SCRIPT Written by Deborah Craig-Claar

Total Page:16

File Type:pdf, Size:1020Kb

SCRIPT Written by Deborah Craig-Claar The ourneyof I Share The Story SCRIPT Written by Deborah Craig-Claar Scripture quotations marked NIV are taken from the Holy Bible, NEW INTERNATIONAL VERSION® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.®. All rights reserved worldwide. Used by permission. © COPYRIGHT 2016 LIFEWAY WORSHIP. ALL RIGHTS RESERVED. WAY STATION Finding the Right Road on the Journey to Christmas A Dramatic Script to be used with The Journey of Christmas By Deborah Craig-Claar Synopsis A way station is a stopping point on a journey, or a temporary stage in a longer process. Mitchell Schuster is the somewhat reluctant inheritor of a small family gas station that is, as he says, “at the intersection of nowhere and oblivion.” Although his suitcase is perpetually packed, he never seems to be able to escape from his struggling business to take a long- planned-always-postponed Christmas trip, much less start the life he is sure God had promised him. But as the years pass, Mitchell finds himself providing a brief, but necessary, respite for various strangers on their own Christmas journeys: some need to get directions, some need to turn around and take a different route, others simply need a short rest. Spanning six decades, Mitchell learns that sometimes the greatest journey you can take is in helping others find the right road. In the process, you may arrive at a destination far different than the one originally sought: returning to the foot of a manger…and the heart of God. Key Scriptures “‘Return to Me,’ declares the LORD Almighty, ‘and I will return to you’” (Zechariah 1:3, NIV). “Whatever you did for one of the least of these brothers and sisters of mine, you did for Me” (Matthew 25:40, NIV). Time and Place December 24 during four different time periods: 1954, 1963, 1974-1998, 2016 The cramped, cluttered office of a rundown rural gas station Characters The Family MITCHELL J. SCHUSTER, owner of the Get Gas Station (age 70); serves as the storyteller for the production and appears in the last scene Two different actors also portray Mitchell at various ages in the flashback scenes: MITCHIE, Mitchell Schuster as a child (age 8) MITCH, Mitchell Schuster as a teen (age 17) and adult (ages 21-45) The Journey of Christmas Script—2 RITA BAXTER SCHUSTER, Mitchell’s wife WAY STATION Two different actresses will portray Rita, as a child (age 8) and adult (teen [age 17] and adult [ages 21-45]) Finding the Right Road HOLLY SCHUSTER HOWELL, Mitchell and Rita’s daughter on the Journey to Christmas Two actresses will portray Holly, as a child (age 8) and adult (teen [age 17] and adult [age 35]) GUS SCHUSTER, Mitchell’s father (ages from 30 to 38 to 46, portrayed by one actor) A Dramatic Script to be used with DORIS SCHUSTER, Mitchell’s mother (ages from 30 to 38 to 46, portrayed by one actress) The Journey of Christmas KEVIN HOWELL, Holly’s husband, as an adult (teen [17] and adult [35]) MITCHIE HOWELL (5), Mitchell’s grandson By Deborah Craig-Claar EVE HOWELL (7), Mitchell’s granddaughter The Travelers Synopsis NORM BAXTER, a local tow truck operator (and Rita’s uncle) (age 40, 49, and 60) A way station is a stopping point on a journey, or a temporary stage in a longer process. JAKE BAXTER, Norm’s son (age 55) (can be portrayed by the same actor who plays Norm) Mitchell Schuster is the somewhat reluctant inheritor of a small family gas station that is, BUD (25), BETTY (25), and BONNIE BLAKEMORE, a stranded family as he says, “at the intersection of nowhere and oblivion.” Although his suitcase is perpetually Two actresses will portray Bonnie, as a child (age 5) and adult (age 58) packed, he never seems to be able to escape from his struggling business to take a long- planned-always-postponed Christmas trip, much less start the life he is sure God had promised Scenes and Songs him. But as the years pass, Mitchell finds himself providing a brief, but necessary, respite for The scenes are continuous. various strangers on their own Christmas journeys: some need to get directions, some need to turn around and take a different route, others simply need a short rest. Spanning six decades, SCENE 1: TODAY—2016 (Mitchell’s age: 70) Mitchell learns that sometimes the greatest journey you can take is in helping others find the “Songs of Joy” with “O Come, All Ye Faithful” right road. In the process, you may arrive at a destination far different than the one