Curriculum Windows
What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today FS OO PR 13 P 20 IA © Curriculum Windows
What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today
edited by
Thomas S. Poetter Miami University, Oxford, Ohio
Information Age Publishing, Inc. Charlotte, North Carolina www.infoagepub.com Library of Congress Cataloging-in-Publication Data
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Printed in the United States of America CONTENTS
Foreword William H. Schubert ...... S ...... ix Preface F Thomas S. Poetter ...... O...... xxiii Introduction: Curriculum Windows To Tomorrow— Openings for Curriculum and Theory andO Practice Today Despite Hauntings and Zombies Thomas S. Poetter ...... R ...... 3 ...... xxvii 1. The Power of RevolutionaryP Thought: 1 Waging Curriculum Warfare on Racial 0 Injustices in AcademiaP 2 Kyra T. Shahid ...... 1 Author/BookA studied: Walton, S. (1969). Black Curriculum: DevelopingI a Program in Afro-American© Studies. Oakland, CA: Black Liberation Publishers. 2. A Window Toward Expanded Experiences: Exposing Today’s Limited Menu of Classroom Offerings and Asking for More Variety Scott Sander ...... 17 Author/Book studied: Popham, J., Eisner, E., Sullivan, H., & Tyler, L. (1969). Instructional Objectives. AERA Monograph Series on Curriculum Evaluation. Chicago: Rand McNally.
v vi CONTENTS
3. Schools in Process: Creating “New” Priorities Leigh Ann Fish ...... 35 Author/Book studied: Berman, L. (1968). New Priorities in the Curriculum. Columbus: Merrill. 4. No More Broken Windows: Transforming the Lives of Urban School Children Mary A. Webb ...... 53 Author/Book studied: Herndon, J. (1969). The Way It Spozed To Be. New York, NY: Bantam. 5. How Reading Incentive Programs Fail Candi Pierce Garry ...... 77 Author/Book studied: Holt, J. (1964). How Children Fail. New York, NY: Dell. 6. Fifty Years of Behavioral Objectives: S For Business or for Education? Mark O’Hara ...... F...... 93 Author/Book studied: Mager, R. (1962). Preparing Instructional Objectives. Belmont, CA: Fearon Publishers.O 7. A Glimpse at Freedom Through the WindowO of Race in Society and Education: Du Bois’ Mansart Builds a School Timothy Vaughn ...... R ...... 3 ...... 109 Author/Book studied: PDuBois, W.E.B. (1957-1961).1 Manzart Builds a School. Vol. 2 of the Black Flame;0 A Trilogy, including The Ordeal (Vol. 1) and Worlds of Color (Vol. 3). New York, NY: Mainstream Publishers.P 2 8. Beyond ProjectA Versus Process: SearchingI for Progress in Education© Sara Hayes, Scott Sander, and Beck Lewellen ...... 127 Author/Book studied: Bruner, J. (1960). The Process of Education. New York, NY: Vintage Books. 9. Curriculum Midwives: Teachers, Instruction, and Students Trevor Ngorosha ...... 147 Author/Book studied: Bruner, J. (1966). Toward a Theory of Instruction. New York, NY: W.W. Norton. 10. Student Protest: Blind Ignorance or Empowering Curriculum? Rachel Radina ...... 165 Author/Book studied: Schwab, J. (1969). College Curriculum and Student Protest. Chicago, IL: University of Chicago Press. Contents vii
11. Hilda Taba—Curriculum Pioneer and Architect Susan Smith ...... 181 Author/Book studied: Taba, H. (1962). Curriculum Development: Theory and Practice. New York, NY: Harcourt, Brace & World. 12. Exploring Teaching As a Subversive Activity Ryan Gamm ...... 193 Author/Book studied: Postman, N., & Weingartner, C. (1969). Teaching as a Subversive Activity. New York: Dell. 13. “What Is This Child Ready For?” Interacting With John Goodlad as Malawi Eyes a 100% Primary School Completion Rate Precious Gawanani ...... 211 Author/Book studied: Goodlad, J. (1966). School, Curriculum, and the Individual. Waltham, MA: Blaisdell. 14. In Pursuit of the Common Good With Philip Phenix S Carmen Scalfaro ...... F...... 227 Author/Book studied: Phenix, P. (1961). Education and the Common Good: A Moral Philosophy of the Curriculum.O New York, NY: Harper and Brothers. 15. Windows of Success With African AmericanO Students: Inspiration From Kohl Jennifer Mills ...... R ...... 3 ...... 243 Author/Book studied: PKohl, H. (1968). 36 Children.1 New York, NY: Penguin. 0 16. Summerhill: A CallP for Significance in2 a World of Irrelevance Jocelyn WeedaA ...... 249 Author/BookI studied: Neill,© A. S. (1960). Summerhill: A Radical Approach to Child Rearing. New York, NY: Hart. 17. Hide and Seek With Philip Jackson: The Hidden Curriculum in Life in Classrooms Kelly Waldrop ...... 267 Jackson, P. (1968). Life in Classrooms. New York: Holt, Rinehart and Winston. About the Authors ...... 287
FOREWORD
In Praise of Curriculum Windows
W. H. SCHUBERT William H. Schubert S OF I am pleased to be invited to comment on this volume, and I praise Tom Poetter and his colleague-students for providingO this marvelous set of win- dows into the relevant history available in curriculum books. Their work is praiseworthy because it recognizes Ra legacy of ideas and practices3 that are too often forgotten, and need to be remembered in1 educational thought and in action. P 0 We live in a time that is both depressingly ignorant and insightfully filled with relevant Pperspectives. The marketplace2 sadly controls educa- tional policy with an unawareness that ideas of the past are at our finger tips in cyber-readinessIA if we will© only perceive and reflect. The authors of this book help us to tune in to the great legacy of curriculum studies at our disposal. Each chapter shows how a practicing educator-scholar of today has benefited from study of scholars who devoted a lifetime to con- sideration of curriculum theory and practice. In addition, each chapter made me reflect on my acquaintance with the works and authors discussed here, so I want to draw upon my 40-some years as an educator to personalize the historical windows that emerge in this book to illuminate tomorrow. I hope this book can be a clarion call to educators to read and ponder the insights herein.
Curriculum Windows: What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today, pp. ix–xxii Copyright © 2013 by Information Age Publishing All rights of reproduction in any form reserved. ix x W. H. SCHUBERT
As I read Tom Poetter’s introductory chapter and came to know this project and inspirations for it, I moved into a state of reverie. Historically, I am located between Tom and his doctoral mentor, Norman Overly. When Norm completed his PhD at Ohio State under the direction of renowned mentor, Paul Klohr, I had just finished my bachelor’s degree at Manchester College and had immediately enrolled in the Department of History and Philosophy of Education at Indiana University (IU), where Norm would later live out most of his professorial career. I vividly recall sitting in the reserve reading room at the College of Education at IU, por- ing over two curriculum books that dominated the 1960s: Fundamentals of Curriculum Development by Smith, Stanley, and Shores (1957) and The Pro- cess of Education by Jerome Bruner (1960). They were only recommended, not required for the first course I took on curriculum. I was amazed at how this reading experience was new to me. I sailed through the books as if they were written by kindred spirits, and I had not heard of the authors before. In undergraduate school I had been a deliberate reader,S and sud- denly I was a speed reader—comprehending without missing a beat. In undergraduate school I had debated what major to Ftake. Adolescent rebellion made me want to explore other fields than education, the pro- fession of my parents, whose work as educators wasO deeply respected by many, including myself. But I wanted to be different. When I took stimu- lating courses in literature, philosophy, history,O psychology, anthropology, biology, and more I wanted to major in each, because I thought3 that each helped me figure out more about Rwho I was and wanted to be, what I wanted to do, how, where, andP why. When, as a senior,1 I took a course in Philosophy of Education, I was introduced through0 the teaching of Rus- sell Bollinger to perennial questions of 2metaphysics, epistemology, and axiology. Writing papersP on each of these topics helped me realize that the central questionA that brought my diverse interests together was: What is worthwhile?I © The quest for this question which is both unanswerable and worth pursuing should be a beacon light for every human life. The desire to chase that question led me to study history and philosophy of education and its practical instantiation in curriculum development. As I conversed through books with B. Othanel Smith, William O. Stanley, J. Harlan Shores, and Jerome Bruner in the library at IU, I also conversed in person with Professors Philip G. Smith, Stanley E. Ballinger, Malcolm Skilbeck, and A. Stafford Clayton in classes. Clayton introduced me to John Dewey through a whole course on Democracy and Education (Dewey, 1916). From my study of Dewey, I become more convinced that my new-found dedication to educational study derived from my interest in what is worthwhile. It took a new turn, however, one that helped me see the value of making this quest with others, not merely as an individual. This insight greatly affected an Foreword xi event that happened at the conclusion of my master’s degree. Professor Smith who chaired the Department of History and Philosophy of Education asked if I was interested in one of the (then) new National Defense Education Act (NDEA) fellowships to give me a full ride in the PhD program in philosophy of education. I was deeply honored, and after anguished pondering, at the mere age of 22, I declined the offer, saying that if I were to one day teach educators, I should first gain experience as a teacher myself. Deeply within me, I somehow knew that Dewey, other philosophers of education, and curriculum theorists had so enthralled me with the curriculum question (what’s worthwhile?) that I could not just pursue it alone; I needed to share it with children and youth. So, I became an elementary school teacher in Downers Grove, Illinois for the next 8 years. As a teacher, I continued to read and used the vast resources of the Chicago area to inquire more about what is worthwhile. My students taught me a great deal about such matters as well, and I ultimately learned to listen to them, as my recent former student Brian Schultz (2008,S 2011) has portrayed so well. As I learned and listened, I decided that I wanted to Fbe able to share with other educators and therefore looked into the possibility of doctoral study. After considering a number of great universities,O I settled on the University of Illinois at Urbana-Champaign, and my adviser was J. Har- lan Shores. When I had sped through thatO Smith, Stanley, and Shores (1957) curriculum book, little did IR realize that I would one3 day pursue a tailor-made program with J. Harlan Shores. On day one of my doctoral studies Shores advised me toP keep a record of everything1 I read, because later I would need easy access to the sources.0 There were no personal computers in 1973,P so I began to fill a large2 valise with index cards—to the point that students and faculty would know that they could stop me in the hall to askA for a reference. I used many of the cards as references for my dissertationI which was about© the interaction of what I deemed my two most important tools of teaching: my emergent philosophy and my evolv- ing imagination. When I landed a professorial job at the University of Illi- nois at Chicago (UIC), I decided to write the most complete guide to the books of the curriculum field that I could muster, so that subsequent stu- dents and scholars could find their way around the literature more effi- ciently that I had been able to do. The project resulted in Curriculum Books: The First Eighty Years (Schubert & Lopez Schubert, 1980), and later was expanded into Curriculum Books: The First Hundred Years (Schubert, Lopez Schubert, Thomas, & Carroll, 2002). I am elated that Tom Poetter and the authors of Curriculum Windows to To m o r ro w have found these books helpful as they have embarked on the study of the relevance of ideas in key books of the 1960s. I came of age in the 1960s and now have retired—hopefully, still going strong for some xii W. H. SCHUBERT time. I see the “what’s worthwhile” question addressed many ways in each of the chapters of this book. Over the years I have expanded the question through many sources: in the lives of teachers and students (Schubert & Lopez Schubert, 1982); through a synoptic text (Schubert, 1986/1997) inspired by the Smith, Stanley, and Shores (1950, 1957) model; though insights from literature and the arts (Willis & Schubert, 1991); from the understandings of teachers and the lore of their experience (Schubert & Ayers, 1992); through the distant and recent history of curriculum dis- course (e.g., Marshall, Sears, Allen Anderson, Roberts, & Schubert, 2007; and Willis, Schubert, Bullough, Kridel, & Holton, 1993), and in a quest for a more just world through education infused by loving relationships (Schubert, 2009a). Throughout these books and myriad other projects my image of what’s worthwhile morphed from the Spencerian (Spencer, 1861) question of “what knowledge is of most worth” (pp. 5-95) to a more complex question (that goes beyond traditional knowledge and does not become entangled in a search for the One best form): WhatS is worth knowing, needing, experiencing, doing, being, becoming, overcoming, sharing, contributing, and just plain wondering? (Schubert,F 2009b) Tom Poetter tells the story of his mentor, Norm Overly, bestowing upon him some 200 curriculum books and entreatingO him to do something worthwhile with them for students. Reading about this in the Introduction to this book, I recalled that Harlan ShoresO invited me to select some two hundred of his books when he retired, which I hope I 3have used well. Surely, they were a basis for writingR Curriculum Books. I now am passing many of them and thousandsP more that I acquired1 over the years to a wonderful library at Georgia Southern University0 due to the initial efforts of Ming Fang He, Professor of Curriculum2 Studies there. I thank Dean W. Bede Mitchell and hisP colleagues at the Zack S. Henderson Library, where they are developingA a special collection of historical books and documents in the historyI of curriculum studies.© Thus far, the collection includes my collection and that of Edmund C. Short. Through this book, Tom Poetter has provided a project that honors Norman Overly and helps the field become more aware of its past. The past is always within us and it is important to acknowledge and build upon it imaginatively. I am glad that this volume which focuses of the 1960s will be followed by volumes on the relevance of curriculum litera- ture of the 1970s and 1980s. I would encourage a volume on the 1990s which is increasingly becoming historical, and others going back to the 1950s, 1940s, 1930s, 1920s, and earlier. Each decade or era still has much to offer for the future. For now, as I reflect on this volume my thoughts return to the 1960s. I finished high school, went through college, got a master’s degree and a principal’s certificate, and started a teaching career in the 1960s. I worked Foreword xiii for Indiana senators in Washington, when the landmark legislation was passed on civil rights during the summer of 1964. I wandered around the 1964 World’s Fair in New York, pondered the American isolation from much of the world and the heightened fear of the Cold War epitomized by “duck-and-cover” drills in schools wherein children would hide under desks and in hallways, being taught that they could avoid being demolished by nuclear warfare. I participated in a world of complexities—counter- cultures, free schools, freedom schools, antiwar, corporate power wielding, and behavioral objectives. I lived in rural, college town, suburban, and urban environs. I saw schools try to implement comprehensive high schools, post-Sputnik curriculum reform in packages of new math, inquiry science, Man: A Course of Study (MACOS), and language labs. I saw the American high school and teacher education vastly altered by the reports of Harvard President James Bryant Conant (1959, 1964) funded by Frank Keppel and the Carnegie Corporation. I witnessed the resilient continued practice of curriculum recipes that bastardized the call of RalphS Tyler (1949) to think seriously about educational purposes, learning experiences, organizational patterns, and evaluation. I sawF the beginnings of a curriculum theory of critique in the works of Paul Goodman, Jules Henry, Alice Miel Maxine Greene, James B. Macdonald,O Philip Phenix, Lawrence Cremin, Louise Berman, Maxine Dunfee, Elliot Eisner, Dwayne Huebner, Nelson Haggerson, Ted Aoki,O O. L. Davis, Joseph Schwab, Herbert Thelen, John Goodlad, Paul Klohr, and many more.3 Then, as now, I dreaded policy made by governmentalR and corporate pundits who could not say a sentence about anyP curriculum theorists if1 their lives depended upon it, and the bold fact is that OUR LIVES 0DO DEPEND UPON IT! I saw policymakers who only viewed the purpose2 of schooling through the lens of shifting the Pbalance of power to U.S. advantage and making U.S. corporate dominationA more competitive. I see the same today, which reiterates theI crucial need for perspectives© in this book. The power of this book is that the authors help us see how our lives depend upon educational relationships that enable and encourage us to ask what is worthwhile and to embody and enact our continuously evolving responses to this question—a question that rightly shimmers in uncertainty. Each of the chapters helps us reflect on what a key curriculum scholar of the 1960s offers us today and for the future. Each encourages us to turn to the original text. The insights of each author in this book’s chapters can be seen as heuristic devices that cultivate the interest and will to look more deeply into matters of worth that help grow our next generations. My point, then, in the paragraphs that follow is not to summarize or even comment directly on the insights offered about a given theorist of the past. The authors make their interpretive points clearly. My comments, instead, are about memories evoked about the main curriculum xiv W. H. SCHUBERT scholar emphasized in each chapter, and the kinds of mindfulness (to turn to a term with Buddhist origins) invoked for today and tomorrow. Kelly Waldrop tells us to remember Philip Jackson, and immediately I return in memory to a year-opening professional development day in Downers Grove in 1969, as a third year sixth grade teacher. A huge audi- torium was filled with hundreds of teachers, and a young University of Chicago professor named Philip Jackson approached the stage to give a spell-binding lecture in his deep oratorical voice about his new book, Life in Classrooms (Jackson, 1968). I came face-to-face with initial images of what would from then on be known as the hidden curriculum. Today and tomorrow, educational policymakers, leaders, and teachers need to reflect much more on the hidden curriculum that students experience by living under schooling, and the moral and political messages that the structures behind schooling teach. Thank you, Kelly. I am so pleased to see Kyra T. Shahid remind us of the lesser known, pioneering work of Sidney Walton Jr.’s The Black CurriculumS (1969). It reminded me of a great absence. When I was in doctoral studies, it was rare to nonexistent to find an African American or any personF of color in the curriculum literature. Even as I began attending major conferences of American Educational Research Association (AERA)O or Association for Supervision and Curriculum Development (ASCD), one simply did not encounter such major contributors as W.O E. B. DuBois, Horace Mann Bond, or Carter G. Woodson, and Rcertainly not Anna Julia3 Cooper, Ella Baker, Septema Clark, among others. Thus, Shahid’s reminders of Walton spur us to augment educationP that enacts Martin 1Luther King’s (1963) strength to love in the quest for racial justice today0 and tomorrow. Thank you, Kyra. P 2 So many curriculum books have words in the title such as “new” or “modern” andA are anything but new or modern today. Louise Berman’s (1968) NewI Priorities in Curriculum© is a grand exception; her book is as new today as it was in the 1960s, perhaps newer today with the immense tradi- tionalism that dominates educational policy and practice. Leigh Ann Fish helps us see anew Berman’s message that we could be teaching perceiv- ing, communicating, loving, knowing, decision making, patterning, creat- ing, and valuing as core processes to enliven any subject area instead of merely covering traditional subject areas. Berman provides a truly exem- plary curriculum proposal from one of the few women who emerged to prominence in the curriculum field of the 1960s. Thank you, Leigh Ann. Candi Pierce Garry makes John Holt come alive. As an elementary school teacher in the late-1960s, I read Holt’s How Children Fail (1964) and other works, and in 1968 I wrote to him from school on a large key, manual, primary typewriter. Holt actually responded as if he was my friend and colleague. Why did curriculum theorists rarely acknowledge Foreword xv his work, often degrading it with the term romantic, and writing him off as was often done with other teacher-authors who wrote about the children with whom they learned and grew: Sylvia Ashton-Warner, Herb Kohl, Jon- athan Kozol, James Herndon, George Dennison, Bel Kaufman, and oth- ers. The point is that practitioners, leaders of practice, and policymakers need to listen to teachers and to children themselves as John Holt bril- liantly modeled. Thank you, Candi. John Goodlad never lost touch with schools and never wanted to do so, as Precious Gawanani shows us clearly through lenses of his early work (Goodlad, 1966). Long time dean at UCLA, Goodlad began his career as an advocate of nongraded schools, meaning that individual needs and interests should supersede arbitrary placement in same-age groupings. His significance holds special meaning for me from the time I was a second year elementary school teacher, when a principal in the district who taught an introduction to education course at a nearby community college asked me to substitute for him. He said that I did not have to worry Sabout what to teach, because he had a filmed lecture by John Goodlad for me to show. I did not know Goodlad’s work, and as I showed it, I suddenlyF hoped to do that kind of work some day. During the discussion of the film, I felt like I was doing what I was meant to do. Goodlad was oneO of the rare deans who kept his research alive while deaning. Thank you, Precious. Mark O’Hara’s rendition of behavioral Oobjectives pioneered by Robert Mager (1962) brought back the queasyR uneasiness or maybe3 I should say disease bestowed on education by the intrusion of business. Speaking of business, Mager was from theP corporate training world1 and garnered mil- lions from this small programmed learning book0 on behavioral objectives. I recall a workshop Pon behavioral objectives,2 in which the instructor said we should write a behavioral objective for each thing we do as teachers. I remember thinkingA that if I did that I would have to stop teaching, write continuously,I and then I would© not be doing anything. There were leg- ends about house trailers and attacks at the state capital overflowing with behavioral objectives. I guiltily recollect that in desperate need of summer employment, I accepted a job writing for a corporation that created a computerized bank of behavioral objectives and concomitant test items using Bloom (1956) and Krathwohl, Bloom, and Masia (1964) higher lev- els of cognitive and affective functioning for works of literature. As a teacher, I tried so hard to keep meaning alive that behavior objectives threatened to destroy. I remember the relief I found in Elliot Eisner’s (1969) call for expressive objectives. The point is to view with many cave- ats the intrusion of corporate control in teaching, texts, and tests. Thank you, Mark. I am grateful to Rachel Radina for selecting Joseph Schwab’s (1969a) treatise on curriculum and student protest. I remember getting to know xvi W. H. SCHUBERT
Schwab at conferences and through correspondence, after I had pub- lished pieces in the 1980s about his advocacy of practical inquiry and eclectic arts, based on his landmark article on practical inquiry in School Review (Schwab, 1969b). The point I derive from his College Curriculum and Student Protest (Schwab, 1969a) is captured well in Rachel Radina’s concluding paragraph. She emphasizes that listening to the wisdom of students is essential to the great educational and democratic projects of our present and future, and the listening must be infused with love. If education is to be meaningful, caring, edifying, and democratic today and tomorrow we must listen to students who live daily under the autocratic ethos of standardization, testing, and more testing—pushing us toward privatization of education. Thank you, Rachel. Returning to the AERA Monograph Series on Curriculum Evaluation (1967, 1969), a focus selected by Scott Sander, reopens the window of evaluation, broadly conceived. When one combines perspectives on evalu- ation of Ralph Tyler, Robert Gagne, and Michael Scriven fromS the 1967 volume and Elliot Eisner, James Popham, H. J. Sullivan, and Louise Tyler in the 1969 volume, one is exposed to a much broader Fand deeper per- spective on evaluation than that touted by policymakers then or now. It is incredible to me that perspectives of half a centuryO ago are so far more advanced than the pseudotheory that guides educational evaluation and accountability policy today. I am increasinglyO convinced that educators of tomorrow must demand these and Rother expansive perspectives,3 and not ones that reduce education to trivialities of one form of linearity. Testing is no where near to evaluationP writ large, and the purpose1 of evaluation should be feedback for the improvement of curriculum0 and teaching, not for invidious comparisonsP of teachers, students,2 schools, communities, races and ethnic groups, or nations. Thank you, Scott. I commendA Susan Smith for realizing the import of Hilda Taba’s (1962) synopticI text that dominated© the preparation of curriculum lead- ers throughout the 1960s and much of the 1970s. Her work which showed more of the interdisciplinary character of curriculum development aug- mented contributions Ralph Tyler, who told me a story about the two of them at a meeting of the major committees of the Eight Year Study in the 1930s. Tyler was evaluation director and Taba was his associate. After the curriculum committee presented at a meeting, someone said that they needed a rationale like the evaluation team had, and Tyler said some- thing like, “Well, shucks Hilda, if they want a rationale for curriculum, we can provide one,” so they sketched on a napkin what became the outline for Tyler’s renowned Basic Principles of Curriculum and Instruction (Tyler, 1949), which has dominated curriculum practice and policy from the 1950s to today. Although we may think of limitations and criticisms of the Tyler rationale, it is only a small part of contributions from this scholar Foreword xvii whose mark on the 1960s is indelible and who was an educational adviser to six U.S. Presidents, including those of the 1960s. We ought to reflect on how many curriculum scholars have been known by U.S. Presidents, Sec- retaries of Education, and other governmental or private sector policy- makers, and try to figure out why Tyler reached them. As well, we need to study the mutual influence of Tyler and Taba to reflect on Hilda Taba’s substantial influence. Thank you, Susan. Today it is the rage to look for alternatives to the schooling by edict and servitude, and in this regard the choice of Jocelyn Weeda to recon- sider Britain’s Summerhill by A. S. Neill (1960) is valuable. Magnet and charter schools, some private and progressive schools, and posh suburban schools move in the Summerhillian direction. Nonetheless, there is immense reluctance to give students choice and to let their imaginative spontaneity surge forward. That such freedom is mostly for the upper classes is captured by the story of a member of the House of Lords who heard about freedom for the children of working and middleS class at Summerhill, so he had his limo driver take him there for a visit. After a day of interaction at Summerhill, he returned to the limoF astounded, say- ing something like, “That was amazing. Why, they have almost as much freedom at this Summerhill place as they do at Westminster!”O We need to wonder with utmost seriousness if middle and lower socioeconomic class schools in the U.S. really need scripts, a steadyO barrage of tests, standard- ized products, and more stringent rulesR or if they need experience3 akin to the freedom of Summerhill. Thank you, Jocelyn. There is a very real connectionP between this last1 point and the way James Herndon (1968) thought it was spozed 0to be as he learned from teaching in schools ofP the urban poor as Mary2 Webb shows well. Herndon represents a coterie of counterculture educators, often trained by liberal arts and grassrootsA experience, such as John Holt, Herb Kohl, George Dennison, Iand Jonathan Kozol.© They discovered new ways, somewhat similar to their progressive predecessors, and their books were among the best sellers, rare indeed for books on education. Often books by these revolutionary teachers were books were discounted by educators in the academy who pejoratively labeled them romantics. Nevertheless, they were acknowledged by Paul Klohr (1971) as greening the curriculum in much the same way as Charles Reich (1970) called for The Greening of America and reflected the spirit of Theodore Roszack’s (1969) urging to make counterculture. Clearly, from those who dare to challenge the system on the ground, we are in dire need of a new greening that counters the dominant, dominating, and bedraggled milieu of schooling and brings about a plurality of ways it spozed to be. I recall how these books spoke to me in my during the summer of 1972, after my fifth year of teaching, when I took a summer course in alternative forms of education taught by xviii W. H. SCHUBERT
Donald Erickson and Bruce Cooper at the University of Chicago, and came to know the work of Joseph Schwab at the same time. Thank you, Mary. Realizing that Ryan Gamm selected Teaching as a Subversive Activity by Postman and Weingartner (1969) immediately drew me back to my third year of teaching when Park Hampel brought me a copy of the book—hot off the press. It was especially meaningful since in 1961-62 Park had been a sixth grade teacher when I was a high school senior in Butler, Indiana, where I took an “Exploratory Teaching” course initiated by my mother, a high school math and social studies teacher. Each day I spent about an hour in his classroom and did some of the teaching. Shortly after receiving the book, I put many of the ideas and practical approaches to work in my own sixth grade classes. Especially relevant, then and now, was the Post- man and Weingertner admonition to engage in crap detection—something sorely needed today and for doubtless many tomorrows. Thank you, Ryan. Inspired by Sara Hayes, Scott Sander, and Beck Lewellen, I returnS in my mind to the library at Indiana University where I first pondered Jerome Bruner’s (1960) call for processes of inquiry and imaginationF patterned after those exhibited by the best scholars’ awareness of the salient structure of any discipline. From Bruner’s work it was deducedO that if a student grasped the integral structure of a discipline, he or she would be able to make meaning of any dimension of phenomenaO in that discipline. U.S. teachers were blamed, as they are today,R for failure to kee3p up with other world economic and political powers. So subject matter specialists and psy- chologists were solicited to reformP education. Curriculum1 reform packages proliferated then, just as reform mandates do today,0 to teacher proof the cur- riculum. I recall my parentsP attending meetings2 on new math, inquiry learn- ing, and other post-Sputnik reforms in the early 1960s. For the most part, however, in-serviceA education was too brief and superficial to bring mean- ingful change.I This turning of ©liberating ideas, such as those of Bruner, into rote recipes debased their original intention. Focus on this era should provide precedent for curriculum policy tomorrow, if policymakers will only consider it seriously. Thank you, Beck, Scott, and Sara. I am heartened by the fact that Timothy Vaughn has chosen to remind us of what I also deem THE GREAT NEGLECTED, namely, the insightful work of African American scholars against all odds. From W. E. B. DuBois to Carter G. Woodson, one can hardly find a citation in mainstream cur- riculum books of the 1960s or before. Clearly, they were both Other and othered, if recognized at all. This dreadful state of affairs has not departed —far from it. Vaughn’s selection of Mansart Builds a School (DuBois, 1959) is of particular value because so many are unfamiliar with this source. It reinforces the need to take seriously the writings of African Americans on curriculum and for that I site many of the works of William H. Watkins, Foreword xix the first of my advisees to complete a dissertation, in 1986, noting espe- cially his categorization of Black orientations to curriculum (Watkins, 1993). Educational policymakers of today need to build on the under- standing of the orientations that Watkins sets forth. Thank you, Timothy. Through Trevor Ngorosha from Zimbabwe we reencounter Jerome Bruner and learn why many in the international community see Dewey and Bruner as the two most influential educational scholars to come from the United States. We can see Bruner’s (1966) theory of instruction as a fluid structure (oxymoronic as that may sound) that is capable of transla- tion and retranslation into diverse cultural realms. A conceptual and practical flow of ideas is needed to theoretically integrate meanings of development, knowledge, and instruction in different cultures. Bruner’s lenses enable adaptation to needs and interests that derive from colonial- ism, postcolonialism, and neocolonialism. Looking at Bruner and Paulo Freire (1970) together with Elliot Eisner, William Pinar, and others shows an eclecticism that is needed to pursue one of the most neglectedS and necessary trajectories for enhancing curriculum understanding—namely, to find instances of grassroots curricular theory and practiceF throughout the world that have arisen to overcome educational policies and practices that have served the greed of power-wielders ratherO than the needs and interests of learners. We need to open that window to human goodness widely. Thank you, Trevor. O To move in such a direction requiresR steady focus on3 goodness, and Carmen Scalfaro points in that direction by invoking the work of Philip Phenix. A noted theologian,P philosopher, philosopher1 of science, Phe- nix’s dissertation committee was made up of0 philosophers of science (Ernst Nagel and FelixP Cohen) and eminent2 theologians (Niebuhr and Tillich), and before that his senior thesis at Princeton on rotation was praised by AlbertA Einstein. Finding scientific empirical knowing to be only one of manyI realms of meaning,© Phenix (1964) argued that many differ- ent avenues must be taken to approach the common good (Phenix, 1961). Approaching the good requires a reverence for the diversity of nature and uniqueness of each person that enables continuous growth of understand- ing and virtue. Again, then, one of my favorite projects of retirement is to explore examples of education in diverse cultural settings that have over- come oppression and constraint by realizing something of the reverence that Phenix sees in education that strives toward the common good. Thank you, Carmen. The essay by Jennifer Mills on Herb Kohl is a fitting piece for conclud- ing this commentary. It reminds me that my reading of Kohl’s (1967) 36 Children shortly after it was published inspired me to continue creating a more open classroom as an elementary school teacher—seeing this as a new incarnation of progressive education with its beginnings in Dewey. xx W. H. SCHUBERT
