Elizabeth Gaskell Bibliographic Supplement 2012-2017

Total Page:16

File Type:pdf, Size:1020Kb

Elizabeth Gaskell Bibliographic Supplement 2012-2017 ELIZABETH GASKELL BIBLIOGRAPHIC SUPPLEMENT 2012-2017 BIBLIOGRAPHIES/BIBLIOGRAPHIC ESSAYS Dzelzainis, Ella. Elizabeth Gaskell . New York: Oxford University Press, 2012. Internet resource. Part of Oxford Bibliographies. Victorian literature database. A subscription is required to access. Marigliano, Emma. “A Brief Account of Illustrated Editions of Elizabeth Gaskell’s Works.” Gaskell Society Newsletter 54 (Autumn, 2012): 25- 30. Print. Recchio, Thomas. Elizabeth Gaskell’s Cranford: A Publishing History. 2009. Oxon and NY: Routledge (Har/Ele edition), 2016. Kindle. BIOGRAPHIES/BIOGRAPHICAL FOOTNOTES Alston, Jean. “Marianne and Her Family in Worcestershire.” Gaskell Society Newsletter 59 (Spring, 2015): 19-21. Barnard, Pat. “Ford Madox Brown: Pre-Raphaelite Pioneer.” Gaskell Society Newsletter 53 (Spring, 2012): 16-20. Print. _____. “The Murillo Trail of ‘Woman Drinking’!” Gaskell Society Newsletter 58 (Autumn, 2014): 11-14. Print. Bonaparte, Felicia. The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell’s Demon. Charlottesville: U of Virginia Press, 2015. Paper. (Paperback version of biography published in hardback in 1992.) NancySWeyant.com Brooks, Ann. “Understanding Elizabeth Gaskell’s Garden and its History.” Gaskell Journal 27 (2013): 22-48. Print. Brooks, Ann and Bryan Haworth. “A Very Modern Marriage.” Gaskell Society Newsletter 58 (Autumn, 2014): 14-20. Print. Cheshire, Jim and Michael Crick Smith. “Taste and Morality at Plymouth Grove: Elizabeth Gaskell’s Home and its Decoration.” Gaskell Journal 27 (2013): 1-21. Print. Drife, James. “A Gynaecologist Looks at Mrs. Gaskell.” Gaskell Society Newsletter 53 (Spring, 2012): 4-12. Print. Easson, Angus. “Domestic Medicine: with Some Notes about Mercury Treatment.” Gaskell Society Newsletter 59 (Spring, 2015): 3-6. Print. _____. “‘Trawling Private Accounts Out to the Public Gaze’: Answers and Problems.” The Gaskell Society Newsletter 56 (Autumn, 2013): 35-38. Print. “Elizabeth Gaskell.” Profiles of Women Writers. Anaheim, CA: Golgotha Press, 164-188. Print. Foster, Shirley. “Elizabeth Gaskell and Food.” The Gaskell Society Newsletter 55 (Spring, 2013): 2-8. Print. Greenwood, John. “Gaskell and Sand: Two Unlikely Soulmates.” Gaskell Society Newsletter 60 (Autumn, 2015): 24-29. Print. Griffiths, Pam. “A Distant Connection.” Gaskell Society Newsletter 57 (Spring, 2014):40-42. Print. (Life of Charlotte Brontë ) Halkyard, Stella. “‘The Arte of Limning’: Speculations on a Portrait Miniature of Elizabeth Gaskell.´ PN Review 40.6 (July-August 2014). Web. 5 July 2015. Hall, Audrey. “Ellen Nussey and Mrs. Gaskell’s Portrait.” Brontë Studies 39 (2014): 54-57. Print. Jensen, Uffa. “Mrs. Gaskell’s Anxiety.” Learning How to Feel: Children’s Literature and Emotional Social Serialization. Eds. Ute Frevert et al. Oxford: Oxford UP, 2014. 21-39. Print (My Diary ) NancySWeyant.com Keaveney, Jenny. “Who was Louy Jackson?” Gaskell Society Newsletter 57 (Spring, 2014): 27-33. Print. Kiggins, Pauline. Casa Guidi Florence.” Gaskell Society Newsletter 54 (Autumn, 2012): 31-32. Print. _____. “Elizabeth Gaskell and Thomas Glover.” Gaskell Society Newsletter 57 (Spring, 2014): 33-40. Print. Lingard, Christine. “Away from It All.” Gaskell Society Newsletter 54 (Autumn, 2012):33-35. Print. _____. “Death in Leamington Spa?” Gaskell Society Newsletter 53 (Spring, 2012): 20-23. Print. _____. “Marianne.” Gaskell Society Newsletter 60 (Autumn, 2015): 15-17. Print _____. “Primitive, Cheap and Bracing: the Gaskell’s in the Alps.” Gaskell Society Newsletter 58 (Autumn, 2014): 2-6. Print. _____. “To Tuscany with Murray.” Gaskell Society Newsletter 57 (Spring, 2014): 10-13. Print. McKay, Brenda. “Victorian Women Novelists: Gossip and Creativity.” Gaskell Society Newsletter 59 (Spring, 2015): 9-15. Paper. O’Brien, Ann. “Margaret Emily Gaskell.” The Gaskell Society Newsletter 55 (Spring, 2013): 17-21. Print. Ohno, Tatsuhiro. The Life of Elizabeth Gaskell in Photographs. Osaka: Osaka Kyoiku Tosho, 2012. Print. Payne, George Andrew. Mrs. Gaskell and Knutsford . 