DOCSLIB.ORG

Breaking Bad & Self-Reported Perception“

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

DIPLOMARBEIT Titel der Diplomarbeit „Insults, gender: fictional representation in Breaking Bad & self-reported perception“ verfasst von Mag. Tanja Maria Schmidbauer angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 190 313 344 Studienrichtung lt. Studienblatt: Lehramtsstudium UF Geschichte UF Englisch Betreut von: Dr. hab. Malgorzata Fabiszak Acknowledgements First and foremost I would like to thank Professor Malgorzata Fabiszak for her patience and support, and the extra hours of discussion spent outside her office hours. She has counselled me in my research and without her I would not have been able to finish this diploma thesis. My special thanks go to my beloved parents Siegfried and Sonja Schmidbauer without whom I would not have been able to finish my study and therefore, I want to dedicate this work to them. Last but not least I want to thank Tobias for his delicious meals and support, and my little brother Kevin for being my little brother! i Table of contents Acknowledgements ...................................................................................................... i Table of contents ......................................................................................................... ii List of tables ................................................................................................................ v List of figures ............................................................................................................... v 1. Introduction .................................................................................................... 1 I. Theoretical Part: Cursing & censorship 2. Historical development ................................................................................... 3 2.1. Evolution of cursing and censorship in the UK from the Anglo-Saxon Kingdom to Modern Times ............................................................................. 4 2.2. Cursing & censorship in film and television in the United States ................. 11 2.2.1. Films and television .............................................................................. 11 2.2.2. Broadcasts, cable and premium channels ............................................ 13 2.2.3. The TV rating-system ............................................................................ 14 3. Censorship in US television ......................................................................... 15 3.1. The Freedom of speech and censorship ...................................................... 15 3.2. The FCC and the seven dirty words ............................................................. 17 3.3. The driving force(s) behind censorship ........................................................ 19 3.4. The legitimation of cursing by means of real-life depiction on television ...... 20 4. Pragmatics of usage .................................................................................... 22 4.1. The etymological difference between cursing and swearing ........................ 22 4.2. Connotative and denotative meaning ........................................................... 24 4.3. Psycholinguistic models ............................................................................... 25 4.4. Classification according to function .............................................................. 28 4.4.1. Insults & epithets ................................................................................... 29 4.4.2. Expletives.............................................................................................. 30 4.4.3. The bonding function ............................................................................ 30 5. Sociocultural features of insults ................................................................... 31 5.1. Gender-specific insults ................................................................................. 31 5.2. The bonding function ................................................................................... 35 5.3. Nativeness as an influence on insult perception .......................................... 37 ii 6. Breaking Bad – All Hail to the King .............................................................. 38 6.1. Facts & critics ............................................................................................... 38 6.2. Breaking Bad synopsis ................................................................................ 41 6.2.1. Season One .......................................................................................... 41 6.2.2. Season Two .......................................................................................... 42 6.2.3. Season Three ....................................................................................... 43 6.2.4. Season Four ......................................................................................... 45 6.2.5. Season Five .......................................................................................... 46 6.3. Character description ................................................................................... 48 6.3.1. The Whites ............................................................................................ 48 6.3.2. The Schraders ...................................................................................... 50 6.3.3. Jesse Pinkman ...................................................................................... 50 6.3.4. Bonding with friends .............................................................................. 51 6.3.5. Dealing with enemies ............................................................................ 51 II. Empirical Part: Fictional representation & self-reported perception 7. Fictional representation of insults in Breaking Bad ...................................... 52 7.1. Material and method .................................................................................... 53 7.2. Most frequently used insults per season ...................................................... 53 7.3. Top ten most frequently used insults ........................................................... 63 7.4. Gender-specific addressee-addresser analysis of top ten insults ................ 65 7.4.1. Gender-specific role allocations ............................................................ 66 7.4.1.1. Group 1 – males address males ..................................................... 66 7.4.1.2. Group 2 – females and males address males ................................ 67 7.4.1.3. Group 3 – gender-neutral addressing ............................................. 68 7.4.1.4. Group 4 – males address both genders ......................................... 70 7.4.2. Gender-specific addresser-addressee analysis .................................... 70 7.4.2.1. Cross-gender arguments ................................................................ 71 7.4.2.2. Inter-gender arguments .................................................................. 73 7.4.3. Gender-specific uses in self-referent forms........................................... 75 7.5. ‘Yo biatch!’ – Bonding in Breaking Bad ........................................................ 77 7.5.1. Group A – offensive insults ................................................................... 77 7.5.2. Group B – Friendliness > frequency of 10 % ........................................ 79 7.5.3. Group C – Friendliness < frequency of 10 % ........................................ 79 iii 7.6. Seven dirty words in Breaking Bad .............................................................. 81 8. Questionnaire on self-reported perception of insults by NS & NNS ............. 84 8.1. Design .......................................................................................................... 85 8.2. Research questions & hypotheses ............................................................... 86 8.3. Results & discussion .................................................................................... 88 9. Conclusion ................................................................................................... 98 10. References................................................................................................. 100 11. Appendix .................................................................................................... 106 11.1. Questionnaire............................................................................................. 106 11.2. Abstract ...................................................................................................... 113 11.3. German summary ...................................................................................... 114 11.4. Curriculum vitae ......................................................................................... 115 iv List of tables Table 1 Distribution of gender relation between addressee and addresser of insults which directly address the listener ........................................................... 72 Table 2 Ratio of insults to turns by males and females......................................... 73 Table 3 Ratio of male and female turnsand insults ............................................... 75 Table 4 Seven dirty words in Breaking Bad .......................................................... 82 Table 5 Use of insults as friendly term in total and Fisher’s contingency test (p = 0.05) ................................................................................................
Recommended publications
  • Released on 13 Dec 2012 STAR GROUP LTD. Page

