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2022 YEAR 10 ELECTIVE HANDBOOK Page | 2
Year 10 Elective Handbook 2022 MILE END CAMPUS Contents ART DESIGN .............................................................................................................................. 3 DANCE ....................................................................................................................................... 4 DESIGN & TECHNOLOGIES ..................................................................................................... 5 DIGITAL TECHNOLOGIES & ENGINEERING ........................................................................... 6 DRAMA ...................................................................................................................................... 8 GERMAN .................................................................................................................................... 9 HOME ECONOMICS ................................................................................................................ 11 MEDIA ARTS ............................................................................................................................ 12 MUSIC ...................................................................................................................................... 13 PHYSICAL EDUCATION .......................................................................................................... 14 VISUAL ART ............................................................................................................................ 15 ALL STUDENTS ARE -
Traffic and Road Sign Recognition
Traffic and Road Sign Recognition Hasan Fleyeh This thesis is submitted in fulfilment of the requirements of Napier University for the degree of Doctor of Philosophy July 2008 Abstract This thesis presents a system to recognise and classify road and traffic signs for the purpose of developing an inventory of them which could assist the highway engineers’ tasks of updating and maintaining them. It uses images taken by a camera from a moving vehicle. The system is based on three major stages: colour segmentation, recognition, and classification. Four colour segmentation algorithms are developed and tested. They are a shadow and highlight invariant, a dynamic threshold, a modification of de la Escalera’s algorithm and a Fuzzy colour segmentation algorithm. All algorithms are tested using hundreds of images and the shadow-highlight invariant algorithm is eventually chosen as the best performer. This is because it is immune to shadows and highlights. It is also robust as it was tested in different lighting conditions, weather conditions, and times of the day. Approximately 97% successful segmentation rate was achieved using this algorithm. Recognition of traffic signs is carried out using a fuzzy shape recogniser. Based on four shape measures - the rectangularity, triangularity, ellipticity, and octagonality, fuzzy rules were developed to determine the shape of the sign. Among these shape measures octangonality has been introduced in this research. The final decision of the recogniser is based on the combination of both the colour and shape of the sign. The recogniser was tested in a variety of testing conditions giving an overall performance of approximately 88%. -
International Road Signs Leaflet
International Road Signs Leaflet Edition 2008 A Comprehensive list of unusual road signs by country © AIT-FIA Information Centre (OTA) Preface This third edition of the International Road Signs leaflet includes three new countries (Kuwait, Latvia and Slovenia) as well as a number of new unusual road signs in several countries. The publication follows a similar approach as the 2005 edition. We have tried to select the most unusual road signs among the ones which do not conform to those prescribed by international agreements, namely the Protocol on Road Signs and Signals (Geneva, 1949) and the Convention on Road Signs and Signals (Vienna, 1968). There is certainly a degree of subjectivity in our selections and we apologise for missing any signs that would have deserved to be inserted in this leaflet. But be sure we will take your remarks into consideration for future updates. We would also like to thank all the national automobile clubs for their invaluable help in the making of this publication. Whether you read it out of curiosity or because you intend to travel abroad, we hope you will enjoy using this leaflet. © AIT-FIA Information Centre (OTA) Table of content Things to know Australia Austria Belgium Brazil Canada China Czech Republic Denmark Finland France Germany Hong Kong Iceland Israel Italy Japan Kuwait Latvia Macedonia (FYROM) Malaysia Mexico Netherlands New Zealand Norway Poland Portugal Russia Slovenia South Africa Spain Sweden Switzerland Turkey United Kingdom USA Tunnel road signs in several countries © AIT-FIA Information Centre (OTA) Things to know According to international agreements: - Danger warning signs are either triangles or diamonds depending on the countries - Restrictive or prohibitory signs are usually circular with red borders. -
