The Beatles Revolver Studio Sessions Back to Basics

Total Page:16

File Type:pdf, Size:1020Kb

The Beatles Revolver Studio Sessions Back to Basics 1 / 5 The Beatles Revolver Studio Sessions Back To Basics Nov 16, 2018 — George Harrison during a recording session for The Beatles. ... The quartet took a back-to-basics approach and banged out 27 acoustic ... and the 1966 masterpiece, “Revolver,” the arrangements remained relatively pristine.. ... Sessions: Back To Basics 2011. HELTER SKELTER RECORDS HSR21,22,23. 3CD+BONUS CD Rock Lossless (FLAC) (369+276+314+148)mb (3%+). The growth the Beatles experienced from “Rubber Soul” onwards to “Let It Be” is ... John's voice was so damaged after the long studio session that he could ... is their greatest transitional composition and Let It Be is back-to-the-basics rock and .... Jan 20, 2018 — The Beatles Revolver Studio Sessions Back To Basics ->->->-> https://blltly.com/1nr67m.. Sgt. Pepper Recording Sessions Reconstructed Discs 3 & 4 ... Rubber Soul Sessions Back to Basics 4 CD set ... The Beatles Bootleg Recordings 1963 2 CD's .... Jun 12, 2020 — 'The Beatles: Get Back' movie has been postponed until 2021. ... record following the studio experiments of albums like 1966's Revolver and ... as the tumultuous and often fractured sessions of the White Album in 1968. ... one that captured the back-to-basics spirit they were trying to achieve earlier in 1969. Copyright � 2007 Your store name here All Rights Reserved.. This discusses the audio upgrades recently done to the Beatles recordings. ... Here is the latest in the Back To Basics series - the glorious 'Rubber Soul. ... Last true Beatles recording, January 1970 4: I Me Mine "Let It Be" sessions - DDSI no.. Beatles Recording Sessions, Get Back Sessions ... und wo ist das alles auf CD, DVD oder auch Bootleg, dazu alle Daten im Kalender.. Oct 1, 2013 — The Beatles' final studio album, Let It Be, was released in May 1970, a month after ... Ringo himself had left the band for two weeks during the same sessions. ... John and Paul had rejected for both the Revolver and Let It Be albums. ... You need to get your fighting spirit back; you need to get back to basics.. Dec 1, 2019 — This is not a bootleg of the complete Beatles sessions. It is, however ... 214 I'll Be Back (Take 16, RM3 Mono remix) - 02:22. 215 Long ... 647 Lucy In The Sky With Diamonds (Track 6 basic Track with Tracks 7&8, Mono) - 03:06.. Dec 10, 2019 — Rubber Soul - Mono » audio music lossless: 6 years365 MB41 ... The Beatles - 2011 With The Beatles Studio Sessions - Back To Basics .... Since Revolver they had been making records that were virtually impossible to ... Now the idea was to record songs 'honestly', without the 'studio trickery' of the last ... Although such ambitions chimed with the current 'back to basics' ethos now ... enthusiasm for Beatles projects, decided that the sessions should be filmed.. Ebbett title that would appear to be the same - this is "The Beatles - Get Back - Original ... a un bonus track oculto que en realidad no existe Beatles - Studio 2 sessions at ... Rubber Soul - Dr. Ebbetts True Stereo Version Studio Studio add Drive My ... Helter Skelter's amazing series of Back to Basics ended with Rubber Soul, .... Aside from John Lennon, Paul McCartney, George Harrison and Ringo Starr, numerous ... There are occasions where details of session musicians' names and roles ... The recording, performed by an unknown guitarist, was supervised by Eric ... Walter (1999), The Beatles as Musicians: Revolver Through the Anthology, ... beatles revolver studio sessions back to basics beatles revolver studio sessions back to basics Oct 4, 2012 — The Beatles' 1969 album was intended as a 'back to basics' exercise, ... cover of Rubber Soul was similarly disturbing, with the Beatles' discoloured ... At their early hard-won recording sessions they had the balls to turn down .... Let It Be is the 12th and final studio album from The Beatles, released on May 8, 1970 ... While three songs from the sessions were released as singles before the ... This idea mirrored the "back to basics" attitude of a number of rock musicians at ... used