Godzilla Tokyo Clash

Total Page:16

File Type:pdf, Size:1020Kb

Godzilla Tokyo Clash Godzilla Tokyo Clash Game Contents You are Earth’s most fearsome Kaiju – Godzilla, Mothra, King Ghidorah, • 13 Game Board Tiles • 4 Kaiju Miniatures and Megalon – battling for dominance as the most terrifying monster in • 4 Kaiju Mats Japan! Stomp across the vintage Tokyo cityscape, unleash devastating • 4 Kaiju Decks attacks, and throw trains, tanks, and battleships at your enemies. • 13 Building Miniatures Master each Kaiju’s unique battle style to gain dominance before • 6 Event Cards • the humans drive the monsters from the city! The game features an 74 Tokens • 1 Damage Track Mat impressive 3-D table-presence with large-scale figures, buildings, and a • 5 Tracking Cubes modular gameboard so every game is unique! • 1 Oxygen Destroyer Marker • 1 Miniature Stand Interesting Gameplay Features • Instructions • Choose between 4 iconic movie Kaiju to play: Godzilla, Mothra, Game Details Megalon, or King Ghidorah • Game by Prospero Hall • Build and destroy a different city every game using modular • Strategy Battle game board tiles • Ages 10 and up • Includes 13 sculpted buildings players can knock down each game • For 2–4 players • 45-minute gameplay • Each Kaiju card deck features attacks and powers unique to • Available June 2020 that monster • Item No. 48713 • Event cards simulate humans fighting to save their city, increasing the • UPC 889698487139 danger to players • MSRP – $34.99 3/4 Angle Box 3D Box Product Game Logo TM & © TOHO CO., LTD. Press Contact Info [email protected] For sales, please contact your account representative or [email protected] August 2020.
Recommended publications
  • Godzilla Music and Soundtracks
    Godzilla music and soundtracks Alternate 1954-1975 01 - Akira Ifukube - Main Title (Godzilla; 1954) 02 - Akira Ifukube - Godzilla Comes Ashore (Godzilla; 1954) 03 - Akira Ifukube - End Title (Godzilla; 1954) 04 - Masaru Sato - Main Title (Godzilla Raids Again; 1955) 05 - Masaru Sato - End Title (Godzilla Raids Again; 1955) 06 - Akira Ifukube - Godzilla Rebirth (King Kong vs Godzilla; 1962) 07 - Akira Ifukube - Fumiko Delivery Plan (King Kong vs Godzilla; 1962) 08 - Akira Ifukube - King Kong Transportation Plan (King Kong vs Godzilla; 1962) 09 - Akira Ifukube - King Kong vs Godzilla (King Kong vs Godzilla; 1962) 10 - Akira Ifukube - Sacred Fountain (Mothra vs Godzilla; 1964) 11 - Akira Ifukube - Godzilla and Nagoya (Mothra vs Godzilla; 1964) 12 - Akira Ifukube - Mothra's Departure (Mothra vs Godzilla; 1964) 13 - Akira Ifukube - Kurobe Valley (Ghidorah, the Three-Headed Monster; 1964) 14 - Akira Ifukube - Birth of King Ghidorah (Ghidorah, the Three-Headed Monster; 1964) 15 - Akira Ifukube - Three Great Monsters Assembled (Ghidorah, the Three-Headed Monster; 1964) 16 - Akira Ifukube - Marsh Washigasawa and Lake Miyojin (Invasion of the Astro-Monsters; 1965) 17 - Akira Ifukube - Godzilla on the Lakebed (Invasion of the Astro-Monsters; 1965) 18 - Akira Ifukube - Saucer Appearance (Invasion of the Astro-Monsters; 1965) 19 - Akira Ifukube - Great Monster War March (Invasion of the Astro-Monsters; 1965) 20 - Masaru Sato - Yacht and Storm with Monster (Ebirah, Horror of the Deep; 1966) 21 - Masaru Sato - Flight (Ebirah, Horror of the Deep; 1966)
    [Show full text]
  • You're Listening to Imaginary Worlds, a Show About How We Create Them
    1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. When I was a kid, I used to watch something called the Creature Double Feature on Channel 56 every weekend afternoon. They were black and white monster movies from the ‘50s. The funny thing is, I didn’t really like them, but there was nothing else to watch in those days. The ones that used to freak me out the most were the movies about giant insects like “Them.” CLIP: THEM Usually on this show, I delve into genres that mean a lot to me. But I’m equally fascinated by the stuff that other people obsessed over. It adds another layer of mystery for me – like what is the cult following about? And in this case, I’m not talking about giant insects or the 50-foot woman or King Kong. There’s only one monster that matters. CLIP: GODZILLA DS: It was on Ch. 9, which is a local station in NY tri-state area, and my brother had been watching it, as with all things because I looked up to him, I started watching it, and it was like a real living dinosaur, which I also loved because I was 4 by the way who could shoot fire, I’m 43 and my feelings are still strong about this, who shot fire and destroy cities it was the best thing of all time. That’s my friend Dave Serchuck, who’s a journalist in Louisville.