1900. Sligo: Hardpress, 2013. Print. Regaignon, Dara Rossman. “Motherly Concern.” Victorian Review 39.2 (2013): 32-35. Project Muse. Web. 6 July 2015. DOI: 10.1353/vcr.2013.0034. (My Diary) Salmon, Richard. “Moving Statues: The Iconography of the ‘Printing Woman.’” The Formation of the Literary Profession. NY: Cambridge UP, 2013. 174-209. Print. NancySWeyant.com Santiago, Evelyn. Elizabeth Gaskell: 148 Success Facts: Everything You Need to Know . Brisbane, Australia, [2014?]. Shelston, Alan. “The Naming of the Train.” Gaskell Society Newsletter 58 (Autumn, 2014): 7-9. (Biography, Cranford , North and South ) _____. “The Two Elizabeths.” Gaskell Society Newsletter 54 (Autumn, 2012): 17-21. Print. Smith, Michael Crick SEE Cheshire, Jim and Michael Crick Smith Sutherland, John. “Mrs. Gaskell 1810-1865.” Lives of the Novelists: a History Of Fiction in 294 Lives. New Haven: Yale UP, 2012. 100-102. Print. Thornber, Craig. “Uncle Peter and Cousin Henry.” Gaskell Society Newsletter 53 (Spring, 2012): 12-16. Print. Walford, Lucy Bethina. “Elizabeth Gaskell.” Twelve English Authoresses. 1892. Ann Arbor, MI: U of Michigan Library, 2014. Print. Watts, Ruth. “Elizabeth Gaskell.” Gender, Power and the Unitarians in England 1760-1860. London and NY: Taylor and Francis, 2014. 208- 213. Webb, Sarah. “‘That Unfrequented Stonehall’: Elizabeth Gaskell and Tabley Old Hall.” Gaskell Society Newsletter 54 (Autumn, 2012): 7-12. Print. Weyant, Nancy S. “Chronology.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. x-xviii. Print. Wiltshire, Irene. “What the Gaskells Did Next: Life after Mother.” Gaskell Journal 27 (2013): 49-67. Print. Wood, Butler. “Charlotte Brontë on Her Contemporaries.” Brontë Studies 41.2 (2016): 146-157, DOI: 10.1080/14748932.2016.1147276. NancySWeyant.com CORRESPONDENCE Baker, William. “‘What a certainty of instinctive faith I have in heaven and in The Mama’s living on’: Unpublished letters of Mrs. Gaskell and unpublished Gaskell family letters.” Victorian Institute Journal 29 (2001) [ VIJ Annex ]. Web. [18 October. 2012 http://www.nines.org/exhibits/vij_baker]. Bernard, Pat. “The Connection between Elizabeth Gaskell, Charles Eliot Norton and the Autumn Leaves by John Everett Millais.” The Gaskell Society Newsletter 56 (Autumn, 2013): 22. Print Greengood, John. “Our Happy Days in Rome”: The Gaskell-Norton Correspondence.” Gaskell Journal 28 (2014): 97-104. Print. Kolich, Sr. Rosemary. “‘In the Language of the Bible’: Scripture as Subtext in Elizabeth Gaskell’s Letters.” Gaskell Journal 28 (2014): 90-96. Print. Levityan, Kathrin. “Catching the Past: Elizabeth Gaskell as Traveler and Letter-Writer.” Place and Progress in the Works of Elizabeth Gaskell . Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore, Farnham, Surry and Burlington, VT: Ashgate, 2015. 