Airwaves (1981-10 And

Total Page:16

File Type:pdf, Size:1020Kb

Airwaves (1981-10 And AIRWAVES A Service of Continuing Education and Extension l5il University of Minnesota, Duluth VOL. 3 NUMBER 2 OCTOBER NOVEMBER 1981 t JORN HAMMOND 1 WVTli itaff Station Manager .. .. .. Tom Livingston Program Director . ... ..... John Ziegler Asst. Program Director ... .. Paul Schmitz Engineering . .. ... ... ..... Kirk Kirsten Producer/ Outreach . .. Jean Johnson Re ~t to the Listener Layout ... .. .. ....... Bryan Vollman AIR WAVES is the monthly program guide of WDTH, which is the 100,000 By Tom Livingston, Station Manager watt public radio station at thr University of Minnesota-Duluth. Marathon I BIii K. WDTH is part of University Media Friday, October 23 marks the start of Many years ago, a younger Bill Duluth-Superior Respurces, a department of Continuing our Fall Marathon. The goal for the !O- Kielczewski was the work-study News Symphony Orchestra Education and Extrnsion at the day event is $24,000. This is the amount Director of WDTH (then KUMD). It University of Minnesota. WDTH's we need to meet all our obligations and was, therefore, a personal shock to hear Concert Previews program philosophy is to provide the balance the budget for our fiscal year the tragic news that Bill had contracted highest quality non-commercial (July I, 1981 - June 30, 1982). If we reach polio. When he worked at KUMD, Bill Last year WDTH offered expanded programming, including music, news our goal before Sunday, Nov. I, we will was always a self-reliant, hard worker. previews of the OSSO concerts with the and public affairs, and information end the marathon at that point. Pledge aid of a grant from rhe Arrowhead programs. WDTH encourages categories are as follows: We understand he will be bringing this Regional Arts Council. We have interested persons to become volunteer applied for a renewal of this grant and programmers, and manuscripts and Regular $25 same determination and strength to his . are waiting to hear the results. artwork will be considered for Student/ Fixed Income $15 physical rehabilitation. We believe and Meanwhile, there is still some time publication in AIRWAVES. WDTH is Family $35 hope that will mean a short and remaining on the first year's grant, so a mrmber of the Association of Sustaining $50 successful rehabilitation. In the we will be offering a preview of the new Minnesota Public Radio Stations and Day Sponsor $100 meantime, some friends of his have set season's opening concert. The preview an associate member of the National up the "Bill K. Fund" to help tide the Fedrration of Community Broad- program, to be aired on Thursday, If you wish to renew at the $50 or $100 family over the rough spots. You can casters. WDTH is funded by thf' October 15 at 5 p.m. will include an level, think about making it as a write them at: Bill K. Benefit Fund, University of Minnesota, thr statr interview with the conductor Taavo matching donation. This encourages Energy Information Center, 520 W. legislature, a student service fee, and Virkhaus and, if possible, with violinist others to pledge as well. Superior St., Duluth, MN. 55802. listener contributions. Membership in Ida Kavafian, who will be the soloist in WDTH is as follows: individual, $25; Prokofiev's "First Violin Concerto." This promises to be another exciting family. $35; sustaining, $SO; Century The other works on the program are the marathon. Among the highlights will Club, $l00: s1ude111 1fixed income, $10. "Symphony No. 4" by Brahms and the be interviews and features with John Soul Arrlval Membership includes a subscripllOfl to Prelude to "Die Meister-singer" by Hammond, Sr., and John Hammond, As reported in the September issue of AIRWAVES . Subscription 10 Wagner. Recordings of all the works Jr. John Sr. is credited with helping the "Airwaves," Soul Arrival will be AIRWAVES alone is $5 yf'arly . WDTH will be heard on the preview show. The careers of such musical greats as Billie moving to a new tirµe in October. The is located in 130 Humanities Building, concert itself is at 8 p.m. the next night, Holiday, Bob Dylan, and a host of new times for S.A. will be Friday 8-11 University or Minnesota-Duluth, Friday, October 16. others, and John Jr. is a great performer p.m. and Saturday 6-9 p.m. Guitar Duluth, MN. 55812. Our telephone and musician in his own right. (As an Forum with host Billy Barnard will be number is 726-7181. aside, an ancestor Hammond was heard at 7 p.m. on Fridays, and the News of the Guide important in the early days of Superior, Saturday 12-3 p.m. and Sunday 12-2:30 The University or Minnesota is WI. [Hammond Avenue]). p.m. slots that Soul Arrival originally by Jean Johnson committed to the policy