    [Show full text]
  • 1521923561294.Pdf
    By Goji-Anon Godzilla. A legend with over 50 years of cinematic history under his belt. His popularity is undeniable around the world - Hell some places ran news stories about Godzilla’s death in Godzilla vs Destroyah. So, it only makes sense that he would break into the world of American comics. The company that produces the greatest number of these comics is IDW comics. They’ve created an expansive universe for Godzilla and other assorted characters. The majority of these comics are just small mini-series telling interesting stories with Godzilla as the principal character; however, there is one series they have that’s connected. Godzilla: Kingdom of Monsters, Godzilla: Ongoing, and Godzilla: Rulers of Earth. This will be the continuity that you start in Jumper. You start just before Godzilla awakens and all Hell breaks loose. You’ll need some help to survive in this world jumper. Have 1000 CP to help you ​ ​ out. Locations (Roll 1D8) Tokyo, Japan The classic start. Japan’s bustling metropolis and the world largest monster magnet. This city isn’t as prone to monster attack as it is in the movies but it is still by far the most active when it comes to kaiju activity. Washington D.C, USA America’s capital city. Strangely enough this place doesn’t get hit to often by Kaiju attacks. At least, it’s not the first target hit. Paris, France The City of Lights. It’s best to be careful around here jumper; the city is soon to come under attack by the kaiju Battra under the order of two psychic, psychopathic twins: Minnette and Mallorie.
    [Show full text]
  • 1566563531375.Pdf
    Introduction In the year 1954, the United States government performed 6 nuclear weapons tests in and around the Pacific Ocean. However, this is just the official story. The truth of the matter is that the U.S. Government and Monarch, a multinational, cryptozoological research organization, were trying to kill an ancient and terrifying apex predator. A Titan. This titans name is Titanus Gojira, more recognizably called Gojira or Godzilla. ​ ​ Godzilla’s species ruled the Earth hundreds of millions of years ago, when radiation levels on the planet were astronomically higher. The advent and testing of nuclear weapons awoke Godzilla from his hibernation on the bottom of Earth’s sea floor, where he was feeding off of the planets geothermal radiation. Despite being the first titan to awake, Godzilla is not the only titan that exists on Earth. There are countless others that still sleep or dwell in hidden areas around the world. You begin your stay within this world in 2014, just a scant few weeks before Joe and Ford Brody witness the awakening of the titan known as the MUTO. A scant few weeks before Godzilla becomes known to the world. Location San Francisco, California (1) ​ San Francisco is a massive American metropolis with an area of about 231 square miles. It is bustling with a population nearing one million and holds some of America’s most iconic landmarks. However, this could all change very quickly in the coming years. This city will become the site of an incredible battle between Godzilla and the two MUTO in the year 2014, which will cause severe damage to the city as a whole.
    [Show full text]
  • 00:00:00 Dan Host on This Episode of the Flop House We Discuss—Godzilla: King of the Monsters!
    00:00:00 Dan Host On this episode of The Flop House we discuss—Godzilla: King of the Monsters! [Audience applauds, cheers.] 00:00:07 Stuart Host Cars!!! 00:00:11 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:37 Dan Host Hey, everyone, and welcome to The Flop House. I’m Dan McCoy. 00:00:40 Stuart Host I’m Stuart Wellington! 00:00:42 Elliott Host And I’m Elliott Kalan. And we’re in Boston again. [Audience cheers, applauds.] 00:00:46 Crosstalk Crosstalk Elliott and Stuart: Oh, boy! 00:00:50 Elliott Host And Dan? When we’re in Boston, what do we like to do on this podcast? 00:00:53 Dan Host [Laughs.] Well, we like to do the same thing as we normally do, but we wear— 00:00:58 Elliott Host “Try to take over the world.” Pinky and the Brain. Wonderful, yes. [Audience laughs.] 00:01:02 Dan Host We talk about— 00:01:03 Stuart Host Wait—was that set in Boston? 00:01:05 Elliott Host Yeah. It was originally called Pinky and the Brain’s Boston Adventure. [Stuart laughs.] And then they were like, “They never leave the cage, really. Or they rarely do. So why are we calling it out as Boston? If we just take Boston out of the title then people can imagine it’s happening in their town.” And then the executives were like, “That would be frightening. If I had super-intelligent mice in my town? But okay! You’re Steven Spielberg We’ll do it!” [Audience laughs.] 00:01:30 Dan Host Um, so— [Laughs.] [Audience laughs.] I’m sorry.