Access to Blissymbolics In
Access to Blissymbolics in ICT state-of-the-art and visions Mats Lundälv, DART, Sahlgrenska University Hospital, and BCI, Göteborg, Sweden Presented by Stephen van Tetzchner, ISAAC Research Symposium, Pittsburgh, USA, 2012 Introduction: Blissymbolics is, unlike most other graphical AAC systems, well suited for use on all technology levels, from no-tech, over low-tech, to current hi-tech ICT platforms. Blisymbols may be drawn by hand, in the sand, with paper and pen, or on a blackboard or whiteboard. In current practice we are however, as we are for all other symbol resources, heavily dependent on ICT support for practically managing and using Blissymbolics. It may be for setting up and printing symbol charts for low-tech use, or for writing documents or communicating remotely via email etc on computers and mobile devices. This presentation is an attempt to give an overview of the availability of Blissymbolics on current ICT platforms 2012, and some hints about what we can expect for the near future. Background: Blissymbolics was probably the first graphical AAC system to be supported on the emerging computer platforms in the early 1980:s; Talking BlissApple was one of the first pieces of AAC software developed for Apple II computers by Gregg Vanderheiden et al at Trace R&D Center, Madison Wisconsin USA. It was a break-through and was followed by a large number of Blissymbol AAC programs for the different computing platforms over the next decades. However, when the real expansion of the AAC technology came, with a number of commercially promoted pictorial systems such as PCS etc, Blissymbolics was largely dropping out of support on the dominating AAC software and hardware platforms. -
Celtic Birds Postage Stamp Pyrography Project
CELTIC BIRDS POSTAGE STAMP PYROGRAPHY PROJECT LORA S. IRISH LSIRISH.COM ARTDESIGNSSTUDIO.COM Create perfect graduated shading using the art style of Copyright, L S Irish, LSIrish.com, 1997-2015 pointillism. All Rights Reserved, 1997 - 2015 1 SUPPLIES NEEDED Stamp collecting is one of the favorite past times 9” X 12” x 1/4” birch, basswood, or poplar plywood in the U.S. Many of us began as small children 220- to 320-grit sandpaper who waited impatiently for the day’s mail to arrive Brown paper bag to discover if one of the envelopes sported a new #4 soft pencil for tracing stamp for our album. Masking tape to secure the paper pattern Ruler As adults our interests expanded into the history, Variable temperature pyrography unit geography, and political movements of foreign Ball tip or loop tip burning pen countries or into the elusive chase of a particular Artist white eraser stamp that would complete a year set or series Polyurethane or acrylic spray sealer release. A philatelist, stamp collector, might focus their collection of a specific time period - as stamps is- sued during World War II - or on a specific group of countries - as stamps issued from the Caribbean Island nations - or on a particular topic - as steam engines, butterflies, or dog breeds. You can bring your favorite stamp topic into your love of wood burning with this beginner’s level pointillism-styled project. Pointillism is the art style of creating designs, with graduated shading, through the use of a simple dot pattern. So let’s begin our free ArtDesignsStudio.com project by getting our supplies together. -
The Social Agency of Postage Stamps: Japanese Postage Stamps in a Global Context by Douglas Charles Terrington Frewer
The Social Agency of Postage Stamps: Japanese Postage Stamps in a Global Context By Douglas Charles Terrington Frewer Thesis submitted in partial fulfilment of the regulations of the award of Doctor of Philosophy by Oxford Brookes University April 2003 Revised and accepted May 2004 LIBRARY H su m a IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ. w w w .bl.uk Fig 12, Pg. 44, Figs 23& 24 Pg. 61, All Figs on pgs. 63-66a incl, Figs 34,35 pg. 68, Figs 44,45 pg. 70,Fig 48,50 pg. 72, Fig 52 pg. 73. NOT DIGITISED BY REQUEST OF THE UNIVERSITY The Social Agency of Postage Stamps: Abstract This thesis is concerned with evaluating postage stamps as social agents, using Japan as a case study. For the period 1937-1988 it identifies various messages about Japanese identity implied by the symbolism used by Japanese Governments in their postage stamp designs and by their choice of special issues. It explores the extent to which those messages have been received by both Japanese and British collectors of these stamps and the reasons why their communication has been found to be largely ineffective. The study identifies the tendency of stamp users to appreciate stamps aesthetically, as art objects, rather than as symbols and the practices of stamp collecting as the major obstacles to the recognition of their symbolic messages. The view that stamp collecting is a social practice which is defined by the cultural traditions of the collectors’ societies is questioned. Evidence is offered for the ‘globalisation’ of this form of collecting and for the evolution of postage stamps from being utility items largely confined to their issuing societies into ‘collectibles’ designed for a global market. -