originally sought: returning to the foot of a manger…and the heart of God. SCENE 2: CHILDHOOD—1954 (Mitch’s age: 8) “Glory, Glory” Key Scriptures “Come As You Are” “‘Return to Me,’ declares the LORD Almighty, ‘and I will return to you’” (Zechariah 1:3, NIV). “Whatever you did for one of the least of these brothers and sisters of mine, you did for Me” SCENE 3: YOUTH—1963 (Mitch’s age: 17) (Matthew 25:40, NIV). “Every Star That Shines Tonight” “Exceeding Great Joy” with “Joy to the World!” Time and Place “Don’t Save It All for Christmas Day” December 24 during four different time periods: 1954, 1963, 1974-1998, 2016 “Sing We Now (Medley)”—optional The cramped, cluttered office of a rundown rural gas station SCENE 4: ADULT—1974-1998 (Mitch’s age: 21-45) Characters “Christ Is Born” The Family SCENE 5: TODAY—2016 (Mitchell’s age: 70) MITCHELL J. SCHUSTER, owner of the Get Gas Station (age 70); serves as the “Remember the Reason” storyteller for the production and appears in the last scene “This Baby Boy” Two different actors also portray Mitchell at various ages in the flashback scenes: MITCHIE, Mitchell Schuster as a child (age 8) PASTOR’S MESSAGE MITCH, Mitchell Schuster as a teen (age 17) and adult (ages 21-45) “When He Comes Again” The Journey of Christmas Script—3 Way Station Finding the Right Road on the Journey to Christmas By Deborah Craig-Claar (The scene is the cramped, cluttered office of a small rural gas station. There should be a worn desk and chair, buried in papers and ledgers, and a small round table with several chairs around it. In one corner is a Christmas tree, decorated with an eclectic collection of handmade ornaments and “big bulb variety” lights. In a central position in the room is a large radio, clearly of an earlier decade. Various folding chairs and a small couch can also be placed in the room, in addition to a coatrack, shelves with automotive products, and even a tire or two. As the years pass, the set actually shows little change.) (On the far right side of the stage is an old worn armchair and small side table with a working table lamp. There should be a small artificial potted poinsettia sitting on the table, along with a cell phone. This area must be clearly separate from the main office set and, if possible, separately lit. This small area is set in 2016, although it seems fairly timeless.) SCENE 1 SONG: “Songs of Joy” with “O Come, All Ye Faithful” (At the end of the song, Mitchell [70] sloshes into the contemporary set, wearing a jumble of winter paraphernalia; he seems to be covered with snow. He pushes a large mop in front of him, and grumbles under his breath.) MITCHELL: Snow, snow, snow. All I want for Christmas is to hear some Perry Como on the radio, and for my bursitis to quit actin’ up…and all I get…is snow. Uninvited snow. And on December 24th to boot. No respect for the holidays. None. “All is calm, all is bright” my grandfather’s kidney plaster…OH. (Looks up abruptly, catches sight of the audience, and speaks directly to them.) I’m sorry, I shouldn’t be complainin’ like this, especially on such a blessed night. (Puts mop behind arm chair and turns back to audience.) But I am tellin’ ya the gospel truth: if there was snow in Bethlehem, Mary and Joseph would’ve turned around and headed south. (Picks up cell phone from side table, and begins to punch in a number.) The Journey of Christmas Script—4 And one of these years, I am gonna head south too. I’m gonna pack up my radio, and poinsettia, and snow boots, and…excuse me, I need to make this call… (Yelling into the phone, to the other person on the line.) Jake! Hey, it’s Mitch. (pause) Mitchell Schuster, at the Get Gas Station just up Route 78. The one you and your dad’s tow service has been using for nigh 60 years now. (pause, sighs) Yes. That’s the one. Some storm, ain’t it? Hasn’t let up since daybreak. So what’s the temperature down there in Weasel Fork? Uh huh. (frowns) 15!? That’s four degrees warmer than it is here! How’d you manage that? (listens) Well, I know you’re south, but only three miles, for heaven’s-ta-betsy-sake. (pause) Testy? Who’s testy? I’m not testy. I ain’t been testy since they discontinued Bosco. Oh, I’ve just been mopping up the snow ’cause some fool left the door open and… (pause) I’m the fool, Jake. I left the door open. I was checking the highway traffic. (pause) How was it? Well, there wasn’t any, that’s how it was. The highways may close any time now. I’m hoping my daughter Holly and her family will get through.
