Henning Mankell's WALLANDER: the REVENGE
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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Curriculum Vitae
Prof. Thomas Sterner CURRICULUM VITAE 2019-01-25 University of Gothenburg School of Business, Economics and Law Environmental Economics Unit, Department of Economics 1 Table of Contents Table of Contents ................................................................................................................................ 2 Summary ............................................................................................................................................. 3 Employments ....................................................................................................................................... 4 Universities and Research Institutions ................................................................................................ 4 Schools ................................................................................................................................................ 5 Languages ........................................................................................................................................... 5 Honors, Prizes & Board Memberships ................................................................................................. 5 Honorary Positions ......................................................................................................................... 5 Prizes ............................................................................................................................................... 6 Member of scientific boards and committees .............................................................................. -
The Pathologising Effect of TV Revengendas
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2015 The bitter taste of payback: the pathologising effect of TV revengendas Cassandra E. Sharp University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Sharp, Cassandra E., "The bitter taste of payback: the pathologising effect of TV revengendas" (2015). Faculty of Law, Humanities and the Arts - Papers. 2422. https://ro.uow.edu.au/lhapapers/2422 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The bitter taste of payback: the pathologising effect of TV revengendas Abstract The thirst for vengeance is a timeless subject in popular entertainment. One need only think of Old Testament scripture; Shakespeare's Hamlet; Quentin Tarantino's Kill Bill or the TV series Revenge, and we immediately conjure up images of a protagonist striving to seek justice to avenge a heinous wrong committed against them. These texts, and others like it, speak to that which is ingrained in our human spirit about not only holding others responsible for their actions, but also about retaliation as payback. This article seeks to problematise the way the popular revenge narrative effectively constructs the vendetta as a guilty pleasure through which the audience can vicariously gain satisfaction, while at the same time perpetuates law's rhetoric that personal desires for vengeance are to be repressed and denied. -
Swedish Literature on the British Market 1998-2013: a Systemic
Swedish Literature on the British Market 1998-2013: A Systemic Approach Agnes Broomé A thesis submitted for the degree of Doctor of Philosophy UCL Department of Scandinavian Studies School of European Languages, Culture and Society September 2014 2 I, Agnes Broomé, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. …............................................................................... 3 4 ABSTRACT This thesis examines the role and function of contemporary Swedish fiction in English translation on the British book market in the period 1998-2013. Drawing on Bourdieu’s Field Theory, Even Zohar’s Polysystem Theory and DeLanda’s Assemblage Theory, it constructs a model capable of dynamically describing the life cycle of border-crossing books, from selection and production to marketing, sales and reception. This life cycle is driven and shaped by individual position-takings of book market actants, and by their complex interaction and continual evolution. The thesis thus develops an understanding of the book market and its actants that deliberately resists static or linear perspectives, acknowledging the centrality of complex interaction and dynamic development to the analysis of publishing histories of translated books. The theoretical component is complemented by case studies offering empirical insight into the model’s application. Each case study illuminates the theory from a different angle, creating thereby a composite picture of the complex, essentially unmappable processes that underlie the logic of the book market. The first takes as its subject the British publishing history of crime writer Liza Marklund, as well as its wider context, the Scandinavian crime boom. -
