The Emergence of 'Extremism' and 'Radicalisation'
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Extreme Speakers and Events: in the 2017/18 Academic Year Includes the University Extreme Speakers League Table by EMMA FOX
ExtrEmE SpEakErS and EvEntS: In thE 2017/18 acadEmIc YEar IncludES thE unIvErSItY ExtrEmE SpEakErS lEaguE tablE BY EMMA FOX DEMOCRACY | FREEDOM | HUMAN RIGHTS January 2019 Published in 2019 by The Henry Jackson Society The Henry Jackson Society Millbank Tower 21-24 Millbank London SW1P 4QP Registered charity no. 1140489 Tel: +44 (0)20 7340 4520 www.henryjacksonsociety.org © The Henry Jackson Society, 2019. All rights reserved. Title: “EXTREME SPEAkERS And EvEnTS: In THE 2017/18 AcAdEMIc YEAR” By Emma Fox cover Photo: credit InBLIvE, https://www.wxxinews.org/post/suny-join-study-abroad-initiative ExtrEmE SpEakErS and EvEntS: In thE 2017/18 acadEmIc YEar IncludES thE unIvErSItY ExtrEmE SpEakErS lEaguE tablE BY EMMA FOX DEMOCRACY | FREEDOM | HUMAN RIGHTS January 2019 EXTREME SPEAkERS And EvEnTS: In THE 2017/18 AcAdEMIc YEAR about the author Emma Fox is a Research Fellow at the Henry Jackson Sociey. She was previously the Director of Student Rights. Emma read for a BA in classical civilisation at the University of Leeds, undertaking several modules in Politics and Philosophy. Whilst at university, she was campaigns Officer for the Jewish Society, organising several interfaith and charity events. She was also involved in mental health awareness across campus and in local schools. Prior to joining the Henry Jackson Society, Emma worked as a magazine researcher at Time Inc; as a Public Affairs intern; and taught classics. She also volunteered at the calais refugee camp. 2 EXTREME SPEAkERS And EvEnTS: In THE 2017/18 AcAdEMIc YEAR Executive Summary l This report catalogues 204 events promoted to students in the academic year 2017/18 featuring speakers with a history of extreme or intolerant views, or representatives of extremist-linked organisations. -
Trojan Horse Plot Driven by Same
Trojan Horse plot driven by same 'warped' Islamic extremism as Boko Haram, says Tony Blair Birmingham schools 'plot' is part of extremist movement stretching from Pakistan to Africa to Britain, former prime minister Tony Blair claims Tony Blair Photo: AFP/GETTY By Matthew Holehouse, Political Correspondent 11:10AM BST 15 Jun 2014 The alleged Islamic extremism seen in the 'Trojan Horse' scandal in schools in Birmingham is the same as that practised by Boko Haram, the Nigerian terrorist network, Tony Blair has said. The Trojan Horse 'plot' to bring hardline practices into Birmingham classrooms is part of a global extremist movement stretching from Britain to Africa to the Far East, the former Prime Minister claimed. Six Birmingham schools are in special measures after the education watchdog found they had fallen into the hands of bullying governors who had sought to narrow the curriculum and exclude non-Muslim pupils. Inspectors told how raffles and tombolas at one primary school been banned from a recent school fête because they were considered “un-Islamic” as they promoted gambling. It was also revealed that the academy's Christmas special assembly was cancelled and a termly assembly staged by a Christian charity had been scrapped. The terms “white prostitute” had been used in assemblies. Sheikh Shady Al-Suleiman – an al-Qaeda sympathiser – had spoken at Park View secondary academy, and the theory of evolution was dismissed by teachers as “not what we believe.” There was evidence boys and girls were segregated in class. Mr Blair said the alleged plot was part of a movement that included extremists in Pakistan and Boko Haram, the Nigerian terrorist group. -
Questioning the Trojan Horse
Questioning the Trojan Horse Some key articles, March–July 2014 _______________________________________________________________ Since early March 2014 there has been a single dominant narrative in the mainstream media, both national and local, about the so-called Trojan Horse affair in Birmingham. In the blogosphere, however, a counter narrative has been robustly developed and articulated. To remind yourself of the counter narrative’s principal features, it’s worth reading or re-reading some of the following articles. They are listed here in reverse chronological order, with the most recent first. Very few, it will be noted, are from the mainstream media. ________________________________________________________________ British Muslims Are Asking: are we all extremists now? by Museji Ahmed Takolia, Huffington Post, 3 July 2014 http://www.huffingtonpost.co.uk/museji-ahmed-takolia/islamophobia-muslim- extremism_b_5554007.html?utm_hp_ref=uk Gove and Wilshaw will rue Operation Trojan Donkey Editorial in School Leadership Today, volume 6 number 1, July 2014 http://www.teachingtimes.com/articles/gove-and-wilshaw-will-rue-operation- trojan-donkey Trojan Horse, Ofsted and the preventing of education by Shamim Miah, Discover Society, I July 2014 http://www.discoversociety.org/2014/07/01/trojan-horse-ofsted-and-the- preventing-of-education/ Policy Briefing: the Trojan Horse, the media and the Ofsted inspectorate, by Jacqueline Baxter, Discover Society, I July 2014 http://www.discoversociety.org/2014/07/01/policy-briefing-trojan-horse- the-media-and-the-ofsted-inspectorate-2/ -