    [Show full text]
  • Rebook: Re-Using Content in Bioconductor Books
    Package ‘rebook’ September 21, 2021 Version 1.2.1 Date 2021-08-27 Title Re-using Content in Bioconductor Books Description Provides utilities to re-use content across chapters of a Bioconductor book. This is mostly based on functionality developed while writing the OSCA book, but generalized for potential use in other large books with heavy compute. Also contains some functions to assist book deployment. Imports utils, methods, knitr (>= 1.32), rmarkdown, CodeDepends, dir.expiry, filelock, BiocStyle Suggests testthat, igraph, XML, BiocManager, RCurl, bookdown, rappdirs, yaml, BiocParallel, OSCA.intro, OSCA.workflows License GPL-3 VignetteBuilder knitr biocViews Software, Infrastructure, ReportWriting RoxygenNote 7.1.1 git_url https://git.bioconductor.org/packages/rebook git_branch RELEASE_3_13 git_last_commit fd68600 git_last_commit_date 2021-08-28 Date/Publication 2021-09-21 Author Aaron Lun [aut, cre, cph] Maintainer Aaron Lun <[email protected]> R topics documented: bioc-images . .2 bookCache . .3 buildChapterGraph . .4 chapterPreamble . .5 collapseStart . .6 1 2 bioc-images compileBook . .7 compileChapter . .8 configureBook . .9 createMakefile . 10 createRedirects . 12 deployCustomCSS . 13 extractCached . 14 extractFromPackage . 16 link ............................................. 18 openingDetails . 19 prettySessionInfo . 20 rmd2id . 21 scrapeDependencies . 22 scrapeReferences . 23 setupHTML . 24 updateDependencies . 25 Index 27 bioc-images Get various Bioconductor images Description Helper functions to pull down images to use in the book. These aim to provide a sensible default for Bioconductor-related books. Usage BiocFavicon() BiocSticker(mode = c("static", "animated")) Arguments mode String specifying the type of sticker to show. Value BiocFavicon will return a path to a favicon.ico file. BiocSticker will return a URL or path to a sticker. Author(s) Aaron Lun bookCache 3 Examples BiocFavicon() BiocSticker() bookCache Get the local book cache Description Get the path to the cache directory in which the book will be built.
    [Show full text]
  • 1521931399033.Pdf
    By Goji-Anon Godzilla. A legend with over 50 years of cinematic history under his belt. His popularity is undeniable around the world - Hell some places ran news stories about Godzilla’s death in Godzilla vs Destroyah. So, it only makes sense that he would break into the world of American comics. The company that produces the greatest number of these comics is IDW comics. They’ve created an expansive universe for Godzilla and other assorted characters. The majority of these comics are just small mini-series telling interesting stories with Godzilla as the principal character; however, there is one series they have that’s connected. Godzilla: Kingdom of Monsters, Godzilla: Ongoing, and Godzilla: Rulers of Earth. This will be the continuity that you start in Jumper. You start just before Godzilla awakens and all Hell breaks loose. You’ll need some help to survive in this world jumper. Have 1000 CP to help you ​ ​ out. Locations (Roll 1D8) Tokyo, Japan The classic start. Japan’s bustling metropolis and the world largest monster magnet. This city isn’t as prone to monster attack as it is in the movies but it is still by far the most active when it comes to kaiju activity. Washington D.C, USA America’s capital city. Strangely enough this place doesn’t get hit to often by Kaiju attacks. At least, it’s not the first target hit. Paris, France The City of Lights. It’s best to be careful around here jumper; the city is soon to come under attack by the kaiju Battra under the order of two psychic, psychopathic twins: Minnette and Mallorie.
    [Show full text]
  • Godzilla: Tokyo Clash Summary & Reference V1
    The Esoteric Order of Gamers orderofgamers.com Dedicated to immersive, thematic tabletop games. Rules summaries, foamcore plans, battle reports, interviews, reviews, videos, tutorials – and lots more. Sign up to the monthly newsletter on the website! Follow the VIDEOS TWEETS EsotericOrderGamers @EOGamers EOG and Don’t miss PHOTOS NEWS a Thing! orderofgamers EOGamers SUPPORT ME SO I CAN MAKE MORE GUIDES LIKE THIS ONE! Since 2004, I’ve been supplying tabletop gamers with hundreds of free high-quality rules summaries! And the Esoteric Order of Gamers features hundreds of entertaining and informative videos about our excellent hobby. It takes time and money to do this work, and just a few $ a month really does help me do much more. Join the official EOG community – and get bonus rewards too! Please sign up and support me! patreon.com/esotericorder Thankyou! Peter (Universal Head) v1 Dec 2020 Game: GODZILLA: TOKYO CLASH Publisher: FUNKO GAMES (2020) Page 1: Rules summary front Page 2: Rules summary back Page 3: Play reference front Page 4: Play reference back Print on card (ensure you are printing at 100% scale) laminate and trim to size. These sheets are intended only for the personal use of existing owners of the game for additional reference. Universal Head makes no claim whatsoever to the rights of the publisher and copyright holder, and does not benefit financially from these player aids. Artwork from the original game is copyrighted by the publisher and used without permission. This PDF may not be re-posted online, sold or used in any way except for personal use.
    [Show full text]
  • Godzilla and the Japanese After World War II: from a Scapegoat of the Americans to a Saviour of the Japanese
    Godzilla and the Japanese after World War II: From a scapegoat of the Americans to a saviour of the Japanese Yoshiko Ikeda Ritsumeikan University Abstract. This paper examines how five Godzilla films illuminate the complicated relationship between Japan and the United States over the use of nuclear weapons. The United States dropped the first atomic bombs on Japan and created the first nuclear monster film, The Beast from 20,000 Fathoms (1953), which inspired the Godzilla series. The popularity of these Godzilla films derives from skilfully grappling with the political, social and cultural problems created by the use of nuclear weapons and science/technology, both inside Japan and in relations between Japan and the United States. This paper takes a historical perspective and shows how the Godzilla characters reflect these attitudes across time, moving from a scapegoat for the Americans to a saviour of the Japanese. Gojira (Godzilla) series An ancient monster, deformed by a series of nuclear bomb tests and expelled from his natural habitat, lands in Tokyo and starts destroying Japanese cities. Given the name Godzilla, he destroys these symbols of civilisation as if seeking revenge on humankind for creating such technology. Gojira,1 produced and released by Toho Studio, was a breakthrough hit in Japan in 1954.2 It was followed by 29 Japanese sequels and two American versions of the Japanese films, Godzilla, King of the Monsters (1956) and Godzilla 1985: The Legend is Reborn (1984). Gojira was Japan’s first export film and the series appealed to both Japanese and foreign audiences. Over the past 50 years, Godzilla has transformed in shape and character, playing various roles in the stories.
    [Show full text]
  • Japanese Science Fiction, Fantasy and Horror Films
    Japanese Science Fiction, Fantasy and Horror Films A Critical Analysis of 103 Features Released in the United States, 1950-1992 STUART GALBRAITH IV Research Associate R. M. HAYES with a foreword by BILL WARREN •if McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Contents Acknowledgments xi Preface xiii A Note About the Text xxi "A Wind from the East" by Bill Warren xxiii The Fifties Rashomon (1950) 2 Throne of Blood (1957) 32 Tales of Ugetsu (1953) 4 Attack from Space (1958) 34 Godzilla, King of the Monsters! Evil Brain from Outer Space (1954/1956) 7 (1958) 35 Gigantis the Fire Monster (1955) 14 The H-Man (1958) 37 Half Human: The Story of the Invaders from Space (1958) 39 Abominable Snowman (1955/ Varan the Unbelievable (1958/ 