Kohl was educated in the liberal arts, philosophy, and the cultural revolu- tion of the day—a background with which I resonate—all features of the student revolution that Joseph Schwab addressed with insightful serious- ness. Kohl worked brilliantly with African American children, which brings images of DuBois’s Mansart and Walton’s critique. Kohl responded from inside the hidden curriculum of classrooms—from living in class- rooms that Philip Jackson studied as a scholar. Kohl was engaged in crap detection before Postman and Weingartner named it, and he expressed its detection in his opposition to myriad mandated constraints on teacher and student freedom—an illustration of which resides in oppressive uses of Mager’s behavioral objectives. In the spirit of Louise Berman’s chal- lenge, Kohl also focused on new priorities without necessarily naming these integrative human processes in the same way that she did. Like Herndon, Kohl brought aesthetic sensibilities to bear on the continuous reconfigurations of his students’ experiences, illustrating Eisner’s image of evaluation as connoisseurship of their flowing relationshipsS to build expressive objectives with them. Moreover, Kohl exemplified that the value of careful reflection on curriculum development Fwas not a recipe (which I feel sure that Tyler, Taba, and Goodlad would approve); rather, it was a process to be embodied and shared with studentsO as they internalize curriculum-making for their lives in much the same way that Bruner advocated internalization of the deep structuresO of inquiry and imagina- tion from the disciplines. Kohl and his students strove to3 do all this, as Holt called for so clearly, without Rfear of failure, and a never reachable though always approachableP end that Philip Phenix1 saw as the common good. To do this, educators clearly need to engage0 in great political and economic struggles to overcome what Paulo2 Freire labeled banking peda- gogy to open the windowsP of problem posing pedagogy. Of course, we know that Herb KohlA and others represented in this volume were exemplary teachers. TooI many similar teachers,© sadly, are pushed out of the profes- sion. All of us, especially policymakers, need to ask how to engage and retain such exemplary curriculum-minded teachers. Thank you, Jennifer, for stimulating this concluding reflection on Herb Kohl in a way that invokes landscapes that can be clearly viewed through windows provided by authors who are represented in this volume. The windows that Tom Poetter, all of the authors of chapters of this book, and the curriculum scholars revisited here clearly need to be opened in order that we may benefit from breezes of revitalization for educational improvement today and tomorrow. Focusing on the works and ideas presented here helps us more fully ponder and pursue what is worth knowing, needing, experiencing, doing, being, becoming, over- coming, sharing, contributing, and wondering. Thank you, Tom and company! Foreword xxi
REFERENCES
American Educational Research Association Monograph Series on Curriculum Evaluation, Number 1 (1967) Perspectives of curriculum evaluation (by R. W. Tyler, R. M. Gagne, & M. Scriven). Chicago, IL: Rand McNally. American Educational Research Association Monograph Series on Curriculum Evaluation, Number 2 (1969) Perspectives of curriculum evaluation (by W. J. Popham, E. W. Eisner, H. J. Sullivan, & L. L. Tyler). Chicago, IL: Rand McNally. Berman, L. M. (1968). New priorities in the curriculum. Columbus, OH: Merrill. Bloom, B. S. (Ed.). (1956). A taxonomy of educational objectives: The cognitive domain. New York, NY: David McKay. Bruner, J. (1960). The process of education. New York, NY: Vintage. Bruner, J. (1966) Toward a theory of instruction. New York, NY: W. W. Norton. Conant, J. B. (1959). The American high school today. New York, NY: McGraw-Hill. Conant, J. B. (1964). The education of American teachers. New York, NY: McGraw-Hill. Dewey, J. (1916) Democracy and education. New York, NY: Macmillan. DuBois, W. E. B. (1959). Mansart builds a school. New York, NY: Mainstream.S Eisner, E. W. (1969). Instructional and experessive objectives: FTheir formulation and use in curriculum. In W. J. Popham (Ed.), American Educational Research Association Monograph Series on Curriculum Evaluation, Number 2: Perspectives of curriculum evaluation (pp. 1-18). Chicago, IL: RandO McNally. Freire, P. (1970). Pedagogy of the oppressed. New York, NY: Continuum. Goodlad, J. I. (1966). School, curriculum, and the Oindividual. Waltham, MA: Blaisdell. Herndon, J. (1968). The way it spozed to be. New York, NY: Simon3 & Schuster. Holt, J. (1964). How children fail. New York,R NY: Delta. Jackson, P. W. (1968). Life in classrooms.P New York, NY: Holt,1 Reinhart, & Winston. King, M. L., Jr. (1963). Strength to love. Philadelphia,0 PA: Fortress Press. Klohr, P. R. (1971). The greening of curriculum. Educational Leadership 28(5), 455- 457. P 2 Kohl, H. (1967). 36 children. New York, NY: New American Library. Krathwohl, D. AR., Bloom, B. S., & Masia, B. B.(Eds.). (1964). A taxonomy of educa- tional objectives:I The affective domain.© New York, NY: David McKay. Mager, R. F. (1962). Preparing instructional objectives. Palo Alto, CA: Fearon. Marshall, J. D., Sears, J. T., Allen, L., Roberts, P., & Schubert, W. H. (2007). Tu r n - ing points in curriculum: A contemporary curriculum memoir (2nd ed.). Columbus, OH: Prentice Hall. Neill, A. S. (1960). Summerhill: A radical approach to child rearing. New York, NY: Hart. Phenix, P. H. (1961). Education and the common good. New York, NY: Harper & Brothers. Phenix, P. H. (1964). Realms of meaning. New York, NY: McGraw-Hill. Postman, N. & Weingartner, C. (1969). Teaching as a subversive activity. New York, NY: Dell. Reich, C. (1970). The greening of America. New York, NY: Random House. Roszak, T. (1969). The making of a counter-culture. Berkeley, CA: University of Cali- fornia Press. xxii W. H. SCHUBERT
Schubert, W. H. (1975). Imaginative projection: A method of curriculum invention (Unpublished PhD dissertation). University of Illinois, Urbana-Champaign. Schubert, W. H., & Lopez Schubert A. L. (1980). Curriculum books: The first eighty years. Lanham, MD: University Press of America. Schubert, W. H., & Lopez Schubert, A. (Eds). (1982). Conceptions of curriculum knowledge: Focus on students and teachers. College Station, College of Education: Pennsylvania State University. Schubert, W. H. (1997). Curriculum: Perspective, paradigm, and possibility. New York: Macmillan. (Original work published 1986) Schubert, W. H. & Ayers, W. (Eds.). (1992). Teacher lore: Learning from our own expe- rience. White Plains, NY: Longman. Schubert, W. H. (1997). Curriculum: Perspective, paradigm, and possibility. Columbus, OH: Prentice-Hall. Schubert, W. H., Lopez Schubert, A. L. L., Thomas, T. P., & Carroll, W. M. (2002). Curriculum books: The first hundred years. New York, NY: Peter Lang. Schubert, W. H. (2009a). Love, justice, and education: John Dewey and the Utopians. Charlotte, NC: Information Age Publishing. Schubert, W. H. (2009b). What’s worthwhile: From knowing and experiencingS to being and becoming. Journal of Curriculum and Pedagogy, 6(1), 22-40. Schultz, B. D. (2008). Spectacular things happen along the way. NewF York, NY: Teach- ers College Press. Schultz, B. D. (Ed.). (2011). Listening to and learning fromO students. Charlotte, NC: Information Age Publishing. Schwab, J. J. (1969a). College curriculum and studentO protest. Chicago, IL: University of Chicago Press. 3School Review, 78 Schwab, J. J. (1969b). The practical: A languageR for curriculum. , 1-23. 1 Smith, B. O., Stanley, W. O., &P Shores, J. H. (1950). Fundamentals of curriculum development. Yonkers, NY: World Book. 0 Smith, B. O., Stanley,P W. O., & Shores, J. H.2 (1957). Fundamentals of curriculum development (Revised ed.). New York, NY: Harcourt, Brace, and World. Spencer, H. (1861).A Education: Intellectual, moral, and physical. New York, NY: D. Appleton.I © Taba, H. (1962). Curriculum development: Theory and practice. New York, NY: Har- court, Brace, & World. Tyler, R. W. (1949). Basic principles of curriculum and instruction. Chicago, IL: Uni- versity of Chicago Press. Walton, S. F. (1969). The Black curriculum. East Palo Alto, CA: Black Liberation Publishers. Watkins, W. H. (1993). Black curriculum orientations: A preliminary inquiry. Har- vard Educational Review, 63(3), 321-338. Willis, G. H., & Schubert, W. H. (Eds.). (1991). Reflections from the heart of educa- tional inquiry: Understanding curriculum and teaching through the arts. Albany, NY: State University of New York Press. Willis, G. H., Schubert, W. H., Bullough, R., Kridel, C., & Holton, J. (Eds.). (1993). The American curriculum: A documentary history. Westport, CT: Greenwood Press. PREFACE
By now you know that you have picked up a volume assembled by doc- toral students in curriculum at Miami University that address curriculum books/theorists from the 1960s. The goals for the course they took with me to generate these chapters were to study the curriculum field, and as a result of their study of these past works, in particular, to open Swindows of idea and thought that bridge the timelessness and timelinessF of these clas- sics for the field both in terms of today and tomorrow. As I have tried to make clear on other projectsO involving doctoral stu- dents in curriculum courses where the goals for the class are to develop a history together that is curricular throughO the study of curriculum texts and the exercise of complicated conversations—in order to understand more about the broad, wide field andR history of curriculum3 studies, and to try on for size the activity of curriculumP theorizing through1 which the stu- dents actually produce a piece of publishable scholarship0 that contributes to the important, democratic end of curriculum understanding (Pinar, 2012; Poetter, 2010)—theP results will always2 be mixed. That does not mean there isA no book, that the project should be shelved, because the work is goingI to be, of course, uneven.© In my opinion, though, in fact, just like most other volumes assembled by experts or other types of scholarly inquirers on the journey toward and into new knowledge, the pieces here are all credible works of curriculum theorizing that can open windows to new ideas and new ways of thinking about important ideas, concepts, theories, and practices in our field of study. However, to me there is no doubt that they do represent a continuum of pieces in terms of quality, reach, and value. This is inevitable given that we all start and end in different places as students of the field and as inquirers/researchers.
Curriculum Windows: What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today, pp. xxiii–xxv Copyright © 2013 by Information Age Publishing All rights of reproduction in any form reserved. xxiii xxiv T. S. POETTER
Having said this, it is hard to pin down just which chapters here are the most and least valuable in terms of these aspects. When groups of student readers have sampled these chapters in draft form, chapters I thought to be less “complete,” for example, readers often thought them to be the most interesting, informative, and/or inspiring. I cannot come close to being able to explain this, except to say (1) that each piece is unique within the context of this work, though the writers did have a similar set of experi- ences along the way with each other and me in the course that spawned the project; and (2) that I hope each writer’s idiosyncratic view, their insight and mental effort, comes through and takes us as readers to new places, through an open window perhaps, along our individual and col- lective curriculum journeys. Much depends on the writer and the reader. We will be interested in finding out what you think of the volume. I also want to add here that I encountered a new phenomenon on this project related to the creation and production of the chapters that I had not encountered before with students on similar projects. InS this case, more pieces that started out somewhat incomplete became stronger and in my opinion passed in stature others that were much strongerF on their first draft and that made it to print with very little editing. I am not sure what happened, but I think that in this case someO of the authors of pieces that missed the mark the first time around found a new gear in their work and turned it on after the first rounds of feedbackO and through their edit- ing stages. In a few cases, teams formedR to strengthen manuscripts,3 and in other cases authors found individual peer reviewers who really helped them improve their writing.P To a certain degree, 1in terms of coaching early drafts, I perhaps reached a stage at which0 my feedback was not so helpful anymore. Meaning,P more eyes are2 better than one set on a manu- script sometimes; this proved to be the case for several chapters here, which is a trueA attestation to the strength and resolve of the authors and their friendsI in the course, who© worked together at times to assure that manuscripts became of publishable quality. I want to thank several students formally here for their help on the course and this book project. Leigh Ann Fish took an early challenge from me to keep notes for the class, and these notes became very helpful when it came time to put the book together. Her class notes helped me, in par- ticular, to revisit important conversations in our class, which was very helpful for penning the introduction. Also, Leigh Ann did some further study in the literature on the metaphor of windows and forwarded several articles she had been reading, which also greatly enhanced my work on the introduction. And Kelly Waldrop took the lead to propose presenta- tions of our early work at conferences, most notably for Bergamo in Fall 2012. She also contacted Bill Schubert to see if he would be interested in serving as a respondent for that session, which led to Bill’s deep involve- Preface xxv ment with and support of the project, which included not only the confer- ence presentation and a campus visit to Oxford to work with the authors of this volume and our current class (the one working on book two on 1970s curriculum books/theorists), but also to writing the foreword for the book included here. Bill’s contributions to the project have been incalcu- lable, and we are very grateful to him for his insights and support. Also, I want to thank Kyra T. Collier for the artwork she prepared for her chap- ter, which became the cover for this volume. Her montage compilation of types of windows is a striking visual cue and a wonderful contribution to this volume. Last, I want to thank the Department of Educational Leadership at Miami University, especially past department chairs Kate Rousmaniere and Michael Dantley, as well as current chair Kathleen Knight-Abowitz, for naming me to teach the core seminar in our doctoral program that feeds this project. They and my colleagues in the department have seen fit to give me a 3-year run with the course (2012-2014) so that SI can work on this project with students. That is a very generous gift. But not least, I want to thank the amazing students who helped compileF this volume. They truly are talented, forward-thinking students who took this project very seriously. And despite their initial fears aboutO being up to the chal- lenge, they came through with flying colors. As I have said before on sim- ilar projects, I could have written all of Othese chapters myself, but the chapters would not be nearly as diverse or interesting. The chapters here reflect the “complicated conversations”R (Pinar, 2012) that3 are curriculum. Our hope is that they advanceP further conversations1 about the field for our readers. 0 Thomas S. Poetter P 2 Oxford, OhioA 2013 I ©
REFERENCES
Pinar, W. (2012). What is curriculum theory? New York, NY: Peter Lang. Poetter, T. (2010). Taking the leap, mentoring doctoral students as scholars: A great and fruitful morass. Teaching & Learning: The Journal of Natural Inquiry & Reflective Practice, 24(1), 22-29.
INTRODUCTION
Curriculum Windows to Tomorrow— Openings for Curriculum Theory and Practice Today Despite Hauntings and Zombies FS T. S . P O E T T E R Thomas S. PoetterOO Getting Started, Opening WindowsR 13 In 2006, my doctoral advisorP and close friend—Norman V. Overly, Emeritus Curriculum Professor of Indiana University—decided0 to donate a significant portionP of his professional library2 of curriculum books. Norm contacted my friend and colleague at Miami University, Robert Burke, also one of Norm’sIA former advisees ©at Indiana University (IU), to arrange for the books to be brought to Miami University in order for them to be made available through my office to students of curriculum. When I received the books, over 100 of them, I couldn’t believe my eyes. There were copies of famous texts, some of which I had read, but many I had only read “about.” Many volumes of ASCD’s Curriculum Yearbooks all the way back to the 1940s were there, along with Dewey’s Democracy and Education (1916), Bob- bitt’s How to Make a Curriculum (1924), and Stratemeyer, Forkner, and McKim’s Developing a Curriculum for Modern Living (1947), for example, dotting the landscape diversity of texts that I sorted and ultimately made
Curriculum Windows: What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today, pp. xxvii–xlv Copyright © 2013 by Information Age Publishing All rights of reproduction in any form reserved. xxvii xxviii T. S. POETTER available to students for use through a dedicated bookcase in my office. Some of them were first editions; some were autographed by the author. A treasure trove. As I made my way through the project of sorting through the books, putting my eyes and hands on them and giving them a home, I felt a cer- tain excitement and some melancholy. I felt excitement because the books represented a vibrant history of knowledge and action in the curriculum field, one that I had been close to through my association with Norm, who himself witnessed the transformation of ASCD in the 60s, the reconceptu- alization of the curriculum field in the 1970s, and the founding of the World Council on Curriculum and Instruction (WCCI), and his impact through his advising at IU of well-known curriculum scholars like James Sears and Patti Lather. But I also felt a certain melancholy, knowing that this moment marked a “passing of the torch,” that is, that Norm was fin- ished with the books and passing them on to the next generations of scholars. I felt a responsibility for making the books available, Sfor honor- ing his legacy and contributions to the field, and for making sure, in some way, that many of the books that I had not read on that Fshelf found their way onto my own reading list. After all, it is humbling for anyone professing toO be a curriculum scholar to read Schubert, Lopez, Thomas, and Carroll’s (2002) treatment of the field in Curriculum Books: The First Hundred OYears (Second Edition) and realize that Schubert has read almost all (ifR not actually all) of the3 books listed, annotated, and discussed there! I read Schubert’s first edition of Curriculum Books: The First Eighty Years (1980)P in a curriculum seminar1 with Norm at IU in the summer of 1990 and felt overwhelmed by0 the work way back then. How could it be thatP someone had read all2 of these books, and how would I make sense of the field and continue working in it without reading all of them myself? AOver the years, I made peace with the fact that I was not Bill Schubert, Ibut I also took seriously© the gaps in my knowledge and attempted to read at least as many curriculum books from the 20th century that interested me. Just a few years ago, I reached for a volume from Norm’s library in my office and a sudden thought gripped me, mostly unformed at that point, but powerful nonetheless. I was using the second edition of Curriculum Books in a curriculum seminar, and probably as a result of thinking of the books by decade, I had noticed that several from the 1970s had been grouped together on the shelf such as Goodlad’s Curriculum Inquiry (1979), Tanner and Tanner’s Curriculum Development: Theory into Practice (1975), and Zais’ Curriculum: Principles and Foundations (1976). I began sorting the books by decade, on a whim in that moment, and as I piled the 1960s books together and reread portions of Schubert’s chapter on the 1960s, I began to feel like I had not read nearly enough, in particular, Introduction xxix from that decade. There were so many ideas and possibilities wrapped up in the texts from that period that continue to resonate, at least with me, that I began to wonder what curriculum scholars and practitioners today could learn if the books were reread and appreciated by today’s scholars/ students of curriculum. Suddenly, as I peered out the beautiful arched window in my office, I thought of the heuristic device that has guided this project from its inception: Curriculum Windows. I wondered: How might a review of key books from the curriculum field of the 1960s illuminate new possibilities forward for us today? How might the theories, practices, and ideas wrapped up in curriculum texts of the 1960s still resonate with us, allow us to see backward in time and for- ward in time, all at the same time? How could these figurative windows of insight, thought, ideas, fantasy, and fancy make us think differently about curriculum, teaching, learning, students, education, leadership, and schools? How could they challenge us? How could they help us see more clearly, even perhaps put us on a path to correct the mistakesS and mis- steps of intervening decades, and today? And, how could I engage doc- toral students in curriculum at Miami in a journey likeF this with me, opening windows to tomorrow by looking back today? How could I get students of curriculum, perhaps on their first formalO scholarly journey, to express themselves and new ideas in ways that could be consumed by peers and colleagues in the curriculum field?O After some past successes with studentsR in doctoral seminars3 working on book publishing projects (Poetter, 2010; Poetter & Associates, 2011; Poet- ter, Bird, & Goodney, 2004; Poetter,P Wegwert, & Haerr,1 2006), I was able to incorporate the project into a doctoral seminar0 in the Spring semester of 2012 in our Leadership,P Culture, and Curriculum2 program in the Depart- ment of Educational Leadership (EDL) at Miami University. Because of the excellent opportunityA presented to me by then chair Kate Rousmaniere to teach a newI doctoral core class© in curriculum, I was able to generate a large class of participants. This commitment by leadership in our depart- ment to assign me to this class created the possibility for not only the authors showcased here to participate in this project, but for future stu- dents in 2013 and 2014 to generate Curriculum Windows books about the 1970s and 1980s. Michael Dantley then assigned me to teach the course through 2014, when I will hand it over to esteemed colleagues Dennis Carlson and Denise Taliafero-Baszile. As you can see, everyone associated with this project is in good curriculum company. I followed a “formula” for organizing the curriculum seminar for the 19 students who signed up for it that has worked well on past projects with doctoral students (Poetter, 2010). I decided that we needed several “grounding” texts in curriculum studies to read together. I chose three books that I thought would take us deeply into questions about curriculum xxx T. S. POETTER and teaching, and immerse us in the field together around dialogue and questions for the first 9 weeks of the course, and a fourth that would serve as a model for our class project: Bill Pinar’s (2012) What is Curriculum The- ory?; Schubert’s (1980) Curriculum Books; Pinar, Reynolds, Slattery, & Taub- man’s (2002) Understanding Curriculum; and Poetter et al.’s (2011) 10 Great Curricula, as an example of doctoral student writing in chapter form. For me as the instructor, the dialogical work the students did on these texts and together in class impressed me. They engaged the topics deeply, critiqued them, brought new perspectives to the table, and developed several frames for thinking through key issues that informed this introduction. All at the same time, they began reading and doing background research on the book they chose to focus on for this project. During the final 7 weeks of the course, students spent their time work- ing mostly independently on their own book chapters. I supported each student with an individual meeting about progress, and then one addi- tional all group meeting to do some peer/sharing of rough drafts/outlinesS of the chapters. As with other book projects I have done in the past with students, the class had to agree that the course would Fnot end in May, despite the fact that they would receive a final grade from me then. Instead, all of them signed contracts with the bookO publisher to deliver a completed book chapter, and knew, of course, that it might take longer than the time set aside for the course toO complete the chapter. I made time in my schedule to devote parts of the summer and3 fall of 2012 to working on chapter revisions with Rstudents, knowing full well that final chapter drafts would not be Pready for submission to1 the publisher until the late winter of 2013. 0 When I came to classP on the first night 2of the seminar in January 2012, I had more than 20 books from the 1960s in tow in a large bag. I had cho- sen them basedA on my reading of Schubert’s chapter on the 60s in Curric- ulum Books Iand based on what I ©had in my library from my own and from Norm’s collection. I used Curriculum Books as a sort of filter for choosing books that represented different movements in the curriculum literature of the decade, but not exclusively. Also, selfishly, some of my choices were based on books I wanted to read and hadn’t read yet! I certainly figured that if an author wrote a chapter for the book, then I definitely had to have read the book myself! I started reading the books in the course about 2 months ahead, and worked on the 18 that were chosen and highlighted here in separate book chapters throughout the semester (and beyond!) as we worked feverishly together on the project. I figured one of the more difficult things to do in the course would be to get so many students set- tled on a text without them fighting over them. But I was rewarded with a cordial round of interest-sharing the first night of class. On a cold night, sheltered in McGuffey Hall, students met Introduction xxxi for the first time, pored over my descriptions of the books and the books themselves, then before leaving the room on that first night indicated a book or several that they might be interested in reading to me privately on a sheet of paper. When several indicated they were interested in the same book, I looked for alternatives over the next week to present at the next class. I thought it especially important to get each student settled on a book early on so that the seminar conversations would impact their reading of the chosen text and influence their meaning-making processes throughout the course. Multiple people having interest in the same books happened especially with Kozol and Kohl, two significant “romantics” from the 60s; so I added Holt and Herndon, which created a group of four students taking on these omnipresent and influential books of the 1960s that had a profound impact on the field and how we think about curriculum, teaching, and schools today. I also felt that since the 1960s are underrepresented in terms of authors of color and women in the curriculum studies canon reified by SCurriculum Books, that in addition to Walton’s (1969) The Black Curriculum we would include DuBois’ Manzart Builds a School (1959), publishedF as the second volume in a trilogy of novels from 1957-1961. My hope was that we would have a strong discussion in this book of issues of race,O which are prominent in the curriculum field today and in our program at Miami University. I also included Berman’s New Priorities in theO Curriculum (1968) and Taba’s Curriculum Development (1962) to reflect the rich contributions3 of women to the field in that decade. (*all books readR by students in the course for chap- ter drafting are starred (*) inP the references for this chapter*)1 Anticipating that students would see the models0 for student chapters embedded in 10 GreatP Curricula, but that2 they still would have questions about how they might ultimately structure their own chapters for this dif- ferent book, IA created a sample outline that I shared with students early on in the class.I But when I shared© it, I firmly stated that it was not to be used as a template. I wanted to give them security in terms of format, but I didn’t want to overguide them, or kill their creativity. What I wanted in the end, especially, were chapters that were voiced, meaning that the reader of each chapter could sense both the historical importance of the work but also get a sense of the personal stakes at hand through the chap- ter author’s interests, hopes, experiences, and ideas. I wanted students to write themselves into the book, not out of it. I wanted them to see them- selves as conduits for ideas and images and possibilities, that is as “open- ings,” like windows, through which we might see more clearly ahead—or at least somehow differently—the educational possibilities of yesterday, today, and tomorrow. Over the course of the semester, our group discussions in seminar yielded so much value to me and to students, at least in my opinion. The xxxii T. S. POETTER frames we discussed for interpreting the books have yielded several direc- tions/themes that you will see play out here and throughout the book. In particular, we discussed (1) the nature of the heurist “window,” and how it might be shaped for each individual’s chapter; (2) how the 1960s can be framed productively in educational, curricular, and pedagogical terms given that Pinar posits the death of the curriculum field in 1970 as a result of the “reconceptualization”; and (3) how critical it is to situate this text in the decade of the 1960s as a “window” to today, as we attempted to bring contemporary insight and meaning to these texts and ideas, now with us for nearly half a century. These three areas of conversation provide the substance for the remainder of this chapter by way of introduction.
