Now and in Herman Melville's Benito Cereno
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U·M·I University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrightmaterial had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800/521-0600 Order Number 9429649 Subversive dialogues: Melville's intertextual strategies and nineteenth-century American ideologies Shin, Moonsu, Ph.D. University of Hawaii, 1994 V·M·I 300 N. -
Benito Cereno: an Analytical Reflection on Benito Cereno As a Fictional Narrative Dani Kaiser Marquette University
Marquette University e-Publications@Marquette 4997 English: Capstone English Department 10-1-2015 The Literary Significance of Herman Melville’s Benito Cereno: An Analytical Reflection on Benito Cereno as a Fictional Narrative Dani Kaiser Marquette University This project was created for a section of ENGL 4997: Capstone devoted to the life and work of Herman Melville. The Literary Significance of Herman Melville’s Benito Cereno: An Analytical Reflection on Benito Cereno as a Fictional Narrative by Dani Kaiser Abstract: In Herman Melville’s Benito Cereno (1855), Captain Amasa Delano discovers a distressed slave ship in need of aid, only to later find out that his perception of the dire situation was completely incorrect. Melville’s novella is derived from Delano’s nonfiction account of the experience, titled Narrative of Voyages and Travels in the Northern and Southern Hemispheres (1817). This paper focuses on three questions that demonstrate why Melville wrote a novella almost completely derived from a nonfiction account of the events aboard the ship. In order to understand why Melville’s novella is powerful, one must ask, as an overarching question why he wrote it, and, more specifically, what Melville was attempting to communicate to his American readership by writing the novella. Studying what Melville changed from the nonfiction account is important in wholly understanding Melville’s intentions in Benito Cereno. This ultimately goes to show that fictional narratives can be as effective as nonfiction, if not more influential in illuminating complex realities that are likely outside of one’s limited perception. Keywords: Herman Melville, Benito Cereno, Amasa Delano, slavery, African American In Herman Melville’s Benito Cereno (1855), Captain Amasa Delano discovers a distressed slave ship in need of aid, only to later find out that his perception of the dire situation was completely incorrect. -
Dissertation Rough Draft Final
UNIVERSITY OF CALIFORNIA RIVERSIDE Melville on the Beach: Transnational Visions of America A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ikuno Saiki December 2018 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Steven Gould Axelrod Dr. Traise Yamamoto Copyright by Ikuno Saiki 2018 The Dissertation of Ikuno Saiki is approved: Committee Chairperson University of California, Riverside Acknowledgments This project would not have been finalized without the invaluable assistance of many people. First of all, I would like to express my sincere gratitude to my exam advisor and former dissertation chairperson, Professor Emory Elliott. Throughout the irregular and tedious process of completing my degree, he constantly encouraged me and supported me by frequent e- mail messages, writing from his office in early morning, or from a hotel in China at midnight, until a month before his sudden demise. I learned, and am still learning, from his enthusiastic and humanitarian approach to literature and from his pure devotion to help his students. Professor Jennifer Doyle was on my exam committee, and kindly succeeded Professor Elliott as chair. She made it possible for me to finish the dissertation within a limited amount of time, and her advice gave me a framework within which to integrate all my ideas. Professor Steven Gould Axelrod and Professor Traise Yamamoto supported me in the first difficult quarter at UC Riverside in 2001. I learned scholarship and the art of research from Professor Axelrod’s meticulous and warm suggestions on my seminar papers. Professor Yamamoto, who provides energetic guidance and affectionate care for her students, is one of my unattainable role models. -
ABSTRACT POWELL, ETHEL ANNE. Ghosts of Chances for Redemption
ABSTRACT POWELL, ETHEL ANNE. Ghosts of Chances for Redemption via Abjection in Wilson Harris’s Palace of the Peacock and Others. (Under the direction of Deborah Wyrick.) This thesis explores, in three works of literature, possibilities for redemption via abjection. Julia Kristeva’s semanalysis is the primary theoretical tool with which Aphra Behn’s Oroonoko (1688) is examined as a nascent work in Caribbean literature. Next, and central to this thesis, the Guyanese Wilson Harris’s The Palace of the Peacock (1960) is discussed within Kristevan context and within Caribbeanist literary critical context. Mariella, a central and fluid character in Palace, acts as a semiotic agent of destruction and of abjectly sublime redemption for Donne and his crew of river boatmen in pursuit of Other ethnically mixed peoples in Guyana’s interior. Donne’s moment of epiphany, wherein he comes to understand how inhumanely he has treated Others, is followed by his “second” death and rebirth in a celestial palace (along with the rest of the crew), marking his and their transformation from abject slavers to abjectly sublime and redeemed beings. The semiotic linguistic characteristics of Palace are investigated: while written in the style of Magical Realism, Palace contains lexical and dialectal features stemming from African and Amerindian influences. Flannery O’Connor’s “Revelation” (1965) is the final work examined. Via legacies of plantation slavery and ensuing discrimination against freed African-Americans, many works of Southern U.S. literature contain qualities of postcolonial literatures, particularly the element of abject Otherness. In “Revelation” Mrs. Ruby Turpin’s ideas about abject Others are transformed, as she is transformed from an abject avatar of white Southern racism and classism, into an abjectly sublime person who receives a “revelation” of her wrongs righted in a celestial march of all human beings. -
Benito Cereno" and Madison Smartt Bell's "All Souls' Rising"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1997 Breaking open the monologic| Re-reading the Haitian Revolution in Herman Melville's "Benito Cereno" and Madison Smartt Bell's "All Souls' Rising" Beth Marie Moynihan The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Moynihan, Beth Marie, "Breaking open the monologic| Re-reading the Haitian Revolution in Herman Melville's "Benito Cereno" and Madison Smartt Bell's "All Souls' Rising"" (1997). Graduate Student Theses, Dissertations, & Professional Papers. 1704. https://scholarworks.umt.edu/etd/1704 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of MONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature 7 Date 11 Iff 1*17 Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. Breaking Open the Monologic: Re-Reading the Haitian Revolution in Herman Melville's Benito Cereno and Madison Smartt Bell's All Souls' Rising by Beth Marie Moynihan M.A. -
Christine “X Ine”
Dr. Christine “Xine” Yao | www.christineyao.com 1 CHRISTINE “XINE” YAO DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE, UNIVERSITY COLLEGE LONDON GOWER STREET | LONDON, UNITED KINGDOM WC1E 6BT [email protected] | +44 7894 512459 ACADEMIC HISTORY 2018 Lecturer in American Literature to 1900 (UK equivalent to tenure-track Assistant Professor) Department of English Language and Literature, University College London 2016-2018 Postdoctoral Fellow, Social Sciences and Humanities Research Council of Canada Department of English, University of British Columbia 2016 PhD, Department of English, Cornell University Minor Fields: American Studies; Feminism, Gender, and Sexuality Studies Dissertation: “Feeling Subjects: Science and Law in 19th-Century America” Committee: Shirley Samuels (chair), Eric Cheyfitz, George Hutchinson, Shelley Wong 2013 MA, Department of English, Cornell University 2008 MA, Department of English, Dalhousie University Thesis: “Genre-Splicing: Epic and Novel Hybrids in Neil Gaiman’s The Sandman and American Gods,” directed by Jason Haslam 2007 Honours BA, High Distinction, University of Toronto, St. George Campus BOOK PROJECTS The Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America. (under contract with Duke University Press. Perverse Modernities series edited by Jack Halberstam and Lisa Lowe) ● Winner of the 2018 Yasuo Sakakibara Essay Prize from the American Studies Association for an excerpt from the main argument and first chapter on Benito Cereno Sex Without Love: Affect, Bodies, and Resistance in Nineteenth-Century Sex Work Narratives. (in progress) PUBLICATIONS Articles “#staywoke: Digital Engagement and Literacies in Anti-Racist Pedagogy.” American Quarterly. Dr. Christine “Xine” Yao | www.christineyao.com 2 Special issue: Toward a Critically Engaged Digital Practice. 70.3 (2018). -
Blackface and Pale Gaze: Racialist Sentiment in Stowe
