BILLIONS Pilot Written by Brian Koppelman & David Levien
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A Lucky Pilot Descriptive Verbs
Cambridge University Press 978-1-107-59935-2 — American Think Level 4 Teacher's Edition Brian Hart , Herbert Puchta , Jeff Stranks , Peter Lewis-Jones Excerpt More Information WELCOME A WHAT A STORY! A lucky pilot 1 1.02 Complete the conversation with the verbs in the correct tense. h en listen and check. crash | hit | i nd | add | end | pull | keep take | destroy | scream | manage | dive MIKE Did you see that story about the plane that 0 crashed in the Gulf of Mexico? ANDY No, I didn’t. What happened? MIKE Well, this guy 1 of from Miami in a single- engine plane and headed toward New Orleans. ANDY Wow. h at’s a long way. MIKE Exactly, and it’s normally too far for a plane like that, but he had 2 extra fuel tanks. At er he had begun his journey, however, he realized he didn’t have enough fuel to 3 on l ying, so he radioed New Orleans and told them that he was in trouble and had to land in the ocean. ANDY In the water? MIKE Yes, but luckily there was a i shing boat nearby that Descriptive verbs was able to pick him up. But here’s the incredible 1 Match the verbs with the de nitions. thing. h e plane had a parachute, so the pilot opened it, but this didn’t work, and the plane started 1 demolish a to hit very hard and break to 4 toward the water! h en, almost at 2 l e e b to run away quickly the last second, the parachute pulled the plane 3 grab c to destroy completely 5 horizontal, just before it the water. -
Billions 101: Pilot 2016
BILLIONS Pilot Written by Brian Koppelman & David Levien & Andrew Ross Sorkin *FULLY COLLATED* 2nd Yellow Revisions - 02/09/15 2nd Pink Revisions - 01/30/15 2nd Blue Revisions - 01/19/15 Goldenrod Revisions - 01/16/15 Green Revisions - 01/15/15 Yellow Revisions - 01/13/15 Full Pink - 01/08/15 Blue Revisions - 12/18/14 Production Draft - 12/12/14 ©2014 Showtime Pictures Development Company THIS TELEPLAY IS THE SOLE PROPERTY OF SHOWTIME PICTURES DEVELOPMENT COMPANY. NO PORTION MAY BE DISTRIBUTED, PUBLISHED, REFORMATTED, REPRODUCED, SOLD, USED BY ANY MEANS, QUOTED, COMMUNICATED, OR OTHERWISE DISSEMINATED OR PUBLICIZED IN ANY FORM OR MEDIA, INCLUDING WITHOUT LIMITATION BY ANY WRITTEN ARTICLE, TELEVISION AND/OR RADIO INTERVIEW OR ON THE INTERNET, WITHOUT THE PRIOR WRITTEN CONSENT OF SHOWTIME PICTURES DEVELOPMENT COMPANY. NO ONE IS AUTHORIZED TO DISPOSE OF SAME. IF LOST OR DESTROYED, PLEASE NOTIFY THE STORY DEPARTMENT AT: SHOWTIME NETWORKS INC. 10880 WILSHIRE BLVD., SUITE 1600, LOS ANGELES, CA 90024 1 INT. BEACH HOUSE, MONTAUK - DAY 1 A MAN is LYING ON THE FLOOR of a vacant, unfurnished house. It’s not clear if he’s injured or resting or meditating. And it’s not just a house, it’s a palace. CLOSE ON: The Man. BOBBY “AXE” AXELROD, early 40s, but in excellent physical shape, like an ex-college wrestler. Casually dressed, the intensity and intelligence in his eyes is far from casual. He listens to the sound of the waves, through open French, doors crashing on the nearby beach. The squawk of a sea bird pierces the moment. Axe gets up, stretches, checks the views as he walks through a massive cook’s kitchen. -
Episode 404 “Overton Window” Written by Brian Koppelman
Episode 404 “Overton Window” Written by Brian Koppelman & David Levien Production Draft Green Pages 10/17/18 Yellow Pages 10/06/18 Full Pink 10/03/18 Blue Pages 09/25/18 Full White 09/05/18 ©2018 Showtime Pictures Development Company This Teleplay is the sole property of Showtime Pictures Development Company. No portion may be distributed, published, reformatted, reproduced, sold, used by any means, quoted, communicated, or otherwise disseminated or publicized in any form or media, including without limitation by any written article, television and/or radio interview or on the internet, without the prior written consent of Showtime Pictures Development Company. No