that all occupied will contain free-format persons shall have equal arcess 10 Kudos music similar to Awakening. We This month is the inaugural issue for its programs, facilities, and As we begin another fall, the season welcome your comments on the our new layout person, Bryan Vollman. employment' without regard to seems to be the break point for WDTH changes. · Bryan is an art student at UMD; he has race, creed, color, sex, national volunteer announcers. Among the been a commercial artist, and a origin, or handicap. many that will be missed are Bill volunteer at WDTH (Wednesday Jazz Agnew, Jim Keller, Pat Moore and Expansions) for over a year. Now he Lynn Retka. Among these four alone Earn College Credit by works with us under a work-study there must have· easily been 20 years of Listening to grant, and we're glad to have his talents. Ontanlzatlvnal experience and dedication to WDTH, Memben and they will all be sorely missed. WDTH. Our sincere thanks to Cathe Hice, who has helped us with the guide for many The following are Of'kanizational They all had strong doses of the spirit "Dignity: A Human Right" is a four months. We certainly appreciate her Memben of WDTH. We gratefully that makes WDTH so strong and credit course being offered for the first dedicated volunteer efforts. acknowledge their support. unique among radio stations. time on WDTH this winter quarter. The half-hour programs will be We're continuing our push to make the Arrowhead Music broadcast on Mondays and Wednesdays guide a self-supporting part of the The Artery (time yet to be determined - stay tuned WDTH operation by selling more Autowerks • for further information). Anyone may advertising space. Listeners who know Builders &: Laborers Commonwealth register and earn credit by listening to of businesses that would benefit by Creative Collections the programs and fulfilling the advertising in AIRWAVES are Dew Glass Studio assignments. The course is designed for encouraged to make contact with us Greunke Inn the independent learner - all of the and/ or the business. We'll give a free Medtronic Foundation course requirements can be completed WDTH t-shirt to anyone who sells a 48 Minnesota Power by mail. The "course package" consists column inch/ year contract. Mus-Kee-Tow Woodcraft of the radio broadcasts, a study guide, Natchio's Restaurant texts, and instructor feedback. And don't forget to mention to our North Shore Jewelry Registration will be through the advertisers that you saw their ad in OSO Construction Continuing Education and Extension AIR WAVES. It makes quite a difference Tweed Museum Gift Shop officeDn the UMD campus. to them. Travelln' Man Satisfied Pledger backwards through a little hole in ·a I'm sorry I waited this long to send my Likes Women's Show I bought this post card on the beach of This is a note of appreciation for your paper which cast a shadow onto a white pledge. I have had MANY hours of sheet of paper held behind it. This was the border between two wildernesses Wise Women radio broadcast. I listening pleasure since I made my safe. There was a lot of media exposure (Olympic Peninsula and Pacific specially liked the one in June on pledge. about this safe way to look at the sun Ocean). I am writing these words down Running, and the one on women's and now you are telling innocent in a living room in Boston, Mass. I keep music with Ellen Wold, though the L. Jahlborg listeners to go out and get a solar tuning to l03.3 but get only livestock recordings were a little grating on some reports, Denver weather, dentist office Superior, WI eyeful!. Shame on you! of the songs. Keep it up. Any women's muzak, or New York City punk. It's music is enjoyed also. good to know you are still Likes Status Quo We have come up with an alternative there ... Remember, "energy follows I love your station just the way it is. It is idea, it is called "Lunar Eyeful!." If you on always in my restaurant, and people Shary Zoff intention." Two Harbors, MN. must promote things which are ask where is that marvelous station harmful to peoples health then try this Good medicine. coming from? I tell them Duluth. approach. The worst that will happen Please don't make it all NEWS - keep Mr Livingston, is that people will catch colds and flu Patrick Eller music and nice jazz - so fine. I will from standing around in the watv continue to support it if it stays the We want to know why your station has waiting for the State Bird to arrive. same or improves, if possible, like old a show on Saturdays called "Solar big band music - b1,1t please no more Eyefull." It seems to us that a listener- We solicit your help in this most urgent boring talk rehash news - we get supported music station should not be matter.
