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Army of the Dead” Films in New Mexico
Michelle Lujan Grisham Governor Alicia J. Keyes Cabinet Secretary Todd Christensen Director FOR IMMEDIATE RELEASE: Bruce Krasnow August 5, 2019 (505) 827-0226, cell: (505) 795-0119 [email protected] “Army of the Dead” films in New Mexico Santa Fe, N.M. – The Netflix-produced feature film “Army of the Dead,” has started principal photography at Albuquerque Studios and will continue through October, announced New Mexico State Film Office Director Todd Christensen. The production will employ 501 New Mexico crew members, 20 New Mexico actors, and 2,163 New Mexico background talent. The feature is directed and produced by Zack Snyder (“Watchmen,” “Man of Steel,” “300”) alongside producers Deborah Snyder (“Watchmen,” “Man of Steel,” “300”) and Wesley Coller (“Watchmen,” “Man of Steel,” “300”). In “Army of the Dead” Snyder returns to his directorial roots, offering this zombie- adventure film. “Army of the Dead” follows a group of mercenaries who, following a zombie outbreak in Las Vegas, take the ultimate gamble, venturing into the quarantine zone to pull off the greatest heist ever attempted. “Netflix is making good on its promise, as part of the 2018 partnership with New Mexico, to bring $1 billion dollars in production to New Mexico over the next 10 years and create up to 1,000 production jobs a year,” said Cabinet Secretary Alicia J. Keyes of the Economic Development Department. “Netflix is a great partner for the State of New Mexico and we are very excited that they chose to film such a high profile project as one of their first films under the NM Partnership Agreement” Starring Dave Bautista (“Guardians of the Galaxy,” “Guardians of the Galaxy Vol. -
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Casual and Hardcore Players in HBO's Westworld (2016): the Immoral and Violent Player
Casual and Hardcore Players in HBO’s Westworld (2016): The Immoral and Violent Player MA Thesis Ellen Menger – 5689295 [email protected] Supervisor: Dr. René Glas Second reader: Dr. Jasper van Vught Utrecht University MA New Media & Digital Culture MCMV10009 - THE-Masterthesis/ MA NMDC May 8, 2017 Abstract This thesis approaches the HBO series Westworld (2016) through the lens of game studies and interprets the series as a commentary on the stereotype of casual and hardcore players and immoral violence in video games. By performing a textual analysis, this thesis explores how Westworld as a series makes use of the casual and hardcore player stereotype, looking at the way the series explores the construction of player categories and how it ties these to the dialogue about violence and immoral behaviour in video games. Keywords: Westworld, games, player types, Western, casual gamer, hardcore gamer, violence, ethics, morals SPOILER WARNING This thesis reveals certain plot twists that may spoil part of the storyline of the first season of HBO’s Westworld. If you have not watched the series, read at your own risk. Table of Contents 1. Introduction ........................................................................................................................ 1 2. Theoretical framework ....................................................................................................... 7 2.1. (Im)moral Behaviour in Game Worlds ....................................................................... 7 2.2. The Player as a Moral -
Catholic Charities
MIDDLE SCHOOL BREAK-IN COMING UP 14 SIGN IN ‘14 Athletes ‘Explore College’ iPods, digital move on to with Florida camera and college ball Gateway laptops stolen. next month. next year. See Page 2A. See Page 5A. See Page 1B. THURSDAY, JUNE 19, 2014 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | 75¢ Lake City Reporter LAKECITYREPORTER.COM Contraband flooded prison FDLE: Inmate in shooting scheme bragged partial shipment of cell phones within the prison for $12,600, he made $12,600 off one partial shipment. according to a probable cause affi- davit. Shipments of cell phones and By EMILY STANTON seven people for a scheme in drugs entered the prison about [email protected] which two inmates would shoot every two weeks, the affidavit said. themselves then sue the state Inmates Deshandre Billups, The massive scope of a con- for failing to protect them, court 26, and Kirk Cartwright, 33, JASON MATTHEW WALKER/Lake City Reporter traband ring at Columbia documents show. were shot on March 22 by an Columbia Correctional Institution was the site of a staged shooting March Correctional Institution came to One of the inmates bragged 22, say authorities. Seven people, including three inmates, face charges. light following the indictment of on Instagram that he had sold a PRISON continued on 3A Crash claims Live Oak CATHOLIC CHARITIES man From staff reports FEED A SUWANNEE COUNTY — A Live Oak man died in a two-vehicle crash early FAMILY Wednesday on I-10, according to a Florida Highway Patrol Mobile Outreach media release. By MEGAN REEVES Jeffery N. Russell, 48, was [email protected] headed west in a 1978 Chevy van at about 4:40 a.m. -
