Biography of David Speakman, a Fan
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12 Monkeys Episode Guide Episodes 001–036
12 Monkeys Episode Guide Episodes 001–036 Last episode aired Sunday May 21, 2017 www.syfy.com c c 2017 www.tv.com c 2017 www.syfy.com c 2017 www.imdb.com c 2017 www.nerdist.com c 2017 www.ew.com The summaries and recaps of all the 12 Monkeys episodes were downloaded from http://www.tv.com and http: //www.syfy.com and http://www.imdb.com and http://www.nerdist.com and http://www.ew.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 Splinter . .3 2 Mentally Divergent . .5 3 Cassandra Complex . .7 4 Atari...............................................9 5 The Night Room . 11 6 The Red Forest . 13 7 The Keys . 15 8 Yesterday . 17 9 Tomorrow . 19 10 Divine Move . 23 11 Shonin . 25 12 Paradox . 27 13 Arms of Mine . 29 Season 2 31 1 Year of the Monkey . 33 2 Primary . 35 3 One Hundred Years . 37 4 Emergence . 39 5 Bodies of Water . 41 6 Immortal . 43 7 Meltdown . 45 8 Lullaby . 47 9 Hyena.............................................. 49 10 Fatherland . 51 11 Resurrection . 53 12 Blood Washed Away . 55 13 Memory of Tomorrow . 57 Season 3 59 1 Mother . 61 2 Guardians . 63 3 Enemy.............................................. 65 4 Brothers . 67 5 Causality . 69 6 Nature.............................................. 71 7 Nurture . 73 8 Masks.............................................. 75 9 Thief............................................... 77 10 Witness -
Cheers to the PGCPS Class of 2019! by OFFICE of COMMUNICATIONS Prince George’S County Public Schools UPPER MARLBORO, Md
The Pri nce Ge orge’s Pos t OMMUNITY EWSPAPER FOR RINCE EORGE S OUNTY SINCE A C N P G ’ C 1932 Vol. 87, No. 22 May 30 — June 5, 2019 Prince George’s County, Maryland Newspaper of Record Phone: 301-627-0900 25 cents ® 2019 Comcast Leaders and Achievers Scholarship Achieving Excellence: Recipients from Prince George’s County Cheers to the PGCPS Class of 2019! By OFFICE OF COMMUNICATIONS Prince George’s County Public Schools UPPER MARLBORO, Md. (May 22, 2019)—Graduation cere - monies beg[a]n Thursday, May 23 for the Class of 2019 in Prince George’s County Public Schools (PGCPS). Graduates from 32 schools will celebrate their achievements over the next two weeks, starting [May 23] with Academy of Health Sci - ences (AHS) at Prince George’s Community College (PGCC), the school system’s highest-performing high school. AHS [held] its graduation ceremony at 10:30 a.m. for students who receive[d] both a high school diploma and associate’s degree on the same day. “Excellence is our standard for every student, from the first day of school to graduation day,” said Dr. Monica Goldson, Interim Chief Executive Officer. “We proudly celebrate our young achievers for earning their success and our admiration through perseverance and academic excellence.” This is a year of “firsts” for many innovative high school pro - grams. The first-ever graduating classes will walk across the stage at the two International High Schools, which serve immigrant stu - dents with limited English proficiency, and College Park Academy, a charter middle and high school. -
Sunday Morning Grid 9/18/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 9/18/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Cincinnati Bengals at Pittsburgh Steelers. (N) Å 4 NBC News (N) Å Meet the Press (N) (TVG) 2016 Evian Golf Championship Auto Racing Global RallyCross Series. Rio Paralympics (Taped) 5 CW News (N) Å News (N) Å In Touch BestPan! Paid Prog. Paid Prog. Skin Care 7 ABC News (N) Å This Week News (N) Vista L.A. at the Parade Explore Jack Hanna Ocean Mys. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Why Pressure Cooker? CIZE Dance 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Good Day Game Day (N) Å 13 MyNet Arthritis? Matter Secrets Beauty Best Pan Ever! (TVG) Bissell AAA MLS Soccer Galaxy at Sporting Kansas City. (N) 18 KSCI Paid Prog. Paid Prog. Church Faith Paid Prog. Paid Prog. Paid Prog. AAA Cooking! Paid Prog. R.COPPER Paid Prog. 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Painting Cook Mexico Martha Ellie’s Real Baking Project 28 KCET Peep 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Three Nights Three Days Eat Fat, Get Thin With Dr. ADD-Loving 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión Pagado Secretos Pagado La Rosa de Guadalupe El Coyote Emplumado (1983) María Elena Velasco. -
Talking Through the Wire Jennifer Fremlin, Huntingdon College
