Programme Information

Total Page:16

File Type:pdf, Size:1020Kb

Programme Information Programme information Saturday 12th December to Friday 18th December 2020 WEEK 51 THE CLASSIC FM CONCERT with JOHN SUCHET: BEETHOVEN – A 250TH BIRTHDAY CELEBRATION Wednesday 16th December, 8pm to 10pm On the 250th anniversary of the birth of one of the greatest classical composers who ever lived, John Suchet presents an exclusive concert in honour of Ludwig van Beethoven. The Philharmonia Orchestra performed behind closed doors at the Royal Festival Hall in London under Pablo Heras-Casado last month and tonight, Classic FM gives its listeners a chance to hear this special concert in full. We hear two of Beethoven’s most joyful works, written only a few years apart. First, his Symphony No.2. Described at its premiere as “a hideously writhing, wounded dragon that refuses to die” by a critic, it is now celebrated as one of his most upbeat symphonies. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, on Global Player on your smart speaker (“play Classic FM”), iOS or Android device and at ClassicFM.com. 1 WEEK 51 SATURDAY 12TH DECEMBER 3pm to 5pm: MOIRA STUART’S HALL OF FAME CONCERT Today’s programme opens with music that depicts the snowy climes of Finland from Sibelius, and we hear one of Beethoven’s best known works, in anticipation of the composer’s 250th anniversary on 16th December. Daniel Barenboim conducts the Staatskapelle Berlin in a rousing performance of the Symphony No.5. Elsewhere, Stephen Hough plays all the right notes in the right order in Grieg’s Piano Concerto, there’s a Mozart favourite, and the Choir of Royal Holloway sings a perennial English carol. Jean Sibelius FInlanda Opus 26 Mariss Jansons conducts the Oslo Philharmonic Orchestra ‘The First Nowell’ Cello: Peter Gregson Howard Goodall conducts Enchanted Voices Ludwig van Beethoven Symphony No.5 in C minor Opus 67 Daniel Barenboim conducts the Staatskapelle Berlin Jay Ungar The Ashokan Farewell Major J R Perkins conducts the Band of Her Majesty’s Royal Marines Anon ‘The Holly and the Ivy’ Rupert Gough conducts the Choir of Royal Holloway Edvard Grieg Piano Concerto in A minor Opus 16 Piano: Stephen Hough Andrew Litton conducts the Bergen Philharmonic Orchestra Wolfgang Amadeus Mozart Eine Kleine Nachtmusik K.525 Andrew Manze conducts The English Concert 5pm to 7pm: SATURDAY NIGHT AT THE MOVIES with ANDREW COLLINS An all-Disney programme is on the menu, as Andrew Collins presents an afternoon of family–friendly favourites. Musical highlights include Frank Churchill’s score from Snow White and the Seven Dwarves – the very first feature length animation. The Sorcerer's Apprentice by Dukas used in Fantasia also features, as does music by husband-wife partnership Robert and Kristen Lopez from the modern-day classic, Frozen. 2 SATURDAY 12TH DECEMBER 7pm to 9pm: COWAN’S CLASSICS WITH ROB COWAN Rob embraces the festive spirit today, with a selection of music perfect for a Saturday night in. Rob plays music from a little-known suite by Massenet from his ballet Cinderella, Kathleen Battle sings excerpts from Handel’s Messiah, and George Szell conducts the Cleveland Orchestra with a stunning performance of the traditional Christmas Carol, ‘Deck the halls with boughs of holly’. 9pm to 10pm: BEETHOVEN: THE MAN REVEALED with JOHN SUCHET (49 / 52) John paints a picture of a sad, withdrawn Beethoven who, approaching his final year, found conversation impossible because of his deafness, and whose health was in terminal decline. John explains how Beethoven’s student nephew Karl continued to resent his uncle, and dreaded him visiting, embarrassed by his erratic behaviour. He also reveals how the composer was spying on Karl, and why he intended to set up a game of billiards to determine whether he was fit to carry forward the family name. Even at this stage of this life, Beethoven continues to compose masterful music. John plays a piece one critic described as “Incomprehensible, like Chinese, a confusion of Babel”; his Grosse Fuge. Then, his String Quartet No.131; a work so full of depth and intensity, Schubert said of it, “After this, what is left for us to write?” 