123-135. Print. Nestor, Pauline. “‘A Conscientious and Well-Informed Victorian Mother’: Elizabeth Gaskell’s Letters to Her Daughters.” Women’s History Review, 24.4 (2015): 591-602. DOI: 10.1080/09612025.2015.1015331. Web. 17 June 2015. Ota, Miwa. “Evil and the ‘Taste for Beauty and Convenience’ in Gaskell’s Letters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 505-520. Print. Shelston, Alan. “What a Single Word Can Do.” Gaskell Society Newsletter 54 (Autumn, 2012): 24. Print. (Mary Barton ) Wiltshire, Irene, ed. Letters of Mrs. Gaskell’s Daughters, 1856-1914. Penrith: Humanities EBooks, 2012. Print. NancySWeyant.com LITERARY CRITICISM NOTE : Where the title of the source does not include the title of Gaskell’s work(s) discussed, works are listed alphabetically in a parenthetical notation. Addcox, J. Stephen. “Memory and Legal Testimony in Victorian Literature.” Diss. U of Florida, 2014. U of Florida Digital Collections. Web. 19 June 2015. (Mary Barton ) Al-Badarneh, Abdullah Fawaz Hamed. “Female Oppression and Aspiration in Selected Nineteenth-Century Novels by Elizabeth Gaskell, Charlotte Brontë, Harriet Beecher Stowe and Elizabeth Stuart Phelps.” Diss. Indiana U of Pennsylvania, 2012. (Mary Barton, North and South ) Al-Haj, Ali Albashir Mohammed. “A Study of Women’s Labor in Elizabeth Gaskell’s Mary Barton .” Theory and Practice in Language Studies 4 (2014): 1132-1137. DOI: 10.4304/tpls.4.6.1132-1137. Alavi, Majid. Elizabeth Gaskell: Historical Consciousness and Politics of Gender in Selected Novels. Saarbrücken: LAP LAMBERT Academic Publishing, 2012. (Cranford , Mary Barton , North and South , Ruth , Sylvia’s Lovers ) Alban, Gillian M. E. “Gaskell’s Characters Challenging Gender Norms.” Gender Studies 15 (2017): 45-59. DOI: 10.1515/genst-2017-0004 (Mary Barton , North and South , Ruth ) Alexander, Lynn M. “Diminishing Violence: Strategising Character in Industrial Fiction.” Victoriographies – A Journal of Nineteenth-Century Writing 1790-1914 7.2 (July 2017): 161-177. (Mary Barton ) Allen, Christie. “Trauma in the ‘Tea-Cup Drama’: Cranford on the World War II Home Front.” Gaskell Journal 28 (2014): 1-16. Print. Allison, Sarah. “Narrative Form and Facts, Facts, Facts: Elizabeth Gaskell’s Life of Charlotte Brontë.” Genre 50.1 (2017): 97-116. DOI: 10.1215/00166928-3761372 NancySWeyant.com Allukian, Kristin F. “‘If not in this world in another perhaps?’ Transatlantic approaches in the New Man Question in Elizabeth Gaskell’s North and South and Elizabeth Stuart Phelps’s The Silent Partner .” Symbiosis: A Journal of Anglo-American
Recommended publications
  • The Radical Voices of Elizabeth Gaskell and Margaret Oliphant
    From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant Item Type Thesis or dissertation Authors Baker, Katie Citation Baker, K. (2018). From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant. (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Rights Attribution-NonCommercial-NoDerivs 3.0 United States Download date 30/09/2021 14:12:07 Item License http://creativecommons.org/licenses/by-nc-nd/3.0/us/ Link to Item http://hdl.handle.net/10034/621387 From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Katie Baker April 2018 Declaration The material being presented for examination is my own work and has not been submitted for an award of this or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis was undertaken collaboratively, the nature and extent of my individual contribution has been made explicit. Signed Date Abstract This thesis demonstrates the ways in which Elizabeth Gaskell and Margaret Oliphant drew upon their domestic identities as wives and mothers to write in radical, yet subtle, ways which had the potential to educate and inform their young female readership. While in the nineteenth century the domestic space was viewed as the rightful place for women, I show how both Gaskell and Oliphant expanded this idea to demonstrate within their novels and short stories the importance of what I term an 'extended domesticity'.
    [Show full text]
  • Preservation and Progress in Cranford
