Acquisitions 2018–19

1 Architecture and Design

A total of 310 works were acquired by the Department of Architecture and Design. This includes 205 architecture works and 105 design works.

Architectural Drawings Dmitry Bush. Sergei Chuklov. Mosaic in Architecture. 1991. Ink on paper, 33 ⅞ × 23 ⅞" (86 × 60.6 cm). Yuri Avvakumov. Worker and Farmer International. Committee on Architecture and Design Funds 1990–91. Silkscreen on newsprint, 23 ⅝ × 16 9⁄1₆" (60 × 42 cm). Committee on Architecture and Dmitry Bush. Alexander Khomyakov. Dmitry Design Funds Podyapolsky. Mon Plaisir. 1985. Lithograph, 33 1⁄1₆ × 23 ⅝" (84 × 60 cm). Committee on Architecture and Yuri Avvakumov. Flying Proletarian. 1989–91. Silk‑ Design Funds screen on newsprint, 23 ⅝ × 16 9⁄1₆" (60 × 42 cm). Committee on Architecture and Design Funds Andrei Chernov. Guselnikovo Village, Novosibirsk region, Russia. 1984–90. Silkscreen, 24 1³⁄1₆ × 19 5⁄1₆" Yuri Avvakumov. Yuri Kuzin. Leonidovsk. 1987. (63 × 49 cm). Committee on Architecture and Silkscreen, 35 ¼ × 24" (89.5 × 61 cm). Committee Design Funds on Architecture and Design Funds Sergei Chuklov. Dmitry Bush. Mosaic in Architecture. Yuri Avvakumov. Yuri Kuzin. Red Tower. 1986–94. 1991. Ink on paper, 33 ⅞ × 23 ⅞" (86 × 60.6 cm). Monotype print, 25 ¾ × 19 ⅝" (65.4 × 49.8 cm). Committee on Architecture and Design Funds Committee on Architecture and Design Funds Sergei Chuklov. Vera Chuklova. Love/Hate. 1988. Ink Yuri Avvakumov. Yuri Kuzin. Red Tower. 1986–89. on paper, 34 1⁄1₆ × 24 ³⁄1₆" (86.5 × 61.5 cm). Committee Silkscreen on newsprint, 23 ⅝ × 16 9⁄1₆" (60 × 42 cm). on Architecture and Design Funds Committee on Architecture and Design Funds Pierre de Meuron. Herzog & de Meuron, Basel. Yuri Avvakumov. Igor Pischukevich. Yury Tsirulnikov. Elbphilharmonie, Hamburg, Germany. 2001–03. Matryoshka House. 1984–88. Silkscreen and pencil, Pencil on paper, 11 11⁄1₆ × 8 ¼" (29.7 × 21 cm). Gift of 46 1³⁄1₆ × 14 1³⁄1₆" (118.9 × 37.6 cm). Committee on the Jacques Herzog and Pierre de Meuron Kabinett Architecture and Design Funds Lev Evzovich. Mark Haisman. Trolleybus Stop Yuri Avvakumov. Mikhail Belov. Sepulchral Skyscraper “Kropotkinskaya”. 1984. Tempera on paper, 23 × or Self‑Elevating Metropolitan Columbarium. 1983. 23 ½" (58.4 × 59.7 cm). Committee on Architecture Silkscreen, 33 ⅞ × 24" (86 × 61 cm). Committee on and Design Funds Architecture and Design Funds Mikhail Filippov. The 3rd Rome. 1990. Lithograph, Mikhail Belov. Marceille Block. 1985. Ink on tracing 18 ½ × 33 ⅞" (47 × 86 cm). Committee on Architecture paper, 8 ½ × 5 ⅞" (21.6 × 14.9 cm). Committee on and Design Funds Architecture and Design Funds Mikhail Filippov. Nadezhda Bronzova. Style for the Mikhail Belov. Marceille Block. 1985. Ink on tracing Year 2001. 1984. Watercolor and pencil on paper, paper, 8 ¼ × 9" (21 × 22.9 cm). Committee on 39 ⅜ × 27 9⁄1₆" (100 × 70 cm). Committee on Architecture and Design Funds Architecture and Design Funds

Biro 71. Štefan Kacin. Jurij Princes. Bogdan Splinder. Iskander Galimov. Mikhail Fadeev. Viaduct‑City. 1987. Marjan Uršič. Cultural Center/Macedonian Opera Lithograph, 23 ¼ × 33 1⁄1₆" (59 × 84 cm). Committee and Ballet, Skopje, Macedonia. 1968–81. Diazotype, on Architecture and Design Funds 56 ½ × 35 7⁄1₆" (143.5 × 90 cm). Gift of the Archive of Jovan Ivanovski Iskra Grabulovski. Jordan Grabulovski. Monument to the Ilinden Uprising, Kruševo, Macedonia. 1970–73. Andrei Bokov. Metamorphosis of Space: Introduction Gelatin silver print, 3 9⁄1₆ × 5 ½" (9 × 14 cm). Gift of the into the Urban Environment of Archetypes. 1979. Grabul Family Archive Pencil on tracing paper, each: 3 15⁄1₆ × 3 15⁄1₆" (10 × 10 cm). Committee on Architecture and Design Funds

2 Iskra Grabulovski. Jordan Grabulovski. Monument to Herzog & de Meuron, Basel. 56 Leonard Street, New the Ilinden Uprising, Kruševo, Macedonia. 1970–73. York, New York, USA. 2006–08. Acrylic, 12 ³⁄1₆ × 1 15⁄1₆ Felt‑tip pen and pencil on tracing paper, 16 5⁄1₆ × 23 ¼" × 1 9⁄1₆" (31 × 5 × 4 cm). Gift of the Jacques Herzog and (41.5 × 59 cm). Gift of the Grabul Family Archive Pierre de Meuron Kabinett

Iskra Grabulovski. Jordan Grabulovski. Monument to Herzog & de Meuron, Basel. 56 Leonard Street, New the Ilinden Uprising, Kruševo, Macedonia. 1970–73. York, New York, USA. 2006–08. Acrylic, 11 1³⁄1₆ × 2 ⅜ Ink and charcoal on paper, 27 15⁄1₆ × 39 9⁄1₆" (71 × 100.5 × 1 15⁄1₆" (30 × 6 × 5 cm). Gift of the Jacques Herzog cm). Gift of the Grabul Family Archive and Pierre de Meuron Kabinett

Sergei Grebennikov. Andrei Chernov. Facade of the Herzog & de Meuron, Basel. 56 Leonard Street, Village Soviet. 1990. Silkscreen, 24 1³⁄1₆ × 17 5⁄1₆" (63 × New York, New York, USA. 2006–08. Plexiglass, 11 7⁄1₆ 44 cm). Committee on Architecture and Design Funds × 2 ³⁄1₆ × 1 9⁄1₆" (29 × 5.5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Alexei Gutnov. Boris Levyant. Ivan Shalmin. Sergei Lobachev. Palace of Peace and Nations. 1985. Herzog & de Meuron, Basel. 56 Leonard Street, New Blueprint, 18 ⅞ × 16 ⅛" (48 × 41 cm). Committee on York, New York, USA. 2006–08. Acrylic, 12 ³⁄1₆ × 1 15⁄1₆ Architecture and Design Funds × 1 9⁄1₆" (31 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic, 11 1³⁄1₆ × 1 15⁄1₆ Herzog & de Meuron, Basel. 56 Leonard Street, New × 1 15⁄1₆" (30 × 5 × 5 cm). Gift of the Jacques Herzog York, New York, USA. 2006–08. Acrylic, 11 1³⁄1₆ × 1 15⁄1₆ and Pierre de Meuron Kabinett × 1 ⅜" (30 × 5 × 3.5 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Plexiglass, 11 1³⁄1₆ × Herzog & de Meuron, Basel. 56 Leonard Street, 2 ⅜ × 1 15⁄1₆" (30 × 6 × 5 cm). Gift of the Jacques Herzog New York, New York, USA. 2006–08. Acrylic and and Pierre de Meuron Kabinett plastic, 12 ⅝ × 1 15⁄1₆ × 1 ³⁄1₆" (32 × 5 × 3 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic, 9 7⁄1₆ × 1 9⁄1₆ Herzog & de Meuron, Basel. 56 Leonard Street, New × 1 15⁄1₆" (24 × 4 × 5 cm). Gift of the Jacques Herzog York, New York, USA. 2006–08. Wood, cardboard, and Pierre de Meuron Kabinett and paint, 11 × 2 ⅜ × 1 9⁄1₆" (28 × 6 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic, 8 7⁄1₆ × 1 15⁄1₆ Herzog & de Meuron, Basel. 56 Leonard Street, New × 1 ⅜" (21.5 × 5 × 3.5 cm). Gift of the Jacques Herzog York, New York, USA. 2006–08. Paint and acrylic, and Pierre de Meuron Kabinett 11 1³⁄1₆ × 1 ¾ × 1 ⅜" (30 × 4.5 × 3.5 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic, 12 ³⁄1₆ × 2 ⅜ Herzog & de Meuron, Basel. 56 Leonard Street, New × 1 15⁄1₆" (31 × 6 × 5 cm). Gift of the Jacques Herzog York, New York, USA. 2006–08. Paint and acrylic, and Pierre de Meuron Kabinett 10 ¼ × 1 15⁄1₆ × 1 9⁄1₆" (26 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic, 12 ³⁄1₆ × 2 ⅜ Herzog & de Meuron, Basel. 56 Leonard Street, New × 1 9⁄1₆" (31 × 6 × 4 cm). Gift of the Jacques Herzog and York, New York, USA. 2006–08. Paint and acrylic, Pierre de Meuron Kabinett 9 1³⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (25 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York. 2006–08. Plexiglass, 11 1³⁄1₆ × 2 ⅜ × Herzog & de Meuron, Basel. 56 Leonard Street, New 1 15⁄1₆" (30 × 6 × 5 cm). Gift of the Jacques Herzog and York, New York, USA. 2006–08. Acrylic and card‑ Pierre de Meuron Kabinett board, 9 1³⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (25 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic, 11 1³⁄1₆ × 2 ⅜ × 1 15⁄1₆" (30 × 6 × 5 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett

3 Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Acrylic and cardboard, 12 ³⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (31 × 5 × 4 cm). Gift of the 10 ¼ × 1 15⁄1₆ × 1 9⁄1₆" (26 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Jacques Herzog and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Acrylic and cardboard, 11 1³⁄1₆ × 1 9⁄1₆ × 1 15⁄1₆" (30 × 4 × 5 cm). Gift of the 9 1³⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (25 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Jacques Herzog and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Paint and acrylic, York, New York, USA. 2006–08. Acrylic and cardboard, 10 ¼ × 1 ¾ × 1 ⅜" (26 × 4.5 × 3.5 cm). Gift of the 9 7⁄1₆ × 2 ⅜ × 1 9⁄1₆" (24 × 6 × 4 cm). Gift of the Jacques Jacques Herzog and Pierre de Meuron Kabinett Herzog and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Acrylic and cardboard, 11 × 1 15⁄1₆ × 1 9⁄1₆" (28 × 5 × 4 cm). Gift of the Jacques 10 1⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (25.5 × 5 × 4 cm). Gift of the Herzog and Pierre de Meuron Kabinett Jacques Herzog and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic, 10 ⅛ × 1 ¾ × York, New York, USA. 2006–08. Acrylic and card‑ 1 9⁄1₆" (25.7 × 4.5 × 3.9 cm). Gift of the Jacques Herzog board, 10 7⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (26.5 × 5 × 4 cm). Gift of and Pierre de Meuron Kabinett the Jacques Herzog and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Acrylic and cardboard, 10 ¼ × 1 15⁄1₆ × 1 9⁄1₆" (26 × 5 × 4 cm). Gift of the 8 11⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (22 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Jacques Herzog and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Acrylic, 9 1⁄1₆ × 1 ¾ 10 7⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (26.5 × 5 × 4 cm). Gift of the × 1 ⅜" (23 × 4.5 × 3.5 cm). Gift of the Jacques Herzog Jacques Herzog and Pierre de Meuron Kabinett and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Acrylic, 9 1³⁄1₆ × 1 ¾ 10 ⅝ × 1 15⁄1₆ × 1 9⁄1₆" (27 × 5 × 4 cm). Gift of the × 1 ³⁄1₆" (25 × 4.5 × 3 cm). Gift of the Jacques Herzog Jacques Herzog and Pierre de Meuron Kabinett and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Acrylic, 9 1³⁄1₆ × 1 9⁄1₆ 9 7⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (24 × 5 × 4 cm). Gift of the × 2 ⅜" (25 × 4 × 6 cm). Gift of the Jacques Herzog and Jacques Herzog and Pierre de Meuron Kabinett Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Paint and acrylic, 9 1³⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (25 × 5 × 4 cm). Gift of the 9 ⅝ × 2 ⅜ × 1 9⁄1₆" (24.5 × 6 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Jacques Herzog and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Paint and acrylic, 10 ⅝ × 1 15⁄1₆ × 1 ¾" (27 × 5 × 4.5 cm). Gift of the 9 1³⁄1₆ × 2 ⅜ × 1 9⁄1₆" (25 × 6 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Jacques Herzog and Pierre de Meuron Kabinett

4 Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Foam, 10 ¼ × 2 ³⁄1₆ York, New York, USA. 2006–08. Foam, 8 ¼ × 1 15⁄1₆ × × 1 ¾" (26 × 5.5 × 4.5 cm). Gift of the Jacques Herzog 1 9⁄1₆" (21 × 5 × 4 cm). Gift of the Jacques Herzog and and Pierre de Meuron Kabinett Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic and cardboard, York, New York, USA. 2006–08. Foam, 8 ¼ × 2 ⅜ × 11 7⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (29 × 5 × 4 cm). Gift of the 1 9⁄1₆" (21 × 6 × 4 cm). Gift of the Jacques Herzog and Jacques Herzog and Pierre de Meuron Kabinett Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Foam, 8 ¼ × 1 15⁄1₆ × York, New York, USA. 2006–08. Foam, 9 1⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (21 × 5 × 4 cm). Gift of the Jacques Herzog and 1 9⁄1₆" (23 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Foam, 8 11⁄1₆ × 1 15⁄1₆ York, New York, USA. 2006–08. Acrylic, 10 ¼ × 1 15⁄1₆ × 1 9⁄1₆" (22 × 5 × 4 cm). Gift of the Jacques Herzog and × 1 9⁄1₆" (26 × 5 × 4 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Plexiglass and York, New York, USA. 2006–08. Foam, 13 × 2 ⅜ × 1 ³⁄1₆" cardboard, 10 ¼ × 1 15⁄1₆ × 1 9⁄1₆" (26 × 5 × 4 cm). Gift of (33 × 6 × 3 cm). Gift of the Jacques Herzog and Pierre the Jacques Herzog and Pierre de Meuron Kabinett de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. 1111 Lincoln Road, Miami York, New York, USA. 2006–08. Paint, acrylic, and Beach, Florida, USA. 2005–08. Oak, 18 11⁄1₆ × 26 × cardboard, 9 1³⁄1₆ × 1 15⁄1₆ × 1 9⁄1₆" (25 × 5 × 4 cm). Gift 22 1⁄1₆" (47.5 × 66 × 56 cm). Gift of the Jacques Herzog of the Jacques Herzog and Pierre de Meuron Kabinett and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. 56 Leonard Street, New Herzog & de Meuron, Basel. Elbphilharmonie, Hamburg, York, New York, USA. 2006–08. Acrylic, 9 ⅝ × 1 ¾ × Germany. 2001–03. Plaster, wood, and foam, (.a): 1 ⅜" (24.5 × 4.5 × 3.5 cm). Gift of the Jacques Herzog 6 5⁄1₆ × 8 ¼ × 6 ½" (16 × 21 × 16.5 cm); (.b): 2 ¾ × 8 ¼ and Pierre de Meuron Kabinett × 6 ½" (7 × 21 × 16.5 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Plexiglass, 9 1³⁄1₆ Herzog & de Meuron, Basel. Elbphilharmonie, Hamburg, × 1 15⁄1₆ × 1 ⅜" (25 × 5 × 3.5 cm). Gift of the Jacques Germany. 2001–03. Foam and copper wire, 6 ⅛ × Herzog and Pierre de Meuron Kabinett 8 ¼ × 6 ½" (15.5 × 21 × 16.5 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Herzog & de Meuron, Basel. 56 Leonard Street, New York, New York, USA. 2006–08. Acrylic, 8 ⅞ × 1 ¾ × Herzog & de Meuron, Basel. Facade sample for the 1 ³⁄1₆" (22.5 × 4.5 × 3 cm). Gift of the Jacques Herzog CaixaForum Madrid, Spain. 2001–03. Waterjet‑cut and Pierre de Meuron Kabinett weathered steel (Cor-Ten), 7⁄1₆ × 39 × 39 ³⁄1₆" (1.1 × 99 × 99.5 cm). Gift of the Jacques Herzog and Pierre de Herzog & de Meuron, Basel. 56 Leonard Street, New Meuron Kabinett York, New York, USA. 2006–08. Acrylic, 8 11⁄1₆ × 1 9⁄1₆ × 1 ³⁄1₆" (22 × 4 × 3 cm). Gift of the Jacques Herzog and Herzog & de Meuron, Basel. CaixaForum Madrid, Spain. Pierre de Meuron Kabinett. 2001–03. Resin, plastic, and plaster, 2 ⅞ × 14 15⁄1₆ × 17 ⅛" (7.3 × 38 × 43.5 cm). Gift of the Jacques Herzog Herzog & de Meuron, Basel. 56 Leonard Street, New and Pierre de Meuron Kabinett York, New York, USA. 2006–08. Acrylic, 8 11⁄1₆ × 1 15⁄1₆ × 2 ⅜" (22 × 5 × 6 cm). Gift of the Jacques Herzog and Herzog & de Meuron, Basel. CaixaForum Madrid, Pierre de Meuron Kabinett Spain. 2001–03. Wood, copper, and concrete, 8 11⁄1₆ × 33 7⁄1₆ × 31 ⅛" (22 × 85 × 79 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett

5 Herzog & de Meuron, Basel. Laban Dance Centre, Jacques Herzog. Herzog & de Meuron, Basel. London, UK. 1998–99. Wood and acrylic, 8 9⁄1₆ × Laban Dance Centre, London, UK. 1998–99. Pencil 44 5⁄1₆ × 43 ⅛" (21.7 × 112.5 × 109.5 cm). Gift of the on paper, 11 11⁄1₆ × 16 9⁄1₆" (29.7 × 42 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Jacques Herzog and Pierre de Meuron Kabinett

Herzog & de Meuron, Basel. Kramlich Residence Jacques Herzog. Herzog & de Meuron, Basel. and Collection, Oakville, Napa Valley, California. Laban Dance Centre, London, UK. 1998–99. Pencil 1997–2003. Wood, acrylic, and lighting system, on paper, 11 11⁄1₆ × 16 9⁄1₆" (29.7 × 42 cm). Gift of the 10 ⅝ × 55 ⅛ × 27 9⁄1₆" (27 × 140 × 70 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Jacques Herzog and Pierre de Meuron Kabinett Jacques Herzog. Herzog & de Meuron, Basel. Herzog & de Meuron, Basel. Mario Meier. Dominus Eberswalde Technical School Library, Eberswalde, Winery, Yountville, Napa Valley, California. 1994–96. Germany. 1994–96. Pencil on paper, 11 × 14" (28 × Pencil, graphite, and ink on tracing paper, 38 ³⁄1₆ × 35.5 cm). Gift of the Jacques Herzog and Pierre de 26 9⁄1₆" (97 × 67.5 cm). Gift of the Jacques Herzog and Meuron Kabinett Pierre de Meuron Kabinett Jacques Herzog. Herzog & de Meuron, Basel. Herzog & de Meuron, Basel. Mario Meier. Dominus Eberswalde Technical School Library, Eberswalde, Winery, Yountville, Napa Valley, California. 1994–96. Germany. 1994–96. Pencil on paper, 8 ¼ × 11 11⁄1₆" Pencil, graphite, and ink on tracing paper, 24 × 9 ¼" (21 × 29.7 cm). Gift of the Jacques Herzog and Pierre (61 × 23.5 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett de Meuron Kabinett Jacques Herzog. Herzog & de Meuron, Basel. Herzog & de Meuron, Basel. Dominus Winery, Yountville, Eberswalde Technical School Library, Eberswalde, Napa Valley, California. 1995. Wood, metal, and Germany. 1994–96. Pencil on paper, 8 ¼ × 11 11⁄1₆" stone, 9 7⁄1₆ × 124 1³⁄1₆ × 31 5⁄1₆" (24 × 317 × 79.5 cm). Gift (21 × 29.7 cm). Gift of the Jacques Herzog and Pierre of the Jacques Herzog and Pierre de Meuron Kabinett de Meuron Kabinett

Herzog & de Meuron, Basel. Thomas Ruff.Facade Dmitry Ivanov. Pair of Perspective Skyscrapers. panel from the Eberswalde Technical School Library, 1986. Pencil on paper, 31 9⁄1₆ × 23 11⁄1₆" (80.2 × 60.2 cm). Eberswalde, Germany. 1994–96. Silkscreen on Committee on Architecture and Design Funds concrete, 2 ⅜ × 59 1⁄1₆ × 28 ⅛" (6 × 150 × 71.5 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Valentin Jeck. Mihajlo Mitrović. West Gate of Belgrade (Genex Tower), Belgrade, Serbia. 2016. Digital Jacques Herzog. Herzog & de Meuron, Basel. National photograph. Gift of Robert Menschel, Janet Wallach, Stadium, Bejing, China. 2002. Pencil and collage and the Committee on Architecture and Design on paper, 11 11⁄1₆ × 16 9⁄1₆" (29.7 × 42 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett. Valentin Jeck. Untitled (Yugoslav Architecture). 2016. Digital photograph. Gift of Robert Menschel, Jacques Herzog. Herzog & de Meuron, Basel. Janet Wallach, and the Committee on Architecture Elbphilharmonie, Hamburg, Germany. 2001–03. Pencil and Design on paper, 11 11⁄1₆ × 16 9⁄1₆" (29.7 × 42 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Valentin Jeck. Untitled (Yugoslav Architecture). 2016. Digital photograph. Gift of Robert Menschel, Jacques Herzog. Herzog & de Meuron, Basel. Janet Wallach, and the Committee on Architecture Elbphilharmonie, Hamburg, Germany. 2001–03. Pencil and Design on paper, 8 ¼ × 11 11⁄1₆" (21 × 29.7 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Valentin Jeck. Svetlana Kana Radević. Podgorica Hotel, Podgorica, Montenegro. 2016. Digital photograph. Jacques Herzog. Herzog & de Meuron, Basel. Laban Gift of Robert Menschel and Janet Wallach and the Dance Centre, London, UK. 1998–99. Pencil on paper, Committee on Architecture and Design 8 ¼ × 11 11⁄1₆" (21 × 29.7 cm). Gift of the Jacques Herzog and Pierre de Meuron Kabinett Valentin Jeck. Milan Mihelič. Stoteks Department Store, Novi Sad, Serbia. 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture and Design

6 Valentin Jeck. Ivan Štraus. Aeronautical Museum, Valentin Jeck. Bogdan Bogdanović. Necropolis for Belgrade, Serbia. 2016. Digital photograph. Gift of the Victims of Fascism, Novi Travnik, Bosnia and Robert Menschel, Janet Wallach, and the Committee Herzegovina. 2016. Digital photograph. Gift of Robert on Architecture and Design Menschel, Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Stanko Kristl. Diagnostic and Therapeutic Wing of the University Medical Center, Ljubljana, Valentin Jeck. Ranko Radović. Battle of the Sutjeska Slovenia. 2016. Digital photograph. Gift of Robert Memorial Center, Tjentište, Bosnia and Herzegovina. Menschel, Janet Wallach, and the Committee on 2016. Digital photograph. Gift of Robert Menschel, Architecture and Design Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Janko Konstantinov. Telecommunications Center, Skopje, Macedonia. 2016. Digital photograph. Valentin Jeck. Štefan Kacin. Biro 71. Jurij Princes. Gift of Robert Menschel, Janet Wallach, and the Bogdan Spindler. Marjan Uršič. Macedonian Opera and Committee on Architecture and Design Ballet, Skopje, Macedonia. 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Valentin Jeck. Stojan Maksimović. Sava Center, Committee on Architecture and Design Belgrade, Serbia. 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Committee Valentin Jeck. Zlatko Ugljen. Šerefudin White Mosque, on Architecture and Design Visoko, Bosnia and Herzegovina. 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, Valentin Jeck. Božidar Janković. Branislav Karadžić. and the Committee on Architecture and Design Aleksandar Stjepanović. Milutin Glavički. Block 23, New Belgrade, Serbia. 2016. Digital photograph. Valentin Jeck. Boris Magaš. Museum of People’s Gift of Robert Menschel, Janet Wallach, and the Revolution, Sarajevo, Bosnia and Herzegovina. 2016. Committee on Architecture and Design Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Stanko Kristl. Diagnostic and Therapeutic Wing of the University Medical Center, Ljubljana, Valentin Jeck. Živa Baraga. Janez Lenassi. Monument Slovenia. 2016. Digital photograph. Gift of Robert to the Fighters Fallen in the People’s Liberation Menschel, Janet Wallach, and the Committee on Struggle, Ilirska Bistrica, Slovenia. 2016. Digital Architecture and Design photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Branko Žnidarec. Hotel Adriatic II, Opatija, Croatia. 2016. Digital photograph. Gift of Valentin Jeck. Edvard Ravnikar. Council Assembly Robert Menschel, Janet Wallach, and the Committee Building, Kranj, Slovenia. 2016. Digital photograph. on Architecture and Design Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Boris Magaš. Haludovo Hotel complex, Malinska, Krk, Croatia. 2016. Digital photograph. Gift Valentin Jeck. Edvard Ravnikar. Hotel Creina, Kranj, of Robert Menschel, Janet Wallach, and the Committee Slovenia. 2016. Digital photograph. Gift of Robert on Architecture and Design Menschel, Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Boris Magaš. Haludovo Hotel complex, Malinska, Krk, Croatia. 2016. Digital photograph. Gift Valentin Jeck. Milan Mihelič. S2 Office Tower, Ljubljana, of Robert Menschel, Janet Wallach, and the Committee Slovenia. 2016. Digital photograph. Gift of Robert on Architecture and Design Menschel, Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Andrija Mutnjaković. National and University Library of Kosovo, Pristina, Kosovo. 2016. Valentin Jeck. Stanko Kristl. Diagnostic and Therapeutic Digital photograph. Gift of Robert Menschel, Janet Wing of the University Medical Center, Ljubljana, Wallach, and the Committee on Architecture and Design Slovenia. 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Valentin Jeck. Božidar Janković. Branislav Karadžić. Architecture and Design Aleksandar Stjepanović. Milutin Glavički. Block 23, New Belgrade, Serbia. 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture and Design

7 Valentin Jeck. Edvard Ravnikar. Revolution Square Valentin Jeck. Ivan Štraus. Aeronautical Museum, (today Republic Square), Ljubljana, Slovenia. 2016. Belgrade, Serbia. 2016. Digital photograph. Gift of Digital photograph. Gift of Robert Menschel, Janet Robert Menschel, Janet Wallach, and the Committee Wallach, and the Committee on Architecture and Design on Architecture and Design

Valentin Jeck. Edvard Ravnikar. Revolution Square, Valentin Jeck. Iskra Grabulovski. Monument to the Ljubljana, Slovenia. 2016. Digital photograph. Gift of Ilinden Uprising, Kruševo, Macedonia. 2016. Inkjet Robert Menschel, Janet Wallach, and the Committee print, 31 ½ × 39 ⅜" (80 × 100 cm). Gift of Robert on Architecture and Design Menschel, Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Janko Konstantinov. Telecommunications Center, Skopje, Macedonia. 2016. Digital photograph. Valentin Jeck. Vojin Bakić. Berislav Šerbetić. Monument Gift of Robert Menschel, Janet Wallach, and the to the Uprising of the People of Kordun and Banija, Committee on Architecture and Design Petrova Gora, Croatia. 2016. Inkjet print, 31 ½ × 39 ⅜" (80 × 100 cm). Gift of Robert Menschel, Janet Wallach, Valentin Jeck. Janko Konstantinov. Medical High and the Committee on Architecture and Design School, Skopje, Macedonia. 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Valentin Jeck. Marko Mušič. Memorial and Cultural Committee on Architecture and Design Center, and Town Hall, Kolašin, Montenegro. 2016. Inkjet print, 31 ½ × 39 ⅜" (80 × 100 cm). Gift of Robert Valentin Jeck. Ivan Vitić. Krunoslav Tonković. Pavilion Menschel, Janet Wallach, and the Committee on of West Germany, Zagreb Fair, Zagreb, Croatia. Architecture and Design 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture Valentin Jeck. Edvard Ravnikar. Jasenovac Memorial and Design Site, Croatia. 2016. Inkjet print, 31 ½ × 39 ⅜" (80 × 100 cm). Gift of Robert Menschel, Janet Wallach, Valentin Jeck. Drago Galić. Apartment Building of the and the Committee on Architecture and Design Military Directorate, Zagreb, Croatia. 2016. Digital photograph. Gift of Robert Menschel, Janet Wallach, Valentin Jeck. Miodrag Živković. Monument to the and the Committee on Architecture and Design Battle of the Sutjeska, Tjentište, Bosnia and Herzegovina. 2017. Inkjet print, 31 ½ × 39 ⅜" (80 × Valentin Jeck. Drago Galić. Apartment Building of the 100 cm). Gift of Robert Menschel, Janet Wallach, Military Directorate, Zagreb, Croatia. 2016. Digital and the Committee on Architecture and Design photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture and Design Valentin Jeck. Andrija Mutnjaković. National and University Library of Kosovo, Pristina, Kosovo. 2017. Valentin Jeck. Uglješa Bogunović. Slobodan Janjić. Inkjet print, 59 1⁄1₆ × 74 1³⁄1₆" (150 × 190 cm). Gift of Milan Krstić. Avala TV Tower, Mount Avala, Belgrade, Robert Menschel, Janet Wallach, and the Committee Serbia. 2016. Digital photograph. Gift of Robert on Architecture and Design Menschel, Janet Wallach, and the Committee on Architecture and Design Alexander Khomyakov. Sub Sun. Draft to the project of Dmitry Bush and Alexander Khomyakov. 1988. Ink Valentin Jeck. Stojan Maksimović. Sava Center, on paper, 24 ³⁄1₆ × 24 ³⁄1₆" (61.4 × 61.4 cm). Committee Belgrade, Serbia. 2016. Digital photograph. Gift of on Architecture and Design Funds Robert Menschel, Janet Wallach, and the Committee on Architecture and Design Alexander Khomyakov. Bulwark of Resistance. Draft to the project of Dmitry Bush and Alexander Valentin Jeck. Ivan Antić. “Danube Flower” restaurant, Khomyakov. 1987. Ink on paper, 21 ⅝ × 28 ¾" (55 × Belgrade, Serbia. 2016. Digital photograph. Gift of 73 cm). Committee on Architecture and Design Funds Robert Menschel, Janet Wallach, and the Committee on Architecture and Design Georgi Konstantinovski. Goce Delčev Student Dormitory, Skopje, Macedonia. 1969–77. Ink on tracing Valentin Jeck. Mihajlo Mitrović. West Gate of Belgrade paper, 11 1³⁄1₆ × 23 7⁄1₆" (30 × 59.5 cm). Committee on (Genex Tower), Belgrade, Serbia. 2016. Digital Architecture and Design Funds photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture and Design

