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Quickies: Fast Fun for Everyone Millei Ishikawa Iowa State University
April 2011 Article 3 April 2011 Quickies: Fast Fun for Everyone Millei Ishikawa Iowa State University Katelyn McCollough Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/ethos Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Ishikawa, Millei and McCollough, Katelyn (2011) "Quickies: Fast Fun for Everyone," Ethos: Vol. 2011 , Article 3. Available at: http://lib.dr.iastate.edu/ethos/vol2011/iss3/3 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Ethos by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. fast fun for eveyone Whoa, what happened? “The first week of living in the dorms was a pretty Some of the Craziest Dorm Stories We Could Find great time. I was finally away from home and able to do what I wanted, so naturally, I partied Design MILLEI ISHIKAWA By KATELYN MCCOLLOUGH all week. Classes hadn’t started yet, so it wasn’t a big deal. During the middle of that first week I More than 8500 ISU students choose to live in residence halls and student realized the dorms would take some getting used apartments across campus each year. Moving into the dorm means joining fourty to, especially after a few drinks. I got back to my to sixty other strangers on your floor alone. Add in the excitement of the weekend dorm in Larch Hall from a party that night and after a long week of classes and some pretty interesting things can happen. -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
Youtube Report Draft V4
MONDAY, JULY 16 YouTube & News A new kind of visual journalism FOR FUTHER INFORMATION: Tom Rosenstiel, Director, Pew Research Center’s Project for Excellence in Journalism Amy Mitchell, Deputy Director, Pew Research Center’s Project for Excellence in Journalism (202) 419-3650 1515 L St, N.W., Suite 700 Washington, D.C. 20036 www.journalism.org YouTube & News: A New Kind of Visual Journalism Introduction On March 11, 2011, an earthquake registering 9.0 on the Richter scale struck the coast of northeastern Japan, triggering a tsunami that would kill more than 18,000 people and leave an estimated $180 billion in damage. The news media worldwide provided extensive coverage of the disaster and its aftermath, but millions of people also turned to the web to learn about the event on the video sharing website YouTube. 1 In the seven days following the disaster (March 11-18), the 20 most viewed news-related videos on YouTube all focused on the tragedy—and were viewed more than 96 million times. What people saw in these videos also represented a new kind of visual journalism. Most of that footage was recorded by citizen eyewitnesses who found themselves caught in the tragedy. Some of that video was posted by the citizens themselves. Most of this citizen-footage, however, was posted by news organizations incorporating user-generated content into their news offerings. The most watched video of all was shot by what appeared to be fixed closed-circuit surveillance camera at the Sendai airport. Link: http://www.youtube.com/watch?v=-DSSssHxm4Y The disaster in Japan was hardly a unique case. -
Animal Crossing
Alice in Wonderland Harry Potter & the Deathly Hallows Adventures of Tintin Part 2 Destroy All Humans: Big Willy Alien Syndrome Harry Potter & the Order of the Unleashed Alvin & the Chipmunks Phoenix Dirt 2 Amazing Spider-Man Harvest Moon: Tree of Tranquility Disney Epic Mickey AMF Bowling Pinbusters Hasbro Family Game Night Disney’s Planes And Then There Were None Hasbro Family Game Night 2 Dodgeball: Pirates vs. Ninjas Angry Birds Star Wars Hasbro Family Game Night 3 Dog Island Animal Crossing: City Folk Heatseeker Donkey Kong Country Returns Ant Bully High School Musical Donkey Kong: Jungle beat Avatar :The Last Airbender Incredible Hulk Dragon Ball Z Budokai Tenkaichi 2 Avatar :The Last Airbender: The Indiana Jones and the Staff of Kings Dragon Quest Swords burning earth Iron Man Dreamworks Super Star Kartz Backyard Baseball 2009 Jenga Driver : San Francisco Backyard Football Jeopardy Elebits Bakugan Battle Brawlers: Defenders of Just Dance Emergency Mayhem the Core Just Dance Summer Party Endless Ocean Barnyard Just Dance 2 Endless Ocean Blue World Battalion Wars 2 Just Dance 3 Epic Mickey 2:Power of Two Battleship Just Dance 4 Excitebots: Trick Racing Beatles Rockband Just Dance 2014 Family Feud 2010 Edition Ben 10 Omniverse Just Dance 2015 Family Game Night 4 Big Brain Academy Just Dance 2017 Fantastic Four: Rise of the Silver Surfer Bigs King of Fighters collection: Orochi FIFA Soccer 09 All-Play Bionicle Heroes Saga FIFA Soccer 12 Black Eyed Peas Experience Kirby’s Epic Yarn FIFA Soccer 13 Blazing Angels Kirby’s Return to Dream -