Recommended publications
  • Booker Little
    1 The TRUMPET of BOOKER LITTLE Solographer: Jan Evensmo Last update: Feb. 11, 2020 2 Born: Memphis, April 2, 1938 Died: NYC. Oct. 5, 1961 Introduction: You may not believe this, but the vintage Oslo Jazz Circle, firmly founded on the swinging thirties, was very interested in the modern trends represented by Eric Dolphy and through him, was introduced to the magnificent trumpet playing by the young Booker Little. Even those sceptical in the beginning gave in and agreed that here was something very special. History: Born into a musical family and played clarinet for a few months before taking up the trumpet at the age of 12; he took part in jam sessions with Phineas Newborn while still in his teens. Graduated from Manassas High School. While attending the Chicago Conservatory (1956-58) he played with Johnny Griffin and Walter Perkins’s group MJT+3; he then played with Max Roach (June 1958 to February 1959), worked as a freelancer in New York with, among others, Mal Waldron, and from February 1960 worked again with Roach. With Eric Dolphy he took part in the recording of John Coltrane’s album “Africa Brass” (1961) and led a quintet at the Five Spot in New York in July 1961. Booker Little’s playing was characterized by an open, gentle tone, a breathy attack on individual notes, a nd a subtle vibrato. His soli had the brisk tempi, wide range, and clean lines of hard bop, but he also enlarged his musical vocabulary by making sophisticated use of dissonance, which, especially in his collaborations with Dolphy, brought his playing close to free jazz.
    [Show full text]
  • Victory and Sorrow: the Music & Life of Booker Little
    ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P.
    [Show full text]
  • Brian Casserly, Who Also Goes by the Name "Big B" Plays Trumpet, Trombone and Is Also a Vocalist with the Band
    Cornet Chop Suey – Biographies The Cornet Chop Suey Jazz Band has enjoyed a meteoric rise in popularity since its arrival on the jazz scene in 2001. The band's unique front line with Brian Casserly on trumpet, Tom Tucker on cornet, Jerry Epperson on reeds and Brett Stamps on trombone is driven by a powerful rhythm section consisting of Paul Reid on piano, Al Sherman on bass and John Gillick on drums. Best known for a wide variety of styles, Cornet Chop Suey applies its own exciting style to traditional jazz, swing, blues and "big production" numbers. Every performance by Cornet Chop Suey is a high-energy presentation and is always a memorable experience for the audience. Named after a somewhat obscure Louis Armstrong composition, Cornet Chop Suey now has six CD's available. The "St. Louis Armstrong" CD includes many of the tunes performed in the special Louis Armstrong show. The band is in great demand at jazz festivals, jazz cruises, conventions and concerts around the country. Brian Casserly, who also goes by the name "Big B" plays trumpet, trombone and is also a vocalist with the band. A professional musician since the age of 14, Brian has played for many greats in the music business, including Tony Bennett,Tex Beneke, Stan Kenton, Chuck Berry and even Tiny Tim. He has also played the prestigious Monterey Pops Festival for several years. An in-demand session musician, Brian has performed in many commercials, recordings and musicals in the U.S. and Canada and is the past musical director for the S.S.