Die Geschichte Vom Kleinen Onkel
Barbro Lindgren, Eva Eriksson, Angelika Kutsch Die Geschichte vom kleinen Onkel Im Herzen ist Platz für mehr als einen! Ein Bilderbuch- Kleinod über die Freundschaft. Es war einmal ein kleiner Onkel, der war sehr einsam. Niemand kümmerte sich um ihn, obwohl er so nett war. Alle fanden ihn zu klein. Und dann fanden sie noch, dass er dumm aussah. Es half nichts, dass er dauernd den Hut abnahm und "Guten Tag" sagte. Es war trotzdem niemand nett zu ihm. Bis ihm eines Tages ein Hund zulief und ihm zärtlich seine kalte Nase in die Hand legte. Die zu Herzen Altersempfehlung: ab 4 Jahren gehende Geschichte vom Allein- und Zusammensein ist die ISBN: 978-3-7891-7549-7 Bilderbuchausgabe des Kinderbuch-Klassikers von Barbro Erscheinungstermin: Lindgren, mit farbigen Bildern der vielfach ausgezeichneten 2012-02-01 Illustratorin Eva Eriksson. Seiten: 32 Verlag: Oetinger AUTOR Barbro Lindgren Barbro Lindgren, 1937 in Schweden geboren, besuchte die Kunstschule in Stockholm und schreibt Bücher für Kinder und Erwachsene. Für ihr Gesamtwerk erhielt sie u.a. den schwedischen Astrid-Lindgren-Preis und den Nils-Holgersson-Preis; für den Deutschen Jugendliteraturpreis wurde sie nominiert. Ihre charmanten Bilderbuchgeschichten vom kleinen "Max" und den Erlebnissen in seinem Kinderalltag, kongenial von Eva Eriksson illustriert, zählen bereits zu den Bilderbuch-Klassikern. "Knappe Worte, drollige Bilder und die Kinder lieben es, weil hier ein Stück ihrer Lebenswirklichkeit abgebildet wird. Diese Büchlein sind unschlagbar", schreibt dazu die Saarbrücker Zeitung. Für weitere informationen kontaktieren Sie bitte: Judith Kaiser ([email protected]) © Verlagsgruppe Oetinger Service GmbH https://www.oetinger.de ILLUSTRATOR Eva Eriksson Eva Eriksson, 1949 in Schweden geboren, begann nach der Geburt ihrer Kinder, Bilderbücher zu schreiben und zu illustrieren. -
Marketing Swedish Crime Fiction in a Transnational Context
Peer Reviewed Title: Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context Journal Issue: Journal of Transnational American Studies, 7(1) Author: Nilsson, Louise, Uppsala University Publication Date: 2016 Permalink: http://escholarship.org/uc/item/6308x270 Author Bio: LOUISE NILSSON holds a PhD in History of Science and Ideas from Uppsala University. Her dissertation examined the breakthrough of modern advertising in early twentieth-century Sweden and its American influences. Besides Nilsson’s historically oriented research, she specializes in crime fiction. She is currently coediting the collection Crime Fiction as World Literature (Bloomsbury, forthcoming) with Theo D’haen and David Damrosch, and she is a member of the Australian network Detective Fiction on the Move (University of Newcastle and Monash University). She is currently working on a research project, “Mediating the North in a Transnational Context: Vernacular and Cosmopolitan Places in Nordic Noir,” within the Stockholm University– based research program “Cosmopolitan and Vernacular Dynamics in World Literatures,” which will run until 2021. Keywords: Transnational, American Studies, Sweden, Crime Fiction Local Identifier: acgcc_jtas_30648 Abstract: [abstract pending] Copyright Information: Copyright 2016 by the article author(s). This work is made available under the terms of the Creative Commons Attribution4.0 license, http://creativecommons.org/licenses/by/4.0/ eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. Nilsson: Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context SPECIAL FORUM Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context LOUISE NILSSON Key to the appeal of Scandinavian crime literature is the stoic nature of its detectives and their peculiarly close relationship with death. -
Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More
