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Index AACTA Awards, 91, 401, 418, 427 2016 ‐ Tanna (entry), 258 2011 ‐ Mrs Carey’s Concert (2 Awards), 418 ‘why is #OscarsSoWhite’, 112 2013 ‐ The Rocket (Orig. Screenplay), 255 ACMA (Australian Communications and 2016 ‐ Spear (entry), 91 Media Authority), 420 Abbott Government, 161, 228 Acquisto, Luigi (Beatriz’s War/A Guerra de ABC see Australian Broadcasting Beatriz (with Reis) 2013), 257–58 Commission (ABC); Australian ACTF (Australian Children’s Television Broadcasting Corporation (ABC) Foundation), 303 ABC (US), 198, 374–75 action films, 16, 133, 158, 314, 454 Moonlighting (series 1985–89), 394 Goldstone (Sen 2016), 82 Partridge Family, The (series ‘inaction’ cinema, and, 232–33, 238 1970–74), 396 Mad Max see Mad Max film series Twin Peaks (series 1990–91), 179, 392, activism (Indigenous) see recognition 394, 405, 406, 407, 408, 410 politics (Indigenous) Aboriginal and Torres Strait Islanders see activist filmmaking, 13, 45, 109, 300, 526 headings at Indigenous Black Panther Woman (doc. 2015), 111, Academy Awards, 159, 191, 200, 391 124–28 1977 ‐ Network (Actor), 188 Connection to Country (doc. 2017), 44–46 1994 ‐ The Piano (Writing/Screenplay), 166 Occupation: Native (doc. 2107), 48 1995 ‐ Priscilla (Costume Design), 194 transmedia documentaries, 497–98, 503, 1997 ‐ Shine (7 awards), 192 504 see also Freedom Stories (doc. 2002 ‐ The Hours (Actress), 199 Horler, Thomas 2015) 2007 ‐ Happy FeetCOPYRIGHTED (Anim. Feature), 151 Adams, AnselMATERIAL (photographer), 83–84 2012 ‐ The Impossible (entry), 200 Adelaide Film Festival, 94, 431, 432 2013 ‐ The Rocket (entry), 248 2015 ‐ Spear, 91 2016 ‐ Mad Max: Fury Road (tech. HIVE Fund, 92, 432–33 awards), 146 HIVE Lab, 94 A Companion to Australian Cinema, First Edition. Edited by Felicity Collins, Jane Landman, and Susan Bye. © 2019 John Wiley & Sons, Inc. Published 2019 by John Wiley & Sons, Inc. bindex.indd 537 7/8/2019 7:09:44 PM 538 Index Adventures of Priscilla, Queen of the Desert, American Film Institute Festival The (Elliott 1994), 5, 280n.2, 322 2013 ‐ The Rocket (Aud. Award), 255 Cannes 1994, 194 American Movie Classics (AMC) AFC see Australian Film Commission Mad Men (series 2007–15), 170, 392 (AFC) An Angel at My Table (Campion 1990), 167, AFI Awards (Australian Film Institute), 418 168, 169, 170, 174, 178 2003 ‐ Wildness (Doc. Award), 418 Anatomy (series 2009), 418 2006 ‐ RAN: Remote Area Nurse (3 Anderson, Joel (Lake Mungo 2008), 338 Awards), 417 Anderson, Robin (dir.) 2007 ‐ Home Song Stories, The (8 Black Harvest (doc. with B. Connolly Awards), 418 1992), 501 Afif, Rodney (actor), 243 First Contact (doc. with B. Connolly After Hours (short film Campion 1984), 1982), 501 167, 175 Joe Leahy’s Neighbours (doc. with B. AFTRS (Australian, Film and Television Connolly 1989), 501 and Radio School), 167, 288, 299 Anderson, Rodney (actor), 238 Against the Wind (mini‐series1978), 4 Andreacchio, Mario (The Dragon Pearl Agricultural Officer in Papua and New 2011), 249 Guinea, An (doc. Williams 1959), 501 Andrikidis, Peter (dir) Ai Weiwei (artist), 159–60 Serangoon Road see Serangoon Road (series AIATSIS see Australian Institute of 2013–14) Aboriginal and Torres Strait Islander Angeloro, Dan (Soda_Jerk) see TERROR Studies (AIATSIS) NULLIUS (Soda_Jerk 2018) Aim High in Creation (doc. Broinowski Angeloro, Dominique (Soda_Jerk) see 2013), 494 TERROR NULLIUS (Soda_Jerk 2018) Alfredson, Tomas (Let the Right One In Animal Kingdom (2010), 405 2008), 359 Animal Logic (dig. prod.), 12, 149–62 Ali & the Ball (short 2008), 418 Lego Movie, The see Lego Movie, The (Lord, Alien Covenant (Scott 2017), 401 C. Miller 2014) Ali’s Wedding (Walker 2017), 5, 425, 426, Nalbandian, Zareh, 150, 151, 153, 157, 160 431, 432 animation/digital technology, 306, 359 All Quiet on the Western Front (Milestone Babadook, The see Babadook, The (Kent 1930), 210, 212 2014) All Quiet on the Western