    Released on 13 Dec 2012 STAR GROUP LTD. Page

    Released On 13 Dec 2012 STAR GROUP LTD. Page 1 FOX Movies Premium PROGRAMME SCHEDULE FOR FEBRUARY Friday, 01/02/2013 00:15 X-MEN: FIRST CLASS (15)<2011> 02:30 SWITCH, THE (16)<2010> 04:15 ANGER MANAGEMENT (15)<2003> 06:00 SURF'S UP (G)<2007> 07:30 DA VINCI CODE, THE (16)<2006> 10:00 DYLAN DOG: DEAD OF NIGHT (15)<2011> 11:50 50/50 (15)<2011> 13:35 SCREAM 4 (15)<2011> 15:30 SEVEN POUNDS (15)<2008> 17:35 WE ARE THE NIGHT (16)<2010> 19:15 ANGER MANAGEMENT (15)<2003> 21:00 GHOST RIDER (15)<2007> 22:55 COLOMBIANA (16)<2011> STAR GROUP LTD. Page 2 FOX Movies Premium PROGRAMME SCHEDULE FOR FEBRUARY Saturday, 02/02/2013 00:45 SCREAM 4 (15)<2011> 02:40 CHILDREN OF THE CORN: GENESIS (16)<2011> 04:05 DOUBLE, THE (15)<2011> 05:45 U2 = BBC (PG)<2011> 06:40 HOOK (PG)<1991> 09:05 AS GOOD AS IT GETS (15)<1997> 11:25 ERIN BROCKOVICH (15)<2000> 13:40 SWITCH, THE (16)<2010> 15:25 I DON'T KNOW HOW SHE DOES IT (PG)<2011> 17:00 BLACK SWAN (15)<2010> 18:45 X-MEN: FIRST CLASS (15)<2011> 21:00 ROAD TO THE OSCARS: DRIVE (16)<2011> 22:40 ROAD TO THE OSCARS: WARRIOR (15)<2011> STAR GROUP LTD. Page 3 FOX Movies Premium PROGRAMME SCHEDULE FOR FEBRUARY Sunday, 03/02/2013 01:00 ROAD TO THE OSCARS: UNDEFEATED (PG)<2011> 02:55 50/50 (15)<2011> 04:35 ANDERSON SILVA: LIKE WATER (15)<2011> 05:55 LONDON BOULEVARD (15)<2010> 07:40 SURF'S UP (G)<2007> 09:10 COLOMBIANA (16)<2011> 11:00 UFC 156 LIVE: ALDO VS EDGAR (15)<2013> 14:00 GHOST RIDER (15)<2007> 15:55 KINGDOM OF HEAVEN (15)<2003> 18:25 INTERNATIONAL, THE (16)<2009> 20:25 WORLD WITHOUT END (PART 4 OF 4) (15)<2012> 22:00 THE WALKING DEAD S3 Ep6 HOUNDED(16)<2012> 22:40 TRANSPORTER EP1(TBA)<2012> 23:30 UFC 156: ALDO VS EDGAR (15)<2013> STAR GROUP LTD.
  • Cruel Intentions 1999 Free Movie Online

