Watching the Detectives
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
(2020), No. 9 1 Finding Inspector Morse in The
Finding Inspector Morse in the Archives In my first morning in the New College archives I was talking with College Archivist, Jennifer Thorp, about the good old days of open stacks when you could stumble across something more interesting than the book you were looking for. It struck me that archives held out that long-lost promise of academic serendipity and so it turned out to be. I was in the archives to research the College’s leading role in coresidence—the admission of women to the formerly men’s colleges. Although New College was the first Oxford College to formally raise the issue of admitting women it was not among the first to do so and I wondered why this was the case. I hoped to discover the answer in the archives. As I read the pamphlet ‘Ten Years of Women at New College’ I came across a quote from one of the first women to live in New College. Her first impression of the College was ‘this would make a fantastic film set’. As a fan of Inspector Morse—and just about anything to do with crime fiction—I suspected that an episode or two of Inspector Morse had probably been filmed here and I tried, unsuccessfully, to recall which episodes they were based on my having by now been in College for a full week as a Visiting Fellow. And, of course, having memorized every nook and cranny of this marvellous place. But I was not here to ponder whether Morse has ever strolled the quads of New College. -
The Future Volume 5
The Future Volume 5 January 2012 www.thecandidatejournal.org Copyright © 2012 The Candidate All Rights Reserved Vol. 5, No. 1, 2012 The Candidate 2 Table of Contents The Future Editors’ Introduction: What Can Psychoanalysis Say About the Future? Or, When Is the Future? Michael S. Garfinkle, PhD, and Donald B. Moss, MD Original Essays Psychoanalysis and the End of the World Robert Langs, MD Ghosting David Mathew, PhD Psychoanalysis in Cyberspace Debra A. Neumann, PhD The Abdication of Her Royal Highness, Melancholy Jamieson Webster, PhD, and Patricia G herovici, PhD Contemporary Views Editors’ Introduction to the Eight Comments on Bion, Loewald and “The Future” in Psychoanalysis Donald B. Moss, MD, and Michael S. Garfinkle, PhD Two Passages by Bion and Loewald Imagining the Patient’s Future Sandra Buechler, PhD Thoughts on Two Quotations Andrew B. Druck, PhD Future as Unknown Presence (Even If It Is Absent) Michael Eigen, PhD What About the Future? Antonino Ferro, MD Overheard In the Elysian Fields Lawrence Friedman. MD Copyright © 2012 The Candidate All Rights Reserved Vol. 5, No. 1, 2012 The Candidate 3 Finding A Way Gerald J. Gargiulo, PhD, FIPA Time: Stopped, Started, Frozen, Thawed Adrienne E. Harris, PhD “Shelter from the Storm”? Comment on Passages by Bion and Loewald Jonathan H. Slavin, PhD, ABPP The Culture Desk I Don't Have a Crystal Ball Elise Snyder, MD Reflections on the Other and Where Our Future Lies: Commentary on Elise Snyder Victoria Malkin, PhD Theater Review: Freud’s Last Session Richard B. Grose, PhD What Comes After July? What Came Before? Reflections on The Future , a Film by Miranda July Hannah Zeavin Vol. -
TV/Series, 15 | 2019 Becoming Morse in Endeavour: the Prequel As Locus of Reconstruction of the Past? 2
TV/Series 15 | 2019 La Sérialité en question(s) Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? Armelle Parey Electronic version URL: http://journals.openedition.org/tvseries/3751 DOI: 10.4000/tvseries.3751 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Armelle Parey, « Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? », TV/Series [Online], 15 | 2019, Online since 16 July 2019, connection on 20 July 2019. URL : http:// journals.openedition.org/tvseries/3751 ; DOI : 10.4000/tvseries.3751 This text was automatically generated on 20 July 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? 1 Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? Armelle Parey Introduction 1 The figure of Inspector Morse first appeared in a novel by Colin Dexter, Last Bus to Woodstock, in 1975. By the time the character reached the TV screen in 1987, impersonated by John Thaw (in The Dead of Jericho), Colin Dexter (1930-2017) had already published 7 of the 12 novels he wrote in total around the figure of the grumpy opera- loving inspector. The TV adaptation, Inspector Morse, consisted in 33 films, broadcast in series or as “specials”, aired on ITV between 1987 and 2000, finishing with the adaptation of The Last Remorseful Day (1999) in which the character dies1. Following the death of John Thaw in 2002, Dexter stipulated in a clause in his will that no other actor should reprise the role2. -
The Golden Compass
