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Impressionist Adventures
impressionist adventures THE NORMANDY & PARIS REGION GUIDE 2020 IMPRESSIONIST ADVENTURES, INSPIRING MOMENTS! elcome to Normandy and Paris Region! It is in these regions and nowhere else that you can admire marvellous Impressionist paintings W while also enjoying the instantaneous emotions that inspired their artists. It was here that the art movement that revolutionised the history of art came into being and blossomed. Enamoured of nature and the advances in modern life, the Impressionists set up their easels in forests and gardens along the rivers Seine and Oise, on the Norman coasts, and in the heart of Paris’s districts where modernity was at its height. These settings and landscapes, which for the most part remain unspoilt, still bear the stamp of the greatest Impressionist artists, their precursors and their heirs: Daubigny, Boudin, Monet, Renoir, Degas, Morisot, Pissarro, Caillebotte, Sisley, Van Gogh, Luce and many others. Today these regions invite you on a series of Impressionist journeys on which to experience many joyous moments. Admire the changing sky and light as you gaze out to sea and recharge your batteries in the cool of a garden. Relive the artistic excitement of Paris and Montmartre and the authenticity of the period’s bohemian culture. Enjoy a certain Impressionist joie de vivre in company: a “déjeuner sur l’herbe” with family, or a glass of wine with friends on the banks of the Oise or at an open-air café on the Seine. Be moved by the beauty of the paintings that fill the museums and enter the private lives of the artists, exploring their gardens and homes-cum-studios. -
Art & Architecture Of
The true icon of the Slovenian landscape is the Art & Architecture of hayrack (kozolec). Their picturesque appearance gives it a “special stamp” to Slovenia’s cultural landscape. It was the impressionistic Slovenian painter, Ivan Grohar (1867- 1911) who had painted the hayrack as the defining image of the Slovenian countryside. Simple hayracks are not unknown in other parts of alpine central Europe, but decorated or plain are unique to Slovenia. Another form of folk art is the painting of “Beehive Fronts”. Slovenia alone has developed such a Lake Bled (Blejsko jezero) unique kind of art. In Slovenian history there is The lake is situated in a picturesque a rich tradition of affection environment, surrounded by mountains and and love for the bee. forests. A medieval castle stands above the According to Dr Jozko lake and on the only natural island in Slovenia Savli, beehive fronts sits the Assumption of Mary's Pilgrimage called “celnice” achieved Church built in the 15th century. The church an esthetic effect on the outside of the bee house where has a 52 meter tower and 99 steps leading up to they joined into a single picturesque design. A large the building. number of the 600 motifs are biblical in nature. The golden age of beehive art was from the 18th to early 20th The lake is also famous among rowers since it centuries. has very good conditions for the sport. It hosted the World Rowing Championships in 1966, Bobbin lace-making (Klekljanje) is a unique phenomenon 1979 and in 1989. It will host the World in Slovenia. -
La Celle-Saint-Cloud Gare Rueil Malmaison La Celle