    Cruel Intentions 1999 Free Movie Online

    Cruel intentions 1999 free movie online Continue If you like comedy, mystery, documentaries or something completely different, you can find a large selection of movies online for free. In this article, I take a look at the 12 best websites and resources to watch free movies. I visited each of the websites listed below and I checked out several videos from each to provide quality, check for ads and see what's available on a free basis. Where to watch free movies online When you start looking for free movies online, it won't be long before you start coming through less-than-reputable websites. Some may actually require a paid membership or subscription, while others provide access to pirated content. However, there are several websites, apps and streaming services that you can use to watch movies and TV shows legally and for free. Among them are Crackle, Roku Channel, IMDb TV, Tubi, Vudu and more. If you're looking for a complete list of free ways to watch movies that you usually have to pay, you probably won't find it on this list. Instead, I've compiled 12 perfectly legal and free ways to watch movies online - most of which are supported by advertising. Note that Ad Pain is rated from low to high depending on the length and frequency of disruptive advertising. If you're looking for a completely ad-free experience, be sure to check out Kanopy or Hoopla, which are powered by educational institutions. Streaming serviceBest ForPowered ByAd Pain KanopyDocumentaries and Educational ContentLibraries and UniversitiesNone HooplaTop Hollywood Hits;
  • A Content Analysis of Non-Physical Aggressions in Popular Superhero Movies Ian Trent Gillespie Brigham Young University

    A Content Analysis of Non-Physical Aggressions in Popular Superhero Movies Ian Trent Gillespie Brigham Young University

    Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2016-11-01 Social Supers: A Content Analysis of Non-Physical Aggressions in Popular Superhero Movies Ian Trent Gillespie Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Communication Commons BYU ScholarsArchive Citation Gillespie, Ian Trent, "Social Supers: A Content Analysis of Non-Physical Aggressions in Popular Superhero Movies" (2016). All Theses and Dissertations. 6127. https://scholarsarchive.byu.edu/etd/6127 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Social Supers: A Content Analysis of Non-Physical Aggressions in Popular Superhero Movies Ian Trent Gillespie A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Quint Randle, Chair Tom Robinson Sarah M. Coyne School of Communications Brigham Young University Copyright © 2016 Ian Trent Gillespie All Rights Reserved ABSTRACT Social Supers: A Content Analysis of Non-Physical Aggressions in Popular Superhero Movies Ian Trent Gillespie School of Communications, BYU Master of Arts In recent years superhero movies have skyrocketed in popularity, bringing with them plots and characters that tend to exhibit high levels of aggression. As social learners, humans often learn from what they observe, and especially emulate characters they admire – including fictional superheroes and villains. Consequently, this study content analyzed non-physical aggressions (verbal aggression, relational aggression, and violent ideation) in the top 25 highest grossing superhero movies between 2005 and 2015.
  • Gorinski2018.Pdf