    [Show full text]
  • An Interview with Sherman Ferguson
    AN INTERVIEW WITH SHERMAN FERGUSON LOS ANGELES, CALIFORNIA KCRW-FM September 7, 1981 Bob Rosenbaum 1981, All Rights Reserved (music — "On the Stairs," Pat Martino) DO YOU HAVE LIKE A — SOME MUSICIANS USE A REFERENCE POINT, OTHER DRUMMERS OR OTHER "ON THE STAIRS," WHICH FEATURES GUITARIST PAT HORN PLAYERS. DO YOU LISTEN TO OTHER DRUMMERS MARTINO, EDDIE GREEN ON THE PIANO, TYRONE SPECIFICALLY? BROWN ON BASS AND DRUMMER SHERMAN FERGUSON, You mean, for inspiration? I listen to all the WHO IS WITH US HERE THIS EVENING. YOU WERE JUST other drummers for inspiration! Yeah. ABOUT TO TELL ME THAT "ON THE STAIRS" WAS WRITTEN ON THE STAIRS... ANY PARTICULAR DRUMMER? BILLY HART IS ONE Literally on the stairs, yeah. WHO IS— Oh, Billy Hart, he's like a brother to me. I love IN WHAT WAY? DID YOU WRITE IT? him. He's been a major influence on me. No, that's Pat's tune. But we were working in Grendal's Land, Philadelphia, and we were on YOU WROTE A SONG FOR HIM. our way down to do the second set, and he Yeah I did. A couple of years ago. Boy, it's been started, you know, fooling around with more than a couple of years. About 10 years ago. something. And (laughs) he literally, he wrote it Boy, how time flies! going down the stairs! And it's a real nice tune. And it's alot of fun to play. THAT WAS IN PHILADELPHIA. Yeah, with the Catalyst band. On our very first album. That was my very first composition to be I listen to a little bit of recorded.
    [Show full text]
  • Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
    STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Generously Supported by Jody & John Arnhold; the Andrew W. Mellon
    Generously supported by Jody & John Arnhold; the Andrew W. Mellon Foundation; and the Joseph W. Polisi Artist as Citizen President’s Fund. The future, today. Generously supported by Jody & John Arnhold; the Andrew W. Mellon Foundation; and the Joseph W. Polisi Artist as Citizen President’s Fund Restart Stages at Lincoln Center presents Juilliard NOW: Preparatory Division Saturday, May 29, 1pm ET Damrosch Park Pre-College Symphony: String Ensemble Adam Glaser, Conductor DOMINICK ARGENTO Valse Triste (1996) (1927–2019) WILLIAM GRANT STILL Mother and Child (1943) (1895–1978) DAVID DIAMOND Rounds (1944) (1915–2005) Pre-College Orchestra: String Ensemble Adam Glaser, Conductor ARNOLD SCHOENBERG Notturno for Strings and Harp (1895) (1874–1951) GABRIELA LENA FRANK Selections from Leyendas: An Andean Walkabout (b. 1972) (2001), arr. string orchestra Tarqueada Himno de Zampoñas Chasqui Coqueteos 1 Pre-College Symphony: String Ensemble Violin Cello Joshua Song (Pre-College ‘23), Katina Pantazopoulos (Pre-College ‘24), Concertmaster Principal Nami Nazar (Pre-College ‘23), Principal Joseph Darcourt (MAP ‘19, Pre-College ‘24) Dexter Doris (Pre-College ‘23) Shaw Edwards (Pre-College ‘24) Ella Eom (Pre-College ‘24) Ari Freed (Pre-College ‘23) Yui Hasagawa (Pre-College ‘23) Michelle Kwon (Pre-College ’24) Bernadette Kim (Pre-College ‘23) Miles Levine (Pre-College ‘24) Julie Kim (Pre-College ‘24) Katelyn Moon (Pre-College ‘23) Double Bass Iris Sung (Pre-College ‘23) Lauren Ugarte (Pre-College ‘21), Principal Nicholas Yoo (Pre-College ‘24) Athena Allen
    [Show full text]
  • The Brooklyn Delegation of the New York City Council for Its Vital Toric Visit to New York Gty