on their recordings since Revolver and had also made a recent return to .... The "Get Back" sessions did anything but get the Beatles back together, in fact it ... Reluctantly, the band put together what would become their 10th studio album, ... Lonely Hearts Club Band" and toward a more back to basics approach. ... Beatle Bugs Podcast team look at The Beatles groundbreaking album "Rubber Soul"!. The album's back cover features the famous photos of the Beatles taken by Richard Avedon ... First included on respective territorial versions of Revolver (1966). ... It was of the recording sessions for a sad song at Apple Studio, Saville Row, London, ... style, purely experimental/psychedelic style, back-to-basics/rock style.. 1 kHz/16-bit. discography - Entry Portal. flac free full download The Beatles ... 1 [FAB Productions] HERE for Luc Leblanc Alternate Takes Revolver [TJT] click for NEW for ... Studio Sessions: Back To Basics; The Beatles - The Beatles Bootleg .... The recording sessions for Let It Be was a tumultuous period that inevitably led to ... But the result was a more “back-to-basics” approach that was reminiscent of 2 / 5 ... also introduced The Beatles to marijuana back in 1964, Rubber Soul rejected .... Home » Thepinkcd - 10k unofficial CDs » The Beatles - Rubber Soul Recording Sessions Back To Back Basics ( 3 CD SET ) (. Full-size item image. Primary .... Mar 3, 2013 — BACK TO BASICS SERIES - BEATLES SESSIONS NEW & UPGRADED ... All available studio sessions and rare mixes from the Please Please Me ... Here is the latest in the Back To Basics series - the glorious 'Rubber Soul.'. Recording sessions for: `Paperback Writer', Revolver, `Eleanor Rigby'/'Yellow ... 1969 Recording sessions for: Get Back/Let It Be, `The Ballad Of John And Yoko', ... "I'd listen to the basic idea of the song. perhaps on an acoustic guitar, then I'd ... Mar 14, 2008 — The effort was to be a continuation of the back-to-basics ethos the group ... the Apple Studios sessions from 21–31 January, that so much of The Beatles' ... that they apparently stopped at Rubber Soul and then got it again with .... Jun 4, 2011 — The Beatles - Rubber Soul Recording Sessions Reconstructed ... The basic take consisted of John's 12-string guitar on one track and percussion ... An early lead guitar part is evident on the vocal track as it plays back through .... Let It Be is the thirteenth and final studio album by The Beatles, released in 1970, ... for it to be a "back to basics" Blues Rock approach for the Beatles rather than the ... with the pre-Rubber Soul era, with its originally intended tracklisting in place. ... Then the Get Back sessions were submitted to Phil Spector for an orchestral .... Beatles, The - Rubber Soul Studio Sessions Back To Basics (4CD+2CDR) Smilin Ears. SECD-007A/B/C/D.. It's complicated, too, by the fact that these being Beatles bootlegs they are often issued ... with pristine CD front/back cover & disc art that can be found at bootlegzone. ... Maxwell's Silver THE BEATLES: REVOLVER STUDIO SESSIONS 1966 VOL. ... Helter Skelter's amazing series of Back to Basics ended with Rubber Soul, .... Gone To The Atlanta 1965 ( Misterclaudel Live Chronicle Series ), Picture · Tracks. Help Recording Sessions Back To Basics ( 3 cd set ) ( SECRET GARDEN ) ... Feb 7, 2021 — Rubber Soul ... 3CD+BONUS CD Rock Lossless (FLAC). Early Beatles .... Find helpful customer reviews and review ratings for The Beatles [USB] .... Back in college, a friend of mine loaned me a bootleg of The Beatles' ... the 100-some odd hours of tape amassed during those ill-fated recording sessions. ... said Naked is the “no-frills, back-to-basics album that The Beatles first set out to make back ... Naked treats the album as if it were Rubber Soul, or Please Please Me.. Sep 2, 2009 — THE newly remastered CDs of the Beatles' original albums and ... to developments in recording technology during the Beatles' career, ... The group's experimental “Revolver” and “Magical Mystery Tour,” and its back-to-basics “Let It Be ... in frustration during the sessions) and “Let It Be” (when the band was .... Recording studio engineer. worked on revolver, sgt. peppers, white