    Gorinski2018.Pdf

    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
  • Movies Crue( /Intention*

    Movies Crue( /Intention*

    Comments and Questions: [email protected] Happenings Editor: C harles Babbitt movies Crue( /intention* By Kelly Coombes This is about as exciting as the story gets. Except for, of gerous Liaisons.” The major difference between the two h course, the wager between Kathryn and Sabastian. If he “Liaisons” was a decent movie The problem with “Inten­ The Lumberjack does not sleep with Annette, he loses the bet and Kathryn tions” is it was not intriguing, surprising or sexy. Instead, it Making this movie was a cruel intention. wins his car. However, if he does take Annette’s virginity, was funny when it was meant to be serious, sickening when 1 have painfully and stubbornly sat through bad movies. I then Kathryn will sleep with him. it should have been sexy, and all around bonus! Very e;irly have seen movies that were the exact definition of every­ This should be when a cast member from an NBC’ sitcom on 1 found myself bored with the characters ;md loo busy thing a filmmaker should not do, but did anyway. I was con­ appears on the screen and says. ‘“If you. or a person you laughing at their fantasy sex world. vinced that “She’s All That" was the worst movie I would know, is contemplating incest, you sh»>uId know that you The people who made “Cruel Intentions” assumed it they review this semester. In fact, it has been used as a point of are not alone and there is help, just call 1-800...” The more changed the characters to young people, but kept them rich reference when deciding ratings for other films.
  • Selma Blair's 'Cruel Intentions'

    Selma Blair's 'Cruel Intentions'

    14 THURSDAY, APRIL 25, 2019 Jennifer Garner leads People Kate Beckinsale magazine’s beautiful list to star in action- Los Angeles comedy ‘Jolt’ ctress, businesswoman and chil- Britney Los Angeles dren’s advocate Jennifer Garner Spears Ais featured on the cover of People ctress Kate magazine’s annual beautiful issue, the maga- I’ll be back very soon: Beckinsale is zine said on Tuesday. Aset to star in People said it chose the 47-year-old “Alias” Britney Spears to fans “Jolt”, a female-driven actress for balancing her career and charitable action-comedy by di- work with the raising of her three children with Los Angeles rector Tanya Wexler. ex-husband Ben Affleck. Written by Scott In addition to film and TV roles, Garner day after fans protested her release Wascha, the film fol- co-founded organic baby food company Once from a psychiatric facility, Britney lows Lindy, a bouncer Upon a Farm and works as an ambassador ASpears went on social media to com- with a slightly murder- for advocacy group Save the Children. fort worried admirers, saying she will be “back ous anger-management problem Garner told People that she never con- very soon”. that she controls with the help of sidered herself “one of the pretty girls” Fans of the pop star assembled outside City an electrode-lined vest she uses when she was growing up in West Hall in West Hollywood, California, on Mon- to shock herself back to normalcy Virginia. She described her style day demanding to release her from the facility. whenever she gets homicidal.
  • View / Open Final Thesis-Slavit I.Pdf

    View / Open Final Thesis-Slavit I.Pdf

    THE INFLUENCE OF NEOCONSERVATISM IN THE DEPICTION OF VIOLENT NON-NORMATIVE WOMEN IN EROTIC THRILLERS FROM 1980 TO 2000 by ILANA SLAVIT A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2020 An Abstract of the Thesis of Ilana Slavit for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2020 Title: The Influence of Neoconservatism in the Depiction of Non-normative Women in Erotic Thrillers from 1980 to 2000 Approved: Peter Alilunas Primary Thesis Advisor U.S. erotic thrillers of the 1980s and 1990s are intrinsically intertwined with the socio-political history of the culture wars. Both the counter-culture movements and a laxation of cinematic censorship during the 1960s resulted in an increase in sex and violence on-screen, in addition to non-normative behavior. Thus, the culture wars began, with neoconservatives and antifeminists in the late 1970s to the 1990s pushing for traditional family values against a backdrop of loosening social mores. Violent non- normative women in erotic thrillers of the 1980s and 1990s highlighted antifeminist sentiments of the era through literalization of non-normative lifestyles as dangerous to traditional family values and U.S. culture. ii Acknowledgements I would like to thank Professor Alilunas for his guidance with film history and analysis, in addition to textual and formatting suggestions from a media studies lens. I would also like to thank Professor Millán for helping me to fully examine the film history from an intersectional feminist theory perspective.
  • Hartford Public Library DVD Title List