Front (novel Babe (Noonan 1995), 150, 194 1929), 212 Bionicle: Mask of Light (2003), 152 Allen, Woody (Husbands and Wives Dot and the Kangaroo (Gross 1977), 150 1992), 190 FernGully: The Last Rainforest (Kroyer Almost Famous (Crowe 2000), 192 1992), 150 Alvin Purple (Burstall 1973), 4, 16 Happy Feet (Miller 2006), 151, 152, 153, Aly, Waleed, 107, 109, 111, 112 158, 265 Amazon, 2, 412, 472, 490 Hero (2002), 151, 241 Amazon Prime, 407 Hollywood majors, 156–57 AMC see American Movie Classics (AMC) Jurassic Park (Spielberg 1993), 159 AMC (American Movie Classics) Jurassic World (2015), 140, 158 Breaking Bad (series 2008–13), 392, 397 Legend of the Guardians: The Owls of American Beauty (2000), 391 Ga’Hoole (Snyder 2010), 151–52, 158 bindex.indd 538 7/8/2019 7:09:44 PM Index 539 Lego Movie, The see Lego Movie, The (Lord, Oscar and Lucinda (1997), 200–201 C. Miller 2014) Starstruck (1982), 318 LEGO Star Wars: The Padawan Menace (tv Armstrong, Kerry (actor), 455 short 2011), 153 Arte France, 384 Lion King, The (1994), 158, 159 arthouse cinema, 4, 15, 16, 79, 82, 244, 302, Mary and Max (Elliot 2009), 150, 318 375 see also period films Matrix, The (1999), 151, 153, 194, 241 Australian actors and Hollywood, 190, Ninjago: Masters of Spinjitzu (series 199, 200 2011–), 152 Campion, Jane (dir.), 166, 168, 177 3D effects, 155, 159, 249, 264, 306, 360 Arts NSW, 22 see also Screen NSW Toy Story (1995), 158 Asia, engagement with, 4, 14–15, 231, 263, Zigby (tv series Barron 2009), 264 276, 497, 506n.1 animatronics see animation/digital China see China technology co‐production treaties, 14, 248–49, Anzac: A Nation’s Heritage (short, Murray 258, 264 1965), 216–17 Common Ground (pub.2013), 264 Anzac Centenary, 208 Diasporas of Australian Cinema (pub. Anzac Day, 13, 207, 217, 456 2009), 5, 13 One Day of the Year, The (play, Seymour Enterprise Asia (Screen Aust.), 258 1958), 216 Indonesia see Indonesia Anzac legend, 207–8, 209, 211, 215, 216, Japan, 268, 270, 272, 484 218, 221 Korea see Korea Aboriginal Anzacs see Indigenous Laos see Laos Anzacs Papua New Guinea see Papua New Guinea Anzac: a Nation’s Heritage (short 1965), regional strategies, 268 216–17 Samoa, 257, 258 Anzacs (mini‐series 1985), 218–19 Singapore see Singapore Gallipoli see Gallipoli campaign Timor‐Leste see Timor‐Leste Hero of the Dardanelles, The (1916), Transnational Australian Cinema: Ethics in 209–10, 211–12 the Asian Diasporas (pub. 2013), 6, 13, Māori perspective, 211, 221 497, 499 Why Anzac see Why Anzac with Sam Neill Vanuatu, 258 (tv doc. 2015) Vietnam see Vietnam Anzac: Tides of Blood see Why Anzac with Asia Pacific Screen Awards Sam Neill (tv doc. 2015) 2015 ‐ Spear (UNESCO Award), 91 Anzacs (mini‐series 1985), 218–19 Asian drug stories, 442–60 see also Little Fish Apple, 472, 474, 490 (R. Woods 2005) Archives Project, The (doc. Hughes Andrew Chan case, 442, 443, 445, 448, 2006), 505 453, 454–55, 456 Arenamedia/Arenafilm, 92, 97, 100, 288, ‘Australianness,’ and, 444, 445, 447, 455 296, 305, 307, 308 Bali bombings, 447, 449 Armfield, Neil (Candy 2006), 178 ‘Bali Nine,’ 445, 448, 449, 454–55 Armstrong, Gillian (dir.), 167, 168 Bangkok Hilton (1989), and, 445, 452–53, High Tide (1987), 318 454, 456 My Brilliant Career (1979), 4, 133, 174, Barlow/Chambers case see Dadah is 190, 318, 320 Death below bindex.indd 539 7/8/2019 7:09:44 PM 540 Index Asian drug stories (cont’d) Pacific Solution, 503 burden of nation, 443–45 Safe Harbour (mini‐series 2018), 425, 429 continuities/discontinuities, 442, 445, Tampa affair, 502–3 446–48, 457 TERROR NULLIUS see TERROR Cronulla riots, 447, 449 NULLIUS (Soda_Jerk 2018) Dadah is Death (mini‐series 1988), 445, Welcome to Woomera (doc. 2002), 503 454–57 ATOM (Australian Teachers of Media) Evil Angels (1988), and, 445, 450–51, 455 documentary study guides, 223 Expendable: The Political Sacrifice of ATOM awards Schapelle Corby (doc 2011), 450 2004 ‐ Wildness (Doc. Award), 418 Ganja