South Central Modern Language Association

Total Page:16

File Type:pdf, Size:1020Kb

South Central Modern Language Association South Central Modern Language Association 73rd Annual Conference November 3-5, 2016 Sheraton Dallas Hotel Dallas, Texas SCMLA CONFERENCE PROGRAM A PDF version of this program is available on our website: www.southcentralmla.orG South Central Modern Language Association University of Oklahoma 780 Van Vleet Oval Kaufman Hall 203 Norman, OK 73019 Phone: (405) 325-6011 Fax: (405) 325-3720 Email: [email protected] Web: www.southcentralmla.orG 1 TABLE OF CONTENTS 2016 Executive Committee ........................................................... 3 Special Thanks .............................................................................. 4 Friends of SCMLA ......................................................................... 5 Sustaining Departmental Members .............................................. 6 SCMLA Life and Honorary Members ............................................. 7 2016 Conference Exhibitors .......................................................... 8 Schedule of Events ....................................................................... 9 Summary of Conference by Session Type .................................... 10 Conference Program ................................................................... 18 Reminder to Chairs ..................................................................... 81 2017 SCMLA Deadlines .............................................................. 82 SCMLA Grants, Awards and Prizes .............................................. 83 New Awards for SCMLA Members .............................................. 84 Grants and Prize Winners ........................................................... 85 Index .......................................................................................... 87 Dates of Future SCMLA Conferences ........................................... 94 Tulsa 2017…. ............................................................................. 95 2 SCMLA 2016 EXECUTIVE COMMITTEE Julie Chappell, President Tarleton State University [email protected] Jeanne Gillespie, Past President University of Southern Mississippi [email protected] Paul Larson, Vice President Baylor University [email protected] José Juan Colín, Executive Director University of Oklahoma [email protected] Richard J. Golsan, Editor (2013-2017) South Central Review Texas A&M University - ColleGe Station [email protected] Lynn Alexander, English (2015-2017) University of Tennessee-Martin [email protected] Stuart McClintock, French (2014-2016) Midwestern State University [email protected] Christoph Weber, German (2016-2018) University of North Texas [email protected] Michael Ward, Russian and Less-Commonly-Taught Languages (2015-2017) Trinity University-San Antonio [email protected] Jeffrey Oxford, Spanish (2015-2017) Midwestern State University [email protected] Sylvia Morin, At-Large (2014-2016) University of Tennessee-Martin [email protected] Mallory YounG, At-Large (2016-2018) Tarleton State University [email protected] Daniel Traber, American Literature (2014-2016) Texas A&M University-Galveston [email protected] 3 The South Central Modern Language Association wishes to thank the College of Arts and Sciences and the Department of Modern