album, and ... -He quit during the recording sessions of the White Album since there was ... to be the "back to basics" film that featured the Beatles record making process, .... Rubber Soul Studio Sessions. The Beatles Rubber Soul Recording Sessions Back To Back Basics ( 3 CD SET ) ( Secret Garden ). $27.99. The Beatles - Rubber .... The Beatles "Back to Basics" studio sessions, twenty-one disc set. These are ... THE BEATLES 4CD Rubber Soul Recording Sessions Reconstructed Outtakes.. recording, 'Michelle'. ... It was Lennon who brought things back to basics, with a middle section that cut through the ... The additional verses composed for this session included one memorable, meaningless ... Elsewhere on Rubber Soul, The Beatles showed clear signs of reflecting other recent developments in rock music.. Apr 16, 2011 — Thus, at the conclusion of the recording session for the basic tracks, this section solely consisted of a simple repeated piano chord and the voice .... Feb 28, 2019 — Lennon first tested the song during the Esher sessions, recording a demo ... To achieve a different effect, the Beatles recorded the basic track in Abbey Road Studio Two's ... By the time the Beatles returned to “Yer Blues” on August 20, ... In The Beatles as Musicians: Revolver through the Anthology, Walter .... Nov 21, 2003 — The Beatles during the recording sessions for Let It Be ... onto this supposedly back-to-basics project, choirs and strings. ... the Revolver album, incorporating their new interests in drugs, studio technology and Eastern religion.. Mar 24, 2016 — The fact the recording sessions were filmed- another nail in the coffin- ... the group's discipline and focus- and went back to basic recording.
Recommended publications
  • Canadian Beatles Albums Identification Guide Updated: 22 De 16
    Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo.
    [Show full text]
  • Rubber Soul – Hawaii's All Beatles Tribute Band
    RUBBER SOUL – HAWAII’S ALL BEATLES TRIBUTE BAND FOR BOOKINGS CALL (808) 741-7529 or contact [email protected] BAND BIO: The current lineup includes: • James Roberts as Paul McCartney • Steve McClellan as John Lennon • Phil Daher as George Harrison • Larry Lieberman as Ringo Starr The band performs in costume (black suits) with authentic vintage instruments. Rubber Soul has been performing as Hawaii’s All-Beatles band for nearly 15 years, many of those years spent doing regular weekend gigs at the Hyatt Regency Waikiki, and was honored with a “Best of 2008” award from the editors of the Honolulu Weekly. All of the members have been playing in these roles for several years. SONG LIST: Rubber Soul performs music from all phases of the Beatles career, from the early days at Liverpool’s legendary Cavern Club through the psychedelic period and beyond. The band is known for playing almost any Beatles request audience members can think of. Here’s a list of some of the most crowd-pleasing favorites the band performs live: • I Want To Hold Your Hand • I Saw Her Standing There • If I Needed Someone • I’ll Follow the Sun • Here Comes the Sun • Can’t Buy Me Love • I Feel Fine • Help! • Paperback Writer • Norwegian Wood • While My Guitar Gently Weeps • A Little Help From My Friends • Should’ve Know Better • Blackbird • Glass Onion • “Abbey Road Medley” - from Mean Mr. Mustard all the way through to The End • Silly Love Songs • I’m Only Sleeping • The Night Before • Lucy in the Sky with Diamonds • Let it Be • For No One • Twist and Shout • Two of Us • Drive My Car • Lovely Rita (Meter Maid) • We Can Work It Out • Please Please Me • Nowhere Man • And I Love Her • If I Fell • Revolution • She Loves You • No Reply • Yellow Submarine • You’ve Got To Hide Your Love Away • ‘Til There Was You • Ballad of John & Yoko • I’m a Loser • Roll Over Beethoven • Day Tripper • Taxman • You Really Got a Hold On Me • Get Back • 1 After 909 • Every Little Thing • All Together Now • Sgt.
    [Show full text]
  • The Effects of Digital Music Distribution" (2012)
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • BWTB Revolver @ 50 2016
    1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966.