Blackface and Pale Gaze: Racialist Sentiment in Stowe, Melville, and London BY HARVEY PARTICA B.A., Lycoming College, 1998 M.A., Kansas State University, 2002 THESIS Submitted as partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Chicago, 2016 Chicago, Illinois Defense Committee: Christian Messenger, Chair and Advisor Nancy Cirillo Nicholas Brown Terence Whalen Jamie Daniel, American Association of University Professors This thesis is dedicated to the memory of my mother, Mary Partica, with love. ii ACKNOWLEDGMENTS This dissertation has been a collective effort. Without the help of many people it would not have happened. My profound thanks to Chris Messenger, whose willingness to welcome home a prodigal grad student will surprise no one who knows him. I could not ask for a finer advisor, mentor, and friend. Jamie Daniel’s solidarity and comradeship in the class room, and in the streets, has been a model of commitment. She introduced me to Harriet Jacobs during my first semester at UIC. Her influence is discernible throughout this dissertation. I’d also like to thank Nicholas Brown for his seminar on Hegel, and his friendship. Terence Whelan and Nancy Cirillo have been generous with their time. I very much appreciate the work of the committee on my behalf. I also appreciate Neil O’Callaghan’s work as Graduate Coordinator to shepherd forms on my behalf. Lennard Davis, Director of Graduate Studies, allowed me to come back after an extended leave. He has my sincere thanks. My colleagues in the Department of English at Susquehanna University have encouraged this project. -
Herman Melville and the History of American Law
University at Buffalo School of Law Digital Commons @ University at Buffalo School of Law Journal Articles Faculty Scholarship Fall 1-1-2004 The Accidental Legal Historian: Herman Melville and the History of American Law Alfred S. Konefsky University at Buffalo School of Law Follow this and additional works at: https://digitalcommons.law.buffalo.edu/journal_articles Part of the Legal History Commons Recommended Citation Alfred S. Konefsky, The Accidental Legal Historian: Herman Melville and the History of American Law, 52 Buff. L. Rev. 1179 (2004). Available at: https://digitalcommons.law.buffalo.edu/journal_articles/810 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. The Accidental Legal Historian: Herman Melville and the History of American Law ALFRED S. KONEFSKYt While Herman Melville has been variously described as an existentialist, a socialist, Marxist, democrat, social democrat, conservative, liberal, radical, reactionary, mod- ernist, and postmodernist,' he has not to my knowledge t University at Buffalo Distinguished Professor, School of Law, State University of New York at Buffalo. First, I thank Joyce Farrell for her care and patience with the manuscript and, in particular, her ability to convince recalcitrant computer spell-check programs that the words Melville used actually existed and were also really spelled that way. Second, I thank a number of years of students in my Melville and the Law seminar for constantly bringing fresh ideas to the course, a tribute both to them and Melville. -
Billy Budd, Sailor and Lord Jim
67 Chapter Three – Billy Budd, Sailor and Lord Jim The voyage of the H.M.S. Bellipotent and the stages of Jim’s “retreat ... towards the rising sun” The physical journeys of the three major characters in Billy Budd, Sailor are almost identical. Billy Budd (a foundling in whom “noble descent was as evident ... as in a blood horse”1) is “impressed on the Narrow Seas from a homeward-bound English merchantman [the Rights-of- Man] into a seventy-four outward bound, H.M.S. Bellipotent”.2 Among those on board the warship are its commander, Captain the Honorable Edward Fairfax Vere, and the master-at- arms, John Claggart. Shortly after the impressment of Billy, the Bellipotent joins the English naval fleet (at war with its French counterpart) in the Mediterranean, but it is when the Bellipotent has been dispatched on separate duty at some distance from the rest of the fleet that the crucial events in the plot of Melville’s novella take place. “Falsely accused by Claggart of plotting mutiny ..., Billy Budd, his speech impeded by a stutter, strikes his accuser dead in front of the captain, and is condemned, after a summary trial, to hang.”3 In rapid succession, the bodies of Billy and Claggart are committed to the sea. On its return passage to the English fleet, the Bellipotent encounters the French line-of-battle ship, the Athée, and an engagement ensues. Captain Vere is “hit by a musket ball” which “[m]ore than disable[s]”4 him. Having been put ashore with the rest of the wounded at the English port of Gibraltar, he “linger[s] for some days”5 before finally succumbing to his injuries. -
"Skinned"--Review of Greg Grandin, the Empire of Necessity
6/26/2017 Skinned – TheTLS NEW ARTICLES SEPTEMBER 17, 2014 Skinned WALTER JOHNSON In July 1952, in a cell block on Ellis Island, C. L. R. James began writing a book about Herman Melville. The Trinidadian journalist, historian and social theorist was awaiting deportation under the McCarren Act. Caught in the administrative limbo of the “detainee”, James built his book, Mariners, Renegades, and Castaways on Melville’s abidingly pertinent observation that, in the United States, “freedom is the name for a thing which is not freedom”. For James, Melville was a “visionary”: the first American writer to confront the false promises and spiritual pitfalls of modern life. MobyDick becomes the story of a ship populated by men who had been raised on fables, taught to believe that they were freeborn and selfsovereign and then cast out into http://www.thetls.co.uk/articles/private/skinned/ 1/9 6/26/2017 Skinned – TheTLS an indifferent world. Forced by the pitiless immensity of the sea to confront his own insignificance, the Pequod’s Captain Ahab rages against the laws of man and the limits of nature. His, for James, is a “totalitarian personality” forged out of the contradictory aspirations and limitations of “industrial civilization”. But MobyDick, according to James, was, above all, a book about work and workers. The hundreds of pages of technical and operational detail about whales and whaling portray the world as empirically known by the “savage” harpooners who are the book’s real heroes. In their work, James saw the melding of nature, practical science and collaborative labour that he believed pointed towards a version of freedom defined not by liberty, but by commonality, not by the absence of constraint, but by its embrace. -
Or, Early Times in Southern California. by Major Horace Bell
Reminiscences of a ranger; or, Early times in southern California. By Major Horace Bell REMINISCENCES —OF A— RANGER —OR,— EARLY TIMES —IN— SOUTHERN CALIFORNIA, By MAJOR HORACE BELL. LOS ANGELES: YARNELL, CAYSTILE & MATHES, PRINTERS. 1881. Entered according to Act of Congress, in the year 1881, by HORACE BELL, In the office of the Librarian of Congress, at Washington, D.C. TO THE FEW Reminiscences of a ranger; or, Early times in southern California. By Major Horace Bell http://www.loc.gov/resource/calbk.103 SURVIVING MEMBERS OF THE LOS ANGELES RANGERS, AND TO THE MEMORY OF THOSE WHO HAVE ANSWERED TO THE LAST ROLL-CALL, THIS HUMBLE TRIBUTE IS AFFECTIONATELY DEDICATED BY THE AUTHOR. PREFACE. No country or section during the first decade following the conquest of California, has been more prolific of adventure than our own bright and beautiful land; and to rescue from threatened oblivion the incidents herein related, and either occurring under the personal observation of the author, or related to him on the ground by the actors therein, and to give place on the page of history to the names of brave and worthy men who figured in the stirring events of the times referred to, as well as to portray pioneer life as it then existed, not only among the American pioneers, but also the California Spaniards, the author sends forth his book of Reminiscences, trusting that its many imperfections may be charitably scrutinized by a criticising public, and that the honesty of purpose with which it is written will be duly appreciated. H. B. -
The Chasquis of Liberty: Revolutionary Messengers in the Bolivian Independence Era, 1808-1825
University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 The Chasquis of Liberty: Revolutionary Messengers in the Bolivian Independence Era, 1808-1825 Caleb Garret Wittum Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the History Commons Recommended Citation Wittum, C. G.(2020). The Chasquis of Liberty: Revolutionary Messengers in the Bolivian Independence Era, 1808-1825. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5676 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE CHASQUIS OF LIBERTY : REVOLUTIONARY MESSENGERS IN THE BOLIVIAN INDEPENDENCE ERA , 1808-1825 by Caleb Garret Wittum Bachelor of Arts University of North Carolina-Chapel Hill, 2012 Master of Arts University of South Carolina, 2015 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2020 Accepted by: E. Gabrielle Kuenzli, Major Professor Matt Childs, Committee Member Don Doyle, Committee Member Jennifer Reynolds, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Caleb Garret Wittum, 2020 All Rights Reserved. ii ACKNOWLEDGEMENTS The resources, friendships, advice, and training of colleagues, friends, family, and institutions contributed to the formation of this dissertation. With respect to those at the University of South Carolina, I thank my advisor, Gabi Kuenzli. I am forever grateful for having spent six years of my academic journey as your student.