8 Georgi Konstantinovski. Goce Delčev Student Dormitory, Andrei Kuznetsov. Museum of Submarine Animals Skopje, Macedonia. 1969–77. Ink on tracing paper, and Plants. 1989. Watercolor on cardboard, 20 1⁄1₆ × 30 ⅛ × 36 ¼" (76.5 × 92 cm). Committee on Architecture 28 7⁄1₆" (51 × 72.2 cm). Committee on Architecture and and Design Funds Design Funds

Georgi Konstantinovski. City Archive, Skopje, Mikhail Labazov. Universal Service System. 1989. Macedonia. 1966–68. Ink on paper mounted on Ink and watercolor on paper, 24 × 17" (61 × 43.2 cm). cardboard, 17 ⅝ × 17 ⅝" (44.7 × 44.7 cm). Committee on Architecture and Design Funds Committee on Architecture and Design Funds Mikhail Labazov. Andrei Savin. Alexandra Pavlova. Georgi Konstantinovski. City Archive, Skopje, Architecture Museum. 1988. Etching and watercolor Macedonia. 1966–68. Ink on paper mounted on on paper, 33 ⅛ × 23 ⅝" (84.1 × 60 cm). Committee on cardboard, 17 ⅝ × 17 ⅝" (44.7 × 44.7 cm). Architecture and Design Funds Committee on Architecture and Design Funds Mikhail Labazov. Andrei Savin. House for Nature. Dinko Kovačić. Mihajlo Zorić. Building block on Braće 1987. Monotype print, 23 ¼ × 33 ⅞" (59 × 86 cm). Borozan Street, Split 3, Split, Croatia. 1970–73. Committee on Architecture and Design Funds Digital photograph. Gift of Robert Menschel, Janet Wallach, and the Committee on Architecture Mikhail Labazov. Andrei Cheltsov. Town House. 1985–90. and Design Silkscreen and watercolor, 33 1⁄1₆ × 23 ⅝" (84 × 60 cm). Committee on Architecture and Design Funds. Boris Krstulović. Elektroslavonija Headquarters, Slavonski Brod, Croatia. 1969–71. Pencil on tracing Slava Mizin. K.E. Tsiolkovsky Museum of Astronautics. paper, 24 7⁄1₆ × 46 7⁄1₆" (62 × 118 cm). Gift of the 1988–90. Watercolor on cardboard, 22 1⁄1₆ × 31 ¼" (56 Krstulović family archive × 79.3 cm). Committee on Architecture and Design Funds

Boris Krstulović. Elektroslavonija Headquarters, Vyacheslav Petrenko. Master House–Architecture of Osijek, Croatia. 1967–71. Pencil on tracing paper, States 1979. 1981. Etching, 9 ⅜ × 12 ¼" (23.8 × 31.1 22 7⁄1₆ × 61 7⁄1₆" (57 × 156 cm). Gift of the Krstulović cm). Committee on Architecture and Design Funds family archive Vyacheslav Petrenko. Figures of Space: Corner. 1981. Totan Kuzembaev. Sergei Korobov. Igor Pischukevich. Etching, 12 ¼ × 9 ⅜" (31.1 × 23.8 cm). Committee on Dwelling of the Future. 1987. Silkscreen, 34 1⁄1₆ × Architecture and Design Funds 24 ³⁄1₆" (86.5 × 61.5 cm). Committee on Architecture and Design Funds Vyacheslav Petrenko. Figures of Space: Turnings. 1981. Etching, 12 ¼ × 9 ⅜" (31.1 × 23.8 cm). Committee Totan Kuzembaev. Andrei Ivanov. Vyacheslav Aristov. on Architecture and Design Funds Bulwark of Revival. 1985–89. Silkscreen, 33 ⅞ × 24" (86 × 61 cm). Committee on Architecture and Design Vyacheslav Petrenko. Figures of Space: Intersec‑ Funds tions. 1981. Etching, 12 ¼ × 9 ⅜" (31.1 × 23.8 cm). Committee on Architecture and Design Funds Yuri Kuzin. City Museum of Architecture. 1995. Linocut, 33 1⁄1₆ × 27 9⁄1₆" (84 × 70 cm). Committee on Andrei Savin. Information Space. 1987. Etching, 18 ⅞ Architecture and Design Funds × 25 ⅜" (48 × 64.5 cm). Committee on Architecture and Design Funds Yuri Kuzin. Life Chronicle. 1995. Linocut, 33 1⁄1₆ × 27 9⁄1₆" (84 × 70 cm). Committee on Architecture and Carlo Scarpa. Monumento alla Partigiana (Monument Design Funds to the Partisan Woman). 1965–69. Ink and colored pencil on paper, 14 ⅝ × 17 ⅝" (37.2 × 44.7 cm). Yuri Kuzin. Running Bridge. 1996. Ink and tempera Committee on Architecture and Design Funds on paper, 29 ⅛ × 27 9⁄1₆" (74 × 70 cm). Committee on Architecture and Design Funds Philipp Schaerer. V25‑02, from the Chicago Series. 2017. Inkjet print, 35 ½ × 27 ½" (90.2 × 69.9 cm). Gift Andrei Kuznetsov. Tower on a Beach. 1991. Watercolor of the artist on paper, 30 ⅛ × 22 1⁄1₆" (76.5 × 56 cm). Committee on Architecture and Design Funds Philipp Schaerer. V22‑02, from the Chicago Series. 2017. Inkjet print, 35 ½ × 27 ½" (90.2 × 69.9 cm). Gift of the artist

9 Philipp Schaerer. V20‑02, from the Chicago Series. Zlatko Ugljen. Šerefudin White Mosque, Visoko, 2017. Inkjet print, 35 ½ × 27 ½" (90.2 × 69.9 cm). Gift Bosnia and Herzegovina. 1969–79. Colored pencil on of the artist diazotype, 19 11⁄1₆ × 23 ⅝" (50 × 60 cm). Committee on Architecture and Design Funds Philipp Schaerer. V10‑02, from the Chicago Series. 2017. Inkjet print, 35 ½ × 27 ½" (90.2 × 69.9 cm). Gift Zlatko Ugljen. Šerefudin White Mosque, Visoko, of the artist Bosnia and Herzegovina. 1969–79. Pastel on diazotype, 19 11⁄1₆ × 23 ⅝" (50 × 60 cm). Committee on Architecture Ivan Shalmin. Tower (House on the Zubovskaya and Design Funds Square). 1986. Silkscreen, 21 ¼ × 15 ¾" (54 × 40 cm). Committee on Architecture and Design Funds Zlatko Ugljen. Mountain Chalet, Bobovac, Bosnia and Herzegovina. 1968. Ink and Letraton on paper, 19 11⁄1₆ Viktor Smyshlyaev. Evgeny Burov. House on × 27 9⁄1₆" (50 × 70 cm). Committee on Architecture Zubovskaya Square. 1985–86. Watercolor and pencil and Design Funds on paper, 23 ¼ × 31 ½" (59 × 80 cm). Committee on Architecture and Design Funds Vika Voronova. Olga Breslavtseva. City of Orphans. 1987. Lithograph, 28 ¾ × 21 ⅝" (73 × 55 cm). Committee Viktor Smyshlyaev. Slava Mizin. House of Sleeping on Architecture and Design Funds Tree. 1985. Ink and pencil on paper, 31 ⅛ × 23 ⅜" (79 × 59.3 cm). Committee on Architecture and Design Funds Amanda Williams. Crown Royal Bag, from the Color(ed) Theory Suite. 2014–16. Pigmented inkjet print, 22 × 30" Vladimir Tyurin. Post‑socialist City #2. 1988. Etching, (55.9 × 76.2 cm). Fund for the Twenty‑First Century 31 ½ × 23 7⁄1₆" (80 × 59.5 cm). Committee on Architecture and Design Funds Amanda Williams. Loose Squares/Newport 100s, from the Color(ed) Theory Suite. 2014–16. Pigmented Zlatko Ugljen. Hotel Ruža, Mostar, Bosnia and inkjet print, 22 × 30" (55.9 × 76.2 cm). Fund for the Herzegovina. 1974–75. Ink, Letratone, and felt‑tip Twenty‑First Century pen on tracing paper, 29 15⁄1₆ × 41 ¾" (76 × 106 cm). Committee on Architecture and Design Funds Amanda Williams. Pink Oil Moisturizer, from the Color(ed) Theory Suite. 2014–16. Pigmented inkjet Zlatko Ugljen. Hotel Ruža, Mostar, Bosnia and print, 22 × 30" (55.9 × 76.2 cm). Fund for the Herzegovina. 1974–75. Ink and Letratone on tracing Twenty‑First Century paper, 29 15⁄1₆ × 63" (76 × 160 cm). Committee on Architecture and Design Funds Amanda Williams. Flamin' Red Hots, from the Color(ed) Theory Suite. 2014–16. Pigmented Zlatko Ugljen. Roman Catholic Cathedral, Mostar, inkjet print, 22 × 30" (55.9 × 76.2 cm). Fund for the Bosnia and Herzegovina. 1972. Inkjet print, 19 11⁄1₆ × Twenty‑First Century 19 11⁄1₆" (50 × 50 cm). Committee on Architecture and Design Funds Amanda Williams. Currency Exchange, Safe Passage, from the Color(ed) Theory Suite. 2014–16. Pigmented Zlatko Ugljen. Roman Catholic Cathedral, Mostar, inkjet print, 22 × 30" (55.9 × 76.2 cm). Fund for the Bosnia and Herzegovina. 1972. Diazotype, 27 9⁄1₆ × Twenty‑First Century 39 ⅜" (70 × 100 cm). Committee on Architecture and Design Funds Amanda Williams. Ultrasheen, from the Color(ed) Theory Suite. 2014–16. Pigmented inkjet print, 22 × 30" Zlatko Ugljen. Šerefudin White Mosque, Visoko, (55.9 × 76.2 cm). Fund for the Twenty‑First Century Bosnia and Herzegovina. 1969–79. Diazotype with annotations in felt‑tip pen, 19 × 23 ⅝" (50 × 60 cm). Amanda Williams. Harold's Chicken Shack, from the Committee on Architecture and Design Funds Color(ed) Theory Suite. 2014–16. Pigmented inkjet print, 22 × 30" (55.9 × 76.2 cm). Fund for the Zlatko Ugljen. Šerefudin White Mosque, Visoko, Bosnia Twenty‑First Century and Herzegovina. 1969–79. Ink on tracing paper, 21 ⅝ × 23 ⅝" (55 × 60 cm). Committee on Architecture Frank Lloyd Wright. Carlo Scarpa. Masieri Memorial and Design Funds project, Venice. 1953–54. Painted wood and paperboard, 30 ½ × 28 × 30" (77.5 × 71.1 × 76.2 cm). Committee on Architecture and Design Funds

10 Alexander Zossimov. Donate Money for the Anna Andreeva. Study for Decorative Textile for the Reconstruction of the Palace of Soviets! 1990–96. Club of Energetics. c. 1967. Tempera, wax, and mixed Lithograph, 39 ⅜ × 28 ⅜" (100 × 72 cm). Committee media on paper, 33 ⅞ × 24 ³⁄1₆" (86 × 61.5 cm). on Architecture and Design Funds Committee on Architecture and Design Funds

Alexander Zossimov. Collage no. 30. 1990. Photocollage, Anna Andreeva. Decorative Textile for the Club of 6 ⅞ × 9" (17.5 × 22.9 cm). Committee on Architecture Energetics. 1967. Textile with silver thread and tempera, and Design Funds 74 1³⁄1₆ × 52 ⅜" (190 × 133 cm). Committee on Architecture and Design Funds Alexander Zossimov. Club. 1986. Pencil on paper, 11 1³⁄1₆ × 17 11⁄1₆" (30 × 45 cm). Committee on Anna Andreeva. Cubes (design for children’s textile). Architecture and Design Funds c. 1960s. Tempera, crayon, and collage on paper, 8 1⁄1₆ × 7 15⁄1₆" (20.5 × 20.2 cm). Committee on Design Architecture and Design Funds

Salim Al‑Kadi. Beirut Architecture Office. K29 Keffiyeh Anna Andreeva. World Congress of Women, Moscow. 002. 2017. Para‑aramid synthetic fiber (K29 Kevlar) 1963. Ink, tempera, and collage on paper, 25 1³⁄1₆ × with cotton‑thread embroidery, 47 × 47" (119.4 × 25 9⁄1₆" (65.5 × 65 cm). Committee on Architecture 119.4 cm). Fund for the Twenty‑First Century and Design Funds

Anna Andreeva. Moscow Olympics (design for Anna Andreeva. Glory to the First Cosmonaut. 1961. children’s textile). 1980. Tempera on paper, 5 ¼ × 5 ¼" Ink, tempera, and mixed media, 25 9⁄1₆ × 25 ³⁄1₆" (65 × (20.3 × 20.3 cm). Committee on Architecture and 64 cm). Committee on Architecture and Design Funds Design Funds Gae Aulenti. Mezzo Pileo table lamp. Manufacturer: Anna Andreeva. Study for Decorative Textile for the Artemide S.p.A., Milan, Italy. 1972. Plastic and Club of Energetics. c. 1967. Tempera and pencil on aluminum, 17 ¾ × 14 ½ × 13 ½" (45.1 × 36.8 × 34.3 cm). paper, 23 ⅝ × 13 ¾" (60 × 35 cm). Gift of the estate of Gift of the George R. Kravis II Collection Anna Alekseevna Andreeva Aldo Bakker. Vinegar flask. 2008. Porcelain, 4 5⁄1₆ × Anna Andreeva. Study for Decorative Textile for the 2 ¾ × 4 ¾" (11 × 7 × 12 cm). Gift of Helen Drutt English Club of Energetics. c. 1967. Tempera and pencil on and H. Peter Stern paper, 23 ⅝ × 11 1³⁄1₆" (60 × 30 cm). Gift of the estate of Anna Alekseevna Andreeva Aldo Bakker. Salt cellar. 2007. Porcelain, 1 ³⁄1₆ × 4 ¾ × 2 ¾" (3 × 12 × 7 cm). Gift of Helen Drutt English and Anna Andreeva. Study for Decorative Textile for the H. Peter Stern Club of Energetics. c. 1967. Tempera and pencil on paper, 27 9⁄1₆ × 19 11⁄1₆" (70 × 50 cm). Gift of the estate Aldo Bakker. Oil platter. 2007. Porcelain, 3 15⁄1₆ × of Anna Alekseevna Andreeva 3 15⁄1₆" (10 × 10 cm). Gift of Helen Drutt English and H. Peter Stern Anna Andreeva. Study for Decorative Textile for the Club of Energetics. c. 1967. Watercolor on paper, Aldo Bakker. Milk or oil can. 2005. Porcelain, 3 15⁄1₆ 9 1³⁄1₆ × 9 1³⁄1₆" (25 × 25 cm). Gift of the estate of × 3 15⁄1₆ × 1 ¾" (10 × 10 × 4.5 cm). Gift of Helen Drutt Anna Alekseevna Andreeva English and H. Peter Stern

Anna Andreeva. Study for Decorative Textile for Aldo Bakker. Water carafe. 2007. Porcelain, 3 15⁄1₆ × the Club of Energetics. c. 1967. Tempera on paper, 9 1³⁄1₆ × 3 15⁄1₆" (10 × 25 × 10 cm). Gift of Helen Drutt 11 1³⁄1₆ × 7 ⅞" (30 × 20 cm). Gift of the estate of English and H. Peter Stern Anna Alekseevna Andreeva Yves Béhar. Jambox Bluetooth Speaker. 2010. Stainless Anna Andreeva. Sketch for Decorative Textile for the steel and rubber, 2 ¼ × 6 × 1 ⅝" (5.7 × 15.2 × 4.1 cm). Club of Energetics. c. 1967. Pencil and tempera on Gift of the George R. Kravis II Collection paper, 11 1³⁄1₆ × 7 ⅞" (30 × 20 cm). Gift of the estate of Anna Alekseevna Andreeva Peter Behrens. Synchron wall clock. Manufacturer: Allgemeine Elektricitäts Gesellschaft (A.E.G.), Germany. 1910s. Copper, glass, and enameled metal, 4 ¼ × 12 ½" (10.8 × 31.8 cm). Gift of the George R. Kravis II Collection

11 Mario Bellini. Cubo 15 television. Manufacturer: Joe Colombo. Linea 72 flatware and cups for Alitalia Brionvega S.p.A., Italy. 1992. Glass and enameled Airlines. 1970–72. Plastic, ¼ × 1 × 6 ¼" (0.6 × 2.5 × steel, 15 × 15 × 13 ¼" (38.1 × 38.1 × 33.7 cm). Gift of 15.9 cm). Gift of the George R. Kravis II Collection the George R. Kravis II Collection Henry Dreyfuss. Big Ben Alarm Clock. 1938. Metal, Mario Bellini. Samo 12 portable television. 1968. ABS chromium‑plated and enameled metal, 5 ¾ × 5 ⅛ × plastic, glass, and metal, 10 ⅞ × 13 × 11 ⅛" (27.6 × 33 × 3" (14.6 × 13 × 7.6 cm). Gift of the George R. Kravis II 28.3 cm). Gift of the George R. Kravis II Collection Collection

Sibille Berger. Delphine Meriaux. Pêle‑Mêle stool. Henry Dreyfuss. Thermos Pitcher and Tray (model 2015. Leather and sycamore, 16 ½ × 23 ⅝ × 15 11⁄1₆" 549). 1935. Enameled steel, aluminum, glass, and (41.9 × 59.9 × 39.9 cm). Gift of VIA (Valorisation de rubber, 7 ⅝ × 8 × 5 ¼" (19.4 × 20.3 × 13.3 cm). Gift of l’Innovation dans l’Ameublement), France the George R. Kravis II Collection

Jurgen Bey. Kokon table‑chair. 1999. PVC covered Henry Dreyfuss. Rotary Telephone (model 302). table and chair, 43 5⁄1₆ × 39 ⅜ × 39 ⅜" (110 × 100 × Manufacturer: Bell Telephone Laboratories. 1937. 100 cm). Gift of Droog Design Bakelite, 5 ½ × 9 ¼ × 7 ½" (14 × 23.5 × 19.1 cm). Gift of the George R. Kravis II Collection Benjamin Bowden. Spacelander bicycle. Manufacturer: Bombard Industries, Grand Haven, MI. 1946. Henry Dreyfuss. Thermostat (model T86A). Fiberglass, chrome‑plated steel, leather, and rubber, Manufacturer: Minneapolis‑Honeywell Regulator 41 × 72 × 23" (104.1 × 182.9 × 58.4 cm). Gift of the Company. c. 1942. Plastic and metal, 1 ½ × 3 ¼" George R. Kravis II Collection (3.8 × 8.3 cm). Gift of the George R. Kravis II Collection

Marianne Brandt. Writing accessory set. Manufacturer: Nathalie du Pasquier. Gabon textile. Manufacturer: Ruppelwerk GmbH, Gotha, Germany. c. 1931. Memphis, Milan. 1982. Printed cotton, length 66" Enameled steel and chromium‑plated steel, 8 ½ × 2 ½ (167.6 cm ). Gift of the George R. Kravis II Collection × ½" (21.6 × 6.4 × 1.3 cm). Gift of the George R. Kravis II Collection Nathalie du Pasquier. Zaire textile. Manufacturer: Memphis, Milan. 1982. Printed cotton, length 69" Marianne Brandt. Desk lamp (model 756). Manufacturer: (173.5 cm ). Gift of the George R. Kravis II Collection Körtig & Matthiesen, Leipzig, Germany. c. 1930. Enameled steel, glass, and Bakelite, 18 × 12 × 6" Charles Eames. Ray Eames. Hang‑it‑All clothes (45.7 × 30.5 × 15.2 cm). Gift of the George R. Kravis II hanger. Manufacturer: Tigrett Enterprises Playhouse Collection Division. 1953. Enameled steel and lacquered wood, 15 × 20 × 6" (38.1 × 50.8 × 15.2 cm). Gift of the George Miguel Calvo. Table. 2002. Painted wood, 48 × 30" R. Kravis II Collection (121.9 × 76.2 cm). Gift of the Miguel Calvo Estate Mostopha El Oulhani. Jérome Garzon. Fred Sionis. Miguel Calvo. Exclamation trays. 2000. Thermoplastic Fossile bookcase. 2008. Extruded terra cotta, polymer, each 1 × 16 × 6" (2.5 × 40.6 × 15.2 cm). Gift of each component: 22 × 15 × 10" (55.9 × 38.1 × 25.4 cm). the Miguel Calvo Estate Gift of VIA (Valorisation de l’Innovation dans l’Ameublement), France Achille Castiglioni. Crans Jeunesse 47 HS radio. Manufacturer: Brionvega S.p.A., Italy. 1960s. Painted Fit‑Shu. Fit‑Shu measuring tool. c. 1935–65. Aluminum, wood and fabric, 6 9⁄1₆ × 10 5⁄1₆ × 5 ³⁄1₆" (16.7 × 26.2 × 1 ⅝ × 13 ½ × 5 ⅞" (4.1 × 34.3 × 14.9 cm). Gift of the 13.2 cm). Gift of the George R. Kravis II Collection George R. Kravis II Collection

Pierre Chareau. Fleur lamp (model LP166). c. 1924. Robert Gage. Table lamp (model T‑6‑G). Manufacturer: Brass and alabaster, 8 × 8" (20.3 × 20.3 cm). Gift of Heifetz Mfg. Co., New York, NY. 1951. Lacquered the George R. Kravis II Collection masonite, enameled steel, brass, and fiberglass, 18 ¼ × 8 × 8" (46.4 × 20.3 × 20.3 cm). Gift of the George R. Closca Design S.L. Collapsible bicycle helmet. 2015. Kravis II Collection Plastic, polystyrene, and nylon, 4 ¾ × 11 × 8 ¼" (12.1 × 27.9 × 21 cm). Gift of the George R. Kravis II Collection Alexander Girard. Armchair. Manufacturer: Herman Miller, Inc., Zeeland, MI. 1967. Aluminum, Naugahyde, and upholstery, 27 ⅝ × 23 ¾ × 21" (70.2 × 60.3 × 53.3 cm). Gift of the George R. Kravis II Collection

12 Alexander Girard. Triangles textile. Manufacturer: George Nelson Associates. Cone table clock. 1954. Herman Miller, Inc., Zeeland, MI. 1961. Screenprinted Lacquered wood, enameled aluminum, enameled linen, length 60 ½" (153.7 cm). Gift of the George R. steel, and plastic, 6 ½ × 5 ¾ × 6" (16.5 × 14.6 × 15.2 Kravis II Collection cm). Gift of the George R. Kravis II Collection

Alexander Girard. Extrusions textile. Manufacturer: George Nelson Associates. Ball wall clock (model Herman Miller, Inc., Zeeland, MI. 1960. Screenprinted 4755). c. 1952. Chromium‑plated steel, lacquered cotton, 24 ¾ × 23" (62.9 × 58.4 cm). Gift of the George wood, and enameled metal, 13 ¾ × 3 ½" (34.9 × 8.9 R. Kravis II Collection cm). Gift of the George R. Kravis II Collection

Giorgetto Giugiaro. Rialto telephone. 1972. Plastic George Nelson Associates. The Fan wall clock (model and rubber, 4 × 8 ¾ × 2 ¾" (10.2 × 22.2 × 7 cm). Gift of 2223). c. 1954. Lacquered walnut, aluminum, and the George R. Kravis II Collection lacquered steel, 3 × 15" (7.6 × 38.1 cm). Gift of the George R. Kravis II Collection Michael Graves. Teakettles. Late 1990s. Enameled steel, 8 ¼ × 7 ⅝ × 7 ⅝" (21 × 19.4 × 19.4 cm). Gift of the George Nelson Associates. Spoke clock (model George R. Kravis II Collection 2227). 1955. Metal and enameled metal, 1 ¼ × 24" (3.2 × 61 cm). Gift of the George R. Kravis II Collection Zaha Hadid. Five‑piece cutlery set. 2007. Stainless steel, 12 ¼ × 9 ¼ × 1 ⅝" (31.1 × 23.5 × 4.1 cm). Gift of George Nelson. George Nelson Associates. Asterisk the George R. Kravis II Collection wall clock. 1950. Painted zinc‑plated steel, 10 × 10 × 3" (25.4 × 25.4 × 7.6 cm). Gift of the George R. Kravis II Japan Victor Corporation (JVC), Japan. Videosphere Collection television (model 3240). 1970. Plastic, metal, and chrome‑plated metal, 14 ¼ × 9 ½" (36.2 × 24.1 cm). Nest Labs, Palo Alto. Nest Learning Thermostat. Gift of the George R. Kravis II Collection 2011. Plastic and electronics, 6 ¼ × 6 ¼ × 4" (15.9 × 15.9 × 10.2 cm). Gift of the George R. Kravis II Collection Florence Knoll. Credenza. Manufacturer: Knoll International, Inc., New York, NY. c. 1955. Walnut, Neri Oxman. Mediated Matter Group. Vespers: marble, and chrome‑plated steel, 25 ¼ × 74 ⅝ × 17 ¾" Lazarus. 2016. 3D printed multicolored Vero acrylic (64.1 × 189.5 × 45.1 cm). Gift of the George R. Kravis II polymer, 16 ⅛ × 22 ⅜ × 9 ³⁄1₆" (40.9 × 56.9 × 23.3 cm). Collection Committee on Architecture and Design Funds

Leica Camera AG, Wetzlar, Germany. 35mm Neri Oxman. Mediated Matter Group. Glass II section rangefinder film camera (model IIf). 1951–56. Steel, – “F10”. 2017–18. 3D printed glass, 6 ¾ × 8" (17.1 × aluminum, leather, glass, and plastic, 2 ¾ × 6 × 2 ½" 20.3 cm). The Modern Women's Fund (7 × 15.2 × 6.4 cm). Gift of the George R. Kravis II Collection Neri Oxman. Mediated Matter Group. Glass II section – “E23”. 2017–18. 3D printed glass, 8 × 8 × 8" (20.3 × Bruno Mathsson. Lounge chair with reading stand. 20.3 × 20.3 cm). The Modern Women's Fund 1936. Beech, canvas, brass, birch, and ash, 31 × 40 × 21" (78.7 × 101.6 × 53.3 cm). Gift of the George R. Neri Oxman. Mediated Matter Group. Glass II section Kravis II Collection – “D16”. 2017–18. 3D printed glass, 9 ¾ × 10 × 10" (24.8 × 25.4 × 25.4 cm). The Modern Women's Fund Aurèlia Muñoz. Antoni Gaudí. Study of a catenary arch for the Gaudí crypt at Colonia Güell. 1996. Neri Oxman. Mediated Matter Group. Glass II section String and metal, 20 ⅞ × 14 ³⁄1₆ × 14 ³⁄1₆" (53 × 36 × 36 – “C14”. 2017–18. 3D printed glass, 8 × 6 × 5 ¾" (20.3 cm). Committee on Architecture and Design Funds × 15.2 × 14.6 cm). The Modern Women's Fund

Aurèlia Muñoz. Águila beige (Brown Eagle). 1977. Neri Oxman. Mediated Matter Group. Glass II section Macramé with hand‑dyed sisal and jute yarn, 72 × 156 – “B4”. 2017–18. 3D printed glass, 7 ¾ × 8 ¼" (19.7 × × 150" (182.9 × 396.2 × 381 cm). Committee on 21 cm). The Modern Women's Fund Architecture and Design Funds Neri Oxman. Mediated Matter Group. Glass II section Aurèlia Muñoz. Macra rojo (Red Macra). 1970. ‑ “MoMA 6”. 2017–18. 3D printed glass, 8 ¼ × 8 ¼" Macramé with sisal and cotton threads, 86 ⅝ × 47 ¼" (21 × 21 cm). The Modern Women's Fund (220 × 120 cm). Gift of Alice and Tom Tisch

13 Neri Oxman. Mediated Matter Group. Glass II section Gilbert Rohde. Table clock with thermometer and – “MoMA 5”. 2017–18. 3D printed glass, 8 ¾ × 8 ¼" hygrometer (model 6381). Manufacturer: Herman (22.2 × 21 cm). The Modern Women's Fund Miller Clock Co. c. 1932. Nickel‑plated steel, macassar ebony, lacquered wood, enameled aluminum, and Neri Oxman. Mediated Matter Group. Glass II section glass, 5 ½ × 10 ¼ × 2 ⅜" (14 × 26 × 6 cm). Gift of the – “MoMA 4”. 2017–18. 3D printed glass, 4 × 8" (10.2 × George R. Kravis II Collection 20.3 cm). The Modern Women's Fund Aldo Rossi. Parigi armchair. Manufacturer: Unifor Neri Oxman. Mediated Matter Group. Glass II section S.p.A., Turate, Italy. 1989. Painted steel and – “MoMA 3”. 2017–18. 3D printed glass, 7 ½ × 9 × 7 ½" polyurethane foam, 34 × 39 ⅜ × 38" (86.4 × 100 × (19.1 × 22.9 × 19.1 cm). The Modern Women's Fund 96.5 cm). Gift of the George R. Kravis II Collection