Inspector Morse in Oxfordshire Oxford has long been home to Morse author Colin Dexter and famously became the backdrop to his popular murder mystery novels. It is not surprising that when ITV came to shoot the 33 Morse films, Oxford and the surrounding county consistently made it on to the screen. Inspector Morse is best known for an appreciation of beer, Wagner compositions, crossword puzzles, and zipping around his beloved city of dreaming spires in a red Jaguar car, usually accompanied by his long- suffering sidekick Sergeant Lewis played by actor Kevin Whateley. Enjoy a taste of Oxfordshire as you wind your way around some unmistakeable county locations in pursuit of mystery, Morse and murder! 1. Sheep Street 33, Burford The picturesque medieval town of Burford (known as the “Gateway to the Cotswolds”) features in The Remorseful Day where John Barron falls to his death from a ladder. He is pushed by a hooded culprit while painting Mrs Bayley’s house. 2/3.Blenheim Palace & Combe sawmill gate. Set in 2100 acres of beautiful parkland the unique English Baroque architecture of Blenheim Palace is on view in The Way through the Woods. Morse drives up to Blenheim to investigate after George Daley’s body is discovered inside the Combe sawmill gate, to the west of the estate. Morse returns to Blenheim to interview a worker on the grounds. (Blenheim Palace & Gardens, Woodstock. Open: 10:30 - 5:30 daily Tel: 01993 810500. Combe sawmill gate: Park Road to East End in Combe, Woodstock) 4. Oxford Canal, Thrupp basin (Banbury Rd. North of Kidlington) In the opening scene of The Last Enemy a decapitated body is found in the canal, along Thrupp just north of Kidlington. -
Downloaded File
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/286161870 A New Model for the Human Psyche Article in Journal of Humanities and Social Sciences · May 2014 CITATIONS READS 6 4,004 1 author: Marcia Ricci Pinheiro IICSE 119 PUBLICATIONS 274 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Scientifically Proving the Existence of the Human Soul View project Paradoxes of Language View project All content following this page was uploaded by Marcia Ricci Pinheiro on 15 December 2015. The user has requested enhancement of the downloaded file. Quest Journals Journal of Research in Humanities and Social Science Volume 2 ~ Issue 5 (2014) pp: 61-65 ISSN(Online) : 2321-9467 www.questjournals.org Research Paper A New Model for the Human Psyche I. M. R. Pinheiro* Received 10 May, 2014; Accepted 24 May, 2014 © The author(s) 2014. Published with open access at www.questjournals.org ABSTRACT: We present a new model for the human psyche in this paper. We support the thinkers from Philosophy of Science that believe that we should keep the theory that best explains our phenomena, and, therefore, we believe that we should keep the theory we here present for the human psyche. We present evidences as to why our theory explains the human psyche better than the Freudian and the Jungian theories. We include all concepts created by Jung and Freud in our theory apart from the collective unconscious. We introduce the elements extended id and extended ego in terms of human personality and the elements judgmental, non-judgmental, shared, and non-shared in terms of human mind. -
Space, Politics, and the Uncanny in Fiction and Social Movements
MADNESS AS A WAY OF LIFE: SPACE, POLITICS AND THE UNCANNY IN FICTION AND SOCIAL MOVEMENTS Justine Lutzel A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2013 Committee: Ellen Berry, Advisor Francisco Cabanillas Graduate Faculty Representative Ellen Gorsevski William Albertini © 2013 Justine Lutzel All Rights Reserved iii ABSTRACT Ellen Berry, Advisor Madness as a Way of Life examines T.V. Reed’s concept of politerature as a means to read fiction with a mind towards its utilization in social justice movements for the mentally ill. Through the lens of the Freudian uncanny, Johan Galtung’s three-tiered systems of violence, and Gaston Bachelard’s conception of spatiality, this dissertation examines four novels as case studies for a new way of reading the literature of madness. Shirley Jackson’s The Haunting of Hill House unveils the accusation of female madness that lay at the heart of a woman’s dissatisfaction with domestic space in the 1950s, while Dennis Lehane’s Shutter Island offers a more complicated illustration of both post-traumatic stress syndrome and post-partum depression. Thomas Mann’s The Magic Mountain and Curtis White’s America Magic Mountain challenge our socially- accepted dichotomy of reason and madness whereby their antagonists give up success in favor of isolation and illness. While these texts span chronology and geography, each can be read in a way that allows us to become more empathetic to the mentally ill and reduce stigma in order to effect change. -
FREUD & EGYPT 2.Indd