3 SUNDAY 13TH DECEMBER 3pm to 5pm: JOHN HUMPHRYS John gets into the spirit of the season, and marks the birthday of Phillip Brooks, the clergyman and author who wrote the lyrics to the traditional Christmas Carol, Oh Little Town of Bethlehem, with a recording sung by Winchester Cathedral Choir. After, he plays an acclaimed performance of the Adagietto from Mahler’s Symphony No.5 from the New York Philharmonic Orchestra under Bruno Walter. 5pm to 7pm: DAVID MELLOR On the second Sunday of Advent, David continues to celebrate some of his festive favourites. Bryn Terfel sings the traditional Austrian carol ‘Still, Still, Still’, and John Williams directs the Boston Pops Orchestra in some light music classics, before David selects some of his favourite Beethoven recordings to mark the great composers upcoming 250th anniversary. 7pm to 9pm: SMOOTH CLASSICS AT SEVEN with CHARLOTTE HAWKINS Charlotte presents a selection of laidback music, specially selected to provide a moment of calm and relaxation at the end of the weekend. Charlotte Hawkins features the young Ukrainian pianist Anna Fedorova as her Young Classical Star. Anna started taking piano lessons aged just five, and has gone on to study at the International Piano Academy in Italy and the Royal College of Music in London. Her international career has taken her to the stages of Carnegie Hall in New York, London's Cadogan Hall, The Concertgebouw in Amsterdam and La Sala Verdi di Milano. 4 MONDAY 14TH DECEMBER 8pm to 10pm: THE CLASSIC FM CONCERT with JOHN SUCHET: A HALLÉ CHRISTMAS John gets the week off to a festive start, presenting an evening with the Hallé Orchestra and Chorus, one of the country’s most prestigious ensembles. The orchestra plays arrangements of carols including ‘Tomorrow Shall Be My Dancing Day’ and ‘In the Bleak Midwinter’, before Claire Rutter joins the orchestra for Jay Livingston’s Silver Bells and a beautiful Bach chorale. Several of the orchestra’s finest recordings complement the seasonal music. We hear the Hallé Orchestra’s performance of Elgar’s Wand of Youth Suite No.1, and Brahms’ Variations on a Theme of Haydn. Richard Bissill A Christmas Carnival Stephen Bell conducts the Hallé Orchestra John Gardner ‘Tomorrow Shall Be My Dancing Day’ Stephen Bell conducts the Hallé Orchestra and Chorus Adam Saunders Fairytale Sleigh Ride Stephen Bell conducts the Hallé Orchestra John Rutter Angel’s Carol Stephen Bell conducts the Hallé Orchestra and Chorus Harold Darke ‘In the Bleak Midwinter’ Stephen Bell conducts the Hallé Orchestra and Chorus Roderick Elms Noel Stephen Bell conducts the Hallé Orchestra Edward Elgar The Wand of Youth Suite No.1 Mark Elder conducts the Hallé Orchestra John Ireland ‘The Holy Boy’ Stephen Bell conducts the Hallé Orchestra and Chorus Traditional ‘In Dulci Jubilo’ (arr. Pearsall) Stephen Bell conducts the Hallé Orchestra and Chorus Continued… 5 MONDAY 14TH DECEMBER 8pm to 10pm: THE CLASSIC FM CONCERT with JOHN SUCHET: A HALLÉ CHRISTMAS Continued… Henry Smart ‘Angels from the Realms of Glory’ Soprano: Claire Rutter Carl Davis conducts the Hallé Orchestra Jay Livingston Silver Bells Soprano: Claire Rutter Carl Davis conducts the Hallé Orchestra Johann Sebastian Bach ‘Jesu, Joy of Man’s Desiring’ Soprano: Claire Rutter Carl Davis conducts the Hallé Orchestra