Neri Oxman. Mediated Matter Group. Glass II section Ettore Sottsass. Carlton room divider. Manufacturer: – “MoMA 2” Part 2. 2017–18. 3D printed glass, 6 × 6" Memphis, Milan. 1981. Plastic laminate and wood, (15.2 × 15.2 cm). The Modern Women's Fund 77 ½ × 75 × 15 ⅝" (196.9 × 190.5 × 39.7 cm). Gift of the George R. Kravis II Collection Neri Oxman. Mediated Matter Group. Glass II section – “MoMA 2” Part 1. 2017–18. 3D printed glass, 12 × 12 Ettore Sottsass. Yantra vases (model Y31). c. 1969. × 12" (30.5 × 30.5 × 30.5 cm). The Modern Women's Fund Glazed earthenware, 14 × 14 × 6 ½" (35.6 × 35.6 × 16.5 cm). Gift of the George R. Kravis II Collection Neri Oxman. Mediated Matter Group. Glass II section – “MoMA 1”. 2017–18. 3D printed glass, 12 × 12 × 9" The Steubenville Pottery Company, Steubenville, OH. (30.5 × 30.5 × 22.9 cm). The Modern Women's Fund Woodfield salad servingware. c. 1937. Glazed earthenware, each: 10 ½ × 1 ⅜ × 2 ¼" (26.7 × 3.5 × Neri Oxman. Mediated Matter Group. Glass II. 2017. 5.7 cm). Gift of the George R. Kravis II Collection 3D printed glass, 118 ⅛ × 11 1³⁄1₆" (300 × 30 cm). The Modern Women's Fund Stilnovo, Italy. Table light. 1970s. Plastic, enameled metal, and plexiglass, 9 ¼ × 10 1⁄1₆ × 10 7⁄1₆" (23.5 × Neri Oxman. Mediated Matter Group. Glass II. 2017. 25.6 × 26.5 cm). Gift of the George R. Kravis II Collection 3D printed glass, 118 ⅛ × 11 1³⁄1₆" (300 × 30 cm). The Modern Women's Fund LaGardo Tackett. Planter (model IN‑1). c. 1955. Glazed earthenware, 8 ½ × 12 ½" (21.6 × 31.8 cm). Gift Neri Oxman. Mediated Matter Group. Glass II. 2017. of the George R. Kravis II Collection 3D printed glass, 118 ⅛ × 11 1³⁄1₆" (300 × 30 cm). The Modern Women's Fund Roger Tallon. Wimpy chair. c. 1960. Lacquered plywood and aluminum, 30 ¼ × 17 ½ × 16" (76.8 × 44.5 × 40.6 Verner Panton. Spectrum textile. 1974. Printed cot‑ cm). Gift of the George R. Kravis II Collection ton, 91 × 90" (231.1 × 228.6 cm). Gift of the George R. Kravis II Collection Walter Dorwin Teague. Desk lamp (model 114). 1939. Bakelite, aluminum, and cellulose film, 13 ⅛ × 10 × 9 ⅛" Pentax, Japan. 35mm film camera (model PC35 AF). (33.3 × 25.4 × 23.2 cm). Gift of the George R. Kravis II 1982. Plastic and electronics, 3 × 5 ¼ × 2" (7.6 × 13.3 × Collection 5.1 cm). Gift of the George R. Kravis II Collection Walter Dorwin Teague. No. 2A Beau Brownie Doublet Paco Rabanne. Space Curtains. c. 1970. Metal, 85 × Lens Camera. Manufacturer: Eastman Kodak Company, 28" (215.9 × 71.1 cm). Gift of the George R. Kravis II Rochester, NY. 1930. Enameled metal, vinyl, metal, Collection glass, and plastic, 5 ¼ × 3 ½ × 5 ¼" (13.3 × 8.9 × 13.3 cm). Gift of the George R. Kravis II Collection Gilbert Rohde. Z Clock (model 4090). Manufacturer: Herman Miller Clock Co. c. 1934. Chrome‑plated and Tey Manufacturing Corp. TEY True‑Flex skis and enameled brass and glass, 12 × 12 ½ × 4" (30.5 × 31.8 × poles. c. 1949. Aluminum, leather, and steel, ski: 74 ½ 10.2 cm). Gift of the George R. Kravis II Collection × 4 ⅞ × 3 ¼" (189.2 × 12.4 × 8.3 cm). Gift of the George R. Kravis II Collection

Ko Verzuu. Wybert trailer. Manufacturer: ADO (Arbeid door onvolwaardigen). 1930s. Painted wood, rubber, and metal, 7 ¼ × 9 ½ × 6" (18.4 × 24.1 × 15.2 cm). Gift of the George R. Kravis II Collection

14 Ko Verzuu. Chalkboard. Manufacturer: ADO (Arbeid door onvolwaardigen). 1920s. Painted wood, 24 × 24 ¼ × 10 ⅝" (61 × 61.6 × 27 cm). Gift of the George R. Kravis II Collection

Walter Von Nessen. Comet teakettle (model 17083). c. 1938. Chromium‑plated brass and Bakelite, 7 ¾ × 8 ¼ × 5 ⅞" (19.7 × 21 × 14.9 cm). Gift of the George R. Kravis II Collection

Walter Von Nessen. Table lamp. c. 1935. Copper and steel, 11 ½ × 9 ¼ × 8" (29.2 × 23.5 × 20.3 cm). Gift of the George R. Kravis II Collection

Walter Von Nessen. Table lamp. c. 1935. Aluminum, enameled steel, brass, and glass, 19 ¾ × 8" (50.2 × 20.3 cm). Gift of the George R. Kravis II Collection

Walter Von Nessen. Coronet coffee urn service. Manufacturer: Chase Brass & Copper Co., Waterbury, CT. c. 1924. Chrome‑plated metal and Bakelite, 12 × 10 × 11" (30.5 × 25.4 × 27.9 cm). Gift of the George R. Kravis II Collection

Russel Wright. Simtex Modern tablecloth. c. 1950. Cotton, rayon, 69 × 50 ½" (175.3 × 128.3 cm). Gift of the George R. Kravis II Collection

Russel Wright. Iroquois Casual China carafe. 1946. Ceramic, 10 × 5 × 4 ½" (25.4 × 12.7 × 11.4 cm). Gift of the George R. Kravis II Collection

Russel Wright. Saturn punch bowl set. c. 1935. Aluminum and wood, 11 ¼ × 18" (28.6 × 45.7 cm). Gift of the George R. Kravis II Collection

Russel Wright. Lemonade pitcher. c. 1932. Aluminum and walnut, 10 ⅛ × 10 ⅜ × 6" (25.7 × 26.4 × 15.2 cm). Gift of the George R. Kravis II Collection

Russel Wright. Stacking snack trays. c. 1930. Spun aluminum and wood, 4 ¼ × 10 ⅝" (10.8 × 27 cm). Gift of the George R. Kravis II Collection

15 Drawings and Prints

A total of 981 works were acquired by the Department of Drawings and Prints.

Vito Acconci. Twelve Pictures. 1969. Typewritten text Vito Acconci. Following Piece. 1969. Gelatin silver on paper and twelve black-and-white photographs, print, 10 × 8 ¼" (25.4 × 21 cm). Gift of the Gilbert B. and (.a): 14 × 8 ⅝" (35.6 × 21.9 cm); (.b): 10 ⅝ × 14" (27 Lila Silverman Instruction Drawing Collection, Detroit × 35.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Vito Acconci. Twelve Pictures. 1969. Typewritten text on paper, each: 11 × 8 ½" (27.9 × 21.6 cm). Gift of Vito Acconci. Rest: “Lie of the land; line of vision”. the Gilbert B. and Lila Silverman Instruction Drawing 1969. Typewriting on paper and gelatin silver prints Collection, Detroit on paper, (.a): 11 × 8 ½" (27.9 × 21.6 cm); (.b): 8 ½ × 17 ⅝" (21.6 × 44.8 cm). Gift of the Gilbert B. and Lila Mamma Andersson. Mother's Day. 2013. Aquatint, Silverman Instruction Drawing Collection, Detroit composition: 29 ¾ × 45 1³⁄1₆" (75.6 × 116.3 cm); sheet: 38 ¾ × 54" (98.5 × 137.2 cm). Publisher and printer: Vito Acconci. Stand: “Margins”. 1969. Typewritten Crown Point Press, San Francisco. Edition: 35. Edgar text on paper and photographs on two sheets of and Sue Wachenheim III Endowment Fund paper, (.a): 11 × 8 ½" (27.9 × 21.6 cm); (.b): 7 ½ × 21 ½" (19.1 × 54.6 cm). Gift of the Gilbert B. and Lila Mamma Andersson. Headless Man in Stockings. Silverman Instruction Drawing Collection, Detroit 2015. Woodcut monotype, composition: 22 ½ × 19" (57.1 × 48.2 cm); sheet (irreg.): 25 9⁄1₆ × 19 15⁄1₆" (65 × Vito Acconci. Walk: “First Sight”. 1969. Typewritten 50.6 cm). Publisher and printer: the artist, text on paper and twelve photographs mounted on Gotland. Edition: 8 variants. Edgar and Sue paper, each: 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Wachenheim III Endowment Fund Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Mamma Andersson. Cave. 2016. Woodcut monotype, composition: 18 ⅞ × 22 7⁄1₆" (47.9 × 57 cm); sheet: Vito Acconci. Notes on Movement. 1971. 22 ⅝ × 24 15⁄1₆" (57.4 × 63.4 cm). Publisher and printer: Cut‑and‑pasted gelatin silver prints, typewriting on the artist, Gotland. Edition: 14 variants. Edgar and cut‑and‑pasted paper, and felt‑tip pen on paper, 11 Sue Wachenheim III Endowment Fund × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Carl Andre. Line of March. 1973. Ink on paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Vito Acconci. Walk: “Retrospect; Prospect”. 1969. Silverman Instruction Drawing Collection, Detroit Typewriting and pasted gelatin silver prints on paper, each: 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Carl Andre. A Monument to Galileo. 1969. Ballpoint Lila Silverman Instruction Drawing Collection, Detroit pen on paper, 10 ¾ × 8 ½" (27.3 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Vito Acconci. Stand: Stretch. 1969. Typewriting and Collection, Detroit pasted gelatin silver prints on paper, (.a): 11 × 8 ½" (27.9 × 21.6 cm); (.b): 10 ⅝ × 10 ⅝" (27 × 27 cm). Gift Eleanor Antin. 100 Boots. 1971. Felt‑tip pen, ballpoint of the Gilbert B. and Lila Silverman Instruction Drawing pen, pencil, and stamped ink on lined paper, 9 ¼ × Collection, Detroit 7 ⅜" (23.5 × 18.7 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Vito Acconci. Roget's Thesaurus Location Piece. c. 1969. 629 typewritten sheets, contained in Eleanor Antin. 100 Boots. 1971. Pencil, ballpoint clothbound slipcase, each: 11 × 8 ½" (27.9 × 21.6 cm). pen, and stamped ink on lined paper, 9 ¼ × 7 ⅜" (23.5 Gift of the Gilbert B. and Lila Silverman Instruction × 18.7 cm). Gift of the Gilbert B. and Lila Silverman Drawing Collection, Detroit Instruction Drawing Collection, Detroit

Vito Acconci. [Walk: “Rear View”] Untitled Piece. Stephen Antonakos. Floor Neon. 1969. Signed and 1969. Descriptive sheet, reel-to-reel magnetic tape, dated graphite, pigment, and varnish on paper, 13 ⅞ hundreds of slips of paper with texts, color photo, × 22" (35.2 × 55.9 cm). Gift of the Gilbert B. and Lila and envelope, typescript: 11 × 8 ½" (27.9 × 21.6 cm), Silverman Instruction Drawing Collection, Detroit 10 sheets: 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

16 Stephen Antonakos. Study for Incomplete Square– Jo Baer. Study for Memorial for an Art World Body Documenta VI. 1977. Graphite, ink, and paper on (Nevermore). 2009. Inkjet print with pencil additions, photograph, 15 ⅞ × 28 ¾" (40.3 × 73 cm). Gift of the 17 × 11" (43.2 × 27.9 cm). Gift of the artist Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Jo Baer. Study for Memorial for an Art World Body (Nevermore). 2009. Inkjet print with pencil additions, Siah Armajani. Fibonacci Discovery Bridge. 1970. 17 × 11" (43.2 × 27.9 cm). Gift of the artist Cut‑and‑pasted gelatin silver prints and board on board with felt‑tip pen, 17 ⅞ × 25 ⅝" (45.4 × 65.1 cm). Jo Baer. Study for Memorial for an Art World Body Gift of the Gilbert B. and Lila Silverman Instruction (Nevermore). 2009. Inkjet print, 17 × 11" (43.2 × 27.9 Drawing Collection, Detroit cm). Gift of the artist

Richard Artschwager. Untitled (Stack of Crates). 1993. Jo Baer. Float. 1962. Gouache on paper, 6 × 6" (15.2 Graphite and ink on both sides of a sheet of paper, × 15.2 cm). Gift of the Gilbert B. and Lila Silverman 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Instruction Drawing Collection, Detroit Silverman Instruction Drawing Collection, Detroit Jennifer Bartlett. Untitled (All Same 4 Points. Michael Asher. Project at Pomona College Art Gallery. 4 Connections…). 1972. Pencil and colored pencil 1970. Pencil on paper, 9 × 9 ½" (22.9 × 24.1 cm). Gift on graph paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of of the Gilbert B. and Lila Silverman Instruction Drawing the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Collection, Detroit

Alice Aycock. Project for a Circular Building with Jennifer Bartlett. Untitled (Mississippi River). 1976. Narrow. 1976. Pencil on transparentized paper, 21 ⅛ Colored pencil and ballpoint pen on graph paper, × 38" (53.7 × 96.5 cm). Gift of the Gilbert B. and Lila 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Silverman Instruction Drawing Collection, Detroit Lila Silverman Instruction Drawing Collection, Detroit

Alice Aycock. Collected Ghost Stories from the Iain Baxter&. Elements Transfer: Sky‑Earth‑Water. Workhouse. 1980. Pencil and press type on Vancouver BC to Chicago Ill. 1969. Score. 14 × 8 ½" transparentized paper, 36 × 42" (91.4 × 106.7 cm). (35.6 × 21.6 cm). Gift of the Gilbert B. and Lila Gift of the Gilbert B. and Lila Silverman Instruction Silverman Instruction Drawing Collection, Detroit Drawing Collection, Detroit Iain Baxter&. 33' V Trench Gravel Filled. 1968. Gelatin Jo Baer. Study for Memorial for an Art World Body silver print and felt‑tip pen on graph paper, 10 ⅜ × (Nevermore). 2009. Inkjet print with pencil additions, 10 ¼" (26.4 × 26 cm). Gift of the Gilbert B. and Lila 17 × 11" (43.2 × 27.9 cm). Gift of the artist Silverman Instruction Drawing Collection, Detroit

Jo Baer. Study for Memorial for an Art World Body Bill Beckley. Hot and Cold Faucets with Drain. 1976. (Nevermore). 2009. Inkjet print with pencil and Watercolor and felt‑tip pen on paper, 9 × 12" (22.9 ballpoint pen additions, 17 × 11" (43.2 × 27.9 cm). × 30.5 cm). Gift of the Gilbert B. and Lila Silverman Gift of the artist Instruction Drawing Collection, Detroit

Jo Baer. Study for Memorial for an Art World Body Bill Beckley. Study for Shoulder Blade. c. 1978. (Nevermore). 2009. Inkjet print with pencil and Watercolor and graphite on paper, 29 ⅞ × 22 ½" (75.9 ballpoint pen additions, 17 × 11" (43.2 × 27.9 cm). Gift × 57.2 cm). Gift of the Gilbert B. and Lila Silverman of the artist Instruction Drawing Collection, Detroit

Jo Baer. Study for Memorial for an Art World Body Edith Behring. Untitled (Boy). 1938. Pencil on paper, (Nevermore). 2009. Inkjet print with pencil additions, 18 × 13 ½" (45.7 × 34.3 cm). Inter‑American Fund 17 × 11" (43.2 × 27.9 cm). Gift of the artist Harry Bertoia. Untitled. 1988. Monoprint and ink Jo Baer. Study for Memorial for an Art World Body on rice paper, 12 × 39" (30.5 × 99.1 cm). Gift of the (Nevermore). 2009. Inkjet print with pencil additions, Gilbert B. and Lila Silverman Instruction Drawing 17 × 11" (43.2 × 27.9 cm). Gift of the artist Collection, Detroit

Jo Baer. Study for Memorial for an Art World Body Ronald Bladen. Sentinel. 1970–71. Pencil on paper, (Nevermore). 2009. Inkjet print with pencil additions, 8 × 10" (20.3 × 25.4 cm). Gift of the Gilbert B. and Lila 17 × 11" (43.2 × 27.9 cm). Gift of the artist Silverman Instruction Drawing Collection, Detroit

17 Ronald Bladen. Flying Fortress. 1974. Pencil and ink Frédéric Bruly Bouabré. <> N° 4 from Alphabet on lined paper, 8 × 12 ½" (20.3 × 31.8 cm). Gift of the bété. 1990. Colored pencil, pencil, and ballpoint pen Gilbert B. and Lila Silverman Instruction Drawing on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Collection, Detroit Pigozzi Collection. Gift of Jean Pigozzi

Ronald Bladen. Cosmic Seed. 1977. Pencil and ball‑ Frédéric Bruly Bouabré. <> N° 5 from Alphabet point pen on paper, 6 × 9 ½" (15.2 × 24.1 cm). Gift of bété. 1990. Colored pencil, pencil, and ballpoint pen the Gilbert B. and Lila Silverman Instruction Drawing on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Collection, Detroit Pigozzi Collection. Gift of Jean Pigozzi

Ronald Bladen. Place of Tribute. 1981. Pencil and Frédéric Bruly Bouabré. <> N° 6 from Alpha‑ ballpoint pen on paper, 8 ¼ × 5 ⅞" (21 × 14.9 cm). bet bété. 1990. Colored pencil, pencil, and ballpoint Gift of the Gilbert B. and Lila Silverman Instruction pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Drawing Collection, Detroit Pigozzi Collection. Gift of Jean Pigozzi

Ronald Bladen. Sonar Tide. 1983. Pencil on lined Frédéric Bruly Bouabré. <> N° 7 from Alpha‑ paper, 8 ½ × 11" (21.6 × 27.9 cm). Gift of the Gilbert B. bet bété. 1990. Colored pencil, pencil, and ballpoint and Lila Silverman Instruction Drawing Collection, Detroit pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Bill Bollinger. Untitled. 1970. Crayon, pencil, and ink on transparentized paper, 11 × 14" (27.9 × 35.6 cm). Frédéric Bruly Bouabré. <> N° 8 from Alphabet Gift of the Gilbert B. and Lila Silverman Instruction bété. 1990. Colored pencil, pencil, and ballpoint pen Drawing Collection, Detroit on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Norah Borges de Torre. Children (Niñas españolas). 1933. Tempera on paper, 18 ⅞ × 19" (47.9 × 48.3 cm). Frédéric Bruly Bouabré. <> N° 9 from Alphabet Inter‑American Fund bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Constantin Brancusi. Reclining Nude. c. 1910–25. Pigozzi Collection. Gift of Jean Pigozzi Pencil on paper, 19 ¼ × 24 ¾" (48.9 × 62.9 cm). Gift of Robert Gober in honor of Agnes Gund Frédéric Bruly Bouabré. <> <<10>> from Alphabet bété. 1990. Colored pencil, pencil, and AA Bronson. After General Idea. 2018. Book with 50 ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). offset lithographs with screenprint cover on board, CAAC–The Pigozzi Collection. Gift of Jean Pigozzi overall (closed): 18 7⁄1₆ × 19 5⁄1₆ × ⅜" (46.9 × 49 × 1 cm); sheet (each): 18 7⁄1₆ × 19 ¼" (46.8 × 48.9 cm). Frédéric Bruly Bouabré. <> 11 from Alphabet Publisher: Three Star Books, Paris. Edition: 40. bété. 1990. Colored pencil, pencil, and ballpoint pen Acquired through the generosity of Richard Gerrig on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The and Timothy Peterson Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 1 from Alphabet Frédéric Bruly Bouabré. <> N° 12 from bété. 1990. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1990. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 2 from Alphabet Frédéric Bruly Bouabré. <> N° 13 from bété. 1990. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1990. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. BEU N° 3 from Alphabet Frédéric Bruly Bouabré. <> N° 14 from bété. 1990. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1990. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

18 Frédéric Bruly Bouabré. <> N° 15 from Frédéric Bruly Bouabré. <> N° 26 from Alphabet Alphabet bété. 1990. Colored pencil, pencil, and bété. 1990. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 16 from Frédéric Bruly Bouabré. <> N° 27 from Alphabet Alphabet bété. 1990. Colored pencil, pencil, and bété. 1990. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 17 from Frédéric Bruly Bouabré. <> N° 28 from Alphabet Alphabet bété. 1990. Colored pencil, pencil, and bété. 1990. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 18 from Frédéric Bruly Bouabré. <> N° 29 from Alphabet Alphabet bété. 1990. Colored pencil, pencil, and bété. 1990. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. BRÔ=BLÔ N° 19 from Alphabet Frédéric Bruly Bouabré. BHEU N° 30 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. BRO=BLO N° 20 from Alphabet Frédéric Bruly Bouabré. <> N° 31 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. BROÉ=BLOÉ N° 21 from Frédéric Bruly Bouabré. <> N° 32 from Alphabet Alphabet bété. 1990. Colored pencil, pencil, and bété. 1990. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. BROU N° 22 from Alphabet Frédéric Bruly Bouabré. <> N° 33 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. BROU N° 23 from Alphabet Frédéric Bruly Bouabré. <> N° 34 from bété. 1990. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1990. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. BRUI N° 24 from Alphabet Frédéric Bruly Bouabré. BHOUI N° 35 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. BRUI N° 25 from Alphabet Frédéric Bruly Bouabré. <> N° 36 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

19 Frédéric Bruly Bouabré. <> N° 37 from Alphabet Frédéric Bruly Bouabré. DUI N° 48 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DÊ N° 38 from Alphabet Frédéric Bruly Bouabré. DUI N° 49 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 39 from Alphabet Frédéric Bruly Bouabré. DRA N° 50 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 40 from Alphabet Frédéric Bruly Bouabré. DJA N° 51 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 41 from Alphabet Frédéric Bruly Bouabré. DJÉ N° 52 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DO N° 42 from Alphabet Frédéric Bruly Bouabré. DJÊ N° 53 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DÔ N° 43 from Alphabet Frédéric Bruly Bouabré. DJÔ N° 54 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DÔ N° 44 from Alphabet Frédéric Bruly Bouabré. DJO N° 55 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DÔ N° 45 from Alphabet Frédéric Bruly Bouabré. DJOU N° 56 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DOI 46 from Alphabet bété. Frédéric Bruly Bouabré. <> N° 57 from 1990. Colored pencil, pencil, and ballpoint pen on Alphabet bété. 1990. Colored pencil, pencil, and board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DOU N° 47 from Alphabet Frédéric Bruly Bouabré. DRA=DLA N° 58 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

20 Frédéric Bruly Bouabré. DRÉ N° 59 from Alphabet Frédéric Bruly Bouabré. EUA N° 70 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DRÊ N° 60 from Alphabet Frédéric Bruly Bouabré. FA N° 71 from Alphabet bété. bété. 1990. Colored pencil, pencil, and ballpoint pen 1990. Colored pencil, pencil, and ballpoint pen on on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Pigozzi Collection. Gift of Jean Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DRI N° 61 from Alphabet Frédéric Bruly Bouabré. FÉ N° 72 from Alphabet bété. bété. 1990. Colored pencil, pencil, and ballpoint pen 1990. Colored pencil, pencil, and ballpoint pen on on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Pigozzi Collection. Gift of Jean Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DRÔ N° 62 from Alphabet Frédéric Bruly Bouabré. FÊ N° 73 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DRO N° 63 from Alphabet Frédéric Bruly Bouabré. FEU N°74 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DROU N° 64 from Alphabet Frédéric Bruly Bouabré. <> N° 75 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DRUI N° 65 from Alphabet Frédéric Bruly Bouabré. <> N° 76 from Alpha‑ bété. 1990. Colored pencil, pencil, and ballpoint pen bet bété. 1990. Colored pencil, pencil, and ballpoint on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. DRUI N° 66 from Alphabet Frédéric Bruly Bouabré. <> N° 77 from Alpha‑ bété. 1990. Colored pencil, pencil, and ballpoint pen bet bété. 1990. Colored pencil, pencil, and ballpoint on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. Ê N° 67 from Alphabet bété. Frédéric Bruly Bouabré. FOU N° 78 from Alphabet 1990. Colored pencil, pencil, and ballpoint pen on bété. 1990. Colored pencil, pencil, and ballpoint pen board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi. 104.2019.78.

Frédéric Bruly Bouabré. É N° 68 from Alphabet bété. Frédéric Bruly Bouabré. FU N° 79 from Alphabet 1990. Colored pencil, pencil, and ballpoint pen on bété. 1990. Colored pencil, pencil, and ballpoint pen board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. EU N° 69 from Alphabet Frédéric Bruly Bouabré. FUI N° 80 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

21 Frédéric Bruly Bouabré. FRA=FLA N° 81 from Alphabet Frédéric Bruly Bouabré. GA N° 92 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRA=FLA N° 82 from Alphabet Frédéric Bruly Bouabré. GUE N° 93 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRÊ=FLÊ N° 83 from Alphabet Frédéric Bruly Bouabré. GUI=DJI N° 94 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRÉ=FLÉ N° 84 from Alphabet Frédéric Bruly Bouabré. <> N° 95 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRÉ=FRÉ N° 85 from Alphabet Frédéric Bruly Bouabré. <> N° 96 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRÉ=FLÉ N° 86 from Alphabet Frédéric Bruly Bouabré. <> N° 97 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRI=FLI N° 87 from Alphabet Frédéric Bruly Bouabré. <> N° 98 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRÔ=FLÔ N° 88 from Alphabet Frédéric Bruly Bouabré. GOU N° 99 from Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRO=FLO N° 89 from Alphabet Frédéric Bruly Bouabré. <> N° 100 from bété. 1990. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1990. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FROU=FLOU N° 90 from Frédéric Bruly Bouabré. <> N° 101 Alphabet bété. 1990. Colored pencil, pencil, and from Alphabet bété. 1990. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. FRUI=FLUI N° 91 from Frédéric Bruly Bouabré. <>=DJUI N° 102 Alphabet bété. 1990. Colored pencil, pencil, and from Alphabet bété. 1990. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

22 Frédéric Bruly Bouabré. <>=DJUI N° 103 Frédéric Bruly Bouabré. <> N° 113 from from Alphabet bété. 1990. Colored pencil, pencil, Alphabet bété. 1990. Colored pencil, pencil, and and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <>=DJUI N° 104 Frédéric Bruly Bouabré. <> N° 113 from from Alphabet bété. 1990. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and and ballpoint pen on board, 3 ⅞ × 5 ⅞" ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 114 from Frédéric Bruly Bouabré. <> N° 105 from Alphabet bété. 1990. Colored pencil, pencil, and Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 114 from Frédéric Bruly Bouabré. <> N° 106 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 115 from Frédéric Bruly Bouabré. <> N° 107 from Alphabet bété. 1990. Colored pencil, pencil, and Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. GBRA=GBLA N° 115 from Frédéric Bruly Bouabré. <> N° 108 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 116 from Frédéric Bruly Bouabré. <> N° 109 from Alphabet bété. 1990. Colored pencil, pencil, and Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 116 Frédéric Bruly Bouabré. <> N° 110 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1990. Colored pencil, pencil, and and ballpoint pen on board, 3 ⅞ × 5 ⅞" ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. GBEU N° 111 from Alphabet Frédéric Bruly Bouabré. <> N° 117 bété. 1990. Colored pencil, pencil, and ballpoint pen from Alphabet bété. 1991. Colored pencil, pencil, on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The and ballpoint pen on board, 3 ⅞ × 5 ⅞" Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 112 from Alphabet bété. 1990. Colored pencil, pencil, Frédéric Bruly Bouabré. <> N° 118 and ballpoint pen on board, 3 ⅞ × 5 ⅞" from Alphabet bété. 1991. Colored pencil, pencil, (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. and ballpoint pen on board, 3 ⅞ × 5 ⅞" Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> de “s“ en “sons“ de Frédéric Bruly Bouabré. <> N° 119 “ch“ et les “sons‑z“ en “j“>> N° 112 from Alphabet from Alphabet bété. 1991. Colored pencil, pencil, bété. 1991. Colored pencil, pencil, and ballpoint pen and ballpoint pen on board, 3 ⅞ × 5 ⅞" on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

23 Frédéric Bruly Bouabré. <> N° 120 from Frédéric Bruly Bouabré. <> N° 130 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. GBRÔ=GBLÔ N° 121 from Frédéric Bruly Bouabré. <> N° 131 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 122 Frédéric Bruly Bouabré. <> N° 132 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and and ballpoint pen on board, 3 ⅞ × 5 ⅞" ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi Frédéric Bruly Bouabré. GNÔ N° 133 from Alphabet Frédéric Bruly Bouabré. <> N° 123 bété. 1991. Colored pencil, pencil, and ballpoint pen from Alphabet bété. 1991. Colored pencil, pencil, on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The and ballpoint pen on board, 3 ⅞ × 5 ⅞" Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 134 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 124 ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). from Alphabet bété. 1991. Colored pencil, pencil, CAAC–The Pigozzi Collection. Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. GNUÉ N° 135 from Alphabet Gift of Jean Pigozzi bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Frédéric Bruly Bouabré. <> N° 125 Pigozzi Collection. Gift of Jean Pigozzi from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. <> N° 136 from (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Alphabet bété. 1991. Colored pencil, pencil, and Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 126 from Alphabet bété. 1991. Colored pencil, pencil, Frédéric Bruly Bouabré. <> N° 137 from and ballpoint pen on board, 3 ⅞ × 5 ⅞" Alphabet bété. 1991. Colored pencil, pencil, and (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 127 Frédéric Bruly Bouabré. <> N° 138 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and and ballpoint pen on board, 3 ⅞ × 5 ⅞" ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 139 from Frédéric Bruly Bouabré. <> N° 128 Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 140 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 129 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

24 Frédéric Bruly Bouabré. <> N° 141 from Frédéric Bruly Bouabré. <> N° 152 Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 142 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 153 ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). from Alphabet bété. 1991. Colored pencil, pencil, CAAC–The Pigozzi Collection. Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. <> N° 143 from Gift of Jean Pigozzi Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Frédéric Bruly Bouabré. <> N° 154 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. <> N° 144 from (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Alphabet bété. 1991. Colored pencil, pencil, and Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 155 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. GRI=GLI N° 145 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 156 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. GRÔ=GLÔ N° 146 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 157 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 147 ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). from Alphabet bété. 1991. Colored pencil, pencil, CAAC–The Pigozzi Collection. Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. <> N° 158 from Gift of Jean Pigozzi Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Frédéric Bruly Bouabré. GROÉ=GLOÉ N° 148 CAAC–The Pigozzi Collection. Gift of Jean Pigozzi from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. TCHÊ N° 159 from Alphabet (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. bété. 1991. Colored pencil, pencil, and ballpoint pen Gift of Jean Pigozzi on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 149 from Alphabet bété. 1991. Colored pencil, pencil, Frédéric Bruly Bouabré. <> N° 160 from and ballpoint pen on board, 3 ⅞ × 5 ⅞" Alphabet bété. 1991. Colored pencil, pencil, and (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 150 Frédéric Bruly Bouabré. <> N° 161 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and and ballpoint pen on board, 3 ⅞ × 5 ⅞" ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 162 from Frédéric Bruly Bouabré. <> N° 151 Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