This Is an Author Accepted Manuscript, Not the Published Article. Accepted for Publication by Security Dialogue (Published by Sage) on 12Th June 2018
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive This is an author accepted manuscript, not the published article. Accepted for publication by Security Dialogue (published by Sage) on 12th June 2018. The published version will differ from this pre-print. Please cite the published version Authors: Dr Nadya Ali, Lecturer in International Relations, University of Sussex Dr Ben Whitham, Lecturer in International Relations, De Montfort University Corresponding author: Dr Ben Whitham ([email protected]), Lecturer in International Relations, Department of Politics, People and Place, De Montfort University, Leicester. 1 The Unbearable Anxiety of Being: Ideological Fantasies of British Muslims beyond the Politics of Security Abstract Since the advent of the 'War on Terror' British Muslims have been designated as a source of anxiety by politicians, journalists and publics alike. Fears that began over terrorism have extended to the opening of Islamic faith schools, the meaning of clothing and halal slaughter. Critical scholarship that engages with these developments in the fields of politics and international relations tends to view them through paradigms of (in)security. Whilst these contributions have been helpful in understanding the construction of a Muslim 'problem', this article demonstrates how the array of issues incorporated by this problem exceeds the politics of security. The article develops an original conceptual and analytic framework, drawing upon Slavoj Žižek's Lacanian theory of ideology, to argue that political and media ‘scandals’ about what an imagined 'Muslim community' gets up to are best understood as ideological fantasies. -
The Trojan Horse Controversy: Mapping the Construction of Justice
The Trojan Horse controversy: Mapping the construction of justice in UK media Susan Divald This Working Paper was written within the framework of Work Package 4 ‘Political, advocacy and media discourses of justice and fairness’ January 2019 Funded by the Horizon 2020 Framework Programme of the European Union Acknowledgements The author would like to thank Dr Shireen Walton for conducting the media overview and article sampling that inform this report, as well as Professor Bridget Anderson and Dr Pier-Luc Dupont for their valuable feedback. Want to learn more about what we are working on? Visit us at: Website: https://ethos-europe.eu Facebook: www.facebook.com/ethosjustice/ Blog: www.ethosjustice.wordpress.com Twitter: www.twitter.com/ethosjustice Hashtag: #ETHOSjustice YouTube: www.youtube.com/ethosjustice European Landscapes of Justice (web) app: http://myjustice.eu/ This publication has been produced with the financial support of the Horizon 2020 Framework Programme of the European Union. The contents of this publication are the sole responsibility of the authors and can in no way be taken to reflect the views of the European Commission. Copyright © 2019, ETHOS consortium – all rights reserved ETHOS project. The ETHOS project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No. 727112. 2 About ETHOS ETHOS - Towards a European THeory Of juStice and fairness is a European Commission Horizon 2020 research project that seeks to provide building blocks for the development -
Spectacular Malaise: Art & the End of History
Martin Lang University of Lincoln Spectacular Malaise: Art & the End of History Abstract This article makes two main claims: that Debord’s concept of the ‘integrated spectacle’ is related to end of History narratives; and that the related concept of ‘disinformation’ is manifested in new forms of media-driven warfare. These claims are substantiated through a comparative analysis between Debord’s texts and contemporary politics, primarily as described by Adam Curtis and by the RETORT collective. The resulting understanding of our contemporary politics is a situation where subjects who appear to be free, are in fact only free to choose between competing brands of neo-liberalism that manipulate and baffle in order to obfuscate their true agendas. This situation is termed a ‘spectacular malaise’. The article then critiques post-Marxist claims to a re-birth of History and therefore a potential end to the spectacular malaise. It argues that the Arab Spring and Occupy movement did not signal an end to the end of History, as they were unable to articulate an alternative vision. This situation is compared to the last days of the Soviet Union, when change also seemed unimaginable. It identifies Mark Fisher’s call for activists to demonstrate alternative possibilities and reveal contingency in apparently natural orders to counter the spectacular malaise. Three art collectives are considered as potential candidates to take up this challenge: Women on Waves, Voina, and Superflex. The article concludes that while making actual social and political change is useful for demonstrating alternative possibilities, it is art’s symbolic value that reveals contingency and strikes at the heart of the spectacular malaise. -