    Hartford Public Library DVD Title List

    Hartford Public Library DVD Title List # 20 Wild Westerns: Marshals & Gunman 2 Days in the Valley (2 Discs) 2 Family Movies: Family Time: Adventures 24 Season 1 (7 Discs) of Gallant Bess & The Pied Piper of 24 Season 2 (7 Discs) Hamelin 24 Season 3 (7 Discs) 3:10 to Yuma 24 Season 4 (7 Discs) 30 Minutes or Less 24 Season 5 (7 Discs) 300 24 Season 6 (7 Discs) 3-Way 24 Season 7 (6 Discs) 4 Cult Horror Movies (2 Discs) 24 Season 8 (6 Discs) 4 Film Favorites: The Matrix Collection- 24: Redemption 2 Discs (4 Discs) 27 Dresses 4 Movies With Soul 40 Year Old Virgin, The 400 Years of the Telescope 50 Icons of Comedy 5 Action Movies 150 Cartoon Classics (4 Discs) 5 Great Movies Rated G 1917 5th Wave, The 1961 U.S. Figure Skating Championships 6 Family Movies (2 Discs) 8 Family Movies (2 Discs) A 8 Mile A.I. Artificial Intelligence (2 Discs) 10 Bible Stories for the Whole Family A.R.C.H.I.E. 10 Minute Solution: Pilates Abandon 10 Movie Adventure Pack (2 Discs) Abduction 10,000 BC About Schmidt 102 Minutes That Changed America Abraham Lincoln Vampire Hunter 10th Kingdom, The (3 Discs) Absolute Power 11:14 Accountant, The 12 Angry Men Act of Valor 12 Years a Slave Action Films (2 Discs) 13 Ghosts of Scooby-Doo, The: The Action Pack Volume 6 complete series (2 Discs) Addams Family, The 13 Hours Adventure of Sherlock Holmes’ Smarter 13 Towns of Huron County, The: A 150 Year Brother, The Heritage Adventures in Babysitting 16 Blocks Adventures in Zambezia 17th Annual Lane Automotive Car Show Adventures of Dally & Spanky 2005 Adventures of Elmo in Grouchland, The 20 Movie Star Films Adventures of Huck Finn, The Hartford Public Library DVD Title List Adventures of Ichabod and Mr.
  • AFI PREVIEW Is Published by the Age 46

    AFI PREVIEW Is Published by the Age 46

    ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors.
  • Cruel Intentions

    Cruel Intentions

    Cruel Intentions "Pilot" Written by Roger Kumble, Jordan Ross & Lindsey Rosin Based on the film by Roger Kumble Sony Pictures Television Revised Network Draft Original Film January 8, 2016 TEASER EXT. THE SAN FRANCISCO VALMONT HOTEL – NIGHT It’s approaching midnight as the CAMERA moves through the coastal fog toward the newest crown jewel of the San Francisco skyline. A chic, modern, five-star high-rise that makes Manhattan’s Plaza Hotel look like a Holiday Inn. Illuminated in the darkness, on top of the building, is the name VALMONT - a symbol of power, prestige, and wealth. We drop down through the ornate glass ceiling of the hotel where no expense has been spared for the extravagant festivities. In SLOW MOTION: the party-going elite hoist their glasses of Cristal beginning the New Year’s Eve countdown: 10...9...8... BASH CASEY (17, rough around the edges handsome) dressed in an Armani tux pushes through the crowd-- 7...6...5... --his hair is a mess, his brow is covered in sweat, his tie undone, he reaches the edge of the POOL-- 4...3... --breathing a sigh of relief at the sight of the calm water below him as the revelry CRESCENDOS: 2... 1... HAPPY NE-- What Bash doesn’t see is A MALE BODY falling from the sky-- CRASH!!! The ceiling SHATTERS, the victim SPLASHES into the pool-- The guests SCREAM and scatter, utter PANDEMONIUM, as they race for the exits, all except for BASH who dives into the deep end of the pool. The victim’s identity is obscured by a SEA OF RED BLOOD..
  • New Songs Now Program