25 Frédéric Bruly Bouabré. <> N° 163 from Frédéric Bruly Bouabré. KROÉ=KLOÉ N° 175 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 164 from Frédéric Bruly Bouabré. KRO=KLO N° 176 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 165 from Frédéric Bruly Bouabré. KRÔ=KLÔ N° 177 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 166 from Frédéric Bruly Bouabré. KRÉ=KLÉ N° 178 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 167 from Frédéric Bruly Bouabré. KRO=KLO N° 179 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 168 from Frédéric Bruly Bouabré. KRUI=KLUI N° 180 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 169 from Frédéric Bruly Bouabré. KRA=KLA N° 181 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 170 from Frédéric Bruly Bouabré. KRÊ=KLÊ N° 182 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 171 from Frédéric Bruly Bouabré. KRÊ=KLÊ N° 183 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. KRA=KLA N° 172 from Frédéric Bruly Bouabré. KRÉ=KLÉ N° 184 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. KRA=KLA N° 173 from Frédéric Bruly Bouabré. KRI=KLI N° 185 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. KRO=KLO N° 174 from Frédéric Bruly Bouabré. KRÉ=KLÉ N° 186 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

26 Frédéric Bruly Bouabré. KROI=KLOI N° 187 from Frédéric Bruly Bouabré. KPI N° 199 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. KROU=KLOU N° 188 from Frédéric Bruly Bouabré. <> <> Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. KRUI=KLUI N° 189 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 201 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. KPÊ N° 190 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen Frédéric Bruly Bouabré. <> N° 202 from on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Alphabet bété. 1991. Colored pencil, pencil, and Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. KPA N° 191 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen Frédéric Bruly Bouabré. <> N° 203 on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The from Alphabet bété. 1991. Colored pencil, pencil, Pigozzi Collection. Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. KPEU N° 192 from Alphabet Gift of Jean Pigozzi bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Frédéric Bruly Bouabré. <> N° 204 Pigozzi Collection. Gift of Jean Pigozzi from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. KPYÏ N° 193 from Alphabet (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. bété. 1991. Colored pencil, pencil, and ballpoint pen Gift of Jean Pigozzi on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> <> from Alphabet bété. 1991. Colored Frédéric Bruly Bouabré. KPO N° 194 from Alphabet pencil, pencil, and ballpoint pen on board, bété. 1991. Colored pencil, pencil, and ballpoint pen 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 206 Frédéric Bruly Bouabré. KPÉ N° 195 from Alphabet from Alphabet bété. 1991. Colored pencil, pencil, bété. 1991. Colored pencil, pencil, and ballpoint pen and ballpoint pen on board, 3 ⅞ × 5 ⅞" on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. KPO N° 196 from Alphabet Frédéric Bruly Bouabré. <> bété. 1991. Colored pencil, pencil, and ballpoint pen <> from Alphabet bété. 1991. Colored on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigo‑ pencil, pencil, and ballpoint pen on board, zzi Collection. Gift of Jean Pigozzi 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. KPOI N° 197 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen Frédéric Bruly Bouabré. <> N° 208 on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The from Alphabet bété. 1991. Colored pencil, pencil, Pigozzi Collection. Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. KPÔ N° 198 from Alphabet Gift of Jean Pigozzi bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

27 Frédéric Bruly Bouabré. <> Frédéric Bruly Bouabré. <> N° 220 from <> from Alphabet bété. 1991. Colored Alphabet bété. 1991. Colored pencil, pencil, and pencil, pencil, and ballpoint pen on board, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 221 from Frédéric Bruly Bouabré. <> <> from Alphabet bété. 1991. Colored pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 222 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). <> from Alphabet bété. 1991. Colored CAAC–The Pigozzi Collection. Gift of Jean Pigozzi pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Frédéric Bruly Bouabré. <> N° 223 from Collection. Gift of Jean Pigozzi Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Frédéric Bruly Bouabré. <> CAAC–The Pigozzi Collection. Gift of Jean Pigozzi <> from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, Frédéric Bruly Bouabré. <> N° 224 from 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Alphabet bété. 1991. Colored pencil, pencil, and Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> <> from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 225 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 214 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 226 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 215 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 227 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 216 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 228 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <

> N° 217 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 229 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <

> N° 218 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. << N° 230 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 219 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

28 Frédéric Bruly Bouabré. <> N° 231 from Frédéric Bruly Bouabré. <> N° 242 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 232 from Frédéric Bruly Bouabré. <> N° 243 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 233 from Frédéric Bruly Bouabré. <> N° 244 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 234 from Frédéric Bruly Bouabré. <> N° 245 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 235 from Frédéric Bruly Bouabré. <> N° 246 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 236 from Frédéric Bruly Bouabré. <> N° 247 from Alpha‑ Alphabet bété. 1991. Colored pencil, pencil, and bet bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 237 from Frédéric Bruly Bouabré. <> N° 248 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 238 from Frédéric Bruly Bouabré. <<Ô>> N° 249 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 239 from Frédéric Bruly Bouabré. <> N° 250 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 240 from Frédéric Bruly Bouabré. <> N° 251 from Alpha‑ Alphabet bété. 1991. Colored pencil, pencil, and bet bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 241 from Frédéric Bruly Bouabré. <> N° 252 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

29 Frédéric Bruly Bouabré. <> N° 253 from Frédéric Bruly Bouabré. <> N° 264 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 254 from Frédéric Bruly Bouabré. <> N° 265 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 255 from Frédéric Bruly Bouabré. <> N° 266 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 256 from Frédéric Bruly Bouabré. <> N° 267 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 257 from Frédéric Bruly Bouabré. <> N° 268 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 258 from Frédéric Bruly Bouabré. <> N° 269 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 259 from Frédéric Bruly Bouabré. PÊ v. N° 270 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 260 from Frédéric Bruly Bouabré. <> N° 271 Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 261 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 272 ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). from Alphabet bété. 1991. Colored pencil, pencil, CAAC–The Pigozzi Collection. Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. <> N° 262 from Gift of Jean Pigozzi Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Frédéric Bruly Bouabré. <> N° 273 CAAC–The Pigozzi Collection. Gift of Jean Pigozzi from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. <> N° 263 from (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Alphabet bété. 1991. Colored pencil, pencil, and Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 274 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

30 Frédéric Bruly Bouabré. <> N° 275 Frédéric Bruly Bouabré. <> N° 285 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 276 Frédéric Bruly Bouabré. <> N° 286 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 277 Frédéric Bruly Bouabré. <> N° 287 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 278 Frédéric Bruly Bouabré. <> N° 288 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 279 Frédéric Bruly Bouabré. <> N° 289 from from Alphabet bété. 1991. Colored pencil, Alphabet bété. 1991. Colored pencil, pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 280 Frédéric Bruly Bouabré. <> N° 290 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi.

Frédéric Bruly Bouabré. <> N° 281 Frédéric Bruly Bouabré. <> N° 291 from from Alphabet bété. 1991. Colored pencil, Alphabet bété. 1991. Colored pencil, pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 282 Frédéric Bruly Bouabré. <> N° 292 from Alphabet bété. 1991. Colored pencil, pencil, from Alphabet bété. 1991. Colored pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 283 from Frédéric Bruly Bouabré. <> N° 293 Alphabet bété. 1991. Colored pencil, pencil, from Alphabet bété. 1991. Colored pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 284 from Frédéric Bruly Bouabré. <> N° 294 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

31 Frédéric Bruly Bouabré. <> N° 295 from Frédéric Bruly Bouabré. <> N° 306 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 296 from Frédéric Bruly Bouabré. <> N° 307 from | Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 297 from Frédéric Bruly Bouabré. <> N° 308 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 298 from Frédéric Bruly Bouabré. TOU N° 309 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 299 from Frédéric Bruly Bouabré. TUI N° 310 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 300 from Frédéric Bruly Bouabré. TCHÊ N° 311 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigo‑ CAAC–The Pigozzi Collection. Gift of Jean Pigozzi zzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TA N° 300 from Alphabet Frédéric Bruly Bouabré. TCHÊ N° 312 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TÉ N° 301 from Alphabet Frédéric Bruly Bouabré. TCHÉ N° 313 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TÊ N° 302 from Alphabet Frédéric Bruly Bouabré. TCHI N° 314 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TI N° 303 from Alphabet Frédéric Bruly Bouabré. TCHO N° 315 from bété. 1991. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1991. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TÔ N° 304 from Alphabet Frédéric Bruly Bouabré. TCHUI N° 316 from bété. 1991. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1991. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 305 from Frédéric Bruly Bouabré. TRA=TLA N° 317 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

32 Frédéric Bruly Bouabré. TRE=TLE N° 318 from Frédéric Bruly Bouabré. VÊ N° 330 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TRÊ=TLÊ N° 319 from Frédéric Bruly Bouabré. VI N° 331 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TRI=TLI N° 320 from Frédéric Bruly Bouabré. VÔ N° 332 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TRÔ N° 321 from Alphabet Frédéric Bruly Bouabré. VO N° 333 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen bété. 1991. Colored pencil, pencil, and ballpoint on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TRO=TLO N° 322 from Frédéric Bruly Bouabré. VO N° 334 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TRUI=TLUI N° 323 from Frédéric Bruly Bouabré. VOU N° 335 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TROU=TLOU N° 324 from Frédéric Bruly Bouabré. VUI N° 336 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. TRUI=TLUI N° 325 from Frédéric Bruly Bouabré. VRA=VLA N° 337 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. UI N° 326 from Alphabet Frédéric Bruly Bouabré. VRÉ=VLÉ N° 338 from bété. 1991. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1991. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. VA N° 327 from Alphabet Frédéric Bruly Bouabré. VRA=VLA N° 339 from bété. 1991. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1991. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. VEU N° 328 from Alphabet Frédéric Bruly Bouabré. VRÉ=VLÉ N° 340 from bété. 1991. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1991. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. VÉ N° 329 from Alphabet Frédéric Bruly Bouabré. VRÊ=VLÊ N° 341 from bété. 1991. Colored pencil, pencil, and ballpoint pen Alphabet bété. 1991. Colored pencil, pencil, and on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

33 Frédéric Bruly Bouabré. VRÔ=VLÔ N° 342 from Frédéric Bruly Bouabré. <> N° 353 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. VROU=VLOU N° 343 from Frédéric Bruly Bouabré. <> N° 354 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. VRI=VLI N° 344 from Frédéric Bruly Bouabré. <> N° 355 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 345 Frédéric Bruly Bouabré. YÊ N° 356 from Alphabet from Alphabet bété. 1991. Colored pencil, pencil, bété. 1991. Colored pencil, pencil, and ballpoint and ballpoint pen on board, 3 ⅞ × 5 ⅞" pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 357 from Frédéric Bruly Bouabré. <> N° 346 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 358 from Frédéric Bruly Bouabré. WA N° 347 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 359 from Frédéric Bruly Bouabré. <> N° 348 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 360 from Frédéric Bruly Bouabré. GNUÊ N° 349 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 361 from Frédéric Bruly Bouabré. GNUI N° 350 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 362 from Frédéric Bruly Bouabré. <> N° 351 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 363 from Frédéric Bruly Bouabré. WO N° 352 from Alphabet Alphabet bété. 1991. Colored pencil, pencil, and bété. 1991. Colored pencil, pencil, and ballpoint pen ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 364 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

34 Frédéric Bruly Bouabré. <> N° 365 from Frédéric Bruly Bouabré. <> N° 376 Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 366 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 377 ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). from Alphabet bété. 1991. Colored pencil, pencil, CAAC–The Pigozzi Collection. Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. <> N° 367 from Gift of Jean Pigozzi Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Frédéric Bruly Bouabré. <> N° 378 CAAC–The Pigozzi Collection. Gift of Jean Pigozzi from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. <> N° 368 from (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Alphabet bété. 1991. Colored pencil, pencil, and Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 379 from Alphabet bété. 1991. Colored pencil, pencil, Frédéric Bruly Bouabré. <> N° 369 from and ballpoint pen on board, 3 ⅞ × 5 ⅞" Alphabet bété. 1991. Colored pencil, pencil, and (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 380 Frédéric Bruly Bouabré. <> N° 370 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and and ballpoint pen on board, 3 ⅞ × 5 ⅞" ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 371 from Frédéric Bruly Bouabré. <> N° 381 Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. ZUI N° 372 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen Frédéric Bruly Bouabré. <> Pigozzi Collection. Gift of Jean Pigozzi N° 382 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. <> N° 373 (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. from Alphabet bété. 1991. Colored pencil, pencil, Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. <> Gift of Jean Pigozzi N° 383 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. <> N° 374 (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. from Alphabet bété. 1991. Colored pencil, pencil, Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. <> <> N° 384 from Alphabet bété. Frédéric Bruly Bouabré. <> N° 375 1991. Colored pencil, pencil, and ballpoint pen from Alphabet bété. 1991. Colored pencil, pencil, on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The and ballpoint pen on board, 3 ⅞ × 5 ⅞" Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

35 Frédéric Bruly Bouabré. <> N° 385 from Frédéric Bruly Bouabré. <> N° 396 Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi. Frédéric Bruly Bouabré. <> N° 386 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 397 ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). from Alphabet bété. 1991. Colored pencil, pencil, CAAC–The Pigozzi Collection. Gift of Jean Pigozzi and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Frédéric Bruly Bouabré. <> N° 387 from Gift of Jean Pigozzi Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Frédéric Bruly Bouabré. <> N° 398 CAAC–The Pigozzi Collection. Gift of Jean Pigozzi from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. <> N° 388 from (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Alphabet bété. 1991. Colored pencil, pencil, and Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. JRÉ=JLÉ N° 399 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 389 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 400 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <> N° 390 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 401 from Alphabet bété. 1991. Colored pencil, pencil, Frédéric Bruly Bouabré. <> N° 391 from and ballpoint pen on board, 3 ⅞ × 5 ⅞" Alphabet bété. 1991. Colored pencil, pencil, and (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 402 Frédéric Bruly Bouabré. <> N °392 from from Alphabet bété. 1991. Colored pencil, pencil, Alphabet bété. 1991. Colored pencil, pencil, and and ballpoint pen on board, 3 ⅞ × 5 ⅞" ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 393 from Frédéric Bruly Bouabré. <> N° 403 Alphabet bété. 1991. Colored pencil, pencil, and from Alphabet bété. 1991. Colored pencil, pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 394 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. JRUI=JLUI N° 404 from ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Alphabet bété. 1991. Colored pencil, pencil, and CAAC–The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 395 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. Toutes les syllabes de“s” ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). surmontées De “bafa: dents taillées” se lisent en CAAC–The Pigozzi Collection. Gift of Jean Pigozzi “ch”>> <> N° 405 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

36 Frédéric Bruly Bouabré. <> N° 406 from Frédéric Bruly Bouabré. <<¨N'‑AN>> N° 418 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 407 from Frédéric Bruly Bouabré. <> Alphabet bété. 1991. Colored pencil, pencil, and N° 419 from Alphabet bété. 1991. Colored pencil, ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" CAAC–The Pigozzi Collection. Gift of Jean Pigozzi (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 408 from Alphabet bété. 1991. Colored pencil, pencil, and Frédéric Bruly Bouabré. <>. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Tombé, il diminue le son. N° 420 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint Frédéric Bruly Bouabré. <> N° 409 from pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC– Alphabet bété. 1991. Colored pencil, pencil, and The Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. Ce point sur les syllabes équivaut à “H” aspiré>> N° 421 from Alphabet bété. Frédéric Bruly Bouabré. CHÔ N° 410 from Alphabet 1991. Colored pencil, pencil, and ballpoint pen on bété. 1991. Colored pencil, pencil, and ballpoint board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <<1>> N° 422 from Alphabet Frédéric Bruly Bouabré. <> N° 411 from bété. 1991. Colored pencil, pencil, and ballpoint Alphabet bété. 1991. Colored pencil, pencil, and pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <<2>> N° 423 from Alphabet Frédéric Bruly Bouabré. <> N° 412 from bété. 1991. Colored pencil, pencil, and ballpoint Alphabet bété. 1991. Colored pencil, pencil, and pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <<3>> N° 424 from Alpha‑ Frédéric Bruly Bouabré. <> N° 413 from bet bété. 1991. Colored pencil, pencil, and ballpoint Alphabet bété. 1991. Colored pencil, pencil, and pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <<4>> N° 425 from Frédéric Bruly Bouabré. <> N° 414 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <<5>> N° 426 from Frédéric Bruly Bouabré. <> N° 415 from Alphabet bété. 1991. Colored pencil, pencil, and Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <<6>> N° 427 from Alphabet Frédéric Bruly Bouabré. <<¨N'‑EU>> N° 416 from bété. 1991. Colored pencil, pencil, and ballpoint Alphabet bété. 1991. Colored pencil, pencil, and pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <<7>> N° 428 from Alpha‑ Frédéric Bruly Bouabré. <> N° 417 from bet bété. 1991. Colored pencil, pencil, and ballpoint Alphabet bété. 1991. Colored pencil, pencil, and |pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

37 Frédéric Bruly Bouabré. <<8>> N° 429 from Frédéric Bruly Bouabré. <<“é” se mariant à “o” ou Alphabet bété. 1991. Colored pencil, pencil, and “u” est presque “inaudible” et réclame << :é ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). sonore>> en orthographe>> Broé=Brué (voir “OÉ” CAAC–The Pigozzi Collection. Gift of Jean Pigozzi et “UÉ” qui se remplacent en “son”) from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen Frédéric Bruly Bouabré. <<9>> N° 430 from on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Alphabet bété. 1991. Colored pencil, pencil, and Pigozzi Collection. Gift of Jean Pigozzi ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> N° 431 from N° 440 from Alphabet bété. 1991. Colored pencil, Alphabet bété. 1991. Colored pencil, pencil, and pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> N° 432 from Frédéric Bruly Bouabré. <>d'où<< ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). =une>>. N° 441 from Alphabet bété. 1991. Colored CAAC–The Pigozzi Collection. Gift of Jean Pigozzi pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Frédéric Bruly Bouabré. <> N° 433 from Jean Pigozzi Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Frédéric Bruly Bouabré. <> N° 442 from CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Alphabet bété. 1990. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). Frédéric Bruly Bouabré. <> en <> N° 434 from Alphabet bété. 1991. Colored pencil, pencil, Frédéric Bruly Bouabré. Dans ce Système, les and ballpoint pen on board, 3 ⅞ × 5 ⅞" <> terminant les “syllabes” (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. restent effectivement les “syllabes” terminées par Gift of Jean Pigozzi le son “U”: la Voyelle “U”>> <> N° from Alphabet bété. 1991. Colored pencil, pencil, Frédéric Bruly Bouabré. Ce Signe Dit: “Tête‑de‑ and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). toucan‑gros‑nez” fait nasiller les “sons “é” et “ê”>> CAAC–The Pigozzi Collection. Gift of Jean Pigozzi en “in” N° 435 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, Frédéric Bruly Bouabré. <> from Connaissance du Monde. 1999. Colored pencil and ballpoint pen on board, Frédéric Bruly Bouabré. <> from Connaissance du Monde. 1999. Colored pencil and ballpoint pen on board, Frédéric Bruly Bouabré. Ce signe dit: <> 3 15⁄1₆ × 5 ⅞" (10 × 15 cm). CAAC–The Pigozzi tire ou alonge le “son” de la syllabe influencée>> Collection. Gift of Jean Pigozzi N° 437 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" Frédéric Bruly Bouabré. La terre habitée partout (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Date: 19‑12‑1990 from Connaissance du Monde. Gift of Jean Pigozzi 1990. Colored pencil and ballpoint pen on board, 3 15⁄1₆ × 5 ⅞" (10 × 15 cm). CAAC–The Pigozzi Frédéric Bruly Bouabré. Ces signes dits: <> affectent aux “sons” “é” et “ê” le “son” E u”>> N° 438 from Alphabet bété. 1991. Colored pencil, pencil, and ballpoint pen on board, 3 ⅞ × 5 ⅞" (9.8 × 14.9 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

38 Frédéric Bruly Bouabré. <> from Connaissance du Monde. peinture” sur une noix de cola. Cette peinture 1997. Colored pencil and ballpoint pen on board, incite curieusement à une mystique interpréta‑ 4 5⁄1₆ × 6 5⁄1₆" (11 × 16 cm). CAAC–The Pigozzi Collec‑ tion>> <> from Général d'armée de la <> de “ZRIGBIÉ” Connaissance du Monde. 1993. Colored pencil and Voir grade au “cou”>> from Connaissance du Monde. ballpoint pen on board, 9 ½ × 6 5⁄1₆" (24.2 × 16.1 cm). n.d. Black ink, colored ballpoint pen, and pencil on CAAC–The Pigozzi Collection. Gift of Jean Pigozzi tracing paper, 5 ⅞ × 4 5⁄1₆" (15 × 11 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> Date: Frédéric Bruly Bouabré. <> Date: 21‑4‑1995 from 6 5⁄1₆" (11 × 16 cm). CAAC–The Pigozzi Collection. Connaissance du Monde. 1995. Colored pencil and Gift of Jean Pigozzi ballpoint pen on board, 4 5⁄1₆ × 6 5⁄1₆" (11 × 16 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> Frédéric Bruly Bouabré. <> from Connaissance du 6 5⁄1₆ × 4 5⁄1₆" (16 × 11 cm). CAAC–The Pigozzi Monde. 1994. Colored pencil and ballpoint pen on Collection. Gift of Jean Pigozzi board, 3 15⁄1₆ × 5 ⅞" (10 × 15 cm). CAAC—The Pigozzi Collection. Gift of Jean Pigozzi Frédéric Bruly Bouabré. <> Voir <>. Abidjan: 29‑3‑1987 N° 274 from Serpent, dit: <> Regardant Connaissance du Monde. 1987. Colored pencil and l'homme avec sourire, le serpent dit: <> from Connaissance du CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Monde. 1994. Colored pencil and ballpoint pen on board, 5 5⁄1₆ × 9 ½" (13.5 × 24.2 cm). CAAC—The Frédéric Bruly Bouabré. <> Date: 30‑12‑1988 from Connaissance du Monde. 1988. Colored pencil and ballpoint pen on Frédéric Bruly Bouabré. Le Dieu Solaire APIS board, 5 ½ × 3 15⁄1₆" (14 × 10 cm). CAAC–The Pigozzi (Égyptien) me présente, ici, l'aspect d'un message Collection. Gift of Jean Pigozzi pictographique que j'essaie d'interpréter à ma façon, au verso du tableau from Connaissance du Frédéric Bruly Bouabré. <> Abidjan: 19‑1‑1989 from Pigozzi Collection. Gift of Jean Pigozzi Connaissance du Monde. 1989. Colored pencil and ballpoint pen on board, 3 15⁄1₆ × 5 ⅞" (10 × 15 cm). Frédéric Bruly Bouabré. <> from Frédéric Bruly Bouabré. <> from CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Connaissance du Monde. 1989. Colored pencil and ballpoint pen on board, 3 15⁄1₆ × 5 ⅞" (10 × 15 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <

39 Frédéric Bruly Bouabré. <> crapaud: on ne reconnaît la grandeur du crapaud Date: 23‑11‑1990 from Connaissance du Monde. qu'après sa mort>> “La célébrité regrettée” from 1990. Colored pencil, pencil, and ballpoint pen on Connaissance du Monde. 1989. Colored pencil and board, 12 ½ × 6 ⅜" (31.8 × 16.2 cm). CAAC–The ballpoint pen on board, 3 15⁄1₆ × 5 ⅞" (10 × 15 cm). Pigozzi Collection. Gift of Jean Pigozzi CAAC–The Pigozzi Collection. Gift of Jean Pigozzi . Frédéric Bruly Bouabré. <> <> from Connaissance co‑épouse.>>**** from Connaissance du Monde. du Monde. 1991. Colored pencil, ballpoint pen, and 2007. Colored pencil, pencil, and ballpoint pen on felt‑tip pen on board, 6 1⁄1₆ × 4 ⅜" (15.4 × 11.1 cm). board, 5 ⅞ × 4 ³⁄1₆" (14.9 × 10.6 cm). CAAC–The CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> Frédéric Bruly Bouabré. <> <> from Connaissance from Connaissance du Monde. 2007. Colored du Monde. 1991. Colored pencil and ballpoint pen pencil, pencil, and ballpoint pen on board, on board, 6 1⁄1₆ × 4 ⅜" (15.4 × 11.1 cm). CAAC–The 5 ⅞ × 4 ³⁄1₆" (15 × 10.6 cm). CAAC–The Pigozzi Pigozzi Collection. Gift of Jean Pigozzi Collection. Gift of Jean Pigozzi

Frédéric Bruly Bouabré. <> from nous révèle la <> from Connaissance du Monde. pencil, and ballpoint pen on board, 5 ⅞ × 4 ⅛" 1991. Colored pencil, ballpoint pen, and crayon on (14.9 × 10.5 cm). CAAC–The Pigozzi Collection. board, 6 1⁄1₆ × 4 ⅜" (15.4 × 11.1 cm). CAAC–The Gift of Jean Pigozzi Pigozzi Collection. Gift of Jean Pigozzi Günter Brus. Man Hanging over Subway. 1965–67. Frédéric Bruly Bouabré. <> Gilbert B. and Lila Silverman Instruction Drawing Date: 23‑1‑1992 from Connaissance du Monde. Collection, Detroit 1992. Colored pencil, ballpoint pen, and felt‑tip pen on board, 6 1⁄1₆ × 4 ⅜" (15.4 × 11.1 cm). CAAC– Charles Burchfield. Untitled (Dropping Tree The Pigozzi Collection. Gift of Jean Pigozzi Branches). 1915. Pencil on paper, 10 ⅞ × 8 ½" (27.6 × 21.6 cm). Gift of the Gilbert B. and Lila Frédéric Bruly Bouabré. <> Date: 22‑4‑1995 from Connaissance du Monde. Charles Burchfield. Untitled Study. 1915. Pencil on 1995. Colored pencil and ballpoint pen on board, paper, 10 ½ × 8" (26.7 × 20.3 cm). Gift of the Gilbert B. 6 1⁄1₆ × 4 ⅜" (15.4 × 11.1 cm). CAAC–The Pigozzi and Lila Silverman Instruction Drawing Collection, Detroit Collection. Gift of Jean Pigozzi Paul Cadmus. Poster design for American Ballet. Frédéric Bruly Bouabré. Voilà pourquoi Dieu n'aime c. 1941. Gouache and pencil on colored paper‑ pas la guerre! from Connaissance du Monde. faced board, 25 × 18 ¾" (63.5 × 47.6 cm). Gift of 1992. Colored pencil and ballpoint pen on board, Lincoln Kirstein 5 ⅞ × 3 15⁄1₆" (15 × 10 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi John Cage. Sounds of Venice. 1959/1968. Ink on four sheets of transparentized paper, and pencil Frédéric Bruly Bouabré. <<Ô, Dear black power, and colored pencil on paper, each: 8 ½ × 11" if you sit on “world‑trone ”, let “God” to lead (21.6 × 27.9 cm). Gift of the Gilbert B. and Lila peacefully your heart, in love of human‑kind of Silverman Instruction Drawing Collection, Detroit all colour: Aie l'amour de toute humaine couleur!!!!>> Date: 3‑10‑1993 from Connaissance Luis Camnitzer. Uruguayan Torture Series. 1983–84, du Monde. 1993. Colored pencil, pencil, and printed 2012. Series of thirty‑five photoetchings, ballpoint pen on board, 11 ⅞ × 9 ½" (30.1 × 24.2 cm). three with chine collé, composition: dimensions CAAC–The Pigozzi Collection. Gift of Jean Pigozzi vary; sheet (each): 29 ½ × 21 ¾" (75 × 55.2 cm). Publisher: Luis Camnitzer, Great Neck, New York. Printer: Luis Camnitzer, Great Neck, New York. Edition: 15 announced, 11 printed. Latin American and Caribbean Fund and the Abby Aldrich Rockefeller Endowment for Prints

40 Rosemarie Castoro. Escal. 1972. Ink and masking Alvin Colt. Costume design for the ballet Charade tape on two sheets of paper, (.a): 24 ⅛ × 19 ⅝" (or The Debutante). 1939. Gouache and pencil on (61.3 × 49.8 cm); (.b): 24 × 19 ¾" (61 × 50.2 cm). colored paper mounted on colored card, 21 × 13 ½" Gift of the Gilbert B. and Lila Silverman Instruction (53.3 × 34.3 cm). Gift of Lincoln Kirstein Drawing Collection, Detroit Alvin Colt. Costume design for the ballet Charade Christo. Project for “Rideau de Fer” Prospect (or The Debutante). 1939. Gouache and pencil Park, Brooklyn. 1967. Crayon and pencil on on colored paper, 20 × 12 ¾" (50.8 × 32.4 cm). transparentized paper, 12 × 17 ⅞" (30.5 × 45.4 cm). Gift of Lincoln Kirstein Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Alvin Colt. Costume design for the ballet Charade (or The Debutante). 1939. Gouache, pinned and Christo. Closed Highway, Project for Two Lane stapled fabric, and pencil on colored paper mounted Highway. 1969. Graphite on paper, 10 ⅝ × 24 ¾" on colored board, 22 × 14 ⅛" (55.9 × 35.9 cm). (27 × 62.9 cm). Gift of the Gilbert B. and Lila Gift of Lincoln Kirstein Silverman Instruction Drawing Collection, Detroit Alvin Colt. Costume design for the ballet Charade Paul Coldwell. Frames, Branch & Leaf. 2018. (or The Debutante). 1939. Gouache, stapled fabric, Woodcut, composition: 15 9⁄1₆ × 23 ¼" (39.5 × 59 cm); and pencil on colored paper mounted on colored sheet: 22 ¼ × 29 1³⁄1₆" (56.5 × 75.8 cm). Publisher: card, 22 × 14 ⅛" (55.9 × 35.9 cm). Schweizerische Graphische Gesellschaft. Printer: Gift of Lincoln Kirstein Paul Coldwell, London. Edition: 125. Deborah Wye Endowment Fund Alvin Colt. Set design for the ballet Charade (or The Debutante). 1939. Gouache, pinned Alvin Colt. New Girl. Costume design for the fabric, and pencil on colored card, 22 × 14 ¼" ballet Charade (or The Debutante). 1939. Gouache, (55.9 × 36.2 cm). Gift of Lincoln Kirstein stapled fabric and feathers, pencil, and stamped colored ink on colored card, 20 ⅛ × 13 ⅜" Alvin Colt. Set design for the ballet Charade (51.1 × 34 cm). Gift of Lincoln Kirstein (or The Debutante). 1939. Gouache and pencil on colored card, 21 × 27" (53.3 × 68.6 cm). Alvin Colt. Costume design for the ballet Charade Gift of Lincoln Kirstein (or The Debutante). 1939. Gouache, stapled fabric, pencil, and stamped colored ink on colored card, Alvin Colt. Two Young Girls. Costume design for 20 ⅛ × 13 ¼" (51.1 × 33.7 cm). Gift of Lincoln Kirstein the ballet A Thousand Times Neigh. 1940. Gouache, pencil, and stamped ink on colored card, 26 ⅝ × Alvin Colt. Costume design for the ballet Charade 20 ⅛" (67.6 × 51.1 cm). Gift of Lincoln Kirstein (or The Debutante). 1939. Gouache, stapled fabric, pencil, and stamped colored ink on colored card, Alvin Colt. Finale Girls. Costume design for the 20 ⅛ × 13 ¼" (51.1 × 33.7 cm). Gift of Lincoln Kirstein ballet A Thousand Times Neigh. 1940. a) Gouache, pencil, stamped ink, and stapled fabric Alvin Colt. Costume design for the ballet Charade on colored card; b) pencil on paper, 26 ½ × 20 ⅛" (or The Debutante). 1939. Gouache, stapled fabric, (67.3 × 51.1 cm). Gift of Lincoln Kirstein pencil, and stamped colored ink on colored card, 20 ⅛ × 13 ¼" (51.1 × 33.7 cm). Gift of Lincoln Kirstein Alvin Colt. Finale Boys. Costume design for the ballet A Thousand Times Neigh. 1940. Gouache, Alvin Colt. Costume design for the ballet Charade pencil, stapled fabric, colored pencil, and stamped (or The Debutante). 1939. Gouache, stapled fabric, ink on colored card, 26 ½ × 20 ⅛" (67.3 × 51.1 cm). pencil, and stamped colored ink on colored card, Gift of Lincoln Kirstein 20 ⅛ × 13 ⅜" (51.1 × 34 cm). Gift of Lincoln Kirstein Alvin Colt. Young Man in Buggy (Jack). Costume Alvin Colt. Costume design for the ballet Charade design for the ballet A Thousand Times Neigh. 1940. (or The Debutante). 1939. Gouache, stapled fabric, Gouache, pencil, stapled fabric, cut‑and‑stapled card, and pencil on colored card, 20 ⅛ × 13 ¼" colored pencil, and stamped ink on colored card, (51.1 × 33.7 cm). Gift of Lincoln Kirstein 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). Gift of Lincoln Kirstein