Recommended publications
  • Spartan Daily Across Campus on Their Skate- 60 Percent of the SJSU Student Boards and They fl Ip and They Body Is Served in One Way Or An- Hurt
    JIMI HENDRIX Men’s Basketball New album from deceased After up-and-down season, SJSU guitar king released prepares for WAC Tournament SEE PAGE 5 SEE PAGE 4 Serving San José State University since 1934 Wednesday, March 10, 2010 www.TheSpartanDaily.com Volume 134, Issue 22 Health center off ers services for students Amaris Dominguez, Health Center for as many basic Melissa Sabile medical appointments as they’d Staff Writers like at no cost.” Elrod said a general offi ce visit The Student Health Center of- off campus can have a $20 co-pay fers a wide variety of services to or a $200 charge, and that seeing students, most of which are avail- a health center provider for free able for no additional charge. is a signifi cant benefi t of being an But there can be extra fees SJSU student. for specialty services, said Paula “This is especially true in dif- Hernandez, senior operations of- fi cult fi nancial times, when even fi cer for the health center. more students are making diffi - Many of the charges are paid cult choices between health vis- for by the mandatory health fee, its and other basic needs,” Elrod Hernandez said, but students pay said. “Right on the campus with a on their own for prescriptions relatively short wait, students can and labs. be seen for aches, pains, injuries “We get athletes in here,” she and illnesses at no cost by a doc- said. “They get hurt while play- tor or nurse practitioner.” Jeff Lee, a designer and tester at Halo Guitars, works on a guitar in his shop in Cupertino.
    [Show full text]
  • Hendrix Hits London Educator Gallery Guide
    Table of Contents: Background Information Education Goals Exhibition Walkthrough Extension Resources Background Information Hear My Train a Comin’: Hendrix Hits London The purpose of this guide is to present questions and offer information that help lead students through the exhibition and instigate a conversation about the dynamic themes highlighted therein. Hear My Train a Comin’: Hendrix Hits London delves deep into one of the most important and formative time periods in Jimi Hendrix’s career. During a nine-month period beginning in September 1966, Hendrix released three hit singles, an iconic debut album, and transformed into one of the most popular performers in the British popular music scene. In June 1967 he returned to America a superstar. This new exhibition furthers EMP Museum’s ongoing efforts to explore, interpret, and illuminate the life, career, and legacy of Jimi Hendrix. Before its installation in Seattle, Hear My Train a Comin’: Hendrix Hits London debuted at the Hospital Club, a creative exhibition facility and private club located in the heart of London. The show was on view in the UK for two months before returning to the US. While the overall theme remains the same, EMP sought to convey the look and feel of swinging London with the addition of richly patterned wall fabrics evocative of the era, interactive elements, and a chronological large-scale concert map. Hendrix: Biographical Information Students may benefit from a discussion of Hendrix’s personal history prior to the period covered in the exhibition. Born
    [Show full text]
  • CITY COUNCIL REGULAR MEETING AGENDA May 11, 2021 STATEMENT of MEDIA NOTIFICATION
    CITY OF BEAUFORT 1911 BOUNDARY STREET BEAUFORT MUNICIPAL COMPLEX BEAUFORT, SOUTH CAROLINA 29902 (843) 525-7070 CITY COUNCIL REGULAR MEETING AGENDA May 11, 2021 STATEMENT OF MEDIA NOTIFICATION "In accordance with South Carolina Code of Laws, 1976, Section 30-4-80(d), as amended, all local media was duly notified of the time, date, place and agenda of this meeting." Regular Meeting In-Person: City Hall, Council Chambers, 2nd Floor - 7:00 pm - Face masks and social distancing will be required. Limited occupancy, overflow occupancy will be asked to observe the meeting electronically from the Planning Conference Room. Remote Public Comment/Participation: To provide comment or participation in the discussion remotely log into zoom. Please click the link below to join the webinar: https://us02web.zoom.us/j/81334789300?pwd=WlZXd1NOdTNUR01Tb09Bbm8v N0dBZz09 Passcode: 332957 Webinar ID: 813 3478 9300 US: +1 929 205 6099 Broadcast Viewing: You can view the meeting live via Facebook at the City's page; City Beaufort SC I. CALL TO ORDER A. Stephen D. Murray III, Mayor II. INVOCATION AND PLEDGE OF ALLEGIANCE A. Mike McFee, Mayor Pro Tem III. PROCLAMATIONS/COMMENDATIONS/RECOGNITIONS A. Resolution honoring Mrs. Frieda Mitchell IV. PUBLIC COMMENT V. MINUTES A. Worksession and Regular Meeting - April 27, 2021 VI. NEW BUSINESS A. Southside Park Task Force final report and recommendations B. FY 2021 Budget Amendment, Use of TIF II funds for SC170 Sidewalk Project C. Authorization to allow City Manager to enter into Contracts with IDC engineers D. Authorization to allow the City Manager to enter into a Sales Contract and other Documents for the sale of Parcel R200 015 000 8788 0000 located at 71 Sams Point Road to Beaufort Air Conditioning and Heating, LLC.