The “Window” Metaphor
The word “window,” early 13th century, comes from the Old Norse “vin- dauga,” or literally “wind eye.” It replaced the Old English words “eagpyrl,”S literally “eye-hole” and “eagduru,” literally “eye-door.” FOriginally an unglazed hole in a roof, most Germanic languages adopted the Latin “fenes- tra” to describe the glass version and later in English Oused “fenester” as a par- allel word until the late 16th century. (OnlineO Etymology Dictionary, 2012) The guiding metaphor of “window” for this project came to me liter- ally in the presence of the beautifulR arched windows 3of my office in McGuffey Hall of Miami University’s main campus in Oxford, Ohio. This awakening—this “seeing”—happenedP simultaneously1 while in the pres- ence of all of the books from Norm’s donated collection0 as it took over my office. But over the Pcourse of the semester2 I spent with students studying curriculum and these texts, we explored the dynamic metaphor of “win- dow,” and surfacedA several ideas that we would like for you to carry with you throughI your reading. So, ©the impetus for the book may have been this “simple, insightful” seeing, but over the course of the project the work became more intellectual, and more practical; individuals brought to bear their own insights on life and the world and on the curriculum field as they studied a significant work from the 1960s, and as they partic- ipated in the seminar all together, then in small groups as the authors drafted and reworked their chapters. Therefore, I’d like to approach the metaphor of “window” with more detail, building a narrative-like scaffold- ing here for the project and hopefully getting at some of the key issues the class surfaced during the course. It’s important to recognize that the metaphor of “window” is familiar to us and seems almost natural in terms of its serviceability as a metaphor. Meaning, we have experiences in our own lives of gazing out or into win- dows (or passing through them), whether they be in homes or cars or else- Introduction xxxiii where. Sometimes these are typically present and pleasant memories and actions, tied often to the gift of free time or the opportunity to reflect, dream, ponder, and wonder. Krysmanski (2005) reminds us that meta- phor—a figure of speech—grows out of our experiences with objects in the world and explains the unknown through the known. So “windows” had to be there before they could be used as metaphors. And literal windows are omnipresent, in our dwellings, works of architecture, the cinema, technol- ogy, as well as figuratively through literature, poetry, philosophy, religion, and the technology interfaces of present day computers. For me, for instance, the literal and figurative notions of “windows” resonate in a very positive way and have had a soothing, almost therapeu- tic impact on me, and represent, in almost every beat of my heart over 50 years, clarity, beauty, and hope. I remember as a child sitting on the radi- ator benches just under a picture window in our living room facing a busy street. The benches were decorative, with lattice on the sides to let out the heat, but the wooden tops never got too hot to sit on, even in theS dead of the frigid northern Ohio winters. I spent considerableF time sitting on those benches, that window seat, warming myself, and looking out of the window while taking a break from family action,O or from study, or when thinking about next steps for the day or trying to get a grip on life, or dealing with loss, or just taking time to Othink. Busy and beautiful, the scene outdoors changed with the seasons, with rainstorms and snow, and sunshine, and familiar faces and Rcharacters walking up3 and down the street. I watched from the inside as my father walked1 home from church across the street, he was the pastor,P at about 5 P0.M. each night. I waited for him many days. I can recall walking or riding my bike home from school or a ballgame now andP then, and seeing my2 sister waving and smiling out to me, beckoningA from inside. So the window worked both ways, calming and inspiringI from the inside, ©and we lcoming from the outside. And, I realized, I was not the only one who loved that window seat and its life altering powers of view. I also recall the windows of our very large 1972 Chevy Impala as I looked out of them on long western vacation road trips with my family. Squeezed between my brother and sister in the back seat for thousands of car miles before video games and movies in the car helped the current generation of children pass the time, I soldiered on by taking in the land- scape through the side windows. Perhaps that’s why I dragged my own sons and wife out west in the car several years ago, in an attempt to show them the beauty of the great western outdoors I appreciated so much as a child myself. I remember saying during patches of boredom for them as the miles rolled by in the car, even beyond the reach of the technology in use, “Just look out the window. There’s something new to see every mile.” xxxiv T. S. POETTER
And on and on it goes, with the stained glass windows of my home church, especially the rose window behind the chancel (my father preached every Sunday of my youth in a large, impressive protestant sanctuary), majestic, beautiful, and luminous, playing an important role as I listened (or not) and meditated as a youth while surrounded by caring and loving adults and other children. Even broken windows of my youth turned out to yield life lessons, and grace, such as the time when I struck a baseball (a ter- rific line drive as I recall) through the large drive-up bay window of my neighbor friend’s insurance business and ran for my life. Of course, since we lived merely steps away and all of us were friends, it didn’t take long for his dad to find me and ask me how I intended to pay for it (my first early experience with the application of insurance, how apropos). He also said, “Tommy, it would have been much easier for me if you had just come in for your ball.” It’s the last time I ever ran from a broken window, both literally and figuratively. But the metaphor of window, grounded perhaps in the Scrucible of “real” life experiences outside the sheltered, inviting windows of my own childhood in the 1960s, isn’t always perceived or framed Fby others, neces- sarily, in such bucolic ways. In fact, while my experiences enrich me as a person, and make it possible for me to see, imagine,O create, and interpret my reality and new realities, sometimes simultaneously, in ways that I think are not oppressive, they may simultaneouslyO cloud my ability to see tragedy, suffering, and pain for others,R though I’ve had my3 share of such and saw it all unfold on TV and in real life as a child—assassinations, wars, the dead, family deaths,P disease, dysfunction,1 grieving, mental ill- ness, violence, prejudice, racism, extreme social0 unrest. What couldn’t I not see or what did IP repress as I gazed out2 of those windows of my youth? What is it that I see now, or wish I had seen, or think I might have seen with differentA lenses, born of age, of experience, of context? And how do these imagesI of memory reconstruct© my self, my memory, and my current reality? How do I position myself as a child of privilege, who could look out of windows onto a street without fear of being shot at, or who had time to do so without the responsibilities of earning wages for the family or taking care of family members, soaking up the goods of free time and reflection when so many others my age as children and today as children rarely had or have a free moment to wonder? How enriched have I become at the expense of others as I soaked up the cultural capital afforded simply through the opportunity of looking? These are philosophical questions about experience, the kind that might be asked reflectively given time, and the conflation of context, cul- ture, politics, economics, and experience, and the understanding of privi- lege as they all bear down on our current concepts of reality as we study the curriculum field and practice it, too. Ultimately, as a result of this Introduction xxxv deeper “seeing,” of course, it is possible that the window, psychologically, can act as a metaphor representing, alternately, the reality or feeling of being enclosed, shuttered, sheltered, hidden, in hiding, even imprisoned, whether there are bars across the panes or not (Crenshaw & Green, 2009). In the seminar we surfaced images, frames, ways of seeing, windows if you will, into the curriculum field as we were “reading” it, and through the course’s conversations and dialogues into our own self reflections (contributing to our accessing a Pinarian “currere” individually and together), and through insights about the 60s books in particular. One of the most telling and helpful metaphors that emerged was of “haunting windows.” Chapter author Rachel Radina revealed that while reading Schwab’s (1969) College Curriculum and Student Protest she felt that the ideas and images in it haunted her in the sense that she felt as though the field, through its reverence for and acceptance of Schwab, continued to privilege certain points of view, certain groups over others (faculty over students in the instance of Schwab’s work), especially those Sbuoyed by positional power and experience. How could it be that we still replicate Schwab’s patronizingF view of stu- dents in higher education, marginalizing them, controlling their demo- cratic urges to resist tyranny, and squelching Otheir opportunities of expression and voice? It’s almost 50 years later and we either have ever- present structures in place that limit studentO voice or that even stamp it out so early that it cannot emerge whenR necessary! We routinely3 demonize resistance or protest in our institutional structures, even criminalizing civil disobedience when it is obviouslyP necessary and1 even when it is done in “law-abiding” ways. Worse yet, powerful alternatives0 of expression for students do not seem to have emerged, nor2 have more empowering roles and senses of agencyP among college students. How could curriculum have opened a windowA to change, and growth, instead of shuttering motivation and action Ithrough suppressive ©activities? This question haunts Rachel and all of us as we try to make sense of the seeming lack of progress on ideas and possibilities surfaced in the past and ignored over time. Why someone didn’t take on Schwab, and offer a different, more powerful curriculum of student protest for college stu- dents? And if they did, even unknowingly, why do the openings they crack for us not transform knowledge and practice? And if they attacked the same structures that Schwab’s students were prohibited from attacking, why did their voices and curriculum offerings not get heard, or read? Ultimately, why do we continue to oppress students and act like we aren’t oppressing them? Or worse, why is it that we cannot see that we do? This haunted and haunting window, of course, opens to the parallel universe of Sydney Walton as depicted in his revolutionary work The Black Curriculum, published in the same year as Schwab’s book but by a less xxxvi T. S. POETTER mainstream press. Walton bucked the system of White higher education in order to liberate opportunities for African American students in Oakland. He saw transparently through the structural barriers that white adminis- trators threw up at every turn as he attempted to gain meaningful, just, and educationally defensible ends for Black students entering higher education for the first time in an attempt to make their way in a world that values postsecondary education but up to that point had not made it universally available to everyone. Chapter author Kyra Shahid asks us to take on Walton’s fierce, indomitable spirit by continuing to question and to take to task the structures that limit opportunity and even the ability to raise an alternative point of view, or a question. What Walton fought for, transparency and less structural control, lies in contrast to Schwab’s curriculum based on scripted roles and perceived merit. Will we struggle to shake the cobwebs off the haunting windows of prejudice, racism, and oppression, and perhaps see a different way for- ward based on mutual respect, care, openness, and love? Can Swe see the critical, curricular implications of the view of structural power and sup- pression as advocated by Schwab, and the revolutionary,F liberating, and voiced call to immediate action described by Walton? Can we see the amazing opportunity for reflection, theorizing, andO action that these two contrasting windows pose for us both yesterday and today? This tension, as one example from the course and the Otext, represents the energy and the potential of this work. Ultimately, it goes to the powerful3 forces at hand as we gaze, through openingsR at things we are at once interacting with—and shielded from—asP we make sense of our world,1 its peculiarities and idiosyncracies, as well as its enormous potentiality.0 Krysmanski (2005),P a contemporary German2 sociologist, explores the history of the windows metaphor in a short work titled, “Windows: A History of Metaphor,”A in which he sketches the development of the win- dow metaphorI through architecture,© fine art, theater/cinema, literature, philosophy, religion, culture, science, and technology. Of particular note in his work are several concepts that may help as you read and inter- pret the chapters that follow. First is his recognition that the window as metaphor allows humans to use their powers of cognition, perception, intuition, and understanding to connect the seemingly mundane of everyday life with the literal and figurative essence of “light”; this inter- action takes us out of our seemingly finite world and helps us connect or not with the infinite, the unknown. Second is the connection between (1) the literal rise of the window in use in dwellings as a passage for light before the nearly universal access to glass and (2) the subsequent development of early “windows” as “screens.” In the dark ages, glass was only available to the extremely wealthy, who could install the windows in frames of dwellings and look out over feudal Introduction xxxvii landscapes at their “holdings.” Before the mass production and afford- ability of glass, which came much later into the early 20th century, “screens” over windows were held in place by “frames,” and oftentimes painted and decorated, becoming works of art themselves even as they performed the function of blocking the elements that the window, as an opening, could not keep out (Krysmanski, 2005). Over time, screens became paintings, works of art in and of themselves, and paintings, for instance, served themselves as metaphorical windows, or screens, repre- senting one reality for a reality in another dimension, simultaneously. Related is the architectural wonder of glass as art, in the case of stained glass windows, for instance, that became part of churches and other insti- tutional structures across continents. Stained glass doesn’t so much let light enter or escape as it does reflect or absorb it, making the glass itself more luminous as opposed to lighting another venue. One’s eye is drawn to the glass of the window, and its beauty and/or the story it tells, and not to the inside or outside of the dwelling place (Krysmanski, 2005).S Stained glass windows do not so much admit or shield light, in soF much instead as they absorb and transform it. All of this connects with a third point, which isO that modern day win- dows—as they take shape and are framed in so many venues, even as complete walls of buildings, as mirrors Oin interrogation rooms, or as screens where multiple realities meetR through digital technology—con-3 tinue to act as powerful inspiration for metaphor, and representations of human possibility, growth,P progress, and even enslavement,1 while also opening up the potential for postmodern use 0and interpretation, that is in the sense that positionality,P identity, 2and perhaps even culture and ideology are subject to new frontiers given the transcending energy of emerging Iinterfaces,A or screens, or windows, if you will (Krysmanski, 2005). What might our journey© to locate ourselves within the complex worlds, interactions, and experiences of curriculum reveal to us as we seek, explore, open our eyes, shine the light, blaze new trails, recognize windows of opportunity? What might the process of looking back through time at past windows of meaning reveal to us as we deal with today and dream/act for tomorrow? How might the windows we open or develop serve the curriculum field in ways that lie beyond the “screens” that Tyler imagined, for instance, the ones that would serve to filter the value of objectives objectively for the classroom? And how might we acknowledge them, in truth instead, as subjective, value-laden, human, and experiential meanings/questions derived from normative interests at hand and our own lives, as opposed to some arbitrary, meaningless and indefinable truth that lies outside of us? (Kliebard, 1992) xxxviii T. S. POETTER
Curriculum Development is Dead: Pushing Forward, Zombie-Like? Our project began with the assumption that the curriculum books of the 1960s contained meaning, and contributed much at the time to the field and continue to be worth looking at today, for insights, for ways for- ward, for locating mistakes, for identifying key concepts that might inform us individually and otherwise. But this perspective does not hold up very well with Pinar et al.’s (2002) proclamation that the curriculum field as it was known then, and in particular as it was focused on curricu- lum development, was born in 1918 and died in 1969 with the contiguous birth of “curriculum understanding” as the prominent, new perspective and approach to the field (p. 6). This paradigm shift—embodied in the lives and work of curriculum reconceptualists, including Pinar himself—made our own book possible, in a way: our multivoiced perspectives on curriculum in theory and prac- tice, in and outside of classrooms, resonates with a reading publicS for this type of material because of the breaking down of paradigmaticF barriers in the field more than 40 years ago. But still, the dates nagged at me, as the founderO of this project. If the field died in 1969, were not all of the books preceding 1970, by definition, trapped behind a dirty, darkened windowO of a haunting mausoleum, entombing a dead curriculum field? Could these curriculum books of the 1960s be resurrected legitimately, withoutR making all of us,3 and the texts themselves—regardless of our spirited, modern, postmodern,1 and cogent interpretations of them and theP entire project—appear zombie-like, float- ing around without grounding in anything resembling0 the modern/post- modern field, basedP on old and rather nongermane,2 perhaps even expired ideas, that is, in effect, though muddling around alive in the cognitive atmosphere,I theyA actually and merely© are dead in and of themselves? Thankfully, while these questions tortured me from beginning to end and still do to a degree, Pinar et al. (2002) gave us some relief in his anal- ysis of the 1960s in the edited volume Understanding Curriculum, the tome we read and sampled as a class, noting the significant contributions, of course, that transformational curriculum scholars in the 1960s and before that made in terms of laying the groundwork for change in the field, not- ing in particular the work done by Macdonald, Huebner, Kliebard, Eisner, Greene, Berman, and Klohr in their usually quiet opposition to
behaviorism, scientism (a reduction of forms of knowing to quantifiable ones), dehumanizing technology, and oppressive, alienating bureaucratiza- tion of the schools. These curricularists first attacked behavioral objectives, then bureaucratization, the disciplines-centered orientation, and quantified, standardized evaluation and measurement of learning (Huber, 1981). The Introduction xxxix
challenge—largely uncoordinated—represented the first stage of the Reconceptualization, as the traditional field, for a few, became static and limiting. (p. 184)
Pinar et al. (2002) goes on to cite others, including Holt, Kohl, and Neill as part of the movement challenging the traditional paradigm of the field. Interpretations of their work—along with attempts at interpreting Eisner and Berman—appear in this book, right alongside chapters about others who might have been and still might be considered wed to the “curriculum development” paradigm during their careers. Of course, it is a fact that curriculum development didn’t die in 1970, and that it contin- ues to live on in multiple manifestations within official bodies of the cur- riculum field such as AERA, ASCD, and various other conferences, and also as a force in “school deform” movements of the day including the hyper-controlling phenomena and realities of high stakes testing, stan- dardized curriculum (the Common Core movement and textbooks/ canned programs), and programmed instruction/pedagogy (Pinar,S 2012). So, curriculum development is dead, but it’s not, it’s alive!F And the books that set the table for the reconceptualization came during a decade domi- nated by curriculum development, simultaneouslyO transcending the pow- erful shackles of the existing field’s ideological and practical dominance. Dead or alive, dead or alive—Sounds like Ozombie-land to me! But, I suppose as I grow, I become more comfortable with3 the anoma- lies of the curriculum field and the Rdifficulties with any attempt to play in it, taking the tensions and Pthe misshapen categories1 in stride, seeing them not as impediments, but instead as openings,0 screens, windows for new ways of thinking or of approaching a subject, or at least not making the mistake of thinkingP something is new,2 like an idea, when it really isn’t, when in someone’sA reality it is grounded historically in ideas and practices from a fertile,I long ago decade.© Perhaps for me this is the heart of the matter, that exploring joyfully and attentively the interplay of ideas, fig- ures, books, and movements of the curriculum field that may or may not lead to new insights and possibilities is the best way forward for me, and the one I ask my students to take on periodically for projects such as this one. One can only give it a try; maybe a new way of thinking, or new bar- riers, will erupt and transform, and contribute to the curriculum field as we continually know it anew. This still leaves open the problem of dealing with works by Mager and Taba, for instance, among others here who perhaps fall out of the realm of contributing to the reconceptualization of the field or at least resisting the dominant paradigm of curriculum development. Mager’s work is on behavorial objectives and Taba’s book is titled Curriculum Development, so there is no way around the tension, which has to be confronted head on. xl T. S. POETTER
Taking on these works posed opportunities and challenges to the chapter authors. On the one hand, it’s easy to bash the works as outdated and unhelpful, but that doesn’t recognize the complex realities of when they were written and what their purposes were. So this process sometimes requires careful coaching, hoping that the authors will be true to them- selves and what they think while also taking into account how complex the project of reading historical curriculum texts can be. Also, I left things open for writers to be supportive of aspects of these works, since it is intel- lectually possible and even responsible to be supportive of ideas and prac- tices that may find their definitional location outside the mainstream understandings and even fringy discussions constituting today’s field. What all of this means is that we found the conflict presented by Pinar, that the field is dead, but alive, though it was enlivened by those with a foot in the dead era, to be perplexing and liberating. There’s really no way around the conundrum except to play in it, and take it on for what it is, that is an opportunity for inquiry and the playful entanglementS with conflict. Sounds a lot to me like zombie-land, dead, but alive, but still dead, and so forth, in an endless, interesting regress. WhatF we ultimately hope is that your reading of our work here will ground you in the histori- cal, theoretical, and practical questions and implicationsO of the past, while also offering a contemporary, hopeful, honest interpretation of what it all means and what might be possible as a resultO of engaging these complex people, ideas, books, theories,P and Rpractices. 13 The Context of theP 1960s 20 And, so finally by way of introduction, it’s important to locate our work on the curriculumA books for study here within the historical context of the 60s, while Iadmitting that our perspectives© are mainly grounded in the worlds of the millennial transition decades, the 1990s through the early 2010s. I asked the authors to spend little time trying to describe the 1960s, in general, in their own chapters, that is to not spend much space rehashing what might have already been said about the 60s in other chap- ters, or in this chapter, or in Schubert’s book. I thought that would be overkill, at best repetitive for the reader. Besides, Schubert et al. (2002) provide “Contextual Reminders,” essentially overviews at the start of each chapter that are extremely serviceable regarding each decade’s cultural, historical, intellectual, economic, and political events in an attempt to frame the reasons for the books, the ideas, the scholarship, the teaching, and the educational practices of the day, in general. These curriculum bits are helpful and accessible and can be looked at by the reader before or while reading here. So here, instead of trying to blaze new trails on the Introduction xli history of the 1960s, I wish to draw on the main themes that guided our work in the seminar and that were manifest in the discussions and inter- pretations in the proceeding chapters about the 1960s curriculum books. First, it has to be said, though it’s rather a cliché now, that the decade was marked by social, cultural, political, and economic upheaval. The norms and standards of the 1950s were challenged and transformed throughout the 1960s. Just a few of the authors and participants in our seminar lived any part of their lives in the 1960s. I was born at the end of 1962, and consider the decade a time of growing up, thinking instead of the 70s as my decade of coming of age on my own journey through the teen years and high school. It’s important to note, though, as we did in class, that while some of us were alive in this world, even at our earliest ages, racial segregation existed legally in the United States. Our parents may have stayed at segregated hotels, sat at segregated lunch counters, rode segregated buses, or used segregated public accommodations such as restrooms and water fountains. While we have come a longS way in terms of social justice in this country, our lives still touch extreme injus- tice, just as they do in pockets of today’s postmodern society.F The Civil Rights Act of 1964 marks a critical historical marker, sure to be debated, supported, and criticized by all, but surely also toO stand forever as a land- mark turning point for citizens in this nation given all of the windows it has opened and closed in so many ways overO the intervening decades. Also, the build up to war in VietnamR and the resulting3 heightening of the cold war, with the Bay of Pigs and Cuban Missile Crises early in the decade and the continuing fightP against communism1 in lands far away, all played a significant role in the politics, economy,0 and cultural heritages of the 1960s. At any moment,P in ways far more2 insidious and dangerous than citizens were led to believe and even were trained for in the 1940s and 1950s, nuclearA annihilation had become a real possibility on top of ground warI combat that claimed© the lives of soldiers and innocent civil- ians alike worldwide but particularly in the Far East and here at home in ways marked by domestic violence, mental illness, and death (see for instance The Deer Hunter), the perilous vestiges of a continuous cold war. On the education front, the Elementary and Secondary Education Act of 1965 set new standards for federal involvement in education and for expectations for educating every child in the United States at least through high school as a norm. The law’s implications short and long term have long been studied, and we still engage with the re-appropria- tion of the act given the political climate around education in society each decade, the last being the No Child Left Behind debacle of 2001 and the subsequent damage done by the standardization and high stakes testing movements (Bracey, 2009). We also understand from the literature and from the input of Schubert himself (personal communication) that the xlii T. S. POETTER federal curriculum projects undertaken Post-Woods Hole Conference (by Bruner et al., for instance PSSC and MACOS) marked the practical and symbolic end of school people holding the power in terms of curricular and pedagogical decision making for education on a local level. While teachers still acted and continue to act as the great arbiters of the curricu- lum on the ground in schools in many instances (Eisner, 2001), the rules, regulations, mandates, and directives from above, hierarchically, play an increasingly prominent role in terms of the curriculum, determining what does and does not get taught and how teachers spend their time. It’s a fact that teachers spend less time developing and understanding curricu- lum today than they did in the 1960s. Perhaps typical of any decade, at least educationally, there were tre- mendous ironies. For instance, given this push toward greater outside control, schools and teachers pushed back by developing progressive approaches to education, including open classrooms, alternative schools, and free schools, for instance. Many of the renewing approachesS were cre- ated and implemented by teachers. The decade of the 1960s, after all, was also a period of experimentation, new values, openness,F and hope; the embodiment of progressive ideas, at least humanistic ones, that privileged the life of the child and his or her development inO the context of the com- munity and that pushed what is best for growing a morally defensible, empowering democracy ruled in some places,O at least in pockets of expe- rience and on the continuum of theR local/national narratives.3 This was the decade of challenging the morality of the system in terms of the quality of education made available toP marginalized citizens (see1 Kozol, Holt, and Herndon, for example) while at the same time 0creating new opportunities for self-exploration Pand personal growth (see2 Neill, for example). Also, it would be an error not to mention how the decade of the 1960s embodied theA rapid ramping up of technology, as it manifest itself con- ventionallyI in military prowess© on ground, sea, and air and through advanced nuclear capability, as well as the rise, literally, of the space pro- gram, culminating in Armstrong and Aldrin’s walks on the moon in 1969. The development of the computer, advanced industrialization processes for the assembly and marketing of goods, and the advances in agriculture, among others, created whole new ways of consuming and exploiting for the American people and for people around the world. While classrooms have remained much the same since 1960 in many ways (see Jackson’s Life in Classrooms, for example), they have also been radically transformed by technology. In 1969, I assembled with my classmates in the dark base- ment room of my elementary school to watch filmstrips of the fictional first Thanksgiving, treated as fact. Students today watch women soaring through space and talk with them about their science experiments in real time, and Skype with students in Russian high schools. Technology has Introduction xliii had a profound impact on what might be possible for 21st century learn- ers, and many of these developments and understandings have their roots in 1960s technologies and experiences. Last, the rapid changes in social and cultural norms, religious partici- pation and understanding, and the industrialization and Westernization of the world in the 1960s, mirror the rapid pace of change in 2013. I don’t have a crystal ball so can’t predict the future, except to say that the decades since the 1960s have provided plenty of change, bringing move- ments to commerce, politics, and education at breakneck speed. One approach is to slow down and study the trends, take stock of early attempts, and learn from the past. We attempt to do that with you in the following chapters. It so happens that our vantage point for today, the window through which we will venture to look, is through the lenses of curriculum scholars, teachers, and writers of the 1960s. I hope you enjoy the look back as much as we have and learn as much as we have along the way as well. Our futures, perhaps, depend on it. FS ACKNOWLEDGMENTSO *Starred titles in the References are works that chapter authors examine in this book. O **Special thanks to Leigh Ann Fish, chapter author (she3 read Berman) and course participant, who took Rexcellent notes during the class and whose extra research work onP the window metaphor1 during the course aided in the writingP of this chapter. 20 IA REFERENCES© *Berman, L. (1968). New priorities in the curriculum. Columbus, OH: Merrill. Bobbitt, F. (1924). How to make a curriculum. Boston, MA: Houghton Mifflin. Bracey, G. (2009). Education hell: Rhetoric vs. reality. Alexandria, VA: Educational Research Service. *Bruner, J. (1960). The process of education. New York, NY: Vintage Books. *Bruner, J. (1966). Toward a theory of instruction. New York, NY: W.W. Norton. Crenshaw, D., & Green, E. (2009). The symbolism of windows and doors in play therapy. Play Therapy, retrieved from www.a4pt.org Dewey, J. (1916). Democracy and education. New York, NY: Macmillan. *DuBois, W. E. B. (1957-1961). Manzart Builds a School. Vol. 2 of the Black Flame; A Trilogy, including The Ordeal (Vol. 1) and Worlds of Color (Vol. 3). New York, MY: Mainstream. Eisner, E. (2001). The Educational Imagination: On the Design and Evaluation of School Programs (3rd edition). New York, NY: Prentice Hall. xliv T. S. POETTER
*Goodlad, J. (1966). School, curriculum, and the individual. Waltham, MA: Blaisdell. *Goodlad, J., & Associates. (1979). Curriculum inquiry: The study of curriculum prac- tice. New York, NY: McGraw-Hill. *Herndon, J. (1969). The way it spozed to be. New York, NY: Bantam. *Holt, J. (1964). How children fail. New York, NY: Dell. *Jackson, P. (1968). Life in classrooms. New York, NY: Holt, Rinehart, and Winston. Kliebard, H. (1992). The Tyler rationale. In H. M. Kliebard’s (Ed.), Forging the American curriculum: Essays in curriculum theory and history (pp. 153-167). New York, NY: Routledge. *Kohl, H. (1968). 36 Children. New York, NY: Penguin. *Kozol, J. (1967). Death at an early age. New York, NY: Houghton Mifflin. Krysmanski, H. J. (2005). Windows: Exploring the history of metaphor. Retrieved from http://www.uni-muenster.de/EuropeanPopularScience/win-sample/win- authors.htm *Mager, R. (1962). Preparing instructional objectives. Belmont, CA: Fearon. *Neill, A. S. (1960). Summerhill: A radical approach to child rearing. New York, NY: Hart. *Phenix, P. (1961). Education and the common good: A moral philosophy ofS the curricu- lum. New York, NY: Harper & Brothers. F Pinar, W. (2012). What is curriculum theory? New York, NY: Peter Lang. Pinar, W., Reynolds, W., Slattery, P., & Taubman, P. (2002). Understanding curricu- lum: An introduction to the study of historical and contemporaryO curriculum dis- courses. New York, NY: Peter Lang. Poetter, T. (2010). Taking the leap, mentoringO doctoral students as scholars: A great and fruitful morass. Teaching & Learning: The Journal3 of Natural Inquiry & Reflective Practice, 24(1), 22-29. R Poetter, T. S., & Associates. (2011). 10 great curricula: Lived1 conversations of progres- sive, democratic curriculum inP school and society. Charlotte, NC: Information Age Publishing. 0 Poetter, T., Bird, J., & PGoodney, T. (Eds.). (2004).2 Critical perspectives on the curricu- lum of teacher education. Lanham, MD: University Press of America. Poetter, T., Wegwert,A J., & Haerr, C. (Eds.). (2006). No Child Left Behind and the illu- sion of reform:I Critical essays by© educators . Lanham, MD: University Press of America. *Popham, J., Eisner, E., Sullivan, H., & Tyler, L. (1969). Instructional objectives. AERA Monograph Series on Curriculum Evaluation. Chicago, IL: Rand McNally. *Postman, N., & Weingartner, C. (1969). Teaching as a Subversive Activity. New York, NY: Dell. Schubert, W. (1980). Curriculum books: The first 80 years. Lanham, MD: University Press of America. Schubert, W, & Lopez, A., Thomas, T., & Carroll, W. (2002). Curriculum books: The first hundred years (2nd ed.). New York, NY: Routledge. *Schwab, J. (1969). College curriculum and student protest. Chicago, IL: University of Chicago Press. Stratemeyer, F., Forkner, H., & McKim, M. (1947). Developing a curriculum for mod- ern living. New York, NY: Teachers College Publications. Introduction xlv
*Taba, H. (1962). Curriculum development: Theory and practice. New York, NY: Har- court, Brace & World. *Tanner, D., & Tanner, L. (1975). Curriculum development: Theory into practice. New York, NY: Macmillan. *Walton, S. (1969). Black curriculum: Developing a program in Afro-American studies. Oakland, CA: Black Liberation Publishers. Zais, R. (1976). Curriculum: Principles and foundations. New York, NY: Thomas Crowell.
FS OO PR 13 P 20 IA ©
CHAPTER 1
THE POWER OF REVOLUTIONARY THOUGHT
Waging Curriculum Warfare on S the Racial Injustices in AcademiaOF K. T. COLLIER Kyra T.R CollierO 3 INTRODUCTIONP 01 Close your eyes and imagine that you are peering through a window and seeing people movingP about in every direction.2 Imagine that those peo- ple, of all differentA races and creeds, are busy working, loving, learning, smiling, laughing,I and growing.© As you continue to glance, you realize that these people are looking back at you. However, what they see on the other side of your window is not the real you; it’s a distorted perception caused by stains and cracks in your window that were put there by some- one else. Although you can see yourself clearly, others cannot see the real you nor do they realize that their perceptions are psychological appari- tions. Your earnest and persistent desire is to experience the world the way you see others doing it. Therefore, you set out to construct a new window; one that has not been psychologically cracked by the hatred and fears of others. You want this
Curriculum Windows: What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today, pp. 1–15 Copyright © 2013 by Information Age Publishing All rights of reproduction in any form reserved. 1 2 K. T. COLLIER window to protect you while providing the transparency necessary for you to see others and them to see you as you truly are. Right now you are imagining this window, but many Black students in the 1960s gazed through the actual windows of their classrooms with such desires and intentions. While historical discourses on curriculum inaccurately repre- sented Black students or omitted them altogether, Black students, schol- ars, and activists began constructing and demanding a new curriculum window. Such constructions can be examined through the work of Sidney Walton Jr. (1969) in The Black Curriculum. I examine Walton’s (1969) text as a curriculum window in order to illus- trate its ability to help us look to the past to better understand the present and future. My approach is inspired by a term from the Akan language of Ghana; sankofa, which articulates the importance of taking from the past what is good and bringing it into the present so that through the benevo- lent use of knowledge, progress can be made. Here I will use Walton’s work as a sankofa narrative to help us look back and retrieve thatS which we have forgotten about curriculum theory. It is my belief that the conditions that provoked Walton’s concern throughout the 1960s Fand beyond still remain in America’s classrooms and educational institutions. Recent pro- tests on behalf of American teachers and the portrayalsO of public school- ing in the media warrant our attention to the cracks in the system. Thus, I write this chapter with the understandingO that windows were created in order to admit light and allow peopleR to see out of enclosed3 structures. Windows are a means for observing and learning about a space outside of one’s realm. In this country,P some people have the1 privilege of looking out of windows and seeing a world of possibility.0 Others have not been given this “window of opportunity” but instead2 have been placed behind a different kind of window—aP window tainted with preconceived distortions of the image Aand vision of who they are and what they are capable of doing and Ibecoming. The work© of Sidney Walton in The Black Curriculum aims to correct and repair these distorted windows. Through my analysis of Walton’s book and the contemporary issues at hand, I hope the reader will see the life-changing direction in which this work can lead us.