Languages, Literatures, and Linguistics at the University of Oklahoma for their continued support 4 THANK YOU, FRIENDS OF THE SOUTH CENTRAL MODERN LANGUAGE ASSOCIATION Your Generous support is Greatly appreciated Platinum Debra D. Andrist Gold Frieda Blackwell John G. Morris Silver Pamela Genova Vernon Miles 5 2016 SUSTAINING DEPARTMENTAL MEMBERS Midwestern State University Department of ForeiGn LanGuages Tarleton State University Department of EnGlish and LanGuages University of Oklahoma ColleGe of Arts and Sciences University of Oklahoma Department of Modern LanGuages, Literatures, and LinGuistics University of Tennessee - Martin ColleGe of Humanities and Fine Arts University of Texas at Arlington Department of EnGlish 6 SCMLA LIFE MEMBERS James E. Barcus William M. Felsher Paul A. Parrish Thomas Bonner, Jr. John I. Fischer Janet Pérez Joe R. Christopher Benjamin F. Fisher Panthea Reid Richard H. Costa Carl Hammer, Jr. Louis Charles Stagg Maria Duke dos Santos William Kibler HulinG E. Ussery Melvin R. Mason SCMLA HONORARY MEMBERS Andrei Codrescu Ede Hilton-Lowe Michael Mewshaw Ellen DouGlas Ernest J. Gaines Miller Williams William R. Ferris Nicolás Kanellos YevGeny Yevtushenko 7 CONFERENCE EXHIBITORS The followinG exhibitors will be available throuGh the lenGth of the Conference unless otherwise noted: Baylor University, Department of Modern Languages and Cultures Routledge Texas A&M Department of Hispanic Studies The Scholar’s Choice Vista Higher Learning 8 SEVENTY-THIRD ANNUAL MEETING NOVEMBER 3 – 5, 2016 SHERATON DALLAS HOTEL DALLAS, TEXAS THE SPECTACULAR CITY: Glamour, Decadence, and Celebrity in Literature & Culture WEDNESDAY, NOVEMBER 2 3:00 p.m. – 5:00 p.m. ReGistration & Exhibits Austin Promenade THURSDAY, NOVEMBER 3 8:00 a.m. – 5:00 p.m. ReGistration & Exhibits Austin Promenade 12:00 p.m. – 1:00 p.m. “Strategies for Getting Live Oak Published” 4:30 p.m. – 6:00 p.m. Poets’ Corner Live Oak 6:30 p.m. – 7:30 p.m. Keynote Address Austin Ballroom 7:30 p.m. – 9:00 p.m. Presidential Reception Chaparral Main Room FRIDAY, NOVEMBER 4 7:30 a.m. – 9:30 a.m. Women’s Caucus The Kitchen Table Breakfast followed by Trinity 3 8:00 a.m. – 5:00 p.m. ReGistration & Exhibits Austin Promenade 12:00 p.m. – 1:00 p.m. Job Seekers Workshop Live Oak 6:30 p.m. – 8:00 p.m. Business Meeting Austin Ballroom 8:00 p.m. – 9:00 p.m. SCMLA Social Atrium SATURDAY, NOVEMBER 5 8:00 a.m. – 5:00 p.m. ReGistration & Exhibits Austin Promenade 9 SUMMARY OF CONFERENCE PROGRAM BY SESSION TYPE ALLIED SESSIONS Asociación de Literatura Friday, November 4 Cityview 8 Femenina Hispánica 10:30 a.m. – 12:00 p.m. Conference on Christianity Friday, November 4 Pearl 3 and Literature 8:45 a.m. – 10:15 a.m. The Eudora Welty Society Saturday, November 5 Trinity 1 10:30 a.m. – 12:00 p.m. Flannery O’Connor Society Friday, November 4 Pearl 2 2:45 p.m. – 4:15 p.m. International Courtly Thursday, November 3 Cityview 4 Literature Society 10:30 a.m. – 12:00 p.m. Society for Critical ExchanGe Friday, November 4 Pearl 1 10:30 a.m. – 12:00 p.m. Women in French: Pre- Friday, November 4 Cityview 4 Twentieth Century Writers – 10:30 a.m. – 12:00 p.m. Session 1 Women in French: Friday, November 4 Cityview 4 Contemporary Writers – 2:45 p.m. – 4:15 p.m. Session 2 CREATIVE WRITING Creative Writing – Creative Friday, November 4 Trinity 1 Nonfiction 1:00 p.m. – 2:30 p.m. Creative Writing – Poetry – Thursday, November 3 Trinity 1 Session 1 8:45 a.m. – 10:15 a.m. Creative Writing – Poetry – Thursday, November 3 Trinity 1 Session 2 1:00 p.m. – 2:30 p.m. Creative Writing – Poetry – Friday, November 4 Trinity 1 Session 3 10:30 a.m. – 12:00 p.m. Creative Writing – Poetry – Friday, November 4 Trinity 1 Session 4 2:45 p.m. – 4:15 p.m. Creative Writing – The Short Thursday, November 3 Trinity 1 Story –Session 1 10:30 a.m. – 12:00 p.m. Creative Writing – The Short Thursday, November 3 Trinity 1 Story –Session 2 2:45 p.m. – 4:15 p.m. Creative Writing – The Short Friday, November 4 Trinity 1 Story –Session 3 8:45 a.m. – 10:15 a.m. 10 ENGLISH American Literature I: Saturday, November 5 Cityview 5 Literature Before 1900 – 2:45 p.m. – 4:15 p.m. Session 1 American Literature I: Friday, November 4 Cityview 5 Literature Before 1900 – 10:30 a.m. – 12:00 p.m. Session 2 American Literature II: Thursday, November 3 Cityview 5 Literature After 1900 4:30 p.m. – 6:00 p.m. EnGlish I: Old and Middle Thursday, November 3 Cityview 5 EnGlish 8:45 a.m. – 10:15 a.m. EnGlish II: Renaissance Saturday, November 4 Cityview 5 Literature excluding Drama 2:45 p.m. – 4:15 p.m. EnGlish III: Restoration & Saturday, November 4 Cityview 5 EiGhteenth Century 8:45 a.m. – 10:15 a.m. EnGlish IV: Nineteenth Saturday, November 4 Cityview 4 Century British Literature – 1:00 p.m. – 2:30 p.m. Session 1 EnGlish IV: Nineteenth Thursday, November 3 Cityview 5 Century British Literature – 1:00 p.m. – 2:30 p.m. Session 2 EnGlish V: Twentieth Century Saturday, November 4 Trinity 3 British Literature 10:30 a.m. – 12:00 p.m. EnGlish VI: General Friday, November 4 Cityview 5 Linguistics 8:45 a.m. – 10:15 a.m. Freshman EnGlish and EnGlish Thursday, November 3 Pearl 2 Composition 10:30 a.m. – 12:00 p.m. Irish Literature – Session 1 Thursday, November 3 Trinity 2 10:30 a.m. – 12:00 p.m. Irish Literature – Session 2 Friday, November 4 Trinity 2 1:00 p.m. – 2:30 p.m. Hispanic Literature Written Friday, November 4 Trinity 2 in the United States 2:45 p.m. – 4:15 p.m. Renaissance Drama – Session Friday, November 4 Cityview 5 1 1:00 p.m. – 2:30 p.m. Renaissance Drama – Session Saturday, November 5 Cityview 5 2 1:00 p.m. – 2:30 p.m. Rhetoric – Session 1 Thursday, November 3 Pearl 3 1:00 p.m. – 2:30 p.m. Rhetoric – Session 2 Friday, November 4 Pearl 3 4:30 p.m. – 6:00 p.m. 11 Southern Literature Thursday, November 3 Trinity 2 1:00 p.m. – 2:30 p.m. Southwestern American Friday, November 4 Trinity 2 Literature 10:30 a.m. – 12:00 p.m. Technical WritinG Saturday, November 5 Pearl 2 10:30 a.m. – 12:00 p.m. FILM Film 1: EnGlish LanGuage Film Friday, November 4 Live Oak – Session 1 4:30 p.m. – 6:00 p.m. Film 1: EnGlish LanGuage Film Saturday, November 5 Live Oak – Session 2 1:00 p.m. – 2:30 p.m. Film 2: French and Friday, November 3 Live Oak Francophone Film 1:00 p.m. – 2:30 p.m. Film 3: Hispanic Film Saturday, November 4 Live Oak 10:30 a.m. – 12:00 p.m. Film 4: Global Film – Session Friday, November 4 Live Oak 1 8:45 a.m. – 10:15 p.m. Film 4: Global Film – Session Saturday, November 5 Live Oak 2 2:45 p.m. – 4:15 p.m. FRENCH French I: Literature & Friday, November 4 Cityview 4 Linguistics to 1600 8:45 a.m. – 10:15 a.m. French III: Literature After Friday, November 4 Trinity 3 1800 1:00 p.m. – 2:30 p.m. Francophone Literature Friday, November 4 Pearl 4 10:30 a.m. – 12:00 p.m.