Talking Through the Wire Jennifer Fremlin, Huntingdon College I am at something of a critical loss when it comes to discussing The Wire. As a feminist media theorist especially interested in filmic representations of race and gender, I am pretty well trained at deconstructing hegemonic instantiations of the privileging of whiteness in movies and on t.v., especially those that seem to offer themselves as radical critiques but end up simply reinscribing familiar hierarchies. Popular culture—hit t.v. programs, award-winning movies, Hollywood stars—offers an endless supply of material on which to hone my knife. This is mostly shooting fish in a barrel, instead of any great testament to my mad skills. But The Wire, HBO’s critically acclaimed yet apparently largely unwatched series, leaves me a bit flummoxed. The problem is, first, that I loved watching it, reveling in its intricate, almost Shakespearian or Dickensian handling of interwoven plots and themes of power and corruption at all levels: economic, political, juridical, educational, racial, journalistic and sexual. Characters are complex and multidimensional, revealed in their working and personal lives to be neither good or bad, but some of both, often at the same moment, or neither, just like the rest of us. They sometimes try to do the right thing, even if by dubious means, or make more money, or get laid, or help others, but just as often they fuck up, and their motives are a nice messy stew of righteousness and self-serving. The show solicits me as a smart viewer, which on the one hand I critically distrust, but on the other hand flatters me to no end. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
The Application of Visual Analytics to Financial Stability Monitoring
14-02b | May 9, 2014, 2014 Revised October 7, 2014 The Application of Visual Analytics to Financial Stability Monitoring Mark D. Flood Office of Financial Research, U.S.A. [email protected] Victoria L. Lemieux University of British Columbia, Canada [email protected] Margaret Varga Seetru Ltd., U.K., and University of Oxford, U.K. [email protected] B.L. William Wong Middlesex University, U.K. [email protected] The Office of Financial Research (OFR) Working Paper Series allows members of the OFR staff and their coauthors to disseminate preliminary research findings in a format intended to generate discussion and critical comments. Papers in the OFR Working Paper Series are works in progress and subject to revision. Views and opinions expressed are those of the authors and do not necessarily represent official positions or policy of the OFR or Treasury. Comments and suggestions for improvements are welcome and should be directed to the authors. OFR Working Papers may be quoted without additional permission. 1 The Application of Visual Analytics to Financial Stability Monitoring Mark D. Flood Office of Financial Research, U.S.A. Victoria L. Lemieux University of British Columbia, Canada Margaret Varga Seetru, U.K. and University of Oxford, U.K. B.L. William Wong Middlesex University, U.K. May 9, 2014 – Initial version October 7, 2014 – this version ALL COMMENTS WELCOME We gratefully acknowledge helpful comments from Greg Feldberg, Richard Haynes, Roy Kalawsky, Rebecca McCaughrin, Alistair Milne, Trish Mosser, Mark Paddrik, -
Fringe Season 1 Transcripts
PROLOGUE Flight 627 - A Contagious Event (Glatterflug Airlines Flight 627 is enroute from Hamburg, Germany to Boston, Massachusetts) ANNOUNCEMENT: ... ist eingeschaltet. Befestigen sie bitte ihre Sicherheitsgürtel. ANNOUNCEMENT: The Captain has turned on the fasten seat-belts sign. Please make sure your seatbelts are securely fastened. GERMAN WOMAN: Ich möchte sehen wie der Film weitergeht. (I would like to see the film continue) MAN FROM DENVER: I don't speak German. I'm from Denver. GERMAN WOMAN: Dies ist mein erster Flug. (this is my first flight) MAN FROM DENVER: I'm from Denver. ANNOUNCEMENT: Wir durchfliegen jetzt starke Turbulenzen. Nehmen sie bitte ihre Plätze ein. (we are flying through strong turbulence. please return to your seats) INDIAN MAN: Hey, friend. It's just an electrical storm. MORGAN STEIG: I understand. INDIAN MAN: Here. Gum? MORGAN STEIG: No, thank you. FLIGHT ATTENDANT: Mein Herr, sie müssen sich hinsetzen! (sir, you must sit down) Beruhigen sie sich! (calm down!) Beruhigen sie sich! (calm down!) Entschuldigen sie bitte! Gehen sie zu ihrem Sitz zurück! [please, go back to your seat!] FLIGHT ATTENDANT: (on phone) Kapitän! Wir haben eine Notsituation! (Captain, we have a difficult situation!) PILOT: ... gibt eine Not-... (... if necessary...) Sprechen sie mit mir! (talk to me) Was zum Teufel passiert! (what the hell is going on?) Beruhigen ... (...calm down...) Warum antworten sie mir nicht! (why don't you answer me?) Reden sie mit mir! (talk to me) ACT I Turnpike Motel - A Romantic Interlude OLIVIA: Oh my god! JOHN: What? OLIVIA: This bed is loud. JOHN: You think? OLIVIA: We can't keep doing this. -
