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1 Birthplace of America's Music Tour Tunica, Clarksdale, Cleveland
Birthplace of America’s Music Tour Tunica, Clarksdale, Cleveland, Indianola, Greenwood, Meridian, Hattiesburg Mississippi is widely considered the Birthplace of America’s Music, the one place where visitors can trace the blues, rock ‘n’ roll and country to their roots. This tour follows Highway 61, the “blues highway,” through the Mississippi Delta where the blues originated, and then visits Meridian, home of the father of country music, Jimmie Rogers. There, you’ll tour his namesake museum and the new Mississippi Arts & Entertainment Experience. This tour also visits the interactive GRAMMY Museum® Mississippi, the B.B. King Museum and much more. Thursday, March 15 Southaven to Oxford, MS You'll find "South of the Ordinary" – otherwise known as DeSoto County – in a lovely corner of Northwest Mississippi, just minutes from Memphis, Tennessee. Arrival and Transportation Instructions from Memphis International Airport: Once you have gathered your baggage, please exit the baggage claim area. Look for a friendly face holding a sign imprinted with your name and Visit Desoto County. You will be transported to the Courtyard by Marriott in Southaven, Mississippi. For those of you arriving on Wednesday, March 14, you will receive an additional email with arrival instructions. Your Visit Mississippi escort for this FAM is Paula Travis, and your Visit DeSoto County host is Kim Terrell. Paula’s cell 601-573-6295 Kim’s cell 901-870-3578 Hospitality Suite at Courtyard by Marriott 7225 Sleepy Hollow Drive, Southaven, MS 38671 662-996-1480 3:45pm Meet in lobby with luggage to board bus 4:00 pm Depart Southaven for Tunica 4:30 pm Arrive Tunica Nearby casino gaming attractions only add to the excitement in Tunica, where the U.S. -
Center for Popular Music
Inventory Number: tta0182t Center for Popular Music - Audio Log Media: Uncompressed Digital Audio - DVD Title: Wardlow Interview with Willie and Elizabeth Moore Date: November 30, 1969 NOTES: Original recording on 5" reel of 1/4" tape left channel only by Gayle Dean Wardlow. Audio had severe dropouts all throughout. Time: Place: McManus Plantation - Sumner, Mississippi Transferred to 10" reel of 1/4" tape - 2 track mono @ 7 1/2 ips by Bruce Lived beside Willie Brown from the late 1910s Nemerov. Audio digitization by Martin Fisher. Historical Consulting and description - Tyler DeWayne Moore. Time In Track Title/Description Artist or Interviewee File Name cpm_94048_tta182t_010101_pres_Willie&ElizabethMoore Wardlow asks about Charley Patton and WC Handy; Moore discusses playing a show at the hotel in Tunica; Moore talks about Handy's band 00.00.00 1 Willie and Elizabeth Moore being thirty-six pieces; Did Handy have any idea about Patton; Moore talks about playing with Handy at 1721 Gray Street, Baton Rouge, LA; Moore remembers meeting Patton in Hollandale at a jook owned by Chris Oliver; Maybe Oliver's jook was on the west side of Arcola or near Scott, MS; Moore wanted to see Patton, he went to Hollandale, and patton was 00.08.31 2 Willie and Elizabeth Moore - Source tape playback fast sitting on a "chinaman's" porch; Moore played second-guitar to Patton; Moore remembers Patton singing a song about "Caldonia, The Woman I Love." Wardlow asks if Moore ever played trombone with Willie Brown; Brown could only play the guitar; Moore remember's Brown's songs like Old Cola, Pony Blues, and The Blues Ain't Nothing but a Low Down Shaking 00.14.38 3 Willie and Elizabeth Moore - Source tape playback fast Chill; Moore talks about how Brown thought that Patton played to fast; Moore tells what happened when he ands Brown registered for the service. -
The Devil in Robert Johnson: the Progression of the Delta Blues to Rock and Roll by Adam Compagna
The Devil in Robert Johnson: The Progression of the Delta Blues to Rock and Roll by Adam Compagna “I went down to the crossroads, fell down on my knees, I went down to the crossroads, fell down on my knees, Saw the Devil and begged for mercy, help me if you please --- Crearn, “Crossroads” With the emergence of rock and roll in the late nineteen fifties and early nineteen sixties, many different sounds and styles of music were being heard by the popular audience. These early rock musicians blended the current pop style with the non-mainstream rhythm and blues sound that was prevalent mainly in the African-American culture. Later on in the late sixties, especially during the British “invasion,” such bands as the Beatles, Cream, Led Zeppelin, Fleetwood Mac, and the Yardbirds used this blues style and sound in their music and marketed it to a different generation. This blues music was very important to the evolution of rock and roll, but more importantly, where did this blues influence come from and why was it so important? The answer lies in the Mississippi Delta at the beginning of the twentieth century, down at the crossroads. From this southern section of America many important blues men, including Robert Johnson, got their start in the late nineteen twenties. A man who supposedly sold his soul to the Devil for the ability to play the guitar, Robert Johnson was a main influence on early rock musicians not only for his stylistic guitar playing but also for his poetic lyrics. 1 An important factor in the creation of the genre of the Delta blues is the era that these blues men came from. -
