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Orquesta Filarmónica De Buenos Aires
ABONO 8 16 1 Orquesta Filarmónica 0 2 de Buenos Aires Enrique Arturo Diemecke | DIRECTOR CONCIERTOS Sascha Maisky | VIOLÍN Mischa Maisky | VIOLONCHELO Lily Maisky | PIANO 4 OFBA JEFE DE GOBIERNO Horacio Rodríguez Larreta VICEJEFE DE GOBIERNO Diego Santilli JEFE DE GABINETE Felipe Miguel MINISTRO DE CULTURA Enrique Avogadro DIRECTORA GENERAL María Victoria Alcaraz HOJAS GENERALES_2018.indd 1 3/23/18 17:04 Orquesta Filarmónica de Buenos Aires Enrique Arturo Diemecke | DIRECTOR MUSICAL 7 I II OFBA LUDWIG VAN BEETHOVEN LUDWIG VAN BEETHOVEN (1770 - 1827) (1770 - 1827) OBERTURA CORIOLANO, OP. 62 SINFONIA NRO. 7 EN LA MAYOR, OP.92 CONCIERTO TRIPLE, OP.56 I. Poco sostenuto - Vivace EN DO MAYOR II. Allegretto I. Allegro III. Presto – Assai meno presto II. Largo IV. Allegro con brio III. Rondo alla Polacca VIOLONCHELO Mischa Maisky VIOLÍN Sascha Maisky PIANO Lily Maisky NOVIEMBRE JUEVES 15 20 H Enrique Arturo Diemecke DIRECTOR MUSICAL 8 9 En 2017 fue nombrado Director General Artístico y de Producción OFBA del Teatro Colón. Además, cumple su décimo segundo año como OFBA director artístico de la Orquesta Filarmónica de Buenos Aires y su trigésimo año como director artístico de la Orquesta Sinfónica de Flint, Michigan (Estados Unidos). Intérprete notable de las obras de Mahler, ha sido galardonado con una medalla de la Sociedad Mahler por sus versiones de las sinfonías completas del compo- sitor en México y Argentina. Fue Director Artístico de la Ópera de Bellas Artes de México en las décadas de los ‘80 y ‘90, donde di- rigió más de treinta producciones líricas. En 2007 dirigió Werther en el Colón y Le jongleur de Notre Dame de Massenet con Roberto Alagna para la Ópera Nacional de Montpellier. -
Janine Jansen, Martin Fröst, Torleif Thedéen, and Lucas Debargue Béla Bartók
Janine Jansen, Martin Fröst, Torleif Thedéen, and Lucas Debargue Tuesday, December 5, 2017 at 8:00pm Pre-concert Talk at 7:00pm This is the 871st concert in Koerner Hall Janine Jansen, violin Martin Fröst, clarinet Torleif Thedéen, cello Lucas Debargue, piano PROGRAM Béla Bartók:Contrasts, for clarinet, violin, and piano, BB 116 Verbunkos (Recruiting Dance). Moderato ben ritmato Pihenö (Relaxation). Lento Sebes (Fast Dance). Allegro vivace Karol Szymanowski: Mity (Myths), op. 30 Zrodło Aretuzy (The Fountain of Arethusa) Narcyz (Narcissus) Driady i Pan (Dryads and Pan) INTERMISSION Olivier Messiaen: Quartet for the End of Time 1. Liturgie de cristal (Crystal Liturgy) – quartet 2. Vocalise, pour l'Ange qui annonce la fin du Temps (Vocalise, for the Angel who Announces the End of Time) – quartet 3. Abîme des oiseaux (Abyss of the Birds) – clarinet 4. Intermède (Interlude) – violin, clarinet, cello 5. Louange à l’Éternité de Jésus (Praise to the Eternity of Jesus) – cello, piano 6. Danse de la fureur, pour les sept trompettes (Dance of the Fury, for the Seven Trumpets) – quartet 7. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (Tangle of Rainbows, for the Angel who Announces the End of Time) – quartet 8. Louange à l'Immortalité de Jésus (Praise to the Immortality of Jesus) – violin, piano Béla Bartók Born in Nagyszentmiklós, Hungary (now Sînnicolau Mare, Romania), March 25, 1881; died in New York, New York, September 26, 1945. Contrasts, for clarinet, violin, and piano, BB 116 (1938) This is a little acorn that grew into a three-movement classic of the repertoire. -
Highlighted = Needs to Be Written/Included
