October 4, 1994
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VOU69 Noi 20 MERCYHURST COLLEGE, GLENWOOD|HILLS,*ERIE, PA .116546 April 18,1996 16Th Annual Laker Live-In
VOU69 NOi 20 MERCYHURST COLLEGE, GLENWOOD|HILLS,*ERIE, PA .116546 April 18,1996 16th Annual Laker Live-In Above I Photo by Gagan Suri Left: Comedienne Renee Hicks entertaining everybody at the Student Union, Right: Ric and Brian Butler, musicians, play for students in the Student Union on Apr. 11. r By Gagan Suri Merciad News Editor ferent high schools in the coun- try. Most of the students who at- coffee night where Ric and Brian breakfast with a class schedule presentation by Matt Whelan, di- Last week was very hectic for, tended the Live -in have already Butler, musicians entertained ev- which began at 9:40 a.m. and rector of admissions, and finally the Admissions staff, who were been accepted to the college) The erybody. ended at 2:05 p.m.?Bruno said, the visit ended with the picnic in involved in organizing the 'Six- students arrived on April 11 with "The event gives the visiting 'The faculty were truly helpful. the student Union. teenth Annual Laker Live-In,' their sleepingbags. They all had a students the opportunity to get a Some agreed to hold classroom Bruno said, T h e college com- held on April. 11 and 12. The welcome and introduction at the realistic taste of the Hurst. In or- sessions, while others allowed munity really pulled together to admissions staff has been doing a- cafeteria and they were hosted by der to accomplish*this goal our students to visit their classes that make this event a success. The special visit for all the incoming volunteer freshmen of this year office planned activities that our were in progress." S visiting students were content freshman class each year to intro- living in Baldwin Hall and current students at the college One of the visiting students when they left the campus, and I diice them to the college and help McAuley Hall.J Later in the might take advantage of as well," told the admissions staff that the believe we will see many of them all the students make an informed evening MSG/SAC organized a said Grace Bruno from the ad- faculty was really cool, and being roaming the Hill this fall. -
Imsic We for Everyone in the Business of Music 2 JULY 1994 £2.80 What
[imsic we For Everyone in the Business of Music 2 JULY 1994 £2.80 What a waste How to spend £21 m for no qood reason at ail rCOMMENT I anythingper CD that's up to équivalent 5.2m units. to sales of consumée!are even worse. by the Itaffair, is a thetribute effecl t tant thing now is to heal the areThe even costs more of thehorrendous. MMC inquiry The despitethe industry's it ail we management have managed thî t m Nî'd be doing vement in their lot. Understand- pansoiie of out its to389 about pages^That's £54,000 forone each hell lesson of the past ISmonths It of ail this - as IGLESIAS STING, ART GARFUNKEL and DOLLYPARTON. Indudcs Ihe single 'CRAZY' as seen on GMT\ TheNick, Big LondonBreakfast, Tonight Good and Morning Surprise with Surprise. Ann ar » CD & MC 474738 2 • 4 COU MI1IA ►►►►►►►► CAN GEORGE WIN AT APPEAL? - p9 ► ►►►►►►►► Order from Sony Music Telcsales: 0296 3951; ■■■■ Managing Media Change Are you: Please contact: ® under pressure to keep down costs? Paul Styles ® rethinking your rôle in the emerging Head of Media Consulting marketplace? KPMG Management Consulting ® confused by the pace of technological David Murrell change? Head of Media & Entertainment e looking for new commercial opportunities? KPMG Peat Marwick If so, KPMG can help. 1 Puddle Dock London EC4V 3PD Building on our base as one of the world's Téléphoné 071 236 8000 leading accountancy firms, we have a specialist média group providing expertise in management consulting, corporate finance, stratégie analysis and tax, as well as audit. -
New Streaming Channels with Music's Legendary and Game-Changing Artists to Launch Today on Siriusxm