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • Common Course Outline the Community College of Baltimore
    Common Course Outline MUSC 128 The Beatles in the Rock Generation 3 Semester Hours The Community College of Baltimore County Description The Beatles in the Rock Generation Examines the development of the musical and lyrical artistry of the Beatles presented within the framework of aesthetic and social movement, 1957 to 1970. Corequisites: ENGL 051 or ESOL 051 or LVE 1 or LVE 2 or LVE 3 and RDNG 052 or LVR 2. Overall Course Objectives Upon successful completion of this course, the student will be able to: 1. Understand and articulate how and why the Beatles became the most influential pop group of the 1960’s and beyond. 2. Identify the principal musical and social influences on the Beatles. 3. Evaluate the growth and change of the Beatles' body of work as their career progressed. 4. Identify the influence the Beatles had on the music that succeeded them. 5. Evaluate the Beatles’ contribution to the cultural and social climate of the 1960's. 6. Trace the development of popular music in the 20th century. 7. Identify the stylistic and formal aspects of popular music. 8. Articulate the importance of music in human experience. 9. Utilize analytical and critical listening and thinking skills in evaluating music. Major Topics 1. A brief history of popular music; the Beatles early career, 1957-1963 a. Influences: Post-World War II popular music, Anglo-Irish folk music, English Music Hall/European Cabaret, American Rock and Roll: Elvis, Chuck Berry, Little Richard, Buddy Holly, Everly Bros., etc. b. Performances: Hamburg, Cavern Club c. Recordings: The Beatles Live at the BBC, Live at the Star Club, The Early Beatles, Please Please Me, With the Beatles, Past Masters Vol.
    [Show full text]
  • MTO 11.4: Spicer, Review of the Beatles As Musicians
    Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other.
    [Show full text]
  • Part 1 'The Basics'
    PART 1 ‘THE BASICS’ 2 FOREWORD FOREWORD World Health Communication Associates HEALTH LITERACY Action Guide FOREWORD PARTFOREWORD 1 ‘THE BASICS’ 1 © 2009 by World Health Communication Associates Ltd. All rights reserved. Up to 10 copies of this document may be made for your non-commercial personal use, provided that credit is given to the original source. You must have prior written permission for any other reproduction, storage in a retrieval system, or transmission in any form or by any means. Requests for permission should be directed to World Health Communication Associates, Little Harborne, Church Lane, Compton Bishop, Axbridge, Somerset, BS26 2HD, UK. World Health Communication Associates is UK limited company no. 5054838 registered at this address; e-mail: [email protected]; tel/fax (+44) (0) 1934 732353. Cataloguing Information: ISBN 978-1-906157-04-3 This manual is a publication of the WHCA Action Guides Project. Franklin Apfel, MD, MHS, WHCA Managing Director Kara L Jacobson, MPH, CHES, Associate Faculty, Rollins School of Public Health of Emory University Ruth M Parker, MD, Professor of Medicine, Emory University School of Medicine Julia Taylor, Director, WHO Healthy Cities Programme, Liverpool Tony Boyle, Neighbourhood Public Health Manager, Liverpool Primary Health Care Trust Joanna Groves, CEO, International Alliance of Patients’ Organizations Jeremiah Mwangi, Senior Policy Officer, International Alliance of Patients’ Organizations Scott Ratzan, MD, Vice President Global Health, Johnson & Johnson Carinne Allinson, Editor,
    [Show full text]
  • Abbey Road's Beatles' Breakfast & Bloody Mary
    Abbey Road’s Beatles’ Breakfast & Bloody Mary Bar “Welcome. We’re Glad You’re Here!” Served Saturdays and Sundays at 9:00 a.m. THE BLOODY MARY BAR SEXY SADIE’S SIDES A variety of condiments to make Bagel and cream cheese 1.99 your own Bloody Mary. Featuring mild, spicy, Toast, white, wheat, rye, 1.99 and Clamato juice for a Bloody Caesar. Hash Browns or Potato Cakes 2.29 Each Vodka selection is served in a hurricane 2.99 glass and presented to your table. Bacon or Sausage Visit the Bloody Mary Bar to create Corned Beef Hash 2.29 your own special concoction! Fresh Fruit, seasonal 3.99 House Vodka 3.99 Absolut Peppar or Ketel One 4.99 BAKON Bacon Flavored Vodka 5.99 BEVERAGES Soft Drinks (w/one refill): Lady Madonna’s Mimosas Coke, Diet Coke, Mr. Pibb, Root Beer, Champagne and Orange Juice 4.99 Sprite & Pink Lemonade 2.49 Breakfast at Tiffanys Juices Champagne, Orange Juice, Grenadine, Orange, Grapefruit, & Southern Comfort 5.99 Pineapple, & Cranberry 2.49 1.99 Chartini Girl Iced or Hot Tea Raspberry vodka, champagne, splash Milk or Hot Chocolate 2.49 of Chambord 6.99 Café Selections Premium Coffee 100% Arabica Beans 1.99 Hair of the Bulldog Vodka, Red Bull, and Orange Juice 5,99 CELEBRATING 32 YEARS IN BUSINESS! Good Morning Martini Bombay Gin, Cointreau, Orange Juice and a splash of lemon sour 6.99 Blushing Maggie Mae Raspberry Liqueur, Peach Schnapps 5.99 Yesterday… Norwegian (a.m.) Wood A stiff drink, w/Vodka, Sour, Orange Juice, Black Raspberry Liq., & Peach Schnapps 5.99 Prudence’s Pancake Cocktail Jamieson, Butterscotch, & OJ 5.99 and Today.
