Canada and offers more nonstop service than any other airline. Add to that innovative Flight Passes and simplified one-way fares, and you’ve got the obvious choice when travelling south of the border. Help your clients Find freedom for your clients at aircanada.com/agents save time. WestJet’s new mobile check-in. WestJet can help you take care of your business clients. They can now check in * conveniently 24 hours to 30 minutes prior to their flight using our NEW mobile check-in. It is easy, just ask them to type mobile.westjet.com into their mobile device , follow the instructions and head to the airport. Then they can sit back and enjoy our great customer service, comfy leather seats and ample legroom.
    [Show full text]