An Aspect of the Genoese Network and Its Colonial World in the Middle Ages
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The Gattilusj of Lesbos (1355—1462). «Me Clara Caesar Donat Leebo Ac Mytilene, Caesar, Qui Graio Praesidet Iraperio'
The Gattilusj of Lesbos (1355—1462). «Me clara Caesar donat Leebo ac Mytilene, Caesar, qui Graio praesidet iraperio'. Corsi apud Folieta The Genoese occupation of Chios, Lesbos, and Phokaia by the families of Zaccaria and Cattaneo was not forgotten in the counting- houses of the Ligurian Republic. In 1346, two years after the capture of Smyrna, Chios once more passed under Genoese control, the two Foglie followed suite, and in 1355 the strife between John Cantacuzene and John V Palaiologos for the throne of Byzantium enabled a daring Genoese, Francesco Gattilusio, to found a dynasty in Lesbos, which gradually extended its branches to the islands of the Thracian sea and to the city of Ainos on the opposite mainland, and which lasted in the original seat for more than a Century. Disappointed in a previous attempt to recover his rights, the young Emperor John V was at this time living in retirement on the island of Tenedos, then a portion of the Greek Empire and from its position at the mouth of the Dardanelles both an excellent post of obserration and a good base for a descent upon Constantinople. During his so- journ there, a couple of Genoese galleys arrived, commanded by Fran- cesco Gattilusio, a wealthy freebooter, who had sailed from his native oity to onrvp rmt for himself, annidst the confusion of the Orient, a petty principality in the Thracian Chersonese, äs others of his compa- triots had twice done in Chios, äs the Venetian nobles had done in the Archipelago 150 years earlier. The Emperor found in this chance visi- tor an Instrument to effect his own restoration; the two men came to terms, and John V promised, that if Gattilusio would help him to recover his throne, he would bestow upon him the hand of his sister Maria — an honour similar to that conferred by Michael VIII upon Benedetto Zaccaria. -
Designing the Talmud: the Origins of the Printed Talmudic Page
Marvin J. Heller The author has published Printing the Talmud: A History of the Earliest Printed Editions of the Talmud. DESIGNING THE TALMUD: THE ORIGINS OF THE PRINTED TALMUDIC PAGE non-biblical Jewish work,i Its redaction was completed at the The Talmudbeginning is indisputablyof the fifth century the most and the important most important and influential commen- taries were written in the middle ages. Studied without interruption for a milennium and a half, it is surprising just how significant an eftèct the invention of printing, a relatively late occurrence, had upon the Talmud. The ramifications of Gutenberg's invention are well known. One of the consequences not foreseen by the early practitioners of the "Holy Work" and commonly associated with the Industrial Revolution, was the introduction of standardization. The spread of printing meant that distinct scribal styles became generic fonts, erratic spellngs became uni- form and sequential numbering of pages became standard. The first printed books (incunabula) were typeset copies of manu- scripts, lacking pagination and often not uniform. As a result, incunabu- la share many characteristics with manuscripts, such as leaving a blank space for the first letter or word to be embellshed with an ornamental woodcut, a colophon at the end of the work rather than a title page, and the use of signatures but no pagination.2 The Gutenberg Bibles, for example, were printed with blank spaces to be completed by calligra- phers, accounting for the varying appearance of the surviving Bibles. Hebrew books, too, shared many features with manuscripts; A. M. Habermann writes that "Conats type-faces were cast after his own handwriting, . -
Service Contract
EMODnet Ingestion and safe-keeping of marine data no 2 EASME/EMFF/2018/1.3.1.8/01/SI2.810021 Quarterly Progress Report Reporting Period: 01/01/2020 – 31/03/2020 Date: 19/04/2020 EMODnet Ingestion and safe-keeping of marine data Interim Progress Report Contents 1. Highlights in this reporting period ....................................................................................................... 3 2. Work package progress ....................................................................................................................... 3 WP0 – Project Management: .................................................................................................................. 3 WP1 – Construct and operate central Data Ingestion portal with services: ........................................... 4 WP2 – Implement pathways to forward submitted data to the appropriate repository: ...................... 5 WP3 – Facilitate machine-to-machine transfers: .................................................................................... 6 WP4 – Marketing and outreach activities: .............................................................................................. 7 3. Unexpected difficulties encountered ................................................................................................ 20 2 EMODnet Ingestion and safe-keeping of marine data Interim Progress Report 1. Highlights in this reporting period • As follow-up to the official contract, established 11 October 2019 between EASME and MARIS for the second EMODnet -
