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Downloaded from https://www.cambridge.org/core. University of Athens, on 04 Oct 2021 at 03:53:42, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0961137117000134 Plainsong and Notes for Contributors Published in Association with the Plainsong and Medieval Music Society and the International Musicological Society Study Group ‘Cantus Planus’ 1 Articles should be sent to Professor James Borders, The University of Michigan, School of Music, Theatre & Dance, 1100 Baits Drive, Ann Arbor, Michigan 48109-2085, USA, or to Professor Christian Thomas EDITORIAL COMMITTEE Leitmeir, Magdalen College, Oxford OX1 4AU, UK. The editors may also be contacted by email: James Borders, University of Michigan (Co-Editor) and . Christian Leitmeir, University of Oxford (Co-Editor) 2 BOOKS FOR REVIEW should be sent to Dr Nicolas Bell, Trinity College, Cambridge CB2 1TQ, UK. Margaret Bent, All Souls College, Oxford (Consulting Editor) AUDIO RECORDINGS FOR REVIEW should be sent to Fr Jerome F.Weber, 1613 Sunset Avenue, Utica, Susan Rankin, University of Cambridge (Consulting Editor) NY 13502–5437, USA. Nicolas Bell, The British Library (Review Editor, Books) MATERIAL FOR INCLUSION IN THE BIBLIOGRAPHY should be sent to Dr Raquel Rojo and Günther Michael Paucker, Weinstadt (Chant Bibliography) Dr Marie Winkelmüller . Jerome F. Weber, Utica, New York (Review Editor, Audio) 3 The language of publication is English, using British conventions of spelling and punctuation. Catherine Bradley, Stony Brook SUNY Continental scholars may submit initial versions of articles in German, French, Italian, or Spanish. If the Charles E. Brewer, Florida State University article is accepted for publication, it is the author’s responsibility to arrange for an idiomatic English John Caldwell, University of Oxford translation. Helen Deeming, Royal Holloway, University of London 4 Fuller guidance for contributors and a stylesheet may be found on the journal’s website: Karen Desmond, Brandeis University journals.cambridge.org/pmm (follow the link ‘Instructions for Contributors’). Emma Dillon, King’s College, London Joseph Dyer, Boston, Massachusetts Manuel Pedro Ferreira, University of Lisbon Barbara Haggh-Huglo, University of Maryland David Hiley, University of Regensburg Emma Hornby, Bristol University Andrew Kirkman, University of Birmingham Karl Kügle, Utrecht University Elizabeth Eva Leach, University of Oxford Alexander Lingas, City University, London Edward C. Nowacki, University of Cincinnati Owen Rees, University of Oxford Christian Troelsga˚rd, University of Copenhagen The Plainsong and Medieval Music Society Bruno Turner, Worthing, West Sussex www.plainsong.org.uk Elz·bieta Witkowska-Zaremba, Polish Academy of Sciences, Warsaw Ronald Woodley, Birmingham City University, Birmingham Conservatoire Chair: Dr Emma Hornby, PMMS, Music Faculty, University of Oxford, St Aldate’s, OX1 1DB. The Society was founded in 1888 for ‘the advancement of public education in the art and science of music SUBSCRIPTIONS Plainsong and Medieval Music (ISSN 0961-1371) is published twice a year in April and and in particular plainsong and mediæval music’. New members are always welcomed. Membership in October. Two parts form a volume. The subscription price (excluding VAT) of volume 26 (2017), which the Society is open to scholars, students, professional musicians, and to all with an interest in the music of includes print and electronic access, is £158 net (US$257 in the USA, Canada and Mexico) for institutions; the . Suggestions and proposals about the Society’s activities may be directed to the Publicity £42 net (US$64 in the USA, Canada and Mexico) for individuals, which includes print only, ordering direct Secretary. Membership includes a subscription to Plainsong and Medieval Music, discounts on the Society’s from the publisher and certifying that the journal is for their personal use. The electronic-only price available publications and invitations to all events sponsored by the Society. Ordinary membership costs £40 and to institutional subscribers is £137 (US$228 in the USA, Canada and Mexico). Single parts are £92 (US$153 student membership costs £25. There is also a special joint