Queen (2007), 450 Aust. Arts in Asia Awards generative representation, 21, 442, 443, 2013 ‐ Serangoon Road (Digit/Film), 262 444, 457 Australasian Films, 1, 211 genre, 443–44, 453 Australasian Films/Union Theatres, 3 intertextuality, 442, 443–45, 449, 453 Australia Day, 108 mini‐series format, 443, 446, 451–54, 455 Change the Date campaign, 36 Mule, The (2014), 457 Australia (Luhrmann 2008), 32–33 Myuran Sukumaran case, 442, 443, 445, Australian Academy of Cinema and 448, 453, 454–55, 456 Television Arts (AACTA) 9/11 attacks, 446, 447 Awards see AACTA Awards Puberty Blues (1981), and, 447, 449, 450 Australian actors and Hollywood, Schapelle Corby case, 21, 442, 443, 184–204 445–54 art films, and, 190, 199, 200 Schapelle (Do, telemovie 2014), 450, ‘Australianness,’ 16, 162, 186, 187 451, 455 branding, 184, 202 Schapelle’s Nightmare: The Untold Story, ‘Britishness,’ 187, 208 (tv special 2005), 448 collective construction, 184, 185, 186–87, Schapellevision, 443, 445–46, 449, 450, 196, 201 451, 452, 453, 457 ethnic minorities, 198 screen aesthetics, 442, 444, 445, 446, 453, festivals and awards, 187, 188, 191–92, 454, 455, 456, 457 193–94, 198 see also individual festivals spectacle, as, 442, 443–45, 447, 451, and awards 453, 457 indigenous actors, 197–98 tricks/ticks/texts, 448–51 intentional value, 184, 186, 196, 201–3 Van Nguyen case, 456 mediatisation, 184, 186, 190–96, Asquith, Anthony (dir.) 200, 201 Tell England see Tell England (Asquith, performativity, 12, 184, 186, 196–201 Barkas 1931) persona, 12, 184, 185–86, 187, 190, 195, asylum seekers 196, 197, 201 Chasing Asylum (doc. 2016), 308, 494 publicness, 184, 186, 188–90, 201 Children Overboard affair, 502–3 quality, 12, 184, 199–200, 201, 202, 203 Freedom Stories see Freedom Stories (doc. Speech Act theory, 196 Horler, Thomas 2015) Australian Babes in the Wood, The (rhyme Hope (doc. 2008), 503, 504 story, Fry 1866), 349 Lucky Miles see Lucky Miles (Rowland Australian Black Panthers see Black Panther 2007) Woman (doc.
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  • Online & on Demand 2017: Introduction

    Online & on Demand 2017: Introduction

    Online & On Demand 2017 Trends in Australian online viewing habits Online & On Demand 2017: Introduction Most Australians use the internet to watch professionally produced screen content. Online viewing is a new normal – one that supplements and challenges cinema and broadcast television, and that evolves as quickly as the technology that drives it. Screen Australia provides research on industry facts and trends to Contents inform government, industry and audiences. In 2014, Screen Australia released the ‘Online and on Demand’ report using Nielsen data, which Introduction 2 Key findings 3-4 showed how Australian audiences were using new online options. This Drivers, influencers and barriers 5-7 updated report examines major changes since 2014, including the Devices, locations and social media 8-11 Australian launch of subscription platforms such as Netflix and Stan, Viewing behaviours of VOD users 12-25 Overall platform use 12-16 the evolution of TV broadcaster online services, and the growth of Most-used services 17-23 YouTube, Facebook and other social services. Piracy 25 Attitudes of VOD users (to SVOD, companions) 26-27 Australian content behaviours 28-30 The findings are extensive. Australian video on demand users still Australian content attitudes 31-41 watch via traditional platforms, and they are watching more video – Dramas and documentaries 31 using broadcaster, subscription and advertising-driven options. They Paying for content 32 Children’s content 34 are pirating less. They choose what to watch based on old and new Favourite Australian titles 36-41 factors. And with the world’s content at their fingertips, Australian Appendix: Methodology, sample, terms 42-44 VOD users are seeking out Australian content, and want new Australian screen stories.