Journa{ of Tfze Frencft-Caruufian 1-Ftritage Society of Micftigan
E R I T A G ··E.· Journa{ of tfze frencft-Caruufian 1-ftritage Society of Micftigan . ' Vol. 28 #2 Apr. 2007 Correction of Catherine Baillon's Grimaldi Ancestry John P. DuLong, FCHSM member ([email protected]) Many French Canadians descend from the noble lady Catherine Baillon and through her they have ancestors far removed from the cold shores of the St. Lawrence. Among her medieval Franco-Italian ancestors who once basked in the warmth of the Mediterranean are the Grimaldis. In the Table d'ascendance de Catherine Bail/on (12 generations) two Grimaldi descents for Catherine Baillon are presented. 1 The first goes through the Grimaldi of Beuil family and the second is through the Grimaldi of Antibes family. 2 While the former stands intact, the latter is in need of correction. In the ninth generation of Catherine Baillon's ancestry she descends from Rainier Lascaris, count of Vintimille and co-seigneur of La Briga and Limone. He was the son of Ludovic (or Louis) Lascaris, count ofVintimille, and Tiburge Grimaldi de Beuil. Rainier was married around 1400-1403 to Madeleine Grimaldi, the daughter of Luc Grimaldi and Yolande Grimaldi, whose parents, and thus her relationship to Luc, are unknown. Luc was the brother of Marc Grimaldi, with whom he shared the seigneuries of Antibes, Cagnes, and Menton. 3 It is well established that Luc and Marc were the sons of Antoine Grimaldi who was married to Catherine Doria. 4 The issue is who are the parents of Antoine Grimaldi? In the Table d'ascendance de Catherine Bail/on (12 generations) the answer to this question is that Antoine Grimaldi was the son of Rainier I Grimaldi, the founder of the family that eventually became the princes of Monaco. -
Chapter 11 CORINTHIAN COLLEGES, INC., Et Al. Case
Case 15-10952-KJC Doc 712 Filed 08/05/15 Page 1 of 2014 IN THE UNITED STATES BANKRUPTCY COURT FOR THE DISTRICT OF DELAWARE In re: Chapter 11 CORINTHIAN COLLEGES, INC., et al.1 Case No. 15-10952-CSS Debtor. AFFIDAVIT OF SERVICE STATE OF CALIFORNIA } } ss.: COUNTY OF LOS ANGELES } SCOTT M. EWING, being duly sworn, deposes and says: 1. I am employed by Rust Consulting/Omni Bankruptcy, located at 5955 DeSoto Avenue, Suite 100, Woodland Hills, CA 91367. I am over the age of eighteen years and am not a party to the above-captioned action. 2. On July 30, 2015, I caused to be served the: a) Notice of (I) Deadline for Casting Votes to Accept or Reject the Debtors’ Plan of Liquidation, (II) The Hearing to Consider Confirmation of the Combined Plan and Disclosure Statement and (III) Certain Related Matters, (the “Confirmation Hearing Notice”), b) Debtors’ Second Amended and Modified Combined Disclosure Statement and Chapter 11 Plan of Liquidation, (the “Combined Disclosure Statement/Plan”), c) Class 1 Ballot for Accepting or Rejecting Debtors’ Chapter 11 Plan of Liquidation, (the “Class 1 Ballot”), d) Class 4 Ballot for Accepting or Rejecting Debtors’ Chapter 11 Plan of Liquidation, (the “Class 4 Ballot”), e) Class 5 Ballot for Accepting or Rejecting Debtors’ Chapter 11 Plan of Liquidation, (the “Class 5 Ballot”), f) Class 4 Letter from Brown Rudnick LLP, (the “Class 4 Letter”), ____________________________________________________________________________________________________________________________________________________________________________________________________________ 1 The Debtors in these cases, along with the last four digits of each Debtor’s federal tax identification number, are: Corinthian Colleges, Inc. -
Unearth the Essence of Portofino with Our Extraordinary Experiences Contents