Recommended publications
  • P E R F O R M I N G
    PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
    [Show full text]
  • Extract Catalogue for Auction
    Mar 06, 2015 Prestige Philately- General Public Auction 199 Page:1 Lot Type Grading Description Est $A COMMONWEALTH OF AUSTRALIA - Flight Covers Lot 1436 1436 C 1928 (Mar 28) Darwin-Charleville per Bill Lancaster & Mrs Jesse Miller AAMC #112 registered cover, signed by Lancaster, Cat $1000+. Only 12 covers were carried on this final leg of their journey from England. ]The AAMC states "Mrs Miller was the first woman to travel by air from England"] 500 Lot 1437 1437 CB - (Sep 10) Australia-New Zealand per "Southern Cross" AAMC #124, on arrival the Australian stamp peeled-off! & New Zealand 1d meter applied with Christchurch cds alongside, signed "CKingsford Smith" and "CTP Ulm", Cat $5500. This was the first official airmail delivery from Australia & a key item for the Kingsford Smith or Ulm collector. [The AAMC states only 15 were flown]. 1,500 Lot 1438 1438 C A- - (Oct 13) New Zealand-Australia cover per "Southern Cross" AAMC #126 signed and endorsed "CTP Ulm/Co-Commander/Southern Cross", 'BLENHEIM' departure cds & Richmond (NSW) arrival b/s, Cat:$4250. Ex Ernie Crome & Nelson Eustis: acquired at the Leski auction of 31/3/2008. 2,500 Page:2 Website:www.prestigephilately.com Mar 06, 2015 COMMONWEALTH OF AUSTRALIA - Flight Covers (continued) Lot Type Grading Description Est $A Lot 1439 1439 CB - (Oct 13) Blenheim-Sydney First Trans-Tasman Flight from New Zealand AAMC #126 stampless with 'BLENHEIM/12OC28 630AM/NZ' cds & poor tax h/s, endorsed "Per favour of/Squadron Leader Kingsford Smith/in the Southern Cross Sept 1928", 'DELIVERY ROOM/9A 24OC28/GPO SYDNEY' b/s & Postage Due 1d pair tied to the face by two further strikes two hours later, minor blemishes, endorsed "Garanteed [sic] flown/FJField" on reverse, Cat $NZ2000+ (1994), AAMC $4250 (2008).
    [Show full text]
  • Eonnagata Written and Performed by Sylvie Guillem, Robert Lepage, Russell Maliphant
    © Érick Labbé Sadler’s Wells, London in association with Ex Machina & Sylvie Guillem Presents Eonnagata written and performed by Sylvie Guillem, Robert Lepage, Russell Maliphant Presented with the support of Rolex Career diplomat, part-time soldier and amateur spy, Charles de Beaumont, Chevalier d’Éon, was familiar with both honour and defeat, with glory as well as exile. Beyond the romance of his life, what stands out is his extraordinary audacity. Éon was probably the first spy to use cross-dressing in the pursuit of his duties. This earned him a variety of enemies, including Louis XVI, who forced him to wear a dress all the time. Eventually people no longer knew whether he was a man or a woman. The creators of Eonnagata asked the question differently. What if Charles de Beaumont was both man and woman? Midway between theatre and dance, Eonnagata pits the fan against the sword, the courtesan against the swordsman. But it also explores the embodying of one sex by the other in what is more an investigation of gender than of sexuality. The work draws on Onnagata, a Kabuki theatre technique that enables actors to represent women in a highly stylized fashion, shedding new light on the Chevalier d’Éon and revealing that his enigma is perhaps the mystery of human identity itself. The nonconformism of Charles de Beaumont quickly struck a chord with the creators of Eonnagata. Sylvie Guillem is a celebrated rebel of classical ballet who converted to contemporary dance. In the last few years she has dazzled audiences in London, Tokyo, Sydney and Paris with her grace, energy, precision and humour in shows such as Push and Sacred Monsters.