Issue 1 • 2017 SHOOTING STAR Karin Franz Körlof + The Nile Hilton Incident, A Hustler’s Diary, Up in the Sky and much more A magazine from the Swedish Film Institute • sfi.se 25 years Welcome 1 000 co-productions Head of International Pia Lundberg Film i Väst 1992–2017 www.fi lmivast.com Phone: +46 70 692 79 80 [email protected] Festivals, features Petter Mattsson Phone +46 70 607 11 34 Film i Väst congratulates [email protected] its co-productions in Berlin! Festivals, documentaries Sara Rüster A fresh start Phone: +46 76 117 26 78 [email protected] Panta rhei. All things are in flux. They A Hustler’s Diary, a dramedy where a certainly are, and Sweden and the Swedish suburban small-time criminal clashes film industry is no exception. At the time with his past and the very elite of Stock- Festivals, shorts Theo Tsappos of writing we are only weeks into a new holm’s cultural life. We have Sami Blood Phone: +46 76 779 11 33 national film policy. We see it as a chance in Berlin and the TV series Midnight Sun [email protected] to go through the old film funding that’s in Rotterdam – and they both, in com- been around for decades, modernize it – pletely different ways, tell a story about and start afresh. We’re going cherry-pick- the Sami minority. Those are just a few Special projects ing, taking what’s worked for us and other examples of Swedish films that are Josefina Mothander countries before, and putting the pieces selected for various festivals in the first Phone +46 70 972 93 52 together to build something new. -
The Troubled Man: a Kurt Wallander Mystery Pdf, Epub, Ebook
THE TROUBLED MAN: A KURT WALLANDER MYSTERY PDF, EPUB, EBOOK Henning Mankell,Laurie Thompson | 512 pages | 16 Feb 2012 | Vintage Publishing | 9780099548409 | English | London, United Kingdom The Troubled Man: A Kurt Wallander Mystery PDF Book In addition, he is also a father, husband and a son. Kurt Wallander by Henning Mankell. Wallander is unhappy for some weeks, and then he decides he will always be unhappy. Wallender is here to make them complete so that you stay up all night reading. Nimmy March. So the villain can't be a woman working for the KGB, can it? Both said the world was still a comprehensible place. This might be because she was the only human character in the entire book. Account Options Sign in. Written by don minifie The pace of The Troubled Man is significantly slower than the previous Wallander stories, with several chapters between murders. The detective's popularity is unparalleled, and Mankell has sold more than 30 million books worldwide. James Lee Burke, sadly, is a category two man. For an enhanced browsing experience, get the IMDb app on your smartphone or tablet. Sten Norlander Barnaby Kay Of more interest in this episode, perhaps, is Wallander's gradually deteriorating state of mind. Dagens Nyheter. Edit Cast Episode cast overview, first billed only: Terrence Hardiman Did You Know? October Charity: The Mustard Seed. The ending is predictable, but engaging nonetheless; and is followed by a denouement in which Wallander empties his office desk and communicates with his deceased father David Warner. There are significant changes to Wallander's life. -
Donna E. West Myrdene Anderson Editors Before and Beyond Consciousness
Studies in Applied Philosophy, Epistemology and Rational Ethics Donna E. West Myrdene Anderson Editors Consensus on Peirce’s Concept of Habit Before and Beyond Consciousness Studies in Applied Philosophy, Epistemology and Rational Ethics Volume 31 Series editor Lorenzo Magnani, University of Pavia, Pavia, Italy e-mail: [email protected] Editorial Board Atocha Aliseda Universidad Nacional Autónoma de México (UNAM), Coyoacan, Mexico Giuseppe Longo Centre Cavaillès, CNRS—Ecole Normale Supérieure, Paris, France Chris Sinha Lund University, Lund, Sweden Paul Thagard Waterloo University, Waterloo, ON, Canada John Woods University of British Columbia, Vancouver, BC, Canada About this Series Studies in Applied Philosophy, Epistemology and Rational Ethics (SAPERE) publishes new developments and advances in all the fields of philosophy, epistemology, and ethics, bringing them together with a cluster of scientific disciplines and technological outcomes: from computer science to life sciences, from economics, law, and education to engineering, logic, and mathematics, from medicine to physics, human sciences, and politics. It aims at covering all the challenging philosophical and ethical themes of contemporary society, making them appropriately applicable to contemporary theoretical, methodological, and practical problems, impasses, controversies, and conflicts. The series includes monographs, lecture notes, selected contributions from specialized conferences and workshops as well as selected Ph.D. theses. Advisory Board A. Abe, Chiba, Japan A. Pereira, São Paulo, Brazil H. Andersen, Copenhagen, Denmark L.M. Pereira, Caparica, Portugal O. Bueno, Coral Gables, USA A.-V. Pietarinen, Helsinki, Finland S. Chandrasekharan, Mumbai, India D. Portides, Nicosia, Cyprus M. Dascal, Tel Aviv, Israel D. Provijn, Ghent, Belgium G.D. Crnkovic, Västerås, Sweden J. Queiroz, Juiz de Fora, Brazil M. -