UNEARTH THE ESSENCE OF PORTOFINO WITH OUR EXTRAORDINARY EXPERIENCES CONTENTS COASTAL LIVING 3 TREASURES OF THE LAND 10 WINING AND DINING 21 – COASTAL LIVING 3 PARAGGI BEACH LOUNGING A stay in Portofino calls for a day at the beach. This secluded Paraggi Beach nestles into the coastline just a short drive from Splendido Mare by courtesy shuttle. As our guest, you’ll have your own private lounger waiting for you on the golden sands. Soak up the sun, swim in the warm aquamarine waves and enjoy a light seafood lunch right by the water. Services include: beach concierge and attendant, beach lounge, umbrella, vaporizers, selection of magazines, books and beach games, sunscreen on request. Every day from June 1st to September 30th, 2021 Advance beach reservation requested 5 GOZZO TO GO Take to the water for a complimentary excursion (upon availability), in our gorgeous wooden gozzo. These traditional fishing boats epitomise Portofino’s golden-era charm. Drift dreamily along the Italian Riviera, exploring the coves and bays that dot the coast. There’s no finer way to savour the slow pleasures of local life. Or rent our wooden boat for an exciting ride along the promontory to discover San Fruttuoso Abbey, spying the underwater Abyss wine at Cala degli Inglesi, and anchoring for a swim at Punta Chiappa. The sun setting over Camogli as you sip a glass of chilled local wine is a sight to behold. 7 PRIVATE MOTOR BOAT TOUR Portofino’s nautical heritage lures you into the waves. If, like many before you, you can’t resist then head out to explore. -
Maharam of Padua V. Giustiniani; the Sixteenth-Century Origins of the Jewish Law of Copyright
Draft: July 2007 44 Houston Law Review (forthcoming 2007) Maharam of Padua v. Giustiniani; the Sixteenth-Century Origins of the Jewish Law of Copyright Neil Weinstock Netanel* Copyright scholars are almost universally unaware of Jewish copyright law, a rich body of copyright doctrine and jurisprudence that developed in parallel with Anglo- American and Continental European copyright laws and the printers’ privileges that preceded them. Jewish copyright law traces its origins to a dispute adjudicated some 150 years before modern copyright law is typically said to have emerged with the Statute of Anne of 1709. This essay, the beginning of a book project about Jewish copyright law, examines that dispute, the case of the Maharam of Padua v. Giustiniani. In 1550, Rabbi Meir ben Isaac Katzenellenbogen of Padua (known by the Hebrew acronym, the “Maharam” of Padua) published a new edition of Moses Maimonides’ seminal code of Jewish law, the Mishneh Torah. Katzenellenbogen invested significant time, effort, and money in producing the edition. He and his son also added their own commentary on Maimonides’ text. Since Jews were forbidden to print books in sixteenth- century Italy, Katzenellenbogen arranged to have his edition printed by a Christian printer, Alvise Bragadini. Bragadini’s chief rival, Marc Antonio Giustiniani, responded by issuing a cheaper edition that both copied the Maharam’s annotations and included an introduction criticizing them. Katzenellenbogen then asked Rabbi Moses Isserles, European Jewry’s leading juridical authority of the day, to forbid distribution of the Giustiniani edition. Isserles had to grapple with first principles. At this early stage of print, an author- editor’s claim to have an exclusive right to publish a given book was a case of first impression. -
The Medieval Genoese Consciousness Between Their Government and Their Colonial World
ANZAI, The Medieval Genoese Consciousness between their Government and their Colonial World The Medieval Genoese Consciousness between their Government and their Colonial World in Romania by the Analysis of a Letter Yoko Kamenaga ANZAI* 1. Introduction Recently the historians of medieval and Renaissance Italy often discuss on the view of “political language” (linguaggi politici) as new tendency of political history, in particular, as a way of analysis of political thought in its broad sense.1 In relation to the Genoese medieval history, Giovanna Petti Balbi described the language of power in the governmental ceremony or celebration.2 And some articles of Christine Shaw belong to this category. For example, she examined the various registers of some Genoese counsels and found the Genoese pragmatism based on the sense of the value of money.3 The subject of this paper treats the relationship between the mother city Genoa and its colonial people in Romania, whose world spreads in the coastal area of the Aegean and of the Black Sea largely. I try to reconsider each action and consciousness of the Genoese government staffs and of the Genoese in their colonial world through the analysis of a letter mainly. The letter has its particular style of phrase. In addition to the background and contents themselve, we would clarify their mentality. 2. The sources The sources that we treat here are L. Balletto ed. Liber Officii Provisionis Romanie.4 Officium Provisionis Romanie is an office of the Genoese Commune in charge of its colonial administration. We can find its existence at least in 1377.5 In relation to the circumstance of * Gakushuin University 1 For example, Andrea Gamberini, Lo stato visconteo: linguaggi politici e dinamiche costituzionali, Milano, 2005. -
VENICE Grant Allen's Historical Guides