    [Show full text]
  • July to Dec OW Website 2 Lo
    ONEWORLD TURNS THIRTY This summer marks Oneworld’s 30th birthday, but it feels like the celebrations began a year early. 2015 was a truly extraordinary year for us, with almost a dozen prize nominations and three wins, among them the Man Booker Prize for Marlon James’ A Brief History of Seven Killings, the FT & McKinsey Business Book of the Year Award for The Rise of the Robots by Martin Ford and the Pushkin House Russian Book Prize for Serhii Plokhy’s The Last Empire. This year has seen more of Oneworld’s authors receive the awards and attention we think they thoroughly deserve: Emma Watson chose Gloria Steinem’s memoir, My Life on the Road, as the first read for her Our Shared Shelf Book Club, The Sellout by Paul Beatty won the prestigious National Book Critics Circle Award and was shortlisted for the Bollinger Everyman Wodehouse Prize for Comic Fiction, and the hugely promising debut writer Mia Alvar won the Barnes & Noble Discover Great New Writers Award for her stunning collection, In the Country. Oh, and we won the IPG Trade Publisher of the Year Award 2016. Oneworld was founded on a hunger for quality writing and a passion for connecting readers to the world around them. True to the promise of our name, we have always sought to be non-parochial, open-minded and cosmopolitan in taste. These values still lie at the very heart of the company 30 years on, and extend to both our new children and YA imprint Rock the Boat, which turns one this summer, and our new crime imprint, Point Blank, launched in February.
    [Show full text]
  • Av Roe & Co Limited
    AV ROE & CO LIMITED PRODUCTION 5116 Avro 581 Avian Regd G-EBOV [CofR 1286] 7.7.26 to AV Roe & Co Ltd; built for 1926 Lympne Trials, fitted with 70 hp AS Genet. CofA 1032 issued 8.9.26. Modified to Avro 581A with 85 hp Cirrus II and regd [CofR 1361] 7.4.27 to Herbert JL [Bert] Hinkler, Hamble. Flown Croydon-Latvia 27.8.27. Modified to Avro 581E for Australian flight. Hinkler departed Croydon 7.2.28; arr Darwin 22.2.28; to Bundaberg, Qld 27.2.28. CofA lapsed 30.1.29 and acft remained stored Bundaberg. Regn cld as sold 14.1.30. Donated by Hinkler to Queensland Museum, Brisbane. R3/AV/100 Avro 594 Avian Regd G-EBQN [CofR 1353] 4.27 to AV Roe & Co Ltd. CofA 1102 issued 12.4.27; dd 4.27. Regd [CofR 1377] 4.5.27 to RAE Aero Club, Farnborough. CofA lapsed 4.6.37. Regn cld as sold 4.1.40. Impressed as 2081M 4.1.40 at RAF Eastchurch. R3/AV/117 Avro 594 Avian Regd G-EBQL [CofR 1351] 4.27 to AV Roe & Co Ltd. CofA 1101 issued 12.4.27; loaned to Lancashire Aeroplane Club, Woodford. Dd 2.9.27 and regd [CofR 1487] 20.9.27 to Mrs Sophie C Elliott-Lynn, Stag Lane [became Lady Mary Heath 11.10.27]. Returned to Avros 10.27 and refurbished. Dd 10.27 and regd [CofR 1528] 25.11.27 to Light Planes [Lancashire] Ltd, t/a Lancashire Aeroplane Club, Woodford [replacement for DH.60 G-EBLV].