    Preservation and Progress in Cranford Katherine Leigh Anderson Lund University Department of English ENGK01 Bachelor Level Degree Essay Christina Lupton May 2009 1 Table of Contents I. Introduction and Thesis.................................................. 3 II. Rejection of Radical Change in Cranford...................... 4 III. Traditional Modes of Progress....................................... 11 IV. Historical Transmission Through Literature.................. 14 V. Concluding Remarks....................................................... 18 VI. Works Cited...................................................................... 20 2 Introduction and Thesis Elizabeth Gaskell's Cranford was first published between 1851 and 1853 as a series of episodic stories in Household Words under the the editorship of Charles Dickens; it wasn't until later that Cranford was published in single volume book form. Essentially, Cranford is a collection of stories about a group of elderly single Victorian ladies and the society in which they live. As described in its opening sentence, ”In the first place, Cranford is in possession of the Amazons; all the holders of houses, above certain rent, are women” (1). Cranford is portrayed through the eyes of the first person narrator, Mary Smith, an unmarried woman from Drumble who visits Cranford occasionally to stay with the Misses Deborah and Matilda Jenkyns. Through Mary's observations the reader becomes acquainted with society at Cranford as well as Cranfordian tradition and ways of life. Gaskell's creation of Cranford was based on her own experiences growing up in the small English town of Knutsford. She made two attempts previous to Cranford to document small town life based on her Knutsford experiences: the first a nonfiction piece titled ”The Last Generation” (1849) that captured her personal memories in a kind of historical preservation, the second was a fictional piece,”Mr.
    [Show full text]
  • Elizabeth Gaskell's North and South Televised
    Taking bearings: Elizabeth Gaskell’s North and South televised MARGARET HARRIS When North and South appeared in two volumes in 1855, its title page carried no author’s name. The novel was described as being ‘By the author of “Mary Barton,” “Ruth,” “Cranford,” &c.’, much as it had been on its first appearance as a serial in Dickens’s weekly Household Words between 2 September 1854 and 27 January 1855. Yet Elizabeth Gaskell’s authorship was no secret: while some, like the anonymous Athenaeum reviewer, con- tinued to refer to ‘the Author’, most used her name, the Leader reviewer for instance scrupulously identifying her as ‘Mrs. Gaskell, if not a Manchester lady, a settler therein’.1 The designation ‘Mrs Gaskell’ has been damning. This form of address, emphasising her (willingly embraced) roles as wife and mother, was reinforced over time as literary historians based her reputa- tion on the ‘charming’ Cranford, allowing her ability in delineating the restricted sphere of domesticity, but denying her range. Lord David Cecil is exemplary: in his judgement, she is a domestic novelist with real facility in presenting feeling, while ‘As for the industrial novels, it “would have been impossible for her if she tried, to have found a subject less suited to her talents”’.2 It would be anachronistic now to embark on a defence of Gaskell against Cecil. Jenny Uglow’s description of her as ‘an original, passionate and sometimes rather strange writer’3 states an agreed late-twentieth century position consequent on Gaskell’s instatement as an industrial novelist and ‘social explorer’4 by Raymond Williams, John Lucas, and others from the late 1950s.5 It is the transgressive and confronting Gaskell that viewers encounter in Sandy Welch’s script and Brian Percival’s direction of the 2004 BBC-TV version of North and South, her fourth novel.