    [Show full text]
  • Report to the Senate Inquiry Into Broadcasting
    REPORT TO THE SENATE INQUIRY INTO BROADCASTING Summary 1.This paper discusses the decline in programme standards for regional radio in inland N.S.W. with emphasis on the Dubbo region in particular. A list of suggestions is included that might remedy the situation. 2. Networking is outlined in the second part of this paper. I try to show that since the introduction of supplementary FM licences that networking has become the norm at the expense of the listener. Again a list of suggestions follow that would bring a satisfactiry compromise to the regrettable networking situation we have at the moment in country Victoria, N.S.W. and Queensland. Submitted by; Richard Mutton 1 Waverley Drive DUBBO 2830 phone 02 68 842124 [ah] fax 02 68 846778 mobile 0409 228 209 e mail [email protected] A DISCUSSION OF REGIONAL RADIO. PART A: RADIO IN THE CENTRAL WEST OF N.S.W. When I first came to Dubbo in 1989, there were 2 radio stations in this city, the ABC 2CR Orange transmitting from Cudal and commercial station 2DU transmitting from Eulomogo near Dubbo. Other stations with weaker signals could be picked up in Dubbo, but were hardly listenable. Now in 2000, we have 10 stations: Tourist Radio FM88; 2KY Racing Radio; Zoo FM; Star FM; Radio Rhema; ABC Triple J; ABC Classic FM; Local ABC 107.1; ABC Radio National all on the FM band and commercial station 2DU on the AM band. Frankly, the radio service for Dubbo was better in 1989 than it is now in 2000.
    [Show full text]
  • Abbey Road Album Photo (Video)
    Crowds Gather To Mark 50th Anniversary Of The Beatles’ Abbey Road Album Photo (Video) Hundreds of people gathered at the world’s most famous zebra crossing on Thursday to mark the 50th anniversary of the day the Beatles created one of the best-known album covers in music history and an image imitated by countless fans ever since. [Here is a LIVE webcam of Abby Road] The picture of John Lennon, Paul McCartney, George Harrison and Ringo Starr striding over the pedestrian crossing on Abbey Road was taken outside the EMI Recording Studios where they made the 1969 album of the same name. To mark the anniversary, a special ‘Abbey Road’ package featuring new mixes of the album’s 17 tracks in stereo and 23 session recordings and demos, will be released on Sept. 27 by Apple Corps/Capitol/UMe, the record companies said on Thursday. Scottish photographer Iain Macmillan took just six shots of the group on the crossing, with the fifth used as the cover of the band’s 11th studio album, released on Sept. 26 1969. The picture shows Lennon in a white suit leading the group across the road. Starr wears a black suit while McCartney is barefoot, out of step and holding a cigarette. Harrison is in blue denim. A Volkswagen Beetle is parked in the background. On Thursday, the Beetle was back in position while traffic crawled along the crowded street as dozens of fans paraded on the black and white painted crossing for souvenir photos. Beatles insider and former Apple Records executive Tony Bramwell said nobody at the time was really aware that ‘Abbey Road’ would be one of the group’s last releases.
    [Show full text]