Kvarterakademisk
kvarter Volume 07 • 2013 akademiskacademic quarter Porous Borders Crossing the Boundaries to ‘Eastern Europe’ in Scandinavian Crime Fiction Anna Estera Mrozewicz PhD, Assistant Professor at the Department of Film, Television and New Media at the Adam Mickiewicz University in Poznań, Poland and pursued post-doctoral studies at the Department of Scandina- vian Studies and Linguistics, University of Copenhagen (2010– 2012). Her current research project investigates the concept of ‘East- ern Europe’ in Scandinavian film, literature and visual arts. Abstract In Scandinavian crime fiction, an implicit dynamics is noticeable between the adjacent worlds: Scandinavia and ‘Eastern Europe’. The author of the article approaches their relation using the two interrelated concepts of border and boundary (Casey, 2011). While borders are fixed and established by conventional agreements, boundaries are natural, perforated, and undermine the impenetra- bility of the border. Accordingly, two main strands are discernible within the representations of ‘Eastern Europe’ in Scandinavian crime fiction: a ‘border perspective’ and a ‘boundary perspective’. The first strand is rooted in the old world with pronounced nation- al divisions, while the other anticipates a globalised world, involv- ing a dynamic view of the relation between the neighbours across the Baltic. As the article attempts to demonstrate, the border/bound- ary distinction can be fruitfully applied to the analysis of the Scan- dinavian discourse on ‘Eastern Europe’ with all its implications. Keywords border/boundary, Scandinavian crime fiction, ‘Eastern Europe’, adjacency, suppression, neighbour. Volume 07 350 Porous Borders kvarter Anna Estera Mrozewicz akademiskacademic quarter The drama of crossing borders The acts of crossing borders between ‘Eastern Europe’1 and Scandi- navia are typically represented as accompanied by strong affect and fear – especially in crime fiction. -
Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19
WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P. -
As Seen in the Millennium Trilogy by Stieg Larsson: Coffee As Materiality
Paper from the conference On the Move: ACSIS conference 11–13 June, Norrköping, Sweden 2013, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS). Conference Proceedings published by Linköping University Electronic Press at http://www.ep.liu.se/ecp_home/index.en.aspx?issue=095. © The Author. Coffee and Class for the Swedes – as seen in the Millennium Trilogy by Stieg Larsson: Coffee as materiality Åsa Ljungström Independent researcher In the Millennium Trilogy coffee and class express the paradox of the dream of a classless society denying the divisiveness of class affiliation in Sweden. Coffee is used to create affinity while the consumption of other kinds of food and drink is used to subtly mark social hierarchies. Swedish people like to believe that it is possible for anyone to climb the social ladder; equality is the ideal since the 1960s. Having a coffee works to level the communication between people IRL as well as in the novels. The author uses the coffee as a formula to get the storyline going, introduce new characters or forecast events. Not until the New York Times’ columnist wrote about the pathological coffee consumption did the Swedes notice. The Swedes will have a coffee during a break at work, at home, with a friend, or whenever they open communication. The serving of coffee makes a self-evident statement in any group. Drawing on theory of materiality and presence the presentation aims to analyse coffee running through the human bodies creating chains of communication. Anything is possible with a coffee for Stieg Larsson’s characters coping with the morale of good and evil, black and white.