27 LA CELLE-SAINT-CLOUD GARE RUEIL MALMAISON 27 LA CELLE-SAINT-CLOUD GARE RUEIL MALMAISON Du lundi au vendredi La Gare de Croissy-sur-Seine Seine la Celle St Cloud Mairie Bourg Sablons Élysée Chemin des Vignes Jonchère Le Parc LA CELLE-ST-CLOUD Gare de la Celle-St-Cloud SNCF 06:20 06:35 07:00 07:25 07:50 08:15 08:40 09:15 09:50 10:25 11:00 11:35 12:10 12:45 13:20 14:00 14:40 15:20 16:00 16:25 16:52 17:21 17:40 18:16 18:48 19:10 19:32 20:35 21:35 μ Gare de Rueil L £ £ £ 1 r 30 r 5 rr 38 r 503 £ 503 £ 258 Malmaison £ r 0 r 503 Chatou 1 r 30 r 2 r 0 r + + r +([ r NUIT1 $ +([ r NUIT1 A Châtaigniers de Tournebride Musée Tourguéniev Stade £ Avenue 01 r 0 r r 1 Lycée Gal et Av. Av. des du Parc Stade Esso 158 r 1 r r 3 Mairie 06:21 06:36 07:01 07:27 07:52 08:17 08:42 09:16 09:51 10:26 11:01 11:36 12:11 12:46 13:21 14:01 14:41 15:21 16:01 16:26 16:53 17:23 17:42 18:18 18:50 19:11 19:33 20:36 21:38 Cha de la r N153 technologique rles Jonchè d Combattants r Château Pierre Corneille e Gaull e lle e £ ei RAC 258 r 503 Mairie Annexe Av. -
Mise En Page 1
900x210 24/02/12 18:20 Page 1 H LA MAISON FOURNAISE LE RENDEZ-VOUS DES IMPRESSIONNISTES LES DEUX FAUVES DE CHATOU UN DÉJEUNER À WASHINGTON LES COLLECTIONS DU MUSÉE LES ANIMATIONS DU MUSÉE FOURNAISE ADÉCOUVRIR SUR L’ILE DES IMPRESSIONNISTES COMMENT YACCÉDER : ANDRÉ DERAIN ET MAURICE DE VLAMINCK Le musée Fournaise conserve Individuel mo mo OURNAISE O F U Célèbre guinguette des bords de Seine, le charme du lieu attire ET DES ÉCRIVAINS André Derain (né à Chatou) et Maurice de Vlaminck installent leur Ce tableau, Le Déjeuner des Canotiers, est mondialement reconnu des collections picturales et • Visite audio-guide français, anglais, allemand 6e Renoir. Sur le balcon de la maison, il peint son célèbre Déjeuner Claude Monet, Alfred Sisley, Berthe atelier en 1900 dans une maison comme étant un chef-d’œuvre de l’impressionnisme. graphiques sur l’histoire de la • Visite sans audio-guide S museum and E des Canotiers à la fin de l’été en 1880. Morisot, Edouard Manet, Camille voisine du restaurant Fournaise, En 1924, Duncan Phillips et son épouse Isadora l’acquièrent pour le Maison Fournaise et du cano- Plein tarif 5e PAR LA ROUTE : A Pissarro, Pierre Prins, arpentent l’île la Maison Levanneur. Guillaume premier musée privé américain d’art moderne et considèrent alors tage. Elle comprend notamment Tarif réduit (sur justificatif) 3e Croisière à bord du Dénicheur, Adresse GPS : restaurant 3 rue du Bac - 78400 Chatou 10 km de que le monde entier se déplacera jusqu’à Washington pour une remarquable collection de • Visite guidée tous les dimanches à 15h 6e bateau électrique en quête de cette lumière mobile sur Apollinaire et Henri Matisse leur Depuis Paris, prendre les autoroutes PARIS l’admirer. -
VU Research Portal
VU Research Portal Willem van Konijnenburg Rijnders, M.L.J. 2007 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Rijnders, M. L. J. (2007). Willem van Konijnenburg: Leonardo van de Lage Landen. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 01. Oct. 2021 Summary Willem van Konijnenburg. The Leonardo of the Low Countries During the interbellum the Hague artist Willem van Konijnenburg (1868-1943) was one of the standard-bearers of Dutch modern art. After the Second World War, he disappeared from sight. Why? Closely related to this question are such issues as the nature of his art and his role as an artist, and the way they have been portrayed. What was Van Konijnenburg’s place in the Dutch art world, and was the position accorded him what he himself had hoped for? My research is intended to provide an answer to these questions. -
Renoir, Impressionism, and Full-Length Painting
FIRST COMPREHENSIVE STUDY OF RENOIR’S FULL-LENGTH CANVASES BRINGS TOGETHER ICONIC WORKS FROM EUROPE AND THE U.S. FOR AN EXCLUSIVE NEW YORK CITY EXHIBITION RENOIR, IMPRESSIONISM, AND FULL-LENGTH PAINTING February 7 through May 13, 2012 This winter and spring The Frick Collection presents an exhibition of nine iconic Impressionist paintings by Pierre-Auguste Renoir, offering the first comprehensive study of the artist’s engagement with the full-length format. Its use was associated with the official Paris Salon from the mid-1870s to mid- 1880s, the decade that saw the emergence of a fully fledged