Totalitarian Dynamics, Colonial History, and Modernity: the US South After the Civil War
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials dʼinvestigació i docència en els termes establerts a lʼart. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix lʼautorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No sʼautoritza la seva reproducció o altres formes dʼexplotació efectuades amb finalitats de lucre ni la seva comunicació pública des dʼun lloc aliè al servei TDX. Tampoc sʼautoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. En cualquier caso, en la utilización de sus contenidos se deberá indicar de forma clara el nombre y apellidos de la persona autora y el título de la tesis doctoral. -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2011 By
MISSISSIPPI LEGISLATURE REGULAR SESSION 2011 By: Senator(s) Dawkins, Horhn, Turner, To: Rules Jordan, Tollison, Baria, Butler (38th), Jackson (32nd), Albritton, Harden, Powell, Butler (36th), Jackson (11th), Bryan, Simmons, Burton, Clarke, Davis, Dearing, Fillingane, Frazier, Watson SENATE CONCURRENT RESOLUTION NO. 593 1 A CONCURRENT RESOLUTION RECOGNIZING THE UNVEILING OF THE 2 MISSISSIPPI BLUES TRAIL MARKER AT THE "MISSISSIPPI MUSIC 3 CELEBRATION AT THE GRAMMY MUSEUM" IN LOS ANGELES, CALIFORNIA. 4 WHEREAS, Mississippi blues, country, gospel, soul and 5 rock'n'roll artists are at the center of American popular music, 6 and that legacy is apparent in the number of Mississippians who 7 have been recognized by The Recording Academy with GRAMMY Awards, 8 GRAMMY Hall Of Fame inductions and Lifetime Achievement Awards; 9 and 10 WHEREAS, on Thursday, February 10, 2011, this year's 11 "Mississippi Music Celebration at the GRAMMY Museum" at L.A. Live 12 in downtown Los Angeles will celebrate that unparalleled musical 13 legacy and specifically honor Mississippi's pivotal role in the 14 establishment of blues music and that genre's influence across the 15 music industry. The event is part of GRAMMY Week, a preamble to 16 the GRAMMY Awards Ceremony scheduled on February 13, 2011. On 17 February 10, a Mississippi Blues Trail Marker will be unveiled at 18 the GRAMMY Museum and L.A. Live sidewalk; and 19 WHEREAS, the Mississippi Blues Trail, created by the 20 Mississippi Blues Commission, is a project to place interpretive 21 markers at the most notable historical sites related to the growth 22 of the blues throughout the State of Mississippi. -
Guitar Blues Book
Guitar Blues Book Ur-Vogel Jeholopterus spielt den Ur-Blues 13. November 2019 Vorwort Dies ist das persönliche Guitar Blues Buch von Hans Ulrich Stalder, CH 5425 Schneisingen. Die zur Webseite www.quantophon.com verlinkten Videos und Musikdateien sind persönliche Arbeitskopien. Ausser wenn speziell erwähnt sind alles MP3- oder MP4-Files. Hier vorkommende Blues-Musiker sind: Big Bill Broonzy geboren als Lee Conley Bradley am 26. Juni 1903 in Jefferson County (Arkansas), †15. August 1958 in Chicago, Illinois, war ein US-amerikanischer Blues-Musiker und Blues-Komponist. Lightnin’ Hopkins geboren als Sam Hopkinsan am 15. März 1912 in Centerville, Texas, † 30. Januar 1982 in Houston, Texas, war ein US- amerikanischer Blues-Sänger und Blues-Gitarrist. Er gilt als einflussreicher Vertreter des Texas Blues. Hans Ulrich Stalder © Seite 2 / 67 Champion Jack Dupree William Thomas "Champion Jack" Dupree, geboren am 23. Oktober 1909 in New Orleans, † 21. Januar 1992 in Hannover, war ein amerikanischer Blues-Sänger und Blues-Pianist. Sam Chatmon geboren am 10. Januar 1897 in Bolton, Mississippi, † 2. Februar 1983 in Hollandale, Mississippi, war ein US-amerikanischer Blues- Musiker. Er stammte aus der musikalischen Chatmon-Familie und begann – wie auch seine Brüder Bo und Lonnie – bereits als Kind, Musik zu machen. Leroy Carr geboren am 27. März 1905 in Nashville, Tennessee, † 29. April 1935 in Indianapolis, war ein US-amerikanischer Blues-Pianist und Sänger. Bekannt war er vor allem zusammen mit seinem langjährigen Partner, dem Gitarristen Francis "Scrapper" Blackwell, mit dem er als Duo auftrat und Aufnahmen machte. Elmore James geboren am 27. Januar 1918 in Mississippi, † 24. Mai 1963 in Chicago, Illinois, war ein US-amerikanischer Bluesmusiker. -
(Bob, Jay) West ‒ Longtime Traditional Jazz and Blues Musician, Radio Show Host, and Record Producer ‒ Died on July 31 of Cancer