Stars Gather
Veterinary Medical Clinic January 25 - 31, 2020 William Oglesby, DVM We Treat Both Small Animals and Large Animals 804 Southeast Boulevard Clinton, NC 28328 Monday-Friday Stars 7:30am-5:30pm (910) 592-3338 Healthy Animals are gather Happy Animals Alicia Keys hosts the 2020 Grammy Awards AUTO HOME FLOOD LIFE WORK Courtney Bennett Agent [email protected] 919-920-5195 101 E. Clinton St. Roseboro NC We ought to weigh well, SEE WHAT YOUR NEIGHBORS ARE TALKING ABOUT! what we can only once decide. Complete Funeral Service including: Traditional Funerals, Cremation Outdoor Power Equipment Pre-Need-Pre-Planning Independently Owned & Operated Since 1920’s Complete parts Butler Funeral Home and service department! 401 W. Roseboro Street 2 locations to Hwy. 24 Windwood Dr. Roseboro, NC better serve you Stedman, NC 401 NE Blvd., Clinton, NC • 910-592-7077 • www.clintonappliance.com 910-525-5138 910-223-7400 910-525-4337 (fax) 910-307-0353(fax) Page 2 — Saturday, January 25, 2020 — Sampson Independent On the Cover Singing praises: Year’s best artists honored at the 62nd Annual Grammy Awards By Sachi Kameishi TV Media here’s something for everyone Tin the televised ceremonies that populate awards season. From boozy Golden Globes banter to the Emmys’ quirky hosting history and BAFTAs charming decorum, each of the major awards shows has its own way of celebrating its particu- lar craft and making the show re- warding and accessible to its mil- lions of viewers. The ratings vary year to year, and although the Academy Awards tends to walk away from the season as the most- watched awards show, the Gram- my Awards is a close second. -
Fringe: Septembers Notebook Free
FREE FRINGE: SEPTEMBERS NOTEBOOK PDF Tara Bennett,Terry Paul,Jeff Pinkner | 192 pages | 15 Mar 2013 | Titan Books Ltd | 9781781166093 | English | London, United Kingdom Fringe: September's Notebook Fringe wrapped its five-year foray into the far-out realms of science and dangerous dimensions of the human heart back in January. But today, exec producer J. Except for those years Fringe: Septembers Notebook he was Hairy Donald. Another time. Or read the book! EW recently spoke with Bennett and Fringe: Septembers Notebook about getting the chance playing in the world of the show, what it was like to be behind the scenes during the last season, and the discoveries that delighted and surprised them the most. Jeff and Joel said yes. We started working on it in earnest by November We basically fell over. Fringe: Septembers Notebook plug that sucker in and it was full of completely mind-blowing material, as far as the quality and the exclusivity of it. But the sheer amount was just staggering! So we had to excavate that drive completely. This is the opportunity to show it off! You want to do what?! For the rest of season 4 into season 5 and all the way up until Novemberwhich is when we Fringe: Septembers Notebook the book, they were still sending me material. When I was in Vancouver they took me to the prop warehouse. I was a kid in a candy store of Fringe stuff. Holding the Martin Luther King money is in my hand, looking at all of the individual images that young Olivia had created when she was doing the Cortexiphan trials with Walter as a kid—. -
Universidade Federal De Santa Catarina Pós-Graduação Em Inglês: Estudos Linguísticos E Literários