Shock and Awe, Sectarianism, and Violence in Iraq Post-2003
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2020 Shock and Awe, Sectarianism, and Violence in Iraq Post-2003 Sarim Al-Rawi The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3869 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SHOCK AND AWE, SECTARIANISM, AND VIOLENCE IN IRAQ POST-2003 by SARIM AL-RAWI A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 [Ty pe text] [Type text] © 2020 SARIM AL-RAWI All Rights Reserved !ii Shock and Awe, Sectarianism, and Violence in Iraq Post-2003: A Case Study by Sarim Al-Rawi This manuscript has been read and approved for the Graduate Faculty in Liberal Arts/International Studies in satisfaction of the thesis requirement for the degree of Master of Arts. ___________________ ____________________________ Date Samira Haj Thesis Advisor ___________________ ____________________________ Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK !iii ABSTRACT Shock and Awe, Sectarianism, and Violence in Iraq Post-2003: A Case Study by Sarim Al-Rawi Advisor: Dr. Samira Haj The violence systematically deployed upon the prosperous nation of Iraq in 2003 was directly influenced by the Shock and Awe doctrine set forth by Harlan K. -
Infrastructural Aesthetics in the Films of Adam Curtis
Cultural Politics vol.14, no.3, November 2018. Accepted: 3rd May 2018. “Destabilized Perception” Infrastructural Aesthetics in the Films of Adam Curtis Rob Coley Abstract: The formerly dissident status of the essay film has, in recent years, been exchanged for a great deal of favorable attention both inside and outside of academia. In the more overly moralistic commentary on the form, the contemporary essay film is submitted as a tactical response to a surfeit of audiovisual media, to an era in which most of us have become both consumers and producers of a digital deluge. The work of Adam Curtis is notably absent from these ongoing debates. Yet Curtis is far from an underground figure— he has been making essayistic films for the BBC for more than twenty years and was the first to produce work directly for the iPlayer platform. Using archival images to examine the present, his films produce counterintuitive connections and abrupt collisions that supplant the authority of narrative causality for a precarious network of associations and linkages. This article treats Curtis’s recent body of work diagnostically. It argues that, quite apart from any promise of escape or deliverance, the aesthetic form of his work actively inhabits the rhythms and vectors of contemporary media. For Curtis, the media- technological conditions of the twenty-first century provoke a crisis that is both political and epistemological, one in which sensemaking can no longer claim to take place at a distance from the infrastructure that mediates such processes but is instead thoroughly and inescapably immanent to them, a situation that prevents contact with the outside. -
DEFENCE STRATEGIC COMMUNICATIONS the Official Journal of the NATO Strategic Communications Centre of Excellence
Volume 9 | Autumn 2020 DEFENCE STRATEGIC COMMUNICATIONS The official journal of the NATO Strategic Communications Centre of Excellence Islamic State and Jihadist Media Strategies in the Post-Soviet Region Selective Law Enforcement on the Runet as a Tool of Strategic Communications Capitalism, Communications, and the Corps: Iran’s Revolutionary Guard and the Communications Economy ‘Climate Emergency’: How Emergency Framing Affects The United Kingdom’s Climate Governance The Long Decade of Disinformation The Rise of Atrocity Propaganda: Reflections on a Changing World ISSN: 2500-9486 DOI: 10.30966/2018.RIGA.9 Defence Strategic Communications | Volume 9 | Autumn 2020 DOI 10.30966/2018.RIGA.9.5. THE LONG DECADE 17 OF DISINFORMATION A Review Essay by Vera Michlin-Shapir Information Wars: How We Lost the Global Battle against Disinformation and What We Can Do About It. Richard Stengel. London: Grove Press, 2020. Beyond Post-Communication: Challenging Disinformation, Deception and Manipulation. Jim Macnamara. New York: Peter Lang, 2020. The Disinformation Age: Politics, Technology and Disruptive Communications in the United States. W. Lance Bennet and Steven Livingston. Cambridge: Cambridge University Press, 2020. Keywords—disinformation, strategic communications, strategic communication, information campaigns, influence operations, information war. About the Author Dr Vera Michlin-Shapir is an expert on the impact of global trends on Russian domestic transformations and Russia’s media, as well as on foreign and defence policies. She worked at the Israeli National Security Council, Prime Minister’s Office, 2010–16, and was a Research Fellow at the Israeli Institute for National Security Studies, 2016–20. She holds a PhD from Tel Aviv University and MPhil in Russian and East European Studies from St Antony’s College, University of Oxford. -