NEWS RELEASE New Streaming Channels with Music's Legendary and Game-Changing Artists to Launch Today on SiriusXM 7/15/2020 Beastie Boys, Bob Marley, Coldplay, Michael Jackson and Queen channels to Launch at Noon ET for 30 days The Prince Channel returns through August 13 Each Dedicated Artist Channel, Authorized and Produced In Cooperation With The Artists and Their Teams, Features Career-Spanning Hits, Rare Recordings, Interviews, and More Limited-run channels to include guest hosts including Akon, Beck, Big Boi, Carlos Santana, Catherine Zeta-Jones, CeeLo Green, Cypress Hill, Demi Lovato, Dua Lipa, Foo Fighters (Dave Grohl and Taylor Hawkins), Michael Rapaport, Rosie Perez, Sean Lennon, Shawn Mendes and more Click HERE to download individual channel logos through 7/21/20. NEW YORK, July 15, 2020 /PRNewswire/ -- SiriusXM announces the launch of its latest collection of exclusive radio channels dedicated to iconic musicians starting today at Noon ET. SiriusXM's presents brand new channels from Beastie Boys, Bob Marley, Coldplay, Michael Jackson and Queen, plus the return of The Prince Channel, that will be available through August 13 on the SiriusXM app, internet connected devices and smart speakers in your home. SiriusXM has collaborated with these legendary artists and their teams to create unique, hand-crafted radio channels that listeners and fans will nd nowhere else. For information on these new music channels dedicated to iconic artists head over to https://www.siriusxm.com/newchannels. Beastie Boys Channel will feature classic bangers, deep cuts, rarities and live recordings celebrating the legacy and inuence of Michael "Mike D" Diamond, Adam "ADROCK" Horovitz and the late Adam "MCA" Yauch. -
Parliament Gold Mp3, Flac, Wma
Parliament Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gold Country: Europe Released: 2005 Style: P.Funk MP3 version RAR size: 1479 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1108 mb Rating: 4.5 Votes: 622 Other Formats: DXD AA VQF ADX MP4 VOC WMA Tracklist 1-1 Up For The Down Stroke 5:08 1-2 Testify 3:54 1-3 All Your Goodies Are Gone 5:04 1-4 Chocolate City 5:37 1-5 Ride On 3:34 1-6 P. Funk (Wants To Get Funked Up) 7:40 1-7 Give Up The Funk (Tear The Roof Off The Sucker) 5:46 1-8 Mothership Connection (Star Child) 6:12 1-9 Handcuffs 4:00 1-10 Do That Stuff 4:48 1-11 Dr. Funkenstein 5:45 1-12 Funkin' For Fun 5:55 Dr. Funkentstein's Supergroovalistic-Prosifunkstication Medley: Let's Take It To The 1-13 5:06 Stage/Take Your Dead Ass Home (Say Som'n Nasty) (Live) 1-14 Fantasy Is Reality 5:55 2-1 Flash Light (12-inch Version) 10:45 2-2 Bop Gun (Endangered Species) 8:30 2-3 Funkentelechy 10:54 2-4 Mr. Wiggles 6:43 2-5 Aqua Boogie (A PsychoAlphaDiscoBetaBioAquaDoLoop) (12" Version) 9:23 2-6 Rumpofsteelskin 5:34 2-7 Party People (Single Edit) 4:46 2-8 Theme From The Black Hole 4:38 2-9 The Big Bang Theory 7:10 2-10 Agony Of DeFeet (Single Edit) 4:25 Companies, etc. Phonographic Copyright (p) – Island Def Jam Music Group Copyright (c) – Island Def Jam Music Group Record Company – UMG Recordings, Inc. -
PURPLE = New Disc YELLOW = NEW MENU OR SUB MENU BLUE = NEW TRACK GREEN = NEW AUDIO STREAM RED = TOTAL AUDIO TRACKS CATALOGED GRAY = TOTAL VIDEO OPTIONS CATALOGED
PURPLE = New Disc YELLOW = NEW MENU OR SUB MENU BLUE = NEW TRACK GREEN = NEW AUDIO STREAM RED = TOTAL AUDIO TRACKS CATALOGED GRAY = TOTAL VIDEO OPTIONS CATALOGED Criterion Collection Disc 1 Videos In Sequence Video versions oF all 9 tracks on disc 1 available in stereo or Dolby surround as well as two different commentary tracks with 1 viewing option. Audio stream 1 cataloged as Videos In Sequence Audio stream 2 cataloged as Videos In Sequence (Dolby Surround Mix) Audio stream 3 cataloged as Videos In Sequence (Band Commentary) Audio stream 4 cataloged as Videos In Sequence (Director’s Commentary) 4 diFFerent Audio Streams have been Cataloged For this track. BeFore proceeding to Videos with supplements it should be noted that Dolby 5.1 is oFFered only For videos in sequence, NOT available For Videos with supplements. As a result, only audio From the videos in sequence will have tracks ultimately listed as “(Dolby Surround Mix)”. It should also be noted that for the sake of completeness, each individual track of the Videos With Supplements folder will include an audio stream For every angle available in the event that the audio was altered to sync to the available video. It is counterintuitive to think that the audio would have been altered rather than the video, but in pursuit of a deFinitive answer, as well as For the sake of completeness, each audio stream associated with each angle will be recorded and cataloged For comparison. Videos With Supplements Intergalactic This video is supplemented with 6 diFFerent Audio Tracks with 9 diFFerent viewing options, and 4 additional Audio Tracks with only 1 viewing option. -
F-Unlatioif:LJ More Than the Politics of the Music and His Own Energy, Because He Has That