Hugh Martin Have Yourself a Merry Little Christmas Soprano: Claire Rutter Carl Davis conducts the Hallé Orchestra Carl Davis The Most Wonderful Birthday of All Soprano: Claire Rutter Carl Davis conducts the Hallé Orchestra Johannes Brahms Variations on a Theme of Haydn Opus 56a James Loughran conducts the Hallé Orchestra Anon ‘We Wish You a Merry Christmas’ Stephen Bell conducts the Hallé Orchestra and Chorus 6 TUESDAY 15TH DECEMBER 8pm to 10pm: THE CLASSIC FM CONCERT with JOHN SUCHET: CHRISTMAS IN LIVERPOOL John takes us to Liverpool for a festive programme shining the spotlight on the wealth of the city’s musical talent. First, the Royal Liverpool Philharmonic Orchestra share the stage with the Royal Liverpool Philharmonic Choir for a selection of traditional Christmas favourites including ‘Silent Night’ and ‘The Boars Head’, before we hear from the two cathedral choirs of Liverpool: the Liverpool Cathedral Choir and the Choir of Liverpool Metropolitan Cathedral. Elsewhere, there’s folksong arrangements by Vaughan Williams, and a trip to the theatre with music from My Fair Lady. Traditional ‘Ding dong merrily on high’ Harold Darke ‘In the Bleak Midwinter’ Edgar Pettman ‘The Infant King’ Traditional ‘The Boar’s Head’ Traditional ‘Deck the Halls’ Traditional ‘O little one sweet’ Edmund Walters ‘Little Robin Redbreast’ Franz Gruber ‘Silent Night ‘ John Francis Wade ‘O come, all ye faithful’ Soprano: Jocelyn Bell Edmund Walters conducts the Royal Liverpool Philharmonic Orchestra and Choir & St Ambrose R.C Junior School Choir Frederick Loewe My Fair Lady – Symphonic Picture Carl Davis conducts the Royal Liverpool Philharmonic Orchestra Continued… 7 TUESDAY 15TH DECEMBER 8pm to 10pm: THE CLASSIC FM CONCERT with JOHN SUCHET: CHRISTMAS IN LIVERPOOL Continued… Peter Warlock ‘Adam lay ybounden’ Organ: Ian Wells Ian Tracey conducts the Liverpool Cathedral Choir Martin Howarth ‘Angels and Shepherds’ Organ: Ian Wells Ian Tracey conducts the Liverpool Cathedral Choir Traditional ‘A Maiden Most Gentle’ Organ: Ian Wells Ian Tracey conducts the Liverpool Cathedral Choir Herbert Howells ‘A Spotless Rose’ Organ: Ian Wells Ian Tracey conducts the Liverpool
Recommended publications
  • PIPEDREAMS Programs, May 2021 Spring Quarter
    PIPEDREAMS Programs, May 2021 Spring Quarter: The following listings detail complete contents for the May 2021 Spring Quarter PIPEDREAMS broadcasts. The first section includes complete program contents, with repertoire, artist, and recording information. Following that is program information in "short form". For more information, contact your American Public Media station relations representative at 651-290-1225/877- 276-8400 or the PIPEDREAMS Office (651-290-1539), Michael Barone <[email protected]>). For last-minute program changes, watch DACS feeds from APM and check listing details on our PIPEDREAMS website: http://www.pipedreams.org AN IMPORTANT NOTE: It would be prudent to keep a copy of this material on hand, so that you, at the local station level, can field listener queries concerning details of individual program contents. That also keeps YOU in contact with your listeners, and minimizes the traffic at my end. However, whenever in doubt, forward calls to me (Barone). * * * * * * * PIPEDREAMS Program No. 2118 – May Flowers (distribution on 5/3/2021) Maytime Flowers . in hopes that April showers have done their work, we offer up this melodious musical bouquet. [Hour 1] AARON DAVID MILLER: A Flower Opens –Aaron David Miller (1979 Fisk/House of Hope Presbyterian Church, Saint Paul, MN) Pipedreams Archive (r. 3/18/12) SIR FREDERICK BRIDGE: Flowers of the Forest –Simon Nieminski (1913 Brindley & Foster/Freemasons Hall, Edinburgh) Pro Organo 7240) LEONARD DANEK: Flowers –Leonard Danek (1979 Sipe/Hennepin Avenue United Methodist Church,
    [Show full text]
  • 2018 Prescot Festival Flyer
    Prescot Festival of Music & the Arts How to Find Prescot Founded in 2005 by local composer, From the M57—J2 . From the M62—J6 (then M57 to J2) musician and teacher Dr Robert Howard, A58 from St Helens . A57 from Warrington or Liverpool the Prescot Festival now runs to 10 days, welcoming more than 1,600 people in 2017, and providing an unrivalled programme of diverse artistic and musical talent. In 2016 Robert won the Exceptional Service Award from the British Arts Festivals Association and in 2017 he was named Knowsley Cultural Volunteer of the Year. Our Patron The festival is delighted to have as its patron the esteemed musician Professor Guide to Venues Dr Ian Tracey, Organist Titulaire of Liverpool Cathedral and Chorusmaster 1 Parish Church & Meeting Room, Church St, L34 1LA to the Royal Liverpool Philharmonic 2 Poco Coffee Shop, 30 Eccleston St, L34 5QJ Choir. Ian is affectionately known as an ‘honorary 3 Library & Museum, Prescot Ctr, Eccleston St, L34 5GA Prescotian,’ having once been organist in the parish. 4 Heritage Hub, 53 Eccleston St, L34 5QH 5 Evelyn CP School, Evelyn Ave, L34 2SP How You Can Get Involved 6 Clock Face Pub, 54 Derby St, L34 3LL 7 Brown’s Field, Wood Ln, L34 1NU * Sign up to ‘Come & Sing’ Fauré’s Requiem on Saturday 8 St Paul’s Church, Bryer Rd, L35 5DN 16 June (sopranos, altos, tenors & basses) 9 Whiston Town Hall, Old Colliery Rd, L35 3QX * Sing along & flag-wave at our Proms-style finale * Volunteer to help or steward as a ‘Friend of the Festival’ * Become a personal or business sponsor Find out more at www.prescotfestival.co.uk Do you have an urge to put pen to paper? The theme of this year’s SHORT STORY COMPETITION is ‘Darkness & Light .’ £100 is on offer for the winning story.
    [Show full text]
  • VAUGHAN WILLIAMS Willow-Wood the Sons of Light Toward the Unknown Region Five Variants of Dives and Lazarus
    557798bk VW US 14/9/05 3:51 pm Page 12 VAUGHAN WILLIAMS Willow-Wood The Sons of Light Toward the Unknown Region Five Variants of Dives and Lazarus Roderick Williams, Baritone Royal Liverpool Philharmonic Choir and Orchestra David Lloyd-Jones 557798bk VW US 14/9/05 3:51 pm Page 2 Ralph Vaughan Williams (1872–1958) from the deep thought wherein he slept Light shall be light for ever and the darkness night, Willow-Wood • Toward the Unknown Region • The Sons of Light still two days younger than the morning star. Man shall awake and speak their names aloud This is the morning of the sons of light, and set a name on fire and wind and cloud The poems of the American Walt Whitman (1819-1892) into his score when he looks to the psalm tune Sine rejoice because they start upon their way; from whence all living creatures take delight. were published in Leaves of Grass, a collected works Nomine ‘and reaches a blazing climax in the final bars, singing they go, each clothed in his own day, Rejoice, man .stands among the sons of light. which in successive editions over 35 years from 1855 emblematic of the ultimate triumph of the soul’s destiny’. their orbits span the terrors of the height, added new poems at each appearance. Vaughan Williams The cantata Willow-Wood for baritone, women’s swifter than wind, as swift as thought, their flight. may have been first introduced to Whitman by his teacher voices and orchestra first appeared as a scena for baritone Stanford, who in his pioneering Elegiac Ode of 1884 had and piano in March 1903 when it was sung by Campbell Sing and rejoice, vast darkness, that you share been the first significant British composer to respond to McInnes in a concert at St James’s Hall, Piccadilly.
    [Show full text]
  • David Poulter
    Summer Music at St Mary’s Thursday 12 July 2018 David Poulter Grand Choeur Guy Weitz Adagio in G minor Tomaso Albinoni Toccata in the Dorian mode J S Bach Variations on Mein junges leben hat ein end Jan Pieterszoon Sweelinck Introduction and Passacaglia in D minor Max Reger Arrival of the Queen of Sheba (from Solomon) G F Handel Prelude, Fugue and Variation César Franck Carillon sur la sonnerie du Carillon de la chapelle du Château de Longport (Aisne)from “24 Pièces en style libre” Louis Vierne Prelude on the Londonderry Air Noel Rawsthorne Fantasia and Fugue in G C H H Parry David Poulter was born in Kent and educated at The Kings School, Rochester and at The Royal College of Music, London where he was a Foundation Scholar and Walford Davies prizewinner. He was also awarded the coveted Limpus and Frederick Shinn prizes at the Royal College of Organists. He is a Fellow of the Royal College of Organists (and a holder of the RCO Choir Training diploma), a Fellow of Trinity College of Music, a Graduate of the Royal Schools of Music and an Associate of the Royal College of Music. He was awarded an Honorary Fellowship of the Guild of Church Musicians in 2008 in recognition of his great contribution to church music over many years. After five years as Assistant Organist at Rochester Cathedral, and after further study at London University, David Poulter went to Coventry Cathedral in 1990, first as Assistant Organist and ultimately as Director of Music. During his time in Coventry, he founded the Cathedral Girls’Choir consisting of 50 singers aged 8 – 16 years.
    [Show full text]
  • Lichfield & District Organists' Association
    LICHFIELD & DISTRICT ORGANISTS’ ASSOCIATION Founded 1926 LDOA President: Martyn Rawles, FRCO DECEMBER 2012 NEWSLETTER RECENT LDOA VISIT Saturday 10th November 2012 visit to Lichfield Cathedral for President’s Evening At the invitation of our President Martyn Rawles, our visit to Lichfield Cathedral commenced with attendance at open Choir Practice prior to Evensong, where the Lichfield Cathedral Choristers, initially just the boys and then joined by the men, were put through their paces by Joint Director of Music Ben Lamb, accompanied on the organ by Martyn Rawles. As with our previous attendances at these choir practices, both previously under Philip Scriven and now under Ben, the attention to detail was very evident, as was the high standard demanded. The Evensong service which followed included music by Harwood (‘Evening Service in A Flat’), a beautifully sung anthem ‘If ye love me’ by Wilby and the voluntary Prélude, The console of Lichfield Cathedral Hill organ (photo Fugue et Variation by Franck, with its haunting melody courtesy of C R A Davies). beautifully played by Martyn Rawles. Earlier organs in the Cathedral by Robert Dallam (1639), After the service, Martyn rejoined us in the Choir to Thomas Schwarbrick (1740) and Samuel Green (1790) formally welcome us, and for the benefit of new members were placed on a stone quire screen, which was taken gave a brief history of the organs of Lichfield Cathedral, down when the Cathedral was restored by Sir George going back some 500 years. Gilbert Scott. This Samuel Green organ was removed and reinstalled in St John the Baptist, Armitage, by George Holdich, where it is still in use today.
    [Show full text]
  • MAKIN NEWS 20 Q7 Layout 1
    Makinnews No. 20 The official publication of Makin Organs and Johannus IN THIS ISSUE Page 2 A new Makin organ for St Andrew by the Wardrobe Page 3 Johannus launch What a night! the Symphonica & Ecclesia organs Makin Managing Director, Dr Keith Harrington, was Page 4 Makin web site delighted to utter this over-used phrase on two Page 5 40th Anniversary occasions in June 2010. Firstly at the sixth annual Battle of the Organs at Leeds Parish Church, when Page 6 Testimonials the home organists team of Dr Simon Lindley and David Houlder with Professor Ian Tracey and Daniel Page 8 Aspects of console Bishop from Liverpool Cathedral did battle on three design Makin instruments and the resident pipe organ. A packed audience marvelled at the virtuosity of the Page 9 MultiSamples and players and the majesty of all four organs which rebuilds were used to play a very wide variety of music to Page 10 Basic hymn suit all tastes. For the first time in the annual battle, a large viewing screen was provided by Keith playing Hearnshaw which gave the added dimension of Page 11 Sound bites being able to see the Parish Church organ being played. Page 12 Recent installations Perhaps the highlight of the audience thrilled for nearly three evening was provided by the hours. Edward Marsh arrangement of However, the moment of the the famous James Bond theme night was undoubtedly provided tune for four organs, with the by Dr Noel Rawsthorne, Ian’s title role being played by ‘Lindley, illustrious predecessor at Simon Lindley agent 0113’ ..