    [Show full text]
  • Ressentiment in Gaskelvs Ruth
    3 Under Cover: Sympathy and Ressentiment in GaskelVs Ruth Under the cover of sympathy with the dismissed labourers, Mr. Preston indulged his own private pique very pleasantly. — Elizabeth Gaskell, Wives and Daughters Elizabeth Gaskell’s goal in Ruth (1853) was to elicit sympathy for the figure of the fallen woman by means of the detailed representation of an individual case.Yet as many readers have noted, the novel takes an am- bivalent approach to the category and the character with which it is most concerned. Critical of the social barriers that would place Ruth outside respectable society, Gaskell at the same time devised a heroine who is nat- urally good— indeed, one whose innocence borders on (and is figured as) an “unconsciousness” of the social norms she violates. R uth’s claim on readerly sympathy thus seems to derive less from a critique of the idea of fallenness than from her status as not truly fallen. And yet, as if doubting her heroine’s virtue, Gaskell requires Ruth to redeem herself. The novel remains unable to reconcile her supposed innocence with her deviation from it, and— as if to escape all the confusion— she dies at its end.1 1 For a useful review of Ruth criticism, see Elizabeth Helsinger, Robin Sheets, and William Veeder, eds., The Woman Question (Chicago: University o f Chicago Press, 1983), 77 78 Fear of Falling Criticism of the novel has, understandably, been unable to leave the sub- ject of the fallen woman behind. But in addition to being concerned with the fate of fallen women, Ruth expresses Gaskell s general interest in sym- pathy as a solution to divisive social problems; in Mary Barton and North and South, for instance, individual sympathy is her solution to class conflict.
    [Show full text]
  • Bibliographic Supplement Gaskell Scholarship 2002 – 2011
    BIBLIOGRAPHIC SUPPLEMENT GASKELL SCHOLARSHIP 2002 – 2011 BIBLIOGRAPHIES/BIBLIOGRAPHIC ESSAYS Ashley, Mike. “Mrs. Gaskell: Victorian Novelist.” Book and Magazine Collector December, 2007: 26-37. Baker, Fran. “Gaskell Papers in the John Rylands University Library.” Gaskell Society Journal 20 (2006): 1-13. _____. “The Papers of J. G. Sharps.” Gaskell Society Newsletter 44 (Autumn, 2007): 2-6. Brotherton Library, University of Leeds. Gaskell and the Brontës: Literary Manuscripts of Elizabeth Gaskell (1810-1865) and the Brontës from the Brotherton Library, University of Leeds. A Listing and Guide to the Microfilm Collection. Marlborough: Adam Matthew, 2003. Print. Chapple, John A.V. “Early Gaskell Scholars: Adolphus William Ward 1837- 1924.” Gaskell Society Journal 19 (2005): 96-99. Hamilton, Susan. “Gaskell Then and Now.” The Cambridge Companion to Elizabeth Gaskell. Ed. Jill L. Matus. Cambridge: Cambridge UP, 2007. 178-191. _____. “Ten Years of Gaskell Criticism.” Dickens Studies Annual 31 (2002): 397-414. Lingard, Christine. “Gaskell in Translation: A Summary.” Gaskell Society Newsletter 41 (Spring, 2006): 10-16. Sadlair, Michael. 1922. “Mrs. Gaskell.” Excursions in Victorian Bibliography: Scholar Select. Charleston, SC: Nabu Press, 2010. 201-213. Print. NancySWeyant.com Shattock, Joanne. “The New Complete Edition of the Works of Elizabeth Gaskell.” Gaskell Society Journal 19 (2005): 100-106. Shelston, Alan. “Where Next in Gaskell Studies?” Elizabeth Gaskell, Victorian Culture, and the Art of Fiction: Original Essays for the Bicentenary. Ed. Sandro Jung. Ghent: Academia P, 2010. 1-12. Weyant, Nancy S. Elizabeth Gaskell: An Annotated Guide to English Language Sources, 1992-2001. Lanham, MD: Scarecrow Press, 2004. BIOGRAPHIES/BIOGRAPHICAL FOOTNOTES Avery, Simon. 2003. “Gaskell, Elizabeth Cleghorn.” Continuum Encyclopedia of British Literature.