Application of Blissymbolics to the Non-Vocal Communicatively Handicapped
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1977 Application of Blissymbolics to the non-vocal communicatively handicapped Karen Lynn Jones The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Jones, Karen Lynn, "Application of Blissymbolics to the non-vocal communicatively handicapped" (1977). Graduate Student Theses, Dissertations, & Professional Papers. 1576. https://scholarworks.umt.edu/etd/1576 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE APPLICATION OF BLISSYMBOLICS TO THE NON-VOCAL COMMUNICATIVELY HANDICAPPED by Karen L. Jones B.A., University of Montana, 1974 Presented in partial fulfillment of the requirements for the degree of Master of Communication Sciences and Disorders UNIVERSITY OF MONTANA 1977 Approved by: Chairman iBo^d of ^miners Deaw^ Gradua t^chool Date UMI Number; EP34649 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT IXMHtitian PUbMIng UMI EP34649 Copyright 2012 by ProQuest LLC. All rights reserved. -
The Fundamental Rules of Blissymbolics: Creating New Blissymbolics Characters and Vocabulary
The fundamental rules of Blissymbolics: creating new Blissymbolics characters and vocabulary Blissymbolics Communication International (BCI) ¯ 2009-01-26 1 Introduction 1 2 Blissymbolics 2 3 Definitions 2 4 Graphic aspects of the language 4 5 Bliss-characters 7 6 Bliss-words 11 7 Indicators 16 8 Wordbuilding strategies for vocabulary extension 19 9 The Blissymbolics Development Process 22 10 Bibliography 26 11 The history of Blissymbol standardization 26 12 Figure 1: Summary of the Blissymbolics development process 29 13 Figure 2: Flow chart of the Blissymbolics development process 30 1.0 Introduction. This document describes the basic structure of the Blissymbolics language, and outlines both the rules necessary to be followed for creating new BCI Authorized Vocabulary, as well as procedures used for adopting that vocabulary. This reference document will guide anyone wishing to use the Blissymbolics language. Its purpose is to ensure consistency and maintain the integrity of Blissymbolics as an international language. The formal process for the development of Blissymbolics is outlined in clause 9. NOTE: A number of technical notes appear throughout the document in smaller type. These notes refer to a number of elements which are technical in nature, such as providing specific advice for font implementations (clause 4.3.6) or the need to keep the creation of new Bliss-characters to a minimum (clause 8.9). Many users of this document will not need to take these notes into account for purposes of teaching, but they are nonetheless important for vocabulary development work and do form a part of the official guidelines. 1.1 Target users. -
Christmas 1971 Date of Issue: 13 OCTOBER 1971
STAMP HISTORY Christmas 1971 Date of issue: 13 OCTOBER 1971 The Post Office first issued Christmas stamps in 1966, so by 1971 such stamps were expected by the public to use on Christmas mail. It was agreed that a Christmas stamp be issued from the very beginning of discussions on the 1971 stamp programme. The Stamp Advisory Committee (SAC) first discussed the 1971 programme on 21 October 1969 when J R Baxter, a member of the Operations and Overseas Department (OOD) and Secretary of the SAC, proposed stamps marking the bi-centenary of the birth of Walter Scott, the 50th anniversary of the Northern Ireland Parliament and another in the architecture series. It was not until 6 May 1970 that the SAC discussed the Christmas issue deciding on a religious theme and that an air letter would also be issued. INSTRUCTIONS TO ARTISTS On 11 September the Committee agreed the ‘Instructions to artists’, issued to invited stamp designers as a guide to requirements and conditions. On 17 September invitations were sent to John Sutherland Hawes, Julian Gibb and Rauri McLean to submit designs for three special postage stamps and a commemorative air letter to be issued in November 1971. The instructions stated that the stamps were to have a religious theme but this could be either the artist’s own work or depict a religious tapestry or sculpture. Stamps depicting the traditional crib scene, the shepherds, the wise men and the angels had already been issued and so a different approach was required for at least two of the stamps. -