    [Show full text]
  • Cloud Tectonics: a Footlight 2 Production
    Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-11-2019 Cloud Tectonics: A Footlight 2 Production Cal Kreiner Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Acting Commons Recommended Citation Kreiner, Cal, "Cloud Tectonics: A Footlight 2 Production" (2019). Honors Theses. 3077. https://scholarworks.wmich.edu/honors_theses/3077 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. CLOUD TECTONICS By: José Rivera A Footlight 2 Production DireCted By Cal Kreiner [DIRECTING BOOK] AUDITIONS, CASTING INFO, AND REHEARSAL SCHEDULE This section contains a copy of the notes from the audition process, along with a copy of the casting poster and rehearsal schedule Audition Notes C N C A N a u el n e ll m e i l b b st b s a e Inf in a o c r o a l n k E m m a D 1 un SEGUERO/CACTUS MONO M oll y lend me a tenor- adorable, she has grown so 2 H much as an actress Cl really good colored shirt, "ravaged" bring eye ay level up so we see your face…also grown so 3 C much as an actor Tr ev BOWL OF SOUP- don't start so far back only to or walk back in to the space, over blocked, let 4 N yourself be changed Sh ar Power lunch- I should steal yellow shirt, good ye piece, keep it but keep finding
    [Show full text]
  • Elena Odriozola Elena Odriozola Index
    Spanish Candidate for Hans Christian Andersen Award 2020 Elena Odriozola Elena Odriozola Index Introduction by: 1 Elena Odriozola It is often said that Elena Odriozola is a subtle, delicate illustrator. stay in our memory or our imagination is not what happens to That may be true, but this widespread statement says very little them but the way in which they look at the world. What Elena of the merits of this Basque artist and undoubtedly these qualities Odriozola brings to the text does not consist of transporting the do not constitute a suf!cient motive to nominate her for the Hans argument of the word into the picture. What this illustrator offers Christian Andersen Award. By contrast, we do believe there are other is her highly personal interpretation of the literary work. Thus, weighty reasons for which she would deserve this accolade. Firstly, the reader has the chance to read what the text says, to read what for her capacity to bring her own personal interpretation to a literary the image says and to !nd a third reading: their own. text, which is able to increase its meaning and signi!cance (even If we feel like spectators when we enter the books illustrated by when illustrating works as famous as Frankenstein, Cinderella Elena Odriozola, it is because she has been researching the dramatic or La Celestina). Secondly, for her successful and creative use of narrative genres from the past (such as paper theatre, panoramas, the possibilities of the illustrated book for several years. Above all she plays and experiments with the staging, she depicts the superposition of transparencies or the traditional Spanish aleluya, a series of pictures with captions arranged on a single page) when characters’ con"icts without succumbing to simpli!ed viewpoints appropriating literary works.
    [Show full text]
  • Vrije Universiteit Brussel Literary, Filmic, and Intermedial
    Vrije Universiteit Brussel Literary, Filmic, and Intermedial Constructions of Metropolitan Identity: The City Portrait as a Creative and Analytical Concept Acke, Daniel; Bekers, Elisabeth; Castilleja, Diana Published in: Journal for Literary and Intermedial Crossings Publication date: 2019 Document Version: Final published version Link to publication Citation for published version (APA): Acke, D., Bekers, E., & Castilleja, D. (2019). Literary, Filmic, and Intermedial Constructions of Metropolitan Identity: The City Portrait as a Creative and Analytical Concept. Journal for Literary and Intermedial Crossings, 4, a1-a16. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 Literary, Filmic, and Intermedial Constructions of Metropolitan Identity: The City Portrait as a Creative and Analytical Concept Daniel Acke, Elisabeth Bekers, Diana Castilleja This fourth special issue of the Journal for Literary and Intermedial Crossings focuses on the literary, filmic and intermedial city portraits and the (real or imaginary) urban identities they evoke or create.