Connections to My Intellectual Journey
A major focus of my work as a graduate student in educational leader- ship is to explore the connections among race, spirituality, leadership, and education. As a spiritually salient African American woman, I choose to situate my research and scholarship as an autobiographical study of the influences of my lived experiences on the research and scholarship about African American students. My interest in the psychosocial influences on The Power of Revolutionary Thought 3 the success of African Americans in schools was sparked by an experience in high school in which I was told by a Black educator that to be success- ful, a Black intellectual had to be educated in and by a White institution. When Dr. Poetter offered The Black Curriculum as an option for creating a new curriculum window, I quickly jumped at the opportunity because I believed that such an interrogation could reveal the psychological injuries that cause some Black educators to believe that intellectualism can only be achieved in the White academy. Moreover, such inquiry could identify the distortions that cause many Black students to see intellectualism as Whiteness as pointed out in studies by John Ogbu (2008) and Signithia Fordham (1996). Additionally, Walton’s work gives witness to an account of a Black educator in White academia that mainstream scholarship has not acknowledged. When I came across his text, I wondered why this pow- erful literary work is not widely cited or used in the educational studies programs that I have been privy to. Needless to say, this curiosity has led me towards a path of intellectual self-actualization that not onlyS helps me to better understand curriculum theory, but to realize my purpose and power as an educator in a greater sense of the word. F Early in the text Walton (1969) writes, “Creativity frustrated breeds violence: thus violence may be unavoidable as longO as our racist oppres- sors feel that they are ‘being pushed too hard’ or that change is coming too fast” (p. 3). His work is only one exampleO of Black intellectual creativ- ity. As I assert my thinking alongsideR his, I acknowledge3 the intellectual warfare that such creativity engages in and make no apologies for the pro- vocative standpoint from whichP I present my ideas. 1It is my opinion that the distortions in the Black curriculum window0 have existed for far too long. As we make connections between the2 1960s and today’s classrooms and educational institutions,P I hope it becomes apparent that the call for significant changesA in our school systems cannot be ignored, avoided, or delayed anyI longer. ©
The Climate of the 1960s and the Aim of The Black Curriculum
When I first opened The Black Curriculum I was immediately taken by the picture of the author kneeling on a stack of books while armed with guns and knives. The image of a Black man being armed not just physi- cally—but intellectually—is not well received in White academia or popu- lar in mainstream media. I thought to myself, “I wonder how many curriculum theorists and educators have seen this image and became intimidated?” In my tenure as a graduate student, I have found it rare to see such images or written approaches in publications where the author 4 K. T. COLLIER feels no obligation to mute the political agenda of his or her writing. Moreover, I had rarely seen any image encouraging the use of physical and intellectual “weaponry” simultaneously for the Black male. Much is written on the perceptions of Black males in schools and the portrayal of Black males in the media as brutes and emotionless persons with no regard for self or desire for education. This comes from the legacy of slav- ery. Fear of Black men and a deep desire to keep them in submission to the dominant race, as Frances Cress Welsing (1991) would argue, deeply permeates racism in America. As a result, it is no stretch to think that Wal- ton’s image may have immediately sparked panic in mainstream aca- demia. Wesling’s arguments in her 1991 text The Isis Papers: The Keys to the Colors, help explain from a psychological standpoint how this fear led many opponents of Black Power to believe that the very existence of Black Power meant White annihilation. Welsing carefully explains and gives examples of how any potential for assertive challenge on part of the Black male raises conscious and unconscious fear on part of the dominantS cul- ture. Looking at the image of Sidney Walton armed with various books and guns, I reflected on the ways the media broadcastedF images of the physical responses to assertions of Black power in the 1960s. As my mind filled with images of water hoses being sprayed onO Black protestors, dogs attacking men in the streets, and police forcefully arresting people with afros and t-shirts displaying Black Power fists,O I thought about the lack of images detailing ways in which the Black mind was being forced into sub- mission in the classroom. IntellectualR warfare, I believe, 3was at the heart of the Black Power movement.P However, because1 education and the media are two of the most powerful mediums for0 information, the misap- propriation of Black Power as a call for White annihilation in both educa- tion and the mediaP further distorts Walton’s2 image and the aim of his work.James ConeA carefully articulates the true meaning of Black Power by stating: I © It means nothing other than full emancipation of Black people from White oppression by whatever means Black people deem necessary. The methods may include selective buying, boycotting, marching, or even rebellion. Black Power, therefore, means Black freedom, Black self-determination, wherein Black people no longer view themselves as animals devoid of human dignity but as men, human beings with the ability to carve out their own destiny. (Cone, 1999, p. 4)
Walton’s (1969) work is an exercise of Black Power on and against the educational system of America. Realizing this helped me to understand why I had a very difficult time locating the book, as there was only one copy available in the public university library system of Ohio and none available at local bookstores and online commerce companies. When I The Power of Revolutionary Thought 5 finally got my hands on a used copy, I stared at the image of Walton and thought about the different narratives that White America and Black America would tell me about this image. During the time Walton’s (1969) was published, the Black community was waging war against the oppression of White America through various protests and demonstrations. The 1960s was a time when Black rage and White racism were colliding in the streets, classrooms, and courtrooms. All around the country, people were fighting and dying for civil rights. It was a time of emerging identity for the Black community and musical leg- ends like Public Enemy were setting the soundtracks for a decade of Black liberation. Two years prior to the release of Walton’s book, Stokely Carmi- chael and Charles Hamilton, two prominent Black activists, published Black Power: The Politics of Liberation in America (1967). This book inti- mately detailed the depths of systemic racism and presented a radical, revolutionary political framework for establishing a new social order in America. Walton offered The Black Curriculum as an extension toS this work so that education could be considered equally among the Fefforts to reform political, economic, and social injustices. His goal was to incite change in society by offering a “revolutionary proposal” for endingO the perpetuation of racism in American schools (Walton, 1969). As I mentioned earlier, physical assaults against assertions of BlackO Power were more widely rec- ognized than the intellectual pummeling that was taking place in the classrooms. By establishing Black curriculaR in America, 3Walton believed that Black educators could empower Black youth to1 change the educa- tional, political, economical, P and social plights0 of their community.His text is a blueprint for creating such changes because it gives a detailed account of Walton’s effortsP to establish a Black2 curriculum at a large urban community collegeA in California. ThroughoutI the chapters, Walton© includes copies of actual communica- tions with university officials in order to demonstrate the true nature of racism in school structures and his experiences in attempting to overcome them. In a very thought provoking way, Walton discusses the role of semantics in perpetuating racism as well as the roles of Black and White educators in putting an end to racism in schools. He uses his experiences with the creation of an Afro-American studies program at Merritt College, a large urban community college in Oakland, to discuss the recruitment of Black teachers, how to develop relevant course content at all levels of education, and how to counsel Black students and uplift the Black com- munity. In the course of 537 pages, Walton makes numerous critical argu- ments that I believe are still relevant today. I have chosen to analyze these arguments using a metaphorical window that has four distinctive panes that shed new light on curriculum as we know it today. 6 K. T. COLLIER
REPANELING THE WINDOW
Like most Black activists of the 1960s, Sidney Walton wanted to use the history and struggle of Black people in America to push this country toward a new level of humanity. He believed that the “intelligent, imaginative men must not shrink from exploring fearlessly any avenue which might lead mankind to this new world community” (Walton, 1969, p. 23). In this process of unification, Walton believed that a complete paradigmatic shift was nonnegotiable. If we return to the introduction of this chapter and consider the creation of a new window, we can see Walton’s arguments through four windowpanes. In this new window, one pane can be described as the bulletproof glass pane. It serves the purposes of protecting the Black intellectual from the proverbial bullets discharged by systemic weapons of Black destruction. The second pane is a two-way mirrored glass that equips the Black intellectual to see and understand the system in which they Smust fight in and against simultaneously. The third pane that Walton creates for us is a tinted glass pane. This pane is for the protection of Fperception, as it keeps Black intellectuals from being blinded by glimmers of hope in a system that will ultimately continue to oppress them.O Last, Walton’s work offers a stained-glass windowpane. The stained glass serves multiple purposes in the fight for a new level of humanism.O It evokes a spiritual creativity that gives way to the Rnew world community3 that Walton believes this country must create in order for citizens to survive and thrive. Together, these four Ppanes form a new curriculum1 window that gives us sankofa; the spiritual, personal, and systematic0 power to use the knowledge fromA ourP past experiences to “fight2 the powers that be.” Blocking WeaponsI of Black ©Destruction: A Bulletproof Pane In order to truly understand Walton’s arguments, we must recognize that there is a Eurocentric curriculum that is perpetuating White suprem- acist pedagogy. At the same time, however, there is White supremacist pedagogy informing and supporting Eurocentric curriculum. Therefore, what Black intellectuals and supporters of Black education are up against is not only a curriculum problem, or a pedagogical problem. It is a sys- temic problem that feeds off of and permeates all areas of human activity, especially education. Haroon Kharem (2006) argues that “White suprem- acist rhetoric employs a ‘poisonous pedagogy’ (Macedo, 1994, p. 66) clearly promoting an idea of Black inferiority” (p. 26). The myth of Black intellectual inferiority therefore trickles down into the textbooks and assignments, into the teacher’s choice for student of the month, and the The Power of Revolutionary Thought 7 university’s admissions results among other decisions. The null and hid- den curricula of mainstream public education send Black students—and other minoritized students’—subliminal and not so subliminal messages that they are intellectually and socially inferior to their White counter- parts. These attacks on the Black mind brainwash students and paralyze their growth. Walton took notice of this in California and set out to free the Black minds of his students. He was not alone in his efforts. Kharem quotes Malcom X who said in June of 1964:
When we send our children to school, they learn nothing about us other than we used to be cotton pickers. Why your grandfather was Nat Turner, your grandfather was Toussaint L-Ouverture, your grandfather was Hanni- bal. It was your grandfather’s hands who forged civilization and it was your grandfather’s hands who rocked the cradle of civilization. But the textbooks tell your children nothing. (p. 23) The exclusion of knowledge in textbooks that Malcolm X isS referring to causes great harm to the Black community, and to the larger Ameri- can community through a continual denial of its completeF history. Black educators like Walton took notice of how “This exclusion of knowledge purges textbook writers of wrong doing, eradicatesO cultural differences within society and reshapes it around a Ocommon culture that is Anglo Protestant” (Kharem, 2006, p. 26). It was for these reasons that Sidney Walton (1969) argued that “We mustR change the system3 to serve us or we must destroy it in a revolutionary manner so that it does not further our oppression” (p. 52). WaltonP described some1 of the techniques involved in the destruction of Black intellectualism.0 Semantics, he argued, is a main Ptool employed to reject2 Black definition and deny Black reality. Through semantics, Whites have controlled the uncon- scious attitudesA and symbols that Blacks use towards one another. Wal- ton offers Ithe term “Negro” and© the historical naming of the Negro/ Black/Afro-American/African American race as an exemplar of linguisti- cally perpetuated racism. The meanings that have been attributed to the word “Black” have been such negative connotations that the Black com- munity has had to take a very active role in redefining itself. As a stu- dent I can recall numerous occasions where I have been asked to explain how I chose to identify myself and why I use “Black” or “African Ameri- can” to describe my race. I can also recall various campaigns to reclaim Black as beautiful in the media. My personal understanding has been couched in a sense of double consciousness that recognizes the beauty that I see as well as the lack of beauty that society promotes for those considered Black. Since the messages in our classrooms and in the media are often contradictory to notions of Black beauty, many Black students like myself have employed linguistic decoys that help protect 8 K. T. COLLIER our own sense of meaning making.This concept is commonly known as code switching and it has served to protect Black thought and defini- tion by concealing what James C. Scott (1990) calls “the hidden tran- script” in plain sight of mainstream America. Without such protective strategies, the ability to “think Black” would be assassinated by the fear of Black Power and the perpetuation of racism. This is why Walton calls for the inclusion of more Black authors in textbooks and for the estab- lishment of a meaningful connection and involvement with the Black community. He recognizes that the mindsets of educators are anything but “objective” and thus there has to be more inclusion of those who have the ability to “think Black” in the classroom. There are very few, if any, teachers or professors who believe (in the 1960s and time present) that they are teaching racism in their classrooms. Many educators believe that it is possible to be neutral in the classroom, and that the curriculum is a neutral component of schooling. However, once one recognizes that racism is operating underS the guise of semantically constructed terms like “objective education,” one can clearly see the tools for destroying the Black psyche. Walton’sF work informs us that to combat such destruction, Black intellectuals must arm themselves with a bulletproof pane. In 1969, it was virtually Oimpossible to avoid the attacks launched in the classroom through the inclusion and exclusion of certain accounts of history, the design ofO culturally-biased standardized tests, that absence of Black teachersR and professors in the3 classroom, and the privileging of European ways of learning over African-centered learning techniques. As WaltonP walks us through his1 journey at Merritt College, which ultimately became the first junior0 college in America to offer the Associates inP Arts degree in Afro-American2 studies, he exposes the ways in which such attacks were waged on Black students. In letters concerning theA development of relevant course content at the undergraduateI and secondary level,© Walton explains that the success of any Afro-American studies curriculum is largely influenced by that program’s ability to be established within its own department and not as an integrated component to existing departments. This is because of the institutional racism that exists in many traditional departments that have age-old practices harmful to Black centered education. One such practice is the tenure process and its ability to deem many Black educators insufficient because they don’t hold the kinds of credentials that academia uses to signify merit. Another example is the establishment of “classic” texts to be used in the classroom and the overwhelming absence of authors of color from these book lists. Such practices inherently show students who is considered “educated” and what is to be thought of as legitimate and classic writing. Walton shares various memos where he debunks the myth of “objective education” and reveals what Tom Burrell (2010) refers to in his The Power of Revolutionary Thought 9 book Brainwashed: Challenging the Myth of Black Inferiority as being part of “the greatest propaganda campaign of all times.” Although Sidney Walton was successful in establishing an Afro-American studies program, it is troubling that this struggle still continues today. It is as if educators have not been able to build upon the foundation that Walton and many other leaders within the Black community established. In 2010, Neil Irvin Painter (2010) wrote, “What we can see depends heavily on what our culture has trained us to look for” (p.16). She outlines why and how race and the history of race has been distorted and propagandized. Her work helps us to see how Walton’s proposal calls for a process of un- learning. Without careful consideration and the use of a protective shield, this propaganda flourishes. Walton’s insights help provide that protective shield, the bulletproof pane in the window that psychologically shields us from systemic weapons of Black destruction. This window pane is necessary prior to the start of higher education or any formal education. According to Walton (1969), Black intellectuals “must change their expectationsS of the present system before they seek an education in that Fsystem” (p. 99, emphasis in orginal). By doing so, students prepare themselves for the onslaught of proverbial bullets that the systemO will intentionally and unintentionally aim to hinder their development. Without this knowledge, students bear the risk of being intellectuallyO assassinated or at the very least held hostage by White ideology for Rthe rest of their lives.13 LEARNING P WHILE BLACK: THE IMPERATIVEP USE OF THE 2TINTED0 GLASS PANE While being preparedA for the challenges and negative resistance of the existing educationI system, Black© intellect uals have to also be prepared for “positive” resistance. This kind of resistance is very hard to detect because it appears that the system and perpetuators of the system are in support of the creation of Black education. Walton (1969) refers to this as “tricknology” (p. 51). This is most evident through the process of credentialing. Walton explains that the system protects itself by protecting standards, degrees, and credentials that are supposedly “meritocratic” and help to maintain the White welfare system. In strategic ways, the system can adopt a more culturally centered curriculum. However, White power structures prevent the teaching of that curriculum from a cultural perspective on the grounds that a Black professor, for example, does not hold the “proper credentials” that reflect the standards of the university. Thus, only someone who has obtained a degree from a university with a Eurocentric ideology is fit to teach a curriculum that challenges that 10 K. T. COLLIER ideology. Herein lies what Harold Cruse (1967) called “The crisis of the Negro intellectual.” To be considered intellectual, one had to attend the university and obtain a degree. Without the presence of the bulletproof pane, it is quite possible that that person suffered ideological and epistemological trauma that hin- dered his or her ability to effect change for his or her community. Sidney Walton informs us that in the 1960s, the Black community was well aware of the ways in which the accumulation of higher degrees could render a per- son irrelevant to the larger community and almost unknowledgeable of any sense of Black awareness. The system had a way of educating Blacks “out” of their community and tokenizing them in spaces where they were no lon- ger a threat to the system’s existence. On the surface, accumulating higher degrees and better jobs seem like successful steps towards liberation. How- ever, careful consideration would allow one to see that while universities were willing to establish Black studies programs, they would not establish departments of Black studies where, as Walton points out, a studentS could study chemistry from a Black perspective or engineering from a Black per- spective. Black studies mostly became minor programs Fhoused in larger departments of White ideology. Walton (1969) writes:O The Black masses are aware of the usual process whereby a so-called Negro is selected by the establishment, made prominent,O built-up, publicized, and made a celebrity…. The establishment uses these “Negro Leaders”3 against the Black revolution. (p. 472)PR 1 With the protection of a tinted pane, Black 0intellectuals could remove the alluring glare of “moving on up” from the propositions offered by the current system. TheP lesson we take from 2Walton’s work in this respect is that although,A at times, it may seem that the current system is willing to “diversify” Iits curriculum and engage© notions of becoming culturally com- petent in the classroom, this system has not been designed to cultivate and support the successful growth of the Black intellectual. Tinted glass helps to keep these gleams of improvement in perspective. This is very important, as we have seen throughout the decades how success on the part of Black Americans has subdued the revolution towards full emanci- pation. Many might argue that the success of Brown v. The Board of Educa- tion in 1954 is a prime example of such seduction.
REFLECTIVE, PROTECTIVE, TRANSPARENT: USING THE TWO-WAY MIRROR The third panel that Walton creates in his work is one I would describe as being similar to the glass of a two-way mirror. Its sole purpose is allowing The Power of Revolutionary Thought 11 the Black educator or student to see the mechanisms and actions of her counterpart without being seen herself. Understanding the dominant sys- tem is vital to successfully creating a new system that does not mirror the racist, White supremacist system that currently exists. Without careful con- sideration, what Denise Taliaferro Baszile (2008) deems “the oppressor within” will ultimately cause the perpetuators of the new system to repro- duce the racist dynamics of the old system. Therefore, Black educators must be able to interrogate philosophies of White supremacy and identify their perpetuators as if they were in a line up. This allows for the building of a solid case in support of creating a new system that opens windows to justice, equity, and true freedom. It also provides Black educators with an understanding of White supremacy that can help them reflect on the ways in which they could be co-opted into using the same maneuvers. As Walton (1969) attempts to establish an Afro-American studies pro- gram at Merritt College, he encounters the kind of resistance that war- rants a two-way mirror strategy. Time—especially the belief Sthat more time was needed to consider Walton’s proposal—was the most strategic form of resistance that he describes in the book. WaltonF remarks that ‘time’ is actually a “White word synonymous with delay, stall, indecisive, tradition, pseudo-liberals, fear, hatred and oppression”O (p. 31). Walton is able to identify this hidden form of resistance in an undetected manner that allows his antidote of “action” to be successful.O He offers copies of the memos and communications that transpiredR between him3 and his coun- terparts as an example of how to handle the information one retrieves using a two-way mirror strategy.P His counterparts did1 not know that he was aware of their strategy, thus they had no reason0 to use different tactics against him. This is Pimportant, as ending2 racism is war and the strategies of the oppressors are many. The system will protect itself by any means, thus a two-wayA mirror is vital for protection as one seeks to identify the tactics of WhiteI supremacy. © The two-way mirror pane also allows for the Black intellectual to be partially reflective and partially transparent. As with the glass used to create two-way mirrors, whenever one side of the mirror is brightly lit and the other is dark, it allows viewing from the darkened side but not vice versa (Loy, 1999). Therefore, Black intellectuals can engage in the kind of critical self-reflection necessary for the continuation of their political projects in the academy without allowing their counterparts to see their transparency. Walton is very critical of the Black educator and demands that these persons take very active roles in the creation and preservation of a Black curriculum. To do so, he states that those “pretenders” and Black educators that allow themselves to be used by the White racist system must be identified as threats to the Black agenda. Walton refers to them as “educational pimps” who have been hired by the current system to support 12 K. T. COLLIER
White liberals in their verbal commitments to Black liberation but indeed typically take no actions supporting their claims (p. 432). Walton also contends that Black educators must serve as public defenders for Black students and be willing to hear, support, and address the needs of Black students in the school and the academy. Such a role demands critical self- reflection as an individual an on behalf of the Black intellectual community.
CREATIVE TRANSCENDENCY: THE POWER OF THE STAINED GLASS WINDOW
Ultimately, the successful establishment of a Black curriculum or any pro- gram separate from the dominant Eurocentric curriculum will require an orientation of hope that extends beyond rational thinking. The years of oppression that Black Americans have experienced warrant noS rational reasoning for believing in change; however, very courageousF individuals who saw beyond rational limits have proven time and time again that the impossible can happen. The design of a new curriculumO window would not be complete without a pane that allotted for such vision. Stained glass has a very rich, thousand-year old historyO and is typically displayed in churches or other significant buildings (Raguin & Higgins, 2003). It is usually very colorful and admits Rlight in colorful ways3 that reflect its design. These windows often reflect a narrative 1through the artistic images embedded in them thatP is significant to0 the faith of the church or the history of the building in which it is located. They can be figuratively or non-figuratively Pdesigned and framed2 into various shapes and sizes (Raguin & Higgins,A 2003). For the BlackI student and educator,© the stained glass pane represents a spiritually and culturally transformative lens. This pane provides the spiritual/intellectual interface necessary for straightening out the distortion of education so that the possibility of emancipation becomes unambiguous. Cone (1999) argues that moral actions cannot be understood based on human reason alone because every person is limited by the confines of science and by his or her own perspectives and predispositions. No one can operate outside the system of White supremacy, either. We each play some role in establishing or maintaining its existence, whether willingly or unwillingly. To expand our understanding of moral justice and ultimately overcome the White supremacist ideology that dominates our society, we must be spiritually equipped to discern and settle that which White supremacy has placed on opposing sides. The three windowpanes previously described offer only self-serving resolutions. If there is no final The Power of Revolutionary Thought 13 reconciliation of the thesis and antithesis (King, 1963), the powerful and powerless, Black and White, then the window is closed. Towards the end of the book, Walton (1969) poses the question
How can I quickly revamp the whole curricula of my institution so that stu- dents coming to the college with distorted perspectives, the result of gener- ations of oppression, might be guided into directions that would syphon off their explosive powder keg before someone ignites the fuse? (p. 509)
I believe the answer can be found in this forth windowpane, the stained glass. I draw upon the work of Michael Dantley (2005) who informs us:
much of Black life is a perpetual struggle against forms of oppression that would sap people’s emotions and physical resources, drain their intellectual wherewithal, and could leave them bereft of any hope were it not for the spiritual dimension of their multifaceted lives … spirituality becomes the foundation for the construction of the sacred self. (p. 657) S I believe those committed to Black education have to embodyF freedom so that others may learn of it and obtain it. In many ways, Black students and educators have to be “salt and light” andO offer a transformative perspective that is informed by their oppressive struggles. Black bodies have been physically and psychologicallyO beaten, murdered, raped, dismembered, and torn from all customsR that give a culture3 its sense of pride and identity. Cone (1999) warns us that “If our long history of struggle has taught us anything,P it is that if we are1 to be free, we Black people will have to do it. Freedom is not a gift0 but is a risk that must be taken” (p. 48). The Pfight for freedom is extremely2 risky business as it is a direct threat to many things considered normal, traditional, and rational. Nevertheless,A the utilization of a stained glass perspective can infuse the history of struggleI in the Black commun© ity with spirituality and display new shades of possibility and liberation. Walton’s work helps us to see that liberation in the academy warrants aggressive love by those who are willing to be bold, tenacious, and “wise as serpents and harmless as doves” (Matthew 10:16). The 1960s decade teaches us that educators cannot afford to stand by passively as war continues to be declared on the minds, bodies, and spirits of Black students or students of any other racial background. Although Walton wrote specifically about the creation of a Black curriculum, I believe his methods are applicable to many other marginalized groups. Anyone who chooses to serve as an educator faces the choice of taking advantage of the possibility of helping to maintain the current system or combatting the current system by spiritually and intellectually deconstructing the systemic plague of injustice. It is my hope that today’s educators choose the latter. 14 K. T. COLLIER
CONNECTING TO CURRICULUM TODAY
The design of a window as multidimensional as the one Walton pro- vides for us is a very important tool for educators in today’s class- rooms. Across the spectrum of K-12 and higher education, a Black curriculum is still needed. The writings of James A. Banks can help us to put this notion of Black curriculum into further perspective. Often considered to be the “father of multicultural education,” Banks (2006) argued that students’ rights to reach their own conclusions about the accuracy of historic events and various accounts of history were being confiscated by the social and cultural biases inherent in mainstream American schooling. Banks interrogated the notion of Black and multi- ethnic studies and the tendency of these programs, particularly during the emergence of Black revolt in the 1960s, to be constructed and used as Band-Aids on surgical wounds. Just as Walton had suggested, the inclusion of a Black curriculum into an already existing WhiteS school structure would only work minimally as a groundbreakingF effort to bring about change. Without the establishment of schools, districts, and universities using Black ideology, the prominent Oinfluence of White ide- ology would eventually deemphasize and ignore the problems of power- less ethnic groups in America (Banks, 2006).O We can look at the state of educational affairs in 1969 and compare it to today’s reality and see the valiRdity in this statement.3 We can also look to the work of other scholars such as Shujaa1 (1994) and Marable (1991) who have petitionedP for the creation of Afrocentric and “free- dom” schools, therefore creating a stained glass0 window offering hope for and actual evidenceP of transformation.2 As we look back on Walton’s work, we would be remiss not to take hold of the power of revolution- ary thought. AOftentimes, we have to force ourselves so far out of our conventionalI “boxes” so that we© can see a new perspective of reality. Once we gain those perspectives, we must continue to push to and through a period of transition towards a new level of humanity. Detroit activist Grace Lee Boggs (2011) asks “What will be the next American Revolution?” Boggs states that students “are crying out for another kind of education that gives them opportunities to exercise their creative energies because it values them as whole human beings” (p. 49). For education to be relevant again, we have to recognize the wisdom of our past to establish the future. Walton’s (1969) work is just one example of the curriculum windows that are possible when we bring the knowledge of our past into our current reality. The Power of Revolutionary Thought 15
REFERENCES
Banks, J. A. (2006). Race, culture and education: The selected works of James A. Banks. New York, NY: Routledge. Baszile D. (2008). The oppressor within: A counterstory of race, repression, and teacher reflection. Urban Review, 40(5), 371-385. Boggs, G. L., & Kurashige, S., (2001). The next American revolution: Sustainable activ- ism for the twenty-first century. Los Angeles, CA: University of California Press. Burrell, T. (2010). Brainwashed: Challenging the myth of black inferiority. New York, NY: Smiley Books. Carmichael, S., & Hamilton, C. V. (1967). Black power: The politics of liberation in America. New York, NY: Random House. Cone, J. H. (1999). Risks of faith: The emergence of a Black theology of liberation, 1968- 1998. Boston, MA: Beacon Press. Cruse, H. (1967). The crisis of the Negro intellectual. New York, NY: Morrow. Dantley, M. (2005). African American spirituality and Cornel West’s notions of prophetic pragmatism: Restructuring educational leadership inS American urban schools. Educational Administration Quarterly, 41(4), 651-674. Fordham, S. (1996). Blacked out: Dilemmas of race, identity, andF success at Capi- tal High/Signithia Fordham. Chicago, IL: University of Chicago Press. Kharem, H. (2006). A curriculum of repression: A pedagogyO of racial history in the United States. New York, NY: P. Lang. King, M. L. (1963). Strength to love. New York, NY:O Harper & Row. Marable, M. (1992). The crisis of color and democracy: Essays on race, class, and power. Monroe, ME: Common Courage Press.R 3 Ogbu, J. (2008). Minority status, oppositional culture, and1 schooling. New York, NY: Routledge. P Painter, N. I. (2010).The history of White people. New York0 , NY: W.W. Norton. Raguin, V. C., & Higgins, M. C. (2003).Stained glass: From its origins to the present. New York: H.N. Abrams.P 2 Scott, J. C. (1990).A Domination and the arts of resistance: Hidden transcripts. New Haven, ICT: Yale University Press.© Shujaa, M. J. (1994).Too much schooling, too little education: A paradox of black life in white societies. Trenton, NJ: Africa World Press. Walton, S. (1969). Black Curriculum: Developing a program in Afro-American studies. Oakland, CA: Black Liberation Publishers. Welsing, F. C. (1991). The Isis (Yssis) papers: The keys to the colors. Chicago, IL: Third World Press.
CHAPTER 2
A WINDOW TOWARD EXPANDED EXPERIENCES Exposing Today’s Limited Menu ofS Classroom Offerings andF Asking for More VarietyO S. SANDER ScottR SanderO 3 P You cannot teach1 a man anything; you can only help0 him find it within himself. P 2 —Galileo In the currentIA educational era of top-down mandates and high-stakes stan- dardized tests, I often wonder, how© did things get to this point? When stu- dents and teachers spend disproportionate hours on preparing for a single test, how did picking “the” right answer become such a priority? Shouldn’t schools be expanding possibilities for students instead of limiting options? When the outside world has advanced so quickly in the past century, what has kept the inner functioning of schools largely unchanged? Should a place that students spend so much time not help expand their vision of the outside world instead of closing down connections? With calls for educa- tion reform being ubiquitous over the past 100 years, what is preventing
Curriculum Windows: What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today, pp. 17–33 Copyright © 2013 by Information Age Publishing All rights of reproduction in any form reserved. 17 18 S. SANDER the “change” that so many claim is needed? How can we possibly go from the way things currently are to the way they ought to be? The late 1960s provide an initial starting point for investigating these questions. It was a time that saw a huge thrust toward operationally stated objectives as the way to bring about and measure changes in student achievement in our nation’s classrooms. The 1969 AERA Monograph Series on Curriculum Evaluation, Volume 3, titled Instructional Objectives was produced as a result. The monograph contains the writings of four curriculum scholars who were asked to contribute their thoughts and discuss relevant issues surrounding objectives. While three of the writers lend support for the commonsensical, scientific nature of instructional objectives, one voice is asking for everyone to consider something more. Elliot Eisner uses his contribution to the monograph to describe exactly what instructional objectives can accomplish in schools but unlike the rest, he also addresses their limitations. It is Eisner’s vision to see what others couldn’t that provides the impetus for this chapter as his insightsS provide a clear window for us to view the present in the past. At once, this is a story about me and my experiences Fbut also about a story that is much bigger than just me. While I’m telling a narrative here, the original story was written by Elliot Eisner who Oserves as a flashlight-tot- ing tour guide, ready to illuminate a broader, more expanded view of edu- cation and the world through his ground-breakingO work that began in the late 1960s. His insights and his wisdomR are just as applicable3 for our class- rooms today as they were when first written. In this chapter, it is my goal to use Eisner’s work to shine a lightP on the limitations of1 our current models of schooling, to provide hope that there is potentially0 more to the story, and then open this window forward. So, 2this story is also about you and other educators like Pus who strive to create meaningful experiences for our students and haveA the desire to find purpose in our work in the classroom. Those twoI words, meaning and© purpose , serve as overriding themes for this chapter because my previous work in the classroom had lost meaning and purpose for me. The restrictive, stifling nature of standardized test- ing slowly pulled me into a world where achievement scores were the sole measure of success. The thick gray walls of my classroom became both a physical and a mental barrier keeping me narrowly focused on “helping all students achieve proficiency” and even convincing me this was a wor- thy goal! Over time, I began to feel like I was trapped in some silly game. For now I’ll compare it to putting on a t-shirt backwards. There was a low- level sense of discomfort but something I didn’t fully recognize right away. Teaching “just didn’t feel right.” Those were actually the exact words I used when writing my application to return to Miami University for doctoral study (minus the t-shirt reference). The persistent, nagging frustration that forced me out of the A Window Toward Expanded Experiences 19 classroom only got worse as the professors at Miami began to challenge my thinking about education. My limited perspectives were quickly exposed with comments by Dr. Richard Quantz “we already know what works in education”; Dr. Tom Poetter “there are no new thoughts in education”; and Dr. Lisa Weems “it’s about the process, not the project.” These were passing comments they probably do not remember but made a blip on my radar and just like the C&C Music Factory song, they were just Things That Make You Go.... Hmmm. Their comments added to my original discomfort and now nothing was fitting right! I didn’t know exactly what they meant at the time, but I knew these comments challenged my current way of thinking. So this chapter is also about the process of working through these discomforts that I could not shed and the new insights that have emerged along the way. It was the work of Elliot Eisner that allowed me to see that my t-shirt was on backwards. We will start by returning to the past. In Part 1, we look at schooling in the 1960s and describe the roots of instructional objectives. Then,S in Part 2, we consider a metaphor depicting instructional objectives in order to develop a deeper understanding of their overall impact. FIn Part 3, we rely on the insights of Elliot Eisner to expose the ways that instructional objec- tives serve to limit ways of thinking and knowing. OIn Part 4, we explore the unintentional consequences associated with standardized testing (as an off- shoot of 1960s instructional objectives) forO our students as they leave the educational system and enter the real world. Finally, in Part 5, once every- thing is in the light, we consider theR world from Eisner’s window.3 Since I believe we are all interestedP in making education1 better, I’m hop- ing to keep you engaged and build a rapport that0 lets you see that we share common experiences. So when I get to the heavy part of this chapter, I hope you do not dismissP it or gloss over it.2 By keeping you off-guard the goal is to keepA you tuned-in so that at the end of the chapter, you can look back at the Iintroductory quote by© Galileo and it all comes together. So turn off the cell phone, mute the TV, and allow my words to intermingle with your thoughts and experiences as we begin a trip to uncover the hidden aspects of education that have, in some cases, robbed us of meaningful classroom experiences.