Impressionist aesthetic. The project was inspired by Renoir’s La Promenade of 1875–76, the most significant Impressionist work in the Frick’s permanent collection. Intended for public display, the vertical grand-scale canvases in the exhibition are among the artist’s most daring and ambitious presentations of contemporary subjects and are today considered masterpieces of Impressionism. The show and accompanying catalogue draw on contemporary criticism, literature, and archival documents to explore the motivation behind Renoir’s full-length figure paintings as well as their reception by critics, peers, and the public. Recently-undertaken technical studies of the canvases will also shed new light on the artist’s working methods. Works on loan from international institutions are La Parisienne from Pierre-Auguste Renoir (1841–1919), Dance at Bougival, 1883, oil on canvas, 71 5/8 x 38 5/8 inches, Museum of Fine Arts, Boston, Picture Fund; photo: © 2012 Museum the National Museum Wales, Cardiff; The Umbrellas (Les Parapluies) from The of Fine Arts, Boston National Gallery, London (first time since 1886 on view in the United States); and Dance in the City and Dance in the Country from the Musée d’Orsay, Paris. -
The Rijksmuseum Bulletin
the rijksmuseum bulletin 162 the rijks museum bulletin Acquisitions History and Print Room • jenny reynaerts, huigen leeflang, marijn schapelhouman, jeroen luyckx, mei jet broers and harm stevens • 1 attributed to nicolaes de kemp (c. 1550-1600) Genealogy of the Lords and Counts of Culemborg Utrecht, c. 1590-93 Vellum, gouache, ink, silver paint, gold, pigskin, 422 x 312 x 40 mm Around 1590 Floris I of Pallandt, Count of Culem- the family. The genealogy ends with the Pallandts borg, had a genealogy made. The creation of the – Floris’s parents. Dutch Republic some years before had put an end The genealogy is an unusual example of the to princely rule and the exceptional status of the nobility in the Low Countries’ urge to display nobility. The nobles tried to compensate for this their distinguished lineage. The illustrations are through symbolism. To set themselves apart from excellent quality – strikingly the figures have the middle-class ruling elite they stressed their individual facial features. The maker spent a great long lineage of important forebears. Floris I also deal of time on the details and tried to produce tried to legitimize his unique historic status: the the faces of the legendary ancestors as portraits. genealogy, which went back to ad 800, showed It is clear that he based the last generations on that he had come from an illustrious family. existing examples. The figures’ clothes vary from The manuscript consists of fifty-five vellum sheet to sheet, and the artist has even taken the sheets with illustrations attributed to Nicolaes de trouble to reflect the changing fashion through Kemp. -
Groupements Ordonnes De Communes Des Yvelines (78)
Annexe page III GROUPEMENTS ORDONNES DE COMMUNES DES YVELINES (78) VERSAILLES et sa région SAINT-GERMAIN-EN-LAYE et sa région MANTES et sa région 078954 078955 078956 1 : VERSAILLES (SL, Mp, RER-C) 1 : SAINT-GERMAIN-EN-LAYE (RER-A) 1 : MANTES-LA-JOLIE (SL) 2 : LE CHESNAY (SL, RER-C) (4 km) 2 : LE PECQ (RER-A) (5 km) 2 : MANTES-LA-VILLE (SL) 3 : VIROFLAY (SL, Mp, RER-C) (4 km) 3 : MAISONS-LAFFITTE (SL, RER-A) (5 km) 3 : LIMAY (SL) (2 km) 4 : BUC (Mp, RER-C) (4 km) 4 : MONTESSON (SL, RER-A) (5 km) 4 : MAGNANVILLE (SL) (2 km) 5 : SAINT-CYR L’ECOLE (Mp, RER-C) (4 km) 5 : POISSY (SL, RER-A) (5 km) 5 : PORCHEVILLE (SL) (5 km) 6 : VELIZY-VILLACOUBLY (Mp, SL, RER-C) (5km) 6 : SARTROUVILLE (SL , RER-A) (5 km) 6 : ISSOU (SL) (5 km) 7 : GUYANCOURT (Mp, RER-C) (5 km) 7 : HOUILLES (SL, RER-A) (5 km) 7 : GARGENVILLE ( SL) (7 km) 8 : FONTENAY - LE - FLEURY (Mp) (6 km) 