Adam Curtis. Una Historia Natural Del Poder
Ciclo de cine y debates / 22 noviembre – 14 diciembre 2018 / Auditorio del CCCB / Programador: Chema González. Proyecciones en digital y VOSE. Xcèntric, el cine del CCCB, en colaboración con el Museo Reina Sofía presenta: ADAM CURTIS. UNA HISTORIA NATURAL DEL PODER Sesión 2. Viernes, 23 de noviembre – 19:00h Adam Curtis es el gran referente del ensayo audiovisual contem- Adam Curtis: poráneo. Sus películas y series, tan lúcidas como reveladoras, HyperNormalisation [HiperNormalización], muestran el funcionamiento del poder, su sinuosa arquitectura 2016, 166 min y su inscripción en la geopolítica actual y en nosotros mismos. Este ciclo, comisariado por Chema González, recoge la prácti- ca totalidad del trabajo de este periodista y realizador británico, articulado a partir del remontaje del ingente archivo de la BBC. Las películas se presentan en copias remasterizadas y acom- pañadas de presentaciones y debates alrededor de su obra. En HyperNormalisation, Curtis revisa el aparente conformismo, parte estupor parte frustración, con que vivimos el ocaso de nuestro sistema, en el que cuesta distinguir al ciudadano del consumidor o el espectador. HyperNormalisation (2016) HyperNormalisation es una de las obras recientes más Alexei Yurchak (1960). El estudio describe los procesos reveladoras e inteligentes sobre el presente, no solo en y mecanismos tan firmemente arraigados en la sociedad su vertiente informativa o descriptiva sino también en su soviética que impedían en una década tan tardía como misma capacidad para nombrar, y por tanto reconocer 1980 reconocer e identificar el agotamiento y el declive de la de una manera original, nuestro tiempo actual. El título ideología que le diera forma durante décadas. -
The Postnormal Times Reader
POSTNORMAL TIMES ARE BEST DEFINED AS ‘AN TIMES READER THE POSTNORMAL IN-BETWEEN PERIOD WHERE OLD ORTHODOXIES THE ARE DYING, NEW ONES HAVE YET TO BE BORN, AND VERY FEW THINGS SEEM TO MAKE SENSE’. OR, AS EZIO MAURO PUTS IT: ‘WE ARE HANGING POSTNORMAL BETWEEN THE “NO LONGER” AND THE “NOT YET” AND THUS WE ARE NECESSARY UNSTABLE – TIMES NOTHING AROUND US IS FIXED, NOT EVEN OUR DIRECTION OF TRAVEL.’ READER From the Introduction EDITED BY ZIAUDDIN SARDAR ZIAUDDIN EDITED BY www.postnormaltim.es EDITED BY ZIAUDDIN SARDAR We live in a period of accelerating change. New trends, technologies and crisis emerge rapidly and transform familiar social and political landscapes. Established and cherished ideals, with deep historical roots, can be overturned overnight. Unconventional and uncommon notions and events can appear as though from nowhere, proliferate, and become dominant. e last few years alone have witnessed the emergence of populism and the far right in Europe and the US, Brexit, cracks in the European Union, cyber wars accompanied by the re- emergence of a cold war. China as an increasingly dominant new superpower. Pandemics like the Ebola and Zika viruses. Climate change leading to extreme weather events. Driverless cars. AI. ‘Fake News’. ‘Alternative Facts’. ‘Post-Truth’. ‘Disruptive technologies’ that disrupt and oen corrupt everything. Everything seems to be in a state of flux, nothing can be trusted. All that we regard as normal is melting away right before us. e postnormal times theory attempts to make sense of a rapidly changing world, where uncertainty is the dominant theme and ignorance has become a valuable commodity. -
Borderlands E-Journal
borderlands e-journal www.borderlands.net.au VOLUME 16 NUMBER 1, 2017 Adam Curtis’s compelling logic: the tortuous corridor to the hypernormal Brett Nicholls University of Otago It’s like living in the mind of a depressed hippy (Curtis 2007b) Adam Curtis is a BAFTA award-winning documentary filmmaker who employs borrowed images from the past to construct complex accounts of the political present. Produced primarily for the medium of television (the BBC), though this has expanded in recent years to include digital platforms, his films consist of an idiosyncratic use of archived image and sound fragments: Hollywood and British films, news footage, expert vox pops, television shows, corporate training films, drone footage, film music, sound effects, and so on. These fragments are generally overlayed by a serious ‘matter of fact’, Journalistic voice-over narration (Curtis himself), that tells the story of our times. Curtis is well- known as a polemicist. His films directly question and challenge the proficiency of political elites. For instance, a powerful sequence in Curtis’s most debated and cited film, The power of nightmares (2004), consists of news footage of George W Bush on a podium looking direct to camera. Bush triumphantly announces, ‘one by one terrorists are learning the meaning of American justice’. This image is inserted at the end of a longer sequence that provides an account of absurdist court cases against ‘terror suspects’ in the USA. After the attacks upon the WTC towers, law enforcement, in its various forms, is busy gathering evidence against ‘terror suspects’ inside America’s borders. The film reveals that the gathered evidence is specious and thin.