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM INGLÊS: ESTUDOS LINGUÍSTICOS E LITERÁRIOS Ketlyn Mara Rosa "PEOPLE DON'T DIE LIKE IN RAMBO": REPRESENTATIONS OF VIOLENCE IN BAND OF BROTHERS Dissertação submetida ao Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários da Universidade Federal de Santa Catarina para obtenção do Grau de Mestre em Letras. Orientadora: Profa. Dra. Anelise Reich Corseuil Florianópolis 2015 v ACKNOWLEDGMENTS It is with great pleasure that I write these acknowledgements and cherish the amazing memories of the past two years. Firstly, I would like to thank my family for their unconditional support: my father Limar, who has always been the one I can count on in any circumstance of my life; my mother Roseli, whose loving words have at all times found a way to soothe my worries; my brother Crystie and sister-in-law Michele for always encouraging me to pursue my goals; and my grandmother Ladir, whose passing taught me to appreciate life even more. Oh yes, I also happen to have a sister, Janaina, who is my companion in this bumpy journey and has always been on my side. Many a days have we spent discussing each other's works, proofreading chapters, arguing over word choices, and watching plays and films. I would not be where I am now without her constant support. I would also like to thank Professor Anelise Corseuil, my advisor, for her enormous patience and wisdom in lending me a hand. Since the undergraduate days she has always had an open and wise attitude towards challenges and offered her steady guidance in dire moments. -
Reshape Our Future
Header here Reconnect With Your Past. Reshape Our Future. October 3-5, 2018 baltimorehomecoming.com #bmorehome#baltimorehome 1 Header here PHOTO BY ISAAC GUERRERO @S_ISAAC_GUERRERO #baltimorehome 2 #baltimorehome 3 WELCOME DEAR FRIENDS, Welcome home! We are so excited to have you back in Charm City for the first annual Baltimore Homecoming. We are grateful to the hundreds of leaders from across Baltimore – reverends and educators, artists and business executives, activists and philanthropists – who joined together to organize this event. We each have our own memories of Baltimore – a humid summer afternoon or spring ballgame, a favorite teacher or a first job. We hope that you take time while you’re home to reconnect with your past and savor the city – catch up with friends and family, drop by a favorite restaurant, or visit an old neighborhood. Reconnecting is the first step. But our deeper hope is that you begin to forge a new relationship to the city. Whether you left five years ago or fifty, Baltimore has evolved. The Baltimore of today has a dynamic real estate market and budding technology sector. Our artists are leading the national conversation on race and politics. Our nonprofit entrepreneurs are on the cutting-edge of social change. The Port of Baltimore is one of the fastest growing in the U.S. The city’s growth has emerged from and complemented our historic pillars of strength – a rich cultural heritage, world-class research institutions, strategic geographic location, and beautiful waterfront. Baltimore faces significant challenges that we cannot ignore: segregation, entrenched poverty, crime and violence. -
TV Finales and the Meaning of Endings Casey J. Mccormick
TV Finales and the Meaning of Endings Casey J. McCormick Department of English McGill University, Montréal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Casey J. McCormick Table of Contents Abstract ………………………………………………………………………….…………. iii Résumé …………………………………………………………………..………..………… v Acknowledgements ………………………………………………………….……...…. vii Chapter One: Introducing Finales ………………………………………….……... 1 Chapter Two: Anticipating Closure in the Planned Finale ……….……… 36 Chapter Three: Binge-Viewing and Netflix Poetics …………………….….. 72 Chapter Four: Resisting Finality through Active Fandom ……………... 116 Chapter Five: Many Worlds, Many Endings ……………………….………… 152 Epilogue: The Dying Leader and the Harbinger of Death ……...………. 195 Bibliography ……………………………………………………………………………... 199 Primary Media Sources ………………………………………………………………. 211 iii Abstract What do we want to feel when we reach the end of a television series? Whether we spend years of our lives tuning in every week, or a few days bingeing through a storyworld, TV finales act as sites of negotiation between the forces of media production and consumption. By tracing a history of finales from the first Golden Age of American television to our contemporary era of complex TV, my project provides the first book- length study of TV finales as a distinct category of narrative media. This dissertation uses finales to understand how tensions between the emotional and economic imperatives of participatory culture complicate our experiences of television. The opening chapter contextualizes TV finales in relation to existing ideas about narrative closure, examines historically significant finales, and describes the ways that TV endings create meaning in popular culture. Chapter two looks at how narrative anticipation motivates audiences to engage communally in paratextual spaces and share processes of closure.