Parody and Pastiche
Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube Parody and Pastiche. Study I. January 2013 Kris Erickson This is an independent report commissioned by the Intellectual Property Office (IPO) Intellectual Property Office is an operating name of the Patent Office © Crown copyright 2013 2013/22 Dr. Kris Erickson is Senior Lecturer in Media Regulation at the Centre ISBN: 978-1-908908-63-6 for Excellence in Media Practice, Bournemouth University Evaluating the impact of parody on the exploitation of copyright works: An empirical study of music (www.cemp.ac.uk). E-mail: [email protected] video content on YouTube Published by The Intellectual Property Office This is the first in a sequence of three reports on Parody & Pastiche, 8th January 2013 commissioned to evaluate policy options in the implementation of the Hargreaves Review of Intellectual Property & Growth (2011). This study 1 2 3 4 5 6 7 8 9 10 presents new empirical data about music video parodies on the online © Crown Copyright 2013 platform YouTube; Study II offers a comparative legal review of the law of parody in seven jurisdictions; Study III provides a summary of the You may re-use this information (excluding logos) free of charge in any format or medium, under the findings of Studies I & II, and analyses their relevance for copyright terms of the Open Government Licence. To view policy. this licence, visit http://www.nationalarchives.gov. uk/doc/open-government-licence/ or email: [email protected] The author is grateful for input from Dr. -
H1 FY12 Earnings Presentation
H1 FY12 Earnings Presentation November 08, 2011 Yves Guillemot, President and Chief Executive Officer Alain Martinez, Chief Financial Officer Jean-Benoît Roquette, Head of Investor Relations Disclaimer This statement may contain estimated financial data, information on future projects and transactions and future business results/performance. Such forward-looking data are provided for estimation purposes only. They are subject to market risks and uncertainties and may vary significantly compared with the actual results that will be published. The estimated financial data have been presented to the Board of Directors and have not been audited by the Statutory Auditors. (Additional information is specified in the most recent Ubisoft Registration Document filed on June 28, 2011 with the French Financial Markets Authority (l’Autorité des marchés financiers)). 2 Summary H1 : Better than expected topline and operating income performance with strong growth margin improvement H1 : Across the board performance : Online − Casual − High Definition H2 : High potential H2 line-up for casual and passionate players, targeting Thriving HD, online platforms and casual segments H2 : Quality improves significantly Online : Continue to strenghten our offering and expertise FY12 : Confirming guidance for FY12 FY13 : Improvement in operating income and back to positive cash-flows 3 Agenda H1 FY12 performance H2 FY12 line-up and guidance 4 H1 FY12 : Sales Q2 Sales higher than guidance (146 M€ vs 99 M€) Across the board performance : Online − Casual − HD Benefits -
Selling Or Selling Out?: an Exploration of Popular Music in Advertising
Selling or Selling Out?: An Exploration of Popular Music in Advertising Kimberly Kim Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jason Robinson Faculty Readers: Professor Jenny Kallick Professor Jeffers Engelhardt Professor Klara Moricz 05 May 2011 Table of Contents Acknowledgments............................................................................................................... ii Chapter 1 – Towards an Understanding of Popular Music and Advertising .......................1 Chapter 2 – “I’d Like to Buy the World a Coke”: The Integration of Popular Music and Advertising.........................................................................................................................14 Chapter 3 – Maybe Not So Genuine Draft: Licensing as Authentication..........................33 Chapter 4 – Selling Out: Repercussions of Product Endorsements...................................46 Chapter 5 – “Hold It Against Me”: The Evolution of the Music Videos ..........................56 Chapter 6 – Cultivating a New Cultural Product: Thoughts on the Future of Popular Music and Advertising.......................................................................................................66 Works Cited .......................................................................................................................70 i Acknowledgments There are numerous people that have provided me with invaluable -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Bonuses 1
Pop 2 a second packet for popheads written by Kevin Kodama Bonuses 1. One song from this album says “If they keep telling me where to go / I’ll blow my brains out to the radio”. For ten points each, [10] Name this sophomore album by Lorde. This Grammy-nominated album contains songs like “Perfect Places” and “Green Light”. ANSWER: Melodrama <Easy, 2/2> [10] Melodrama was created with the help of this prolific producer and gated reverb lover. This producer also worked on Norman Fucking Rockwell! with Lana del Rey and folklore with Taylor Swift. ANSWER: Jack Antonoff <Mid, 2/2> [10] This Melodrama track begins with documentary audio that remarks “This is my favorite tape!” and a Phil Collins drum sample. This song draws out the word “generation” after spelling the title phrase. ANSWER: “Loveless” (prompt on “Hard Feelings/Loveless”) <Hard, 2/2> 2. This artist's first solo release was an acid house track called "Dope". For ten points each, [10] Name this Kazakh producer who remixed a certain SAINt JHN song into a 2020 hit. This producer's bass effects are a constant presence in that song, which goes "You know I get too lit when I turn it on". ANSWER: Imanbek <Mid, 1/2> [10] That aforementioned song by SAINt JHN has this title and goes "Never sold a bag but look like Pablo in a photo". This is also the title of the final song in Carly Rae Jepsen's E•MO•TION Side B. ANSWER: "Roses" <Easy, 2/2> [10] After "Roses", Imanbek went on to sign with this producer's label Dharma. -
(12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt Et Al
USOO8686269B2 (12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt et al. (45) Date of Patent: * Apr. 1, 2014 (54) PROVIDING REALISTIC INTERACTION TO (56) References Cited A PLAYER OF A MUSIC-BASED VIDEO GAME U.S. PATENT DOCUMENTS (75) Inventors: Daniel A. Schmidt, Somery ille, MA 3.430,530D211,666 AS 3/19697/1968 GrindingerMacGillavry (US); Gregory B. LoPiccolo, Brookline, 3,897,711 A 8/1975 Elledge MA (US); Eran Egozy, Brookline, MA D245,038 S 7, 1977 Ebata et al. (US) D247,795 S 4, 1978 Darrell 4,128,037 A 12, 1978 Montemurro (73) Assignee: Harmonix Music Systems, Inc., E. 88: Sushida et al. Cambridge, MA (US) D262,017 S 11/1981 Frakes, Jr. D265,821 S 8, 1982 Okada et al. (*) Notice: Subject to any disclaimer, the term of this D266,664 S 10, 1982 Hoshino et al. patent is extended or adjusted under 35 (Continued) U.S.C. 154(b) by 823 days. This patent is Subject to a terminal dis- FOREIGN PATENT DOCUMENTS claimer. AT 468071 T 6, 2010 AU T41239 B2 4f1999 (21) Appl. No.: 12/263,434 (Continued) (22) Filed: Oct. 31, 2008 OTHER PUBLICATIONS (65) Prior Publication Data Guitar Hero (video game) Wikipedia, the free encyclopedia— US 2009/OO82O78A1 Mar. 26, 2009 (Publisher RedOctane) Release Date Nov. 2005.* Related U.S. Application Data (Continued) (63) Continuation of application No. 1 1/683,136, filed on Mar. 7, 2007, now Pat. No. 7,459,624. Primary Examiner — Marlon Fletcher (74) Attorney, Agent, or Firm — Wilmer Cutler Pickering (60) Provisional application No. -
An Analysis on Youtube Rewinds
