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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Bollywood in Australia: Transnationalism and Cultural Production
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 Bollywood in Australia: Transnationalism and Cultural Production Andrew Hassam University of Wollongong, [email protected] Makand Maranjape Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Hassam, Andrew and Maranjape, Makand, Bollywood in Australia: Transnationalism and Cultural Production 2010. https://ro.uow.edu.au/artspapers/258 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Introduction Bollywood in Australia Andrew Hassam and Makand Paranjape The global context of Bollywood in Australia Makarand Paranjape The transcultural character and reach of Bollywood cinema has been gradually more visible and obvious over the last two decades. What is less understood and explored is its escalating integration with audiences, markets and entertainment industries beyond the Indian subcontinent. This book explores the relationship of Bollywood to Australia. We believe that this increasingly important relationship is an outcome of the convergence between two remarkably dynamic entities—globalising Bollywood, on the one hand and Asianising Australia, on the other. If there is a third element in this relationship, which is equally important, it is the mediating power of the vibrant diasporic community of South Asians in Australia. Hence, at its most basic, this book explores the conjunctures and ruptures between these three forces: Bollywood, Australia and their interface, the diaspora. 1 Bollywood in Australia It would be useful to see, at the outset, how Bollywood here refers not only to the Bombay film industry, but is symbolic of the Indian and even the South Asian film industry. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod Ified Date
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Play Count Last Played Skip Cou nt Last Skipped My Rating Location Kun Faya Kun www.Songs.PK A.R Rahman, Javed Ali, Mohit Chauhan Music: A .R Rahman Rockstar www.Songs.PK Bollywood Music 9718690 472 4 2011 10/2/2011 3:25 PM 11/16/2012 9:13 PM 160 44100 MPEG audio file www.Songs.PK D:\Music\rockstar\rockstar04(www.songs.pk).mp3 Thayn Thayn www.Songs.PK Abhishek Bachchan, Ayush Phukan and Earl www.Songs.PK Dum Maaro Dum www.Songs.PK Bollywood Music 4637567 204 5 2011 3/17/2011 4:19 AM 11/16/2012 9:13 PM 174 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\dummaardum05(www.songs.pk).mp3 Kaun Hai Ajnabi www.Songs.PK Aditi Singh Sharma & K.K Shankar Ehsan Lo y Game www.Songs.PK Bollywood Music 5461864 238 4 2011 3/27/2011 4:08 AM 11/16/2012 9:13 PM 173 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\game04(www.songs.pk).mp3 Yahaan Roadies 8 MyDiddle.com Airport MyDiddle.com Roadies 8 MyDiddle.com MyDiddle.com 3758166 232 12/12/2010 10:29 AM 11/16/2012 9:13 PM 128 44100 MPEG aud io file MyDiddle.com D:\Music \mm\MTV Roadies 8 Yahaan (Theme Song).mp3 Deva Shree Ganesha www.Songs.PK Ajay Gogavale Music: AjayAtul | Lyric s: Amitabh Bhattacharya Agneepath www.Songs.PK Bollywood Music 7287918 356 6 2011 4/17/2012 8:40 PM 11/16/20 12 9:13 PM 161 44100 MPEG audio file www.Songs.PK D:\Music\agneepath\agneepath06(www.songs.pk).mp3 That's My Name -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Has the Advent of Social Media Ended the Culture of Superstardom in Bollywood?