Freud & BETWEEN OEDIPUS AND THE SPHINX Egypt MUSEUM FREUD LONDON Freud & BETWEEN OEDIPUS AND THE SPHINX Egypt FREUD MUSEUM LONDON 7 August – 13 October 2019 Guest Curator: Professor Miriam Leonard /6/ FOREWORD Carol Seigel /9/ FREUD BETWEEN OEDIPUS & THE SPHINX Professor Miriam Leonard /19/ FREUD’S EGYPT CONTEXT & INTERPRETATION Ivan Ward /25/ RECONSTRUCTING FRAGMENTS OF LIFE STORIES: FLINDERS PETRIE, SIGMUND FREUD & EGYPT Anna Garnett /31/ LIST OF OBJECTS /45/ ACKNOWLEDGEMENTS Sigmund Freud, Vienna, 1930s Foreword The Freud Museum London at 20 Maresfield Gardens Freud’s daughter and pioneering child analyst. brought the idea of Freud and Egypt to the Freud was the final home of Sigmund Freud, the founder of After her death 20 Maresfield Gardens opened as a Museum, and has led the project and curated the psychoanalysis. It was in this house, on a leafy side museum, and has become both a popular London exhibition so successfully. We also thank UCL and street in north London, that the Freud family settled in historic house museum and a renowned international the Leventis Foundation for their generous financial 1938 after fleeing Nazi persecution in Austria. centre for exhibitions, research, education and support, and the staff of the Petrie Museum for their innovative public programmes. The Museum’s aim is assistance and exhibition loans. Unusually for a refugee from the Nazis, Sigmund to preserve the legacy of Sigmund and Anna Freud, Freud was able to bring his possessions, including and to be a centre for learning and discussion on This exhibition fulfils the Museum’s aim to explore his collection of around two thousand antiquities, psychoanalysis today. -
THE SPIRE the Parish Magazine for St Paul, Wokingham St Nicholas, Emmbrook and Woosehill Church
THE SPIRE The Parish Magazine for St Paul, Wokingham St Nicholas, Emmbrook and Woosehill Church £1 OCTOBER 2019 www.spauls.org.uk - 1 - EDITORS’ MESSAGE Harvest Festival @ St Paul’s is on Sunday 6th October. Our harvest gifts will be auctioned off during coffee following the 9.30am service. All proceeds will go to our chosen charities – The Children’s Society, Soulscape, the Link Visiting Scheme and USPG. Lunch with follow at the slightly later start time of 1pm. The ‘best job in the world’ is how Fr Richard describes his life as a parish priest and the many and varied encounters he has each day (p.4). His sermon, Brexit & Evil, given at Woosehill last month is a salve for the anxious and weary in this present political climate (p.12). There is also an introduction for Cara Smart who is to become our new curate next June – hurrah! See Cara’s message on p.6. October is the feast month of our diocesan patron saint, St Frideswide, and to celebrate this year, the diocese has organised an inaugural pilgrimage to the saint’s shrine in Christ Church Cathedral on her feast day, Saturday 19th October. A few members from St Paul’s are making the journey and we are hopeful of an account or two making their way to our inbox for next month’s magazine. We would be particularly pleased to hear the points of view of any children or young people walking the pilgrim way. You can even use Bishop Steven’s Berkshire Pilgrimage report on p.10 by way of a template! And whilst we’re here, what does St Frideswide, Alice in Wonderland, and a treacle well have in common? Turn to p.16 to find out more. -
Freud, S. (1919). the 'Uncanny'. the Standard Edition of the Complete
Freud, S. (1919). The ‘Uncanny’. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVII (1917-1919): An Infantile Neurosis and Other Works, 217-256 The ‘Uncanny’ I IT is only rarely that a psycho-analyst feels impelled to investigate the subject of aesthetics, even when aesthetics is understood to mean not merely the theory of beauty but the theory of the qualities of feeling. He works in other strata of mental life and has little to do with the subdued emotional impulses which, inhibited in their aims and dependent on a host of concurrent factors, usually furnish the material for the study of aesthetics. But it does occasionally happen that he has to interest himself in some particular province of that subject; and this province usually proves to be a rather remote one, and one which has been neglected in the specialist literature of aesthetics. The subject of the ‘uncanny’1 is a province of this kind. It is undoubtedly related to what is frightening—to what arouses dread and horror; equally certainly, too, the word is not always used in a clearly definable sense, so that it tends to coincide with what excites fear in general. Yet we may expect that a special core of feeling is present which justifies the use of a special conceptual term. One is curious to know what this common core is which allows us to distinguish as ‘uncanny’ certain things which lie within the field of what is frightening. As good as nothing is to be found upon this subject in comprehensive treatises on aesthetics, which in general prefer to concern themselves with what is beautiful, attractive and sublime—that is, with feelings of a positive nature—and with the circumstances and the objects that call them forth, rather than with the opposite feelings of repulsion and distress. -
Endeavour on MASTERPIECE MYSTERY!