    [Show full text]
  • Humor, Characterization, Plot: the Role of Secondary Characters in Late Eighteenth- and Nineteenth-Century Marriage Novels
    Humor, Characterization, Plot: The Role of Secondary Characters in Late Eighteenth- and Nineteenth-Century Marriage Novels Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katrina M. Peterson, M.A. Graduate Program in English The Ohio State University 2011 Dissertation Committee: Clare Simmons, Adviser Leslie Tannenbaum Jill Galvan ABSTRACT Many late eighteenth- and nineteenth-century British novels utilize laughter as a social corrective, but this same laughter hides other messages about women‘s roles. As the genre‘s popularity widened, writers used novels to express opinions that would be eschewed in other, more established and serious genres. My dissertation argues that humor contributes to narrative meaning; as readers laugh at ―minor‖ characters, their laughter discourages specific behaviors, yet it also masks characters‘ important functions within narrative structure. Each chapter examines one type of humor—irony, parody, satire, and wit—along with a secondary female archetype: the matriarch, the old maid, the monster, and the mentor. Traditionally, the importance of laughter has been minimized, and the role of minor characters understudied. My project seeks to redress this imbalance through focusing on humor, secondary characterization, and plot. Chapter One, ―Irony and The Role of the Matriarch,‖ explores the humorous characterizations of Lady Maclaughlan and Miss Jenkyns within Susan Ferrier‘s Marriage (1818) and Elizabeth Gaskell‘s Cranford (1853). These novels share the following remarkable similarities: 1) they use characterization to unify unusually- structured novels; 2) they focus on humorous figures whose contributions to plot are masked by irony; 3) their matriarchal characters are absent for large portions of the stories; and 4) despite their absences, these figures‘ matriarchal power carries strong feminist implications.
    [Show full text]
  • 2020 Named Freeway Publication
    Photograph taken by Caltrans Photography 2020 Named Freeways, Highways, Structures and Other Appurtenances in California Prepared by The California Department of Transportation © 2021 California Department of Transportation. All Rights Reserved. [page left intentionally blank] 2020 Named Freeways, Highways, Structures and Other Appurtenances in California STATE OF CALIFORNIA Gavin Newsom, Governor CALIFORNIA STATE TRANSPORTATION AGENCY David S. Kim, Secretary CALIFORNIA DEPARTMENT OF TRANSPORTATION Toks Omishakin, Director CALTRANS DIVISION OF RESEARCH, INNOVATION and SYSTEM INFORMATION Office of Highway System Information and Performance January 2021 [page left intentionally blank] PREFACE 2020 Named Freeways, Highways, Structures and Other Appurtenances in California Named Freeways, Highways, Structures and Other Appurtenances in California is produced by the California Department of Transportation (Caltrans) as a reference on the many named facilities that are a part of the California State Highway System. This publication provides information on officially named freeways; highways; structures such as bridges, tunnels, and interchanges; Blue Star Memorial Highways; Safety Roadside Rest Areas; and memorial plaques. A section concerning historical names is also included in this publication. The final section of this publication includes background information on each naming. HOW FREEWAYS, HIGHWAYS AND STRUCTURES ARE NAMED Each route in the State Highway System is given a unique number for identification and signed with distinctive numbered Interstate, United States, or California State route shields to guide public travel. The State Legislature designates all State highway routes and assigns route numbers, while the American Association of State Highway and Transportation Officials (AASHTO) has authority over the numbering of Interstate and United States routes. In addition to having a route number, a route may also have a name and, in some cases, multiple names.