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 8 (November. 2017) PP 43-44 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Has the advent of social media ended the culture of superstardom in Bollywood? Urvi Parikh1 Ravindra Katyayan2 1Research Scholar, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 2Research Guide, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 [[email protected]]. Abstract: Superstar as a term is synonymous with Bollywood. The glamorous world of Bollywood has witnessed the rise of several stars, making a mark with their talent, charm and charisma. While some manage to swoon the audience over their looks, there are some who sweep them off their feet and are tagged as the Superstars of Bollywood! From Dilip Kumar to Shah Rukh Khan, B-town has many names in this list of superstars. But lately, we only have stars. The culture of superstar has become redundant. Reason? May be the advent of social media. With easy accessibility and direct contact with a star over social media has brought down the curiosity that once existed around the film stars. The kind of stardom that has been enjoyed by the likes of Rajesh Khanna, Dilip Kumar, Amitabh Bachchan, Shah Rukh Khan, Salman Khan, Aamir Khan, Akshay Kumar and Ajay Devgn, is missing with the actors of the newer generation. Keywords: Bollywood, Social Media, Shah Rukh Khan, Amitabh Bachchan, Salman Khan, Superstars of Bollywood, Twitter ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 09-11-2017 Date of acceptance: 23-11-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Indian cinema has completed a century since the first film was made by Dadasaheb Phalke back in 1917. -
Eros Associated Execs Admit on Hidden Camera They Will Launder Money Through Films
Call us: (800) 891-1526 | M - F 8AM to 4PM ET Call Us: (800) 891-1526 M - F 8AM to 4PM ET Solutions About Free Trial Login Eros Associated Execs Admit on Hidden Camera They Will Launder Money Through Films Eros Associated Execs Admit on Hidden Camera They Will Launder Money Through Films By GeoTeam | March 29th, 2017 | Categories: Guest Contributors, In Depth Research, premium, Sector News | 0 Comments Contributed by FG Alpha Management for GeoInvesting, LLC Summary A CNN India exposé catches four Eros International (NYSE:EROS) associated director/producer/writers on hidden camera discussing methods for laundering money through their films. Rather than disassociate themselves with these film executives following the exposé, Eros instead worked closely with all of the individuals and even acquired a 50% interest in one of their production companies in 2016. The apparent ties to money launderers raises serious questions about Eros’s use of numerous offshore asset havens and its byzantine entity structure. Additional questions should be asked about the company’s tumultuous financial controls including (a) the use of at least 9 different auditors (b) 12 auditor resignations over the past 4 years and (c) insider allegations of the use of dummy production deals to channel assets to company family members. In order to protect U.S. investors, today we are calling for a full and thorough investigation of the company. “Black money is money which is earned through any illegal activity controlled by country regulations. Black money proceeds are usually received in cash from underground economic activity and, as such, is not taxed. -
THE MAHARAJA SAYAJIRAO UNIVERSITY of BARODA List of Gold Medalists for 68 - Annual Convocation