8 : CARRIERES-SOUS-POISSY (SL, RER-A) (5 km) 8 : ROSNY-SUR-SEINE (SL) (8 km) 9 : NOISY LE ROI (SL) (7 km) 9 : ACHERES (RER-A) (5km) 9 : EPONE (SL) (9 km) 10 : BOIS-D’ARCY (Mp, RER-C) (7km) 10 : ANDRESY (SL) (6 km) 10 : AUBERGENVILLE (SL) (11 km) 11 : MONTIGNY - LE - BRETONNEUX (Mp, RER-C) 11 : LE VESINET (RER-A, N) (6 km) 11 : BONNIERES-SUR-SEINE (SL) (11 (8 km) 12 : CHANTELOUP (SL) (7 km) km) 12 : VOISINS- LE- - BRETONNEUX (Mp, RER-C) (8 13 : CHATOU ( RER-A) (7 km) 12 : BREVAL (SL) (13 km) km) 14 : CROISSY-SUR SEINE (RER-A) (7 km) 13 : MAULE (Mp, SL) (14 km) 13 : MAGNY –LES-HAMEAUX (Mp, RER-C) (8 km) 15 : CARRIERE-SUR –SEINE (SL, RER-A) (7 km) 14 : LES MUREAUX (SL) (15 km) 14 : VILLEPREUX -
The ART of Wine
The ART of Wine VINUM VINE “ Drink wine and tomorrow we will wake, Drink love and we shall be drunk forever... ” T had my first taste of wine at 6 p.m. a couple years ago; during an Organic Chemistry II lecture (held in one of the largest University lecture halls in America (200 + seats)). I I sip wine, while knowing the consequence and taboos of in-class alcohol consumption. It was an Italian 187 mL imported Merlot Cavit Collection, screw capped; which was enjoyed with six French’s cinnamon raisin cookies. While enjoying, I was learning about aromatic compounds and carbon cation. On May 25, 2010: I have decided to publish my story. This book is not about wine; it’s about what you can do with the idea. Cheers, and enjoy! Nymphs offering Bacchus wine (1670-78) : Caesar Van Everdingen In the 1600s, the Benedictine monks invented bottle stompers out of wood and rags. 150 years later, Spain invented the first cork stopper. Then came the invention of a corkscrew Alison Brewster Tiffany & Co. Alessi Georg Jensen Alessi Alessandro M. Typography is emotional and complex. For the love of typography; we toast to a few great fonts. Ned Wright The Leasing Studio Sohne Stockholm Design Lab Gut Oggau Portrait Wines | Jung Von Matt Meeta Panesar Designs, with Op Art tradition of Joseph Albers Matsu Wine. “El Picaro”, “El Recio”, and “El Viejo” | Javier Euba of Moruba, an organic wine from Tor D.O. Click Wine Group | Bootleg Wine The colors represent Pinot Grigio, Sauvignon Blanc, Chianti, Southern Red, and Grand Tuscan. -
Visite-Atelier
DOSSIER PEDAGOGIQUE à destination des enseignants du CP au CM2 Visite-atelier A partir du 15 septembre 2019 Pour le centenaire de la disparition de Renoir, le musée Fournaise vous propose un format de visite-atelier inédit et novateur : des outils numériques pour aller autrement à la rencontre de Renoir et de sa peinture. 1 A l’heure où le numérique est tant plébiscité par le jeune public, le musée Fournaise a choisi d’en faire un outil de médiation culturelle pour sa visite-atelier. D’une utilisation simple et quasi intuitive pour les enfants, les dispositifs numériques placent le musée à leur portée. Interactif, ludique, le digital offre aux enfants un accès à la culture plus dynamique. En compagnie d’un guide et dans un décor évoquant l’époque et l’œuvre de Renoir, les élèves font la rencontre de du maître impressionniste en hologramme et en vidéo. Ses confidences et ses discussions avec ses contemporains les font entrer dans l’intimité du célèbre peintre et leur permettent d’appréhender ses recherches, ses ambitions, ses difficultés pour mieux comprendre sa peinture et les débuts tumultueux de l’impressionnisme. Un temps d’ateliers est l’occasion pour les enfants d’être pleinement acteurs de leurs découvertes en manipulant des outils numériques : casques de réalité virtuelle, tablettes et écrans tactiles de peinture virtuelle offrent des moments de création et d’apprentissage ludiques. RENOIR ET LA MAISON FOURNAISE A la Maison Fournaise, la classe visite un lieu historique qui fut le rendez-vous des artistes au 19e siècle. En 1857, Alphonse Fournaise ouvre un hôtel- restaurant sur l’île de Chatou. -