Alvin Colt. Costume design for the ballet Charade (or The Debutante). 1939. Gouache, stapled and pinned fabric, and pencil on colored card, 20 ⅛ × 13 ⅜" (51.1 × 34 cm). Gift of Lincoln Kirstein

41 Alvin Colt. Yachting Boy. Costume design for the Alvin Colt. Girl in 1903 Buggy. Costume design ballet A Thousand Times Neigh. 1940. Gouache, for the ballet A Thousand Times Neigh. 1940. pencil, metallic gouache, stapled fabric, stamped ink, Gouache, pencil, stapled fabric, and stamped ink and colored pencil on colored card, 26 ⅝ × 20 ⅛" on colored card, 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). (67.6 × 51.1 cm). Gift of Lincoln Kirstein Gift of Lincoln Kirstein

Alvin Colt. Croquet Man. Costume design for the Alvin Colt. Lady on Bicycle. Costume design for ballet A Thousand Times Neigh. 1940. Gouache, the ballet A Thousand Times Neigh. 1940. Gouache, pencil, stamped ink, and colored pencil on colored pencil, metallic gouache, stapled fabric, and stamped card, 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). ink on colored card, 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). Gift of Lincoln Kirstein Gift of Lincoln Kirstein

Alvin Colt. Walking Boy. Costume design for the Alvin Colt. Croquet Girl. Costume design for the ballet A Thousand Times Neigh. 1940. a) Gouache, ballet A Thousand Times Neigh. 1940. Gouache, pencil, cut‑and‑stapled paper, stapled‑and‑pinned pencil, metallic gouache, pinned‑and‑stapled fabric, fabric, stamped ink, and colored pencil on colored and stamped ink on colored card, 26 ⅝ × 20 ⅛" card; b) gouache, pencil, and stamped ink on (67.6 × 51.1 cm). Gift of Lincoln Kirstein colored card, 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). Gift of Lincoln Kirstein Alvin Colt. Lady in Car. Costume design for the ballet A Thousand Times Neigh. 1940. Gouache, Alvin Colt. Farmer Boys. Costume design for the pencil, stapled fabric, and stamped ink on colored ballet A Thousand Times Neigh. 1940. Gouache, card, 26 ½ × 20 ⅛" (67.3 × 51.1 cm). pencil, stapled‑and‑pinned fabric, stamped ink, Gift of Lincoln Kirstein and colored pencil on colored card, 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). Gift of Lincoln Kirstein William Cordero (Bill Blast). Graffiti Renaissance. 1986. Pencil on printed paper, 7 ¼ × 10 ½" Alvin Colt. The Farmer. Costume design for the (18.4 × 26.7 cm). Gift of the Gilbert B. and Lila ballet A Thousand Times Neigh. 1940. Gouache, Silverman Instruction Drawing Collection, Detroit pencil, stapled fabric, stamped ink, and colored pencil on colored card, 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). Hanne Darboven. Untitled. 1973. Graphite on paper, Gift of Lincoln Kirstein 8 ⅜ × 11 ¾" (21.3 × 29.8 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Alvin Colt. Man on Bicycle. Costume design for the ballet A Thousand Times Neigh. 1940. Gouache, Allan D'Arcangelo. Untitled. n.d. Graphite and pencil, metallic gouache, colored pencil, stapled pigment on board, 12 ⅞ × 9 ⅞" (32.7 × 25.1 cm). fabric, and stamped ink on colored card, Gift of the Gilbert B. and Lila Silverman Instruction 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). Gift of Lincoln Kirstein Drawing Collection, Detroit

Alvin Colt. Sailor Girl. Costume design for the ballet Allan D'Arcangelo. #9. 1966. Graphite, crayon, and A Thousand Times Neigh. 1940. Gouache, pencil, pigment on graph paper, 12 ⅛ × 9" (30.8 × 22.9 cm). stapled fabric, and stamped ink on colored card, Gift of the Gilbert B. and Lila Silverman Instruction 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). Gift of Lincoln Kirstein Drawing Collection, Detroit

Alvin Colt. Farmerettes. Costume design for the Gene Davis. Stripe Drawing Executed while ballet A Thousand Times Neigh. 1940. Gouache, Thinking of the Drawing of Sex, of Food, of an pencil, stapled‑and‑pinned fabric, and stamped ink Enemy, of Sleep, of Death. 1971. Cut‑and‑pasted on colored card with folded‑and‑stapled paper with typewriting and pencil mounted on paper, transparentized paper with pencil, 26 ⅝ × 20 ⅛" 23 ¾ × 18" (60.3 × 45.7 cm). Gift of the Gilbert B. and (67.6 × 51.1 cm). Gift of Lincoln Kirstein Lila Silverman Instruction Drawing Collection, Detroit

Alvin Colt. Lady Walking. Costume design for the Delta 2 (Calvin Gonzales). Turboo 2 Cut!. 1984. Ink ballet A Thousand Times Neigh. 1940. Gouache, pencil, on paper mounted on painted board, 12 ⅝ × 15 ¼" stapled fabric, and stamped ink on colored card, (32.1 × 38.7 cm). Gift of the Gilbert B. and Lila 26 ⅝ × 20 ⅛" (67.6 × 51.1 cm). Gift of Lincoln Kirstein Silverman Instruction Drawing Collection, Detroit

Walter De Maria. Untitled (For La Monte). 1963. Colored pencil on paper, 17 ⅞ × 24" (45.4 × 61 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

42 Percy Deane. The Lovers. 1941. Pencil on paper, ERO (Dominique Philbert). Crock. 1985. Pencil and 12 ¾ × 9 ¼" (32.4 × 23.5 cm). Inter‑American Fund felt‑tip pen on paper, 8 ⅜ × 10 ¾" (21.3 × 27.3 cm). Gift of the Gilbert B. and Lila Silverman Instruction Jan Dibbets. The Redbreast Robin Territory Drawing Collection, Detroit Sculpture, 1969. 1969. Cut‑and‑pasted gelatin silver print on graph paper with ink mounted on ERO (Dominique Philbert). Ero Burner. 1985. Pencil board, 10 ⅜ × 8" (26.4 × 20.3 cm). Gift of the and felt‑tip pen on paper, 8 ¼ × 10 ¾" (21 × 27.3 cm). Gilbert B. and Lila Silverman Instruction Drawing Gift of the Gilbert B. and Lila Silverman Instruction Collection, Detroit Drawing Collection, Detroit

Mark Dion. Babel. 2002. Felt‑tip pen on graph ERO (Dominique Philbert). Untitled. 1985. Pencil, paper, 8 ½ × 5 ½" (21.6 × 14 cm). Gift of the Gilbert B. felt‑tip pen, and spray paint on paper, 8 ¼ × 10 ¾" and Lila Silverman Instruction Drawing (21 × 27.3 cm). Gift of the Gilbert B. and Lila Silverman Collection, Detroit Instruction Drawing Collection, Detroit

Mark Dion. Aviary Library. 2006. Colored pencil ERO (Dominique Philbert). Instruction Drawing for on paper, 8 ¼ × 5 ⅞" (21 × 14.9 cm). Gift of the Train Painting: “All Rustoleum Spray Paint”. 1985. Gilbert B. and Lila Silverman Instruction Drawing Pencil and felt‑tip pen on paper, 8 ⅜ × 10 ¾" (21.3 Collection, Detroit × 27.3 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Dondi (Donald Joseph White). Series 1985. 1985. Cut‑and‑pasted paper and colored paper on board Öyvind Fahlström. World Map. 1971. Pencil, colored with pencil, ink, and felt‑tip pen, 11 ⅛ × 14" pencil, felt‑tip pen, and tape on paper, 13 ¾ × 16 ⅛" (28.3 × 35.6 cm). Gift of the Gilbert B. and Lila (34.9 × 41 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Silverman Instruction Drawing Collection, Detroit

Dondi (Donald Joseph White). Dondi. 1985. Ink, Teresita Fernández. Magenta Swarm. 2002. paper and white pigment on stiff paper, 11 ⅛ × 14" Watercolor on board, 40 ⅛ × 60 ⅛" (101.9 × 152.7 cm). (28.3 × 35.6 cm). Gift of the Gilbert B. and Lila Gift of Ninah and Michael Lynne Silverman Instruction Drawing Collection, Detroit Jackie Ferrara. T Pyramid (3R) M148 (M148T Pyr‑ Jimmie Durham. Caliban Codex. 1992. Pencil on amid). 1975. Ink on two sheets of paper, 12 × 18 ¼" fourteen sheets of paper, sheet (each approx.): (30.5 × 46.4 cm). Gift of the Gilbert B. and Lila 21 ¼ × 15 ⅛" (54 × 38.4 cm). Committee on Drawings Silverman Instruction Drawing Collection, Detroit and Prints Fund Jackie Ferrara. Hollow Core Pyramid (Drawing Duster. Dusty. n.d. Pen and colored markers on paper, M148). 1974. Ink on graph paper, 11 ½ × 8 ⅞" 8 ½ × 11" (21.6 × 27.9 cm). Gift of the Gilbert B. and (29.2 × 22.5 cm). Gift of the Gilbert B. and Lila Lila Silverman Instruction Drawing Collection, Detroit Silverman Instruction Drawing Collection, Detroit

Mary Beth Edelson. Installation Drawing for Oskar Fischinger. Square #1 ‑ 2672. 1934. Tempera Albright‑Knox: Mourning to Rage to Celebration. on paper, 11 ⅜ × 12" (28.9 × 30.5 cm). Gift of the 1980. Graphite, ink, and pigment on paper, canvas, Gilbert B. and Lila Silverman Instruction Drawing and board, 25 ⅝ × 47 ½" (65.1 × 120.7 cm). Gift of Collection, Detroit the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Dan Flavin. Alternating Pink and “Gold”. 1967. Ink on two sheets of paper, each: 11 × 8 ½" (27.9 × 21.6 cm). Gardar Eide Einarsson. 2018 USA Forever. 2018. Gift of the Gilbert B. and Lila Silverman Instruction Screenprint, composition (irreg.): 9 5⁄1₆ × 7 ⅞" (23.7 Drawing Collection, Detroit × 20 cm); sheet: 29 15⁄1₆ × 22 11⁄1₆" (76.1 × 57.6 cm). Publisher and printer: the artist. Edition: 12. Lucio Fontana. Studi Vari. 1958. Ballpoint pen on Deborah Wye Endowment Fund paper, 15 × 11" (38.1 × 27.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing ERO (Dominique Philbert). Outline for Burner on 3 Collection, Detroit Train. 1987. Pencil and felt‑tip pen on paper, (irreg): 10 ⅝ × 13 ¼" (27 × 33.7 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

43 Terry Fox. Timbre. 1976. Ink on two sheets of Leon Golub. Study for Fallen Fighter. Before 1985. paper, envelope, and printed map, (.a): 8 ⅞ × 5 ⅛" Pencil and acrylic paint on paper, 8 ¼ × 10 ¾" (21 (22.5 × 13 cm); (.b): 3 ¾ × 6 ½" (9.5 × 16.5 cm); (.c–e): × 27.3 cm). Gift of the Gilbert B. and Lila Silverman 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Instruction Drawing Collection, Detroit Lila Silverman Instruction Drawing Collection, Detroit Leon Golub. Study for Vietnam I. c. 1973. Pencil and Karl Free. Study for the curtain for the ballet paint on paper, 9 ⅝ × 8 ½" (24.4 × 21.6 cm). Gift of Pocahontas. c. 1936. Gouache on paper‑faced board, the Gilbert B. and Lila Silverman Instruction Drawing 22 × 28 ⅜" (55.9 × 72.1 cm). Gift of Lincoln Kirstein Collection, Detroit

Hamish Fulton. Mountain Skyline. Picos de Europa. Dan Graham. 2 Correlated Spirals/Helixes. 1973. 1993. Pencil and ground rubbing on paper, 30 ⅛ × Graphite and black-and-white photograph on 32 ¾" (76.5 × 83.2 cm). Gift of the Gilbert B. and Lila two sheets of graph paper, (.a): 12 × 8 ⅛" Silverman Instruction Drawing Collection, Detroit (30.5 × 20.6 cm); (.b): 10 × 8 ½" (25.4 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Franziska Furter. Sparkle. 2018. Photogravure, Drawing Collection, Detroit plate: 23 7⁄1₆ × 16 7⁄1₆" (59.5 × 41.7 cm); sheet: 30 × 21 15⁄1₆" (76.2 × 55.7 cm). Publisher: Schweizerische Dan Graham. Video Piece for Two Glass Buildings. Graphische Gesellschaft. Printer: Atelier de Gravure n.d. Ink on paper and two black-and-white photo‑ AJAC, Moutier, Switzerland. Edition: 125. Deborah graphs, (.a): 7 × 10" (17.8 × 25.4 cm); (.b): 8 ⅛ × 10" Wye Endowment Fund (20.6 × 25.4 cm); (.c): 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Günther Förg. Relief. 1990. Pastel, 11 ¾ × 8 ¼" Drawing Collection, Detroit (29.8 × 21 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Nancy Graves. Proposal to Control the Current Brush Invasion in the Western United States and General Idea. Baby Makes 3. 1984. Cut‑and‑pasted Mexico or the Reintroduction of the Camel to Fill painted photograph with air brushed paint on painted a Niche Left in the Pleistocene. 1969. Typewriting board, 25 ¼ × 19" (64.1 × 48.3 cm). Gift of Jack Shear on two sheets of paper, and felt‑tip pen, ink, and gouache on transparentized paper, (.a–b): 11 × 8 ½" General Idea. Note the Ziggurat Configuration. 1977. (27.9 × 21.6 cm); (.c): 11 × 9" (27.9 × 22.9 cm). Gift Chromogenic color print mounted on offset of the Gilbert B. and Lila Silverman Instruction lithograph with ink and stamped ink, 18 × 14" (45.7 Drawing Collection, Detroit × 35.6 cm). Edition: 2. Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Red Grooms. Nathan's. 1976. Ink, paint, and tape on two sheets of paper, 14 × 21 ¾" (35.6 × 55.2 cm). Paul‑Armand Gette. Four Partial Studies of Gift of the Gilbert B. and Lila Silverman Instruction Circumscribed Places; Brighton (Black Rock), Drawing Collection, Detroit September 1972; Paris, April 1972; Ringsion, Sweden, August 1971; London (Hammersmith), Robert Grosvenor. Untitled. 1967. Cut‑and‑pasted August 1972. n.d. Pencil, typewriting, and photo‑ paper and printed paper on paper with pencil, and graphs on four sheets of paper, each: 11 ⅝ × 8 ¼" pencil, colored pencil, and ink on paper, and two (29.5 × 21 cm). Gift of the Gilbert B. and Lila gelatin silver prints, (.a): 17 × 14" (43.2 × 35.6 cm); Silverman Instruction Drawing Collection, Detroit (.b–f): 14 × 17" (35.6 × 43.2 cm); (.g–h): 8 × 10" (20.3 × 25.4 cm). Gift of the Gilbert B. and Lila Cristos Gianakos. Project: Gridlock Alaca/Meret, Silverman Instruction Drawing Collection, Detroit Thessaloniki. 1997. Pencil and crayon on paper. Gift of the Gilbert B. and Lila Silverman Instruction Oswaldo Guayasamín. Untitled (Study for Mother Drawing Collection, Detroit and Child). 1942. Ink on paper, 7 ⅝ × 8 ⅜" (19.4 × 21.3 cm). Gift of Lincoln Kirstein Philip Glass. Untitled. 1972. Ink on paper, 8 × 10" (20.3 × 25.4 cm). Gift of the Gilbert B. and Lila Wade Guyton. X Poster (Untitled, 2007, Epson Silverman Instruction Drawing Collection, Detroit UltraChrome inkjet on linen, 84 × 69 inches, WG1210). 2018. Digital print on linen, sheet: Mathias Goeritz. Cuadro de los Cuadors. 1953. 84 × 69" (213.4 × 175.3 cm). Publisher and printer: Graphite and colored pencil on four pieces of paper Printed Matter, New York. Edition: 100. mounted on a sheet of paper, 10 ¼ × 7 ½" (26 × 19.1 John B. Turner Fund cm). Gift of the Gilbert B. and Lila Silverman Instruc‑ tion Drawing Collection, Detroit

44 Al Hansen. “Hoo‑Hah Jack Paar Moon”. n.d. Nancy Holt. Site Plan for a Sculpture. 1978. Colored Graphite and yellow pigment, 16 ⅞ × 14" pencil on photocopy, 14 × 18 ⅛" (35.6 × 46 cm). Gift of (42.9 × 35.6 cm). Gift of the Gilbert B. and Lila the Gilbert B. and Lila Silverman Instruction Drawing Silverman Instruction Drawing Collection, Detroit Collection, Detroit

Newton Harrison. On Mapping and Mixing. 1974. Roni Horn. Pair Object III. 1986–87. Cut‑and‑pasted Ink, graphite, and photographs on paper, 17 ⅛ × 32 ¾" painted paper with felt‑tip pen and pencil on paper, (43.5 × 83.2 cm). Gift of the Gilbert B. and Lila 15 ½ × 13 ⅝" (39.4 × 34.6 cm). Gift of the Gilbert B. and Silverman Instruction Drawing Collection, Detroit Lila Silverman Instruction Drawing Collection, Detroit

Elizabeth King Hawley. Hanging Sphere. c. 1875. Bryan Hunt. Airship Drawing. 1978. Graphite and Pastel on paper, 11 ½ × 13 ½" (29.2 × 34.3 cm). pigment on cloth-backed paper, 14 ⅛ × 24" Gift of Miss Adelaide M. de Groot (35.9 × 61 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Hock E Aye Vi Edgar Heap of Birds. Surviving Active Shooter Custer. 2018. Twenty-four monoprints and Peter Hutchinson. Calabash Arc Piece. 1969. twenty-four ghost prints, overall: 90 × 352" (228.6 × Cut‑and‑pasted chromogenic prints, and felt‑tip 894.1 cm). Edition: unique. Acquired through the pen and pencil on lined paper mounted on paper, 12 generosity of Agnes Gund, Marlene Hess and James × 9" (30.5 × 22.9 cm). Gift of the Gilbert B. and Lila D. Zirin, the Contemporary Arts Council of The Silverman Instruction Drawing Collection, Detroit Museum of Modern Art, Kathy and Richard S. Fuld, Jr., Linda Goldstein, Maud I. Welles, and Marnie Pillsbury Peter Hutchinson. Paricutin Volcano Project. 1970. Cut‑and‑pasted gelatin silver prints, and printed Michael Heizer. Study for Double Negative. 1970. paper and lined paper with pencil and felt‑tip Cyanotype, 25 × 37" (63.5 × 94 cm). Gift of the pen on paper, 12 × 9" (30.5 × 22.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Collection, Detroit

Luis Herrera Guevara. Self‑Portrait (Autorretrato). Peter Hutchinson. Apple Piece (also called Apple 1933. Oil and gouache on board, 16 ⅝ × 13" Triangle). 1970. Cut‑and‑pasted chromogenic prints (42.2 × 33 cm). Inter‑American Fund and printed paper on lined paper with pencil and colored pencil on paper, 12 × 9" (30.5 × 22.9 cm). Eva Hesse. Studies for Repetition #19. 1968. Ink Gift of the Gilbert B. and Lila Silverman Instruction and graphite on two sides of a sheet of paper, 11 × Drawing Collection, Detroit 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Peter Hutchinson. Thrown Rope II. 1974. Chromogenic prints on paper with felt‑tip pen, Eva Hesse. Addendum. 1967. Typewriting and ink pencil, and colored pencil, 12 × 9" (30.5 × 22.9 cm). on paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gift of the Gilbert B. and Lila Silverman Instruction Gilbert B. and Lila Silverman Instruction Drawing Drawing Collection, Detroit Collection, Detroit Robert Indiana. LOVE ring. 1966. Multiple of polished Eva Hesse. Study for Repetition #19. c. 1968. solid 18-karat gold, ⅞ × ⅞ × 1 ³⁄1₆" (2.2 × 2.2 × 3 cm). Ballpoint pen on paper, 11 × 8 ½" (27.9 × 21.6 cm). Publisher: Joan Kron and Audrey Sabol under the Gift of the Gilbert B. and Lila Silverman Instruction auspices of Rare Ring Company, Philadelphia. Drawing Collection, Detroit Fabricator: Serge Peter. Edition: 100. Gift of Joan Kron and Audrey Sabol Jene Highstein. Three Possible Stone Carvings for the Walker Art Center. 1987. Pencil on paper, 12 ⅜ Robert Indiana. LOVE ring. 1966. Multiple of polished × 11" (31.4 × 27.9 cm). Gift of the Gilbert B. and Lila solid 18-karat gold, ⅞ × ⅞ × 1 ³⁄1₆" (2.2 × 2.2 × 3 cm). Silverman Instruction Drawing Collection, Detroit Publisher: Joan Kron and Audrey Sabol under the auspices of Rare Ring Company, Philadelphia. Fabri‑ Emile Josome Hodinos. Untitled. c. 1880s. a) Ink on cator: Serge Peter. Edition: 100. Gift of Joan Kron and two sheets of colored paper; b) Ink on two sheets of Audrey Sabol paper, 17 ¼ × 7" (43.8 × 17.8 cm). Gift of Ladislaus Szecsi

45 Will Insley. Living Theater/Cross Section of OneCity. Kase2 (Jeff Brown).Kase I. n.d. Felt‑tip pen and 1970–72. Ink, typewritten text, and colored pencil on tape on paper, 9 × 12" (22.9 × 30.5 cm). Gift of the board, (.a): 30 × 30" (76.2 × 76.2 cm); (.b): 29 ⅞ × 30" Gilbert B. and Lila Silverman Instruction Drawing (75.9 × 76.2 cm). Gift of the Gilbert B. and Lila Collection, Detroit Silverman Instruction Drawing Collection, Detroit Kase2 (Jeff Brown).The Fantastic Partners. n.d. Patrick Ireland. Promenade. 1998. Pencil and felt‑tip Felt‑tip pen on paper, 9 × 12" (22.9 × 30.5 cm). Gift of pen on paper, 26 ⅛ × 40" (66.4 × 101.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Collection, Detroit Kase2 (Jeff Brown).Kool Kid #1. 1979. Felt‑tip pen Richard Jackson. Wall Painting. 1972–2003. Oil, on paper, 8 ½ × 11" (21.6 × 27.9 cm). Gift of the acrylic, crayon on calque mylar, 32 × 42" Gilbert B. and Lila Silverman Instruction Drawing (81.3 × 106.7 cm). Gift of the Gilbert B. and Lila Collection, Detroit Silverman Instruction Drawing Collection, Detroit Kase2 (Jeff Brown).Kase. n.d. Felt‑tip pen on paper, Arthur Jafa. Untitled notebook. 1990–2007. Printed 10 × 14" (25.4 × 35.6 cm). Gift of the Gilbert B. and papers, ink, and pencil on paper, cut‑and‑arranged in Lila Silverman Instruction Drawing Collection, Detroit plastic sleeves in a three‑ring binder, overall (binder): 11 9⁄1₆ × 10 5⁄1₆ × 1 5⁄1₆" (29.4 × 26.2 × 3.3 cm); sheet Kase2 (Jeff Brown).Super Worm and Kase II. n.d. (each approx.): 11 5⁄1₆ × 9 ¼" (28.7 × 23.5 cm). Ballpoint pen on paper, 14 ⅛ × 11 ⅛" (35.9 × 28.3 cm). Gift of Jack Shear Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Arthur Jafa. Untitled notebook. 1990–2007. Printed papers, ink, and pencil on paper, cut‑and‑arranged Kase2 (Jeff Brown).General . n.d. Pencil, felt‑tip pen, in plastic sleeves in a three‑ring binder, overall and ballpoint pen on paper, 12 × 18" (30.5 × 45.7 cm). (binder): 11 ½ × 10 ⅝ × 2 1⁄1₆" (29.2 × 27 × 5.3 cm); Gift of the Gilbert B. and Lila Silverman Instruction sheet (each approx.): 11 5⁄1₆ × 9 ¼" (28.7 × 23.5 cm). Drawing Collection, Detroit Gift of Jack Shear Kase2 (Jeff Brown).13. n.d. Spray paint, pencil, and Arthur Jafa. Untitled notebook. 1990–2007. Printed ballpoint pen on paper, 12 × 18" (30.5 × 45.7 cm). Gift papers, ink, and pencil on paper, cut‑and‑arranged of the Gilbert B. and Lila Silverman Instruction in plastic sleeves in a three‑ring binder, overall Drawing Collection, Detroit (binder): 11 ⅝ × 10 15⁄1₆ × 2 1³⁄1₆" (29.5 × 27.8 × 7.1 cm); sheet (each approx.): 11 5⁄1₆ × 9 ¼" (28.7 × 23.5 cm). Kase2 (Jeff Brown).The Pen Master Creator. n.d. Gift of Jack Shear Ballpoint pen and felt‑tip pen on paper, 12 × 18" (30.5 × 45.7 cm). Gift of the Gilbert B. and Lila Joan Jonas. ss. n.d. Colored pencil and cut‑and‑taped Silverman Instruction Drawing Collection, Detroit paper on paper, 20 ⅞ × 17" (53 × 43.2 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Kase2 (Jeff Brown).Kase. n.d. Pencil and felt‑tip Collection, Detroit pen on paper, 9 ¾ × 14 ¾" (24.8 × 37.5 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Donald Judd. Untitled. 1983. Ink on paper, 8 ½ × 11" Collection, Detroit (21.6 × 27.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Kase2 (Jeff Brown).Graffiti Artist’s Subway Sketch Book. n.d. Black leather, photographs, and paper, Donald Judd. Instruction Drawing for Otterlo Show 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Wall Sculpture. 1976. Pencil on paper, 12 ½ × 9 ½" Lila Silverman Instruction Drawing Collection, Detroit (31.8 × 24.1 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Alex Katz. Untitled. n.d. Pencil on paper, 10 × 8" (25.4 × 20.3 cm). Gift of the Gilbert B. and Lila Kase2 (Jeff Brown). Bear. 1979. Ink on paper book, Silverman Instruction Drawing Collection, Detroit 8 ½ × 11" (21.6 × 27.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Kcho (Alexis Leyva Machado). Drawing for Satellite Ship. 2002. Felt-tip pen on paper, 12 ⅝ × 16 ⅛" Kase2 (Jeff Brown).Henry. 1982. Ink and tape (32.1 × 41 cm). Gift of the Gilbert B. and Lila on paper, 8 ½ × 11" (21.6 × 27.9 cm). Gift of the Silverman Instruction Drawing Collection, Detroit Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