    [Show full text]
  • Elizabeth Gaskell and the Middle Class
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2009 “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Allison Masters The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Masters, Allison, "“The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class" (2009). Graduate Student Theses, Dissertations, & Professional Papers. 16. https://scholarworks.umt.edu/etd/16 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. “THE SORT . OF PEOPLE TO WHICH I BELONG”: ELIZABETH GASKELL AND THE MIDDLE CLASS By ALLISON JEAN MASTERS B.A., University of Colorado, Boulder, Colorado, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Masters of Arts in English Literature The University of Montana Missoula, MT May 2009 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School John Glendening, Chair English Jill Bergman English Ione Crummy French Masters ii Masters, Allison, M.A., May 2009 English “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Chairperson: John Glendening In this thesis, I examine Elizabeth Gaskell’s development as a middle-class author, which is a position that most scholars take for granted.
    [Show full text]
  • From Cranford to the Country of the Pointed Firs: Elizabeth Gaskell's American Publication and the Work
    From Cranford to The Country of the Pointed Firs: Elizabeth Gaskell’s American Publication and the Work of Sarah Orne Jewetti ALAN SHELSTON In this second of two articles on Elizabeth Gaskell’s American connections I plan first to outline the history of the publication of her work in the United States during her own lifetime, and then to consider the popularity of Cranford in that country in the years following her death. I shall conclude by discussing the work of the New England writer, Sarah Orne Jewett whose story sequences Deephaven (1877) and The Country of the Pointed Firs (1896) clearly reflect the influence of Gaskell’s work. I One of the remarkable things about Gaskell’s career as a novelist is the way in which, after a late start, her career took off. She was in her late thirties when Mary Barton was published, but from then on, and in particular through the 1850s, her output was incessant. This was partly due to the fact that Dickens took her up for Household Words; it is interesting to watch her becoming increasingly independent of his encouragement and influence through the fifties decade. What is also interesting is the extent to which she was taken up abroad, both on the continent and in the USA. To some extent this is because publishers in those countries found it more profitable to publish established English authors - even if, as in the case of the Europeans, they had to translate them - than to develop native talent. It was a period when popular fiction flourished, often published in cheap and sometimes unauthorised popular series.