    [Show full text]
  • Jimi Hendrix Biography - Life, Family, Name, School, Mother, Young, Son, Old, Information, Born
    3/5/2020 Jimi Hendrix Biography - life, family, name, school, mother, young, son, old, information, born World Biography (../in… / He-Ho (index.html) / Jimi Hendrix Biogr… Jimi Hendrix Biography Born: November 27, 1942 Seattle, Washington Died: September 18, 1970 London, England African American musician, songwriter, and guitarist Jimi Hendrix was one of the most original electric guitarists of all time, combining blues, hard rock, modern jazz, and soul into his own unmistakable sound. He was also a gifted songwriter. Raised by his father Jimi Hendrix was born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942, the son of Al Hendrix and Lucille Jeter. His father—a gifted jazz dancer who worked at a number of jobs, including landscape gardening—bore much of the responsibility of raising the boy and his brother, Leon, as did their grandmother and various family friends. This was due to the unreliability of Lucille, who drank excessively and who would disappear for extended periods. Al Hendrix changed his son's name to James Marshall Hendrix in 1946. Al and Lucille divorced in 1951; Al Hendrix won custody of his sons and exercised as much discipline as he could, but the boys—young Jimi especially—worshipped their absentee mother. Jimi Hendrix wanted a guitar early on. Before acquiring his first real instrument, he "played" guitar on a broom and on a one-stringed ukulele. At last Al got his son a guitar, and the twelve-year-old Jimi began to teach himself to play. Jimi restrung the guitar upside down—as a left-hander, he was forced to turn the instrument in the opposite direction from how it is usually played, which left the strings at the bottom unless he rearranged them.
    [Show full text]
  • 32.-Brown-2013-Little-Wing.Pdf
    Understanding Rock This page intentionally left blank Understanding Rock ESSAYS IN MUSICAL ANALYSIS Edited by JOHN COVACH & GRAEME M. BOONE New York Oxford Oxford University Press 1997 Oxford University Press Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1997 by Oxford University Press, Inc. Published by Oxford University Press, Inc., 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Understanding rock : essays in musical analysis / edited by John Covach and Graeme M. Boone. p. cm. Includes index. Contents: Progressive rock, "Close to the edge," and the boundaries of style / John Covach — After sundown : the Beach Boys' experimental music / Daniel Harrison — Blues transformations in the music of Cream / Dave Headlam — "Joanie" get angry: k. d. lang's feminist revision / Lori Burns — Swallowed by a song: Paul Simon's crisis of chromaticism / Walter Everett — Little wing: a study in musical cognition / Matthew Brown — Tonal and expressive ambiguity in "Dark star" / Graeme M. Boone. ISBN 0-19-510004-2; ISBN 0-19-510005-0 (pbk.) 1. Rock music—History and criticism. 2. Rock music—Analysis, appreciation.
    [Show full text]
  • Jimi Hendrix: „People, Hell & Angels“ – CD (Legacy/Sony Music) Vö
    Jimi Hendrix: „People, Hell & Angels“ – CD (Legacy/Sony Music) Vö.-Termin: 01.03.2013 Legacy Recordings, eine Abteilung von Sony Music Entertainment, veröffentlicht am 1. März von Jimi Hendrix die neue CD „People, Hell & Angels“. Dieses Album enthält zwölf bisher unveröffentlichte Studioaufnahmen der Gitarrenlegende. 1968 war Hendrix auf der Suche nach neuen musikalischen Ausdrucksmöglichkeiten. Während seine Experience mit zwei Alben in den US Top Ten vertreten waren und zu einem der begehrtesten Live-Acts avancierten, arbeitete er hinter den Kulissen mit alten Freunden und unterschiedlichen Besetzungen an neuen Songs. Die neue CD „People, Hell & Angels“ bietet nun erstmals einen hochinteressanten Einblick in diese Schaffensphase des Ausnahmegitarristen. Die zwölf Songs des Albums zeigen, mit welcher Experimentierfreudigkeit der Musiker ans Werk ging. Neue Sounds und musikalische Stilrichtungen wurden ausprobiert, dabei kamen viele für Hendrix untypische Instrumente zum Einsatz: Bläser, Keyboards, Percussion und sogar eine zweite Gitarre. „People, Hell & Angels“ beweist auch, dass Jimi auf der Suche nach neuen Begleitmusikern war, mit deren Unterstützung er ein weiteres Kapitel in seiner außergewöhnlichen Karriere aufschlagen wollte. Anstatt auf seine Experience- Mitstreiter zurückzugreifen, arbeitete er mit Stephen Stills von Buffalo Springfield (später Crosby, Stills & Nash), dem Drummer Buddy Miles und dem Bassisten Billy Cox. Hendrix und Cox hatten ihren Militärdienst zusammen absolviert und waren in den frühen 1960ern Bandkollegen gewesen. Jimis Schwester Janie Hendrix, Eddie Kramer und John McDermott arbeiteten als Koproduzenten an „People, Hell & Angels“. Kramer und Hendrix lernten sich im Januar 1967 in den Londoner „Olympic Studios“ kennen. Zwischen den beiden entstand eine intensive Freundschaft. Schließlich wurde Eddie Kramer zu Jimis Lieblings-Toningenieur, der jedes Album, das der Gitarrist zu Lebzeiten veröffentlichte, abmischte.
    [Show full text]
  • America's News English
    10/10/13 Experience Hendrix at the Fabulous Fox America's News English Experience Hendrix at the Fabulous Fox Forsyth County News (Cumming, GA) - Sunday, March 21, 2010 Readability: >12 grade level (Lexile: 1310L) Author: Ira Miller; Columnist, [email protected] Jimi Hendrix died on Sept. 18, 1970. I remember the date because that was my first birthday. And even though I can't play a lick of guitar, I have inherited a love of music. If you love music, you will love being at the Fabulous Fox on Saturday night as "Experience Hendrix" heads to Atlanta. This is the fourth edition of the biennial concert tour paying homage to the music and legacy of Jimi Hendrix. Joe Satriani, Jonny Lang, Eric Johnson, Kenny Wayne Shepherd, Brad Whitford (of Aerosmith), Doyle Bramhall II, Ernie Isley, Living Colour, Susan Tedeschi, Double Trouble's Chris Layton, Robert Randolph, along with original Hendrix bassist Billy Cox will be performing music written and inspired by the legend. Cox, who first befriended Hendrix when the two were in the 101st Airborne division of the US Army, played in both the Jimi Hendrix Experience and Band of Gypsys. "It's a thrill for me to play Jimi's music for audiences now as it was in the 1960s. The Experience Hendrix tours have shown how timeless this music really is," Cox said. Featured in every show are signature songs including "Purple Haze," "Voodoo Child (Slight Return)," "The Wind Cries Mary," "Little Wing" and "Red House." Kenny Wayne Shepherd, a veteran of several Experience Hendrix tours remarked: "Jimi Hendrix's music has really inspired [me] to push the limits of my own music.