46 Mike Kelley. A Trip with the Teacher. 1975. Aquatint Kim Beom. Untitled (Wrongfully Made Barber's and etching, composition: 9 ⅝ × 5 ⅞" (24.5 × 15 cm); Chair) from an untitled series. 2016. One from a sheet: 11 1³⁄1₆ × 8 1⁄1₆" (30 × 20.5 cm). Printer: the series of eleven lithographs, composition (irreg.): artist, Ann Arbor. Edition: proof before the edition of 31 ⅛ × 20 1⁄1₆" (79 × 50.9 cm); sheet: 33 × 23" 20. Riva Castleman Endowment Fund (83.8 × 58.4 cm). Publisher and printer: Singapore Tyler Print Institute, Singapore. Edition: 2. Edgar Mike Kelley. Jerry Meandering/Mr. and Mrs. Ford and Sue Wachenheim III Endowment Fund at Play. 1976. Etching and aquatint, composition: 14 15⁄1₆ × 7 ⅞" (38 × 20 cm); sheet: 19 × 11 15⁄1₆" (48.3 Kim Beom. Untitled (Tongue of a Camel Tasting × 30.3 cm). Printer: the artist, Ann Arbor. Edition: 9. Rock Salt at a Construction Spot in Egypt) from an Riva Castleman Endowment Fund untitled series. 2016. One from a series of eleven lithographs, composition (irreg.): 31 ⅛ × 20 1⁄1₆" Mike Kelley. Mo See Attack. 1976. Etching and (79 × 50.9 cm); sheet: 33 × 23" (83.8 × 58.4 cm). aquatint with blind embossing, composition and Publisher and printer: Singapore Tyler Print Institute, sheet (irreg.): 15 9⁄1₆ × 14 ⅝" (39.5 × 37.2 cm). Printer: Singapore Edition: 2. Edgar and Sue Wachenheim III the artist, Ann Arbor. Edition: 5. Riva Castleman Endowment Fund Endowment Fund Kim Beom. Untitled (A Bud Who Got a Package and Mike Kelley. A Home for Birds Near and Far. 1978. Trying to Read the Name of Sender) from an untitled Felt‑tip pen on lined paper, 9 ½ × 6" (24.1 × 15.2 cm). series. 2016. One from a series of eleven lithographs, Gift of the Gilbert B. and Lila Silverman Instruction composition (irreg.): 31 × 20 1⁄1₆" (78.7 × 50.9 cm); Drawing Collection, Detroit sheet: 32 ⅝ × 22 1³⁄1₆" (82.8 × 58 cm). Publisher and printer: Singapore Tyler Print Institute, Singapore. Mike Kelley. A Moral Choice. 1978. Felt‑tip pen on Edition: 2. Edgar and Sue Wachenheim III lined paper, 8 × 6 ⅜" (20.3 × 16.2 cm). Gift of the Endowment Fund Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Kim Beom. Untitled (Nose of a Pig Smells Accelerator) from an untitled series. 2016. One from a series of Mike Kelley. A Bird Always Builds a Nest in His eleven lithographs, composition (irreg.): 31 ⅛ × 20 1⁄1₆" House. 1978. Felt‑tip pen on lined paper, 9 ½ × 6" (79 × 50.9 cm); sheet: 33 × 23" (83.8 × 58.4 cm). (24.1 × 15.2 cm). Gift of the Gilbert B. and Lila Publisher and printer: Singapore Tyler Print Institute, Silverman Instruction Drawing Collection, Detroit Singapore. Edition: 2. Edgar and Sue Wachenheim III Endowment Fund Mike Kelley. Wide Bird to Tall Bird. 1978. Felt‑tip pen on lined paper, 9 ½ × 6" (24.1 × 15.2 cm). Gift of the Kim Beom. Untitled (A Man in Subway Talking with Gilbert B. and Lila Silverman Instruction Drawing His Fist the Dot at the Top Right Is Nothing) from Collection, Detroit an untitled series. 2016. One from a series of eleven lithographs, composition (irreg.): 31 ⅛ × 20 1⁄1₆" Kim Beom. Untitled (Water from Ganges River in (79 × 50.9 cm); sheet: 33 × 23" (83.8 × 58.4 cm). the Cup Made with Newspaper from Congo) from Publisher and printer: Singapore Tyler Print Institute, an untitled series. 2016. One from a series of eleven Singapore. Edition: 2. Edgar and Sue Wachenheim III lithographs, composition (irreg.): 31 ⅛ × 20 1⁄1₆" Endowment Fund (79 × 50.9 cm); sheet: 32 ½ × 22 1³⁄1₆" (82.6 × 58 cm). Publisher and printer: Singapore Tyler Print Institute, Kim Beom. Untitled (A Bud with 2 New Leaves) from Singapore. Edition: 2. Edgar and Sue Wachenheim III an untitled series. 2016. One from a series of eleven Endowment Fund lithographs, composition (irreg.): 31 ⅛ × 20 1⁄1₆" (79 × 50.9 cm); sheet: 33 × 23" (83.8 × 58.4 cm). Kim Beom. Untitled (Front Toe of Lion Standing on a Publisher and printer: Singapore Tyler Print Institute, Miniature Axe That Was Lost by a Tourist from Singapore. Edition: 2. Edgar and Sue Wachenheim III Hawaii) from an untitled series. 2016. One from a Endowment Fund series of eleven lithographs, composition (irreg.): 31 ⅛ × 20 1⁄1₆" (79 × 50.9 cm); sheet: 33 × 23" (83.8 Kim Beom. Untitled (A Manta and Its Shadow) from × 58.4 cm). Publisher and printer: Singapore Tyler an untitled series. 2016. One from a series of eleven Print Institute, Singapore. Edition: 2. Edgar and Sue lithographs, composition (irreg.): 31 ⅛ × 20 1⁄1₆" Wachenheim III Endowment Fund (79 × 50.9 cm); sheet: 33 × 23" (83.8 × 58.4 cm). Publisher and printer: Singapore Tyler Print Institute, Singapore. Edition: 2. Edgar and Sue Wachenheim III Endowment Fund

47 Kim Beom. Untitled (A Cloud at the Top Left, Right Louise Lawler. Untitled (Wheel). 1999. Crystal, Side a Swallow Head, Bottom Left a Bridge) from cibachrome, and felt, 1 ¾ × 3 ½ × 3 ½" (4.5 × 8.9 × 8.9 an untitled series. 2016. One from a series of eleven cm). Publisher: The Museum of Modern Art, New York. lithographs, composition (irreg.): 31 ⅛ × 20 1⁄1₆" Printer: Laumont Photographics, New York. Edition: (79 × 50.9 cm); sheet: 33 × 23" (83.8 × 58.4 cm). unknown. Bequest of Kynaston McShine Publisher and printer: Singapore Tyler Print Institute, Singapore. Edition: 2. Edgar and Sue Wachenheim III Gustavo Lazarini Terradas. Aunt Juliana. 1941. Endowment Fund Watercolor on paper, 19 ¼ × 13 ⅛" (48.9 × 33.3 cm). Inter‑American Fund Kim Beom. Untitled (An Old Arrow Sign after Volcano Eruption) from an untitled series. 2016. Lithograph, Gustavo Lazarini Terradas. Old‑Fashioned Lady (Dama composition (irreg.): 31 ⅛ × 20 1⁄1₆" (79 × 50.9 cm); Antigua). 1941. Gouache and watercolor on paper, sheet: 33 × 23" (83.8 × 58.4 cm). Publisher and 19 ½ × 13 ⅜" (49.5 × 34 cm). Inter‑American Fund printer: Singapore Tyler Print Institute, Singapore. Edition: 2. Edgar and Sue Wachenheim III Tom Lee. Strawberry. Costume design for the ballet Endowment Fund Juke‑Box. 1941. Watercolor and pencil on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift of Lincoln Kirstein Ben Kinmont. Addendum to Antinomian Press Archive. 2018. Fund for the Twenty First Century Tom Lee. Red. Costume design for the ballet Juke‑Box. 1941. Watercolor, pencil, cut‑and‑pinned Gustav Klutsis. Proletarskoe studentchestvo paper with pencil, and stamped colored ink on paper, (Proletarian Student) no. 2. 1923. Journal with 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift of Lincoln Kirstein seven line blocks or half tone reliefs (including front and back covers), 10 ¼ × 7" (26 × 17.8 cm). Publisher: Tom Lee. Lemon. Costume design for the ballet Organ Kommunisticheskogo Studenchestva, Moscow. Juke‑Box. 1941. Watercolor, pencil, and clipped Printer: Krasnaya Pechat, Moscow. Riva Castleman fabric on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift Endowment Fund of Lincoln Kirstein

Joseph Kosuth. O&A/F! D! (To 1.K. & 6F) #5. 1987. Tom Lee. Athlete (Corn Flakes). Costume design Felt‑tip pen on paper, 12 × 18" (30.5 × 45.7 cm). Gift for the ballet Juke‑Box. 1941. Watercolor and of the Gilbert B. and Lila Silverman Instruction pencil on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift Drawing Collection, Detroit of Lincoln Kirstein

Jannis Kounellis. L'Oservacione L'Antico Abitudine. Tom Lee. Small Girl in Athletic Train 2nd Group. c. 1970–71. Ink and graphite on paper, 12 ¼ × 9 ½" Costume design for the ballet Juke‑Box. 1941. (31.1 × 24.1 cm). Gift of the Gilbert B. and Lila Gouache, watercolor, pinned fabric, and pencil Silverman Instruction Drawing Collection, Detroit on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift of Lincoln Kirstein Jannis Kounellis. Untitled. 1975. Pencil on paper, 9 ½ × 13 ½" (24.1 × 34.3 cm). Gift of the Gilbert B. and Lila Tom Lee. Raspberry. Costume design for the ballet Silverman Instruction Drawing Collection, Detroit Juke‑Box. 1941. Watercolor, pencil, and pinned fabric on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift of Kraftwerk. Autobahn. 1974. 7" vinyl record. General Lincoln Kirstein Print Fund Tom Lee. Small Girls Athletes Train. Costume design Gary Kuehn. Drawing for Sculpture. 1967. Pencil, for the ballet Juke‑Box. 1941. Watercolor, pinned charcoal, and felt‑tip pen on paper, 15 ¾ × 11 ¾" fabric, and pencil on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 (40 × 29.8 cm). Gift of the Gilbert B. and Lila cm). Gift of Lincoln Kirstein Silverman Instruction Drawing Collection, Detroit Tom Lee. College Band Leader. Costume design Gary Kuehn. Irregular Forms Blanketed by Puke for the ballet Juke‑Box. 1941. Watercolor and Form. 1967. Graphite and ink on paper, 15 ¾ × 11 ¾" pencil on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). (40 × 29.8 cm). Gift of the Gilbert B. and Lila Silver‑ Gift of Lincoln Kirstein man Instruction Drawing Collection, Detroit Tom Lee. Small Girls. Costume design for the ballet Juke‑Box. 1941. Watercolor, pinned fabric, and pencil on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift of Lincoln Kirstein

48 Tom Lee. Vanilla. Costume design for the ballet Sol LeWitt. R754 The Area of Manhattan between Juke‑Box. 1941. Watercolor, gouache, pencil, and the Seagrams Building, the Chrystler Building, and pinned fabric on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). the CBS Building. 1977. Gelatin silver print, irreg: Gift of Lincoln Kirstein 1 ⅞ × 2 ¼" (4.8 × 5.7 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Tom Lee. Rusty. Costume design for the ballet Juke‑Box. 1941. Watercolor, pencil, and pinned Sol LeWitt. R751 The Area of Manhattan fabric on paper, 17 ¾ × 11 ⅞" (45.1 × 30.2 cm). between the Rockefeller Center Skating Rink, the Gift of Lincoln Kirstein McBurney YMCA, and the Leroy St. Pool. 1977. Gelatin silver print, irreg: ⅞ × 9 ¾" (2.2 × 24.8 cm). Tom Lee. Maple. Costume design for the ballet Gift of the Gilbert B. and Lila Silverman Instruction Juke‑Box. 1941. Watercolor, pencil, and clipped Drawing Collection, Detroit fabric on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift of Lincoln Kirstein Sol LeWitt. R761 The Area of Manhattan between the Empire State Building, the Chrystler Building, Tom Lee. Dusty. Costume design for the ballet the Citicorp Center and the…. 1978. Gelatin silver Juke‑Box. 1941. Gouache, watercolor, pencil, and print, irreg: 3 ⅞ × 4 ⅝" (9.8 × 11.7 cm). Gift of the pinned fabric on paper, 17 ¾ × 11 ⅞" (45.1 × 30.2 cm). Gilbert B. and Lila Silverman Instruction Drawing Gift of Lincoln Kirstein Collection, Detroit

Tom Lee. Fizz. Costume design for the ballet Sol LeWitt. R872 A Rectangle of Florence without a Juke‑Box. 1941. Watercolor, pencil, and pinned Rectangle. c. 1980. Gelatin silver print, 4 × 2" (10.2 fabric on paper, 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Gift × 5.1 cm). Gift of the Gilbert B. and Lila Silverman of Lincoln Kirstein Instruction Drawing Collection, Detroit

Tom Lee. Bill Dollar. Costume design for the ballet Sol LeWitt. A Triangle of Florence without a Triangle. Juke‑Box. 1941. Watercolor, pencil, and pinned c. 1980. Printed paper, irreg: 4 × 4 ⅛" (10.2 × 10.5 fabric on paper with two drawings pinned to verso cm). Gift of the Gilbert B. and Lila Silverman (both pencil on paper), 17 ⅞ × 11 ⅞" (45.4 × 30.2 cm). Instruction Drawing Collection, Detroit Gift of Lincoln Kirstein Sol LeWitt. R733 A Photo of Central Manhattan Tom Lee. Chocolate. Costume design for the ballet with the Area between the U.N. Headquarters, the Juke‑Box. 1941. Watercolor, gouache, pencil, and Empire State Building, and the Coliseum Cut Out. pinned fabric on paper, 17 ¾ × 11 ⅞" (45.1 × 30.2 cm). c. 1980. Photograph, 5 ½ × 5 /12" (14 × 14 cm). Gift of Gift of Lincoln Kirstein the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Tom Lee. Attendants with Athlete. Costume design for the ballet Juke‑Box. 1941. Watercolor Richard Long. Untitled (Houston Project). 1969. and pencil on paper, 17 ⅞ × 11 ¼" (45.4 × 28.6 cm). Gelatin silver print, and cut‑and‑pasted gelatin silver Gift of Lincoln Kirstein print, pencil, and press type on four sheets of paper, (.a): 6 ⅛ × 9 ⅛" (15.6 × 23.2 cm); (.b): 4 ½ × 5 ½" Tom Lee. Set design for the ballet Juke‑Box. 1941. (11.4 × 14 cm); (.c): 4 ⅜ × 7" (11.1 × 17.8 cm); Watercolor, pencil, and stamped colored ink on paper, (.d): 4 × 5 ⅞" (10.2 × 14.9 cm); (.e): 4 ⅞ × 10 ⅛" 18 × 24" (45.7 × 61 cm). Gift of Lincoln Kirstein (12.4 × 25.7 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Sol LeWitt. Plan for Tokyo Biennale. 1970. Ink on three sheets of paper, two double sided, each: Robert Longo. Men In The Cities: Final Life. 1982. 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Pencil on transparentized paper on paper, 9 ⅛ × 12" Lila Silverman Instruction Drawing Collection, Detroit (23.2 × 30.5 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Sol LeWitt. The Location of a Rectangle. 1974. Ink on three sheets of paper, each: 11 × 8 ½" (27.9 × 21.6 cm). Maximilien Luce. Mazas by Jules Vallès. 1894. Gift of the Gilbert B. and Lila Silverman Instruction Illustrated book with ten lithographs and a Drawing Collection, Detroit supplementary suite of ten lithographs, composition: dimensions vary; page (each): 14 ¼ × 10 ⅝" (36.2 × 27 cm); overall (closed): 14 ¼ × 11 9⁄1₆ × ¼" (36.2 × 29.4 × 0.7 cm). Publisher: L'Estampe Originale, Paris. Printer: Tailliardat, Paris. Edition: 250. Riva Castleman Endowment Fund

49 Man Ray (Emmanuel Radnitzky). Plywood Dumbbells. Kerry James Marshall. Foreground Tables. Study c. 1943. Pencil on paper, 12 × 12 ¾" (30.5 × 32.4 cm). for Untitled (Club Scene). 2013. Felt‑tip pen and Gift of the Gilbert B. and Lila Silverman Instruction pencil on transparentized paper, 15 ⅛ × 23 ⅞" Drawing Collection, Detroit (38.4 × 60.6 cm). Gift of the artist and Jack Shainman

Sylvia Plimack Mangold. Where the Shortest Kerry James Marshall. Mid Tables. Study for Untitled Dimension.… 1976. Acrylic on paper, 23 × 29" (Club Scene). 2013. Felt‑tip pen and pencil on (58.4 × 73.7 cm). Gift of the Gilbert B. and Lila Silver‑ transparentized paper, 15 ⅜ × 21 ¼" (39.1 × 54 cm). man Instruction Drawing Collection, Detroit Gift of the artist and Jack Shainman

Abu Bakarr Mansaray. Sinister Project. 2006. Kerry James Marshall. Untitled study for Untitled Graphite and colored ink on paper, 59 1⁄1₆ × 80 11⁄1₆" (Club Scene). 2013. Ink on notebook paper and (150 × 205 cm). CAAC–The Pigozzi Collection. pencil sketch on verso. 8 × 10 ½" (20.3 × 26.7 cm). Gift of Jean Pigozzi Gift of the artist and Jack Shainman

Christian Marclay. Untitled (poster for The Kerry James Marshall. Untitled study for Untitled Bachelors, Even). 1980. Intaglio print from a vinyl (Club Scene). 2013. Felt‑tip pen and pencil on record, composition (irreg.): 11 9⁄1₆ × 11 ¾" (29.4 × transparentized paper, 13 ¾ × 23 ⅞" (34.9 × 60.6 cm). 29.8 cm); sheet (irreg.): 22 1⁄1₆ × 15 ³⁄1₆" (56.1 × 38.5 Gift of the artist and Jack Shainman cm). Publisher: unpublished. Printer: the artist, Bos‑ ton. Edition: unknown. Gift of Leslie Barnett Kerry James Marshall. Untitled study for Untitled (Club Scene). c. 2013. Felt‑tip pen and pencil on Christian Marclay. Untitled (poster for The transparentized paper, 11 ¾ × 13 ¼" (29.8 × 33.7 cm). Bachelors, Even). 1980. Intaglio print from a vinyl Gift of the artist and Jack Shainman record, composition (irreg.): 11 11⁄1₆ × 11 9⁄1₆" (29.7 × 29.4 cm); sheet: 17 1³⁄1₆ × 11 15⁄1₆" (45.2 × 30.3 cm). Kerry James Marshall. Untitled study for Untitled Publisher: unpublished. Printer: the artist, Boston. (Club Scene). c. 2013. Felt‑tip pen, ink, and pencil Edition: unknown. Gift of Leslie Barnett on transparentized paper, 11 ⅞ × 9" (30.2 × 22.9 cm). Gift of the artist and Jack Shainman Christian Marclay. Untitled (poster for The Bachelors, Even). 1980. Intaglio print from a vinyl Kerry James Marshall. Untitled study for Untitled record, composition (irreg.): 11 ¾ × 11 ⅞" (29.8 × 30.1 (policeman). c. 2015. Felt‑tip pen and pencil on cm); sheet: 17 ⅞ × 11 15⁄1₆" (45.4 × 30.3 cm). Publish‑ transparentized paper, 11 ⅛ × 11 ¼" (28.3 × 28.6 cm). er: unpublished. Printer: the artist, Boston. Edition: Acquired through the generosity of Kathy and unknown. Gift of Leslie Barnett Richard S. Fuld, Jr.

MARE 139 (Carlos Rodriguez). Mare 139. n.d. Pencil, Kerry James Marshall. Untitled study for Untitled felt‑tip pen, ballpoint pen, and spray paint on paper, (policeman). c. 2015. Felt‑tip pen and pencil on 8 ½ × 14" (21.6 × 35.6 cm). Gift of the Gilbert B. and transparentized paper, 11 ⅛ × 11 ½" (28.3 × 29.2 cm). Lila Silverman Instruction Drawing Collection, Detroit Acquired through the generosity of Kathy and Richard S. Fuld, Jr. MARE 139 (Carlos Rodriguez). Mare. n.d. Pencil, felt‑tip pen, and spray paint on lined paper, 8 × 10" Kerry James Marshall. Untitled study for Untitled (20.3 × 25.4 cm). Gift of the Gilbert B. and Lila Silver‑ (policeman). c. 2015. Pencil on paper, 13 × 9 ⅞" man Instruction Drawing Collection, Detroit (33 × 25.1 cm). Acquired through the generosity of Kathy and Richard S. Fuld, Jr. Marisol (Marisol Escobar). Original wax prototype for Self‑portrait ring. 1967. Prototype of pigmented Kerry James Marshall. Untitled study for Untitled wax, 1 ³⁄1₆ × 1 ³⁄1₆ × 1 ³⁄1₆" (3 × 3 × 3 cm). Gift of Joan (policeman). c. 2015. Pencil on paper, 12 × 11 ⅜" Kron and Audrey Sabol (30.5 × 28.9 cm). Acquired through the generosity of Kathy and Richard S. Fuld, Jr. Kerry James Marshall. 1st Row Tables for 2. Study for Untitled (Club Scene). 2013. Felt‑tip pen and Keith Morrow Martin. Costume design for the ballet pencil on transparentized paper, 15 ⅛ × 23 ⅞" Harlequin for President. 1936. Gouache, watercolor, (38.4 × 60.6 cm). Gift of the artist and Jack Shainman and pencil on paper, 14 ⅞ × 10 ⅞" (37.5 × 27 cm). Gift of Lincoln Kirstein

50 Keith Morrow Martin. Costume design for the ballet Keith Morrow Martin. Costume design for the ballet Harlequin for President. 1936. Gouache, watercolor, Show Piece. 1937. Gouache and pencil on card, and pencil on paper, 14 ⅞ × 10 ⅞" (37.5 × 27 cm). 14 ¾ × 9 ⅜" (37.5 × 23.8 cm). Gift of Lincoln Kirstein Gift of Lincoln Kirstein Kenneth Martin. Drawing X/4. 1972. Pencil on graph Keith Morrow Martin. Costume design for the ballet paper, 11 ¾ × 8 ¼" (29.8 × 21 cm). Gift of the Gilbert B. Harlequin for President. 1936. Gouache, watercolor, and Lila Silverman Instruction Drawing Collection, and pencil on paper, 14 ⅞ × 10 ⅞" (37.5 × 27 cm). Detroit Gift of Lincoln Kirstein Gordon Matta‑Clark. South American Travel Log Keith Morrow Martin. Costume design for the ballet to Ecuador, Peru, and Chile. c. 1973. Pencil on paper, Harlequin for President. 1936. Gouache, watercolor, three gelatin silver prints, and pencil, ballpoint pen, and pencil on paper, 14 ⅞ × 10 ⅞" (37.5 × 27 cm). and ink on printed paper, (.a): 8 ½ × 11" (21.6 × 27.9 Gift of Lincoln Kirstein cm); (.b–d): 8 ⅛ × 10" (20.6 × 25.4 cm); (.e–f): 22 × 28 ¼" (55.9 × 71.8 cm); (.g–h): 34 ½ × 22 ¾" (87.6 × 57.8 cm). Keith Morrow Martin. Costume design for the ballet Gift of the Gilbert B. and Lila Silverman Instruction Harlequin for President. 1936. Gouache, watercolor, Drawing Collection, Detroit and pencil on paper, 14 ⅞ × 10 ⅛" (37.8 × 25.7 cm). Gift of Lincoln Kirstein Gordon Matta‑Clark. Maquette for Splitting. 1974. Felt‑tip pen on forty sheets of paper, 7 ⅝ × 11 ¼" Keith Morrow Martin. Costume design for the ballet (19.4 × 28.6 cm). Gift of the Gilbert B. and Lila Harlequin for President. 1936. Gouache, watercolor, Silverman Instruction Drawing Collection, Detroit and pencil on paper, 14 ⅞ × 9 ¾" (37.8 × 24.8 cm). Gift of Lincoln Kirstein Gordon Matta‑Clark. Splitting. 1974. Cut‑and‑pasted gelatin silver prints on board, 30 × 20" (76.2 × 50.8 Keith Morrow Martin. Costume design for the ballet cm). Gift of the Gilbert B. and Lila Silverman Harlequin for President. 1936. Gouache, watercolor, Instruction Drawing Collection, Detroit and pencil on paper, 14 ⅞ × 10 ⅛" (37.8 × 25.7 cm). Gift of Lincoln Kirstein Gordon Matta‑Clark. Splitting. 1974. Offset book, 6.89 × 11" (17.5 × 28 cm). Gift of the Gilbert B. and Keith Morrow Martin. Costume design for the ballet Lila Silverman Instruction Drawing Collection, Detroit Harlequin for President. 1936. Gouache, watercolor, and pencil on paper, 14 ⅞ × 10 ¼" (37.8 × 26 cm). Gordon Matta‑Clark. Circus. 1978. Graphite, ink, Gift of Lincoln Kirstein staples, and correction fluid on three sheets of paper, each: 17 ⅜ × 21 ¼" (44.1 × 54 cm). Gift of the Keith Morrow Martin. Costume design for the ballet Gilbert B. and Lila Silverman Instruction Drawing Show Piece. 1937. Gouache and pencil on card, Collection, Detroit 14 ¾ × 7 ⅝" (37.5 × 19.4 cm). Gift of Lincoln Kirstein Clement Meadmore. Project for a 600 Ft Tower. Keith Morrow Martin. Costume design for the ballet 1977. Cut‑and‑pasted colored paper and pencil Show Piece. 1937. Gouache and pencil on card, on paper, 19 × 8 ⅜" (48.3 × 21.3 cm). Gift of the 14 ⅝ × 8 ¼" (37.1 × 21 cm). Gift of Lincoln Kirstein Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Keith Morrow Martin. Costume design for the ballet Show Piece. 1937. Gouache and pencil on card, David Medalla. Cloud Canyons and Some Reflections 14 ⅝ × 10 ½" (37.1 × 26.7 cm). Gift of Lincoln Kirstein on the Random in Life and Art. 1963–85. Ink on three double‑sided sheets of paper, 11 ¾ × 8 ¼" Keith Morrow Martin. Costume design for the ballet (29.8 × 21 cm). Gift of the Gilbert B. and Lila Show Piece. 1937. Gouache, pencil, and metallic Silverman Instruction Drawing Collection, Detroit gouache on card, 14 ¼ × 10 ¼" (36.2 × 26 cm). Gift of Lincoln Kirstein Cildo Meireles. Insertions in Ideologic Circuits: Banknote Project (Inserções em circuitos Keith Morrow Martin. Costume design for the ballet ideológicos: Projeto cédula). 1970. Rubber stamp, Show Piece. 1937. Gouache, metallic gouache, and printed on both sides of a Brazilian one cruzeiro bill, pencil on card, 14 ¾ × 10 ¾" (37.5 × 27.3 cm). Gift of composition and sheet: 2 9⁄1₆ × 5 1³⁄1₆" (6.5 × 14.7 cm). Lincoln Kirstein Edition: unlimited. Gift of Paulo Herkenhoff

51 Cildo Meireles. Insertions in Ideologic Circuits: Meredith Monk. Dedicated to Dinosaurs: Natural Banknote Project (Inserções em circuitos History Museum, Smithsonian Institution. 1969. ideológicos: Projeto cédula). 1970. Rubber stamp, Felt‑tip pen, oil pastel, and pencil on paper, 11 × 14" printed on both sides of a Brazilian fifty cruzados (27.9 × 35.6 cm). Gift of the Gilbert B. and Lila novos bill, composition and sheet: 2 ½ × 5 ½" (6.4 × Silverman Instruction Drawing Collection, Detroit 14 cm). Edition: unlimited. Gift of Paulo Herkenhoff Meredith Monk. Slide from Our Lady of Late. 1972. Cildo Meireles. Insertions in Ideologic Circuits: Ink on two sheets of printed transparentized paper, Banknote Project: Who Killed Herzog? (Inserções 12 ½ × 9 ⅝" (31.8 × 24.4 cm). Gift of the Gilbert B. and em circuitos ideológicos: Projeto cédula: Quem Lila Silverman Instruction Drawing Collection, Detroit matou Herzog?). 1975. Rubber stamp, printed on both sides of a Brazilian five hundred cruzados novos Julio Montenegro. To Work Is to Pray (Laborar es bill, composition and sheet: 2 ½ × 5 ½" (6.4 × 14 cm). orar). c. 1928. Colored ink, watercolor, and colored Edition: unlimited. Gift of Paulo Herkenhoff pencil on paper, 19 ⅝ × 25 ½" (49.8 × 64.8 cm). Inter‑American Fund Cildo Meireles. Zero Cruzeiro. 1974–78. Double‑sided offset lithograph, composition and Robert Morris. Houston Project. 1969. Typewriting sheet: 2 ¾ × 6 ⅛" (7.1 × 15.6 cm). Edition: unlimited. and felt‑tip pen on paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of Paulo Herkenhoff Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Cildo Meireles. Zero Cruzeiro. 1974–78. Double‑sided offset lithograph, composition and Robert Morris. Seattle Project I. 1971. Pencil on sheet: 2 ¾ × 6 ⅛" (7.1 × 15.6 cm). Edition: unlimited. graph paper, 22 ⅛ × 47" (56.2 × 119.4 cm). Gift of Gift of Paulo Herkenhoff the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Cildo Meireles. Zero Dollar. 1978–84. Double‑sided offset lithograph, composition and Robert Morris. Felt Piece. 1968. Felt‑tip pen on sheet: 2 11⁄1₆ × 6 ¼" (6.8 × 15.8 cm). Edition: unlimited. two sheets of paper, each: 11 × 8 ⅝" (27.9 × 21.9 cm). Gift of Paulo Herkenhoff Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Cildo Meireles. Zero Dollar. 1978–84. Double‑sided offset lithograph, composition and Bruce Nauman. Vision. 1973. Lithograph, sheet: 2 11⁄1₆ × 6 ¼" (6.8 × 15.8 cm). Edition: unlimited. composition: 3 × 16 5⁄1₆" (7.6 × 41.4 cm); sheet: Gift of Paulo Herkenhoff 24 15⁄1₆ × 33" (63.3 × 83.8 cm). Publisher and printer: Gemini G.E.L., Los Angeles. Edition: 40. Acquired Mary Miss. Study for Sunken Courtyard in through the generosity of Richard Gerrig and Perimeters/Pavilions/Decoys. 1976. Pencil and Timothy Peterson ballpoint pen on paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction NOC 167 (Melvin Samuels). Untitled. 1982. Drawing Collection, Detroit Cut‑and‑pasted paper with felt‑tip pen on foamcore, 10 ¼ × 12 ⅜" (26 × 31.4 cm). Gift of the Gilbert B. and Mary Miss. Study for Tower in Perimeters/Pavilions/ Lila Silverman Instruction Drawing Collection, Detroit Decoys. 1977. Pencil, colored pencil, and correction fluid on paper, 18 ¼ × 22 ¼" (46.4 × 56.5 cm). Gift of Cady Noland. Mr. Automatic Drawing. 1992. Crayon, the Gilbert B. and Lila Silverman Instruction Drawing felt‑tip pen, and correction fluid on photocopy, each: Collection, Detroit 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Tatsuo Miyajima. 133675 Region No. 22245–No. 22259. 1991. Cut‑and‑pasted photocopies and Gareth Nyandoro. Mukanya Repairs. 2018. Mixed cut‑and‑pasted board on paper with ink and media on paper, mounted on canvas, 106 5⁄1₆ × 82 11⁄1₆" colored ink, 13 ⅝ × 19" (34.6 × 48.3 cm). Gift of (270 × 210 cm). Fund for the Twenty‑First Century the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Toyin Ojih Odutola. Projection Enclave. 2018. Pastel, charcoal, and pencil on paper, 71 ¼ × 42" Meredith Monk. Floor Plan of Proposed Project (181 × 106.7 cm). Acquired through the generosity for the Museum of the City of New York. 1969. of Ronnie Heyman Felt‑tip pen, oil pastel, and pencil on paper, 14 × 11" (35.6 × 27.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

52 William Bayard Okie, Jr. Set design for the ballet Yoko Ono. Waterdrop Painting. 1961. Ink on paper, Serenade. c. 1934. Gouache and pencil on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Gilbert B. and 11 ⅛ × 14 ¼" (28.5 × 36 cm). Gift of Lincoln Kirstein Lila Silverman Instruction Drawing Collection, Detroit