    New Songs Now Program

    + PRESENT N E W S O N G S N O W NEW SONGS NOW IS PRESENTED IN ASSOCIATION WITH NEW SONGS NOW July 22 - 26 SERIES LINE-UP JULY 22 – Jen Goma // Georgia Stitt → conversation led by Anne Kauffman JULY 23 – Rebecca Hart// Or Matias → conversation led by Lisa Kron JULY 24 – Nehemiah Luckett // Melissa Li → conversation led by Paul Scott Goodman JULY 25 – Simone Allen // Helen Park → conversation led by Natasha Sinha JULY 26 – LPfunK // Lucas Steele → conversation led by Eisa Davis ARTIST BIOS SIMONE ALLEN is a singer/songwriter, music director/pianist, and arranger. In January 2018, she presented "The Songs of Simone Allen" at 54 Below— she has also performed at venues such as Joe's Pub, Ars Nova, Pianos, Mirror Tea House, Playwrights Horizons, and New York SongSpace. As a New York SongSpace grant recipient, she is currently developing a new musical loosely based on the life of Clara Wieck Schumann. She was a featured songwriter in the NYCLU's 2017 Broadway Stands Up For Freedom concert at the NYU Skirball Center (winner of the "Songs of Freedom" protest song contest). She has collaborated with artists such as Shaina Taub, Mike Brun, Andrea Grody, Leigh Silverman, Ellen Winter, Justin Levine, & Bandits on the Run and accompanied performers such as Aaron Tveit, Stephanie J. Block, Karen Olivo, and Joel Perez. Recent theater credits: The Cher Show (Chicago), The Suffragists (Public Theater lab), Cruel Intentions, Folk Wandering (Pipeline Theatre Company), Moulin Rouge (lab), As You Like It (Public Works), and East o', West o'! (Ars Nova ANT Fest).
  • Les Liaisons Dangereuses Free

    Les Liaisons Dangereuses Free

    FREE LES LIAISONS DANGEREUSES PDF Pierre Choderlos de Laclos,Fellow Douglas Parmee,Professor of Modern French Literature David Coward | 448 pages | 15 Jun 2008 | Oxford University Press | 9780199536481 | English | Oxford, United Kingdom Les liaisons dangereuses () - IMDb As IMDb celebrates its 30th birthday, we have Les Liaisons Dangereuses shows to get you ready for those pivotal years of your life Get some streaming picks. Title: Dangerous Liaisons —. Updated Les Liaisons Dangereuses of Choderlos de Laclos' classic 18th Century Les Liaisons Dangereuses of seduction, betrayal and revenge set in the modern s Les Liaisons Dangereuses of Parisian high society. While on his mission, Valmont gets sidetracked when he goes to visit his aunt and falls for Madame Tourvel, a virtuous, married woman who knows of his womanizing ways, but that only makes Les Liaisons Dangereuses challenge more exciting to Valmont. Together, Madame de Merteuil and Valmont make a dangerous team and they will stop at nothing when it comes to matters of the heart. Written by matt I liked the version very much. As an expanded version, this one was delicious. Having said that, I think this is my only negative criticism of the picture. Les Liaisons Dangereuses didn't bother to see Les Liaisons Dangereuses English version. The French version with English subtitles worked very well. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.