PART 1: BACK TO THE FUTURE
The significant problems of our time cannot be solved by the same. —Albert Einstein
Strangely enough, this tale traces back to 1957 and begins in outer space when the Russians launched the world’s first unmanned spacecraft, 20 S. SANDER
Sputnik I. This was a major blow to the American ego and our national feelings of superiority (Schubert, Schubert, Thomas, & Carroll, 2002). The Russians had taken the lead in the space race; they were first, and we were lagging behind. This signaled the alarm bells that the United States was too weak in basic subjects like math and science. Were the schools to blame for this perceived risk to national security? If our schools were strong, how had the Russians defeated us in the space race? The Sputnik launch triggered an immediate call for improving science and technology curriculum (Pinar, Reynolds, Slattery, & Taubman, 2006). Proposals that had been considered un-funded eccentricities before Sputnik were awarded massive funding by both governmental and private sources that catered to the expediency of political necessity (Schubert et al., 2002). This increase in funding did not occur without the customary strings attached. Politicians expected a return on their investment. Schools would be accountable for the extra money they received. This led to an era of instructional objectives throughout the 1960s where teachersS were required to show increases in student performance (Pinar et al., 2006). A disproportionate focus on measurement and accountabilityF soon fol- lowed. If it couldn’t be quantified and measured it was not appropriate for the curriculum. “It was a remarkable period in theO history of the science education movement, notable for demonstrating how effective an educa- tional scare can be when coupled with nationalO economic and social con- cerns” (Shamos, 1995, p. xiv). For many, this scientific mode3 of measuring change made sense. Few were questioningR if the change being measured was worth achieving. P 1 At the 1966 annual AERA meeting in Chicago,0 it was decided that a committee would beP established to prepare2 a set of technical recommen- dations regarding the specification of objectives (Popham, Eisner, Sulli- van, & Tyler, 1969).A This committee would deliberate on issues regarding educationalI objectives and recommend© the best way to proceed with fur- ther inquiry on the topic. The chair of the committee, W. James Popham of the University of California, Los Angeles and the Southwest Regional Laboratory for Educational Research and Development was joined by Elliott W. Eisner of Stanford University, Howard J. Sullivan of the South- west Regional Laboratory for Educational Research and Development, and Louise L. Tyler of the University of California, Los Angeles. Each member was charged with preparing a paper dealing with a topic of inter- est regarding educational objectives. The papers were discussed among committee members and these transcripts along with a brief epilogue written by each committee member comprise the final volume of the pub- lished monograph. As eloquently stated by Einstein at the beginning of this section, many of the arguments for instructional objectives can be found in school poli- A Window Toward Expanded Experiences 21 cies and practices today. Unfortunately, it seems we’ve been down this path before so we should know where it leads. I’ll summarize some of the key features of each author’s argument so you can decide for yourself. James Popham makes a strong argument for the “obvious” connection between instruction and objectives. For Popham, objectives have to be measurable by observable behavior and the product (tangible artifact) of the learner’s behavior. “The most crucial part of the objective for instruc- tional purposes is the description of the learner’s behavior change” (Popham et al., 1969, p.38). With the ends of instruction clearly defined, it became all about planning and scripting curriculum and pedagogy in detailed and deliberate ways. All that mattered for Popham was the ability to achieve desired ends. Howard Sullivan follows a similar tone with student performance as the only true measure of value. For Sullivan, the major focus was on evalua- tion of outcomes. Has there been a change in behavior as a result of instruction? This can be shown by using precise preset outcomesS provided for relevant planning of instruction and then assessing the effects of instruction. His paper gives the impression of teaching Fas clerical work: boxes to check, ultra scripting of each day, and using testing to document progress. O Louise Tyler also says it is “obvious” that ends must be specified in order to select appropriate means but sheO gives more of a focus on how those ends get identified in the firstR place and whether they’re3 defensible. She also subscribes to the idea that “an objective is a statement of the behavior which the learner isP to manifest” (Popham1 et al., 1969, p.102). Tyler starts by identifying a gap between the learner’s0 behavior and some social norm with objectivesP formed to remedy2 the gap through philosoph- ical and psychological screens. Her paper then strays toward objectives using psychoanalysisA that read more like the teacher’s voice in a Peanuts cartoon. I © Elliot Eisner starts by discussing the concept of educational objectives and how it “makes sense” to use them. He traces the evolution of educational objectives in the educational literature and mentions the research on the usefulness of educational objectives. He starts to sound like all the others in support of scripting and measuring objectives. As he reviews arguments for and against behavioral objectives (and a reader gets ready to pick a side), Eisner makes a shift. He actually concludes that it’s not simply a choice between two techniques. To choose between behavioral versus nonbehavioral oversimplifies the discussion, one that is based on the individual’s philosophic view of education and view of the world. Eisner believes there is much more to education than what can be measured. And this “more” can be approached by teachers and students using “expressive outcomes.” 22 S. SANDER
For Eisner, an expressive outcome is based on experiences. As a part of any journey, in school or out of school, Eisner believed that much could be learned in the margins along the way in those unplanned experiences that happen in addition to the planned experiences (Kridel, Bullough, & Shaker, 1996). Having a plan was important but the freedom to explore new options as they arise was equally important for him. In school this still translates to high standards but without the strict standardization. There is a major difference between exploration of interests and aimless- nessly “winging it.” For Eisner, “being alert to qualities in the world, being able to perceive them deeply, appreciate them broadly, experience them fully, makes life worth living” (Kridel et al., 1996). In a room of sameness, Eisner had the courage to voice a different per- spective toward the dominant thought of instructional objectives. While the word “different” would seem to convey a better vs. worse dualism, that too would oversimplify Eisner’s insights. Different does not mean bad, odd, or strange (go ahead, look it up) but it does mean diverseS or unusual or various and that’s what Eisner wanted for education. While even Eisner accepted the basic structure of instructional objectives, heF had the imagi- nation to look at the world of school reform with greater possibilities and expectations. He wants us all to expect and demandO “more.” Thus, he encourages us to consider the power of theO “expressive” in educational experiences. R 13 Windows—Big and SmallP P 20 A It’s not what you look at that matters, it’s what you see. I © —Henry David Thoreau By providing their views on instructional objectives all four curriculuarists also provide windows through which to view the world. Popham, Sullivan, and Tyler—who in various ways support and favor the strict adherence to instructional objectives—take the view that the world is already fully known. They see no reason for new questions to be asked; there are only answers to be selected and measured. This view appeals to many (even today) for its commonsensical, clean, simple, measurable, scientific, and mechanical nature. Their window into the world is present— yet very small. This view only reveals a small fraction of the world. These same features “make sense” and are appealing for those who think education should be comfortable, safe, and unchaotic; but these terms can also be construed as unchallenging, passive, boring, and even A Window Toward Expanded Experiences 23 mind-numbing. In today’s lingo, Popham, Sullivan, and Tyler want “what works” and the one “best practice” that can be prescribed regardless of teacher, student, subject, or location. This view is simply too simple. Their notions of instructional objectives limit possibilities and eliminate oppor- tunities for questioning, dialogue, and debate within the complex world of schooling. The appeal of Eisner’s insights is that he does not reject what instruc- tional objectives can achieve but instead brings a greater awareness to what they can’t. Eisner accepts the existence of instructional objectives but artfully reveals how they place a ceiling or lid on ways of thinking about the world. While instructional objectives allow you to see a small section of the world, Eisner expands the window to allow a much broader, deeper and richer view of the world. PART 2: A LIMITED MENU FS Think and wonder,O wonder and think. O —Dr. Seuss While the previous paragraphs do Rcommunicate the basic3 ideas of Elliot Eisner, I feel the use of a metaphor will allow for you1 to consider his ideas from a different, deeper perspective.P Contemplate the following: You head out to dinner with a friend at a well-established,0 local restaurant. You enter excited andP hungry to discover 2what this restaurant has to offer. As you pick up the menu, you notice there are 4 choices for entrees. The impetus toI questionA why only 4© choices is quickly extinguished as your friend exclaims “Wow, look at the great choices!” As the waiter approaches your table to record your choice, you quickly review the menu again. Hmmm, should I have Apricots, Broccoli, Carrots, or Dates, you ponder. Feeling uninspired by any of the offerings, you half- heartedly convince yourself you’d like the carrots but without even asking, your friend speaks out, “Give him the broccoli … he’ll like it.” Next, your friend begins some long lecture about the history of salt and pepper shakers. He makes no attempt to engage you in the conversation, which works out fine since it’s a topic you find bland and flavorless. Almost habitually, you turn toward your cellphone to check Facebook updates. While continuing to sit there, still pretending to be listening, pangs of frustration begin to form as do the following thoughts: Why are you wasting my time with this boring trivia? When will I ever need to know this? 24 S. SANDER
Then, surprisingly, you catch a whiff of aromatic goodness that snaps you out of your mindless stupor. You interrupt the rambling of your friend to state, “Hey, that sure doesn’t smell like apricots, broccoli, carrots, or dates.” Yo ur friend quickly dismisses this insight by saying, “Well, it has to be one of them, that’s all that’s on the menu.” Agreeing with the common sense nature of this statement, you shrug and go back to playing Words with Friends. Finally the waiter delivers your food to the table. The broccoli is adequate and besides, you’ve been told your entire life that broccoli is not only good for you, it’s essential to a productive life. So while it does provide the basic nutrients (as deemed necessary by someone else), it’s nothing special and something that you passively consume. The overall dining experience leaves you moderately satisfied yet without any desire, need, or inclination to ever return. As you again use your cellphone, this time to input the same old calories into MyFitnessPal, you leave the restaurant content but totally unaware that the restaurant broccoli was not as beneficial as you thought. Meanwhile, back in the restaurant and unbeknownst to youS while you were there, sits an endless buffet. This buffet does contain all the regular menu items (apricots, broccoli, carrots, and dates), but soF much more. It is filled with infinite possibilities and choices, but youO missed out. You were not offered the option to have the buffet and while you did get a few whiffs of its various savory delights, you Odid not even know it existed. Since the buffet was not on the menu, it never occurred to you to inquire further. The buffet was there the entireR time but was simply3 hidden from view behind a darkened window. P 01 Elliot Eisner and theP Endless Buffet 2 When I quoteIA others I do so in order© to express my own ideas more clearly. —Michel de Montaigne
When writing for the AERA conference, Elliot Eisner made extensive use of metaphors as a way to convey his message about instructional objectives. While the other three authors made common-sense arguments for what instructional objectives could provide, Popham, Sullivan, and Tyler each fail to recognize what instructional objectives remove from the menu. The genius of Eisner’s work is to shed light on these limitations. He doesn’t come off as a contrarian nor does he oppose the use of instructional objectives. He simply builds a case for a broader world-view that includes not only instructional objectives but also the need for expressive outcomes in order for schools to maximize experiences, extend possibilities, and reach their full potential. In Eisner’s own words, A Window Toward Expanded Experiences 25
I would want a school curriculum to provide not only for those things which are of an instructionally objective nature but those things which potentially will yield something of educational value even though the precise dimen- sions of the outcomes cannot be specified to the level of clarity or specificity that instructional objectives ought to have. (Popham et al., 1969, p. 23)
That is, Eisner looks to expand what might be possible for teachers and students if the classroom were more like an endless buffet than a scripted menu with only four choices. When the numbers of available choices are preset, it also places a limit on what can be known.
If you tell a youngster that these are the kinds of things you ought to be get- ting out of this book or these are the questions that you ought to address your- self to when you read this book, you may indeed help him to be more efficient in extracting the things you’ve asked for. But you may also be closing off, by doing that, other possibilities in which he discovers or relates meaningS that he might otherwise have no opportunity to do. (Popham et al.,F 1969, p. 26) The proverbial shades are drawn on ways of thinking about the world. Eisner writes, “If a teacher focuses primarily on theO attainment of clearly specified objectives, she is not likely to focus on other aspects of the edu- cational encounter, for although clearly specifiedO objectives provide win- dows, they also create walls” (PophamR et al., 1969, p. 14). 3 With expressive outcomes, the shift is from homogeneity of thinking to diversity of thinking. The freedomP to explore unique1 situations exists so that meaning becomes individualized and personalized,0 not standard- ized. “The creative contribution is a function2 of what people produce which has not been Ppreconceived but, upon analysis, is judged to be valu- able” (PophamA et al., 1969, p.21). This is a tough pill to swallow for those who only seeI a world in terms of© what can be measured. The process of expressive outcomes is not as neat or linear or systematic but they provide for educational opportunities that instructional objectives cannot. Eisner illuminates the essential need for expressive outcomes in schools:
I would like to see us provide situations in a school where that cutting edge experience can be undergone because in a very important sense you might say that the ultimate criterion of education is an aesthetic criterion rather than a product criterion. It may be that the most important goal of educa- tion is to enable people to think in such a way that the kind of experience they undergo is a feelingful experience, is an aesthetic experiences. If we enable them to have that kind of experience in school, then maybe they would be more likely to derive that experience subsequently. Unfortunately, I think, too often in school the activities that youngsters engage in are nei- ther instrumental for them nor are they consummatory. 26 S. SANDER
Sticking solely with measurable, instructional objectives takes certain other ways of knowing off the table. Sure, using instructional objectives can accomplish certain things, even Eisner readily concedes this fact. But he also shows that this narrow focus closes the window to other possibili- ties that aren’t recognized or seen. If the menu says the restaurant has apricots, broccoli, carrots, and dates, it would not even occur to you to ask for pizza or Chinese food—it’s not on the menu. When certain things aren’t on the menu, you do not even think to consider them. Why would you? With the increased focus on standardized testing, this constraining of choices is occurring in schools all the time. We are forced to passively con- sume what someone else has deemed appropriate; it is merely slopped on our plate. When content learning is packaged in 50-minute boxes of lec- tures and worksheets and delivered on a regular schedule 5 days a week, there is no inclination to search for other options. Why would you? The traditional school structure has largely taken any choice away from students and teachers. But even worse, it has removed the ideaS that other choices are even available or if seen, valued! So while students are con- fined to a narrow list of content topics that feel irrelevantF to their lives, Eisner is screaming out from behind one of those sound-proof room’s one-way mirrors, “Hey, look over here … you’re missingO out on an endless buffet of possibilities! You could have so much more!” Think of it this way: No matter how well-writtenO the menu, no matter what words are used to describe whatR the food tastes like,3 the words (writ- ten/verbal forms of communication) can never convey or capture the experiences of actually savoringP the food. I’m pretty1 sure no words exist for the sensation imparted by that first bite of General0 Tso’s Chicken with its fancy, slightly tangyP sauce and magical2 crispy crunch (that is a shout out to the China Wok in Eaton, Ohio—you gotta try it!). Eisner allows us to see the obviousA conclusion that the words alone cannot do justice to the experience.I In his own words, “I’m© not trying to characterize the men in the white hats and the men in the black hats … I want to provide both kinds of opportunities” (Popham et al., 1969, p. 26). So ultimately, it’s not about me or Eisner trying to paint instructional objectives as bad but it is about recognizing that they serve only as a small slice of the pie and limit our ways of knowing to only one slice of the world. He and I both want more for education, more for our students, and more for you. While I’ll stop shy of labeling the General Tso Chicken from Eaton’s China Wok “life-changing,” I do truly savor it as a special treat, a sinful pleasure and memorable dining experience amid a regular diet of turkey wraps and tuna fish sandwiches. But I wouldn’t trade in the regular food, either. The initial excitement of eating General Tso Chicken for every meal would quickly fade. Part of this is due to the fact that I realize other options exist. Whether it’s other food from the same buffet, a burrito from the shop A Window Toward Expanded Experiences 27 next door, or leftovers from my fridge, my menu is not limited to a single way of thinking about food. So I want to be clear that I’m not critiquing what is offered on the menu itself, only that there are plenty of options not listed. This limiting of choices continues to have a profound effect on our students even well after they leave formal education.
PART 3: A NEW WINDOW APPEARS
To know what you know and to know what you don’t know, that is real wisdom. —Confucius
While the professors at Miami may have challenged my thinking about education, it was the work of Eisner that fed my need to know more. Eis- ner’s insights opened a window to a world of education beyond merelyS what can be measured. He illuminated ideas that were hidden from view by the solid, gray walls of a school structure that serve to confine Fand limit or even suppress ideas. As I continued to read, think, read some more, and finally sit down to write, I actually found myself telling a storyO that was not even on my original map. This part of the story considersO the long-term impact of offering such a limited menu while keeping other options in the dark. While the Sputnik launch in 1957R set the stage for the3 emphasis on instructional objectives, let’s now fast forward 40 years1 to 2001 when No Child Left Behind (NCLB) wasP enacted with promises to reform education for all students. This federal law mandates the0 use of high-stakes tests designed to drive broadP gains in student 2achievement and holds schools more accountable for student progress (Hassard, 2012). For all the stan- dardizing effectsIA sought by instructional objectives in the 1960s, they were not encased in law. NCLB punishes© school governance (mandates due to federal law) and organization (punish low performing districts) and has an insidiously covert and negative effect on the resulting curriculum and ped- agogy formed in its wake. Whatever standardizing effects were brought about by instructional objectives in the 1960s, NCLB is much worse. Even Elliot Eisner would have his hands full with this battle, and he has.
The Testing Games and Indoctrination
Education is what remains after one has forgotten what one has learned in school. —Albert Einstein 28 S. SANDER
In this section, I argue that there is a tremendous amount of learning that takes place in schools. Unfortunately, the lessons learned are not usually filled with critical thinking, problem solving, or even strong science content. Mostly the lessons are about authority and obedience. Due to federal mandates like NCLB, standardized testing has made schooling all about getting high scores, it has become about the test, it has become a game. In the process, students are being indoctrinated, not by controversial content, but by the authoritarian methods of instruction that require obedience and compliance (Callan & Arena, 2009) and a strict adherence to the mastery of lower-level content knowledge divided meaninglessly in discrete bits. These are major obstacles for any true reform in education and barriers that rarely get addressed because they operate at a level just below our conscious awareness. When only a limited number of options are presented, it takes any others off the table and can have serious implications for how our former students enter the “real world.” Let’s consider a ninth grade physical science teacher standingS in front of 30 students talking about atoms and the periodic table. While the explicit content (protons, atomic numbers, etc.) may For may not be received by students, the implicit message of teacher as “knowledge pro- vider” is also being sent. The content being taughtO doesn’t matter here, it’s the authority that comes with possessing the knowledge that I am con- cerned with. When the teacher stands in theO front of the room imparting knowledge to students, the message of who has the power3 is also sent. While science or math content getsR delivered once per day, implicit mes- sages get hammered home allP day, every day! 1 The power of this form of indoctrination comes0 from its unquestioned acceptance where studentsP are trained to be2 close-minded. When students are continually fed from a menu of limited choices, they don’t even consider the existence Aof other choices. Think of traditional cases we’ve all experi- enced. FromI prepackaged lab activities© to static definitions found in the back of the book, to sit-and-get lecture and note classes; what is provided, what’s available to consider. A student’s thinking becomes limited by what is on the menu and it never even occurs to him/her to ask for something else. But then again, why would you? It’s not on the menu! It doesn’t happen all at once, it takes time—let’s say 13 years. Consider the average kindergartner compared to the average high school senior. One is vibrant, active, and questioning while the other has become listless, docile, and obedient. Even John Dewey (1916) said, “No one has ever explained why children are so full of questions outside of the school, and the conspicuous absence of display of curiosity about the subject matter of school lessons” (p. 183). Well, it’s because they’ve been indoctrinated to be accepting of what authority figures say! The teacher, playing the role of authority figure, has the knowledge, and students “learn” compliance, A Window Toward Expanded Experiences 29 obedience to authority, and close-mindedness. U.S. schools are serving up, delivering and forcing students to consume from a very limited menu that results in a faulty conception of what learning and education mean. After students have stepped away from the K-12 table (and well after they’ve forgotten how many neutrons are in a carbon-14 isotope) consider what does remain, namely a well-entrenched disconnect between what schools provide and what is needed in the “real world.” They enter the world with the impression that since they have been through school, they are now educated. As if somehow a label like “proficient” on some stan- dardized test actually represents being educated! But it makes sense, to them at least; they followed the rules, played the game, now it is over. They’ve already tried what was on the menu and see no reason to go back for more. It’s this lack of regard toward education and disconnect from learning that I see as being so dangerous once these passive, indoctrinated students enter the world and continue to live as disengaged citizens.S PART 4: THE ART OF DISTRACTION F Eternal vigilanceO is the price of liberty. O —Wendell Phillips When I walk around the campus ofR Miami University, I often3 take notice of the high frequency of people using their cell phones, either talking, texting, or surfing the Internet.P The same could be1 said for many other public or private settings and the ubiquitous 0presence of this handheld technology. It’s becomeP a major pet peeve2 of mine to see someone caus- ally, habitually check their phone while seemingly engaged in a social sit- uation. They Amay be physically present in the space but they are mentally distracted orI tuned out. It’s as if© many people have lost the ability to stay engaged “in the moment.” Seemingly lost is the ability to appreciate and enjoy the present as everyone appears so preoccupied with being somewhere else. If you’ve never paid attention to it before, take note the next time you are at the grocery store or your local restaurant. I am actually surprised when I don’t see someone staring straight down at their Twitter feed. I’m not saying getting rid of cell phones, blocking e-mail or deleting your Facebook solves anything; the point is just to be aware of the way things are. I argue that this lack of engagement comes at a very high price. As a result of living in a world within schools that indoctrinate students to be close-minded, obedient, and dependent, we now have a nation filled with citizens that have the same mindset, a nation filled with people who passively consume what they are told by “authority” figures, whether it be 30 S. SANDER scientists, bureaucrats, or politicians. As students, a menu was always pro- vided to choose from so now we are left with citizens unable to question, critique, or evaluate information. Even worse, most people are unaware that anything else exists beyond prepackaged, stump speeches or what gets delivered by FOX News or MSNBC. They may have some sense that something “just isn’t right” but have no ability to challenge this system. They’ve never learned to negotiate/ navigate hostile systems. Their whole life they’ve been dependent on others to deliver information to them and then passively wait to be told what it means. There’s no pressure or demand to inquire further, it’s much easier, comfortable, and familiar to let someone else tell me what to do. Unfortunately, everyone is good at this game; just wait long enough and someone always provides “the answer.” There are masses of citizens who share this common educational system, sampled what it had to offer, feel they got what they needed, and moved on. Where does this all lead? To the same place it always has: a perpetuationS of the status quo. When people are disengaged from largerF aspects of soci- ety or rely on other people to get involved, nothing changes. All the com- mon distractions in life keep you in this repeatingO pattern of sameness. The “I just worked all day, I’m tired and just want to watch TV, eat dinner, and go to bed … I have another busy day Otomorrow” mentality may make sense but it doesn’t make things change. How many of you have been happy to just survive the day? It hasR become about let’s just3 get through this and let’s get this over with. People have become distracted1 and thus apathet- ically unaware of these hidden P aspects operating0 all around them. One more metaphor should drive home my point. Take, for example, the familiar drive toP work or school. It2 largely happens automatically without reallyA realizing it, especially when it’s before 7:00 A.M.! It’s largely a mindless,I passive activity that© you repeat every day, until something catches your attention. It is those rumble strips on the side of the road to alert you that you’re off-course. Sure, they existed the entire time but you didn’t become aware of them until you came in contact with them and they snapped you out of that unconscious, head-down-and-go, get-to-the- end haze. I want my words here and Eisner’s work to be the rumble strips that refo- cus you on the task at hand. My intent was to use Eisner’s insights to bring greater awareness to those things that exist just below our primary level of awareness. The problem is that “telling” is not an effective way to teach or for that matter, to learn. The introductory quote of this chapter by Galileo communicates the idea I am trying to express now. Using Eisner’s own words was intentional because what he wrote opened a new window to the world of schooling and I’m confident his writing can do the same for you. A Window Toward Expanded Experiences 31
It was Eisner’s ideas that allowed me to discover an awakening and develop a greater awareness about education and myself. Hi, my name is Scott Sander—and I was a knowledge consumer. As a product of the oppressive structure of schooling, I own many of the pitfalls described in this chapter and while I don’t wear them as a badge of honor, thanks to Eisner and others, I finally recognize the influence they had over me. By shining a light on the stifling, confining world of education, I have felt a renewed sense of purpose and meaning that I thought was lost. This experience ignited the desire to bring everyone on a similar journey so they can experience what Eisner has to offer.
PART 5: THE WORLD THROUGH EISNER’S WINDOW
Eisner’s writings highlight the process involved in education for meaning- ful experiences. His writings are far from prescriptive but far Smore than idealistic rhetoric. His vision and imagination can serve to spark the awakening process and a way to attack the entrenched structureF of indoc- trination in today’s world of standardized testing. Eisner provides hope for recognizing what is and transforming it into whatO ought to be. Since the work of Eisner threatens the stability of its observer, it becomes valuable for curriculum scholars and classroomO teachers. His writings serve as possible traumatic encounters whereR we learn to see what3 we had not noticed and in doing so, self is remade. Through Eisner’s window, the world begins to appear in a newP way. We become subjected1 to the full range of emotions. Yes, there will be conflict, tension,0 and frustration but the struggle and working Pthrough leads to liberation,2 celebration, and pleasure. These emotions (positive and negative) are part of the process and part of the journey towardA meaning, purpose, and enlightenment. This is living and experiencingI all that life has© to offer and stands in stark contrast to the standardized, consistent, monotonous, unchallenging, boring alternative that the world of education has fallen victim to and conveys through tightly scripted and controlled school practices. In reading and researching for this chapter, I often found myself overwhelmed by the huge amount of literature already written on education. If I went to the library to check out a book on Constructivist Te a c h i ng M e t h o d s , there were 50 more with heavy titles surrounding my book on either side. How can we have all these books and still be in the mess we’re in? What can I possibility add to the conversation that is not already in these books? Eisner helped me shift my perspective and see I was asking the wrong questions. I needed to move beyond prescriptive titles of “what works” and examine why these ideas aren’t taking hold? The initial fear and anxiety of being expected to contribute some fancy, new idea has been 32 S. SANDER shifted and reframed as a passion, hunger, and excitement to find out more; I have a desire to bring the entire picture into view for myself and others. It was in the preparation (and struggle) to write this chapter that I real- ized the power and potential of Eisner’s work. I went from reading about expressive outcomes to experiencing them. This epistemological shift opened up a window of viewing the world that was previously closed from sight. I didn’t anticipate finding a path leading to power and indoctrina- tion in schooling; it wasn’t on my original menu. Again, I turn to Eisner to express more succinctly what I am trying to convey.
In the process of writing, in the process of painting, and in the process of researching, ideas emerge which become leading ideas which then direct the course of action. Sometimes these ideas you know are accidental, they are unanticipated. In a much vaguer sense it’s “muddling through,” and it’s an important kind of activity which I think is very characteristic of people at the cutting edge of inquiry. (Popham et al., 1969, p. 28) S Hopefully, some piece of this story caught you just the rightF way or both- ers you enough that you will continue to think about it (longer than our students think about school after the bell rings). OMaybe you will be moti- vated to continue to investigate some of the concepts and ideas that you find interesting. Maybe you weren’t familiarO with my C&C Music Factory reference from the beginning of the chapter, but you were just curious enough to Google it or start upR a conversation about3 it with your coworker. Maybe you disagreeP with my views of schooling1 or you see something different. That is even better! Let 0us have these discussions, conversations, and debates. My intention was never to provide “the” answer but only to sparkP more questions 2and open windows to see things that have beenA ignored. It was Ian intentional decision© to write this chapter in a more conversational tone because we are on this journey together. Besides, if you took the time to read this chapter and made it to this point, you are already deeply invested in education—or you are part of my family (Hi, mom!) Either way, the last thing you want to read is me telling you what to do. The world of education is already filled with stuffy, prescriptive literature that advocates some “best practice” to fix all the ills for every classroom, every teacher and every student. I intentionally decided not to add to that conversation. Instead I tried to model the work of Elliot Eisner while providing food for thought for you, the reader. Using metaphors in an “Eisnerian” fashion was intended to be the breadcrumbs leading you down a path of discovery versus delivering you some recipe on a silver platter. Instead of some magic bullet, I think of this story as educational smelling salts: something that can A Window Toward Expanded Experiences 33 arouse us all mentally in order to get beyond the surface level debates that have kept schools stuck in the status quo. It is important to realize and keep in mind that for all the great philosophers (Dewey) and theorists (Eisner) of education, the basic form and function of schooling has remained largely unchanged for decades. All the curriculum books of the 1960s had little impact when it came to improving schools/education. Instead of writing more of the same, there was a need for me to ask, why did all of this happen? What are we missing? From this lens, there is no need for new ideas; we have everything we need and even know what happens when the ideas are not followed. We are able to “see” our future from reflections/parallels of the past. The ideas of Elliott Eisner still ring true today but our focus needs to be on the barriers that have served to keep them in the dark, to limit their impact, and to prevent their full implementation. By shining the light on the limitations of our current educational structure, the ideas of Elliot Eisner also refocus our attention on the purpose and meaningS we should expect and demand from education and allow us to see through a window filled with hope and possibilities for our future. OF REFERENCESO Callan, E., & Arena, D. (2009). Indoctrination. Oxford Handbook on Philosophy of Education. Oxford, England: OxfordR University Press. 3 Dewey, J. (1916). Democracy and education: an introduction to1 the philosophy of educa- tion. New York, NY: Macmillan. P Hassard, J. (2012). The testing games put our youth0 at risk. Education Week: Living in Dialogue. RetrievedP from http://blogs.edweek.org/teachers/living-in-2 dialogue/2012/04/the_testing_games_put_our_yout.html?cmp=SOC-SHR- FB A Kridel, C. A.,I Bullough, R. V., & Shaker,© P. (1996). Teachers and mentors?: Profiles of distinguished twentieth-century professors of education. New York, NY: Garland. Pinar, W. F., Reynolds, W. M., Slattery, P., & Taubman, P. M. (2006). Understanding curriculum: An introduction to the study of historical and contemporary curriculum discourses. Switzerland: Peter Lang. Popham, W. J., Eisner, E. W., Sullivan, H. J., & Tyler, L. L. (1969). Instructional objectives AERA mongraph series on curriculum evaluation. Chicago, IL: Rand McNally. Schubert, W. H., Schubert, A. L. L., Thomas, T. P., & Carroll, W. (Eds.). (2002). Curriculum books (2nd ed.). Switzerland: Peter Lang. Shamos, M. (1995). The myth of scientific literacy. New Brunswick, NJ: Rutgers Uni- versity Press.