    [Show full text]
  • CHAN 9785 Front.Qxd 26/7/07 4:03 Pm Page 1
    CHAN 9785 front.qxd 26/7/07 4:03 pm Page 1 CHAN 9785 CHANDOS GUILMANT SYMPHONY NO. 2 for Organ and Orchestra WIDOR SYMPHONY NO. 3 for Organ and Orchestra FRANCK CHORAL NO. 2 for Organ Ian Tracey ORGAN Yan Pascal Tortelier Yan Pascal Tortelier at Liverpool Cathedral CHAN 9785 BOOK.qxd 26/7/07 4:04 pm Page 2 Félix Alexandre Guilmant (1837–1911) Symphony No. 2 for Organ and Orchestra, Op. 91* 28:45 in A major . A-Dur . la majeur 1 I Introduction et Allegro risoluto 9:20 2 II Adagio con affetto 5:58 3 III Scherzo: Allegro vivace 6:02 AKG 4 IV Andante sostenuto – 2:22 5 V Intermède et Allegro con brio 4:57 Charles-Marie Widor (1844 –1937) Symphony No. 3 for Organ and Orchestra, Op. 69* 29:32 6 I Adagio – Andante – Allegro 16:01 7 II Vivace – Tranquillamente – Allegro – Largo 13:28 César Franck (1822 –1890) 8 Félix Alexandre Guilmant Choral No. 2 in B minor 13:08 in h-Moll . si mineur TT 71:37 Ian Tracey organ BBC Philharmonic* Yan Pascal Tortelier* 3 CHAN 9785 BOOK.qxd 26/7/07 4:04 pm Page 4 While Franck had famously declared, suites. They consisted of contrasting Guilmant/Widor/Franck: Organ Works ‘Mon orgue est un orchestre!’ Widor, ever the movements to display the technical scholar and noted writer on music, was more possibilities of the new instruments rather fulsome: ‘A new instrument needs a new than setting out to be homogenous schemes What exactly is the French organ symphony? instance, Guilmant and Widor both studied language’, he decreed.
    [Show full text]
  • Historic Organs of England & Scotland
    Historic Organs of ENGLAND & SCOTLAND May 16-29, 2016 Hosted by J. Michael Barone www.americanpublicmedia.org www.pipedreams.org National broadcasts of Pipedreams are made possible with funding from Mr. & Mrs. Wesley C. Dudley, grants from Walter McCarthy, Clara Ueland, and the Greystone Foundation, the Art and Martha Kaemmer Fund of the HRK Foundation, and Jan Kirchner on behalf of her family foun- dation, by the contributions of listeners to American Public Media stations nationwide, and by the thirty member organizations of the Associated Pipe Organ Builders of America, APOBA, represent- ing the designers and creators of pipe organs heard throughout the country and around the world, with information at www.apoba.com. See and hear Pipedreams on the Internet 24-7 at www.pipedreams.org. A complete booklet pdf with the tour itinerary can be accessed online at www.pipedreams.org/tour Table of Contents Welcome Letter Page 2 Bios of Hosts and Organists Page 3-6 Historical Background of English Organs Page 7-8 Alphabetical List of Organ Builders Page 9-13 Discography Page 14-17 Organ Observations Page 18-19 Tour Itinerary Page 20-23 Organ Sites Page 24-128 Rooming List Page 129 Traveler Profiles Page 130-133 Hotel List Page 134-135 Map Inside Back Cover Thanks to the following people for their valuable assistance in creating this tour: Tom Bell and Richard Brasier in London, Brook Green UK for tour arranging, Valerie Bartl, Janelle Ekstrom, Cynthia Jorgenson, Janet Tollund, and Tom Witt of Accolades International Tours for the Arts in Minneapolis. In addition to site specific websites, we gratefully acknowledge the following sources for this booklet: The National Pipe Organ Register: http://www.npor.org.uk/ Accolades International Tours for the Arts Logo Usage Samllest size is 1.25” wide Preferred Two-Color Preferred One-Color or 90 pixels The clear space surrounding the logo would accommodate the “O” in “FOR”.
    [Show full text]
  • Great Sacred Music Sunday, June 13, 2021
    Great Sacred Music Sunday, June 13, 2021 Stephen Elvey: Psalm 11 Choir of St. Paul's Cathedral, London, Sir John Goss, and Sir Edward ElgarJohn Scott Andrew Lucas, organ John Goss: Praise, my soul, the King of Heaven Choir of Liverpool Cathedral, David Poulter Ian Tracey, organ John Rutter: Most glorious Lord of life Cambridge Singers; brass and percussion of the Royal Philharmonic Orchestra, John Rutter John Birch, organ Stephen Elvey (1805-1860) was organist of St. John's College, Cambridge. English organist and composer Sir John Goss (1800-1880) was organist of St. Paul’s Cathedral, London, where his mission was to raise the standards of music. The text of “Praise my soul, the King of Heaven” was written by Henry Francis Lyte. John Rutter's Easter anthem uses texts by Edmund Spenser and St John Damascene. Gregorian Chant: Beata viscera Le Concert Spirituel, Herve Niquet Healey Willan: Gloria Deo per Imensa Saecula Choir of St. John's, Elora, Noel Edison Sir Hubert Parry: Chorale Prelude on Melcombe Robert Benjamin Dobey, organ The Ernst M. Skinner Organ, Opus 872, at Girard College Chapel, Philadelphia "Beata viscera" translates as "Blessed Flesh of the Virgin Mary". Dr. Healey Willan wrote most of his sacred choral compositions for his choir at the Church of St. Mary Magdelene, Toronto. Sir Hubert Parry (1848-1918) was Director of the Royal College of Music where he taught Ralph Vaughan Williams, Gustav Holst, Frank Bridge, and John Ireland. Commentary: Dr. Nathan Leaf Francis Poulenc: Litanies a la Vierge Noire Cambridge Singers; City of London Sinfonia, John Rutter Giovanni Pierluigi da Palestrina: Osculetur me Stile Antico Francis Poulenc (1899-1963) composed his Litanies à la Vierge Noire 'Notre Dame de Rocamadour' in 1936 after visiting the Chapel of Our Lady in Rocamadour, in south-central France.
    [Show full text]
  • 550533-34 Bk Mahler EU
    SHOSTAKOVICH Symphony No. 2 ‘To October’ Symphony No. 15 Royal Liverpool Philharmonic Choir and Orchestra Vasily Petrenko Dmitry Shostakovich (1906-1975) BBC Symphony Orchestra and Chorus in London on 22nd massed male voices. Detailed illustration of the text is October 1969. Ladisláv Slovák recorded it with the Slovak eschewed for an emphasis on salient words from each of Symphony No. 2 ‘To October’ • Symphony No. 15 Philharmonic Orchestra and Chorus in June 1967, the four verses. Thus the entry of female voices (the followed by Morton Gould with the Royal Philharmonic chorus sings in rhythmic unison throughout) sees the swift The symphonies of Dmitry Shostakovich presently stand Futurist composers, while the ten piano pieces comprising Orchestra and Chorus in 1968 and Kyrill Kondrashin with build-up to ‘Oppression, silence, suffering’ at the end of at the centre of the orchestral repertoire; together with Aphorisms [both 8.555781] adopts a more stylized yet no the Moscow Philharmonic and RFSFR Academic Russian the first verse, whence orchestral activity increases those of Mahler, they can be fairly said to represent less unequivocal approach to form and expression wholly Choir during 1972, but the work has tended to receive towards ‘Lenin’ midway through the second verse, the ‘modern’ music to the non-specialist concertgoer. Yet typical of Leningrad in its experimental heyday. performances and recordings only as part of integral accrued fervency bringing a declamation of ‘Struggle’ at unlike any comparable symphonic cycle since that of Shostakovich possibly conceived his Second cycles of the symphonies. the close of that verse. An orchestral interlude, based on Beethoven, they do not share a progression such as Symphony while correcting the proofs of its predecessor The Second Symphony is scored for two each of revolving patterns from the woodwind and brass, leads to might have endowed their career-spanning inclusivity with at the start of 1926.
    [Show full text]