THE MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA List of Gold Medalists For 68 - Annual Convocation SrNo. Faculty Name of the Gold Medal Student Name 1 Faculty of Law The Chancellor'S Gold Medal Shri Chirayubhai Piyushkumar Patel 2 Faculty of Family & Community Sciences The C. Gopalan-Srikantia Gold Medal Kum. Sanchi Arora 3 Faculty of Fine Arts Shrimati Hansa Mehta Gold Medal Kum. Stuti Vipul Bhavsar 4 Faculty of Science Prof P. K. Bhattacharya Gold Medal Lecture Series Shri Dr. Amitava Das 5 Faculty of Arts Dr. D. K. Shukla Memorial Gold Medal Kum. Bhoomika Ashokbhai Doshi 6 Faculty of Arts Rao Bahadur Govindbhai Hathibhai Desai Memorial Gold Medal Kum. Bhoomika Ashokbhai Doshi 7 Faculty of Arts Mukunda Gold Medal Kum. Bhumi Arunbhai Prajapati 8 Faculty of Arts Padmashri Dr. Gunvant Shah Gold Medal Kum. Bhumi Arunbhai Prajapati 9 Faculty of Arts Shri Mohanlal Hargovindas Kantawala Gold Medal Kum. Bhumi Arunbhai Prajapati 10 Faculty of Arts Lodge Tyrrell Leith No. 43 Gold Medal Kum. Deepmala 11 Faculty of Arts Smt. Sushila Rani Sharma Gold Medal Kum. Fernandes Seraphin Nicholas 12 Faculty of Arts Dr. U. P. Shah Gold Medal Kum. Gunjan Chaplot 13 Faculty of Arts Dr. U. P. Shah Gold Medal Shri Gopesh Jha 14 Faculty of Arts The Late Professor Bendapudi Subbarao Memorial Gold Medal Shri Gopesh Jha 15 Faculty of Arts The Late Professor Bendapudi Subbarao Memorial Gold Medal Kum. Gunjan Chaplot 16 Faculty of Arts Profssor Bhogilal J. Sandesara Gold Medal Kum. Maysura Sabbirbhai Surti 17 Faculty of Arts Smt. Mangalagaury Shankarlal Choksi Gold Medal Kum. Maysura Sabbirbhai Surti 18 Faculty of Arts Shri Janardan C. -
Shah Rukh Khan
8/8/2016 sharukh kahan Google Search sharukh kahan All Images News Videos Maps More Search tools About 1,280,000 results (0.80 seconds) Showing results for shahrukh khan Search instead for sharukh kahan In the news Shah Rukh Khan hated Kajol when they first met, asked Aamir Khan not to work with her The Indian Express 9 hours ago Shah Rukh Khan and Kajol may be one of Bollywood's most loved pairs but SRK just hated ... Shah Rukh Khan Salman Khan's best friends are ex Katrina Kaif, Shah Rukh Khan, Sanjay Dutt Film actor The Indian Express 8 hours ago Here's When Shah Rukh Khan's Raees Trailer Will Release! Shah Rukh Khan, also known as SRK, is an Indian film actor, producer koimoi 34 mins ago and television personality. Referred to in the media as the "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has ... More news for shahrukh khan Born: November 2, 1965 (age 50), New Delhi, India Spouse: Gauri Khan (m. 1991) Shah Rukh Khan Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Shah_Rukh_Khan Upcoming movies: Raees, Koochie Koochie Hota Hai Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an Indian film actor, producer and television personality. Referred to in the ... Songs Shah Rukh Khan filmography · Gauri Khan · List of awards · Film portal Gerua Dilwale Apun Bola Josh Shah Rukh Khan (@iamsrk) | Twitter Humko Humise Chura Lo Mohabbatein https://twitter.com/iamsrk 1 day ago View on Twitter 2 days ago View on Twitter Profiles Just Any Given Sunday. -
Kajol Ready for a Comeback
BOLLYWOOD KajolKajol RReeaaddyy ffoorr aa ccoommeebbaacckk fter a long break for marriage and motherhood, actress immense talent, she surprised everyone with her acting in the film, for Kajol is all set to re-enter Bollywood with a new film, which she became the first woman to win the ‘Filmfare Best Villain Kunal Kohli’s ‘Fanaa’, co-starring Aamir Khan, which is Award’, in 1997. scheduled for a May release. But this time its only fun But the same year, the trilingual ‘Sapnay’, with Arvind Swamy and that she is acting for. She does not want to become a Prabhu Deva, failed. However, that was all forgotten in 1998. First full-timeAA actress with a tight schedule. there was the runaway hit ‘Pyaar Kiya To Darna Kya’ with Salman Khan. Born to star actress Tanuja and Shomu Mukherjee, acting was in Then came Tanuja Chandra’s ‘Dushman’, her first attempt at a double Kajol’s blood as her great grandmother Ratanbai, her grandmother role which wowed audiences and critics alike, and the country had a Shobhana Samarth, her mother and aunt Nutan were all renowned new uncrowned number one actress. actresses of their time. Then came ‘Pyar To Hona Hi Tha’ with Ajay Devgan , which opened Kajol schooled at St. Joseph’s Convent in Panchgani, Maharashtra. a new chapter in her career. But probably even she was not prepared Later, she enrolled in Sophia College, Mumbai, but gave up studies for what was coming with Karan Johar’s ‘Kuch Kuch Hota Hai’ with to join the movies at the age of 16.