Claes Oldenburg. Colossal Monument with Yoko Ono. A Plus B Painting (“Let somebody other Mushroom and Screw (Project for John Cage than yourself cut out…”). 1961. Ink on paper, 9 7 × Homage). 1987. Felt‑tip pen on paper, 13 ⅜ × 9 ½" 14 1" (25.1 × 35.9 cm). Gift of the Gilbert B. and Lila (34 × 24.1 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Silverman Instruction Drawing Collection, Detroit Yoko Ono. A Plus B Painting (“Cut a circle on canvas Yoko Ono. Painting to See the Sky. 1961. Ink on A...”). 1961. Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Gift of the Gilbert B. and Lila Silverman Instruction Gilbert B. and Lila Silverman Instruction Drawing Drawing Collection, Detroit Collection, Detroit Yoko Ono. Painting to Hammer a Nail. 1961. Ink on Yoko Ono. Painting for the Wind. 1961. Ink on paper, paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Gilbert B. and Gilbert B. and Lila Silverman Instruction Drawing Lila Silverman Instruction Drawing Collection, Detroit Collection, Detroit

Yoko Ono. Painting in Three Stanzas. 1961. Ink on Yoko Ono. Painting to Be Constructed in Your Head paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the (“Look through a phone book from the…”). 1961. Gilbert B. and Lila Silverman Instruction Drawing Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of Collection, Detroit the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Yoko Ono. Painting for the Burial. 1961. Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Gilbert B. and Yoko Ono. Painting for a Broken Sewing Machine. Lila Silverman Instruction Drawing Collection, Detroit 1961. Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Yoko Ono. Smoke Painting. 1961. Ink on paper, 9 7 × Collection, Detroit 14 1" (25.1 × 35.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Yoko Ono. Painting to Be Constructed in Your Head (“Hammer a nail in the center of a piece…”). 1962. Yoko Ono. Painting to Let the Evening Light Go Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of Through. 1961. Ink on paper, 9 7 × 14 1" (25.1 × the Gilbert B. and Lila Silverman Instruction Drawing 35.9 cm). Gift of the Gilbert B. and Lila Silverman Collection, Detroit Instruction Drawing Collection, Detroit Yoko Ono. Painting to Be Constructed in Your Head Yoko Ono. Painting Until It Becomes Marble. 1961. (“Imagine dividing the canvas into twenty…”). 1962. Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Collection, Detroit

Yoko Ono. Painting to Enlarge and See. 1961. Ink on Yoko Ono. Painting to Be Constructed in Your Head paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the (“Observe three paintings carefully…”). 1962. Ink Gilbert B. and Lila Silverman Instruction Drawing on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Collection, Detroit Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Yoko Ono. Painting to Shake Hands. 1961. Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Yoko Ono. Portrait of Mary (“Send a canvas to a Mary Gilbert B. and Lila Silverman Instruction Drawing of any country...”). 1962. Ink on paper, 9 7 × 14 1" Collection, Detroit (25.1 × 35.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Yoko Ono. Painting to See the Room. 1961. Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Yoko Ono. Painting to Be Constructed in Your Head Gilbert B. and Lila Silverman Instruction Drawing (“Go on transforming a square canvas…”). 1962. Collection, Detroit Ink on paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

53 Yoko Ono. Painting to See the Sky. 1962. Ink on Francis Picabia. Janela do caos (Window of Chaos) paper, 9 7 × 14 1" (25.1 × 35.9 cm). Gift of the by Murilo Mendès. 1949. Illustrated book with six Gilbert B. and Lila Silverman Instruction Drawing lithographs and a supplementary suite of six Collection, Detroit lithographs, page (each approx.): 12 ½ × 9 ¾" (31.8 × 24.8 cm); overall (closed): 12 15⁄1₆ × 10 ⅜ × 11⁄1₆" Yoko Ono. Watch Piece. 1992. Pencil on paper, 12 1 (32.8 × 26.4 × 1.8 cm). Publisher: Imprimerie Union, × 7 5" (31.8 × 19.4 cm). Gift of the Gilbert B. and Lila Paris. Printer: Desjobert, Paris. Edition: 197. Gift of Silverman Instruction Drawing Collection, Detroit the International Council of The Museum of Modern Art in memory of Richard E. Oldenburg Nam June Paik. Drawing for T.V. Camera Sculpture Chicago Navy Pier. 1983. Pencil on paper, 29 ½ × Francis Picabia. 591 by Francis Picabia. 1952. 21 ¾" (74.9 × 55.2 cm). Gift of the Gilbert B. and Lila Illustrated book with five offset lithographs, sheet Silverman Instruction Drawing Collection, Detroit (each approx.): 11 × 8 ¾" (27.9 × 22.3 cm); overall (closed): 11 5⁄1₆ × 9 ¼ × 1⁄1₆" (28.7 × 23.5 × 0.2 cm). Panamarenko. Helicopter. n.d. Pencil and ballpoint Publisher and printer: Pierre André Benoit. Edition: pen on paper, 11 ⅞ × 9 ⅛" (30.2 × 23.2 cm). Gift of 355. Gift of the International Council of The Museum the Gilbert B. and Lila Silverman Instruction Drawing of Modern Art in memory of Richard E. Oldenburg Collection, Detroit Anne Poirier. Pianta Isola Sacra. 1973. Ink and Sandrine Pelletier. Black Sun. 2018. Multiple of graphite on paper, and ink and dried flowers on etched brass with printing ink and varnish, vellum in clothbound volume, 49 ⅛ × 183" (124.8 × diameter 22 1³⁄1₆" (58 cm). Publisher: Schweizerische 464.8 cm). Gift of the Gilbert B. and Lila Silverman Graphische Gesellschaft. Edition: 125. Deborah Instruction Drawing Collection, Detroit Wye Endowment Fund Anne Poirier. Room of the Lost Architecture/The PHASE 2. The Misconception of an A. n.d. Pencil, Athenian Council Chamber. 1979. Ink and tape ballpoint pen, and felt‑tip pen on printed paper, on paper, 14 ¾ × 9 ⅞" (37.5 × 25.1 cm). Gift of the 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Gilbert B. and Lila Silverman Instruction Drawing Lila Silverman Instruction Drawing Collection, Detroit Collection, Detroit

Francis Picabia. Monographie Francis Picabia Larry Poons. Fugue. 1959. Graphite and color pencil (Francis Picabia Monograph) by Marie de La Hire. on graph paper, 21 ⅞ × 16 ⅞" (55.6 × 42.9 cm). Gift of 1920. Illustrated book with twelve collotypes and the Gilbert B. and Lila Silverman Instruction Drawing three lineblocks (ten with watercolor additions), Collection, Detroit page: 12 ⅛ × 9 1⁄1₆" (30.8 × 23 cm); overall (closed): 12 ½ × 9 ½ × 11⁄1₆" (31.7 × 24.2 × 1.7 cm). Publisher: Larry Poons. Dot Painting. 1965. Pencil on graph Marie de La Hire in association with Galerie la Cible, paper, 17 × 22" (43.2 × 55.9 cm). Gift of the Gilbert B. Paris. Printer: Maurice Darantière, Dijon. Edition: 50. and Lila Silverman Instruction Drawing Gift of the International Council of The Museum of Collection, Detroit Modern Art in memory of Richard E. Oldenburg Larry Poons. Untitled. n.d. Pencil on paper, 14 × 15" Francis Picabia. Le Peseur d'âmes (The Weigher (35.6 × 38.1 cm). Gift of the Gilbert B. and Lila of Souls) by André Maurois. 1931. Illustrated book Silverman Instruction Drawing Collection, Detroit with nine lithographs and a supplementary suite of nine lithographs, page (each approx.): 11 × 8 ⅞" (28 Marjetica Potrc. Untitled. 2002. Ink and pigments × 22.5 cm); overall (closed): 11 5⁄1₆ × 9 5⁄1₆ × 1" (28.7 × on paper, 11 ¾ × 8 ¼" (29.8 × 21 cm). Gift of the 23.6 × 2.5 cm). Publisher: Antoine Roche, Paris. Gilbert B. and Lila Silverman Instruction Drawing Printer: Daniel Jacomet. Edition: 330. Gift of the Collection, Detroit International Council of The Museum of Modern Art in memory of Richard E. Oldenburg Sun Ra. The Heliocentric Worlds of Sun Ra, Vol. 1. 1974. 12" vinyl record. General Print Fund

David Rabinowitch. Untitled. 1972. Felt‑tip pen on paper, 11 ¾ × 8 ¼" (29.8 × 21 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

54 David Rabinowitch. Science. 1972. Felt‑tip pen and Charles Rain. Costume design for the ballet Yankee ballpoint pen on paper, 11 ¾ × 8 ¼" (29.8 × 21 cm). Clipper. 1937. Tempera and pencil on paper, 14 ¾ × Gift of the Gilbert B. and Lila Silverman Instruction 10 ⅛" (37.4 × 25.7 cm). Gift of Lincoln Kirstein Drawing Collection, Detroit Charles Rain. Costume design for the ballet Yankee Charles Rain. Javanese. Costume design for the Clipper. 1937. Tempera and pencil on paper, 14 ¾ × ballet Yankee Clipper. 1937. Tempera and pencil 9 ⅝" (37.4 × 24.4 cm). Gift of Lincoln Kirstein on paper, 13 ⅞ × 10 ⅞" (35.2 × 27.6 cm). Gift of Lincoln Kirstein Charles Rain. Costume design for the ballet Yankee Clipper. 1937. Tempera and pencil on paper, 14 ¾ × Charles Rain. Costume design for the ballet Yankee 8 ⅝" (37.4 × 21.9 cm). Gift of Lincoln Kirstein Clipper. 1937. Tempera, clipped‑and‑stapled fabric, and pencil on paper, 13 ⅞ × 10 ⅞" (35.2 × 27.6 cm). Charles Rain. Costume design for the ballet Yankee Gift of Lincoln Kirstein Clipper. 1937. Tempera and pencil on paper, 14 ¾ × 8 ⅞" (37.4 × 22.5 cm). Gift of Lincoln Kirstein Charles Rain. Costume design for the ballet Yankee Clipper. 1937. Tempera and pencil on paper, 13 1³⁄1₆ × Charles Rain. Costume design for the ballet Yankee 10 15⁄1₆" (35.1 × 27.8 cm). Gift of Lincoln Kirstein Clipper. 1937. Tempera and pencil on paper, 14 ¾ × 8 ⅝" (37.4 × 21.9 cm). Gift of Lincoln Kirstein Charles Rain. Tahitian. Costume design for the ballet Yankee Clipper. 1937. Tempera and pencil on paper, Alfonso Ramirez Fajardo. Fiesta. 1942. Watercolor, 13 ⅞ × 10 ⅞" (35.2 × 27.6 cm). Gift of Lincoln Kirstein pencil, and colored pencil on paper, 18 ½ × 24 ¼" (47 × 61.6 cm). Inter‑American Fund Charles Rain. Costume design for the ballet Yankee Clipper. 1937. Tempera and pencil on paper, Rammellzee. Alphabet. n.d. Marker and pencil on 14 ⅞ × 10 ⅞" (37.8 × 27.6 cm). Gift of Lincoln Kirstein paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Charles Rain. Tahitian. Costume design for the ballet Detroit Yankee Clipper. 1937. Tempera and pencil on paper, 13 ⅞ × 10 ⅞" (35.2 × 27.6 cm). Gift of Lincoln Kirstein Rammellzee. Alphabet. n.d. Marker and pencil on eleven sheets of paper, 11 × 8 ½" (27.9 × 21.6 cm). Charles Rain. Sun Goddess. Costume design for Gift of the Gilbert B. and Lila Silverman Instruction the ballet Yankee Clipper. 1937. Tempera and Drawing Collection, Detroit pencil on paper, 14 ¾ × 10 ⅞" (37.4 × 27.6 cm). Gift of Lincoln Kirstein Rammellzee. Alphabet. n.d. Marker and pencil on paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Charles Rain. Costume design for the ballet Gilbert B. and Lila Silverman Instruction Drawing Yankee Clipper. 1937. Tempera and pencil on paper, Collection, Detroit 14 ¾ × 10 ⅞" (37.4 × 27.6 cm). Gift of Lincoln Kirstein Rammellzee. Alphabet. n.d. Marker and pencil on Charles Rain. Costume design for the ballet Yankee paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Clipper. 1937. Tempera and pencil on paper, 14 ¾ × Gilbert B. and Lila Silverman Instruction Drawing 10 ⅞" (37.4 × 27.6 cm). Gift of Lincoln Kirstein Collection, Detroit

Charles Rain. Costume design for the ballet Yankee Rammellzee. Alphabet. n.d. Marker and pencil on Clipper. 1937. Tempera and pencil on paper, 14 ¾ × paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the 10 ¾" (37.4 × 27.3 cm). Gift of Lincoln Kirstein Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Charles Rain. Costume design for the ballet Yankee Clipper. 1937. Tempera and pencil on paper, 14 ¾ × Rammellzee. Alphabet. n.d. Marker and pencil on 10 ⅞" (37.4 × 27.6 cm). Gift of Lincoln Kirstein paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Charles Rain. Costume design for the ballet Yankee Collection, Detroit Clipper. 1937. Tempera and pencil on paper, 14 ¾ × 10 ⅞" (37.4 × 27.6 cm). Gift of Lincoln Kirstein Rammellzee. Alphabet. n.d. Marker and pencil on paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

55 Rammellzee. Alphabet. n.d. Marker and pencil on Osvaldo Romberg. The Grande Odalisque: Study for paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the an Emotional Reconstruction. 1980. Graphite, oils, Gilbert B. and Lila Silverman Instruction Drawing mounted on paper prints, and rubber stamp on paper, Collection, Detroit 21 ⅞ × 29 ¼" (55.6 × 74.3 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Rammellzee. Alphabet. n.d. Marker and pencil on Detroit paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Osvaldo Romberg. 1‑2‑3 Secondary Colors in T. Collection, Detroit Value Order. 1984. Gouache and pencil on paper, 11 ⅛ × 8 ⅝" (28.3 × 21.9 cm). Gift of the Gilbert B. and Rammellzee. Alphabet. n.d. Marker and pencil on Lila Silverman Instruction Drawing Collection, Detroit paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Osvaldo Romberg. About Pino's Baptism. 1980. Collection, Detroit Graphite and mounted images, 28 × 21 ¼" (71.1 × 54 cm). Gift of the Gilbert B. and Lila Silverman Rammellzee. Alphabet. n.d. Marker and pencil on Instruction Drawing Collection, Detroit paper, 8 ½ × 11" (21.6 × 27.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Ulrich Rückriem. Untitled. 1961. Colored pencil and Collection, Detroit felt‑tip pen on paper, 11 ¾ × 17 ¼" (29.8 × 43.8 cm). Gift of the Gilbert B. and Lila Silverman Instruction Rammellzee. Alphabet. n.d. Marker and pencil on Drawing Collection, Detroit paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Ulrich Rückriem. Instruction Drawing for Untitled Collection, Detroit Granite. 1988. Graphite on vellum, 11 ¾ × 16 ½" (29.8 × 41.9 cm). Gift of the Gilbert B. and Lila Rammellzee. Tag Master Killer, Milan, Italy. 1984. Silverman Instruction Drawing Collection, Detroit Spray paint, marker pen, and acrylic on two sheets of paper, each: 13 ¾ × 17 ¾" (34.9 × 45.1 cm). Ulrich Rückriem. Untitled. 1971. Graphite, Gift of the Gilbert B. and Lila Silverman Instruction photograph and paper on graph paper, 11 ¾ × 16 ½" Drawing Collection, Detroit (29.8 × 41.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Robert Rauschenberg. Instructions for White Paintings. 1965. Felt‑tip pen on lined paper stapled Ulrich Rückriem. Untitled. 1977. Two pieces of wood, and glued to board; felt‑tip pen and ballpoint pen on number 43 from an uncompleted edition of 100; paper, (.a): 8 ⅛ × 14 ⅝" (20.6 × 37.1 cm); (.b): 13 × 8 ½" together with a certificate for the work, graphite and (33 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman ink on paper, (.a): 11 ⅝ × 16 ½" (29.5 × 41.9 cm); (.b): Instruction Drawing Collection, Detroit 3 ¾ × 25 ⅜ × 3 ⅛" (9.5 × 64.5 × 7.9 cm); (.c): 3 ⅝ × 13 ¾ × 3" (9.2 × 34.9 × 7.6 cm). Gift of the Gilbert B. and Nicolas Remisoff.Sketch for tableaux for a Théâtre Lila Silverman Instruction Drawing Collection, Detroit de la Chauve‑Souris production. 1922. Ink, gouache, and pencil on paper, 15 ¼ × 16 ¾" (38.7 × 42.5 cm). Betye Saar. To Catch a Unicorn. 1960. Etching and Gift of Lincoln Kirstein aquatint with watercolor additions, plate: 14 ¾ × 8" (37.5 × 20.3 cm); sheet: 16 ¾ × 9 7⁄1₆" (42.6 × 24 cm). Bridget Riley. Analysis. 1981. Gouache on graph Publisher and printer: the artist, Los Angeles. Edition: paper, 18 × 19" (45.7 × 48.3 cm). Gift of the Gilbert B. planned edition of 20, 8 known variants. The Candace and Lila Silverman Instruction Drawing Collection, King Weir Endowment for Women Artists Detroit Betye Saar. In the Dell. 1960. Etching, plate: 10 × Larry Rivers. Vocabulary Lesson. 1963. Pencil, 14 15⁄1₆" (25.4 × 38 cm); sheet (irreg.): 11 11⁄1₆ × 17 ⅛" paint, and masking tape on paper, 14 × 14 ¼" (35.6 × (29.7 × 43.5 cm). Publisher and printer: the artist, 36.2 cm). Gift of the Gilbert B. and Lila Silverman Los Angeles. Edition: 5. The Candace King Weir Instruction Drawing Collection, Detroit Endowment for Women Artists

Osvaldo Romberg. Analysis of: St Jerome Writing Betye Saar. El Gato. 1960. Lithograph, composition “Caravaggio (1573–1610)”. 1980. Graphite and oil (irreg.): 11 ⅝ × 16 11⁄1₆" (29.5 × 42.4 cm); sheet: 13 ⅛ mounted on paper print and rubber stamp on paper, × 19 ⅛" (33.3 × 48.5 cm). Publisher and printer: the 27 ½ × 39 ⅜" (69.9 × 100 cm). Gift of the Gilbert B. artist, Los Angeles. Edition: 7. The Candace King and Lila Silverman Instruction Drawing Collection, Weir Endowment for Women Artists Detroit

56 Betye Saar. Samsara. 1960. Etching with relief Betye Saar. Flight. 1963. Screenprint, composition printing and embossing, plate: 14 1³⁄1₆ × 15 15⁄1₆" (irreg.): 14 9⁄1₆ × 18 ⅛" (37 × 46 cm); sheet (irreg.): (37.7 × 40.5 cm); sheet: 17 ³⁄1₆ × 17 15⁄1₆" (43.6 × 45.6 17 15⁄1₆ × 24 ⅛" (45.5 × 61.2 cm). Publisher and printer: cm). Publisher and printer: the artist, Los Angeles. the artist, Los Angeles. Edition: planned edition of Edition: planned edition of 15, 11 known variants. 14, 12 known impressions. Gift of Julie and Bennett The Candace King Weir Endowment for Women Artists Roberts, Roberts Projects, Los Angeles

Betye Saar. Anticipation. 1961. Screenprint, Betye Saar. In the Sunflower Patch. 1963. composition (irreg.): 18 ⅛ × 14 7⁄1₆" (46.1 × 36.7 cm); Screenprint, composition: 8 ¼ × 15 ⅞" (20.9 × 40.4 sheet: 21 11⁄1₆ × 16 15⁄1₆" (55.1 × 43.1 cm). Publisher cm); sheet: 12 15⁄1₆ × 19 ½" (32.9 × 49.5 cm). Publisher and printer: the artist, Los Angeles. Edition: planned and printer: the artist, Los Angeles. Edition: 10. edition of 15, 13 known impressions. The Candace Gift of Julie and Bennett Roberts, Roberts Projects, King Weir Endowment for Women Artists Los Angeles

Betye Saar. By the Sea. 1961. Etching, plate: Betye Saar. The Beast that Pounds the Devil's Dust. 17 ⅝ × 11 ⅞" (44.7 × 30.2 cm); sheet: 19 7⁄1₆ × 13 ⅛" 1964. Etching and collagraph with hand additions, (49.3 × 33.3 cm). Publisher and printer: the artist, composition: 12 ³⁄1₆ × 14 ⅞" (30.9 × 37.8 cm); sheet Los Angeles. Edition: proof before the planned (irreg.): 14 1³⁄1₆ × 16 15⁄1₆" (37.7 × 43 cm). Publisher edition of 15, 5 known impressions. The Candace and printer: the artist, Los Angeles. Edition: planned King Weir Endowment for Women Artists edition of 20, 3 known variants. Gift of Lezley Saar and Agust Agustsson Betye Saar. Les Enfants d'Obscurité. 1961. Etching and aquatint, plate: 14 15⁄1₆ × 14 ⅞" (38 × 37.8 cm); Betye Saar. The Beastie Parade. 1964. Etching and sheet: 16 ¾ × 16 ³⁄1₆" (42.6 × 41.1 cm). Publisher and aquatint with hand additions, plate: 5 1⁄1₆ × 14 ⅞" printer: the artist, Los Angeles. Edition: planned (12.9 × 37.8 cm); sheet (irreg.): 6 ⅞ × 16 7⁄1₆" (17.4 × edition of 15, 4 known impressions. Gift of Lezley 41.7 cm). Publisher and printer: the artist, Los Saar and Agust Agustsson Angeles. Edition: planned edtion of 15, 7 known variants. The Candace King Weir Endowment for Betye Saar. Lo, the Pensive Peninsula. 1961. Women Artists Etching, plate (slightly irreg.): 14 15⁄1₆ × 19 11⁄1₆" (38 × 50 cm); sheet (irreg.): 16 5⁄1₆ × 21 9⁄1₆" (41.5 × Betye Saar. The Big Beastie Parade. 1964. Etching, 54.7 cm). Publisher and printer: the artist, Los plate: 17 1³⁄1₆ × 21 7⁄1₆" (45.2 × 54.5 cm); sheet: 19 ½ Angeles. Edition: 20. The Candace King Weir × 6 9⁄1₆ " (49.5 × 16.6 cm). Publisher and printer: the Endowment for Women Artists artist, Los Angeles. Edition: 20. Gift of Tracye and Francis Cavanaugh Betye Saar. Amid Hallucinatory Moons. 1962. Etching with relief printing, plate: 14 15⁄1₆ × 19 ³⁄1₆" Betye Saar. Black Angus Meets Big Brahma. 1964. (37.9 × 48.8 cm); sheet: 16 5⁄1₆ × 20 ⅞" (41.4 × 53.1 Etching with relief‑printed found object, composition cm). Publisher and printer: the artist, Los Angeles. (irreg.): 17 1³⁄1₆ × 26 ⅝" (45.3 × 67.7 cm); sheet Edition: proof before an unknown edition. Gift of (irreg.): 19 9⁄1₆ × 28 ⅞" (49.7 × 73.3 cm). Publisher Julie and Bennett Roberts and printer: the artist, Los Angeles. Edition: planned edition of 25, 11 known variants. Gift of Alison Saar Betye Saar. The Wounded Wilderness. 1962. Etching and Thomas Leeser with relief printing, plate: 23 ⅞ × 14 15⁄1₆" (60.6 × 37.9 cm); sheet: 25 9⁄1₆ × 16 ⅝" (64.9 × 42.3 cm). Publisher Betye Saar. Carnival. 1964. Etching and aquatint and printer: the artist, Los Angeles. Edition: proof with hand additions, plate: 14 ⅝ × 4 7⁄1₆" (37.1 × 11.2 before an unknown edition. Gift of Julie and Bennett cm); sheet: 17 ½ × 7 ⅜" (44.4 × 18.7 cm). Publisher Roberts, Roberts Projects, Los Angeles and printer: the artist, Los Angeles. Edition: planned edtion of 20, 8 known variants. Gift of Julie and Betye Saar. Fireside. 1963. Etching, plate: 7 7⁄1₆ × Bennett Roberts, Roberts Projects, Los Angeles 6" (18.9 × 15.2 cm); sheet: 9 5⁄1₆ × 7 7⁄1₆" (23.7 × 18.9 cm). Publisher and printer: the artist, Los Angeles. Betye Saar. Enchantress and Twilight Bird. 1964. Edition: 15. The Candace King Weir Endowment for Etching and aquatint with blind embossing, plate: Women Artists 19 × 15 ¼" (48.2 × 38.7 cm); sheet: 22 ³⁄1₆ × 17 9⁄1₆" (56.3 × 44.6 cm). Publisher and printer: the artist, Los Angeles. Edition: proof before the planned edition of 15, 5 known impressions. Gift of Julie and Bennett Roberts

57 Betye Saar. Enfant in the Garden. 1964. Etching, Betye Saar. Lo, the Mystique City. 1965. Etching plate: 9 15⁄1₆ × 17 15⁄1₆" (25.2 × 45.6 cm); sheet (irreg.): and aquatint with relief‑printed found objects, plate 12 ¼ × 19 ½" (31.1 × 49.6 cm). Publisher and printer: (irreg.): 18 ½ × 19 1³⁄1₆" (47 × 50.4 cm); sheet: 19 1³⁄1₆ the artist, Los Angeles. Edition: 15. Gift of Julie and × 22 15⁄1₆" (50.3 × 58.3 cm). Publisher and printer: the Bennett Roberts, Roberts Projects, Los Angeles artist, Los Angeles. Edition: planned edition of 30, 6 known variants. The Candace King Weir Endowment Betye Saar. Girl Children. 1964. Etching, plate: for Women Artists 17 11⁄1₆ × 13 9⁄1₆" (44.9 × 34.5 cm); sheet: 19 5⁄1₆ × 15 ³⁄1₆" (49 × 38.5 cm). Publisher and printer: the artist, Los Betye Saar. The Man from Phrenology. 1965. Angeles. Edition: planned edition of 25, 16 known Etching, plate: 14 1³⁄1₆ × 9 1³⁄1₆" (37.7 × 25 cm); sheet variants. The Candace King Weir Endowment for (irreg.): 17 11⁄1₆ × 12 ⅝" (44.9 × 32.1 cm). Publisher and Women Artists printer: the artist, Los Angeles. Edition: planned edition of 30, 5 known impressions. The Candace Betye Saar. Mystic Chart for an Unemployed King Weir Endowment for Women Artists Sorceress. 1964. Etching and aquatint, plate: 17 15⁄1₆ × 13 ¾" (45.6 × 35 cm); sheet: 19 ¾ × 15 11⁄1₆" (50.2 × Betye Saar. The Mystic Flag. 1965. Etching with relief 39.9 cm). Publisher and printer: the artist, Los printing and relief‑printed found objects, plate (ir‑ Angeles. Edition: planned edition of 25, 9 known reg.): 3 ⅜ × 5 ⅞" (8.6 × 15 cm); sheet (irreg.): 5 ⅝ × impressions. The Candace King Weir Endowment 8 9⁄1₆" (14.3 × 21.7 cm). Publisher and printer: the artist, for Women Artists Los Angeles. Edition: planned edition of 40, 12 known variants. Gift of Tracye and Francis Cavanaugh Betye Saar. Not All Turtles Sing. 1964. Etching, plate: 11 ⅞ × 14 1³⁄1₆" (30.1 × 37.7 cm); sheet (irreg.): Betye Saar. The Palmistry Chart. 1965. Etching with 13 ¼ × 17 5⁄1₆" (33.7 × 44 cm). Publisher and printer: etched found object, plate: 8 ¾ × 5 7⁄1₆" (22.3 × 13.8 the artist, Los Angeles. Edition: planned edition of cm); sheet: 11 1⁄1₆ × 8 ½" (28.1 × 21.6 cm). Publisher 25, 13 known variants. Gift of Alison Saar and and printer: the artist, Los Angeles. Edition: planned Thomas Leeser edition of 35, 7 known impressions. The Candace King Weir Endowment for Women Artists Betye Saar. The Quick & the Dead. 1964. Etching and collagraph with hand addtions and Betye Saar. Summer Symbol. 1965. Etching with relief embossing with stamped ink, plate: 12 5⁄1₆ × 29 15⁄1₆" printing, plate: 16 9⁄1₆ × 14 1³⁄1₆" (42.1 × 37.6 cm); sheet (31.3 × 76.1 cm); sheet: 13 7⁄1₆ × 30 ⅞" (34.1 × 78.5 (irreg.): 18 ¾ × 16 5⁄1₆" (47.6 × 41.4 cm). Publisher cm). Publisher and printer: the artist, Los Angeles. and printer: the artist, Los Angeles. Edition: planned Edition: proof before the planned edition of 25, 8 edition of 25, 3 known impressions. Gift of Julie and known variants. The Candace King Weir Endowment Bennett Roberts, Roberts Projects, Los Angeles for Women Artists Betye Saar. We the People. 1965. Blind embossing, Betye Saar. Rojo Toro. 1964. Etching, plate: 17 15⁄1₆ × plate: 3 7⁄1₆ × 4 ½" (8.8 × 11.5 cm); sheet: 5 × 6 11⁄1₆" 21 ⅞" (45.6 × 55.5 cm); sheet: 19 9⁄1₆ × 23 11⁄1₆" (49.7 × (12.7 × 17 cm). Publisher and printer: the artist, Los 60.2 cm). Publisher and printer: the artist, Los Angeles. Edition: planned edition of 50, 9 known Angeles. Edition: planned edtion of 25, 6 known impressions. Gift of Tracye and Francis Cavanaugh variants. The Candace King Weir Endowment for Women Artists Betye Saar. Celestial Scene. 1966. Etching, plate: 8 15⁄1₆ × 12 1⁄1₆" (22.7 × 30.6 cm); sheet: 13 1⁄1₆ × 15" Betye Saar. Sorceress with Seven Assorted Birds. (33.2 × 38.1 cm). Publisher and printer: the artist, 1964. Etching and aquatint, plate: 14 9⁄1₆ × 12 ⅛" Los Angeles. Edition: planned edition of 25, 11 known (37 × 30.8 cm); sheet: 17 ⅛ × 13 ¼" (43.5 × 33.7 cm). impressions. Committee on Drawings and Prints Fund Publisher and printer: the artist, Los Angeles. Edition: planned edition of 20, 14 known impressions. Gift of Betye Saar. House of Tarot. 1966. Etching with relief Lezley Saar and Agust Agustsson printing and relief‑printed and embossed found objects, plate: 17 11⁄1₆ × 23 ¾" (45 × 60.4 cm); sheet: Betye Saar. He Who…. 1965. Etching with relief‑printed 19 15⁄1₆ × 27 9⁄1₆" (50.6 × 70 cm). Publisher and printer: found objects, plate (irreg.): 4 5⁄1₆ × 5 1⁄1₆" (10.9 × 12.9 the artist, Los Angeles. Edition: planned edition of 30, cm); sheet (irreg.): 6 5⁄1₆ × 8 ¼" (16 × 21 cm). Publisher 8 known variants. Acquired through the generosity of and printer: the artist, Los Angeles. Edition: planned The Friends of Education of The Museum of Modern edition of 40, 10 known variants. The Candace King Art in honor of Marquita Pool‑Eckert Weir Endowment for Women Artists