    [Show full text]
  • AND ELIZABETH GASKELL's CRANFORD by Meryem A. Udden
    Playacting happiness: tragicomedy in Jane Austen's Mansfield Park and Elizabeth Gaskell's Cranford Item Type Thesis Authors Udden, Meryem A. Download date 01/10/2021 08:14:04 Link to Item http://hdl.handle.net/11122/11295 PLAYACTING HAPPINESS: TRAGICOMEDY IN JANE AUSTEN'S MANSFIELD PARK AND ELIZABETH GASKELL'S CRANFORD By Meryem A. Udden, B.A. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English University of Alaska Fairbanks May 2020 APPROVED: Rich Carr, Committee Chair Eric Heyne, Committee Member Terence Reilly, Committee Member Rich Carr, Department Chair Department of English Todd Sherman, Dean College of Liberal Arts Michael Castellini, Dean of the Graduate School Abstract This thesis examines tragicomedy in two 19th Century British novels, Jane Austen's Mansfield Park and Elizabeth Gaskell's Cranford. Both narratives have perceived happy endings; however, tragedy lies underneath the surface. With Shakespeare's play A Midsummer Night's Dream as a starting point, playacting becomes the vehicle through which tragedy can be discovered by the reader. Throughout, I find examples in which playacting begins as a comedic act, but acquires tragic potential when parents enter the scene. Here, I define tragedy not as a dramatic experience, but rather seemingly small injustices that, over time, cause more harm than good. In Mansfield Park, the tragedy is parental neglect and control. In Cranford, the tragedy is parental abuse. For both narratives, characters are unable to experience life fully, and past parental injuries cannot be redeemed. While all the children in the narratives experience some form of parental neglect, the marginalized children are harmed more than the others.
    [Show full text]
  • What Kind of Book Isc( Cr Anfora"?
    What Kind of Book is C( Cr anfora"? GEORGE V. GRIFFITH "That a book is a novel means anything or nothing; the practical question relates to its character and contents."1 -LOR SO SLIGHT a thing Cranford is a problematic book. Every• one loves it, although no one is quite sure how it works or what it is. A glance at its printing history and the history of its critical reception confirms the problem. Whereas Mrs. GaskelPs other novels have seen no more than five or six editions, Cranford has appeared in no fewer than one hundred and seventy editions since 1853.2 Yet through the critical assessment and revaluation two troubling questions persist. The first is a generic question (is it a novel?), the second a question of narrative technique (what is the manner of its telling?). Cranford has been alternately labelled a novel or a collection of sketches. Generic labellers have consistently hedged, carefully tendering their descriptions with oddly hyphenated terms and a liberal sprinkling of the words "although" and "perhaps." Thus to a biographer what begins as a "story-article" became what "might be called a novel."3 To an eminent historian of the novel Cranford "happily perhaps is not a novel."* To a chronicler of the short story form Cranford "though it has far more unity than a mere collection of stories about a single locale, is after all episodic and more truly belongs to the history of short fiction than some of her shorter pieces."5 A similar confusion characterizes the discussion of Cranford's narrative technique.
    [Show full text]
  • A Survey of Gaskell Scholarship, Or Things Written Recently About Gaskell
    A Survey of Gaskell Scholarship, or Things Written Recently about Gaskell MARY H KUHLMAN The body of Things Written about Elizabeth Gaskell and her works continues to increase by some geometrical proportion so that each new year sees well-crafted reviews, articles, books, book introductions and book chapters appear to delight -- and perhaps overwhelm -- the Gaskellian reader. One piece of evidence of the enormous interest in Gaskell is this fact: when in the fall of 1997 Mitsuharu Matsuoka posted an e-mail message giving a list of recent dissertations on or including Gaskell written for doctoral degrees in the United States, the list came to 64 theses completed between 1992 and 1997. What such a statistic tells us is that there is plenty of new scholarship being done and written up. Some researchers have new biographical or bibliographical information to report; others offer new interpretations of Gaskell’s works based on their expertise in related fields. Still other writers provide new insights into the literature we already thought we knew, insights that renew our own readings. New primary materials, like newly discovered letters, always catch our interest, most certainly two full-length volumes recently published. One is a relatively slight but fascinating edition: Private Voices: The Diaries of Elizabeth Cleghorn Gaskell and Sophia Isaac Holland, edited by J.A.V. Chapple and Anita C. Wilson (Keele UP, 1996), and reviewed by Jo Pryke in the Gaskell Society Journal in 1997. The other “primary” volume is Professor John Chapple’s biographical study, Elizabeth Gaskell: The Early Years, (Manchester UP, 1997). Combining a graceful narrative with an amazingly complete mass of detailed information, this lengthy work will be enormously useful to students and scholars interested in Gaskell’s family background and youth, because of Chapple’s authoritative organization and interpretation.