Seeing and Hearing Music COMBINING GENRES IN FILM VERSIONS OF BACH’S SIX SUITES FOR SOLO CELLO SENIOR THESIS FOR MUSIC SIMON LINN-GERSTEIN APRIL 20, 2009 TABLE OF CONTENTS TABLE OF CONTENTS 2 LIST OF MUSIC EXAMPLES 3 LIST OF VIDEO CLIPS 4 INTRODUCING BACH SUITE FILMS 5 PART I: DIAGRAMMING MUSIC: MONTAGE AND SHOWING MUSICAL FORMS/GENRES 7 Introduction to Montage and Links to Sound Recording 7 Comparing Audio and Visual Methods 12 Montage Case Studies 14 PART II: GENERIC CROSSOVER: INFLUENCES FROM OTHER FILM TRADITIONS ON BACH SUITE MONTAGE 25 Documentary Film and Didactic Montage 25 Music Video: Illustrating Both Structure and Gesture 28 Case Studies: Comparing the Influence of Music Video on Two Bach Films 35 PART III: THE HISTORICAL BACH: REPRESENTING SOCIAL AND HISTORICAL CONTEXT/GENRES 41 Showing and Telling History 41 The Myth of Bach’s Spirituality: A History, and its Influence on Bach Suite Films 46 Cautious Avoidance of Historical Context 54 From Dances to DVDs: Melding New and Old Contexts and Genres 55 CONCLUSION 59 WORKS CITED/BIBLIOGRAPHY 61 2 MUSIC EXAMPLES 68 Example 1: Bach Well-Tempered Clavier, Fugue No. 20 in A minor, exposition Glenn Gould’s editing 68 Example 2: Bach Well-Tempered Clavier, Fugue No. 20 in A minor, conclusion Glenn Gould’s editing 69 Example 3: Bach Suites for Solo Cello, Suite No. 1 in G major, Allemande Pablo Casals and Wen-Sinn Yang’s editing 70 Example 4: Bach Suites for Solo Cello, Suite No. 3 in C major, Prelude Mstislav Rostropovich’s editing 71 Example 5: Bach Suites for Solo Cello, Suite No. -
26 June 2020 Page 1 of 12 SATURDAY 20 JUNE 2020 Danish National Radio Choir, Stefan Parkman (Conductor) Fibich: Symphony No
Radio 3 Listings for 20 – 26 June 2020 Page 1 of 12 SATURDAY 20 JUNE 2020 Danish National Radio Choir, Stefan Parkman (conductor) Fibich: Symphony No. 3 etc. Janáček Philharmonic Orchestra SAT 01:00 Through the Night (m000k3dq) 05:32 AM Marek Stilec (conductor) Chamber music from Belgrade Alexis Contant (1858-1918) Naxos 8574120 Les Deux Ames - overture https://www.naxos.com/catalogue/item.asp?item_code=8.57412 Concert by the Colluvio Chamber Music Academy in a Edmonton Symphony Orchestra, Uri Mayer (conductor) 0 programme of Beethoven, Shostakovich, Ravel and Copland. Jonathan Swain presents. 05:42 AM Arrigoni: Tiranni Affetti - Works for Mandolin and Voice Zoltan Kodaly (1882 - 1967) Marta Fumagalli (mezzo-soprano) 01:01 AM Adagio for clarinet and piano (1905) Davide Ferella (mandolin) Ludwig van Beethoven (1770-1827) Kalman Berkes (clarinet), Zoltan Kocsis (piano) Barbara Altobello (violin) Piano Trio in G, op. 121a, 'Ten Variations on ‘Ich bin der Claudia Poz (cello) Schneider Kakadu’' 05:50 AM Diego Cantalupi (archlute) Anastasia Galenina (piano), Hans Christian Aavik (violin), Sebastian Le Camus (c.1610--1677),Gaspard le Roux,Michel Gabriele Levi (harpsichord/organ) Pavle Popovic (cello) Lambert (1610-1696) Accademia degli Erranti 2 French airs and 1 piece for harpsichord Dynamic CDS7878 01:19 AM Ground Floor, Juliette Perret (soprano), Marc Mauillon (tenor), Dmitry Shostakovich (1906 -1975) Elena Andreyev (cello), Etienne Galletier (theorbo), MacMillan: Symphony No. 4 & Viola Concerto Piano Quintet in G minor, Op 57 Gwennaelle -
Program Note to File
Abstract Title of Dissertation : Dance Based Music on Piano You Sang Kim, Doctor of Musical Art, 2015 Dissertation dirented by: Professor Larissa Dedova School of Music, Piano Division According to the Merriam-Webster dictionary, the definition of dance is “to move your body in a way that goes with the rhythm and style of music that is being played.” 1 As you can see in that definition, these two important ways of expressing human feelings, music and dance, are very closely related. Countless pieces of music have been composed for dance, and are still being composed. It is impossible and useless to count how many kinds of dances exist in the world. Different kinds of dances have been developed according to their purposes, cultures, 1 Merriam-Webster Dictionary. “Dance.” http://www.merriam-webster.com/dictionary/dance rhythm and tempo. For this reason, the field of dance-related music necessarily expanded significantly. A great deal of dance music has been written for orchestras, small ensembles, or vocals. Along with them, keyboard music also has a huge repertoire of dance pieces. For example, one of the most famous form in Baroque period was suites. Suites usually include 5 or more dance movements in the same key, such as Minuet, Allemende, Courant, Sarabande, Gigue, Bourree, Gavotte, Passepied, and so on. Nationalistic dances like waltz, polonaise, mazurka, and tarantella, were wonderful sources for composers like Chopin, Brahms, and Tchaikovsky. Dance-based movements were used for Mozart and Beethoven’s piano sonatas, chamber works and concertos. Composers have routinely traveled around the world to collect folk and dance tunes from places they visit. -