CHAPTER 3
SCHOOLS IN PROCESS Creating “New” Priorities S L. ANN FISH Leigh Ann Fish OF A person’s life is an ever-changing blend Oof peak experiences of the past, demanding circumstances of the moment, and hopes and expectations3 of the future. To the degrees that the personR can make sense out of his swirl of contacts, memories, and aspirations,P to the same degree1 will he live a meaningful and satisfying life. Fortunate indeed is0 the person who has learned to resolve conflict withP a reasonable degree2 of competence and to establish priorities so that he can place the impact of the moments into perspective. IA—Louise Berman© from New Priorities in the Curriculum
If I didn’t know better, I would have thought all of these curriculum texts from the 1960s could have been written last week. On one hand, taken together, they present a sad commentary on the field’s lack of forward momentum on many issues relative to teaching and learning; on the other, they provide hope for renewed consideration of the ideas and theo- ries contained within their pages as we attempt to make better use of them a second time around.
Curriculum Windows: What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today, pp. 35–52 Copyright © 2013 by Information Age Publishing All rights of reproduction in any form reserved. 35 36 L. ANN FISH
The work of Louise M. Berman, in particular, has significant implica- tions for those of us working with curriculum today. I will admit I greedily snatched her book, New Priorities in the Curriculum, when given the chance. I had barely heard of Berman, I am embarrassed to say, and only grabbed it because of my own interest in process-oriented curriculum. I can’t say that in my coursework in my doctoral program anyone has ever given me a selec- tion of hers to read or suggested I study her further. My unfamiliarity with her work became all the more reason to want to study it, along with my per- sonal interest in what other women in the curriculum field have had to say. As I began reading New Priorities, I was struck by how many of the ideas could have been speaking to our current education system and the curric- ulum challenges it frequently presents. Berman (1968) was aware of the “unwieldy set of challenges” faced by curriculum workers of her day given the “newness, imprecision, and complexity” of the field (p.v). She believed dilemmas arise out of conflict between personal ideologies and constant shifts in curriculum priorities, which can only be resolvedS with a combination of “mental agility and physical stamina” that most people do not normally possess. Key to understanding Berman’s newF priorities for curriculum rests in these two ideas: (1) that our system of educating youth, and living life in general, is fraught withO complexities; and (2) resolving challenges to have a satisfying and meaningful life, both within and outside of schools, requires competencyO in making sense of one’s experiences. Both concepts are justR as relevant today. 3 Situating herself as the “chronic hopeful,” who believes learning should make a difference in the lives ofP youth, Berman suggests1 the constant search for priorities be based in two major ideas about curriculum:0 (1) it is ongoing rather than static, and (2) its substance must2 be related to human processes which students experienceP and study in a systematic manner. Berman (1968)A states that the book’s purpose is to broadly sketch what componentsI of the curriculum© could be if the goal of schooling is to develop a process-oriented person, one who is able to adapt to a variety of situations, always “analyzing, elaborating, and evaluating” in solving prob- lems, one who is interested in the “possible rather than probable” (p. 9). She acknowledges the need to address some contradictory ideas in moving toward a curriculum construct, including: inviting both seriousness of thought and playfulness with ideas; being persuasive and clear about ideas while also inviting their testing; including both tried ideas and fresh ones; and being open to include concepts from many disciplines while being bounded so that priorities are created. She intentionally paints her sugges- tions in what she calls “broad strokes,” leaving the detail to be filled in as persons or situations require, making it just as applicable today. The priorities of what and how schools should teach are based on fun- damental assumptions about human beings, what Berman (1968) refers to Schools in Process 37 as an “adequate view of man,” a broad concept including a range of behaviors. Curriculum should provide opportunities to develop compe- tencies based on this view and must prioritize and emphasize them to have meaning and avoid becoming irrelevant. The notion of persons in process is predicated on the idea of man as ongoing system of energy, continually bringing new insights in line with her self and world views. The goal of education includes the individual as a person both in process and of process, helping man to harness his energies for the betterment of self and society. Berman makes clear the assumption that individuals are responsible not only for their own mental and physical well-being, but that they also have an obligation to nurture the human community in which persons have concern for one another. She identifies four basic assumptions that lead to process orientation, which she categorizes as spatial transcendence, intentional temporality, integrity of selfhood, and thinking-feeling cohesion. S Spatial Transcendence F Spatial transcendence involves preparation forO unknown circumstances and situations. A person who has practiced this principle can relate to and work with others she meets and can seeO possibilities inherent within a space. In the 1960s, this was exemplified in the space3 race. Berman (1968) predicted the necessity of thisR skill in the near future, as “in addi- tion to learning to live on thisP planet, many persons1 will be learning to adapt to life outside of earth” (p. 3). 0 Although we are Pnot, as Berman (1968)2 and many in that prodigious decade imagined, living elsewhere within the solar system, we are build- ing “new worlds”A here on earth. In recent decades, we have seen a trend toward globalizationI in business,© government, and in technology, in effect creating a world that is changing at a pace never before seen with signifi- cant political, social, and cultural implications. In preparing children today for futures beyond prediction, schools must provide opportunities for valuing the similarities and differences in others and for taking initia- tive toward improvement of surroundings in order for them to view them- selves as contributors to dynamic settings.
Intentional Temporality
Berman (1968) stresses the need to be aware of the meaning and sig- nificance of time, both in an internalized or psychological sense and in an external sense. In learning about the ordering and classification of events 38 L. ANN FISH and the measurement of time, Berman emphasizes application of “ethical purpose” to those understandings. In so doing, the individual becomes aware of using time in a planned or intentional manner and is satisfied with how that time was used. This “intentional temporality” is significant if “the moment of now is to count and successive moments of now are to add up to something of worth to the individual” (p. 4). Berman suggests allowing children to be involved in how their own time is to be used, with balance between activity and meditation. Another key understanding is the destructibility of time: it cannot be recreated. Attention must be given to “the realities of birth, life, and death” as justification for the purposeful use of time—a timeless recommendation with merits today. As we become more aware of the impact of life and death on a planetary scale, it is more important now than ever that we give thought to how we use our time in ways that promote or destroy ecological well being. Recent trends toward “going green” and practices that promote sustainability are rooted in awareness of intentional temporality, and hold promiseS for slow- ing the rate of destruction of the world’s diverse ecosystems and human impact on climate change. But beyond the sustainability Fof resources and thinking ecologically about issues of environment alone, our youth must recognize the far-reaching consequences of theirO short-term actions and intentionally plan for improving quality of life for themselves now and for future generations. The impetus for schoolsO today is to heed Berman’s call to engage students in work that has Rpersonal and societal m3eaning, so that productivity and problem solving replace the disinterest and disassociation that often accompanies inadequateP reflection on the1 use of time. 20 Integrity of ASelfhoodP The relatedI concept of integrity© of selfhood is a necessary component to transcending space and making intentional use of time. Berman (1968) was clearly influenced by the existentialism of the 1950s and1960s, in which meaning follows the acceptance of morality, when she describes the self that faces situations with “honesty and inward rightness” (p. 3). The development of individual selfhood is a process of “living comfortably within [one’] own skin” and requires grappling with conflict, as individual- ity is often lost when trying to “fit into the skin of another” (p. 6). Berman stresses the need to gather courage and resources in developing in ways unique to one’s self, and warns that without adequate freedom, one may fall into conformity or rebellion. Instead, constraints and boundaries, which are required within a society based on man’s interdependence, should foster creativity and integrity. In particular, schools should strive to be spaces that nurture and maintain integrity of individuals to the benefit Schools in Process 39 of all. In a society that greatly values the importance of the individual, only groups that recognize and rely on each individual’s unique potential are truly functioning as a group. The need to emphasize development of individual selfhood is no less of an imperative today. Although as a society we claim to value the indi- vidual, our schools are often bewildering paradoxes of inconsistent prac- tice. We have little explicit emphasis within the curriculum on fostering creativity or integrity, and implicitly only as individual educators believe in its value. For example, we want our children to learn how to collaborate with others, yet we encourage competition. We want our children to be well rounded, but we ignore areas of their development that lie outside of athletics and academics. Thinking-Feeling Cohesion S Thinking and feeling happen simultaneously, although we may not be aware of both processes and only one may be outwardly Fvisible at a given time. Berman (1968) describes thinking as what occurs when trying to fill gaps in knowledge and includes analyzing, generalizing,O imagining, redefining, predicting, judging, and developing fluency. It is critical to be aware of different modes of thinking so oneO can intentionally select and apply them to the situation at hand.R Feelings are an unintentional3 response to a situation, a definition Berman crafts from borrowed ideas. The mutually beneficial relationshipP between thinking and1 feeling occurs when feeling is the catalyst for the application of further0 modes of thinking, an important step in transforming thoughts2 into actions and products. Similarly, emotion orP passion that is uninformed by thought can lead to ignorance andA thoughtless action. FeelingsI have never had the same© gravitas as thinking, in the 1960s or in any other decade. Although schools teach children to think, they tend not to teach feeling. In fact, schools ought to be teaching thinking and feeling together. In so doing, better thinking would result and groups that have traditionally been denied the right to express emotion due to cultural expectations and gender would benefit.
Humans in Process
Ultimately, Berman’s (1968) curriculum priorities are based on a view of humans as process-oriented beings, a view that embodies certain per- sonality elements such as dynamism, motion, and responsibility that enable one to live in and contribute to the world. Berman assumes that it 40 L. ANN FISH is “good” to have some degree of process orientation and that all people can have it, especially if cultivated. Schools tend to focus on what has happened and what students have learned rather than reflection on applying learning to future contexts or to a present problem. Berman (1968) very correctly identified the need for schools to be oriented toward the future as the world continues to be an ever-changing place no matter the decade. Berman identifies eight particular skills that should be given priority in school programs. Called process skills due to their ongoing and developmental nature, they are relevant and applicable to a wide range of situations and settings. They are: perceiving, communicating, loving, decision making, knowing, patterning, creating, valuing. In each chapter, Berman (1968) outlines a basic definition, compo- nents, practical suggestions, and hypotheses for further testing for each process skill. Knowing it would be an impossible task, even for this “chronic hopeful” to take on the entirety of New Priorities in oneS chapter of this book, I decided to select one chapter for further focus, a slice of the past that is transferable to the present and which mightF inform the future. Berman’s chapter, “Creating: Reaching for the Unprecedented” immediately resonated with me for several reasons.O Creating is an impor- tant theme in my life. I have always identified with the act of creating and the label of “being creative.” As a classroomO teacher working with students identified as gifted and talented, muchR of my practice involves3 guiding children through the creative process. As a scholar of curriculum theory, I have interest in the value of Pbecoming a creative being,1 not only for the individual, but also for a democratic society, of 0which schools are a crucial part. Finally, the topicP of creativity is very2 current, almost trendy, and I feel a mixture of both disappointment with how little has been advanced since the 1960sA and hope that we are on the verge of a turning point in its illuminationI for the future. ©
CREATING: REACHING FOR THE STILL UNPRECEDENTED
In many ways I was both excited by the content of this chapter and also unprepared for the reactions it caused. Soon my own thoughts began to fill the pages, as paragraphs started to take on more of my underlining and asterisks, each margin filling with my kudos, comments, and ques- tions. I was in “the flow”—“the state in which people are so intensely involved in an activity that nothing else seems to matter, the experience itself is so enjoyable that people will do it even at a great cost, for the sheer sake of doing it” (Csikszentmihalyi, 1990). Of course, there were occasional moments of being jarred back into the reality that this was Schools in Process 41 meant for a different era, the mention of drug use and occasional refer- ences to traditional female gender roles. But even those dated contexts could shed light on current issues with a little creativity. In fact, the description of artificial means of altering one’s view through LSD reminded me of Sir Ken Robinson’s argument in a recent TED Talk that we are currently anesthetizing our children through medication to calm symptoms of ADHD, to their detriment, when we should be waking their minds through aesthetic experience (Robinson, 2010). Berman (1968) sets the tone for her chapter on creating with a descrip- tion of, what is for her, the present landscape of the human spirit: an “uneasy truce between a bland, wearisome life” and the spirit’s “need for refreshment of innovation.” Against the backdrop of “lassitude” and “ennui” that frame so many interactions between persons and ideas, few have been able to transcend beyond only occasional glimpses of the worth and satisfaction found in the act of creating. Man’s “true humanness,” Berman believes, is witnessed in the process of creating. SuchS an impor- tant personal revelation, one that has impact not only for the individual but also for the outside world, cannot be left to chance.F Berman offers hope that this can be the heritage of all, not just the domain of the few. Berman (1968) mentions the concept of a self-renewingO society. There is a continuous process of dying and rebirth occurring daily, which is not necessarily unique to American society. ThisO self-renewal process occurs as the individual creates. Individual self-renewalR is essential 3to a democracy, in which success for all depends on individuals reaching full potential. Citizens must learn, individuallyP and collectively, to “refine,1 change, mod- ify” ideas in interest of discovery and development.0 As I read Berman’sP (1968) account for the2 need to better understand and prioritize the act of creating, I began to wonder why if it is something so near and dear to me,A why others might not see its value. It seems obvious that the developmentI and growth of the individual© is beneficial for society. I believe most people, regardless of discipline, would agree. Berman believes we must, as a society, question whether we are backing up in practice this understanding that who a person is and what they create matters. For persons to become “creative beings” there must be more study and attention given to the topic. Berman (1968) speaks of some increased interest in the phenomenon during the 1950s and 1960s, but little growth or change in attempts to understand or implement practical suggestions for schools. In fact, the late 1950s and early 1960s brought a shift in social thought away from the desirability of the mature person to emphasis on the dynamic, growing, ever-changing self. There was great concern, in some circles, that pressures to conform were not encouraging individual- ism and creativity. But this seems to have had little lasting consequence for the school setting. 42 L. ANN FISH
In large part that remains true today. Although we have recently begun to see renewed interest in the topic of creativity, action has come mainly out of areas outside of education, such as business and manufacturing. The value of creating is still mostly viewed as a means to an end: preparing individuals to be creative to add value to the workplace, as if creativity can be viewed as an investment and creative persons, a commodity. Far less popular is the idea of creativity and development of the self for its own sake, as a part of person in process. Today as in the 1960s, those who have the potential to be highly creative often fall into habits unproductive to their own development, slipping into “adaptive and adjustive” ways. Berman notes that these behaviors are easier to manage than those that come with innovation and creativity. I have to wonder for whom? We haven’t taught persons, especially youth, to cope with the “realities of the creative process,” nor have we taught society to cope with the realities of creativeS persons. Total Process, Total Person F What is it some people have that allows them to constantly renew them- selves to create, to be creative? In the 1950s and 1960s,O John Gardner wrote about the contribution of individual innovators in renewing societies, work from which Berman draws heavily in her ideasO about creating. In Gardner’s book, Self Renewal: The Individual And The Innovative Society 3(1964), Gardner discusses the importance of optimism,R persistence, risk taking, experimen- tation, courage, resiliency, andP love in the process of 1self-renewal. Gardner believed the exploration of our range of potentials0 must be pursued sys- tematically, with their development resulting from a dialogue between indi- viduals and their environment.P He identified2 several attitudes present in such persons Aincluding willingness to takes risks, capability of giving and receiving love,I and commitment© to health of the body and mind. Similarly, Berman (1968) speaks of creativity as a total process involving the total person. Going beyond merely having original thoughts or fluency of ideas, Berman’s definition of the creative process in toto involves the interrelated skills of cognition, emotion, and moral reasoning, along with the involvement of the physical body. As she notes, “all are brought to bear upon a creative act” (p. 139).
Intellect
Berman (1968) suggests that creativity requires different intellectual skills at different points throughout the process. These include skills that “precipitate wondering, being sensitive to problems, being able to build Schools in Process 43 upon the idea of another, being able to express many ideas relevant to a topic in rapid succession, and being original” (p. 140). These are in line with what I have encountered in programs for the gifted and talented, which focus heavily on fluency, elaboration, novelty, and flexibility of thought. But Berman makes the distinction that fluency ought to occur in “rapid succession,” a distinction with which I disagree. Our current education system commits what I feel are two disservices to the development of creativity in our young people: (1) schools tend to privilege academic knowledge above all other forms of intelligence, resulting in what Robinson has termed, the “academic illusion” (Robinson, 2011); and (2) so-called measures of intelligence are limited in scope to logico-deductive reasoning and propositional knowledge. A person who can fire off ideas rapidly would likely do well in light of these considerations. But if the cultivation of intellectual skills—and through that process creativity—is to be the domain of all, then we must break free of past paradigms that associate intelligence with rapidity of thoughtS at a minimum. In my opinion, quality of creative thought trumps quantity, and may take a longer time to cultivate and express. OF Emotions O One of Berman’s (1968) most signifRicant observations,3 and one that is still overlooked in schools, is the inseparable link between emotion and thought. Creating requires bothP intense involvement1 and internal dedica- tion, often leading to varied emotions ranging 0from “frustration, dissatis- faction, unhappiness”P to “positive feelings2 and joy” (p. 141). As such, those in the act of creating must be aware of the emotions that accompany and necessitateA creativity and must be prepared for this range of feelings. In my experienceI with students,© positive coping skills must be explicitly modeled and taught such as: knowing what triggers creative flow for the individual and what patterns in thinking constitute barriers to the pro- cess, guiding the student in how to pattern and select new ideas, how to refine them, and how to evaluate their merits. When emotions result from being in flow, coping skills are needed to deal with the emotion saturation brings. They can keep focused on the creative process rather than abandon it. Saturation or even obsession with an idea leads to constant thinking about it, getting caught somewhere between the conscious and subconscious mind. Although this may appear serendipitous, it actually is not. Berman (1968) believes “serendipities do not usually come about in a vacuum. More frequently, they are delayed reactions to previous immersion in a subject or problem” (p. 141). I disagree slightly since serendipities occur as a result of luck or chance, whereas solving problems 44 L. ANN FISH through immersion or saturation requires a spark to unite two unrelated ideas. This is crucial because this speaks to need for providing opportunity for immersion and for creating time and space for catalysts to emerge. I found it surprising that Berman would critique the discovery method, because it is still viewed favorably today by those believing they are pursu- ing a quasi-constructivist teaching model. But her criticism is more a dis- tinction between what we would call open or authentic inquiry and guided inquiry using teacher-selected content or questions. In this distinction, Berman validates what I have frequently witnessed, highly creative chil- dren become bored with discovery if the process used is not relevant to stu- dent interests. In his book Drive, Daniel Pink (2009) examines three elements of motivation: autonomy, mastery, and purpose. Autonomy refers to the desire to direct our own lives; mastery, the urge to become better at something that matters to us; and purpose, the urge to do what it is we do in the service of something or someone larger than ourselves. Discovery for discovery’s sake is not encouraging of creativity because it doesS not pro- vide children with opportunity to pursue their own interests and self-select areas for further exploration. When on rare occasion we Fhear of children who undertake extraordinarily creative pursuits, such as the boy who, at age 14, became the youngest to achieve nuclear Ofusion, such discoveries are treated as exceptions rather than the rule. The fact that they are not considered ordinary is indicative of a largerO problem: these should not be one-off cases, pursued largely outside of schools by those fortunate3 enough to have adequate resources and support,R nor should they be the domain of those in special schools for theP top one or two percent1 of high achieving students, but should reflect common opportunity0 for all of our children and hold a place of Ppriority within all of our2 schools. Morality IA © Because our lives are so fragmented, we often do not give priority to the intense emotional involvement required of creating. Berman (1968) says, “each person must come to a full awareness of where his potential contributions might be and use his time, talents, and energies accord- ingly” (p. 143). The question becomes: is spreading ourselves too thin immoral? If one’s levels of contributions are constantly kept at an inconse- quential level, there can be no value for self or society, which is immoral. Wise is the person who prioritizes time as to filter and act upon “better than good” ideas and activities to satisfy his own needs and make a contri- bution to others. Because time and resource allocation is a very personal decision, the merits of doing so must be taught. At a 2005 commencement address at Stanford University, Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, reflected on Schools in Process 45 how facing the likelihood of his own death after being diagnosed with pancreatic cancer helped to focus him on what really mattered, creating: “I didn’t see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life” (Standford Report, 2005). Jobs’ words remind me of my own flight from my previous career in corporate multimedia develop- ment to pursue my true passion in the field of education. Such moral decisions about how to use one’s time and talents to benefit others and awaken within oneself fruitful periods of creativity should not necessarily require major life events. Instead, as Berman suggests, provisions must be made in schools to allow children to see from an early age that they will need to prioritize how time and energy should be spent.
Physical S Berman (1968) describes the often-overlooked physicalF component of creativity: O If one has been truly creative, something of the individual departs. Not only do the intellectual and emotional processesO become involved in the act of creation; the bodily processes also quicken. Tension often ensues. The cul- mination of the creative product usuallyR involves a relaxation3 of the physical processes which have steppedP up during creation. (p. 143)1 Anyone who has experienced being in the creative0 “flow” can relate to the feelings of excitementP and euphoria that2 often accompany the singu- lar focus on creating. In creating, a great deal of physical or mental energy is exerted.A To avoid a certain level of physical stress and deteriora- tion of theI body, Berman (1968)© recommends balancing intense output with more relaxed modes of input. We do not often hear of classrooms in which meditation, rest, and rejuvenation are valued and given priority of time and space. But these are exactly the types of activities that need to occur if creativity is to be nurtured in schools.
School Practices: Berman’s Recommendations for Cultivating Creativity in Schools Berman (1968) believed specific school practices should be encouraged with conditions present to allow children to acquire behaviors necessary for fresh ideas and increased productivity, and that these tendencies would likely not come into being without explicit focus. To that end, schools must, she believed, provide experiences that “enhance some of 46 L. ANN FISH the singular behaviors which provide for creative production” and “encourage the totality of the creative process through experiences which may develop a variety of behaviors that are central to creativity” (p. 144).
Creating and Perceiving
Berman (1968) specified several concepts central to the creative pro- cess, but I believe she envisioned these as what schools ought to do as a minimum, leaving room for further flexibility of design. “Mode of per- ceiving” is a basic skill of learning to see in open-ended ways as fully as possible. Berman provides an example of visualization exercises in which students attempt to mentally note differences in their surroundings that have gone previously unnoticed. I think her idea could be expanded to the discussion of the importance of the arts in schools, the elimination of which she most likely did not imagine then. From the child’s perspective,S it is critical that the child have the opportunity to participate in the arts, to gain valuable practice in perception. Visual arts allowF children to per- ceive what they are looking at, the parts and interrelatedness of those parts. In music, a similar patterning of perceptionsO occurs with learning to read music, hearing and replicating notes, involving the auditory senses. In physical education classes, studentsO learn to perceive their world through a bodily kinesthetic Runderstanding. All of 3these are crucial to a developing individual’s wholeness and to developing skills of percep- tion as related to the totality Pof creative growth. 1 Within our academic core subjects, we have0 to seriously question whether we are valuingP and teaching skills2 related to perception. With the advent of common standards, we are privileging some forms of knowl- edge and perceptionA over others. That is not to say that commonly agreed upon standardsI might not be in ©the best interests of our children and soci- ety, as they may ultimately ensure greater consistency in what is taught from state to state and school to school, but perhaps those standards should be inclusive of more process-oriented skills and dispositions. Gifted education, thankfully, remains largely based in the affective and intellectual domains, emphasizing development of healthy habits of mind within the individual for the betterment of the larger world. Instead of having hundreds of content standards from which to choose, as a teacher of “gifted students,” I have skills, concepts, and processes I want my stu- dents to explore, free from the rigid structure and outcome-based lessons that often plague my regular education colleagues. As a teacher, I feel lib- erated in the reality that my classroom is a dynamic environment in which the best lessons arise from “teachable moments” and discovery based on student interest—those unexpected opportunities for learning that Schools in Process 47 emerge in the course of classroom life. In gifted programming, we often cultivate the creative or novel ways of approaching a task or activity, which makes defining specific responses or behaviors in advance nearly impossi- ble. My students make tremendous gains in development of their selves as individuals, but this commitment to the creative certainly should not be exclusive to gifted education.
Creating and Error
Berman also discusses the psychological support needed to foster the growth of the creative individual. As such, teachers must become sponsors to creative students in giving direction and guidance when appropriate and providing opportunity for like-minded persons to work together in supportive ways. The psychologically supportive teacher also creates an environment in which students are given freedom to make and Slearn from mistakes. Berman speaks of the importance of fear not stymieing the development of a good idea or not allowing those new ideasF to surface in the first place. In my work with high ability children, I see all too often those who come to classroom afraid to take intellectual Orisks or give an opinion that may, at best, displease the teacher, and at worst, challenge the status quo. When I have children in my care who exhibitO these attitudes at the age of six or seven, I fear we may have already severely impacted3 their creative development. Those early experiencesR are difficult to “untrain,” but that untraining is often what is necessaryP for fresh ideas0 to1 begin to emerge. Creating andA InternalP Locus of Evaluation2 One of IBerman’s (1968) most© poignant observations that still rings true today, is “teachers are accustomed to evaluating the work of others. Yet, if creativity is prized, increased attention must be given to helping individuals develop their own loci of evaluation” (p. 147). In our success- oriented culture, there is often a reluctance to try new ideas or open one’s self up to potential criticism from others. When persons are in process of creating, they are constantly evaluating the cost-benefit analysis of is this worth it? Should I start over or stop pursuing it altogether? In effect, a person who realizes his or her creative potential must possess two different sets of skills: one that combats the internal voice of doubt and one that can endure external criticism. In schools, greater attention should be given to promoting internal standards and growing the individual’s repertoire of coping strategies. Emphasis on extrinsic motivation and praise does little to foster internal 48 L. ANN FISH judgment and creates a reliance on the teacher or adult as an evaluator or judge of individual action. Csikszentmihalyi (1990) believes
some individuals have developed such strong internal standards that they no longer need the opinion of others to judge whether they have performed a task well or not. The ability to give objective feedback to oneself is in fact the mark of the expert. (p. 181)
A critical question for all educators who heed the call to foster creativity in their students is how do we get children to trust their internal voice, to value their emotional interiors not just within a particular curriculum but also within and beyond it? I am fond of saying often to my own students, “you are the judge of good enough, not I.” It is a saying that I hope both inspires and empowers them in their pursuit of creative endeavors. SCHOOLS OF THE FUTURE: BERMAN’S PREDICTIONSF FORS NOW John Gardner (1964), whose work Berman (1968) cited in her justification of the need for prioritizing creating, said of educatingO for renewal, We are beginning to understand how to educateO for renewal but we must deepen that understanding. If we indoctrinate the young people in an elab- orate set of fixed beliefs, we are ensuringR his early obsolescence.3 The alter- native is to skills, attitudes, habits of mind and the kinds of knowledge and understanding that will be Pthe instruments of continuous1 change and growth on the part of the young person. Then we0 will have fashioned a sys- tem that providesA forP its own continuous renewal.2 (p. 21) New MediaI and Technology© Berman (1968) made many hopeful predictions for creating schools of the future. Recognizing the growing complexity of the changing world and the unprecedented rate of growth of emerging technologies, she envisioned educational settings much different from the classrooms of the 1960s. Most striking is her prediction that, “with new media available to today’s and tomorrow’s schools, education has the opportunity to provide a setting in which children and youth can develop and test their own ideas” (p. 150). As I read this, I wondered what she might have thought these new technologies might look like? Surely she could not have imag- ined the advent of the Internet and the Web 2.0 influence on instruction in classrooms today. And Berman was not alone. Stanford University said of television, Schools in Process 49
Ten years from now, [it] will carry some part of the teaching of the great majority of school children in this nation, and is also expected that the tele- vision will make available at home to students of whatever age, a large part of the college curriculum. (Engineering Technology Education, 1985, p. 22)
The foresight in these predictions was and remains extremely power- ful. In the 1960s, especially in cities and college towns, the act of creating was exploding through new advances in photography and the graphic arts; the sharing of ideas was expanding through free press movements and new communications technologies, such as television and satellite. The real-time broadcasting of events and widespread reach of advertising contributed to the revolutionary climate of the civil rights activism that characterized the decade. As new media began playing a larger role in children’s lives, the need for consideration of its role in helping society reach its creative potential grew more pressing. Today children and youth have an unprecedented ability toS use tech- nology to create. In my decade of working as an educator, I have seen an evolution from personal computers to Internet-based, wireless,F and now cloud computing. I have watched, rather enthusiastically, as document cameras replaced overhead projectors and streamingO media replaced dusty old VHS tapes and DVDs. I have activelyO participated in interactive whiteboards replacing chalkboards. As I write this, I am beginning to see iPads and book readers replace notebRook paper and textbooks.3 In all of these instances, I have watched schools struggle to keep1 up, both with the financial costs and in terms ofP training, support, and implementation. As fast as new technologies are growing, so0 too is the “digital divide” between those who haveP access to them and2 those who do not. And far more odious than the issue of physical accessibility is the resulting inequity of edu- cation the ItechnologyA gap is creating© among our youth. This points to a greater need for our schools to not only make these technologies physically accessible and equally distributed to all students, but also to make good decisions about how technology is used. Technology is frequently being used to deliver traditional content in new ways. Instead of emphasizing the use of technology to provide skills needed for employment after graduation or as a means of improving academic achievement, technology should be used in ways that foster creating new ways of thinking, regardless of specific forms of technological trends or innovations. If as Berman suggests, schools are to be places where children can develop and test ideas, then teacher training should shift toward teaching innovatively, developing the pro- cesses of creativity in students and teachers. Otherwise, as Gardner (1964) points out, we will be educating children for obsolescence, as today’s inno- vations become yesterday’s news. 50 L. ANN FISH
Language and Experiences
Berman also predicted qualitative differences in both the language used in classrooms and in the experiences planned for classrooms. She wrote of a language of support and concern in which teachers would foster problem solving and stimulate creative thinking. As I read, I began to wonder what this language might sound like. Do I currently use it? Do others? Is it the language of critical and creative thinking that is often exclusively the domain of gifted classrooms and programs? Or is it in the language of our standards and assessments that often focus on higher order thinking but require demonstrating those processes in fixed, rigidly defined products? It my opinion, the language we now have is one of ends rather than means, of product rather than process. We have taken Bloom’s taxonomy and placed the top three levels, analysis, synthesis, and evaluation (Bloom, 1956) on a pedestal, inserting verbs like “compare and contrast” or “syn- thesize” into our lesson plans without equal consideration to theS affective (Krathwohl, Bloom, & Masia, 1973) or psychomotor (Simpson, 1972). The nonverbal, symbolic, sensory, and emotional languages areF missing from our schools. And how are the experiences Berman (1968) spokeO of fairing? Are our students being given the freedom to develop and investigate their own problems, to make and learn from mistakes,O to practice multiple forms of perception, and to development internRal loci of evaluation?3 I worry that these practices are as elusive now as ever and are found only in isolated classrooms around the country,P as situations and 1individual educators allow. They are not reflected in the dominant0 narrative of our schools today any more thanP they were in Berman’s2 day. If the “goal of school is to help children live creatively,” then these experiences are desperately needed, and Anot just in isolated spaces such as classrooms for the gifted and talented.I Instead, they should© be the domain of all.