one is authorized to dispose of same. If lost or destroyed, please notify the story department at: Showtime Networks Inc. 10880 Wilshire Blvd., Suite 1600, Los Angeles, CA 90024 REVISION PAGE EP 404 – GREEN PAGES COLOR DATE PAGES GREEN PAGES 10/17/18 6, 9, 13A, 21, 23, 26, 27, 28, 30, 35, 36, 37, 44, 45, 48, 49 CAST CHANGES: The following characters have been OMITTED: The following characters have been CHANGED: The following characters have been ADDED: SET CHANGES: The following sets have been OMITTED: The following sets have been CHANGED: EXT. EAST RIVER SITE – DAY is now: EXT. GREENPOINT SITE - DAY EXT. BY THE HUDSON – DAY is now: EXT. MADISON SQUARE PARK – DAY EXT. FRAUNCES TAVERN – DAY is now: INT. FRAUNCES TAVERN, DINING ROOM – DAY The following sets have been ADDED: SCENE CHANGES: The following scenes have been OMITTED: The following scenes have been CHANGED: SC6, SC9, -
Louisiana Has Been a Favored Set for Movies and TV Shows Since the Beginning of Film
NEW ORLEANS From Bienville to Bourbon Street to bounce. 300 moments that make New Orleans unique. WHAT HAPPENED The Louisiana 1718 ~ 2018 Motion Picture Tax Incentive became effective 300 July 1, 2002. TRICENTENNIAL FILMED IN LOUISIANA: 2017: THE BEGUILED • LOGAN • MAIDS • SECONDS APART • SO UNDERCOVER • SUNDAY BEST: SEASON 2 GIRLS TRIP • 2016: CREATED EQUAL • DEEPWATER HORIZON • BAD • TEXAS KILLING FIELDS • THAT’S WHAT I AM (BIG RED) • THE CHAPERON • MOMS • HEART BABY • SUPERCON • GIRL TRIP • JUAREZ • QUEEN THE COLONY: SEASON 2 • THE COURIER • THE GREEN LANTERN • THE LUCKY SUGAR • BROTHERS BLOOD • SCREAM: SEASON 2 • PITBULLS ONE • THE POWER OF FEW • THE REAL WORLD: SEASON 24 “BACK TO NEW & PAROLEES SEASON 8 • CUT OFF • MUDBOUND • NCIS NEW ORLEANS” • TREME: SEASON 2 • WORST PROM EVER • YOUNG AND THE ORLEANS SEASON 3 • WHEN WE FIRST MET • 2015: ELVIS RESTLESS • 2009: BAD LIEUTENANT: PORT OF CALL NEW ORLEANS • & NIXON • GHOSTLY MATTERS • PITBULLS & PAROLEES BEAUT Y AND THE BRIEFCASE • DELTA BLUES • DYLAN DOG: DEAD OF NIGHT SEASON 7 • THE DEVIL AND THE DEEP BLUE SEA • FREE • FATHER OF INVENTION • IMAGINATION MOVERS: SEASON 2 • JONAH HEX • STATE OF JONES • WHEN THE BOUGH BREAKS • ZOO SEA- LEGENDARY (BROTHER’S KEEPER) • LIVE! WITH REGIS AND KELLY • LEONIE SON 1 • THE BIG SHORT • SCREAM QUEENS SEASON • KNUCKLEHEAD • MIDNIGHT BAYOU • NIGHT OF THE DEMONS • PREG- 1 • MISCONDUCT • NIGHTWATCH SEASON 2 • INTO THE NANCY PACT • SEEKING JUSTICE (HUNGRY RABBIT JUMPS) • SNATCHED • BADLANDS • KEANU • CARTER & JUNE • ROOTS • RODEO THE EXPENDABLES • THE -
2018 Television Report
2018 Television Report PHOTO: HBO / Insecure 6255 W. Sunset Blvd. CREDITS: 12th Floor Contributors: Hollywood, CA 90028 Adrian McDonald Corina Sandru Philip Sokoloski filmla.com Graphic Design: Shane Hirschman @FilmLA FilmLA Photography: Shutterstock FilmLAinc HBO ABC FOX TABLE OF CONTENTS INTRODUCTION 2 PRODUCTION OF LIVE-ACTION SCRIPTED SERIES 3 THE INFLUENCE OF DIGITAL STREAMING SERVICES 4 THE IMPACT OF CORD-CUTTING CONSUMERS 4 THE REALITY OF RISING PRODUCTION COSTS 5 NEW PROJECTS: PILOTS VS. STRAIGHT-TO-SERIES ORDERS 6 REMAKES, REBOOTS, REVIVALS—THE RIP VAN WINKLE EFFECT 8 SERIES PRODUCTION BY LOCATION 10 SERIES PRODUCTION BY EPISODE COUNT 10 FOCUS ON CALIFORNIA 11 NEW PROJECTS BY LOCATION 13 NEW PROJECTS BY DURATION 14 CONCLUSION 14 ABOUT THIS REPORT 15 INTRODUCTION It is rare to find someone who does not claim to have a favorite TV show. Whether one is a devotee of a long-running, time-tested procedural on basic cable, or a binge-watching cord-cutter glued to Hulu© on Sunday afternoons, for many of us, our television viewing habits are a part of who we are. But outside the industry where new television content is conceived and created, it is rare to pause and consider how television series are made, much less where this work is performed, and why, and by whom, and how much money is spent along the way. In this study we explore notable developments impacting the television industry and how those changes affect production levels in California and competing jurisdictions. Some of the trends we consider are: growth in the number of live-action scripted series in production, the influence of digital streaming services on this number, increasing production costs and a turn toward remakes and reboots and away from traditional pilot production. -