Born to Sleuth Endeavour Starring Shaun Evans as Detective Constable Endeavour Morse Sunday, July 1, 2012 at 9pm ET on PBS "Shaun Evans is beguiling in the title role…" - The Guardian (UK) Before Inspector Morse, there was the rookie Constable Morse, fed up with police work and ready to nip his career in the bud by handing in his resignation. That is, until a murder turned up that only he could solve. Shaun Evans (The Take, The Virgin Queen) stars as the young Endeavour Morse, before his signature red Jaguar but with his deductive powers already running in high gear, on Endeavour, airing on MASTERPIECE MYSTERY! July 1, 2012 on PBS. Celebrating the 25th anniversary of the UK premiere of Inspector Morse in 1987, Endeavour turns back the clock to 1965 to tell the story of the making of the legendary detective, who was played by John Thaw in 33 episodes of Inspector Morse that aired on MYSTERY! from 1988 to 2001. Thaw died in 2002. But his daughter Abigail Thaw (Vanity Fair) makes a very special appearance in Endeavour. Novelist Colin Dexter authored the Morse plots and characters, including the thrilling back-story to Endeavour, which is scripted by Russell Lewis. Lewis also created the spinoff series Inspector Lewis, featuring the exploits of Morse’s sergeant. Endeavour co-stars Roger Allam (The Queen) as Inspector Thursday, Morse’s mentor on the Oxfordshire Constabulary; Richard Lintern (Page Eight) as Professor Rowan Stromming, an Oxford don shocked to see the inside of a murder inquiry; Charlie Creed-Miles (White Teeth) as used Jaguar dealer Teddy Samuels; Patrick Malahide (Middlemarch) as a high-handed government minister; and James Bradshaw (Brideshead Revisited) as police pathologist Dr. -
Toward a Neo-Lacanian Theory of Discourse
2 � Toward a Neo-Lacanian Theory of Discourse Work on discourse, then, is itself not neutral. The questions it poses concerning the historical and material existence of ideologies, discourses and their meanings concerning the ways in which individuals are constructed as subjects, and concerning the relations between theory and practice involved in “speaking for others,” are questions that some would prefer never to raise. For there stand, behind the work on discourse that emerged and developed at the end of the sixties and in the seventies, the ultimately political questions of how and how far the society in which we live can be changed. —Diane Macdonell, Theories of Discourse Here we can see clearly how fantasy is on the side of reality, how it sustains the subject’s “sense of reality”: when the phantasmatic frame disintegrates, the subject undergoes a “loss of reality” and starts to perceive reality as an “irreal” nightmarish universe with no firm ontological foundation; this nightmarish universe is not “pure fantasy” but, on the contrary, that which remains of reality after reality is deprived of its support in fantasy. —Slavoj Žižek, The Plague of Fantasies Communication does not take place through subjects but through affects. —Slavoj Žižek, Tarrying with the Negative he study of discourse as it has emerged in the last fifty years is strikingly diverse and interdisciplinary. It includes, according to Debo- T rah Schiffrin’s taxonomy, speech act theory, interactional sociolinguis- tics, ethnographies of communication, pragmatics, conversation analysis, and variationist discourse analysis (we could also add critical discourse analysis, narrative analysis, discursive psychology, and more) and ranges from philoso- phy to linguistics to anthropology, and everywhere in between (6–11; cf. -
Colin Dexter
AUTHOR DATA SHEET Macmillan Guided Readers Colin Dexter The author and his work read two novels about crime and detection. He thought that they were poor novels and he thought that he could easily write better crime novels himself. So he started to write one. He wrote about Inspector Morse, a police detective who worked in Oxford. Colin’s first novel about Morse – Last Bus to Woodstock – was published in 1975 and since then he has written twelve more novels about Morse and his assistant, Sergeant Lewis, as well as some short stories. All these novels and stories have been made into very successful television films and there have been other television films about these characters in stories written by other writers. Thirty-three television films have been made in © PA Photos Limited the UK by the televison company, Carlton olin Dexter was born in 1930, in Stamford, Productions. In each of them, John Thaw acted CLincolnshire, in the east of England. His full the part of Morse and Kevin Whately acted the name is Norman Colin Dexter. Colin’s parents were part of Lewis. Colin Dexter himself enjoyed poor, and they had both left school at the age of acting very small parts in these films. twelve. But Colin and his elder brother worked very hard at school, and both of them later attended Dexter and Morse Cambridge University. Before he went to university, Colin Dexter often writes about the kinds of Colin was in the British Army for two years. He did people and the places he has known in his work.