KADİR HAS UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES NEW MEDIA DISCIPLINE AREA POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS ISTANBUL, AUGUST, 2017 i POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS Submitted to the Graduate School of Social Sciences of Kadir Has University in partial fulfillment of the requirements for the degree of Master’s in the Discipline Area of New Media under the Program of New Media. ISTANBUL, AUGUST, 2017 i ii iii TABLE OF CONTENTS Abstract Acknowledgements List of Figures List of Chapters 1. Introduction 2. Literature Review 2.1 Commercializing Culprit or Social Cement? What is Popular Culture? 2.2 Sharing is caring: user-generated content 2.3 Video sharing hype: YouTube 3. Research Design 3.1 Research Question 3.2 Research Methodology 4. Research Findings and Analysis 4.1 Technical Details 4.1.1 General Information about the Data 4.1.2 Content Analysis on Youtube Rewind Videos 5. Conclusion References iv ACKNOWLEDGEMENTS I would first and foremost like to thank my thesis advisor Assoc. Prof. Dr. Çiğdem BOZDAĞ of the Faculty of Communication at Kadir Has University. Prof. Bozdağ always believed in me even I wasn’t sure of my capabilities. She kindly guided me through the tunnel of the complexity of writing a thesis. Her guidance gave me strength to keep myself in right the direction. I would like to thank Assoc. Prof. Dr. Eylem YANARDAĞOĞLU whose guidance was also priceless to my studies. -
Unit 9 Audio Script
2nd edition Unit 9 Audio script 3.13 Lesson 9A, Exercises 3 and 4 Speaker 4 I got so angry with my dad last week – I can’t remember why. I think he told Speaker 1 So I had this ticket to go and see Lady me not to spend so much time on the Gaga performing live and I mentioned computer. Anyway, I was cross. So do it to my cousin, Claire. It turned out you know what I did? When he went she just loves Lady Gaga – she’s her to work, I went outside and dug up all favourite singer. She tried to book a the roses in his flower bed. He loves ticket for herself, but they were sold his roses. He loves them more than he out. So I gave her my ticket. Well, I do loves his children – that’s what I think like Lady Gaga, but I wouldn’t say I’m sometimes. So I dug them up! He went her biggest fan. And Claire was really crazy when he found out. grateful, so that was nice. Speaker 5 My parents gave me the name Edward Speaker 2 I’ve been chief executive of the – which is OK. Lots of people my age company for three years now. When I are called Edward. But I don’t like arrived, there was a lot of work to do. being the same as lots of people. Some of the employees just weren’t So I decided to change my name. I trying. So I called everyone into a changed it to Eduardo. -
Pack Jeu Vidéo Wii : Mode D'emploi
Pack Jeu vidéo Wii : mode d’emploi Pack Jeu vidéo Wii – Direction de la Lecture Publique de Loir-et-Cher 1 Wii : inventaire Pour votre information, vous trouverez ci-joint l’inventaire de l’ensemble des éléments constituant ce pack, ainsi que leur valeur, en cas de perte ou de casse. Élément Quantité Coût d’achat Console Nintendo Wii noire 1 + capteur Wii + sa notice 149 Manette Wii plus noire avec dragonne & housse 4 149.70 Nunchunk Wii noire & housse 4 - Batterie + câble USB de rechargement 4 11.96 Télévision 1 + télécommande + sa notice 355 Multiprise 1 7.28 Rechargeur de pile Panasonic 1 + 4 piles AA 29.95 Casque sans fil + émetteur + prise secteur 2 + sa notice 69.9 Pack Jeux vidéo : mode d’emploi 1 - JEUX VIDEO 26 946.29 Alice au pays des merveilles 35.99 Batman 2 : dc super heroes Lego 35.99 Beat the beat : rhythm paradise 35.99 Cars : race Orama 1 volant Cars 9.99 Cerebrum 17 Course à la fortune 49 Donkey kong Country : returns 49.99 Inazuma eleven : Strikers 49.99 Just dance 2 26.99 Mario sports mix 35.99 Mario kart 1 volant - Mario party 9 49.99 Metroid : Other M 39.99 New super Mario Bros 44.99 Pandora’s tower 49.99 Pikmin 2 24.99 Quiz party 34.99 Quiz : wild life 9.99 Rebelle 39.99 Samba de amigo 13.5 Sports resort 30 Super smash bros : brawl 44.99 Wario ware : Smooth moves 24.99 We sing encore 2 micros V-tech 53.99 Wii fit plus 1 wii Balance Board 71.09 Zumba fitness 1 & 2 1 ceinture 65.89 TOTAL 1719.08 Pack Jeu vidéo Wii – Direction de la Lecture Publique de Loir-et-Cher 2 Rappel des modalités de prêt Ce pack de jeux vidéo vous a été prêté par la DLP pour 3 mois maximum (durée déterminée au moment de la réservation).