0015445.PDF (6.596Mb)
THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE development OF THE MIGRATORY FARM LABOR SYSTEM IN TEXAS: 1900-1954 A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY GEORGE oT' COALS ON Norman, Oklahoma 1955 THE DEVELOPIv'IENT OF THE MIGRATORY FARI4 LABOR SYSTEM IN TEXAS: 1900-1954 APPROVED BY THESIS COmHTTEE PREFACE The present system of migratory farm labor In Texas has developed since 190 O. During the past fifty years, the traditional labor requirements were altered on thousands of Texas farms, forcing farmers to become dependent upon non resident labor to meet their seasonal labor needs. The de mand for seasonal labor was met by workers, drawn largely from the Mexican population in the southern part of the state, who were willing to follow the crops throughout Texas, work ing wherever and whenever they were needed. The present paper was v/ritten in an effort to trace the development of this system of migration. No attempt has been made to present a sociological study in which recommen dations are made to solve the complex problems which have arisen as a result of the growth of the migratory farm labor system. Instead, the problems have been treated more in respect to their historical perspective and chronological sequence. I wish to express my sincere appreciation to those who gave encouragement and help in the writing of this manu script. I am especially indebted to Dr. W. Eugene Hollon i i i for his helpful criticism and counsel. To Drs. -
Entire Issue (PDF)
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 113 CONGRESS, FIRST SESSION Vol. 159 WASHINGTON, MONDAY, FEBRUARY 4, 2013 No. 16 House of Representatives The House met at 2 p.m. and was lic for which it stands, one nation under God, The Navy has told us too it will can- called to order by the Speaker. indivisible, with liberty and justice for all. cel maintenance on 23 ships, reduce fly- f f ing hours on deployed aircraft carriers by 55 percent, cancel submarine deploy- TIME TO SUBMIT A CREDIBLE PRAYER ments, and reduce steaming days by 22 PLAN The Chaplain, the Reverend Patrick percent. J. Conroy, offered the following prayer: (Ms. FOXX asked and was given per- The Bipartisan Policy Center has Eternal God, we give You thanks for mission to address the House for 1 warned us that 1 million jobs will be giving us another day. minute and to revise and extend her re- lost if sequester happens. We thank You that we are a Nation marks.) What is the response of the majority fashioned out of diverse peoples and Ms. FOXX. Mr. Speaker, families party? The Budget chair, Mr. RYAN, cultures, brought forth on this con- budget, small businesses budget, cities simply said, ‘‘Sequester is going to tinent in a way not unlike the ancient budget, churches budget, schools budg- happen. We can’t afford to lose those people of Israel. As out of a desert, You et, my state of North Carolina budgets, cuts.’’ led our American ancestors to this but Washington does not. -
Lodging in Spring Oats
This dissertation has been 65—3821 microfilmed exactly as received BAINS, Darshan Singh, 1921- LODGING IN SPRING OATS. The Ohio State University, Ph.D., 1964 Economics, finance University Microfilms, Inc., Ann Arbor, Michigan LODGING IN SPRING OATS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Darshan Singh Bains M.Sc., (Agr.) ****** The Ohio State University 196k Approved by /ft. Adviser Department of Agronoi ACKNOWLEDGMENTS I wish to express my sincere gratitude to Dr. Dale A. Ray for his continuous guidance, encouragement and help extended to me generously throughout the conduct of this study. My thanks are also due to Dr. 0. W. Volk, Dr. P. E. Smith, Dr. J. W. Burley and Mr. Albert E. Beardsley and other members of the Agronomy Department for their efforts in providing necessary facilities and counsel in conducting these investigations. Special gratitude is also expressed to Dr. J. B. Jones of the Agronomy Department, Ohio Agricultural Experiment Station, Wooster, Ohio, for the help in chemical analysis of the plant material. 1 am indeed grateful to the Agency for International Develop ment, the United States of America, and the Government of Punjab (India) who made it possible for me to spend the last two years at the Ohio State University for furtherance of my studies. Finally I am indebted to my wife and other family members who kept their problems to themselves, but shared with me their patience and courage during my stay in the United States Of America. -
Juries Announced for 2015 Tribeca Film Festival