    [Show full text]
  • Latin American Book Store
    Latin American P.O. Box 7328 Redlands CA 92375 Book Store Tel: 800-645-4276 Fax: 909-335-9945 www.latinamericanbooks.com [email protected] Literature Titles from Mexico -- April 2020 1. Abenshushan, Vivian; et. al. PERMANENTE OBRA NEGRA. Mexico, D.F., Madrid: Editorial Sexto Piso, Sexto Piso España, 2019. 459p., photos, illus., facsimles, wrps. New . Paperback. ISBN: 9786078619122. "Permanente obra negra" is an experimental writing project spearheaded by Mexican narrator Vivian Abenshushan, which emerged as a concept more than 10 years ago, and focuesed on copying, rewriting, cut-ups, strikethroughs, collective writing machines, and more. The resulting book uses six fonts, and each one configures a kind of autonomous book, while at the same time bringing together adjoining themes and phrases that are associated with each other, like a hashtag or a Twitter thread. (70620) $44.90 2. Agueda de San Ignacio, Maria Anna . DEVOCIONES VARIAS. México, D.F: Universidad Nacional Autónoma de México, Instituto de Investigaciones sobre la Universidad y la Educación, (Colección Libros de Mujeres siglos XVI al XVIII, vol. V), 2019. 138p., wrps. new. Paperback. ISBN: 9786073013291. (72040) $24.90 3. Aguilar Camín, Héctor (Mexico, 1946-). HISTORIAS CONVERSADAS. México, D.F: Penguin Random House, 2019. v, 367p., wrps. New. Paperback. ISBN: 9786073185615. In "Adiós de los padres" Camín tells the story of his family marked by the absence of his father. The stories of "Historias Conversadas" can be read as an autobiography of a fictional character that is invented or stolen in each life; this volume completes the familial saga of Héctor Aguilar Camín. (71864) $34.90 4.
    [Show full text]
  • Created with Sketch. Evita Playbill
    PREVIEWS NOVEMBER 14 – 17 | asolo rep NOVEMBER 18 – DECEMBER1718 30 asolorep PRODUCING ARTISTIC DIRECTOR MICHAEL DONALD EDWARDS MANAGING DIRECTOR LINDA DIGABRIELE PROUDLY PRESENTS LYRICS BY TIM RICE MUSIC BY ANDREW LLOYD WEBBER DIRECTED AND CHOREOGRAPHED BY JOSH RHODES Scenic Design Costume Design Lighting Design Sound Design Projection Design PAUL TATE DePOO III BRIAN C. HEMESATH PAUL MILLER WILL PICKENS ALEX BASCO KOCH Music Direction Hair/Wig & Make-up Design and Additional Arrangements Production Stage Manager Dramaturg New York Casting MICHELLE HART SINAI TABAK KELLY A. BORGIA* PAUL ADOLPHSEN FELICIA RUDOLPH, TARA RUBIN CASTING Associate Choreographer Associate Director Tango Choreography Assistant Stage Manager Assistant Music Director TRINA MILLS LEE WILKINS JUNIOR CERVILA CHET CRAFT* KEVIN WU Local Casting SOUND MIXER Associate Scenic Design Lighting Programmer Projection Programmer CELINE ROSENTHAL DAN AXE BRANDON McNEEL JACKSON MILLER DAVID TENNENT Stage Management Apprentice Stage Management Apprentice Dramaturgy & Casting Apprentice Student Scenic Assistant Student Lighting Assistant DANA ANGELLIS AARON McEACHRAN KRISTOPHER KARCHER WILLIAM YANNI JOSEPH HODGE CO-PRODUCERS Anonymous • James A. and Maryann Armour • Larry and Joan Castellani • Tom and Ann Charters • Henny and Dennis Dirks • Bill Evans Sharon and Herman Frankel • Ron and Rita Greenbaum • Huisking Foundation • Ruth Kreindler • John and Elenor Maxheim • Ronni and George Minnig Audrey Robbins and Harry Leopold • Richard and Gail Rubin • Gail and Skip Sack • Bud and Betty Shapiro • The Tate Family Foundation, Inc. MAJOR SEASON SUPPORTERS Pat and Bob Baer • Beverly and Bob Bartner • David and Betty-Jean Bavar • Susan and Jim Buck Christine Buckley-Currie, in loving memory of John Currie• Don and Jo Ann Burhart • Carole Crosby, Ruby E.
    [Show full text]