FINAL THOUGHTS
Schools are no more spaces for the creation of individuals than they were 50 years ago. Worse yet, our recent push toward a high stakes testing culture is creating individuals who are norm-referenced and where failure is seen as an end or final judgment rather than an integral part of the learning process. And when we do speak of creativity it schools, it is alarmingly focused on its relevance to business and industry. All too often, it is used to describe a set of dispositions, skills, or ways of thinking that will enable young people to get jobs and innovate for the aims of business and economy. There is a lack of thought about its usefulness in developing the Schools in Process 51 whole individual for the betterment of society, as Berman believed was essential 50 years ago. This did not occur overnight, but has been a gradual process of co-opt- ing creativity. In an example from the 1980s, a book entitled How Creative Are You? makes the following prediction:
We are now confronting an accelerating rate of change in new technologies, socio-economic trends, and new attitudes and values. The “enervating eighties” promise to bring us, among other problems and challenges: (1) economic uncertainty, (2) rising costs, (3) scarcity of resources, (4) sharper competition, (5) a greater influence of international events in domestic affairs, (6) quicker paced demographic changes, (7) rising consumer discon- tent, (8) greater emphasis on the quality of work life, (9) the specter of more government regulation, and (10) growing employee discontent with the cor- porate world of work. (Raudsepp, 1981, p. 98) Viewing creativity as response to economic woes and workplaceS dissat- isfaction is an incomplete and underdeveloped concept. In so doing, the larger issue of the development of the individual and Fthe impact that development has on the betterment of society for all is missing. We must move our collective mindset and practices of our Oschools away from skill- ing for the needs of business and the economyO and toward self-renewal. Like Berman (1968), I am chronically hopeful that it is not too late. If we implement new priorities now, thenR we can achieve what3 we have not been able to over the last 50 years. We may already1 be in the throes of a sort of paradigm shift aboutP how creativity works and why it matters. As with all such shifts from “conventional” wisdom0 to new ways of thinking about old problems,P the process can be painful2 and take time. If we are, then it is a potentially exciting time to be in education. I wonder, what might the schoolsA of tomorrow look like and will I be around to see them? I hope so. I would like very much© to witness children and youth develop- ing and practicing creative ways of thinking not so much in the hopes of securing a job, but from a perspective of helping to solve real problems that would improve the quality of life for us all—in the pursuit of “a meaningful and satisfying life.”
REFERENCES
Berman, L. (1968). New priorities in the curriculum. Columbus, OH: C. E. Merrill. Bloom B. S. (1956). Taxonomy of Educational Objectives, Handbook I: The Cognitive Domain. New York, NY: David McKay. Csikszentmihalyi, M. (1990). Flow: The Psychology of Optimal Experience. New York, NY: Harper & Row. 52 L. ANN FISH
Gardner, J. (1964). Self-renewal: The individual and the innovative society. New York, NY: W. W. Norton. Krathwohl, D. R., Bloom, B. S., & Masia, B. B. (1973). Taxonomy of educational objectives, the classification of educational goals. Handbook II: Affective domain. New Yo r k , N Y: D a vi d M c K a y. National Research Council. (1985). Engineering education and practice in the United States: Engineering technology education. Washington, DC: The National Acade- mies Press. Robinson, K. (2010, Oct). Changing education paradigms [Video file]. Retrieved from http://www.ted.com/talks/ ken_robinson_changing_education_paradigms.html Simpson E. J. (1972). The classification of educational objectives in the psychomotor domain. Washington, DC: Gryphon House. Pink, D. (2009). Drive: The surprising truth about what motivates us. New York, NY: Penguin Group. Raudsepp, E. (1981). How creative are you? New York, NY: Putnam. Robinson, K. (2011). Out of our minds: Learning to be creative. New York, NY: Cap- stone. S Stanford Report. (2005). “You’ve got to find what you love,” Jobs says. Retrieved from http://news.stanford.edu/news/2005/june15/jobs-061505.htmlF OO PR 13 P 20 IA © CHAPTER 4
NO MORE BROKEN WINDOWS
Transforming the Lives of Urban School Children FS M. A. WEBB Mary A. WebbOO INTRODUCTIONPR 13 My journey to selecting James Herndon’s (1968)0 book The Way It Spozed To B e begins with myP absence during the first2 few sessions of class, as I was recovering from a recent surgery and could not drive to Oxford, Ohio, located aboutIA an hour from my home in Cincinnati. During my absence the group was presented with a ©list of curriculum scholars from which we could select an author. Had I been in class I am sure I might have selected a well-known scholar. On my preferred list were John Goodlad, Jonathan Kozol, Joseph Schwab, and Herbert Kohl. But since I am an African American scholar in what I hope is the final year of my doctoral studies in educational leadership, I began to explore the selection of an African American writer. Ultimately, my selection of Herndon was fueled by the notion that historically, the work of African American scholars suffers from an ongoing marginalization.
Curriculum Windows: What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today, pp. 53–76 Copyright © 2013 by Information Age Publishing All rights of reproduction in any form reserved. 53 54 M. A. WEBB
I also wanted to choose an author whose book was relevant to my own work and practice as an educator. As I have proceeded from our K-12 through graduate educational system, I have found an overwhelming dominance of the Euro-American perspective in research. My studies here at Miami University have afforded me the opportunity to engage in publi- cation, research, and discourse of curricula that is relevant, meaningful, and that affirms the African American experience. My scholarly interests rest in culturally relevant pedagogy and critical race theory. So, since I was not in class and due to the size of our class all of the popular, well-known scholars quickly vanished from the list, Dr. Poetter decided that because our class was so large (everyone was excited about the possibility of being involved in a published writing project) he needed to expand the pool of authors in order for each of us to have a chapter for this curriculum project. As a result, he introduced more books from the “Romantics.” While still recovering from surgery, I got an e-mail from Dr. Poetter with the list of the authors identified as “Romantics.”S That list included not only the authors’ names but also the title of the books. The e-mail read: F
They were often later referred to as the ‘romantics’ Obecause they wrote in a distinctive, narrative-like, first person style/way that brought classrooms and conflicts alive for the average reader and Othe scholar. All of them wrote about the plight of students and teachersR in classrooms across3 America. As I read through the listP I immediately noticed1 the title The Way It Spozed To Be. I thought this sounded like an0 interesting title and the phrasing suggested that the book might be filled with things that some- one from my cultureP would say. The title intrigued2 me, and I was hooked. I wanted to studyA something exciting and relevant to my practice as an urban middleI school mathematics© teacher. So, I immediately e-mailed back that I wanted this title. Little did I know, until I actually ordered the book and began to read it, that the author James Herndon was actually a White man writing about issues prevalent not only in schools of the 1960s but schools today in 2012 as we attempt to educate the historically disad- vantaged students in urban classrooms. This book exposes the conflict between image and reality, between the way things “spozed to be” and the way they are. As an educator in an urban school district (North College Hill) located just outside of Cincinnati, Ohio, I hear the word “spozed” often, both in my work at school and in my community. After Dr. Poetter explained that Herndon was one of the romantic writers of the 1960s, I found myself even more curious about the author. I immediately ordered three of his books: The Way It Spozed To Be (1968), How to Survive in Your Native Land No More Broken Windows 55
(1971), and Notes From A Schoolteacher (1985). A funny thing happened when I ordered these great reads. I purchased the book The Way It Spozed to Be from Amazon for $1.99. However, the cost to ship it to me was $3.99! After reading the books, I felt like I had found several diamonds after searching through a bag of semi-precious stones. Incredible reading. I reacted to The Way It Spozed To Be with an immediate shock of recognition. Mr. Herndon’s experiences still ring true to this day. How was it that this veteran teacher on the outskirts of San Francisco in 1965 knew so much about students in 2012? And about me? Although this book was written in 1965, I would dare say that you could look in any American school today and see the same kinds of things happening for the students and with teachers, and particularly for students and teachers of color. It seems that I have traveled the same road some 30-40 years later. It reminds me of the interlude to the 60s TV show Dragnet. I have altered it to fit this writing: “The story you are about to read is true somewhere in an American school. Only the names have been changed to protect theF innocent.”S The Romantics O James Herndon along with authors such as George Dennison, Herbert Kohl, and Jonathan Kozol et al., are consideredO to be radical reformers of the 1960s. These educators advocatedR for child-centered3 schools. These schools were characterized by the freedom of students to discover, direct, and control their own learning,P which might result1 in noisy classrooms that sometimes appeared untidy and disorganized.0 The teaching/learning process is not controlledP by mandated curriculum2 or standardized testing but rather by meeting students where they are. This new genre of educa- tional literatureA called for a transformation of the bureaucracy that administersI schools and the humaniza© tion of the teaching and learning process. It is said that romanticism has influenced political ideology, inviting engagement with the causes of the poor and oppressed and with ideals of social emancipation and progress (http://www.open.edu/openlearn/history- the-arts/culture/philosophy/schools-thought/legacy-the-romantics). James Herndon’s work fits this definition without question. The Way It Spozed To Be (1968) is Herndon’s first book, written as a narrative of his first year of teaching in a poor, segregated junior high school in a California city. It chronicles his passion for teaching students to read, his desire to use reading as a transformative process, his frustration with a school system that perpetuates hegemony, and his struggle against maintaining the status quo, which ultimately leads to the eventual nonrenewal of his teaching contract for “poor classroom management.” 56 M. A. WEBB
Who was James Herndon?
James Herndon (1926-1990) was a California junior high school edu- cator for over 25 years and before his retirement served as president of the local teachers’ union. In addition, he was also the author of five books. His most notable two memoirs of teaching, The Way It Spozed to Be and Notes from a Schoolteacher, established him as one of the prominent voices of the school reform movement of the late 20th century. He began his teaching career in his early 40s after spending several years working in Europe for an American government agency (Herndon, 1971, p. 17). There he met and married his wife Fran. After learning that they were expecting their first child (Jay), they decided to move back to America. A few years later they had a second son (Jack).
The Travelogue S Herndon (1968) gives an account of his journey as a beginningF teacher learning to teach in an inner city public school in his book The Way It Spozed to Be. He highlights the highs and lows of his journey,O which took place at George Washington Junior High School (GW) 8 years prior to his writing the book. It describes the disheartening inadequacyO of the school system as well as his innovative efforts to teacRh his students to read.3 The art and practice of pedagogies of engagement are captured in this quote, from Education for Judgment by ChristensenP Garvin, and Sweet1 (1991): “To teach is to engage students in learning” (p. 6). The thesis0 of Herndon’s work and this chapter is thatP engaging students 2in learning is principally the responsibility of the teacher, who becomes less an imparter of knowledge and more a designerA and facilitator of learning experiences. Herndon was reprimandedI by school administrators’© because he refused to listen to the slew of racially tainted instructions and instead attempted to create a democratic learning environment in his classroom. Herndon describes George Washington Junior High (GW) as a “Negro school—about 98 percent Negro” (Herndon, 1968, p. 7). It was a school of defeated students whom the staff had named “The Tribe” because the group had “controlling characteristics not shared by all other such groups in America, characteristics which were really at the root of their actions, and from which they could not easily escape” (Herndon, 1968, p. 59). School culture dictates that when a new teacher arrives, well-inten- tioned colleagues let him know “what he’s spozed to do.” Instead of tak- ing their advice, choosing to uphold the status quo and “the way it spozed to be,” Herndon chose a less traveled road that looked chaotic and messy but was actually realistic, relevant, and valuable while validating what No More Broken Windows 57 knowledge is important and who gets to decide what knowledge is of value. When Mr. Herndon tried to change one of the mindless routines of school that required students to copy a paragraph from the blackboard that most of the students could not read anyway, even the students responded by insisting that it wasn’t “the way it spozed to be!” The title of his first book emerged. His students were conditioned to the routinized, repetitious instruction that relied upon copying, recitation, and memorization of the facts. James Herndon was a teacher who utilized critical epistemology by refusing to accept the top-down curriculum. He abandoned the traditional classroom structures and allowed the students to set up their own reading program as individuals or in groups. Herndon tried to let his students read on their own in class, privately, stuff they liked, so that they could begin to catch up, and so that they could experience the joy of reading, and so that perhaps their lives could be transformed for the better. S America During the Era of the Romantics F This story actually started in the 1950s; SputnikO was launched by the Russians, which created a great sense of crisis at the realization that the Russians may have defeated us in the raceO for science and technology knowledge. Immediately, politiciansR blamed this failing3 on the Ameri- can educational system, claiming it wasn’t rigorous enough and that more attention needed to beP paid to mathematics1 and science educa- tion. As a result, schools and teachers came0 under attack. School “deform” (Pinar, 2012)P begins, then, in 2a displacement of military and scientific failure onto public education. The 1950s were also the begin- ning of the Aend of school segregation. In 1954, The U.S. Supreme Court heardI Brown vs. the Board© of Education of Topeka. This case looked at the issue of segregation and this time ruled that it was illegal to deny entry to a facility based on race and that a “separate but equal” educa- tional system was unconstitutional and unjust. However, this ruling did not immediately end segregation, since we see schools like GW domi- nated by racist practices and gross inequities in the presence of funding and materials for learning. In the decade that followed, John F. Kennedy became president (1960). The Cuban Missile Crisis (1962) represented the Cold War confrontation between the United States and the Soviet Union. Kennedy was assassi- nated (1963), and the country’s political emphasis shifted to the Vietnam War and the Civil Rights movement (1964). President Johnson continued President Kennedy’s War on Poverty. Programs like Head Start, Job Corps, subsidized school lunches, and Title One began during this time 58 M. A. WEBB in an attempt to break the cycle of poverty and education (Schubert, Schubert, Thomas, & Carroll, 2002). At the same time, a National Curriculum Movement was initiated. The critics of the education system demanded more rigor and discipline to parallel its embrace of physical fitness. The nation’s security was at stake. It was described as the “the age of gold” for curriculum projects by Schubert et al. (2002) in Curriculum Books: The First Hundred Years (p. 148). Public and private funding for curriculum projects raced to an all-time high, which resulted in structured procedures and materials designed by subject-area curriculum specialists and scientists. These national curriculum projects constitute the beginning of the curriculum alignment process and of the reestablishment of outside control, signaling the great loss of autonomy over curriculum decisions as it was stripped from local teachers. Many educational reforms have been designed over the past 40 years to remove the professional discretion of teachers. Today in many schools, teachers are given a script (curriculum guide) that must be followed word-for-wordS in accordance with the mandated curriculum calendar. DisconnectingF the curriculum from students’ interests and teachers’ professional discretion ensures curriculum disconnect and pedagogical Omalaise. As a result, the interests of students and their teachers’ interest have little relevance. The more things change, the more they stay theO same, it seems. Schooling was inundated with “teacher-proof ” curricula, which failed to reach students, specifically the studentsR of color whom3 Herndon writes about. These curricula typifyP rote learning, mindless1 routines, and imposed discipline, which increased apathy and0 rebellion. Herndon illu- minates the dialectic between perception and reality, between the way things “spozed to be”P and the way they are.2 Sadly enough, things have not changed veryA much. Schools today are still places of mindless routines that destroyI our students’ curiosities,© senses of adventure, and love for learning.
The Broken Window Theory
While reading Herndon’s story, I was reminded of “the broken window theory,” and I asked myself what the school considered important. Was it the curriculum, discipline, “The Word,” the characteristics of “The Tribe,” or “the way things are “spozed to be?” The broken window theory is based on research that found if a building has a broken window and it is not repaired, people see that no one cares enough to fix the window, and it will be the first building to have rocks thrown through the other windows. In the March (1982) edition of The Atlantic Monthly, James Q. Wilson and No More Broken Windows 59
George L. Kelling—writing about crime, policing, and neighborhood safety—wrote:
Consider a building with a few broken windows. If the windows are not repaired, the tendency is for vandals to break a few more windows. Eventu- ally, they may even break into the building, and if it’s unoccupied, perhaps become squatters or light fires inside. Or consider a sidewalk. Some litter accumulates. Soon, more litter accumulates. Eventually, people even start leaving bags of trash from take-out restaurants there or breaking into cars. (pp. 29-38)
For schools, the broken window theory is generally utilized to reclaim perceived losses in discipline and classroom order (“one person chews gum, and the school might burn down!”). However, I would dare to suggest that the focus on discipline as a precursor to learning has a profound impact on the teacher and school’s curriculum and practices of instruction. In terms of discipline, the theory is that less serious, small problemsS should be dealt with in order to prevent more serious ones. By allowingF the small problems such as chewing gum, cursing, yelling out in class, being tardy, uniform violations, talking back to the teacher, disruptingO the classroom through behavior that is not acceptable, and so forth, to go unaddressed, students believe that disorder and chaos areO a normal part of school (“the way its spozed to be”) which will ultimately result in more serious problems. Fixing windows as soon as they are brokenR sends a message:3 vandalism will not be tolerated. When inappropriateP behavior is 1demonstrated in the classroom and if the teacher does not address 0it, the behavior is encour- aged and will spread from one student to another and from one classroom to another. “It is clear,P although unmentioned,2 that the main issue for that school year (asA it always seems in the secondary schools), is not primarily one of educationI but of “classroom© control’” (Herndon, 1968, p. 7). Hern- don (1968) thinks, “In order that learning may take place, Miss Bentley was saying, there must first be order” (p. 7). However, in Herndon’s (1968) text, the principals, Mr. Grisson, Miss Bentley, along with the coach, the substitute teacher, the consultant teacher, and his colleagues themselves constitute the broken windows in the setting. They believed that unaddressed problems would lead one to think that disorder was the norm, which would result in more problems. They saw noise, disorder, chaos, and anarchy as the problems. They were obstinate about the linear progression between order and learning. Order was paramount and one of the school’s core values. But Herndon did not see any of these things as a problem. “I don’t want to get them under control, I want them to see some reason for getting themselves under control” (p. 113). 60 M. A. WEBB
When Herndon (1968) first encountered his students’ widespread disengagement and outright hostility toward him, and toward learning, he resisted the instinct to try to establish the kind of control that the administrators and others attempted to establish. Their approach lay in direct contrast to that of Herndon, who treated his students respectfully as human beings. In fact, he was fired because he refused to embrace this core value that keeping order was paramount. Instead, viewing the students like beautiful stained glass windows, Herndon saw glimpses of brilliance in his students and repeatedly tried to get them involved in learning by creating assignments and using readings that were interesting and personally valuable to them. Herndon illuminates the stained glass color and beauty of his students through his transformative leadership. His leadership in the classroom critiques inequitable practices and offers liberation and hope, not only of greater individual accomplishment, but more so of a better personal and community life. Until the outsiders (principals and colleagues alike) are willing to consider things from a different perspectiveS and look at the windows as potentially as brilliant stained glass insteadF of as merely broken—that is, as beautiful, not ugly—there can be no hope of appreciating the beauty that Herndon enjoyed fromO his position as his students’ facilitator of learning. And teachers today must view their students differently, as filled with potential,O not as doomed (Hilliard, 1995). This is one of the inspirational truthsR of Herndon’s experience13 and book. Windows of Education P 0 I want to extend Pthe metaphor and propose2 that the norms for teach- ing and learningA represent the “windows” of education in a school. If you want to knowI what the school values,© don’t ask the principal first, ask the students. Student voices are valuable resources in finding out about the school’s academic quality and climate. Observe whether students can read or are interested in the process of reading. If they are not, it is the equiva- lent of a broken window: a sign that no one cares whether students acquire basic academic skills. If a student fails to bring home assignments and books or brings home a paper that contains numerous misspellings or errors, it might be a signal that no one cares whether he gets it right or has the necessary intellectual materials or the fund of knowledge required for success. How serious was the school about setting and maintaining demanding standards for academic achievement for all of its students? Better yet, find out what the students think about their teacher, their classmates, the classroom scene. Is school freeing, open, democratic, inspiring, exciting, and learning-filled? Students can show you whether No More Broken Windows 61 these things are so or not, and their presence suggests beauty as opposed to brokenness. Herndon’s (1968) school district laid him off at midyear because he had not met the deadline for sending in his credential documents to the state; this left him uncertified to teach at GW. He was replaced by a substitute teacher (Mrs. A.) who had been working in the district. Upon his return, his students told him what they had done in his absence. Some were glad he was back while others wished Mrs. A had remained their teacher. One student’s account was that Mrs. A was a “better teacher and real teacher” because she made them do work. “They were learning spelling and sen- tences and all they was spozed to” (p. 67). Another of his classes told stories of plenty of board work and that the substitute teacher made each student keep a notebook. However, upon Herndon’s review of their spellers he found out that
Most of the spellers in 9D were empty of writing—all that copying of words and alphabetizing and putting in lines between syllables hadn’tS actually been done except by May, Josephine and Geraldine. TheirsF were all filled out to date, but were also all wrong. (p. 67) O As Herndon (1968) surveyed his classes, he discovered that his B classes were the type that knew how to playO school. They as a group and as individuals had developed a cultureR of compliance. 3 Both had divined the absolute key to getting through school, namely, that you must understand and somehowP satisfy the bureaucracy.1 One group understood it and trusted it; the other understood0 it and conned it. Either way the bureaucracyP was satisfied. (p. 58) 2 Class 7B IA © believed in what they’d been told ever since kindergarten—the school ide- als, neatness, promptness, courtesy, hard work; perform according to them, they’d been told, and you could grow up to be President or at least a private secretary (private secretaries were, according to the girls, the most enviable girls alive) and enjoy the promise of middle-class America. (p. 58)
One of his other classes, 7H, could not read, which accounted for their disengagement in the learning process. In fact, the class mainly consisted of nonreaders, a detail no one shared with him during the new teachers’ meeting. His other challenging class, 9D, consisted of a group of what he describes as “the most mature of the school population, but also the most apathetic and disinterested and cynical about the entire range of school activities” (Herndon, 1968, p. 63). He wondered what had happened to 9D. As a result, it was absolutely clear to Herndon that 7H and 9D did not, 62 M. A. WEBB could not, and would not play school in the manner in which both 7B and 8B had learned to do so. Therefore, his commitment was to 7H and 9D. Windows work two ways. They allow us a view of what is outside, while providing an opportunity for others to take a look inside. A window sym- bolizes freedom: it admits light, air, literally, and knowledge, figuratively, all of which may pass through coming and going. In literature, windows are often used to symbolize finding things out, or revealing something. Herndon (1968) gives us a metaphorical window into the complexities of the classroom and the teaching dilemmas that progressives in real schools grapple with and the real-life dilemmas confronting their beliefs in a cur- riculum for everyone. He takes his iconoclastic methods into GW where he addressed racial tensions due to social class stratification, issues of power and authority, the devastation of tracking, and the marginalization of African American students. Herndon, along with other progressive educators of the romantic era, is credited for contributing to the momen- tum for creating a space for different kinds of teachers andS schooling approaches that would free students’ imaginations and creativity from mindless drill and kill routines, tyrannical authority,O and Fpassive learning. Same Old, Same Old O Herndon (1968) opens the chapter with a physical description of the school building. While describing GWR as “old, dark, the same3 brown win- dow shades all pulled exactlyP three-quarters of the 1way down” (p. 2), he differentiates it from the newer “motel-schools”0 which he said “fooled nobody; they were still schools, and the same old crap was going to go on in them” (p. 2). Clearly,P Herndon did not2 expect the operation of school to be differentA whether the building was old like GW or one of the new schools thatI he says looks like a ©motel or bowling alley. Herndon was ada- mant that the physical structure of school buildings did not matter, both were subject to its historical roots of being places where “the same old crap” occurred. He felt that the newer “motel-schools” simply projected a persona of revealing or being something new. Whereas, in “old” GW you knew what you were getting, nothing new was expected, nothing new was required in fact anything new, which Herndon would later find out, was frowned upon. This was the norm held by staff, students, and administra- tors at GW: maintain the status quo. For example, when Herndon (1968) met the coach who was also the physical education teacher, Coach advised him that things don’t and won’t change, saying, No More Broken Windows 63
“Well, Jim, you can have it just two ways here,” he said, keeping hold of my arm. “Pretty good, or pretty goddamn bad. Nothing in between. And it won’t ever change either. However it starts for you, it’s gonna stay that way.” (p. 10)
The coach’s other advice was on the use of “The Word,” another example of expectations or lack thereof and how things don’t change.
“The Word” is the one thing you can’t ever let them say in the classroom. It’s kind of a tradition around here, you might say. Any kid says “The Word,” then right down to the office with him, no arguing, ifs, ands buts. Just make out the slip; all you have to write is “The Word.” They all know it, the kids, and they expect it. Now, this isn’t an ordinary school in many ways, and one of the ways is swearing. You’ll find you have to ignore a lot of talk you wouldn’t dream of putting up with in some other place. My advice here is, forget it. It doesn’t mean a thing, and if you try to stop it you won’t get any- where, and you won’t have time to do anything else. (p. 11) S Perhaps this is another example of the broken windowF theory, and/or evidence of the lack of authentic learning activities that might engage stu- dent interests and motivate them, which might actuallyO prevent unaccept- able behaviors like using “The Word.” O The Rhetoric Begins PR 13 During the new teacher meeting, the administration0 framed its window for discipline and the support that both teachers and students would receive from departmentP heads while also2 espousing its goals for students. Herndon (1968)A described what the new teachers heard as reassurance from the administrationI that © the individual freedoms to teach how we pleased would not be in any way affected, but that its purpose was to assist planning so that the students at GW might have an orderly and unrepetitive progression through the grades and that this administration wished to concentrate on the individual, on his freedom of action, learning, growth and development, and at the same time, to promote an orderly and responsible group of children. (p. 6)
The students of GW and Herndon would experience quite the opposite over the next year. Like many school administrators, perhaps even those with good intentions, they said one thing, and their actions supported another. Schools are involved in framing ideas about race and are constantly in struggles around racial equity. They serve as a sorting mechanism, 64 M. A. WEBB providing different students with access to different kinds of experiences, opportunities, and knowledge, which then shape future opportunities. We must acknowledge the way in which schools are structured, policies, and practices that are implemented to reproduce the very inequities that they should break down. Herndon (1968) recalls that during the new teacher meeting no one mentioned anything about the system of tracking used at GW. However, when he looked at his schedule, he found that he taught five different classes to four different groups (a seventh grade B class, an eighth grade B class, a ninth grade D class and a seventh grade H class). It wasn’t until he inquired about the tracking system in the teacher’s lounge that he learned about the ratings. He found that the students were all rated and group A (high) to H (low). The ratings were made on the basis of IQ tests, standardized achieve- ment tests, and, on occasion, faculty recommendations. Herndon (1968) says, S It is this kind of classification, based on this kind of testing, Fwhich seems to me the perfect example of the kind of thing that continually goes on in a school, and for which there is no reasonable explanation.O Talking just to any teacher, as I did that year, you can hear a perfectly plausible lecture to the effect that IQ (or Mental Maturity, as it nowO goes) tests are not particularly valid under the best of conditions – that is, their validity is only general. You can’t say, for example, that a child whoR scores 120 is any more3 capable than one who scores 116, 112, or anything above, say, or anything above, say, 100. (p. 13) P 01 Later in the book, Herndon (1968) described another system of track- ing employed by schoolP and supported by2 the state in the use of student spellers. This Asystem of tracking is discovered by the students, when they complainedI about the substitute© teacher (Mrs. A) issuing them the wrong spellers.
The state spellers tried to keep grade level a secret; they didn’t say seventh grade or second grade anywhere on them, to keep the kids unaware of the fact they were working below (or above) grade level. What they did have was a number of dots, near the top, perhaps so the teacher could tell what grade level they were—seven dots for seventh-grade, two dots for second grade. It didn’t take long for the slowest kid to figure out this system. (p. 67)
Mrs. A had given the spellers that were second and third grade spellers, hence two and three dots at the top of each workbook.
It was true the second-and third-grade spellers were of no use to them. What they needed were official spellers with seven big dots on them, to No More Broken Windows 65
carry outside on the school grounds and home with them to prove they were too in seventh grade. I gave out a bunch of homework in spelling and ordered everyone to take the spellers home that very night to do the home- work in; everyone carried those spellers home and back again every day from then on, until they were lost or swiped. (p. 67)
To the students, the spellers were another example of “the way it spozed to be.” Whether they completed the spellers or not, having them meant that they were like everyone else. Students in other classes all had spellers.