    [Show full text]
  • Newsletter Index of Authors and Subjects
    GASKELL SOCIETY NEWSLETTERS INDEX OF AUTHORS AND SUBJECTS. Aber. Pen y Bryn. Lindsay, Jean. Elizabeth and William’s Honeymoon in Aber, September 1832. [illus.] No.25 March 1998. Adachi, Matsuko. Gaskell Society of Japan. [Tribute to Joan Leach]. No.51 Spring 2011. Adlington Hall, Cheshire. Yarrow, Philip J. The Gaskell Society’s outing – 8 October 1989. No.9 March 1990. Alfrick Court, Worcestershire, [home of Marianne Holland]. All the Year Round. Lingard, Christine. French Songs. [Gaskell’s contributions to All the Year Round]. No.61. Spring 2016p.31-32]. Allan, Janet. The Gaskells’ bequests. No.32. Autumn 2001. The Gaskells’ shawls. No.33. Spring 2002.Allan, Robin. Elizabeth Gaskell and Rome. No.55. Spring 2013. Allan, Lynne. The Gaskells and the Portico Library. No 54. Autumn 2017. p7-10. Alps. Lingard, Christine. Primitive, cheap and bracing: the Gaskells in the Alps. No.58. Autumn 2014. Alston, Jean. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. [illus.] No.58. Autumn 2014. Gaskell Society Tour to Worcester, Malvern and Alfrick, p51-52. Gaskell-Nightingale tour, 30 May 2012. No.54. Autumn 2012. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. No.58. Autumn 2014. Marianne and her family in Worcestershire. No.59. Spring 2015 More on Monkshaven. No 62 Autumn 2016 p39-42. A further note on Monkshaven. No 63 Spring 2017 p.24. [illus.] Samuel Bamford & South Lancashire dialect. No 65 Spring, 2018, p10-12. Tour in Scottish Lowlands, 7-11 July 2008. [illus.] No.46. Autumn 2008. Una Box, who died 14 November 2010, aged 71 years, [obituary].
    [Show full text]
  • The University of Manchester Library and Elizabeth Gaskell’S House
    Bringing the Archive Home: The University of Manchester Library and Elizabeth Gaskell’s House Fran Baker, Archivist, The University of Manchester Library Helen Rees Leahy, Professor of Museology, The University of Manchester Elizabeth Gaskell (1810-65) 1810: born Elizabeth Stevenson in London 1811: moved to Knutsford 1832: marriage and move to Manchester Writing career (from 1848): • Six novels • Two novellas • Over 30 short stories, sketches or articles • The Life of Charlotte Brontë • Over 1,000 (surviving!) letters Elizabeth Gaskell at the University of Manchester Library Literary manuscripts • Life of Charlotte Brontë • Wives and Daughters • ‘The Grey Woman’ • ‘The Crooked Branch’ Letters • 113 letters to Elizabeth Gaskell or her husband from a range of contemporaries – Matthew Arnold, Elizabeth Barrett Browning, Thomas Carlyle, George Eliot, and many more… • Charles Dickens • Charlotte Brontë • Patrick Brontë Autograph collection 208 autographs, often entire letters – Gladstone, Palmerston, Henry Mayhew, Mazzini, George Sand, William Wilberforce and many others Visual material/objects Later acquisitions • 44 letters from Gaskell to various correspondents • Four letters to Gaskell from others Later acquisitions Later acquisitions • Papers of the Jamison Family • Collection and Papers of John Geoffrey Sharps JRRI Pilot Project: The Gaskells at 84 Plymouth Grove, Manchester (Professor Helen Rees Leahy, Curatorial Adviser to Elizabeth Gaskell’s House) Research and public engagement, including: • Collecting Gaskell • A House and its History
    [Show full text]