"REL", Pilot Script, 1-11-18
"REL" "PILOT" Written by Lil Rel Howery and Kevin Barnett & Josh Rabinowitz ALL RIGHTS RESERVED. COPYRIGHT © 2017 TWENTIETH CENTURY FOX FILM CORPORATION. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD, OR DISTRIBUTED BY ANY MEANS OR QUTOED OR PUBLISHED IN ANY MEDIUM, INCLUDING ANY WEB SITE, WITHOUT PRIOR WRITTEN CONSENT OF TWENTIETH CENTURY FOX FILM CORPORATION. DISPOSAL OF THIS SCRIPT COPY DOES NOT ALTER ANY OF THE RESTRICTIONS SET FORTH ABOVE. Draft 1/11/18 1. COLD OPEN FADE IN: INT. REL’S LIVING ROOM - MORNING (REL) WE MEET LIL REL (AKA REL) IN A CLOSE-UP SEATED ON HIS COUCH TALKING ON THE PHONE. WE SLOWLY PULL OUT AS HE TALKS. REL And so that’s what I’m saying, who would’ve thought my wife would be having an affair with my own barber? That’s my hair confidante. Now, I knew something was up, because last week, I’m getting my haircut, and she came by and they made this weird eye contact, but I couldn’t move my head because he was holding it. I was just able to move my eyes, but I saw it, cause luckily during haircuts, I keep my glasses on. So I confronted her and I was right. They not together but we separated. She took the kids to her family in Cleveland. I maybe could’ve fought on custody, but I seen friends do that and it just feels like they’re treating their kids like furniture - which she also took by the way. REVEAL THE APARTMENT: EMPTY EXCEPT A COUCH AND IKEA BOXES. -
Pilot Production Report
2016 PILOT PRODUCTION REPORT 6255 W. Sunset Blvd. CREDITS: 12th Floor Research Analysts: Hollywood, CA 90028 Adrian McDonald Corina Sandru Graphic Design: http://www.filmla.com/ Shane Hirschman @FilmLA Photography: FilmLA Shutterstock FilmLAinc TABLE OF CONTENTS WHAT’S A PILOT? 3 GROWTH OF DIGITAL PILOTS 4 DRAMA PILOTS 5 COMEDY PILOTS 6 TOP PILOT PRODUCTION LOCATIONS 7 THE MAINSTREAMING OF “STRAIGHT-TO-SERIES” PRODUCTION 8 PILOTS’ ECONOMIC IMPORTANCE 10 THE CURRENT DRAMA LANDSCAPE IN CALIFORNIA 11 CONCLUSION 13 Each year between January and April, Los Angeles residents observe a marked increase in local on-location filming. New television pilots, produced in anticipation of May screenings for television advertisers, join continuing TV series, feature films and commercial projects in competition for talent, crews, stage space and sought-after locations. However, Los Angeles isn’t the only place in North America hosting pilot production. Other jurisdictions, most notably New York and the Canadian city of Vancouver have established themselves as strong competitors for this lucrative part of Hollywood’s business tradition. Below these top competitors is a second-tier of somewhat smaller players in Georgia and Ontario, Canada—home to Toronto. FilmL.A.’s official count shows that 201 broadcast, cable and digital pilots (123 Dramas, 78 Comedies) were produced during the 2015-16 development cycle, one less than the prior year and the third straight year in which more than 200 pilots were produced. Out of those 201 pilots, 79 projects (25 Dramas, 54 Comedies) were filmed in the Los Angeles region. This represents a 13 percent drop from last year, when 91 pilot projects filmed here and it is also the lowest number of pilots in the last six years that were produced in the region. -
From June 2-8, Nyc's Ifc Center Celebrates the Art of Television with Star-Studded Split Screens Festival