Jay Robert (Bob, Jay) West ‒ longtime traditional jazz and blues musician, radio show host, and record producer ‒ died on July 31 of cancer. He was 74. Respected by musicians and collectors the world over for his field recordings and interviews, Bob was Seattle's premier archivist of country blues music. Born in Seattle March 27, 1942, West moved to Chula Vista, CA for high school when his father took a job in the aircraft industry. Returning to Seattle after graduation, Bob became involved in radio when Lorenzo Milam asked him to host a country blues show on KRAB FM radio 107.7. The show, known as "King Biscuit Time," was named to honor a former Helena, Arkansas radio program which aired blues music in the 1940s. West's parents collected records before he was born. His father, Frank, favored Harlem-style bands featuring Billie Holiday, Lester Young, Coleman Hawkins, Fletcher Henderson, and Earl Hines. Frank appreciated some blues players, but it was Bob's mother, Taimi, who really liked the blues. The prize of her collection was a mint copy of "Peetie Wheatstraw's Blues," a very rare record on the Bluebird label. "I really started listening to the music when I was about 10, 11, or 12," he recalled. "I got so if I heard a record I never heard before I could tell it was Barney Bigard on clarinet, and I could distinguish Earl Hines from Jelly Roll Morton on piano, so it gave me the ability to really find these personal styles." During the early 1960s, West was employed tensiling and braking metal parts in the Boeing laboratory's mechanical task department when fellow employee Leroy Johnson took him to see "a kid band" playing at a bar in West Seattle. -
March 2021 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans! Proud Recipient of a 2009 I just finished watching our Keeping the Blues Alive Award 2021 Musicians Relief Fund/ HART Fundraiser and I must 2021 OFFICERS say I thought it was great. I am President, Tony Frederickson [email protected]@wablues.org so grateful for the generous Vice President, Rick Bowen [email protected]@wablues.org donation of the musical talents Secretary, Marisue Thomas [email protected]@wablues.org of John Nemeth & the Blues Treasurer, Ray Kurth [email protected]@wablues.org Dreamers, Theresa James, Terry Editor, Eric Steiner [email protected]@wablues.org Wilson & the Rhythm Tramps and Too Slim & the Taildraggers! 2021 DIRECTORS It was a good show and well worth reviewing again and again if Music Director, Open [email protected]@wablues.org you missed it! Also, a big shout out to Rick Bowen and Jeff Menteer Membership, Chad Creamer [email protected]@wablues.org for their talents for the production of this event. I also want to say Education, Open [email protected]@wablues.org “Thank You” to all of you who made donations! If you are looking Volunteers, Rhea Rolfe [email protected]@wablues.org for a little music to fill some time this would be a great three-hour Merchandise, Tony Frederickson [email protected]@wablues.org window and any donations you might be able to make would be very Advertising, Open [email protected]@wablues.org much appreciated. If you are interested go to our new YouTube page (Washington Blues Society) and check it out. -
Robert Johnson from Wikipedia, the Free Encyclopedia
Robert Johnson From Wikipedia, the free encyclopedia Background information Birth name Robert Leroy Johnson Born May 8, 1911 Hazlehurst, Mississippi Died August 16, 1938 (aged 27) Greenwood, Mississippi Genres Delta blues Occupation(s) Musician, songwriter Instruments Guitar, vocals, harmonica Years active 1929 – 1938 Notable instruments Gibson L-1 Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American singer-songwriter and musician. His landmark recordings in 1936 and 1937, display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend, including the Faustian myth that he sold his soul at a crossroads to achieve success. As an itinerant performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. It was only after the reissue of his recordings in 1961, on the LP King of the Delta Blues Singers that his work reached a wider audience. Johnson is now recognized as a master of the blues, particularly of the Mississippi Delta blues style. He is credited by many rock musicians as an important influence; Eric Clapton has called Johnson "the most important blues singer that ever lived." Johnson was inducted into the Rock and Roll Hall of Fame as an early Influence in their first induction ceremony in 1986. In 2010, David Fricke ranked Johnson fifth in Rolling Stone′s list of the 100 Greatest Guitarists of All Time. Life and career Early life Robert Johnson was born in Hazlehurst, Mississippi possibly on May 8, 1911, to Julia Major Dodds (born October 1874) and Noah Johnson (born December 1884). -
Coahoma County, Mississippi, Field Trips, 1941-1942: a Guide