FOR IMMEDIATE RELEASE JURIES ANNOUNCED FOR 2015 TRIBECA FILM FESTIVAL *** Jurors Include Dylan McDermott, Cobie Smulders, Whoopi Goldberg, Gloria Steinem, Vanessa Williams, Steve Buscemi, Shelia Nevins, Debi Mazar, HanK Azaria, Mamie Gummer, MarK Boal, and Joana Vicente New York, NY [April 6, 2015] – The 2015 Tribeca Film Festival (TFF), presented by AT&T, today announced its jurors – a diverse group of 34 industry leaders, including award-winning filmmakers, producers, acclaimed actors, authors and entrepreneurs. The jury will be divided among the seven competitive Festival categories. The winning films, filmmakers and actors in each category will be announced at the TFF Awards Night ceremony on April 23 at Spring Studios. The 2015 Festival runs from April 15 –26. “The group of unique voices and perspectives that make up this year’s jury are sure to spark thoughtful discussion – and perhaps some friendly debate – around this year’s films,” said Jane Rosenthal, co-founder of the Tribeca Film Festival. The seven TFF juries will award $150,000 in cash and prizes. Announced earlier this year, eight of the winners will also receive a work of original art by an acclaimed artist as part of the Tribeca Film Festival Artists Awards program, sponsored by CHANEL. In addition to the Festival’s main competition juries, the five jurors for the third annual $25,000 Nora Ephron Prize, sponsored by Coach, recognizing a female writer or director, were also announced. Following is a list of all 2015 Festival jurors and their respective categories. World Competition Categories The jurors for the 2015 World Narrative Competition, sponsored by AKA, are: • Paul Attanasio: Paul Attanasio is an Oscar-nominated screenwriter and producer whose credits include Quiz Show, Donnie Brasco, The Good German, and House: MD. -
Westworld Season 1 Episode 6
Westworld season 1 episode 6 Continue The sixth episode of the first season of Westworld's EnemyWestworld episode Epic No. Season 1Episode 6Direct:Frederick E.O. ToyeWritten ByHalley GrossJonathan NolanFeatured musicRamin DjawadiCinematography byBrendan GalvinRobert McEditing byTanya SwerlingProduction code4X6156Original air dateNo November 6, 2016-11-06)Running time 57 minutesWold (s) Ptolemy Slocum as Sylvester Leonardo Nam as Felix Lutz Talul Riley as Angela Johnny Pasvolski as Bloody Jimmy Oliver Bell, as Alastair Duncan's Little Boy as the Cottage Father Episode chronology ← Previous Contrapasstre Next →Trompe L'Oeil's Opponent is the sixth episode in the first season of HBO's sci-fi Western thriller tv series Westworld. The episode aired on November 6, 2016. The episode received positive reviews from critics, with Thandie Newton's performance hailed as a special highlight of the episode. The plot resumes Man in Black and Teddy continue their journey to find Wyatt, heading to pariah for answers. However, the Allied army closed the border, preventing them from continuing to act. One of the soldiers recognizes Teddy and accuses him of complicity in the massacre of Wyatt over his unit. The man in black and Teddy are subsequently captured, with Union soldiers planning to brand Teddy with a maze symbol to mark him as a traitor. Teddy has memories that he really was an accomplice to the Wyatt massacre and breaks out of his connections. He then commands Gatling's gun and kills all the Union soldiers in the camp. Teresa tells Bernard that he wants to end their relationship. She fears that the revelation that she is sleeping with the head of the conduct department could create a conflict of interest and damage her credibility. -
WALLY CROWDER 2ND UNIT DIRECTOR/STUNT COODINATOR [email protected]
WALLY CROWDER 2ND UNIT DIRECTOR/STUNT COODINATOR [email protected] MOTION PICTURES 2015 Monster Trucks (Stunt Performer) 2015 Kidnap (Assistant Stunt Coordinator) 2015 Self/less (Stunt Driver) 2015 Furious Seven (Stunt Driver) 2014 Alexander and the Terrible, Horrible, No Good, Very Bad Day (Utility Stunts) 2014 The Barber (Stunt Driver) 2014 Let’s Be Cops (Stunt Driver/Stunts) 2012 This is 40 (Stunt Driver) 2011 Jeff, Who Lives at Home (Stunts/Actor-Fisherman) 2011 Larry Crowne (Stunts) 2010 Uncle Nigel (Stunt Coordinator) 2009 A Christmas Carol (Stunts) 2009 Angels & Demons (Stunt Performer) 2009 12 Rounds (Stunt Performer/Actor-Streetcar Conductor) 2009 The Smell of Success (Stunts) 2006 The Last Time (Stunt Coordinator) 2005 Red Eye (Utility Stunts) 2005 The Dark (Stunt Coordinator) 2003 Basic (Stunts) 2003 House of 1000 Corpses (Stunt Performer) 2003 Old School (Stunts) 2003 War Stories (Stunt Coordinator) 2003 The Street Lawyer (Stunt Coordinator) 2002 Women vs. Men (Stunt Coordinator) 2002 Outta Time (Stunts) 2001 Rock Star (Stunts) 2001 Training Day (Stunts) 2001 Lying in Wait (Stunt Performer) 2001 Double Take (Stunts) 2000 The Adventures of Rocky & Bullwinkle (Stunts) 2000 Hot Boyz (Stunts) 1999 Avalon: Beyond the Abyss (Stunt Coordinator) 1999 House on Haunted Hill (Stunts) 1999 One Last Score (If…Dog…Rabbit) (Stunts) 1999 NetForce (Stunt Coordinator) 1998 The Siege (Stunt Performer) 1998 With Friends Like These… (Stunt Coordinator) 1998 Point Blank (Stunts) 1997 Acts of Betrayal (Stunts) 1997 Gone Fishin’ (Stunts) 1997 -
Should Equalization Keep on Growing in an Era of Converging Fiscal Capacity?