GR KS ^.At ENICE W VENICE Grant Allen's Historical Guides // is proposed to issue the Guides of this Series in the following order :— Paris, Florence, Cities of Belgium, Venice, Munich, Cities of North Italy (Milan, Verona, Padua, Bologna, Ravenna), Dresden (with Nuremberg, etc.), Rome (Pagan and Christian), Cities of Northern France (Rouen, Amiens, Blois, Tours, Orleans). The following arc now ready:— PARIS. FLORENCE. CITIES OF BELGIUM. VENICE. Fcap. 8vo, price 3s. 6d. each net. Bound in Green Cloth with rounded corners to slip into the pocket. THE TIMES.—" Good work in the way of showing students the right manner of approaching the history of a great city. These useful little volumes." THE SCOTSMAN "Those who travel for the sake of culture will be well catered for in Mr. Grant Allen's new series of historical guides. There are few more satisfactory books for a student who wishes to dig out the Paris of the past from the im- mense superincumbent mass of coffee-houses, kiosks, fashionable hotels, and other temples of civilisation, beneath which it is now submerged. Florence is more easily dug up, as you have only to go into the picture galleries, or into the churches or museums, whither Mr. Allen's^ guide accordingly conducts you, and tells you what to look at if you want to understand the art treasures of the city. The books, in a word, explain rather than describe. Such books are wanted nowadays. The more sober- minded among tourists will be grateful to him for the skill with which the new series promises to minister to their needs." GRANT RICHARDS 9 Henrietta St. -
The Genoese Colonies in Front of the Turkish Advance (1453-1475)
THE GENOESE COLONIES IN FRONT OF THE TURKISH ADVANCE (1453-1475) Giustina OLGIATI* The situation of the Gerioese colonies in the East after the faıı of Constantinople is efficaciously reflected in two letters sent to Genoa, a few months distant the one from the other, from Pera and from Chios. In the first letter, written on the 23 rd of June 1453, the ex-podesta of Pera, Angelo Giovanni Lomellino, related the tragic events of the conquest of the Greek Capital city and the surrender of the Genoese colo~y: the escape of the Christiansı ships, the sack, the demolition of all fortifications. That meant the order for Chios to pay a tribute, and the possibility of Kaffa and tha other lands of the Black Sea of being asked to pay some tributes too; that exorted the government of Genoa and the Christians to intervene; it reveal- ed the wish of Mehmed to reach and to conquest Rome within two years(l). On the 27 th of September 1453 , from Chios, Franco Giustini- ani, who should have succeeded Lomellino as the Podesta of Pera,. sentto sent to Genoa other details about the dramatic situation of Latin peoples in the East. Pera was imposed a Turkish goverment, taxes from Chios and from the colonies were demanded in the Black Sea, and the promises the Sultan had made were not reliable. it particular gave prominence to the fears of the habitants inspired by the Eastern colonies, and the ir döubts about the future, especi- aııy regarding the last initiative taken by Mehmed: the reinforce- ment of the fortress of Rumeli Hisary, to control the navigation through the Bosphorus, and therigging of at least two-hundred 00- (*) Genova Universitesi Ortaçağ Tarihi Asistanı. -
Tc Ankara Ünġversġtesġ Sosyal Bġlġmler Enstġtüsü
T.C. ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ TARĠH ANABĠLĠM DALI ORTAÇAĞ TARĠHĠ BĠLĠM DALI GEÇ ORTAÇAĞ’DA ĠTALYA’NIN SĠYASĠ DURUMU Yüksek Lisans Tezi Sait Emre ÇİFTÇİ Ankara-2019 T.C. ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ TARĠH ANABĠLĠM DALI ORTAÇAĞ TARĠHĠ BĠLĠM DALI GEÇ ORTAÇAĞ’DA ĠTALYA’NIN SĠYASĠ DURUMU Yüksek Lisans Tezi Sait Emre ÇİFTÇİ Tez Danışmanı Doç. Dr. Hatice ORUÇ Ankara-2019 II ONAY TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ TARĠH ANABĠLĠM DALI ORTAÇAĞ TARĠHĠ BĠLĠM DALI Sait Emre ÇİFTÇİ GEÇ ORTAÇAĞ’DA ĠTALYA’NIN SĠYASĠ DURUMU Yüksek Lisans Tezi Tez Danışmanı: Doç. Dr. Hatice ORUÇ Tez Jürisi Üyeleri Adı ve Soyadı Ġmzası .................................................................... ........................................ .................................................................... ........................................ .................................................................... ........................................ .................................................................... ........................................ .................................................................... ........................................ .................................................................... ........................................ Tez Sınavı Tarihi .................................. III T.C. ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ MÜDÜRLÜĞÜ’NE BĠLDĠRĠM Bu belge ile, tezdeki bütün bilgilerin akademik kurallara ve etik davranış ilkelerine uygun olarak -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters.