Some Reflections on Provincial Coinage 1787-1797
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Britain's Cartwheel Coinage of 1797
Britain's Cartwheel Coinage of 1797 by George Manz You've probably heard these words and names before: Cartwheel, Soho, Matthew Boulton, and James Watt. But did you know how instrumental they were in accelerating the Industrial Revolution? Like the strands of a rope, the history of Britain's 1797 Cartwheel coinage is intertwined with the Industrial Revolution. And that change in the method of producing goods for market is intermeshed with the Soho Mint and its owners, Matthew Boulton and James Watt. We begin this story in Birmingham, England in 1759 when Matthew Boulton Jr., now in his early 30s, inherited his father's toy business which manufactured many items, including buttons. Later that year, or possibly the following year, young Matthew Boulton's first wife Mary died. "While personally devastating," Richard Doty writes in his marvelous book, The Soho Mint & the Industrialization of Money, "the deaths of his father and his first wife helped make Soho possible. His father had left the toy business to him, while the estate of his wife, who was a daughter and co-heiress of the wealthy Luke Robinson of Litchfield, added to his growing resources." Doty, the curator of numismatics for the Smithsonian Institution in Washington, D.C., notes that Boulton eventually went on to wed Mary's sister Anne; Luke Robinson's other daughter and now sole heir to the family fortune. Boulton built a mill which he called Soho Manufactory, named for a place already called Soho, near Birmingham. The mill was erected beside Hockley Brook, which provided the water- power to help power the new factory. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Elkington & Co. and the Art of Electro-Metallurgy, circa 1840-1900. Alistair Grant. A Thesis Submitted to the University of Sussex for Examination for the Degree of Doctor of Philosophy. September 2014. 2 I hereby declare that this thesis is solely my own work, and has not been, and will not be submitted in whole, or in part, to another University for the award of any other degree. Signature:……………………………………… 3 This PhD thesis is dedicated to my wife Lucy and my daughter Agnes. I would like to thank my wife, Dr. Lucy Grant, without whose love, encouragement, and financial support my doctoral studies could not have happened. Her fortitude, especially during the difficult early months of 2013 when our daughter Agnes was ill, anchored our family and home, and enabled me to continue my research and complete this PhD thesis. 4 ACKNOWLEDGEMENTS First and foremost, I would like to thank my supervisor Professor Maurice Howard. Having nurtured my enthusiasm for Art History as an undergraduate at the University of Sussex from 1983-1986, when I approached him, 23 years later, about pursuing PhD research into Elkington & Co. -
AN INDUSTRIAL HIVE: BIRMINGHAM’S JEWELLERY QUARTER Carl Chinn
AN INDUSTRIAL HIVE: BIRMINGHAM’S JEWELLERY QUARTER Carl Chinn Birmingham’s Jewellery Quarter is famed nationally and internationally but locally its importance can be taken for granted or even overlooked – as can that of the jewellery trade itself which has a longstanding connection with our city. That lack of attention is not a new phenomenon. By the mid-nineteenth century, jewellery making was regarded as one of the four main Birmingham trades. Along with the brass trade and the manufacture of guns and buttons it flourished above the rest but very little was written about it. That is surprising for such an important industry which remains prominent in modern Birmingham and which has such a fascinating history covering more than 200 years. Birmingham Lives Archive Birmingham Lives Jewellers at work in the Jewellery Quarter in the 1950s. iStock AN INDUSTRIAL HIVE: BIRMINGHAM’S JEWELLERY QUARTER Goldsmiths Although the origins of the modern Jewellery Quarter lie in the eighteenth century, the working of precious metal in Birmingham can be traced to the later Middle Ages. Dick Holt’s research uncovered a tantalising reference from 1308 to ‘Birmingham pieces’ in an inventory of the possessions of the Master of the Knights Templar. He believed that the objects were doubtless small, although of high value, and seem to have been precious ornaments of some kind. What is certain is the presence of goldsmiths in that period. Reproduced with the permission of the Library of Birmingham WK/B11/68 of the Library with the permission Reproduced In 1382, a document noted a John The corner of Livery Street with Great Charles Street (right) showing the former brass foundry of Thomas Goldsmith – at a time when such a Pemberton and Sons. -
Brummagem Brass
BRUMMAGEM BRASS By L. G. BERESFORD, B.Sc., FIM. Presidential Address delivered to the Birmingham Metallurgical Society, October 27th, 1960. To misquote Macaulay, Brummagem is, as every schoolboy knows, a corruption of Bermingham, a word of Saxon origin, whose literal meaning is “the homestead of the sons of Berm”. Spelt in the Domesday Book as BERMINGEHAM, the ‘e’ following the ‘g' signifies the latter as soft, so that the pronunciation becomes Berminjam which, spoken quickly, easily becomes Bremijam or Brummagem. But, whatever its derivation, and that given above seems the most plausible, the word itself, associated as it was with poor, worthless imitations of good quality goods, became one of reproach. Yet, in a way, it was a tribute to the ingenuity of the Birmingham workmen whose skill in producing dies for medals was equally capable of producing the dies for base coins. So much so, that in the 17th and 18th centuries, Birmingham became specially noted for this kind of manufacture, well expressed in a contemporary poem: “The wretch that stamped it got immortal fame; Twas coined by stealth, like groats at Birmingham.” This reputation for counterfeiting was not confined to coining: it was also common in the buckle trade in which large quantities were made of a white alloy, bearing some slight resemblance to silver, popularly called “soft tommy", the workmanship being on a par with the material “Brass “itself can be defined in three ways. Universal as applied to the alloys of copper and zinc, parochial in the North country sense of “where there's muck, there's brass" and national in its meaning of impudence. -
A Mint for Mexico': Boulton, Watt and the Guanajuato Mint
'A MINT FOR MEXICO': BOULTON, WATT AND THE GUANAJUATO MINT R. G. DOTY FROM the 1780s to the 1840s, the Soho (Birmingham) firm of Boulton, Watt & Company was in the vanguard of coining innovation. One of its founders, Matthew Boulton, secured a patent for the first steam-powered coining press in mid-1790. The company went on to produce the first truly 'modern' coins, created by means of the new device, in 1797. This was the British 'cartwheel' penny, and the form assumed by the new coin was both a reflection of the demands of the new machinery and the convictions of its inventor as to the perfect function and appearance of the coin. Later coinage inventors, their work solidly grounded on Boulton's precedent, retained most of his concepts as to preferable monetary form. So it is that our coinage since his time has generally stressed low relief, and has usually been struck in a close collar. The activities of Boulton, Watt did not abruptly cease with the securing of the right to strike British copper coins in 1797, even though such a contract had long been a primary goal. Instead, having gained acceptance of a new form and mode of production for coinage in one country, the firm now sought to bring its achievements to others. It essentially did so in two ways, broadly demarcated by time. In the first phase, it shipped coinage on the new model to a receptive outer world. Even prior to the British issues of 1797, we find it making coins for Madras, Bombay, Sierra Leone, and Sumatra, as well as halfpenny tokens for a dozen concerns in England, Scotland, Ireland, and Wales. -
The Bank of England Countermarked Dollars, 1797-1804 H.E
THE BANK OF ENGLAND COUNTERMARKED DOLLARS, 1797-1804 H.E. MANVILLE 'To prove that some object is false, every decision in the matter presupposes the existence of an original, authentic and true, to which the fake is compared. The truly genuine problem thus does not consist of proving something false but in proving that the authentic object is authentic.'1 IN 1797 and 1804 the extraordinary expedient of countermarking foreign coins was authorized by the Treasury. Nearly three million dollar-size coins, supplied by the Bank of England and almost entirely Spanish eight-real pieces, were stamped at the Royal Mint on Tower Hill and issued by the Bank. The economic crisis that brought on the issue of countermarked coins had been building for many years and was triggered by a run on the gold reserves of the Bank in late February 1797. Within a ten-day period, cash payments by the Bank were suspended, an immediate resumption of the striking of silver and copper coins was urged in the House of Commons, countermarked dollars were announced at one price and then issued at another, £1 and £2 notes were authorized and issued by the Bank (the previous lowest denomination had been £5), and an issue of copper pennies and twopences was discussed. The issues of countermarked dollars in 1797 and 1804 have been touched on by many numis- matic writers. Less well-known, and generally misunderstood, was an interim, but never issued, similar marking in 1799. Also, questions raised by what appear to be genuine punch-marks on silver coins of less than dollar size have not yet been answered to everyone's satisfaction.2 The historical background leading to the issue of the Bank of England countermarked dollar tokens is well known. -
The 1787 Shilling - a Transition in Minting Technique H.E
THE 1787 SHILLING - A TRANSITION IN MINTING TECHNIQUE H.E. MANVILLE AND P.P. GASPAR '1787. In this year a feeble attempt was made to supply the want of Silver Money by a coinage of that metal. But it appears as if the directors of Mint affairs had exhausted all their powers in the restoration of the Gold Coins, for after an issue of about seventy or eighty thousand Pounds, in Shillings and Sixpences, the coinage of Silver was stopped.'1 'In the year 1787 the Bank coined £55,280 in New Silver, not with any intention of issuing it in gen- eral to the Publick, but only in small quantities to their Customers at Christmastime.'2 Introduction THE first statement , from Rogers Ruding's Annals (1817), represents a general impression held by numismatists: That the coinage of shillings and sixpences in 1787 was a feeble and short-lived attempt by the Government to begin to relieve the severe shortage of silver coins. The second quo- tation presents the true picture: That the coins were a private striking for the Bank of England, not intended for general circulation. This was a time of change in the techniques employed by the Mint for the manufacture of dies. The long-established use of individual letter punches to apply the inscription to each die was slow and inefficient, but could only be phased out when fully lettered punches became available. This required the raising of punches from fully lettered matrices. For a time of transition within the Mint, the study of one issue may fill in gaps in the available records. -
Intellectual Property Rights (IPR) Elements of the DIME Network Currently Focus on Research in the Area of Patents, Copy- Rights and Related Rights
DIME Working Papers on INTELLECTUAL PROPERTY Sponsored by the Dynamics of Institutions and 6th Framework Programme Markets in Europe is a network RIGHTS of the European Union of excellence of social scientists in Europe, working on the eco- http://www.dime-eu.org/working-papers/wp14 nomic and social consequences of increasing globalization and the rise of the knowledge economy. http://www.dime-eu.org/ Emerging out of DIME Working Pack: ‘The Rules, Norms and Standards on Knowledge Exchange’ Further information on the DIME IPR research and activities: http://www.dime-eu.org/wp14 This working paper is submitted by: John R. Bryson and Michael Taylor School of Geography, Earth and Environmental Sciences, The University of Birmingham, Email: [email protected] Enterprise by ‘industrial’ design: creativity and competitiveness in the Birmingham (UK) Jewellery Quarter This is Working Paper No 47 (April 2008) The Intellectual Property Rights (IPR) elements of the DIME Network currently focus on research in the area of patents, copy- rights and related rights. DIME’s IPR research is at the forefront as it addresses and debates current political and controversial IPR issues that affect businesses, nations and societies today. These issues challenge state of the art thinking and the existing analytical frameworks that dominate theoretical IPR literature in the fields of economics, management, politics, law and regula- tion- theory. Enterprise by ‘Industrial’ Design: Creativity and Competitiveness in the Birmingham (UK) Jewellery Quarter John R. Bryson and Michael Taylor, School of Geography, Earth and Environmental Sciences, The University of Birmingham, Edgbaston, Birmingham, B15 2TT E-mail: [email protected] Abstract This paper explores the manufacture of jewellery in Birmingham’s established jewellery quarter. -
Birmingham Jewellery Quarter Heritage Trail
BIRMINGHAM JEWELLERY QUARTER HERITAGE TRAIL 11 BROUGHT TO YOU BY BIRMINGHAM JEWELLERY QUARTER HERITAGE TRAIL Birmingham’s famous Jewellery Quarter is completely unique - there is no other historic townscape like it in the world. It is an area rich in heritage, but what makes it so special is that it is still also a living, working community. The purpose of this walking trail is to provide an introduction to the Quarter’s past and present, and to encourage visitors to discover more about this fascinating area. This trail is printed and distributed by the Jewellery Quarter Development Trust (JQDT). The development of the Jewellery Quarter. Goldsmiths and silversmiths have been working in what we now call the Jewellery Quarter for more than 200 years. Originally scattered across Birmingham, they began to congregate in the Hockley area from 1760 onwards. The main reason for this was the development of the Colmore family’s Newhall estate which released more land for housing and manufacturing. 1 Precious metal working grew out of the ‘toy’ trades – not children’s playthings but buckles, buttons and other small metal trinkets. ‘Brummagem toys’ were produced in their hundreds and thousands, in cut-steel, brass and silver. Westley’s Map of Birmingham, 1731 - Confusingly north is to the right! As the trade expanded new streets were laid out across former rural estates, and substantial new houses were built for wealthy manufacturers. Alongside these large houses, terraces of artisans’ homes were also constructed. In time the gardens of these houses became built up with workshops and spare rooms had work benches installed. -
A Case Study of Blue Coat Charity School 1780 – 1850
DID EDUCATION PROMOTE SOCIAL MOBILITY WITHIN THE WORKING CLASS IN BIRMINGHAM? A CASE STUDY OF BLUE COAT CHARITY SCHOOL 1780 – 1850 by JULIE FOSTER A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY School of Education College of Social Sciences University of Birmingham December 2017 1 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Using a unique data set which linked material from a multitude of sources, this research determined whether an association existed between education and subsequent achievement, in the Blue Coat Charity School in Birmingham between 1780 and 1850. The research followed the life course of pupils at the school from the time they were admitted to the time they left and then throughout their working lives to measure the extent of intragenerational and intergenerational social mobility. Subsequently, the mobility was then correlated to the extent of their educational achievements to determine whether their education enabled them to acquire a higher status role or move into a higher social class. The study found that the school provided quality education in comparison to other schools in the locality, and evidence suggests that overall those boys who excelled academically were more likely to obtain a beneficial apprenticeship. -
German Silver’: Part II: 1829-1924 Alistair Grant
48 Journal of the Antique Metalware Society, Vol. 24, 2016 A British History of ‘German Silver’: Part II: 1829-1924 Alistair Grant Fig. 1 left: Nickel silver coin. From the “Regular-Issue Alloy Coins Series” of The Elements Coin Collection designed and manufactured by David Hamric for Metallium, Inc., Watertown, Boston, MA: http:// www.elementsales.com/index.html Fig. 2 opposite: Tablespoon, electroplated nickel silver, made by Needham, Veall and Tyzack, Sheffield, England, ca.1890, L: 20.6 cm, Victoria and Albert Museum, Museum no. M.15-1999. The worn plating on the bowl of the spoon reveals the nickel silver substrate. Prologue: Part I, 1754-1824 This essay, published over two journals, chronicles for the alloy under the tradename Argentan. Within a the history of the commercial manufacture in Britain of year, Gebrüder Henniger had begun manufacturing and ‘German silver’ (more commonly known today as ‘nickel marketing a similar alloy in Berlin under the tradename silver’). Part 1 – The Discovery of Nickel and Neusilber. By 1829, Geitner had founded a large rolling Development of Nickel Alloys, 1754-1823 was mill to mass-manufacture sheets of nickel silver at published in Volume 23, 2015, and traced the origins of Auerhammer in Saxony. Geitner’s great achievement the scientific and industrial development of the metal was to industrialize the smelting and refining processes alloy in Sweden, Britain, and Germany, from Axel used to extract pure nickel as a by-product from Fredrik Cronstedt’s discovery of nickel circa 1751-54 ‘speiss,’ the artificial metallic arsenide, or antimonide, and Torbern Olaf Bergman’s subsequent confirmation that was a waste product from the cobalt blue sintering of the discovery by refining pure nickel in 1775; Gustav operations of the Blaufarbenwerke (‘blue colour works’) von Engeström’s blow-pipe analysis of the Chinese at Schneeberg. -
Matthew Boulton and the Soho Mint Numismatic Circular April 1983 Volume XCI Number 3 P 78
MATTHEW BOULTON AND THE SOHO MINT: COPPER TO CUSTOMER by SUE TUNGATE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern History College of Arts and Law The University of Birmingham October 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Matthew Boulton (1728-1809) is well known as an eighteenth-century industrialist, the founder of Soho Manufactory and the steam-engine business of Boulton and Watt. Less well known are his scientific and technical abilities in the field of metallurgy and coining, and his role in setting up the Soho Mint. The intention of this thesis is to focus on the coining activities of Matthew Boulton from 1787 until 1809, and to examine the key role he played in the modernisation of money. It is the result of an Arts and Humanities Research Council-funded collaboration with Birmingham Museum and Art Gallery, where, after examination of their extensive collection of coins, medals, tokens and dies produced at the Soho Mint, .research was used to produce a catalogue.