    Cbail'lllln Asher B. Edelman Brooklyn Academy of Music Preside at Harvey Lichtenstein Board of Trustees Vice Ck1irmen Neil D. Chrisman Rita Hillman I. Stanley Kriegel Franklin R. Weissberg Mem~ers Francis M. Austin, Jt Jenne K. Britell SPECIA L FUNDIN G FOR T HI S ANNU AL REPORT HAS BEEN Kevin Burke PROVIDED THROUGH THE GENEROUS SU PPORT OF Joanne L. Cossullo Warren B. Coburn MANUFACT U RERS HANOVER C O RPORATION . Beth DeWoody PRINTED B Y HARD ING Be H ARD ING GRAPHICS, INC. Charles M. Diker Brendan Duggan Choim Edelstein Mallory Foetor Ronald E. Feiner Alan H. Fishman Robert L. Forbes Michael Fuchs Faith G. Golding Morton Gottlieb Stephen R. Greenwald Sidney Kantor Stanley H. Kaplan Andrew K. Klink Bettina Bancroft Klink Robert A. Krasnow lngo Kretzschmar Edgar A. Lampert Eugene H. luntey laurie Mollet Martin F. Mertz Evelyn Ortner David L. Ramsay Bruce (. Ratner Richard M. Roson Jonathon F. P. Rose Robert (. Rosenberg Pippa Scott Mikki Shepard Vaughn (. Williams Ho10r1ry Chlirmen David N. Dinkins Officers Howa rd Go Iden Harvey Lichtenstein, IIHonry Tr11tees President and Executive Producer Seth Faison Koren Brooks Hopkins, leonard Garment Executive Vice President & Managing Director Paul lepercq Douglas W. Allan, Arne Vennemo Vice President for Marfceting and Promotion Ex-officii Jacques Brunswick, Mary Schmidt Campbell Vice President for Administration During the post yeo~ public funding of the arts weathered not only Fuchs and the Recording Industry Council chaired by Elelctro Entertoin­ Amidst a year of uncertainty at the National Endowment lor the intense challenges, but ever declining appropriation levels in the menrs Robert Krasnow, the Golo Committee organized a roving, post­ Arts, and a sense of growing unease with the country's economy, face of budget reductions of all levels of government.
    [Show full text]
  • Ed Bickert Bye Bye Baby Mp3, Flac, Wma
    Ed Bickert Bye Bye Baby mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bye Bye Baby Country: Canada Released: 1984 Style: Swing, Contemporary Jazz MP3 version RAR size: 1223 mb FLAC version RAR size: 1737 mb WMA version RAR size: 1894 mb Rating: 4.2 Votes: 516 Other Formats: APE WAV VOX VOC ADX DTS MOD Tracklist Hide Credits You’re In Love With Someone A1 4:23 Written-By – James Van Heusen*, Johnny Burke Bye Bye Baby A2 3:40 Written-By – Jule Styne, Leo Robin Barbados A3 4:10 Written-By – Charlie Parker It’s Time A4 4:02 Written-By – Horace Silver Nobody Else But Me A5 4:57 Written-By – Jerome Kern, Oscar Hammerstein* Things Are Getting Better B1 4:33 Written-By – Cannonball Adderley A Flower Is A Lonesome Thing B2 5:31 Written-By – Billy Strayhorn Pensativa B3 4:44 Written-By – Clare Fischer Keeping Myself For You B4 6:13 Written-By – Sidney Clare, Vincent Youmans Companies, etc. Phonographic Copyright (p) – Concord Jazz, Inc. Recorded At – Coast Recorders Remixed At – PER Credits Art Direction – Dick Hendler Bass – Steve Wallace Drums – Jake Hanna Engineer [Recording & Remix Engineer] – Phil Edwards Liner Notes – Ira Gitler Mastered By – George Horn Photography By [Cover Photo] – William G. Davey Piano – Dave McKenna Producer – Carl E. Jefferson Recorded By – Phil Edwards Other versions Category Artist Title (Format) Label Category Country Year CJ-232 Ed Bickert Bye Bye Baby (LP, Album) Concord Jazz CJ-232 US 1984 Related Music albums to Bye Bye Baby by Ed Bickert Al Cohn, Scott Hamilton, Buddy Tate, Cal Collins, Jake Hanna, Bob Maize, Dave McKenna - Tour De Force Nat Adderley - Introducing Nat Adderley Rosemary Clooney - With Love Johnny Dankworth / Billy Strayhorn - Johnny Dankworth / Billy Strayhorn The Dave Brubeck Quartet - Paper Moon Julian "Cannonball" Adderley With Horace Silver, Paul Chambers , Donald Byrd, Nat Adderley, Jerome Richardson, Kenny Clarke - Bohemia After Dark Julian "Cannonball" Adderley - Julian "Cannonball" Adderley Barney Kessel - Soaring.
    [Show full text]