Paris Seine-Saint-Denis Hauts-De-Seine Yvelines Val-D’Oise Eure Seine-Maritime Calvados Essentiel
PARIS SEINE-SAINT-DENIS HAUTS-DE-SEINE YVELINES VAL-D’OISE EURE SEINE-MARITIME CALVADOS ESSENTIEL Pédaler au rythme du fleuve En 2020, plus de 400 km d’itinéraires cyclables aménagés le long de la Seine permettront de relier à vélo Paris au Havre et à Deauville. De la Ville Lumière à la Côte normande, des Véloroutes et Voies Vertes (SN3V), est en passant d’un méandre à l’autre, née en 2015. par Rueil-Malmaison, ville impériale, Cet itinéraire traverse huit départements : Chatou, Croissy, terres impressionnistes, Paris, la Seine-Saint-Denis, les Hauts-de- Conflans-Sainte-Honorine, capitale de la Seine, les Yvelines, le Val-d’Oise, l’Eure, batellerie française, Giverny, berceau de la Seine-Maritime et le Calvados. l’impressionnisme, Rouen et sa superbe Il permettra à ses utilisateurs de traverser cathédrale gothique émergeant des en toute tranquillité des sites très anciennes maisons à colombages ou Honfleur, un des plus jolis ports français au emblématiques du patrimoine naturel, débouché de l’estuaire, le nouvel itinéraire architectural, culturel et industriel français cyclable proposera une expérience à la renommée internationale. La Seine inoubliable à des touristes originaires de à Vélo entend contribuer au rayonnement France, d’Europe et du monde. La Seine touristique de la Vallée de la Seine et à Vélo, inscrite au Schéma National à son développement économique. Les partenaires La Seine à Vélo, c’est avant tout 18 territoires engagés ensemble en faveur du rayonnement touristique et économique de la Vallée de la Seine. c’est + de communes130 traversées 18 territoires engagés + de 400 km d ’itinéraires cyclables inauguration prévue en 2020 2 3 ITINÉRAIRE ITINÉRAIRE On monte sur son vélo à Paris devant Notre- Dame, le Louvre ou la tour Eiffel et on se laisse glisser jusqu’aux « planches » de Deauville ou les grands quais du Havre. -
Pierre Auguste Renoir
Pierre Auguste Renoir Pierre Auguste Renoir (“Ren-WAH”) 1841-1919 ! French Impressionist Painter The French painter Pierre Auguste Renoir was Vocabulary one of the leading members of the Impressionist movement. He began his career in a Parisian Complementary colors—Colors that are porcelain factory gaining experience with light, opposite each other on the color wheel (red and fresh colors that were to distinguish his green, blue and orange, yellow and violet). When Impressionist work. When he was 21, he entered placed next to each other, both complementary the Paris studio of artist Charles Gleyre, and colors seem brighter and stronger, providing became friends with fellow students Claude emphasis for each and creating a visual vibration Monet, Alfred Sisley, and Frederic Bazille. In the or glow. 1860s Renoir and his friends joined with other avant-garde artists to form a loose knit group Impressionism—A style of art, originating in known as the Impressionists. Paris in the 1860s, in which the main idea was to show changes in the light, color or actions of Renoir was particularly interested in people and scenes with quick brush strokes of color. often painted his friends. His paintings of beautiful Impressionists had two fundamental concerns: women, lovely children, lush landscapes and depicting modern life and painting in the open air. lighthearted picnics and dances reflected his Although their artistic styles and aims were not celebration of natural beauty and the French uniform, as a group they rejected the standard of leisure life in the countryside and cafés of Paris. the day as dictated by the Salon, the officially Renoir masterfully rendered the shimmering approved group of artists.