membership rate of £50. For further details, in the USA, Canada and Mexico) plus postage. EU subscribers (outside the UK) who are not registered please write to The Plainsong and Medieval Music Society, Music Faculty, University of Oxford, St for VAT should add VAT at their country’s rate. VAT registered subscribers should provide their VAT registration number. Japanese prices for institutions are available from Kinokuniya Company Ltd, P.O. Box Aldate’s, OX1 1DB, UK. 55, Chitose, Tokyo 156, Japan. Prices include delivery by air where appropriate. Members of the Plainsong and Medieval Music Society receive the Journal as part of their membership subscription. Special subscription This journal issue has been printed on FSC-certified paper and cover board. FSC is an independent, non- rates are available to members of Cantus Planus. For details please contact [email protected]. governmental, not-for-profit organization established to promote the responsible management of the world’s forests. Please see www.fsc.org for information. Orders, which must be accompanied by payment, may be sent to a bookseller, subscription agent or direct to the publisher: Cambridge University Press, Journals Fulfillment Department, UPH, Shaftesbury Printed in the United Kingdom at Bell and Bain Ltd, Glasgow Road, Cambridge CB2 8BS, UK; or in the USA, Canada and Mexico: Cambridge University Press, Journals Fulfillment Department, 1 Liberty Plaza, Floor 20, New York, NY 10006, USA. COPYING This journal is registered with the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, USA. Organisations in the USA who are registered with C.C.C. may therefore copy material (beyond the limits permitted by sections 107 and 108 of U.S. Copyright law) subject to payment to C.C.C. of the per-copy fee of $30. This consent does not extend to multiple copying for promotional or commercial purposes. Code 0961-1371/2017. ISI Tear Sheet Service, 3501 Market Street, Philadelphia, PA 19104, USA, is authorised to supply single copies of separate articles for private use only. Organisations authorised by the Copyright Licensing Agency may also copy material subject to the usual conditions. For all other use, permission should be sought from Cambridge or from the North American Branch of Cambridge University Press. This journal is included in the Cambridge Journals Online service which can be found at journals.cambridge.org. © Cambridge University Press 2017 Downloaded from https://www.cambridge.org/core. University of Athens, on 04 Oct 2021 at 03:53:42, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0961137117000134

09611371_26-2.indd 2 05/10/17 3:29 PM 05/10/17 3:29 PM 05/10/17 3:29 05/10/17 3:29 PM 0961-1371 VOLUME VOLUME 26 PART 2 OCTOBER 2017

PLAINSONG AND MEDIEVAL MUSIC VOL. 26 PART 2 OCTOBER 2017 97 141 179 186 198 , subject to the Cambridge Core terms of use, available at 183 Musica e poesia nel Balther von Säckingen, 04 Oct 2021 at 03:53:42 The San Lorenzo Palimpsest; 206 , on CONTENTS University of Athens . The Divine Office in Anglo-Saxon England, 597–c.1000 Die Kompositionen von Giovanni Mazzuoli, The Making of Liturgy in the Ottonian Church: Books, https://doi.org/10.1017/S0961137117000134 . Music and Ritual in Mainz, 950–1050 Piero Mazzuoli und Ugolino da Orvieto im San-Lorenzo-Palimpsest Mechthild Pörnbacher and David Hiley, eds., eds., Mechthild Pörnbacher and David Hiley, JURIJ SNOJ Janke, eds., John Nádas and Andreas Janke, Andreas BENT MARGARET Antonio Calvia and Maria Sofia Lannutti, eds., MIKHAIL LOPATIN Henry Parkes, JAMES BORDERS New evidence concerning the origin of the monophonic in the Codex Calixtinus TORRES RUIZ SANTIAGO and Latin Cherubikon The Greek NINA-MARIA WANEK and borrowing Finding Fortune in 13: insights on ordering in Machaut’s MELANIE SHAFFER Liturgical chant bibliography 26 GÜNTHER MICHAEL PAUCKER Reviews Billett, Jesse D. CUBITT CATHERINE 95 115 Trecento italiano: verso una nuova edizione critica dell’‘ ’ Bischof von Speyer: Historia sancti Fridolini (ca. 970) https://www.cambridge.org/core cambridge.org/pmm Cambridge Core further information about this For journal please go to the journal website at: Downloaded from https://www.cambridge.org/core/terms 09611371_26-2.indd 109611371_26-2.indd 1