Should Equalization Keep On Growing in an Era of Converging Fiscal Capacity? Ben Eisen, Joel Emes and Steve Lafleur AUGUST 2017 Contents Executive Summary / i Introduction / 1 Equalization in Canada—Program Objectives and Structure / 3 GDP Growth Rate Rule—Origins and Rationale / 6 Implications of an Equalization Growth Floor Going Forward / 8 A Simple Fix for a Flaw in Policy Design—Eliminate the Equalization Growth Floor / 16 Discussion—Eliminating the Growth Floor Is a Necessary Condition for Further Reform / 20 Conclusion / 22 Annex 1: Projection Method / 23 Annex 2: Alternative Projection Scenario / 25 References / 26 About the Authors / 31 Acknowledgments / 32 Publishing Information / 33 Purpose, Funding, and Independence / 34 Supporting the Fraser Institute / 34 About the Fraser Institute / 35 Editorial Advisory Board / 36 fraserinstitute.org Eisen, Emes, and Lafleur • Should Equalization Keep On Growing? • i Executive Summary Equalization is a federal government program that aims to provide Canadians in all provinces with access to reasonably comparable public services at compar- able levels of taxation. It attempts to achieve this objective by providing cash payments from the federal government to governments of provinces that have a lower fiscal capacity—the ability to raise revenues. In recent years, largely as a result of economic slumps in several non-recipient provinces, disparities between the fiscal capacity of recipient and non-recipient provinces have gen- erally shrunk significantly. The logic of the equalization program suggests that, because the fis- cal capacities of recipient and non-recipient provinces are converging, the total equalization envelope should eventually begin to shrink as well. However, under the program’s current rules, aggregate equalization payments are required to continue growing (in line with recent national growth in GDP) in perpetuity. -
AAPM Adult Routine Head CT Protocols Document
Adult Routine Head CT Protocols Version 2.0 3/1/2016 DISCLAIMER: TO THE EXTENT ALLOWED BY LOCAL LAW, THIS INFORMATION IS PROVIDED TO YOU BY THE AMERICAN ASSOCIATION OF PHYSICISTS IN MEDICINE, A NON-PROFIT ORGANIZATION ORGANIZED TO PROMOTE THE APPLICATION OF PHYSICS TO MEDICINE AND BIOLOGY, ENCOURAGE INTEREST AND TRAINING IN MEDICAL PHYSICS AND RELATED FIELDS ("AAPM"), 'AS IS' WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, WHETHER ORAL OR WRITTEN, EXPRESS OR IMPLIED. AAPM SPECIFICALLY DISCLAIMS ANY IMPLIED WARRANTIES OR CONDITIONS OF MERCHANTABILITY, SATISFACTORY QUALITY, NONINFRINGEMENT AND FITNESS FOR A PARTICULAR PURPOSE. SOME JURISDICTIONS DO NOT ALLOW EXCLUSIONS OF IMPLIED WARRANTIES OR CONDITIONS, SO THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. YOU MAY HAVE OTHER RIGHTS THAT VARY ACCORDING TO LOCAL LAW. TO THE EXTENT ALLOWED BY LOCAL LAW, IN NO EVENT WILL AAPM OR ITS SUBSIDIARIES, AFFILIATES OR VENDORS BE LIABLE FOR DIRECT, SPECIAL, INCIDENTAL, CONSEQUENTIAL OR OTHER DAMAGES (INCLUDING LOST PROFIT, LOST DATA, OR DOWNTIME COSTS), ARISING OUT OF THE USE, INABILITY TO USE, OR THE RESULTS OF USE OF THE PROVIDED INFORMATION, WHETHER BASED IN WARRANTY, CONTRACT, TORT OR OTHER LEGAL THEORY, AND WHETHER OR NOT ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. YOUR USE OF THE INFORMATION IS ENTIRELY AT YOUR OWN RISK. THIS INFORMATION IS NOT MEANT TO BE USED AS A SUBSTITUTE FOR THE REVIEW OF SCAN PROTOCOL PARAMETERS BY A QUALIFIED AND CERTIFIED PROFESSIONAL. USERS ARE CAUTIONED TO SEEK THE ADVICE OF A QUALIFIED AND CERTIFIED PROFESSIONAL BEFORE USING ANY PROTOCOL BASED ON THE PROVIDED INFORMATION. AAPM IS NOT RESPONSIBLE FOR A USER'S FAILURE TO VERIFY OR CONFIRM APPROPRIATE PERFORMANCE OF THE PROVIDED SCAN PARAMETERS.