FROM JUNE 2-8, NYC'S IFC CENTER CELEBRATES THE ART OF TELEVISION WITH STAR-STUDDED SPLIT SCREENS FESTIVAL Inaugural Week-Long Event, Programmed By Critic/Author Matt Zoller Seitz, To Feature Exclusive Screenings and Panels Spotlighting Critically-Acclaimed Scripted Series World Premiere Screening of HBO’s Highly Anticipated Drama 'The Deuce' Kicks Off Curated Lineup On Friday, June 2nd; Featured Content To Include: 'Better Call Saul,' 'Billions,' ‘Brockmire,’ ‘Difficult People,’ 'The Get Down,' 'The Girlfriend Experience,' 'Mr. Robot,' ‘Orphan Black,’ ‘Search Party,’ ‘Underground’ Plus Other Special Events To Be Announced Specials Guests Include Hank Azaria, Sarah Violet Bliss, Lilly Burns, Asia Kate Dillon, John Fawcett, Nelson George, Stephen Adly Guirgis, Maggie Gyllenhaal, Anthony Hemingway, Aisha Hinds, Lodge Kerrigan, Julie Klausner, Brian Koppelman, Rami Malek, Tatiana Maslany, Michelle MacLaren, Graeme Manson, Michael McKean, Amanda Peet, George Pelecanos, Charles Rogers, Amy Seimetz and More Tickets on Sale Beginning May 11 [New York, May 11, 2017] – IFC Center today announced the first portion of its impressive lineup for the inaugural Split Screens Festival taking place Friday, June 2 through Thursday, June 8, 2017, at the IFC Center in New York City. Throughout the week, the festival will host a series of special events celebrating the art and craft of TV with exclusive screenings and vibrant panel conversations featuring the biggest and boldest names in scripted content. Tickets to the public go on sale beginning Thursday, -
IAAD Detailed Mishap Report Carson City, NV on 71511916 at 10:18:00 AM
IAAD Detailed Mishap Report Carson City, NV on 71511916 at 10:18:00 AM GENERAL INFORN,IATION Mishap lVumber: 76-6813-C-LLM Tail lr{umbel.' N6oosw Manufacturer: Betl lf?SB Number: oAKT6Apo6o Aircraft ID: Model: 2068 Investigator.' John Rainey Aircraft Type: Heticopter - Type ill Vendor: Arizona Helicopters, Inc METOC INFORMATION Neare st Weather Stction: Light Daytisht Conditiorrs.' Weather Conditions: Density Altitude: feet above MSL 1o mites Clear, , Visibility: Elevation: feet above MSL Temperature: :7s"F Wind: '/ 5 kts OPERATIONAL DATA Operational Control Agency: Bureau of Land Management (BLM) Event Type: Accident Region/State/District: NV-Nevada Pro curemenf.' Basic Ordering Agreement Unit: Home Base: Type of Mission: Fire, passenger Transpor.t Phase of Flight: Landins Description: The aircraftdeparted the Base Heliport (2 1/2miles SW of Carson City, Nevada), at approximately 1005 p.d.t. on July5, 1976, on a Bureau of Land Management forest fire suppon mission with four passengers aboard. The passengers were to be off loaded at a mountain top helispot to assist in controlling a forest fire in progress approximately one-half mile north of the landing site. This was the seventh flight of the day flown io the same location by the pilot. The aircraft flew up canyon and approached the helispot from below. Several witnesses including the Helitack Foreman located on the landing spot observed the aircraft. According to the foreman the helicoprer was slowing and beginning to turn toward the helispot. At this he thought he heard a noise like a muffled explosion. The aircraft went into very tight pilot's spiraling turn to left, spun 2 or 3 times and descended out of sight belowthe crest of the hill. -
Shullvsorkinetal Appeal Reply Brief
20-3529-CV IN THE United States Court of Appeals FOR THE SECOND CIRCUIT >> >> DENISE K. SHULL, THE RETHINK GROUP, INC., Plaintiffs-Appellants, v. TBTF PRODUCTIONS, INC., SHOWTIME NETWORKS INC, CBS CORPORATION, BRIAN KOPPELMAN, DAVID LEVIEN, DAVID NEVINS, ANDREW ROSS SORKIN, Defendants-Appellees. On Appeal from the United States District Court for the Southern District of New York REPLY BRIEF FOR PLAINTIFFS-APPELLANTS BORSTEIN TURKEL P.C. Attorneys for Plaintiffs-Appellants 420 Lexington Avenue, Suite 455 New York, New York 10170 212-687-1600 TABLE OF CONTENTS Page TABLE OF AUTHORITIES .................................................................................... ii ARGUMENT ............................................................................................................. 