Flyboy in the Buttermilk to ho un Ce shit off of. Jimi was the same way. But the Beatles had the right opportunity and that vibe that comes through all of us to make us write that shit. That shit just comes through your ass, and if you can take advantage of it, you're doing pretty BtllfotlJ tb !Zone o~ tb good. And the Beatles were able to take advantage of it, four at one time. Each of them had a different drummer, and they was on the one. Michael right now has that chance. I hope he knows 2~o 'f-unlatioif:LJ more than the politics of the music and his own energy, because he has that. But, see, his manager is somebody from the moth· A true god must be an organizer and a destroyer. erfucking record company, and that ain't no accident. -Tiwmas Pynclwn Unless you want to get on your knees, throw down. That's about charisma control, man. -George Clinton You know what I'm saying, that's all it is. And it's good, because it's given him access to 30 million records. I'm not saying that's wrong, but he should be aware that that is what it's about and c eorge Clinton's Computer Games is a work of ge that he ain't got to be grateful to the m~rfucker, He should._ nius and a piece of shit. A masterpiece of mind still be the one to direct his own image. _At a ~g1 Jl(?i.nt~u . -
Knowlton School Year in Review
KNOWLTON SCHOOL 2019–2020 YEAR IN REVIEW I KNOWLTON SCHOOL From the Director 1 In photos: Banvard Gallery 2 New Landscape Architecture Leadership 11 In photos: Student Work 12 Planning (For) The Future 15 5 Knowlton’s New Direction 17 Making Plastic Waste Matter 25 The Legacy of Alum Jerome Haferd Wins Michael Cadwell Accessibility Competition 27 In photos: Knowlton Community 28 Landscape Architecture Programs 19 Receive Official STEM Designation 33 Building Levels—Miami 37 In photos: Distinguished Visitors 38 Communities Alumni Kris Lucius Reconnects with the Knowlton School Planning Doctoral Student Wins First Prize for Research 43 Play on Display 47 31 Out of Town 49 Curbing Sediment In photos: How We Learn 50 Protecting Waterways from Harmful Toxins Knowlton Programs Among Top-Ranked 55 Gui Competition 2019 58 41 Responding To COVID-19 61 Drawing Fields 67 Creating Cities Innovation Education In CRPLAN 2110 Alumni Achievement 68 © THE OHIO STATE UNIVERSITY, 2020 Faculty Research 72 53 KNOWLTON SCHOOL 275 WEST WOODRUFF AVENUE Faculty Achievement 74 Privy 2 COLUMBUS OH 43210-1138 USA 614 292 1012 Faculty Publications 76 Human Waste as Renewable Resource FROM THE Director TO ALUMNI AND FRIENDS As I reflect on my time as Director, I am Certainly, the last months have been challenging reminded of last year’s commencement address. for everyone. The combined effects of the In his remarks, Fareed Zakaria argued that the coronavirus and racial injustice — financial, American egalitarian promise is best fulfilled at social, medical, and cultural — have left their public universities like Ohio State, that educate imprint everywhere, not the least on the the broad population upon which a democracy school. -
«Ss¡® I E Y , MISTER, GUESS W H a T ?” I Feel a Small Hand Pulling My Coat Sleeve § and Look Down to See a Young Black Kid About Seven Staring up at Me
«ss¡® I E Y , MISTER, GUESS w h a t ?” I feel a small hand pulling my coat sleeve § and look down to see a young black kid about seven staring up at me. It’s October 28, 1976, and I’m in the New Orleans Civic Auditorium, a hall packed with riggers, gaffers, soundmen and musicians. An incredible event B Y TOM V I C K E R S Parliament-Funkadelic, Is about to unfold. “Mister, you The band kicked into the deadly groove of “Dr. Funkenstein.” circa 1974: Calvin know what’s going to happen here As George strutted down the stairway, the audience was groov Simon, Bernie Worrell, tomorrow night? The Mothership ing so hard that the whole arena was shaking. Joints were lit, Grady Thomas, is going to land right on that stage, and the sweet smell of reefer filled the hall as the crowd "Boogie" Mosson, and Dr. Funkenstein himself is screamed, clapped and celebrated as if it had just witnessed the "Fuzzy" Haskins, going to be here,” he continues, Second Coming. It was a moment that I will remember as long George Clinton,"Tiki" unaware that Dr. Funkenstein as I live, and anyone who saw the Mothership land back in the Fulwood, Garry Shider, himself, George Clinton, is stand day had their lives permanently changed. Michael Hampton, ing less than six feet away. The kid And those geepies, like the New Orleans kid, made George guitarist Ron continues rapping to me as the sil one of the most sampled producers in hip-hop. Rappers from Bykowski, Ray Davis ver Mothership is hoisted to a Dr. -
The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System