1957) 18 1962) 41 The Mysterious Satellite (1956) 21 Battle in Outer Space (1959) 44 Rodan (1956) 23 The Ghost of Yotsuya (1959) 47 Atomic Rulers (1957) 26 Prince of Space (1959) 49 The Mvsterians (1957) 28 The Three Treasures (1959) 51 The Sixties The Final War (1960) 54 Gorath (1962) 72 The Human Vapor (1960) 55 King Kong vs. Godzilla (1962/ The Secret of the Telegian (1960)1 57 1963) 76 Invasion of the Neptune Men Atragon (1963) 81 (1961) 60 Attack of the Mushroom People The Last War (1961) 63 (1963) 84 The Manster (1961) 66 The Lost World of Sinbad Mothra (1961) 68 (1963) 87 Contents Dagora, the Space Monster War of the Monsters (1966) 138 (1964) 90 King Kong Escapes (1967) 141 Godzilla vs. the Thing (1964) 92 Monster from a Prehistoric Ghidrah: The Three-Headed Planet (1967) 145
    [Show full text]
  • Cyclopaedia 18 – Kaiju Overview Articles
    Cyclopaedia 18 – Kaiju By T.R. Knight (InnRoads Ministries * Article Series) Overview Who are the biggest of the Kaijū derives from the Japanese for "strange big? beast" but in more common vernacular these are giant monster stories. Giant monsters Some debate which are the greatest of the attacking cities (especially Tokyo), the Kaiju. The top quartet are easy to choose military defending the city, giant monsters (Gamera, Godzilla, King Kong, and Mothra). fighting each other, and secret societies or The most commonly discussed and with the aliens betting involved. These were all most screen time include… trademarks of the kaiju genre. • Destroyah Gojira (translated as Godzilla in the US) • Gamera receives credit for being the first ever kaiju • Godzilla film. Released in 1954, it is considered the • King Ghidorah first kaiju film but it is not the first giant • King Kong monster movie. King Kong and The Beast • MechaGodzilla from 20,000 Fathoms were hits in the US and • Mothra Japan, so Gojira was the Japanese cinematic • Rodan response to those popular films. Tomoyuki Tanaka of Toho Studios combined the Following are sources of information Hollywood giant monster concept with the pertaining to Kaiju to assist prospective growing fear of atomic weapons in Japan. game masters, game designers, writers, and The movie was a huge success in Japan, storytellers in knowing where to start their spawning the kaiju movie genre. The movie research. was so popular in Japan it was brought to the US as Godzilla, King of Monsters. Articles In the US, the Create Double Feature matinee and Mystery Science Theater 3000 developed Godzilla: why the Japanese original is no a massive following for these kaiju movies joke from Japan.
    [Show full text]
  • Godzilla: the Idw Era
    GODZILLA: THE IDW ERA WRITTEN BY MIKE FORD PRODUCTION BY REBEKAH CAHALIN EDITS BY BOBBY CURNOW CREATIVE CONSULTANT CHRIS MOWRY COVER ARTWORK MATT FRANK FEATURING ARTWORK FROM THESE STORIES: GODZILLA: KINGDOM OF MONSTERS Written by Eric Powell & Tracy Marsh (Issues #1-8), and Jason Ciaramella (Issues #8-12) Artwork by Phil Hester (Issues #1-4) and Victor Santos (Issues #5-12) • Colors by Ronda Pattison Inks by Bruce McCorkindale (Issues #1-4) • Letters by Chris Mowry and Neil Uyetake Series Edits by Carlos Guzman GODZILLA: GANGSTERS & GOLIATHS Written and Lettered by John Layman • Artwork by Alberto Ponticelli • Colors by Jay Fotos Series Edits by Bobby Curnow and Chris Ryall GODZILLA Written by Duane Swierczynski • Artwork by Simon Gane • Additional artwork by Dave Wachter Colors by Ronda Pattison • Letters by Chris Mowry • Series Edits by Bobby Curnow GODZILLA LEGENDS Writers: Matt Frank, Jeff Prezenkowski, Jon Vankin, Mike Raicht, Chris Mowry, and Bobby Curnow Artists: Matt Frank, Simon Gane, Tony Parker, E.J. Su, and Dean Haspiel Colorists: Josh Perez, Ronda Pattison, Ian Herring, and Priscilla Tramontano Series Letters by Chris Mowry • Series Edits by Bobby Curnow GODZILLA: THE HALF-CENTURY WAR Story and Artwork by James Stokoe Color Assists by Heather Breckel Series Edits by Bobby Curnow GODZILLA: RULERS OF EARTH Written by Chris Mowry • Artwork by Matt Frank Additional Artwork by Jeff Zornow (Issues #5, #9, #13) Colors by Ronda Pattison (Issues #1-2) and Priscilla Tramontano (Issues #3-current) Letters by Shawn Lee • Series Edits by Bobby Curnow Special thanks to Yoshiko Fukuda and everyone at Toho for their invaluable assistance.
    [Show full text]