Mischa Maisky, Cello
MISCHA MAISKY, CELLO Mischa Maisky has the distinction of being the only cellist in the world to have studied with both Mstislav Rostropovich and Gregor Piatigorsky. Rostropovich has lauded Mischa Maisky as "... one of the most outstanding talents of the younger generation of cellists. His playing combines poetry and exquisite delicacy with great temperament and brilliant technique." Born in Latvia, educated in Russia, after his repatriation to Israel, Mischa Maisky has been enthusiastically received in London, Paris, Berlin, Vienna, New York and Tokyo, along with the rest of the major music centers. He considers himself as a citizen of the world: „I’m playing an Italian cello, with French and German bows, Austrian and German strings, my 6 children were born in 4 different countries, my second wife is half Sri Lankan – half Italian, I’m driving a Japanese car, wear a Swiss watch, an Indian necklace and I feel at home everywhere where people appreciate and enjoy classical music.“ As an exclusive Deutsche Grammophon artist during the last 30 years he made well over 35 recordings with such orchestras as Vienna, Israel and Berlin Philharmonic, London Symphony, Orchestre de Paris, Orpheus und Chamber Orchestra of Europe and others. His recordings have enjoyed world-wide critical acclaim and have been awarded five times the prestigious Record Academy Prize in Tokyo, three times Echo Deutscher Schallplattenpreis, Grand Prix du Disque in Paris and Diapason d’Or of the Year as well as the coveted Grammy nominations. One of the highlights in his career was the year 2000 - it was mainly devoted to a world-wide Bach tour which included over 100 concerts! In order to express his deep admiration for this great composer, Mischa Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com Maisky has recorded Bach's Solo Suites three times. -
20 March 2021
20 March 2021 12:01 AM Benjamin Ipavec (1839-1908) Lahko Noc Ana Pusar-Jeric (soprano), Natasa Valant (piano) SIRTVS 12:05 AM Claude Debussy (1862-1918), Luc Brewaeys (arranger) La cathedrale engloutie - (No 10 from Preludes - Book 1) Royal Flemish Philharmonic, Daniele Callegari (conductor) BERTBF 12:12 AM Darius Milhaud (1892-1974) 3 Psaumes de David for chorus, Op 339 Elmer Iseler Singers, Elmer Iseler (conductor) CACBC 12:21 AM Pieter Hellendaal (1721-1799) Cello Sonata, Op 5 no 7 (1780) Jaap ter Linden (cello), Ton Koopman (harpsichord), Ageet Zweistra (cello) NLNOS 12:32 AM Joseph Haydn (1732-1809) String Quartet in D major (Op.64, No.5) (Hob.III.63) "Lark" Bartok String Quartet HUMR 12:50 AM Frederick Delius (1862-1934) In a Summer Garden for orchestra BBC Symphony Orchestra, Andrew Davis (conductor) GBBBC 01:07 AM Ignacy Jan Paderewski (1860-1941) Polish Fantasy, Op 19 Lukasz Krupinski (piano), Santander Orchestra, Lawrence Foster (conductor) PLPR 01:29 AM Gustav Mahler (1860-1911) Ich ging mit lust durch einen grunen Wald Arleen Auger (soprano), Irwin Gage (piano) NLNOS 01:34 AM Johan Peter Emilius Hartmann (1805-1900) 6 Characteerstykker med indledende Smaavers af H.C Andersen, Op 50 Nina Gade (piano) DKDR 01:46 AM Giovanni Battista Pergolesi (1710-1736) Violin Concerto in B flat major Andrea Keller (violin), Concerto Koln DEWDR 02:01 AM Sergey Rachmaninov (1873-1943) Trio élégiaque no 1 in G minor Sascha Maisky (violin), Mischa Maisky (cello), Lily Maisky (piano) BERTBF 02:15 AM Dmitry Shostakovich (1906-1975) Piano Trio no -
Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30Pm, Hall
Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30pm, Hall Beethoven Cello Sonata in G minor, Op 5 No 2 Shostakovich Piano Trio No 2 in E minor, Op 67 interval 20 minutes Schumann Violin Sonata No 1 in A minor, Op 105 Mendelssohn Piano Trio No 1 in D minor, Op 49 Janine Jansen violin Mischa Maisky cello Martha Argerich piano Adriano Heitman Adriano Part of Barbican Presents 2017–18 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel. 020 3603 7930) Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we are delighted to welcome three friend Ivan Sollertinsky, an extraordinarily musicians so celebrated that they need no gifted man in many different fields. introduction. Martha Argerich and Mischa Maisky have been performing together We begin with Beethoven, and his Second for more than four decades, while Janine Cello Sonata, a work that is groundbreaking Jansen is a star of the younger generation. for treating string instrument and piano equally and which ranges from sheer Together they present two vastly different wit to high drama. -
Mikhail Pletnev a Difficult Birth Peter Ilyich Tchaikovsky (1840 – 1893) Symphony No
Peter Ilyich Tchaikovsky SYMPHONY NO1. IN G MINOR, OP.13 SLAVONIC MARCH, OP.31 HYBRID MUL TICHANNEL RUSSIAN NATIONAL ORCHESTRA Mikhail Pletnev A difficult birth Peter Ilyich Tchaikovsky (1840 – 1893) Symphony No. 1 in G Minor, Op. 13 (1866, revised 1874) he genre of the symphony played a cal characteristics met, by contrast, with “Winter Daydreams” Tmajor role throughout the creative life euphoric approval from a wide-ranging of Pyotr Tchaikovsky. He composed his first audience. After all, especially in German- 1 Daydreams on a winter journey – Allegro tranquillo 13. 19 symphony at the age of 26, and his sixth and speaking countries, his music was unjustly 2 Land of desolation, land of mists – Adagio cantabile ma non tanto 11. 43 last symphony – the Pathétique – in 1893, stamped as follows: “Beware! Sensitive, 3 Scherzo – Allegro scherzando giocoso 7. 23 the year in which he died. Whereas his three sloppy sentiment!”. But Tchaikovsky abso- 4 Finale – Andante lugubre - Allegro moderato - Allegro maestoso – last symphonies have remained an integral lutely did not want to get involved in an part of the concert repertoire, performances academic game with empty notes. And Andante lugubre - Allegro vivo 13. 14 of his first three symphonies are still quite rightly so. rare. Unfairly so, as they are unique indi- One certainly cannot accuse (1876) 5 Marche Slave (Slavonic March), Op. 31 9.15 vidual works, artistic expressions of a high Tchaikovsky of having taken an easy path quality. Tchaikovsky defined the symphony in life. After all, the law graduate gave up Russian National Orchestra as “the most lyrical of musical forms. -
T H E P Ro G
Wednesday, February 20, 2019 at 8:00 pm m Pre-concert lecture by Harlow Robinson at 6:45 pm in the a Stanley H. Kaplan Penthouse r g Symphonic Masters o r P Russian National Orchestra e Kirill Karabits , Conductor (New York debut) h Mikhail Pletnev , Piano T ALL-RACHMANINOFF PROGRAM Piano Concerto No. 2 in C minor (1900–01) Moderato Adagio sostenuto Allegro scherzando Intermission Symphonic Dances (1940) Non allegro—Lento—Tempo I Andante con moto (Tempo di valse) Lento assai—Allegro vivace Mr. Pletnev performs on the Shigeru Kawaii Piano. Please make certain all your electronic devices are switched off. These programs are supported by the Leon Levy Fund for Symphonic Masters. Symphonic Masters is made possible in part by endowment support from UBS. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano David Geffen Hall Great Performers Support is provided by Rita E. and Gustave M. Hauser, The Shubert Foundation, The Katzenberger Foundation, Inc., Audrey Love Charitable Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Endowment support for Symphonic Masters is provided by the Leon Levy Fund Endowment support is also provided by UBS Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Sunday, February 24 at 11:00 am in the Walter Reade Theater Verona Quartet MOZART: String Quartet in F major, K.590 (“Prussian”) JANÁCˇ EK: String Quartet No. -