UCLA UCLA Entertainment Law Review Title "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System Permalink https://escholarship.org/uc/item/96d414rm Journal UCLA Entertainment Law Review, 11(1) ISSN 1073-2896 Author Norek, Josh Publication Date 2004 DOI 10.5070/LR8111027056 Peer reviewed eScholarship.org Powered by the California Digital Library University of California "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System Josh Norek* TABLE OF CONTENTS I. INTRODUCTION ........................................... 84 II. HISTORICAL OVERVIEW OF SAMPLING ................... 86 III. THE PRESENT SAMPLE CLEARANCE PRACTICE ........... 89 IV. PROBLEMS WITH THE CURRENT SYSTEM OF NEGOTIATED SAMPLE CLEARANCES: TIME & FINANCIAL COST ........ 90 V. THE FOUR PRIMARY CATEGORIES OF SAMPLES ......... 91 A. Qualitatively Insignificant Sample .................... 92 B. Qualitatively Significant Sample of Three Seconds or Less Used Only Once ................................ 92 C. Qualitatively Significant Sample of Three Seconds or Less That Is Looped and Occurs Repeatedly ......... 93 D. Qualitatively Significant Sample Greater Than Three Seconds .............................................. 93 VI. A SUGGESTED NEW LICENSING SCHEME FOR SOUND RE- CORDING SAMPLE CLEARANCES ......................... 93 VII. ARGUMENTS FOR -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
Ill Communication: Race, Gender, & Sexuality in Hip
Ill Communication: Race, Gender, & Sexuality in Hip Hop Discourse Communication Studies Syllabus – Summer 2012 Instructor: Jackie Arcy Course Description This course will provide a comprehensive overview of contemporary cultural critiques of race, gender, and sexuality by hip hop scholars and activists. We will consider the use of hip-hop as a form of cultural and political activism that forces Americans to confront key social justice issues including: sexual and gender violence, homophobia, and destructive representations of black and brown masculinity and femininity in U.S. popular culture. We will explore how hip hop discourse reiterates, challenges, and critiques dominant social structures. Specifically, this course will investigate representations of social inequalities related to race, gender, and sexuality in hip hop. We will be concerned with the process of cultural critique. How is hip hop framed in popular culture? How does hip hop challenge social inequalities? How does hip hop reinforce dominant social structures? To pursue these questions, each student will work in groups responsible for creating their own critique in the hip hop remix project. The project should be conceived to interrogate the readings and viewings; to raise questions and issues around the material and its presentation; and to critique the relationship of hip hop in popular culture Course Goals • To explore theoretical and popular debates about hip hop music’s impact on race, gender, and sexuality. • To engage the larger social, economic and political histories that produce hip hop and its impact on popular culture. • To explore how race, gender, and sexuality shape popular culture and impact our perspectives. • To demonstrate critical thinking skills and utilize theoretical frameworks in Communication Studies. -
Strictly Jungsworld
# 1998/30 dschungel https://jungle.world/artikel/1998/30/strictly-jungsworld Strictly Jungsworld Von harald peters Die Beastie Boys veröffentlichen schon wieder ein neues Album. Wie immer hat sich nichts geändert Irgendwann muß es ja mal raus: Die Beastie Boys können nicht rappen. Im zwölften Jahr nach "Licensed To Ill" gröl-reimen sie noch immer wie ehedem. Einer gibt die Zeile vor, ein zweiter steigt ein, zu dritt komplettiert man dann den Vers. Wie damals, als sie mit "Fight For Your Right" ihren ersten Hit hatten. In jede Kamera, die ihnen über den Weg lief, hielten sie Dosen ihres Lieblingsbieres, um sich das Budweiser anschließend erst über und dann in den Kopf zu gießen. Selbstredend hackevoll torkelten und rüpelten sich die Anfangzwanziger über die Bühnen dieser Welt, die sie mit viel Gespür für Hau-Drauf- Ästhetik zuvor mit Käfigen ausstaffiert hatten, in denen halbnackte Frauen tanzten, während in der Bühnenmitte ein riesiger Hydraulik-Pimmel Bier oder was auch immer in die Menge pumpte. Jahre später dann: Hipsterkönige, von vielen geliebt. Wie das kommt, ist leicht zu erklären. Du bist ein Junge aus gutem Hause, findest dein Leben langweilig, schwänzt dosiert den Unterricht und rauchst auf dem Schulhof Zigaretten ohne Filter. Dann hörst du diesen Song: "Fight For Your Right to Party". Im dazugehörigen Video siehst du, wie die Beastie Boys - so heißt die Band, ganz neu, kennt kein Schwein - eine Spießer-Party aufmischen. Voll kraß. Dann kommen die Eltern nach Hause. Na, das gibt Ärger. So eine Party hättest du auch gern. Solche Partys gibt es bei dir aber nicht.