School Experiences as Curriculum
In progressive communities, they endeavor to shape the experiences of the young so that instead of reproducing current habits, better habits shall be formed, and thus the future adult society be an improvement on their own. (Dewey, 1916, p. 79) FS Herndon (1968) was an advocate for child-centered, progressive educa- tion. He criticized schools for their “lack of focusO on personal and public education” (Schubert & Schubert, 1982, p. 224). Herndon saw the school system as oppressive rather than as a spaceO that promoted learning, espe- cially for students already marginalized by race and class. He gives a view of a window of the systematic dullingR of students’ abilities3 and creativity within urban public schools. 1 Child centered progressive P education has been0 described as an effort to enhance both child and community by establishing schools that would focus on the needs Pand interests of children,2 thereby turning out more productive citizens.A Progressive classrooms are typically characterized by a great deal Iof freedom for students© and as noisy places that sometimes appear untidy and disorganized. The teaching/learning process is often structured around student interests and concerns. Schubert et al. (2002) discuss three major orientations to curriculum work that took shape during the 20th century. The kind of progressive, social justice approach to curriculum and pedagogy adopted by Herndon (1968) does not connect to two dominant perspectives They describe: the traditionalist perspective, which suggests that schooling provides aware- ness and insight into the paradigmatic structure of the disciplines of knowledge; and the behaviorist perspective, which suggests schools would mass produce contributors to “successful living” according to their per- ceived gifts and talents. But progressivism is kindred with the experien- tialists, who perceive schools allow students to resolve problems that inhibit meaning and direction in their lives (p. 221). 66 M. A. WEBB
Progressive educators of the 1920s conceived of the notion of curricu- lum as those “experiences” that students have under the auspices of school guided by teachers. These Progressives Reformers argued that the artificial environment of the schools was miseducative in that the youth of the country were not prepared to see and understand the values and issues which would confront them as they became adults (Dewey & Childs, 1933). The notion of experience requires students to evaluate their experi- ences and perceptions of these experiences as they encounter their educa- tion program. Progressive educators emphasized several beliefs that they considered central to any adequate conception of education.
First, they wished to remind other educators that the reality of a curriculum for a child was determined by the quality of the experience that the child had in the school and was not simply a piece of paper on which lesson plans were prepared. Second, because children differ from one another in back- ground, aptitudes, interest, and the like, the curriculum was neverS identical for different children. (Eisner, 1985, p. 40) F The progressive reformers called for school curriculum that included (1) teaching about health and community life while engagingO in active learn- ing that would stimulate the mind and illuminate their talents; (2) new scientific discoveries about learning; and (3)O tailored teaching techniques matched to students’ needs. Marsh Rand Willis (2007) cite Cremin3 who says that as part of progressivism in all phases of life, progressive education meant that schools should inP many ways attempt to1 improve the lives of individuals: 20 First, it (progressivism)P meant broadening the program and the function of the school toA include direct concerns for health, vocation, and the quality of family andI community life. Second,© it meant applying in the classroom the pedagogical principles derived from new scientific research in psychology and the social sciences. Third, it meant tailoring instruction more and more to the different kinds and classes of children who were being brought within the purview of the school. (p. 43)
John Dewey (1859-1952), considered the most renowned of the pro- gressive educators, wrote for 60 years on psychology, ethics, politics, reli- gion, art, formal philosophy, and education. A proponent of experiential education, Dewey described educational experiences as those that con- tribute to an individual’s growth. Growth for Dewey (1938) depends on whether development in a specific direction
promotes or retards growth in general. Does this form of growth create con- ditions for further growth or does it set up conditions that shut off the person No More Broken Windows 67
who has grown in this particular direction from the occasions, stimuli, and opportunities for continuing growth in new directions? (p. 36)
Dewey described three types of experiences: those that are educative, noneducative, and miseducative. An educative experience is one that promotes the growth and desire of the student toward further experiences. Dewey’s theory is that experience arises from the interaction of two principles—continuity and interaction. Continuity means that each experience affects for better or worse the atti- tudes that help us decide the quality of further experiences. Interaction refers to the situational influence on one’s experience. In other words, one’s present experience is a function of the interaction between one’s past experiences and the present situation (Dewey, 1938). For example, the experience of those students learning to read depended on how Mr. Hern- don (1968) planned and enacted the curriculum, as well their past experi- ences of learning to read. By allowing the students to go to theS library (a space generally reserved for readers) and to select reading material that was of interest to them, Herndon created a new, more educativeF experi- ence for the students. The principle of continuity is critical and involved in every attempt to evaluate whether or not an experienceO is educative. The cultivation of a “desire to go on learning”O is one of the most important benchmarks of educative experiences (p. 48). Noneducative experiences are thoseR that are simply 3undergone and have no significant effect on the individual on way or1 the other. For exam- ple, once a child has learned P the alphabet and can recite the letters, any future experiences with recitation have no effect0 on the child one way or the other. In GW, theP daily routine of copying2 a paragraph from the black- board as a mechanism to control students and keep them quiet is one of those noneducativeIA experiences© that students are required to do. Coach said,
The best method for getting them in order was to have a paragraph written out on the board when they entered, and get them in the habit of copying this paragraph in their notebooks immediately as they sat down, giving a time limit for its completion, erasing the paragraph when the time was up, and grading the notebooks frequently. Copying was something they could all do without further explanation from me; it got them in the mood for schoolwork, quiet, their materials ready, all set for the day’s lesson, whatever it was. (Herndon, 1968, p. 106)
Herndon’s (1968) response to himself was, “I don’t want to get them under control, I want them to see some reason for getting themselves under control” (p. 113). 68 M. A. WEBB
Dewey (1938) describes miseducative experiences as those that have “the effect of arresting or distorting the growth of further experience” (p. 25). These experiences restrict or prevent further experiences. A bigoted vet- eran teacher at the GW declared that all her life she had only spoken to ladies and gentlemen, and since none of the African American students were ladies or gentlemen, she not only refused to speak to them, but also strictly forbade them to speak in her class. She silently handed out work- sheets on a daily basis with typed instructions to all the students. If students spoke in the class, she would hand them a written note instructing them to report to the office. The structure and routines of traditional school often prevent many students from developing in certain subject areas. For example, the read- ing experience of Herndon’s students was so damning and uncomfortable across their school and nonschool experiences that they avoided the sub- ject whenever it was within their power to do so. The way in which the stu- dents experienced reading as a subject thwarted rather than nurturedS or stimulated the intellectual imagination and aesthetic possibilities typically brought about by reading. An experience that promotesF callousness toward learning; a repetitive experience that places a student in a “groove or rut”; an experience that leads to carelessness;O experiences that are individually enjoyable but utterly disconnectedO such that they lead to an inability to make sense of future experiences—all of these Dewey would call miseducative. Almost all of Herndon’sR students’ prior3 experiences with reading had been miseducative. For almost every1 student at GW, the miseducative lurked around Peach corner of the school, and blocked any meaningful vision ofP the present or future2 in school0 from view. Critical PedagogyIA and Culturally© Relevant Teaching
We speak increasingly of control, as if we feared that everything would collapse into nothing if we let loose our (illusory) hold on things. And so I have been urging one simple truth through all these pages: that the educational function does not rest upon our ability to control, or our will to instruct, but upon our human nature and the nature of experience. —George Dennison
Nearly a decade ago, African American educator Asa Hilliard spoke to a gathering of elementary teachers and principals in Milwaukee, stressing the central role of teacher knowledge and attitudes in any reform effort. “Curriculum is what’s inside teachers’ heads,” he reminded us. No More Broken Windows 69
Although Herndon (1968) assumed responsibility for establishing rou- tines for instruction, management, and an environment conducive for academic learning and personal growth in his classroom by virtue of his position, the burden of the classroom context is not solely his responsibil- ity, due to the oppressive and in this case racialized contexts of GW. In Herndon’s attempt not to reproduce the status quo in terms of classroom instruction or lack of classroom management, as well as to meet the needs of students where they were, he found himself engaged in what Friere (1970) describes as “the nature of oppression,” that is he was operating in a system in which the oppressors and the oppressed are held captive by the forces of oppression. The structure of school is highly oppressive. The teacher must follow a curriculum set by someone else and use textbooks written by someone else. The teacher is oppressed under the structure and hierarchy of the school system and therefore is unable to empower students by giving them freedom to create, explore, experience and trans- form. The challenge for today’s teachers is to include those elementsS of curricula that will optimize learning for students while maintainingF their cultural identity (Ladson-Billings, 1994). Culturally relevant teaching is a term created byO Gloria Ladson-Billings (1992) to describe a pedagogy that empowers students intellectually, socially, emotionally, and politically, usingO cultural referents to impart knowledge, skills, and attitudes as part of particular and3 overall school experiences through the curriculumR and pedagogy of the site and the teacher. Participating in culturallyP relevant teaching1 essentially means that teachers create a bridge between students’0 home and school lives, while still meeting Pthe expectations of the2 district and state curricular requirements. Culturally relevant teaching utilizes the backgrounds, knowledge, andA experiences of the students to inform the teacher’s les- sons and methodology.I One of© ways in which Herndon engages in this notion of culturally relevant teaching is through what he describes as intellectual discourse where students discussed
all serious questions with a view to finding out the reasons and causes and probable outcomes of situations, everyone having a say including myself. The discussions were lively, honest, uncompromising (and disorderly)—I was on the whole satisfied with them. (p. 63)
During one of their discussions, the meaning of D designation for the class and the tracking system became their topic. Like in all schools, the students are supposed to be unaware of the tracking system used to group students, and like most students Herndon’s (1968) students know about the groupings. 70 M. A. WEBB
One day a kid opened up a period by asking me to explain why they were all in a dumb class—what he actually said, I remember was: If we in this dumb class why should we do anything if we already too dumb to do it? Yeah, came a number of voices in agreement, old D for Dumb! and several similar expressions. (p. 64)
They spent several days discussing this topic. Each day, students excitedly picked up where they left off. It was one of the times that Herndon (1968) says that the students did not mind listening to him talk for long periods of time. Herndon tried to explain about the tests, who made the tests, who took the tests, what they meant or didn’t mean, why a student might do well or poorly on the tests on any given day, and how they got the groups out of the results of the tests. “Everyone wanted to know about it because, I imagine, it was true and had something to do with them, and no one had ever gone into it with them before” (p. 64). Herndon’s (1968) goal for his students was to S learn something about English, since that was what they wereF “spozed to learn” and to “learn something about writing—how to say what they wanted on paper so that somebody else could read it. In this respect the discussions, upon which I’d counted, were a failure; no one foundO it necessary to record his own or anyone else’s thoughts. (p. 65) O The independent reading and Rwriting, along with 3the cooperative learning methods employed by Herndon (1968), were described as the most frequently discussed methodsP to teach African 1American students to read in a study conducted by Perkins (2001). Reading,0 as defined by Clay (1991), is a “message-getting,P problem-solving2 activity which increases in power and flexibility the more it is practiced” (p. 6). During independent reading and Awriting, students are in charge of their own reading and writing; theyI choose what to read© and what topics they will write about. Social interaction is extremely important in developing students’ cognitive growth. It is significantly relevant to current trends in reading instruction. Cooperative learning groups help students to synthesize information in a collaborative way. Slavin (1991) found that students’ achievement, self- concept, and social skills were enhanced when they participated in cooperative learning groups. Research on cooperative learning practices reveals that students achieve more when working in groups than when working individually or in competitive situations (Dilworth, 1992; Kuykendall, 1992). According to Irvine (1989), there is significant evidence in the litera- ture that African American students achieve better when they work together rather than alone. The refusal of the curriculum coaches and administrators to support and encourage Herndon’s (1968) innovative No More Broken Windows 71 and emancipatory teaching techniques only helped to create and recreate the existing culture, beliefs and practices, which are hegemonic in nature. Although nearly always invisible, hegemonic structures reify what seems to be natural and therefore accepted as commonsense. Peter McLaren (1997) explains that critical pedagogy is an approach adopted by progressive teachers attempting to eliminate inequities on the basis of social class, and that it has also sparked a wide array of antisexist, antiracist, and antihomophobic classroom-based curricula and policy ini- tiatives. Common questions for the critical educator include: What knowl- edge is of most worth? Whose knowledge is most important? What knowledge should be taught, and just as important, what knowledge is not to be taught? How does the structure of the school contribute to the social stratification of our society? What is the relationship between knowledge and power? What does this imply for our children? What is the purpose of schooling? Is it to ensure democracy or to maintain the status quo and support big business? How can teachers enable studentsS to become critical thinkers who will promote true democracyF and freedom? In Making Choices for Multicultural Education, Sleeter and Grant (1999) refer to multicultural education as “educational practicesO directed toward race, culture, language, social class, gender, and disability” (p. 211). How- ever, they do not imply that race is the primaryO form of social inequality that needs to be addressed. Multicultural educators are described as affirming difference as a resourceR rather than as a deficit.3 Thus, they would argue that a significantP aspect of student engagement1 is a connec- tion to students’ personal lives and the material0 world (McLaren, 1997). The curriculum shouldP be reformed so that2 it will more accurately reflect the historyI andA cultures of ethnic© groups and women. (Banks, 1993, p. 4) Reading is said to be a window to the world in the The American Association of School Librarians Standards for the 21st Century Learner— says that reading is a foundational skill for learning, personal growth, and enjoyment. The degree to which students can read and understand text in all formats (e.g., pictures, videos, print matters of all kinds) and all contexts is a key indicator of success in school and in life (American Association of School Librarians, 2007, p. 2). Education—and reading well—enables students to look through window frames in order to see the realities of others and into mirrors in order to see their own reflected realities. Knowledge of both types of framing is basic to a balanced education, which should be committed to affirming the essential dialectic between the self and the world. In other words, education engages us in “the great conversation” between various frames of reference. 72 M. A. WEBB
Herndon (1968) describes the routine of asking nonreaders to engage in reading aloud, a practice that required students to risk themselves in ways that prevented them from complying. Their resistance provided pro- tection to their emotional and social selves. This avoidance of the risk for Herndon’s students’ was entrenched in the racialized context of the school. In chapter three, titled “Welcome Back!” Herndon describes a huge poster located at the end of the hall hung high up on the wall. The poster said “Welcome Back.” Below the these words was a painted picture which showed two white children, a boy and a girl, carrying lunch boxes and books, heading for school. In light of the student population being 99% African American, this depiction is clearly problematic. The prob- lem, as he describes it, is
that these two life sized painted kids didn’t look like anybody I saw or was likely to see, heading for old GW. The girl was blonde. Her hair hung in a nice long curl around her shoulders. The boy had brown hair, combed straight back. They both were white. (p. 11) FS The presence of the mural depicting white children, the limited books and older texts, showing a complete lack of concernO for the students in this school and their educational experiences, all certainly created a con- tentious climate inside the school. O For Herndon (1968), the task was to carve out a safe learning environ- ment. He recognized that the structuresR of GW, like 3countless other schools across America then Pand now, were mis-educative.1 He attempted to create a learning space where students were0 encouraged to participate and engage in discussions and group projects. Learning would be enjoy- able. However, whileP the plays and films 2blurred the lines between work and play, theyA ultimately led to his being characterized as an unsuccessful teacher. I © The idea that a central purpose of a democratic curriculum might involve exploring where knowledge comes from, the rules of its produc- tion, and the ways we can assess its quality and the purposes of its produc- tion often don’t resonate with individuals living in an era of standardized tests and student/school rankings (Kincheloe, 2008, p. 3). Dewey advised teachers to build their classroom lessons around the life experiences of students. Paulo Freire always reminded us that central to our work in critical pedagogy is the effort to end the grotesque reality of human suffering. “A critical epistemology helps educators understand that thinking in new ways always necessitates personal transformation: if enough people think in new ways, social and pedagogical transformation is inevitable” (Kincheloe, 2008, p. 32). No More Broken Windows 73
Martin Luther King, Jr. (n.d.), said:
It seems to me, that education has a two-fold function to perform in the life of man and in society: the one is utility and the other is culture. Education must enable a man (sic) to become more efficient, to achieve with increasing facility the legitimate goals of his life.
Some do see the education system, or more specifically our public schools, as a means for controlling students, for teaching them merely to obey (Gatto, 1992). It is widely agreed upon that one of the purposes of schooling is to understand our country and how it works, either as a way to operate in society or to question and to change it. A more democratic, critical, and progressive education in the public school makes it possible for students to control their own future. Stained Glass FS When I see a stained glass window in a church, its beauty often strikes me. The stained glass is often a depiction of a particularO story or inspiring moment from scripture or an aspect of faith. A closer look at the art embedded in the glass panes often revealsO that the window is made up of many pieces of glass of different shapes and sizes, some are large and some are small and they are made ofR different colors. 3 The ultimate goal of a greatP teacher (James Herndon),1 the fine artist who creates stained glass out of his students’ lives0 in the classroom, is to create something that will captivate, evoke, enthrall, or in some other way stimulate the viewerP (learner). This is accomplished2 by coming up with fresh ideas or Adesigns (innovative teaching strategies), and then executing them (evenI though the outcome© may look very random, imprecise, and sometimes chaotic). Students are like a giant stained glass window, with their own life expe- riences shimmering as the light of people who had an impact on their lives through liberating actions shines through them, always in the moment but sometimes recognized only in the future. Teachers, like James Herndon, shine through them, and create a new world, trans- formed by opportunity, and justice. As you look at each piece of beautiful stained glass—your students’ lives and experiences—you might see a name or image of something or someone that has made a difference for him, or for her, or for you. The people who shine through will be the ones who took the time to listen, to care, to teach, to inspire, to encourage, those whom you took a chance on, or who took a chance on you, like James Herndon did for his students. 74 M. A. WEBB
Instead of operating under the broken window theory, which privileges disorder and merely responds to the perception of it with behavioral interventions (like direct instruction), we should strive for the excellence and possibility symbolized by stained glass windows. Herndon was an educator who attempted to transform his students from regular glass win- dows, perceived by every other adult in the setting to be broken, into stained glass windows, in tact and thriving, and emitting beauty and potential. His nontraditional teaching methods led to enthusiasm and dil- igence from his students, and, ultimately, and sadly, the nonrenewal of his teaching contract. He attempted to utilize novel strategies that motivated students to read in a world where students had miseducative experiences with reading over the course of several years, since they were still non- readers in seventh grade. In the last month of school, the students decided to stage riots. The riots mainly consisted of throwing things out of the windows, destroying books, and occasionally locking a teacher out of the classroom. SHerndon’s (1968) classes were the only ones not disrupted. His students did not riot against him and or his authority (or lack thereof) as they didF against other teachers. So, the administration fired Herndon because it felt that if no one rioted against him, he must be the only one Onot enforcing authority. In his final evaluation interview, HerndonO recalled that On the form, where it counted, I was totally unsatisfactory. He spoke to the point; the children were not in theirR seats on time, they did3 not begin les- sons promptly, many of them sat around doing nothing,1 there was not an atmosphere conducive to study, P no effort was made to inculcate good study habits, there was no evidence of thorough preparation0 of lessons or goals. I appeared to encourageP activities that were opposed2 to the efforts of the fac- ulty. In general, I appeared eager to discuss with the students matters irrele- vant or unfitA for the classroom, I had no control over their actions, and I steadfastlyI rejected aid and advice© from experienced people. (p. 110) Instead, all of what Herndon did was done to empower and transform the lives of children, to educate them, which he did and the others in the school did not. Their realities are on different sides of the window, one that sees the windows as broken, and the other that sees them as beautiful, filled with possibility. We live in a society which values maintaining the status quo and where some of the most vibrant approaches and possibilities are often stifled, and where individuals not “with the program” are encouraged to become more like those that are accepted and privileged in the dominant culture. I have always believed that active lessons should connect to the real world and that the experiences of students, as they are surfaced and privileged in class, promote motivation and excitement for learning. Classrooms No More Broken Windows 75 should be places where students are treated as thinkers, doers, and direc- tors of their own learning. Students will achieve academic prosperity when teachers like Herndon (1968) give them the opportunity to succeed. The persistence of racial and economic inequalities that minimize the life prospects of urban African American school children should lead each of us to consider our moral obligations as change agents, and particularly to reconsider just how it is that the status quo in curriculum and pedagogy today, especially in classrooms where students of color go to study and learn, is being fostered by the hegemonic forces of the day. We need more James Herndons to break down those practices, to engage learners, and to transform society.
REFERENCES American Association of School Librarians. (2007). Standards for the 21stS Century Learner. Retrieved from www.ala.org/aasl Banks, J. (1993). The cannon debate, knowledge constructionF and multicultural education. Educational Researcher, 33(5), 4-14. Christensen, C. R., Garvin, D. A., & Sweet, A. (1991). OEducation for judgment: The artistry of discussion leadership. Boston, MA: Harvard Business School Press. Clay, M. (1991). Becoming literate: The constructionO of inner control. Portsmouth, NH: Heinemann. 3 Dewey, J. (1916). Democracy and education.R New York, NY: Macmillan. Dewey, J. (1938). Experience & education.P New York, NY: Kappa1 Delta Pi. Dewey, J., & Childs, J. L. (1933). The social-economic0 situation and education. In W. H. Kilpatrick (Ed.), The educational frontier (pp. 32-72). New York, NY: D. Appleton-Century.P 2 Dilworth, M. E. (1992). Diversity in teacher education: New expectations. San Fran- cisco, CA:I AJossey-Bass. © Freire, P. (1970). Pedagogy of the oppressed. New York, NY: Continuum. Gatto, J. T. (1992). Dumbing us down: The hidden curriculum of compulsory schooling. Philadelphia, PA: New Society. Herndon, J. (1968). The way it spozed to be. New York, NY: Simon and Schuster. Herndon, J. (1985). Notes from a school teacher. New York, NY: Simon and Schuster. Herndon, J. (1971). How to survive in your native land. New York, NY: Simon and Schuster. Hilliard, A. (1995). The maroon within us. Baltimore, Md: Black Classic Press. Irvine, J. J. (1989). Annual meeting of the American Educational Research Association. Address presented at AERA, San Francisco, CA. Kincheloe, J. L. (2008). Knowledge and critical pedagogy: An introduction. Montreal: Springer. Kuykendall, C. (1992). From rage to hope: Strategies for reclaiming Black & His- panic students. National Educational Service. 76 M. A. WEBB
Ladson-Billings, G. (1992). Culturally relevant teaching: The key to making multi- cultural education work. In C. A. Grant (Ed.), Research and multicultural educa- tion (pp. 106-121). London, England: Falmer Press. Ladson-Billings, G. (1994). The dreamkeepers: Successful teachers of African American children. San Francisco, CA: Jossey-Bass. Marsh, C. J., & Willis, G. (2007). Curriculum: Alternatives approaches, ongoing issues (4th ed.). Upper Saddle River, NJ: Pearson/Merrill Prentice Hall. The Martin Luther King, Jr., Research and Education Institute—Martin Luther King, Jr., Papers Project. (n.d.). The Martin Luther King, Jr., Research and Education Institute—Martin Luther King, Jr., Papers Project. Retrieved from http:/ /mlk-kpp01.stanford.edu/kingweb/mlkpapers/ McLaren, P. (1997). Critical multiculturalism. In D. T. Goldberg (Ed.), In multiculturalism (pp. 45-74). Malden, MA: Blackwell. Perkins, H. (2001). Listen to their teachers’ voices: Effective reading instruction for fourth grade African American students. Reading Horizons, 41(4). Pinar, W. (2012). What is curriculum theory? (2nd edition). New York, NY: Taylor & Francis. Schubert, W., & Schubert, A. L. L. (1982). Conceptions of curriculum knowledge:S Focus on students and teachers. College Station, PA: The Pennsylvania State University. Schubert, W., Schubert, A. L. L., Thomas, T., & Carroll, W. F(2002). Curriculum books: The first hundred years. New York, NY: Peter Lang. Slavin, R. E. (1991). Are cooperative learning and “untracking”O harmful to the gifted. Educational Leadership, 48(6), 68-71. Sleeter, C. E., & Grant, C. A. (1999). Making choicesO for multicultural education: Five approaches to race, class, and gender. New York, NY: John Wiley. Wilson, J. Q., & Kelling, G. L. (1982).R Broken windows. The3 Atlantic Monthly, 249(3), 29-38. P 1 P 20 IA © CHAPTER 5
HOW READING INCENTIVE PROGRAMS FAIL
C. P. GARRY Candi Pierce Garry S OF We destroy the disinterested (I do not mean uninterested) love of learning in children, which is so strongO when they are small, by encouraging and compelling them to work for petty and contemptible rewards—gold stars,R or papers marked 1003 and tacked to the wall, or A’s on report cards, or honor rolls,1 or dean’s lists, or Phi Beta Kappa keys—in short,P for the ignoble satisfaction of feeling that they are better than someone else. We 0encourage them to feel that the end and Paim of all they do in school2 is nothing more than to get a good mark on a test, or to impress someone with what they seem to know.A We kill, not only their curiosity, but that it is a good and admirableI thing to be curious.©” —John Holt, How Children Fail
Introduction
How Children Fail, published in 1964, spelled out John Holt’s theories about children and school failure. In this widely read book, he describes his belief that the design, methods, values, and structure of traditional schooling sets up students for failure.
Curriculum Windows: What Curriculum Theorists of the 1960s Can Teach Us About Schools and Society Today, pp. 77–91 Copyright © 2013 by Information Age Publishing All rights of reproduction in any form reserved. 77 78 C. P. GARRY
As a public school teacher-librarian, my first priority is to instill in my students a lifelong enjoyment of reading. The teacher side of me recog- nizes that learning to read, comprehend, and employ written language is vital to a student’s success, while the librarian in me knows that to get stu- dents to read, we need to get books in their hands, and that once students get hooked on reading, they will discover the joy and wonder that reading for pleasure brings. For many librarians, the phrase “by any means neces- sary” accurately describes their determination to influence young chil- dren with literature. This then becomes their motive for instituting reading incentive programs, hoping that the prizes or rewards the pro- grams offer will help students discover books and become happy, confi- dent readers. Unfortunately, as John Holt observed so many years ago, many of his fellow teachers’ well-meaning teaching strategies fail to teach children math, so too do these ambitious reading incentive programs fail to result in converting students into voracious readers. One major issue that John Holt had with traditional schoolingS was the almost exclusive use of extrinsic motivation in schools.F He shared his thoughts on incentives in a 1980 interview:
It’s a well established principle that if you take somebodyO who’s doing some- thing for her or his own pleasure and offer some kind of outside reward for doing it—and let the person become accustomedO to performing the task for that reward—then take the reward away, the individual will stop3 that activity. You can even train nursery school youngstersR who love to draw pictures to stop drawing them, simply byP giving them gold stars1 or some other little bonus for a couple of months … and then removing0 that artificial “motiva- tion.” (Stone, 1980)P 2 Holt believedA that incentives created a synthetic and very temporary motivation,I and led students to ©learn the wrong things for the wrong rea- sons and ultimately resulted in students losing interest in learning alto- gether. How Children Fail created a firestorm of controversy when it was written. As educators and others peered through Holt’s window into his class- room, they were jarringly awakened to the reality that even in the most elite private schools, children were failing to grasp basic concepts. “How Reading Incentive Programs Fail” is my attempt to create a similar win- dow to illustrate that the feel-good reading incentives offered by well- meaning educators and librarians may actually quash the innate desire to read by cheapening the already intrinsically motivating activity of reading for pleasure with meaningless extrinsic motivators. In other words, read- ing incentive programs may do more than fail to inspire students to read —they may actually be conditioning them to dislike reading! How Reading Incentive Programs Fail 79
Who Was John Holt?
John Caldwell Holt (1923-1985) was an unlikely educator and thinker. He began his teaching career later in life, and came to it more by accident than by intention. He was the oldest and only son of affluent parents and was educated in elite private schools in New England. After graduating from Yale, where he studied industrial administration, he enlisted in the U.S. Navy toward the end of World War II, serving for 3 years as a com- missioned officer on the USS Barbero. He later credited his time spent on the submarine as the best learning community he had ever been a part of, due to his commanding officer who gave him genuine responsibilities and on-the-job learning opportunities. After his stint in the Navy, and moved by the horrors of the atomic bombing of Hiroshima, Holt became involved with the World Federalist Movement. This organization attracted a number of World War II veterans who felt that establishing a new global government might prevent future wars. However, discouragedS by the onset of the Cold War and the apparent futility of the new world order movement, he resigned after 6 years and spent the nextF year traveling Europe while contemplating his future. During a visit with his sister, she remarked on Holt’s affinity with children and Osuggested he consider teaching. As Holt had no teaching credentials andO therefore was not qualified to teach in public schools, his opportunitiesR were limited to3 private schools. Holt convinced the headmaster of the Colorado Rocky Mountain School to take him on initially as an Punpaid volunteer, but he1 soon found himself a full-time staff member teaching high school0 students. He described himself then as “a perfectlyP conventional2 schoolmaster” giving students numerous tests and failing them when they did not pass. He still felt they were capable ofA learning and spent a great deal of time trying to reach the students, butI after 4 years came© to the realization that the students expected to fail. John Holt decided to try his hand at teaching younger students, hoping to intervene before the students became so ingrained in their defeatist frame of mind. Holt moved across the country to Cambridge, Massachusetts, to work with fifth graders at the very selective Shady Hill School. Here he cotaught math with Bill Hull, an educator with whom he felt a kinship, as both were interested to find out why so many of their students didn’t learn well. The students in the class were children of highly intelligent society elites and their IQs had tested at the gifted level, yet many acted helpless in class. They did not retain what had been taught and “passed” in previous grades. Rather than resort to the common practice of drilling and testing the stu- dents to force them to preserve the information taught, Holt began trying to get the students to think about math, using manipulatives and other 80 C. P. GARRY means in an attempt to help the students understand the larger concepts. The school’s administration found this approach controversial, and the institution let him go. The next year he was teaching his own class at nearby Leslie Ellis School while remaining in touch with Bill Hull. Holt had written many letters and memos describing and reflecting on what he had been observing throughout his career, and at a friend’s urging, com- piled the letters into his first book, How Children Fail, published in 1964. John Holt then moved from Cambridge to Boston, accepting a posi- tion at Commonwealth School. While his book was becoming successful, Holt was working on his follow-up title, How Children Learn, which was published in 1967. Buoyed by his books’ success and still conflicting with school administrators over teaching philosophies, Holt left the classroom in 1967, spending the next 2 years as a guest lecturer in the Education departments of prestigious universities—first Harvard and later the Uni- versity of California at Berkeley. John Holt spent the rest of his life writing, lecturing, and attemptingS to reform the way children are educated. Eventually he cameF to the conclu- sion that traditional schools were counterproductive, harmful, and not willing or able to change. He felt children learnO best naturally, through real-life experiences. He became a pioneer in the homeschooling move- ment, eventually shifting his focus to theO idea of “unschooling,” which eschews any form of regimented curricula and schooling structure in favor of a natural, life-experiences Rapproach. He founded3 a newsletter in 1987 titled Growing WithoutP Schooling (GWS), which1 supported and encouraged homeschooling and unschooling families.0 GWS continued to flourish for 16 years after his death, closing in 2001 but maintaining an online presence withP a website containing2 digital copies of all the pub- lished newsletters.A Over his lifetime he published a total of 10 books, including revisedI and updated editions© of his two best-sellers. John Holt passed away in 1985 at the age of 62 from cancer (Farenga, 1999; Gilman, 1984; Holt, 1964; Lant, 1976; Meighan, 2007; Stone, 1980).
John Holt’s Theories on Learning
John Holt’s experiences as a classroom teacher and child observer in the 1960s formed the foundation of his educational theories. How Chil- dren Fail (1964) spells out some of his best known theories about children and learning: