Shanghai Quartet Department of Music, University of Richmond
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Uoprpduio^ Conservatory
Saturday, November 11, 2006, 5:30 PM Indiana History Center Basile Theater Soloist Ida Kavafian, 1982 Silver Medalist with the Indianapolis Chamber Orchestra Born in Istanbul, Turkey of Armenian descent, Ida Kavafian has enjoyed a prolific solo and chamber music career as an Artist Member of the Chamber Music Society of Lincoln Center and a founding member of TASHI. Gluck Iphigenie in Aulis: Overture Spohr Violin Concerto No. 8 in A minor Schumann Symphony No. 2 *&&> Tuesday, February 20, 2007, 7:30 PM §10 • UI|OIA'AVAVM Indiana History Center Basile Theater Marco Rizzi, 1990 Silver Medalist with the Ronen Chamber Ensemble si|odEUEipuj j Violinist Marco Rizzi was born in Italy and graduated from the Milan uoprpduio^ Conservatory. Rizzis recordings and performances throughout Europe have been critically acclaimed by the international press. He also serves Ul[OlA on the faculty at the Hochschule fur Musik in Detmold, Germany. |BIJ01}P"'™" Stravinsky PHistoire du Soldat Mozart Piano Trio in C major, K. 548 86££ # Truuaa CI31S3nt>3H 33IAH3S SS3HaaV NI 'stjodEumpui Poulenc Sonata for Clarinet and Bassoon, FP 32 Strauss Violin Sonata, Op. 18 aiva 19^-^019^ NI 'siTodBueipui 3§E]S0d sn 0Z£i aims 'jaaos uoiSuiuse/W '3 Z£ uoiiBziueSiO ivjcud-uojsi SnOdVNViaNl JO NOlIIlHdWOD NITOIA TVNOLLVNtt3INI Sunday, June 10, 2007, 2:30 PM Sunday, March 11, 2007, 2:30 PM Indiana History Center Basile Theater Indiana History Center - 450 W Ohio Street, Indianapolis Christel DeHaan Fine Arts Center Sixth Annual Concertmaster Recital Christel DeHaan Fine Arts Center - on the campus of the Time for Three Robert Chen, Concertmaster University of Indianapolis at 1400 E. -
Ani Kavafian, Violin
Ani Kavafian, violin Violinist Ani Kavafian enjoys a prolific career as a soloist, chamber musician, and professor. She has performed with many of America’s leading orchestras, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Los Angeles Chamber Orchestra, and San Francisco Symphony. In the 2019-20 season, she continues her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals including the Heifetz International Institute and the Sarasota Chamber Music, Bridgehampton, Meadowmount, Norfolk, and Angel Fire festivals. She and her sister, violinist and violist Ida Kavafian, have performed with the symphonies of Detroit, Colorado, Tucson, San Antonio, and Cincinnati, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award, and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch, RCA, Columbia, Arabesque, and Delos labels. Born in Istanbul of Armenian heritage, Ms. Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin. . -
Beethoven to Drake Featuring Daniel Bernard Roumain, Composer & Violinist
125 YEARS Beethoven to Drake Featuring Daniel Bernard Roumain, composer & violinist TEACHER RESOURCE GUIDE 87TH Annual Young People’s Concert William Boughton, Music Director Thank you for taking the NHSO’s musical journey: Beethoven to Drake Dear teachers, Many of us were so lucky to have such dedicated and passionate music teachers growing up that we decided to “take the plunge” ourselves and go into the field. In a time when we must prove how essential the arts are to a child’s growth, the NHSO is committed to supporting the dedication, passion, and excitement that you give to your students on a daily basis. We look forward to traveling down these roads this season with you and your students, and are excited to present the amazing Daniel Bernard Roumain. As a gifted composer and performer who crosses multiple musical genres, DBR inspires audience members with his unique take on Hip Hop, traditional Haitian music, and Classical music. This concert will take you and your students through the history of music - from the masters of several centuries ago up through today’s popular artists. This resource guide is meant to be a starting point for creation of your own lesson plans that you can tailor directly to the needs of your individual classrooms. The information included in each unit is organized in list form to quickly enable you to pick and choose facts and activities that will benefit your students. Each activity supports one or more of the Core Arts standards and each of the writing activities support at least one of the CCSS E/LA anchor standards for writing. -
Mark Small at Acoustic Guitar
Ageless Ardor Guitarist/composer/teacher Benjamin Verdery has taken the eclectic road BY MARK SMALL enjamin Verdery inhabits his own festivals throughout the U.S., Canada, (Wisconsin State University), Kim Perlak exclusive territory in the classical guitar Europe, the Caribbean, South America, and (Berklee College of Music), Michael Nicolella B world. Among the virtuosi of the Baby Asia. In addition to his prodigious work as a (Cornish College of the Arts), Matthew Rohde Boomer generation, it’s not hard to make a case solo recitalist, a partial list of his collabora- (Kithara Project), Scott Borg (Montgomery that Verdery has explored the most diverse tors includes guitar titan John Williams and College), and more. musical terrain. The repertoire on the 15 albums classical flutist Rie Schmidt (Verdery’s wife), The week before the COVID-19-mandated in his catalog ranges from works by masters such 12-string expert Leo Kottke, former Police social distancing, the ever upbeat and gregari- as Bach, Strauss, Mozart, and others, to the most guitarist Andy Summers, Celtic guitarist ous Verdery couldn’t mask his enthusiasm for adventurous composers of contemporary classi- William Coulter, new age composer/key- Scenes from Ellis Island, his latest album of cal landscape. He has also made five albums boardist Craig Peyton, mixed vocal artist original music, during a wide-ranging conversa- featuring his own works and his arrangements of Mark Martin, and hip-hop singer Billy Dean tion in his teaching studio at Yale’s Leigh Hall. songs by Prince, Jimi Hendrix, traditional folk Thomas. Classical guitarists such as Williams, tunes and hymns, musical settings for Buddhist David Russell, the Assad Brothers, and the RAIN, ELLIS ISLAND, AND ARISTOTLE texts, and more. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
1998 Jan-Feb
Boston Classical Guitar Society Volume 5, Number 3 newsletterJanuary/February ‘98 Letter to Members Upcoming BCGS-Sponsored Events Greetings, Concerts I hope everyone’s holi- Sunday, March 8, 3:00 p.m. days were full of good Recital by winners of the 6th Annual Guitar Competition cheer, and each of you at the Brookline Music School. found at least one new guitar in your stocking. Sunday, April 5, 3:00 p.m. The Virtual Consort at the First Church, Unitarian It was most gratifying to Universalist, Jamaica Plain. note the level of musi- cianship exhibited at the Performance Parties New England Guitar Saturday, January 24, 2:00 p.m., 271 School St., Acton. Competition which was Saturday, Feb. 28, 2:00 p.m. 196 Broadway, Wakefield. held again at The Boston Conservatory in **BCGS is seeking space to meet for performance parties! November. The BCGS If you have room for a group of 6-12 individuals and are inter- congratulates Jeremy ested in hosting the occasional gathering, call Gloria Vachino Bass and Socrates at (781) 224-4203. Leptos, the high school and college first prize winners. We will And remember....performance parties are for everyone, from be presenting the two winners in concert soon and I hope many beginners on upward. Come play your favorite piece, perform a of you will be able to come to see these promising young duet with another guitarist, or come just to listen!** artists. See the Calendar for full details on the above events. Plans are already underway for the next BCGS Guitar Mini- Fest and many exciting ideas have been discussed. -
Neeme Järvi Detroit Symphony Orchestra Ida Kavafian
NEEME JÄRVI MOTORCITY TRIPTYCH DETROIT SYMPHONY ORCHESTRA RAISE THE ROOF IDA KAVAFIAN, VIOLIN 559372 bk Daugherty US 5/27/09 2:05 PM Page 2 Michael Daugherty (b. 1954) Detroit Symphony Orchestra Fire and Blood • MotorCity Triptych • Raise the Roof The internationally acclaimed Detroit Symphony Orchestra traces its history back to 1887. Today the orchestra Fire and Blood (2003), for violin and orchestra, was II. River Rouge performs for more than 400,000 people annually in classical, Pops, jazz, World music, special, holiday, young commissioned by the Detroit Symphony Orchestra. The At the Ford River Rouge Automobile Complex, located people’s, community and summer concerts. Its 8 Days in June festival presents works from the symphonic world première was given by the Detroit Symphony next to the Detroit River, Rivera spent many months repertoireMichael in a modernDaugherty context, as well as contemporary pieces that take orchestral and chamber music in new Orchestra under the direction of Neeme Järvi, with Ida creating sketches of workers and machinery in action. directions. The Detroit Symphony Orchestra performs in historic Orchestra Hall at the Max M. Fisher Music Center, Kavafian, solo violin, at Orchestra Hall, Detroit, He was accompanied by his young wife, the remarkable as well as inFire other and Michigan Blood venues such as Meadow Brook Music Festival in the summertime. In the 2008-09 Michigan on 3rd May, 2003. In 1932, Edsel Ford Mexican painter Frida Kahlo (1906-1954). She lived in season, world-renowned8.559372 conductor Leonard Slatkin became Music Director of the orchestra. The Detroit Symphony commissioned the Mexican modernist artist Diego constant pain as a result of polio in childhood and a Orchestra’s distinguished history includes many award-winning recordings, tours and residencies in the United Rivera (1886-1957) to paint a mural representing the serious bus accident at the age of eighteen in Mexico States, Europe and Japan, and national and international radio broadcasts. -
063014 Ida Kavafian Interview
Kent/Blossom Music Festival: A Conversation with violinist Ida Kavafian By Mike Telin “I’m looking forward to being there, it’s going to be a lot of fun,” violinist and 2014 Kent/Blossom Kulas Foundation Guest Artist Ida Kavafian said enthusiastically by telephone. “Keith Robinson is somebody I’ve worked with for years and he’s talked about hosting me at Kent/Blossom for some time. We finally were able to work out the dates and come up with a project that will be a lot of fun and beneficial to the students.” On Thursday, July 3 at 7:30 p.m. in Ludwig Recital Hall, Ida Kavafian will present a recital featuring music of Beethoven, Richard Strauss and Ernest Chausson. Joining Kavafian will be Korean pianist Yekwon Sunwoo and the Glauser String Quartet. A reception to meet and greet the artists will follow the performance. Since her founding membership in the new music group TASHI in the 1970’s, Kavafian has established herself as a versatile musician with a strong commitment to contemporary music. Kavafian has given world premieres of works by composers such as Toru Takemitsu and Michael Daugherty as well as touring with jazz greats Chick Corea, Wynton Marsalis and noted Bluegrass composer/fiddler, Mark O’Connor. As a chamber music player she has toured and recorded with the Guarneri, Orion and American Quartets and the Beaux Arts Trio, as well as the Chamber Music Society of Lincoln Center. She is co-founder of the ensemble OPUS ONE and since 1985 has been Artistic Director of the festival Music from Angel Fire, in New Mexico. -
Americanensemble
6971.american ensemble 6/14/07 2:02 PM Page 12 AmericanEnsemble Peter Serkin and the Orion String Quartet, Tishman Auditorium, April 2007 Forever Trivia question: Where Julius Levine, Isidore Cohen, Walter Trampler and David Oppenheim performed did the 12-year-old with an array of then-youngsters, including Richard Goode, Richard Stoltzman, Young Peter Serkin make his Ruth Laredo, Lee Luvisi, Murray Perahia, Jaime Laredo and Paula Robison. New York debut? The long-term viability of the New School’s low-budget, high-star-power series (Hint: The Guarneri, is due to several factors: an endowment seeded by music-loving philanthropists Cleveland, Lenox and such as Alice and Jacob Kaplan; the willingness of the participants to accept modest Vermeer string quartets made their first fees; and, of course, the New School’s ongoing generosity in providing a venue, New York appearances in the same venue.) gratis. In addition, Salomon reports, “Sasha never accepted a dime” during his 36 No, not Carnegie Recital Hall. Not the years of labor as music director or as a performer (he played in most of the 92nd Street Y, and certainly not Alice Tully concerts until 1991, two years before his death). In fact, Sasha never stopped Hall (which isn’t old enough). New Yorkers giving—the bulk of his estate went to the Schneider Foundation, which continues first heard the above-named artists in to help support the New School’s chamber music series and Schneider’s other youth- Tishman Auditorium on West 12th Street, at oriented project, the New York String Orchestra Seminar. -
Artist Series: David Shifrin Program Notes on the Program
ARTIST SERIES: DAVID SHIFRIN PROGRAM WOLFGANG AMADEUS MOZART (1756-1791) Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Allegro Larghetto Menuetto Allegretto con variazioni David Shifrin, clarinet • Danbi Um, violin • Bella Hristova, violin • Mark Holloway, viola • Dmitri Atapine, cello LUIGI BASSI (1833-1871) Concert Fantasia on Themes from Verdi’s Rigoletto for Clarinet and Piano David Shifrin, clarinet • Gloria Chien, piano DUKE ELLINGTON (1899-1974) Clarinet Lament for Clarinet and Piano (1936) (arr. David Schiff) David Shifrin, clarinet • Gloria Chien, piano NOTES ON THE PROGRAM Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Wolfgang Amadeus Mozart (Salzburg, 1756 – Vienna, 1791) Mozart wrote this quintet for Vienna’s Society of Musicians (Tonkünstler-Societät) in 1789. The society raised money to provide pensions to widows and orphans of Viennese musicians. Its concerts were regular occurrences on the Viennese social calendar and Mozart composed and performed for them, even though he was not a member, something he would regret right before his death at the age of 35. This quintet premiered at a society concert on December 22, 1789, in between two halves of a cantata by Vincenzo Righini. The clarinetist was Anton Stadler, one of the first virtuosos on the instrument and Mozart’s close personal friend. Mozart wrote all of his major clarinet works— this one, the Kegelstatt Trio, and the Clarinet Concerto—with Stadler’s playing in mind. Chamber Music Society of Lincoln Center The clarinet was a relatively new instrument in Mozart’s day yet he expertly tapped into the instrument’s unique singing quality. -
Orion String Quartet Is One of the Most Sought-After Ensembles Six Hundred Eighty-First Program of the 2006-07 Season in the United States
JACOBS SCHOOL OF MUSIC The Orion String Quartet is one of the most sought-after ensembles Six Hundred Eighty-First Program of the 2006-07 Season in the United States. They remain on the cutting edge of programming with numerous commissions from composers Chick Corea, Alexander Goehr, John Harbison, Leon Kirchner, Marc Neikrug, Peter Lieberson, and Wynton Orion String Quartet Marsalis, and enjoy a creative partnership with the Bill T. Jones/Arnie Zane Dance Company. With over 50 performances this year, the members of the Daniel Phillips, Violin Orion String Quartet—violinists Daniel Phillips and Todd Phillips (brothers Todd Phillips, Violin who share the first violin chair equally), violist Steven Tenenbom, and cellist Timothy Eddy—have worked with such legendary figures as Pablo Casals, Steven Tenenbom, Viola Rudolf Serkin, Isaac Stern, Pinchas Zukerman, Yo-Yo Ma, Peter Serkin, Timothy Eddy, Cello András Schiff, and members of TASHI and the Beaux Arts Trio, as well as the Budapest, Végh, Galimir, and Guarneri String Quartets. Their repertoire, assisted by this season, includes cycles of Beethoven and Mozart, in addition to mixed programs of Haydn, Mendelssohn, Schubert, Dvořák, Bartók, Zwilich, and Michael Waterman, Violin Schulhoff. The Orion serves as Quartet-in-Residence at the Chamber Music Juliette Javaheri, Violin Society of Lincoln Center and New York’s Mannes College of Music and is Sheldon Person, Viola Quartet-in-Residence at Indiana Universtiy. Christina Stripling, Cello In August 2006, the Orion String Quartet performed at the Music@ Menlo Festival and gave the world premiere of Leon Kirchner’s String Quartet No. 4 at La Jolla Summerfest. -
Artist Series: Ani Kavafian Program
The following program notes may only be used in conjunction with the one-time streaming term for the corresponding Chamber Music Society of Lincoln Center (CMS) Front Row National program, with the following credit(s): Program notes by Laura Keller, CMS Editorial Manager © 2021 Chamber Music Society of Lincoln Center Any other use of these materials in connection with non-CMS concerts or events is prohibited. ARTIST SERIES: ANI KAVAFIAN PROGRAM Johannes Brahms (1833-1897) Scherzo, WoO 2, from “F-A-E” Sonata for Violin and Piano (1853) Ani Kavafian, violin • Alessio Bax, piano Arno Babadjanian (1921-1983) “Andante” from Trio in F-sharp minor for Piano, Violin, and Cello (1952) Gloria Chien, piano • Ani Kavafian, violin • Mihai Marica, cello INTERMISSION (Q&A with the artist) Antonín Dvořák (1841-1904) Trio in F minor for Piano, Violin, and Cello, Op. 65 (1883) Allegro ma non troppo Allegretto grazioso Poco adagio Finale: Allegro con brio Orion Weiss, piano • Ani Kavafian, violin • Carter Brey, cello NOTES ON THE PROGRAM Scherzo, WoO 2, from “F-A-E” Sonata for Violin and Piano (1853) Johannes Brahms (Hamburg, 1833 – Vienna, 1897) The F-A-E Sonata was an unusual joint composition project at the behest of Robert Schumann. The violinist Joseph Joachim came to visit him in Düsseldorf in October 1853, and Schumann rallied two of his young students, Brahms and Albert Dietrich, to compose a violin sonata with him. Brahms had only met Schumann the previous month, arriving with an introduction from Joachim, but Schumann was Chamber Music Society of Lincoln Center immediately taken with Brahms and the two had become fast friends.