American Folklife Center, Library of Congress Coahoma County, Mississippi, Field Trips, 1941-1942: A Guide Rob Cristarella, Todd Harvey, Nathan Salsburg, and Chris Smith (2016) 1 Contents Scope and Content .......................................................................................................................... 3 Chronology ...................................................................................................................................... 5 1941 ............................................................................................................................................. 5 1942 ............................................................................................................................................. 9 1943 ........................................................................................................................................... 15 Inventories .................................................................................................................................... 16 Series 1: Manuscripts ................................................................................................................ 16 Series 2: Sound Recordings ....................................................................................................... 22 Series 3: Graphic Images ........................................................................................................... 56 Series 4: Moving Images........................................................................................................... -
Traveling the Mississippi Blues Trail
PAGE 8 Holmes County HERALD - Thursday, february 6, 2020 sippi 38614). ning songs and musicians. region–and the world–today. Traveling the Mississippi Blues Trail Take Highway 49 and head Of course, purists will On your next trip to visit The Mississippi Delta is the home of the Blues and the heart of the Trail to Greenwood to visit the want to visit to the birthplace the Delta, why not travel graves–and learn the lore–of of it all, Dockery Farms (229 the Trail and celebrate the Mississippi Delta Robert Johnson. Highway 8, Cleveland, Mis- Blues? Tourism Association Continue on Highway 49 sissippi 38732), just outside If you go For die-hard Blues fans, to Yazoo County and check of Cleveland. It’s said that Many come for music and it’s nirvana. For music lovers out the legendary Blue Front Charley Patton started it all fall in love with the food! A it’s eye-opening. For travel- Café (107 East Railroad Av- at this very spot along the trip through the Delta is a ers in the Mississippi Delta enue, Bentonia, Mississippi river. feast for the taste buds. Lo- it’s an unforgettable jour- 39040). Considered the old- Next, travel to Leland to cal catfish, whether fried up ney. The Mississippi Blues est active juke joint in Mis- visit the Highway 61 Blues like the old days or finessed Trail is a favorite way for sissippi, this is where the Museum (307 North Broad by award-winning chefs, is music lovers to explore the Bentonia Blues was born and Street, Leland, Mississippi a specialty here. -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2010 By
MISSISSIPPI LEGISLATURE REGULAR SESSION 2010 By: Senator(s) Horhn, Baria, Browning, To: Rules Butler, Chassaniol, Dawkins, Fillingane, Frazier, Jackson (11th), Jackson (15th), Jackson (32nd), Jones, Kirby, Montgomery, Powell, Stone SENATE CONCURRENT RESOLUTION NO. 530 1 A CONCURRENT RESOLUTION RECOGNIZING AND SALUTING JACKSON JAZZ 2 ARTIST CASSANDRA WILSON UPON THE OCCASION OF THE MISSISSIPPI BLUES 3 TRAIL MARKER IN HER HONOR WHICH IS MISSISSIPPI'S 100TH MARKER. 4 WHEREAS, on January 7, 2010, the 100th Mississippi Blues 5 Trail Marker will be dedicated to honor national jazz artist 6 Cassandra Wilson at the Sam M. Brinkley Middle School located at 7 Ridgeway Street and Albemarle Road in Jackson, Mississippi; and 8 WHEREAS, "There's no question that the 100th marker on the 9 Mississippi Blues Trail is a fitting tribute to one of the 10 greatest voices in American arts," Governor Haley Barbour said. 11 "Cassandra Wilson's collection of blues, jazz standards and 12 musical style sets her apart from other artists. She is truly one 13 of Mississippi's musical treasures"; and 14 WHEREAS, Mississippi, the Birthplace of America's Music, is a 15 destination for music lovers. The Mississippi Blues Trail program 16 was created to recognize the talents of the state's countless 17 musicians. When completed, the trail will include more than 100 18 sites that together will offer an unforgettable journey into Blues 19 history; and 20 WHEREAS, the Mississippi Blues Trail markers are funded in 21 part by a grant from the National Endowment for the Humanities and 22 by support from the Jackson Convention and Visitors Bureau, the 23 Mississippi Department of Transportation, Delta State University 24 and the Mississippi Development Authority; and 25 WHEREAS, although often categorized as a jazz artist, 26 Wilson's music spans many genres, including the blues.