ONIX for Books Codelists Issue 40
ONIX for Books Codelists Issue 40 23 January 2018 DOI: 10.4400/akjh All ONIX standards and documentation – including this document – are copyright materials, made available free of charge for general use. A full license agreement (DOI: 10.4400/nwgj) that governs their use is available on the EDItEUR website. All ONIX users should note that this is the fourth issue of the ONIX codelists that does not include support for codelists used only with ONIX version 2.1. Of course, ONIX 2.1 remains fully usable, using Issue 36 of the codelists or earlier. Issue 36 continues to be available via the archive section of the EDItEUR website (http://www.editeur.org/15/Archived-Previous-Releases). These codelists are also available within a multilingual online browser at https://ns.editeur.org/onix. Codelists are revised quarterly. Go to latest Issue Layout of codelists This document contains ONIX for Books codelists Issue 40, intended primarily for use with ONIX 3.0. The codelists are arranged in a single table for reference and printing. They may also be used as controlled vocabularies, independent of ONIX. This document does not differentiate explicitly between codelists for ONIX 3.0 and those that are used with earlier releases, but lists used only with earlier releases have been removed. For details of which code list to use with which data element in each version of ONIX, please consult the main Specification for the appropriate release. Occasionally, a handful of codes within a particular list are defined as either deprecated, or not valid for use in a particular version of ONIX or with a particular data element. -
Of ISO/IEC 10646 and Unicode
ISO/IEC JTC1/SC2/WG2 N2114 Title: Graphic representation of the Roadmap to the SMP, Plane 1 of the UCS Source: Ad hoc group on Roadmap Status: Expert contribution Date: 1999-09-15 Action: For confirmation by ISO/IEC JTC1/SC2/WG2 Replaces: N2046 The following tables comprise a real-size map of Plane 1, the SMP (Secondary Multilingual Plane) of the UCS (Universal Character Set). To print the HTML document it may be necessary to set the print percentage to 90% as the tables are wider than A4 or US Letter paper. The tables are formatted to use the Times font. The following conventions are used in the table to help the user identify the status of (colours can be seen in the online version of this document, http://www.dkuug.dk/jtc1/sc2/wg2/docs/n2114.pdf): Bold text indicates an allocated (i.e. published) character collection (none as yet in Plane 1). (Bold text between parentheses) indicates scripts which have been accepted for processing toward inclusion in the standard. (Text between parentheses) indicates scripts for which proposals have been submitted to WG2 or the UTC. ¿Text beween question marks? indicates scripts for which detailed proposals have not yet been written. ??? in a block indicates that no suggestion has been made regarding the block allocation. NOTE: With regard to the revision practice employed in this document, when scripts are actually proposed to WG2 or to the UTC, the practice is to "front" them in the zones to which they are tentatively allocated, and to adjust the block size with regard to the allocation proposed. -
The Palace of the Governors Stamp Designs
New Mexico Historical Review Volume 89 Number 4 Article 3 10-1-2014 The Palace of the Governors Stamp Designs Thomas Lera Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Lera, Thomas. "The Palace of the Governors Stamp Designs." New Mexico Historical Review 89, 4 (2014). https://digitalrepository.unm.edu/nmhr/vol89/iss4/3 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. • The Palace of the Governors Stamp Designs • THOMAS LERA he image of the Palace of the Governors in Santa Fe, New Mexico, has been used in the design of two U.S. Post Office stamps. The pro- cess of developing new stamps and determining the final stamp design Thas never been addressed in detail in historical literature.1 This article first addresses the stamp-selection process and then looks at the specific case of the Palace of the Governors stamp issued in summer 1960. After sketching the history of the Palace, this work discusses the influence of local, regional, and national groups and politicians, and examines the role of the Citizens’ Stamp Advisory Committee. Special attention is paid to previously unseen images and artwork created by New Mexican artists and used to design the final stamp. This paper sheds new light on the involvement of local, state, and national leaders in a deliberative process that resulted in the issuance of many U.S.