    [Show full text]
  • Dionysian Symbolism in the Music and Performance Practices of Jimi Hendrix
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 Dionysian Symbolism in the Music and Performance practices of Jimi Hendrix Christian Botta CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Dionysian Symbolism in the Music and Performance Practice of Jimi Hendrix Christian Botta Submitted in partial fulfillment of the requirements for the degree Master of Arts in Musicology At the City College of the City University of New York May 2013 Table of Contents Introduction 1 Chapter One – Hendrix at the Monterey Pop and Woodstock Festivals 12 Chapter Two – ‘The Hendrix Chord’ 26 Chapter Three – “Machine Gun” 51 Conclusion 77 Bibliography 81 i Dionysian Symbolism in the Music and Performance Practice of Jimi Hendrix Introduction Jimi Hendrix is considered by many to be the most innovative and influential electric guitarist in history. As a performer and musician, his resume is so complete that there is a tendency to sit back and marvel at it: virtuoso player, sonic innovator, hit songwriter, wild stage performer, outrageous dresser, sex symbol, and even sensitive guy. But there is also a tendency, possibly because of his overwhelming image, to fail to dig deeper into the music, as Rob Van der Bliek has pointed out.1 In this study, we will look at Hendrix’s music, his performance practice, and its relationship to the mythology that has grown up around him.
    [Show full text]
  • ELVIN JONES NEA Jazz Master (2003)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ELVIN JONES NEA Jazz Master (2003) Interviewee: Elvin Jones (September 9, 1927 - May 18, 2004) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: June 10-11, 2003 Repository: Archives Center, National Museum of American History Description: Transcript, 113 pp. Anthony Brown: “Today is June 10th, 2003 and we are sitting in the home of Elvin and Keiko Jones at 415 Central Park West in New York City. I’m sitting with Elvin Jones and his lovely, hospitable wife Keiko Jones. This interview is with Elvin Jones the incomparable jazz drummer, composer, bandleader, and humanitarian extraordinaire. And the proceedings are being recorded by Ken Kimery, my name is Anthony Brown. Present in the room are Keiko Jones and Elvin Jones. Elvin, if we can begin by you stating your full name and when you were born. Elvin Jones: My name is Elvin Ray Jones. I was born in Pontiac, Michigan in 1927; as one half of a twin, I was a twin! (chuckles). And my twin brother, we both had whooping cough, and he didn’t survive longer than 6 months. You know, I can remember the funeral and everything. Cause I used to tell my mother, I’d say “That little casket was right there!” and I’d point it out to her and she’d say, “That’s right.” (chuckles). Anthony Brown: Wow, so you say in about 6 months—he passed at about 6 months old? Elvin Jones: Right Anthony Brown: And what was the date of that birth? For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Elvin Jones: September 9th 1927.
    [Show full text]
  • November 1992
    VOLUME 16, NUMBER 11 THE DRUMMERS FEATURES OF STEELY DAN NICK Steely Dan's music was simply TRILOK unique—very cool, very popular, MENZA and VERY well performed. The GURTU drummers who took part in the Megadeth's Nick Menza has proceedings—players like Purdie, By melding Indian rhythms and proven that perseverance and Porcaro, Gadd, Keltner, Gordon, instruments with those of jazz drive—plus a good dose of Marotta—were indisputably at and funk drumming, Trilok ability—can lead to the path of the top of their craft. Learn Gurtu has become one of the glory. Take an up-close look at about the history and most unusual and carefully Menza in this exclusive significance of the watched drummers today. interview, and check out Dan's music and Recently Gurtu has taken his Nick's bombastic setup. 28 drummers in this 32 magic in the studio and on • by Matt Peiken special MD feature. the road with John McLaughlin. • by Ken Micallef Find out what makes this unique talent tick in this insightful interview. 22 • by Rick Mattingly DRUM WORKSHOP REVISITED Since the last time we dropped by, DW has made a change or two beyond simply making hard- ware—like expanding their opera- tion and becoming a respected and important force in the drum industry. Catch up on the inner workings of this unusual company. 36 • by Rick Van Horn COVER PHOTO BY EBET ROBERTS COLUMNS Education 60 ROCK 'N' Equipment JAZZ CLINIC Drummers Recycle! 42 PRODUCT BY DAVID GARIBALDI Departments CLOSE-UP News 76 ROCK Consumers Poll Results 4 EDITOR'S BY RICK VAN HORN OVERVIEW PERSPECTIVES 43 Paiste Alpha Cymbals 8 UPDATE Half-Time BY RICK VAN HORN Frank Sinatra's Shuffle Grooves 6 READERS' Gregg Field, Ron Wikso BY MARK HURLEY 44 Kenner Snare Drums PLATFORM of the Storm, and Denny BY RICK VAN HORN Seiwell, plus News 98 LATIN 45 Cannon Dead Heads 12 ASK A PRO SYMPOSIUM BY RICK VAN HORN 128 INDUSTRY 6/8 Rhythms And 46 Slappers HAPPENINGS Variations BY RICK VAN HORN 16 IT'S BY CHUCK SILVERMAN QUESTIONABLE Power Wrist Builders BY RICK VAN HORN 123 TEACHERS' 20 IMPRESSIONS Profiles FORUM 50 NEW AND Will Kennedy On..
    [Show full text]
  • Jimi Hendrix the Collector’S 1969: Studio, Private, Related & Remixed Recordings
    Jimi Hendrix The Collector’s 1969: Studio, Private, Related & Remixed Recordings Studio & Private pg. 2 – 115 Related & Remixed pg. 116 – 131 Cover Sources pg. 131 – 136 Brief CD Track List pg. 137 – 147 Song Index pg. 148 – 153 Flac Fingerprints pg. 154 – 161 The intention of this set is to bring together all 1969 Hendrix-related recordings in the best available sound quality and the most complete versions. As with all reference works of this magnitude there are likely unintended errors in spite of diligent efforts to be error free; corrections are encouraged. If you are aware of any upgrades, know of additional tracks that should be included, or have comments about the information presented here please contact [email protected] or [email protected]. This collection was assembled based on information contained at Doug Bell's website, which is compiled from several reference sources: http://home.earthlink.net/~ldouglasbell/jimi.htm. Further details were obtained from Jimpress (2014-2015, From The Benjamin Franklin Studios, 4th edition): http://www.jimpress.co.uk/, Ultimate Hendrix (2009, Backbeat Books), Jimi Hendrix: The Ultimate Lyric Book (2012, Backbeat Books), In From The Storm: http://infromthestorm.net/hendrix.html, and Discogs.com. All tracks are as they appear on their sources, though some sources are known to have utilized normalization, pitch correction, etc. A few tracks have had beginning/ending dead silence removed and are so noted, and track 127 has had a minor non-music patch. Four tracks are lossy and so noted. The track order is roughly from session takes to intermediate mixes to final and alternate mixes; complete versions precede incomplete versions.
    [Show full text]
  • Crew of MV GREEN LAKE Saves Seven
    Vol. 55, No.1 The International Marine Division of ILA/AFL-CIO Jan. | Feb. 2019 Official Voice of the International Organization of Masters, Mates & Pilots Crew of MV GREEN LAKE Saves Seven MV Cape Hudson Deploys in Support of MSC Exercise MV Ocean Giant on Supply Mission to Antarctica Panama Canal Authority Puts Profits Before People Holiday Party Photos The Master, Mate & Pilot is the Table of Contents official voice of the International Vol. 55, No. 1 January | February 2019 Organization of Masters, Mates & Pilots (International From the President 1 Marine Division of the ILA), State of the Union: MM&P has the resources necessary to sustain AFL-CIO. © 2019 IOMMP. our role in labor and industry. We will not falter in fulfilling our The Master, Mate & Pilot (ISSN mission either now or in the future. 0025-5033) is published bimonthly by the International Organization of Masters, Mates & Pilots. MM&P News Briefs 2 Headquarters: 700 Maritime Blvd., MV Green Lake saves seven in car carrier fire; Sigrid Dunlap joins Suite B, Linthicum Heights, MD 21090-1953. Dunlap Towing fleet; second man killed in Panama Canal’s new Phone: (410) 850-8700 locks; MM&P members march with striking Los Angeles teachers; E-mail: [email protected] Internet: www.bridgedeck.org Captain Richard Phillips–Lane Kirkland Trust announces first Periodicals Postage Paid at scholarship recipients and names new executive director; Elkridge, MD and additional offices. POSTMASTER: Send MV Cape Hudson deploys in support of training exercise; address changes to The Master, MV Ocean Giant at McMurdo Station. Mate & Pilot, 700 Maritime Blvd., Suite B, Linthicum MM&P Health & Benefit Plans 13 Heights, MD 21090-1953 Don Marcus Board of Trustees implements plan to help contain prescription Chairman, Editorial Board drug costs.
    [Show full text]