Transcultural Representation Of
TRANSCULTURAL REPRESENTATION OF CIRCASSIAN MUSIC IN MILY BALAKIREV’S ISLAMEY: ORIENTAL FANTASY (1869) BY ANASTASSIA GRANKINA Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for Master’s of Arts degree in Musicology Department of Music Faculty of Arts University of Ottawa © Anastassia Grankina, Ottawa, Canada, 2015 TABLE OF CONTENTS TABLE OF CONTENTS…………………………………………………………………………ii ABSTRACT……………………………………………………………………………………...iv ACKNOWLEDGEMENTS………………………………………………………………………v INTRODUCTION ...........................................................................................................................1 Chapter Outline ............................................................................................................................3 CHAPTER 1: Said’s theory: Orientalism as a European construct and the image of Circassians as constructed by the Russian Empire .................................................................................................5 Edward Said and Orientalism ....................................................................................................6 Application of Said’s theory to the fields of literature and history and Said’s limitations in his own work on Orientalism……………………………………………………………………..15 “Western” representations of the Orient in the literary studies……………………….15 Reconsideration of Europe’s textual representation of the foreign lands as part of colonial history………………………………………………………………………...18 Orientalism and Gender: Said’s -
Izvēles Izdruka (CD Audio Diski ) Videocentra Katalogs
Izvēles izdruka (CD audio diski ) Videocentra katalogs 28.11.2014 MŪZIKA UN MŪZIKAS VĒSTURE (ĀRZEMJU) Dzintara ceļš [CD - 1310] Latvija, koncerts, 2014, CD, Valsts Akadēmiskais koris, galv. lomā Diriģents: Māris Sirmais, 1 kop. Valsts Akadēmiskā kora “Latvija’’ balss skaņu pavedieni un “Dzejas dienu’’ poēzijas dzīpari ir uzauduši unikālu Dzintara Trīsvienību, satiekoties vēsturiskā Dzintara ceļa valstu dzejniekiem, viņu latviešu kolēģiem, atdzejotājiem un 12 komponistiem no Latvijas – skaņu burvjiem un burvēm, kuri ar šo mūsdienu dzejnieku vārsmām mūzikā stāstīs par noslēpumainām pasaulēm. Projektā piedalās: Valsts Akadēmiskais koris “Latvija”, diriģents Māris Sirmais Dzejnieki: Kārlis Vērdiņš, Donatas Petrosius, Dragan Tripkovič, Angeliki Dimouli, Efe Duyan, Tadeush Dombrovsky, Petr Borkovec, Tiziana Colusso, Dénes Krusovszky, Ostap Slyvynsky, Andrei Sen-Senkov, Wolfgang Hermann Komponisti: Ēriks Ešenvalds, Mārtiņš Viļums, Juris Ābols, Gundega Šmite, Jānis Aišpurs, Jēkabs Jančevskis, Juris Vaivods, Imants Zemzaris, Raimonds Tiguls, Līga Celma, Georgs Pelēcis, Selga Mence. Ierakstīts Rīgas Skaņu studijā 2014. gada maijā - jūnijā. Disks grāmatā ar dziesmu vārdiem oriģinālvalodās. 20 th century lullabies = 20. gadsimta šūpuļdziesmas [CD - 894] Latvija, muz. programma, 1999, /69 min./, CD, 2 kop. Izpilda: Roxy Mucic, Genesis, Joe Cocker, David Bowie, The Animals, Deep Purple u.c. Content: Avalon / Bryan Ferry ; Roxy Music. Army Dreamers / Kate Bush. Shipwrecked / Banks ; Rutheford ; Genesis. Love anyway / Mike Scott. Brothers in Arms / Mark Knopfler ; Joan Baez. Chill Out. Things Gonna Change / John Lee Hooker. You Are so Beautifull. Live / Preston ; Fisher ; Joe Cocker. Over the Hills and Far Away / Gary Moore. Scorn Not His Simplicity / Phil Couler ; Sinead O`Connor. Wild is the Wind / Dimitri Tiomkin ; Ned Washington ; David Bowie. Kayleigh / Derek Dick ; Mark Kelly ; Steve Rothery ; Peter Trewas ; Ian Mosley ; Marillion.