1 A. Appellants’ Specifically Pled Claims of Actual Lay Observers’ Apprehension of Substantial Similarity and Actual Consumer Confusion Were Not Addressed by the District Court and Are Avoided by Appellees ............................................. 1 B. The District Court’s “Quick Internet Search” Led It to a Simplified Concept of a Performance Coach without Providing Plaintiff Opportunity to Contest and Was Not Harmless Error ............................................................................................. 7 C. Appellants’ FAC Identifies Additional Points of Similarity and Should Be Given Opportunity to Re-Plead on That Basis and in the Interests of Judicial and Party Economy................................... 11 D. Appellees’ Qualified -
Book 3 Grade 6
English Language Arts Test Book 3 Grade 6 January 14–18, 2008 Name __________________________________ 20281 aa20281_G6eBk3_OP-08NYS.indd20281_G6eBk3_OP-08NYS.indd 3 99/24/07/24/07 11:10:26:10:26 PPMM TIPS FOR TAKING THE TEST Here are some suggestions to help you do your best: • Be sure to read carefully all the directions in the test book. • Plan your time. • Read each question carefully and think about the answer before writing your response. In this test, you will be writing about texts that you will be listening to or reading. Your writing will be scored on • how clearly you organize your writing and express what you have learned • how accurately and completely you answer the questions being asked • how well you support your responses with examples or details from the texts • how correctly you use grammar, spelling, punctuation, capitalization, and paragraphing Whenever you see this symbol, be sure to plan and check your writ ing. Acknowledgments CTB/McGraw-Hill LLC is indebted to the following for permission to use material in this book: “Final Approach” by W. Richard Reegan from Hopscotch Magazine’s February 2003 issue, copyright © 2003 by W. Richard Reegan. Used by permission. “Dreams of Flying” by Mark Merfeld, copyright © 2006 by CTB/McGraw-Hill, LLC. Photograph of Pioneer Aviator Bessie Coleman (Image No. BE083399), copyright © by Underwood & Underwood/Corbis. Used by permission. Developed and published by CTB/McGraw-Hill LLC, a subsidiary of The McGraw-Hill Compa nies, Inc., 20 Ryan Ranch Road, Monterey, California 93940-5703. Copyright © 2008 by New York State Education Department. -
Pretty Little Liars
Pretty Little Liars Pilot Written By I. Marlene King Directed By Lesli Glatter White – November 12, 2009 Full Blue – November 18, 2009 Pink Revisions – November 20, 2009 Full Yellow – November 25, 2009 All rights reserved. © 2008 Warner Horizon Television Inc. This script is the property of Horizon Scripted Television Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. PRETTY LITTLE LIARS “Pilot Episode” FADE IN: * 1 OMITTED 1 * 1A INT. HASTING’S BARN - NIGHT 1A * A strong WIND blows outside the barn and THUNDER RUMBLES in * the distance. What once was a working barn is now a storage * area with an old sofa, boxes, bikes and some old appliances * scattered throughout. ARIA MONTGOMERY, EMILY FIELDS, SPENCER * HASTINGS and HANNA MARIN (all 15-years-old) listen to music * and pass around a glass of something that makes them giggle * and get slightly giddy. * A SHARP CRACK OF LIGHTENING RIPS through the barn. The * lights flicker then go dark. The girls, frightened, cry out * as the music abruptly dies. The girls fumble in the dark. * Someone lights a candle. Someone turns on a flashlight. A * disturbing KNOCK on the wall outside the barn. The girls * freeze. * ARIA * Something’s out there. * EMILY * Some thing or some one? * The KNOCKING gets louder and moves closer to the barn door. * Then abruptly - * The KNOCKING stops. The girls exchange looks. The handle on * the barn door turns. Hanna sees it - * HANNA * Guys? - * They all follow her gaze to the barn door.