58 Betye Saar. The Mystic Galaxy. 1966. Etching with Carolee Schneemann. Study for More Than Meat relief‑printed found objects, plate: 17 ½ × 8 ¼" (44.5 Joy Box. 1977. Felt‑tip pen and pencil on transpar‑ × 20.9 cm); sheet: 19 15⁄1₆ × 10 ⅞" (50.7 × 27.7 cm). entized paper mounted on paper, 9 ½ × 10 ⅜" (24.1 × Publisher and printer: the artist, Los Angeles. Edition: 26.4 cm). Gift of the Gilbert B. and Lila Silverman planned edition of 25, 10 known impressions. Gift of Instruction Drawing Collection, Detroit Alison Saar and Thomas Leeser Carolee Schneemann. Meat Joy. 1964. Tape and Betye Saar. Palm of Love. 1966. Etching with relief pencil on paper, 7 × 10" (17.8 × 25.4 cm). Gift of the printing, plate: 17 15⁄1₆ × 23 ¾" (45.6 × 60.3 cm); Gilbert B. and Lila Silverman Instruction Drawing sheet: 19 1⁄1₆ × 26 1⁄1₆" (48.4 × 66.2 cm). Publisher Collection, Detroit and printer: the artist, Los Angeles. Edition: planned edition of 20, 5 known impressions. Committee on Peter Schuyff.Untitled, for Michael B. 1988. Drawings and Prints Fund Watercolor and pencil on paper, 10 ¼ × 7 ⅛" (26 × 18.1 cm). Gift of the Gilbert B. and Lila Silverman Betye Saar. Phrenology Man Digs Sol y Luna. 1966. Instruction Drawing Collection, Detroit Etching with relief‑printed found objects, composi‑ tion: 14 ⅝ × 15" (37.1 × 38.1 cm); sheet (irreg.): 17 ⅜ Paul Sharits. Oscillating Strips Mapped into × 17 ½" (44.1 × 44.5 cm). Publisher and printer: the Intersecting Frame 8. 1973. Felt‑tip pen and pencil artist, Los Angeles. Edition: planned edition of 20, 5 on graph paper, 9 × 11 ⅜" (22.9 × 28.9 cm). Gift of known impressions. Acquired through the generosity Stuart Liebman in memory of Annette Michelson of The Friends of Education of The Museum of Modern Art in honor of Eric J. Barkley Paul Sharits. Oscillating Strips Mapped into Intersecting Frame 9. 1973. Felt‑tip pen and pencil Betye Saar. A Siege of Sirens. 1966. Lithograph, on graph paper, 9 × 11 ⅜" (22.9 × 28.9 cm). Gift of composition and sheet: 19 15⁄1₆ × 15" (50.7 × 38.1 cm). Stuart Liebman in memory of Annette Michelson Publisher and printer: the artist, Los Angeles. Edition: planned edition of 20, 11 known impressions. Gift of Paul Sharits. Oscillating Strips Mapped into Lezley Saar and Agust Agustsson Intersecting Frame 10. 1973. Felt‑tip pen and pencil on graph paper, 9 × 11 ⅜" (22.9 × 28.9 cm). Gift of Betye Saar. Winter Symbol. 1966. Etching, Stuart Liebman in memory of Annette Michelson composition: 16 ⅜ × 14 1³⁄1₆" (41.6 × 37.7 cm); sheet: 19 ½ × 17 ⅜" (49.6 × 44.1 cm). Publisher and printer: Paul Sharits. Location VII: Episodic Generation. the artist, Los Angeles. Edition: planned edition of 1978. Ink, graphite, and crayon on red lined graph 20, 6 known impressions. Committee on Drawings paper, 17 ⅞ × 22 ⅝" (45.4 × 57.5 cm). Gift of the and Prints Fund Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Betye Saar. The Mystic Galaxy. 1968. Etching with embossing, plate (irreg.): 9 ⅛ × 17 9⁄1₆" (23.2 × 44.6 Sharp (Aaron Goodstone). Untitled (Spaces White, cm); sheet: 11 ¼ × 19 9⁄1₆" (28.5 × 49.7 cm). Publisher Red Lines). 1984. Pencil and felt‑tip pen on paper, and printer: the artist, Los Angeles. Edition: planned and pasted chromogenic prints, (.a): 8 × 10 ⅝" (20.3 edition of 25, 10 known impressions. Gift of Tracye × 27 cm); (.b): 3 ¾ × 16 ¼" (9.5 × 41.3 cm). Gift of the and Francis Cavanaugh Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Betye Saar. Two of Every Sort. c. 1966. Etching, plate: 11 ¾ × 17 11⁄1₆" (29.8 × 45 cm); sheet: 13 ⅛ × 20" Sharp (Aaron Goodstone). Untitled (Look for Art by (33.3 × 50.8 cm). Publisher and printer: the artist, Peter Max). c. 1984–85. Pencil on paper and pasted Los Angeles. Edition: 25. The Candace King Weir chromogenic prints, (.a): 7 × 10" (17.8 × 25.4 cm); (.b): Endowment for Women Artists 3 ¾ × 13 ¼" (9.5 × 33.7 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Niki de Saint Phalle. Projet pour construction de Nana maison. 1969. Felt‑tip pen on graph paper, Sharp (Aaron Goodstone). Sharp + Lady. n.d. Pencil, 5 ⅜ × 8 ¼" (13.7 × 21 cm). Gift of the Gilbert B. and felt‑tip pen, and ballpoint pen on two sides of a Lila Silverman Instruction Drawing Collection, Detroit sheet of paper, 6 ⅝ × 10 ⅝" (16.8 × 27 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Niki de Saint Phalle. Projet pour construction de Collection, Detroit Nana maison. 1969. Felt‑tip pen on graph paper, 5 ¼ × 8 ¼" (13.3 × 21 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

59 Sharp (Aaron Goodstone). Judicial Prejudice. 1985. Serge Spitzer. Treework, Westhampton Beach. Cut‑and‑pasted printed paper and color chromogenic 1991. Crayon and stamped ink on printed print on paper with felt‑tip pen, 14 × 17" (35.6 × 43.2 cm). transparentized paper, 17 × 11" (43.2 × 27.9 cm). Gift Gift of the Gilbert B. and Lila Silverman Instruction of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Drawing Collection, Detroit

Robert Smithson. Broken Circle. 1971. Pencil and May Stevens. Big Daddy (Beach Scene). 1970. felt‑tip pen on paper, 12 ⅝ × 15 ⅝" (32.1 × 39.7 cm). Gouache, felt‑tip pen, and pencil on paper, 22 × 30" Gift of the Gilbert B. and Lila Silverman Instruction (55.9 × 76.2 cm). Modern Women's Fund Committee. Drawing Collection, Detroit May Stevens. The Couple. 1971. Cut‑and‑pasted Robert Smithson. Earth Map of Sulfur and Tar printed paper, pencil, ink, and chalk on paper, (Cambrian Period). 1969. Two gelatin silver prints, 22 ¼ × 29 ⅞" (56.5 × 75.9 cm). Modern Women's two chromogenic color prints mounted on board, Fund Committee. and watercolor on gelatin silver print mounted on graph paper with pencil and felt‑tip pen, (.a): 4 ⅛ × Jiro Takamatsu. Untitled Preparatory Drawing for 8 ⅛" (10.5 × 20.6 cm); (.b): 9 ¾ × 9 ¾" (24.8 × 24.8 cm); a Painting, Scale 1/10. 1982. Pencil, colored pencil, (.c): 5 ⅛ × 8 ⅛" (13 × 20.6 cm); (.d): 9 ¾ × 9 ¾" (24.8 and crayon on graph paper, 11 ¾ × 16 ⅝" (29.8 × 42.2 × 24.8 cm); (.e): 23 ¾ × 18 ⅞" (60.3 × 47.9 cm). Gift of cm). Gift of the Gilbert B. and Lila Silverman the Gilbert B. and Lila Silverman Instruction Drawing Instruction Drawing Collection, Detroit Collection, Detroit Jiro Takamatsu. Untitled Preparatory Drawing for Robert Smithson. Untitled. 1971. Ballpoint pen and a Painting, Scale 1/10. 1982. Pencil, colored pencil, felt‑tip pen on paper, 12 × 9" (30.5 × 22.9 cm). Gift of and crayon on graph paper, 11 ¾ × 16 ⅝" (29.8 × 42.2 the Gilbert B. and Lila Silverman Instruction Drawing cm). Gift of the Gilbert B. and Lila Silverman Collection, Detroit Instruction Drawing Collection, Detroit

Kenneth Snelson. Untitled. 1967. Tape on tracing Jiro Takamatsu. Untitled Preparatory Drawing for a paper, 13 ⅛ × 15 ⅜" (33.3 × 39.1 cm). Gift of the Painting, Scale 1/5. 1982. Pencil and colored pencil Gilbert B. and Lila Silverman Instruction Drawing on graph paper, 11 ¾ × 16 ⅝" (29.8 × 42.2 cm). Gift of Collection, Detroit the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Keith Sonnier. BA‑O‑BA No IV. 1976. Ink on graph paper, 9 ½ × 8 ½" (24.1 × 21.6 cm). Gift of the Jiro Takamatsu. Untitled Preparatory Drawing for Gilbert B. and Lila Silverman Instruction Drawing a Painting, Scale 1/10. 1982. Cut‑and‑taped paper, Collection, Detroit pencil, and colored pencil on graph paper, 11 ¾ × 16 ⅝" (29.8 × 42.2 cm). Gift of the Gilbert B. and Lila Keith Sonnier. BA‑O‑BA No V. 1976. Felt‑tip pen and Silverman Instruction Drawing Collection, Detroit ballpoint pen on graph paper, 7 × 10 ¾" (17.8 × 27.3 cm). Gift of the Gilbert B. and Lila Silverman Jiro Takamatsu. Rusty Ground. 1977. Pencil on two Instruction Drawing Collection, Detroit sheets of paper, each: 15 × 20 ⅞" (38.1 × 53 cm). Gift of the Gilbert B. and Lila Silverman Instruction Keith Sonnier. Abaca Code I. 1976. Ink and colored Drawing Collection, Detroit pencil on graph paper, 6 ⅞ × 10 ⅞" (17.5 × 27.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Henry Ossawa Tanner. Capsized Fishing Boats, Drawing Collection, Detroit Brittany. c. 1913, printed posthumously. Etching, plate: 5 ¾ × 7 11⁄1₆" (14.6 × 19.6 cm); sheet: 10 1³⁄1₆ × Keith Sonnier. Wall‑Neon. 1979. Pencil and felt‑tip 13 ³⁄1₆" (27.5 × 33.5 cm). Publisher: Jesse Ossawa pen on paper, 15 ¾ × 11 ¾" (40 × 29.8 cm). Gift of Tanner. Printer: unknown. Edition: 120. Gift of the Gilbert B. and Lila Silverman Instruction Drawing Samuel Rosenfeld Collection, Detroit Henry Ossawa Tanner. Christ Walking on the Water. Keith Sonnier. Study for Meridian Passage I and II. 1913, printed posthumously. Etching, plate: 7 ³⁄1₆ × 1992. Ink and pigment on lined paper, 6 × 7 ½" (15.2 9 ½" (18.2 × 24.1 cm); sheet: 10 1³⁄1₆ × 13 ³⁄1₆" (27.5 × × 19.1 cm). Gift of the Gilbert B. and Lila Silverman 33.5 cm). Publisher: Jesse Ossawa Tanner. Printer: Instruction Drawing Collection, Detroit unknown. Edition: 120. Gift of Samuel Rosenfeld

60 Henry Ossawa Tanner. Gate in Tangier. c. 1912–14, Jean Tinguely. Hannibal. 1967. Felt‑tip pen and printed posthumously. Etching, plate: 9 ⅜ × 7 1⁄1₆" ballpoint pen on paper, 11 ⅞ × 16" (30.2 × 40.6 cm). (23.8 × 17.9 cm); sheet: 13 ⅛ × 10 1³⁄1₆" (33.3 × 27.4 Gift of the Gilbert B. and Lila Silverman Instruction cm). Publisher: Jesse Ossawa Tanner. Printer: Drawing Collection, Detroit unknown. Edition: 120. Gift of Samuel Rosenfeld Rirkrit Tiravanija. FEAR EATS THE SOUL. 2018. Henry Ossawa Tanner. Mosque, Tangier. c. 1912, Screenprint on fiberglass serving tray, overall: printed posthumously. Etching, plate: 6 1³⁄1₆ × 9 ¼" 16 5⁄1₆ × 11 15⁄1₆ × 1³⁄1₆" (41.4 × 30.4 × 2 cm). Publisher: (17.3 × 23.5 cm); sheet: 10 1³⁄1₆ × 13 ⅛" (27.4 × 33.4 onestar press, Paris. Edition: unlimited. Riva cm). Publisher: Jesse Ossawa Tanner. Printer: Castleman Endowment Fund unknown. Edition: 120. Gift of Samuel Rosenfeld Per Olof Ultvedt. Drawing for Project. 1962. Pencil Forrest Thayer. Costume design for the ballet on paper, 19 ⅜ × 22 ¾" (49.2 × 57.8 cm). Gift of Promenade. 1936. Watercolor and pencil on paper, Irving Stenn Jr. 11 × 8 ½" (27.9 × 21.6 cm). Gift of Lincoln Kirstein The Velvet Underground. The Velvet Underground Forrest Thayer. Costume design for the ballet & Nico, 1966. 1968 reissue. 12" vinyl record. Promenade. 1936. Watercolor and pencil on paper, dimensions vary. General Print Fund 11 × 8 ½" (27.9 × 21.6 cm). Gift of Lincoln Kirstein Bernar Venet. 6 Grand Arc de 66.50 (Project of Forrest Thayer. Costume design for the ballet Diamede Island). 1989. Gelatin silver print, ink, Promenade. 1936. Watercolor, pencil, and stapled and felt‑tip pen, 11 × 14" (27.9 × 35.6 cm). Gift of fabric on paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Lincoln Kirstein Collection, Detroit

Forrest Thayer. Costume design for the ballet Bernar Venet. Le Repos de l’arme, project for the Promenade. 1936. Watercolor, pencil, and clipped Arc Triomphe, Paris, France. 2000. Ink on photo fabric on paper, 11 × 8 ½" (27.9 × 21.6 cm). Gift of reproduction, 22 ½ × 25 ⅜" (57.2 × 64.5 cm). Gift of Lincoln Kirstein the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Forrest Thayer. Costume design for the ballet Promenade. 1936. Watercolor and pencil on paper, Vulcan. The New Renaissance 21st Century Style. 11 × 8 ½" (27.9 × 21.6 cm) (irreg.). Gift of Lincoln Kirstein 1985. Cut‑and‑pasted paper on paper with felt‑tip pen, 14 × 16 ⅞" (35.6 × 42.9 cm). Gift of the Forrest Thayer. Costume design for the ballet Gilbert B. and Lila Silverman Instruction Drawing Promenade. 1936. Watercolor and pencil on paper, Collection, Detroit 11 ⅞ × 9 ½" (30.2 × 24.1 cm). Gift of Lincoln Kirstein Vulcan. The New Renaissance. 1985. Airbrush and Forrest Thayer. Costume design for the ballet felt‑tip pen on paper, 11 × 14" (27.9 × 35.6 cm). Gift Promenade. 1936. Watercolor and pencil on paper, of the Gilbert B. and Lila Silverman Instruction 11 ⅞ × 9 ½" (30.2 × 24.1 cm). Gift of Lincoln Kirstein Drawing Collection, Detroit

Forrest Thayer. Costume design for the ballet Vulcan. Vulcan. 1986. Pencil and tape on paper, Promenade. 1936. Watercolor and pencil on paper, 10 ¾ × 24" (27.3 × 61 cm). Gift of the Gilbert B. and 11 ⅞ × 9 ½" (30.2 × 24.1 cm). Gift of Lincoln Kirstein Lila Silverman Instruction Drawing Collection, Detroit

Paul Thek. “Blackmass” “Plulptures” “Scaintings”. Vulcan. Stingray. n.d. Pencil on paper, 11 × 14" 1981. Ink on paper, 14 × 17" (35.6 × 43.2 cm). Gift of (27.9 × 35.6 cm). Gift of the Gilbert B. and Lila the Gilbert B. and Lila Silverman Instruction Drawing Silverman Instruction Drawing Collection, Detroit Collection, Detroit Vulcan. Snakeman. n.d. Pencil on paper, 13 ¾ × 10 ¾" Jean Tinguely. “Rotozaza” alias “Mater”. 1965. (34.9 × 27.3 cm). Gift of the Gilbert B. and Lila Ink and felt‑tip pen on paper, 12 ⅝ × 20 ⅛" Silverman Instruction Drawing Collection, Detroit (32.1 × 51.1 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

61 Franz Erhard Walther. Die Sammlung als Skulptur Krzysztof Wodiczko. Arco de la Victoria. 1990–91. (Werkzeichnung/Workdrawing). c. 1966–69. Pencil, ballpoint pen, and correction fluid on printed Watercolor, colored pencil, and pencil on colored paper, and ballpoint pen and felt‑tip pen on five paper, 11 ¾ × 8 ⅜" (29.8 × 21.3 cm). Gift of the sheets of paper, (.a): 8 ¼ × 11 ¾" (21 × 29.8 cm); Gilbert B. and Lila Silverman Instruction Drawing (.b–c): 8 ½ × 6 ⅛" (21.6 × 15.6 cm); (.d–g): 6 ⅛ × 8 ½" Collection, Detroit (15.6 × 21.6 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Lawrence Weiner. Installation for Fourth Str. Chartroom. 1990. Graphite, ink, pigment, paper, Krzysztof Wodiczko. Study for The Hiroshima staples, typewritten text, and folder stock on Projection. 1999. Cut‑and‑pasted printed paper, cardboard, 7 × 12 ⅝" (17.8 × 32.1 cm). Gift of the pencil, felt‑tip pen, colored pencil, and ink on Gilbert B. and Lila Silverman Instruction Drawing thirteen sheets of paper, sheet (.a–k): 14 ⅜ × 10 ⅛" Collection, Detroit (36.5 × 25.7 cm); sheet (.l): 14 ⅜ × 10 ¼" (36.5 × 26 cm); sheet (.m): 14 ⅜ × 10 ⅛" (36.5 × 25.7 cm). Gift Lawrence Weiner. Arranged As To (Instruction of the Gilbert B. and Lila Silverman Instruction Drawing for P.S. 1 Installation). 1981. Graphite Drawing Collection, Detroit and pigment on paper, 15 × 19 ¾" (38.1 × 50.2 cm). Gift of the Gilbert B. and Lila Silverman Instruction Zarina. Beyond the Stars. 2014. Woodcut with Drawing Collection, Detroit cut‑and‑pasted metallic paper and digital print mounted on paper, composition (irreg.): 19 ³⁄1₆ × Lawrence Weiner. A Grouping of That which Is 19 9⁄1₆" (48.7 × 49.7 cm); sheet: 24 ³⁄1₆ × 23 1⁄1₆" Connected with Use in a Temperate Climate…. (61.5 × 58.6 cm). Publisher: the artist. Printer: Rie 1981. Pigment, ink, staples, tape, and printed type Hasegawa, New York. Edition: 20. Edgar and Sue on rice paper, 12 ⅝ × 18 ⅞" (32.1 × 47.9 cm). Gift of Wachenheim III Endowment Fund the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Zephyr (Andrew Witten). Zephyr. 1986. Ink, enamel, colored pencil, and watercolor on paper, 14 × 14 ⅝" Lawrence Weiner. Homeport Need to Know. 1997. (35.6 × 37.1 cm). Gift of the Gilbert B. and Lila Cut‑and‑pasted photocopies with metallic paint, Silverman Instruction Drawing Collection, Detroit pencil, and colored pencil on graph paper, 10 × 17" (25.4 × 43.2 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

Lawrence Weiner. A Force of Sufficient Force to Wear Through a Surface (i.e. Frayed). 1980. Gelatin silver print (press type on wall), dimensions variable. Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

Charles White. Untitled (Seated Woman). c. 1939. Oil monotype on paper, 14 × 10 ½" (35.6 × 26.7 cm). Publisher: unpublished. Edition: unique. Gift of Merrill C. Berman and Dalia S. Berman in honor of Jodi Hauptman

Robert Whitman. Garbage Bag. c. 1962. Pencil and crayon on paper, 14 × 11" (35.6 × 27.9 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

Robert Whitman. Sans Titre. 1973. Graphite and colored pencil, 18 × 23 ¾" (45.7 × 60.3 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

William T. Wiley. Banjo for G.D. 1973. Pencil and colored pencil on paper, 15 × 10 ¾" (38.1 × 27.3 cm). Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

62 Film

A total of 160 works were acquired by the Department of Film.

Ardizzone Family [Home Movie]. c. 1960–66. Gift Rain Seeds. Directed by Mary Beams. 1976. 16mm of Ron Magliozzi film. Purchase from the artist

Cox Family [Home Movie]. Gift of Matthew Cox School in the Sky. Directed by Mary Beams. 1980. 16mm film. Purchase from the artist Donato Family [Home Movie]. 1960–80. Super 8mm film. Gift of Rafaele Donato Downtown 81. Directed by Edo Bertoglio. Produced by Glenn O'Brien and Maripol. 2000. 35mm film Hubley Family [Home Movie]. c. 1950–80. Gift of (color, sound). Purchase from the rights holder Emily Hubley Beyond Genre. Directed by Edit deAk and Patrick Levitt Family [Home Movie]. 1963. 8mm film Fox. 1977–86. Super 8mm film. Purchase from the (color, silent). Gift of Ashley Swinnerton Estate of Edit deAk

Russ Meyer [Home Movie]. 1938–41. Gift of the The Kitchen. Directed by Andre Degas. 2001. 35mm Estate of Russ Meyer film. Purchase from the artist

Mondrian Exhibit, Sidney Janis Gallery [Home First Coda. Directed by Andre Degas. 1983. 16mm Movie]. 1949. 16mm film. Gift of Herbert S. Gardner film. Purchase from the artist

Norwood High School [Home Movie]. c. 1975. Super A Figment. Directed by Andre Degas. 1980. 16mm 8mm film. Gift of Ron Magliozzi film. Gift of the artist

Palamara Family [Home Movie]. c. 1950–70. Gift of Jane Hamilton. Directed by Andre Degas. 1983. Susan Palamara 16mm film. Gift of the artist

Pierce Family [Home Movie]. c. 1958–63. 16mm film. The Open Window. Directed by Andre Degas. 1982. Gift of Ron Magliozzi 16mm film. Gift of the artist

Swinnerton Family [Home Movie]. 1960–c. 1977. Chambers 8. Directed by Andre Degas. 1979. Super Standard 8mm film and Super 8mm film. Gift of 8mm film. Gift of the artist Ashley Swinnerton Lawhaan Family. Directed by Andre Degas. 1979. mother! Directed by Darren Aronofsky. 2017. 35mm Super 8mm film. Gift of the artist film (color, sound). Gift of the artist Life and Death. Directed by Andre Degas. 1980. Whale Songs. Directed by Mary Beams. 1979. 16mm Super 8mm film. Gift of the artist film (color, sound). Purchase from the artist Whatta Day. Directed by Andre Degas. c. 1980. Tub Film. Directed by Mary Beams. 1971. 16mm film Super 8mm film. Gift of the artist (black and white, sound). Purchase from the artist Paranoimia. Directed by Andre Degas. 1986. Video. Seed Reel. Directed by Mary Beams. 1975. 16mm Gift of the artist film (color, sound). Purchase from the artist Things Shall Go On Like This. Directed by Andre Going Home Sketchbook. Directed by Mary Beams. Degas. 1984–85. Video. Gift of the artist 1975. 16mm film. Purchase from the artist Concrete Jungle. Directed by Andre Degas. 1979. Piano Rub. Directed by Mary Beams. 1975. 16mm Video. Gift of the artist film. Purchase from the artist Bullets for Breakfast. Directed by Holly Fisher. 1992. Solo. Directed by Mary Beams. 1975. 16mm film. 16mm film. Purchase from the artist Purchase from the artist

63 L.E.S. Directed by Coleen Fitzgibbon. 1976. Video. Fay Grim. Directed by Hal Hartley. 2006. 35mm film Purchase from the artist (color, sound). Gift of the artist

Lower East Side Trilogy. Directed by Ernie Gehr. Girl from Monday. Directed by Hal Hartley. 2005. 2018. Digital cinema (color, sound). Purchase from 35mm film (color, sound). Gift of the artist the artist Flirt [feature]. Directed by Hal Hartley. 1995. 35mm The Mega‑Star Book Signing at Fiorucci. Directed by film (color, sound). Gift of the artist Courtney Harmel. 1985. Video (color, sound), 3:38 min. Purchase from the artist Flirt [short]. Directed by Hal Hartley. 1993. 35mm film (color, sound). Gift of the artist Fiorucci Classic Nouveau. Directed by Courtney Harmel. 1986. Video (color, sound), 1:39 min. Fainting Spells. Directed by Sky Hopinka. 2018. Purchase from the artist Video (color, sound). Purchase from the distributor

Mermaids on Heroin at Danceteria. Directed by Anti‑Objects, or Space without Path or Boundary. Courtney Harmel. 1984–85. Video (color, sound), Directed by Sky Hopinka. 2017. Video (color, sound). 7:48 min. Purchase from the artist Purchase from the distributor

Love Letters to Fiorucci at Limelight. Directed by Dislocation Blues. Directed by Sky Hopinka. 2017. Courtney Harmel. 1984. Video (color, sound), 6:42 Video (color, sound). Purchase from the distributor min. Purchase from the artist I'll Remember You as You Were, Not as What You'll The Andy and Edie Show at Limelight. Directed by Become. Directed by Sky Hopinka. 2016. Video Courtney Harmel. 1984. Video (color, sound), 23 min. (color, sound). Purchase from the distributor Purchase from the artist Visions of an Island. Directed by Sky Hopinka. 2016. June Brides at Limelight. Directed by Courtney Video (color, sound). Purchase from the distributor Harmel. 1984. Video (color, sound), 21 min. Purchase from the artist Jáaji Approx. Directed by Sky Hopinka. 2015. Video (color, sound). Purchase from the distributor Dali & Gala's Mad Tea Party at Limelight. Directed by Courtney Harmel. 1984. Video (color, sound), 14 min. Venite et Loquamur. Directed by Sky Hopinka. 2015. Purchase from the artist Video (color, sound). Purchase from the distributor

Halloween at Limelight. Directed by Courtney Kunįkaga Remembers Red Banks, Kunįkaga Harmel. 1985. Video (color, sound), 5:54 min. Remembers the Welcome Song. Directed by Sky Purchase from the artist Hopinka. 2014. Video (color, sound). Purchase from the distributor Disco Hospital at Limelight. Directed by Courtney Harmel. 1985. Video (color, sound), 5:34 min. Wawa. Directed by Sky Hopinka. 2014. Video (color, Purchase from the artist sound). Purchase from the distributor

Fellini Party at Limelight. Directed by Courtney Set Set Spike. Directed by Emily Hubley. 2002. Harmel. 1985. Video (color, sound), 7:45 min. Video (color, sound). Purchase from the artist Purchase from the artist Octave. Directed by Emily Hubley. 2006. Video Sirens with Tanya Ransom and Frederick Nunley, (color, sound). Purchase from the artist and Tanya Ransom's Birthday. Directed by Courtney Harmel. 1984–86. Video (color, sound). Purchase Hail. Directed by Emily Hubley. 2011. Video from the artist (color, sound). Purchase from the artist

Simple Men. Directed by Hal Hartley. 1992. 35mm And/Or. Directed by Emily Hubley. 2012. Video film (color, sound). Gift of the artist (color, sound). Purchase from the artist

The Unbelievable Truth. Directed by Hal Hartley. Write Back. Directed by Emily Hubley. 2013. Video 1989. 35mm film (color, sound). Gift of the artist (color, sound). Purchase from the artist

64 Call Back the Dogs. Directed by Emily Hubley. 2016. King Tut's Wah Wah Hut Speaker Series/John Kelly. Video (color, sound). Purchase from the artist Directed by Robert Kurilla. 1987–89. Video (color, sound). Purchase from the videographer Paraffin. Directed by Emily Hubley. 2017. Video (color, sound). Purchase from the artist King Tut's Wah Wah Hut Speaker Series/Arto Lindsay. Directed by Robert Kurilla. 1987–89. Video Dear Trump Voter. Directed by Emily Hubley. 2017. (color, sound). Purchase from the videographer Video (color, sound). Purchase from the artist King Tut's Wah Wah Hut Speaker Series/Reno. Brainworm Billy. Directed by Emily Hubley. 2018. Directed by Robert Kurilla. 1987–89. Video (color, Video (color, sound). Purchase from the artist sound). Purchase from the videographer

Deep Sleep. Directed by John Jesurun. 1986. 16mm King Tut's Wah Wah Hut Speaker Series/Stephen film (color, sound). Purchase from the artist Saban. Directed by Robert Kurilla. 1987–89. Video (color, sound). Purchase from the videographer Black Maria. Directed by John Jesurun. 1987. 16mm film (color, sound). Purchase from the artist King Tut's Wah Wah Hut Speaker Series/Les Simpson. Directed by Robert Kurilla. 1987–89. Where Are My Legs. Directed by John Jesurun. 1976. Video (color, sound). Purchase from the videographer 16mm film (black and white). Purchase from the artist King Tut's Wah Wah Hut Speaker Series/Tiny Tim. Chang In A Void Moon. Directed by John Jesurun. Directed by Robert Kurilla. 1987–89. Video (color, 1979. Super 8mm film (color, sound). Purchase from sound). Purchase from the videographer the artist King Tut's Wah Wah Hut Speaker Series/Carmelita Last Days Of Pompeii. Directed by John Jesurun. Tropicana. Directed by Robert Kurilla. 1987–89. 1980. 16mm film (color, sound). Purchase from Video (color, sound). Purchase from the videographer the artist King Tut's Wah Wah Hut Speaker Series/Ultraviolet. Stella Maris. Directed by John Jesurun. 1977. Super Directed by Robert Kurilla. 1987–89. Video (color, 8mm film (color, sound). Purchase from the artist sound). Purchase from the videographer

Sleepless Nights. Directed by Becky Johnston. 1979. King Tut's Wah Wah Hut Speaker Series/Joey Arias. Video. Gift of the artist and Maripol Directed by Robert Kurilla. 1987–89. Video (color, sound). Purchase from the videographer The Gaucho. Directed by Nathan Juran. 1957. 35mm film (color, sound). Gift of Warner Bros. Kitchen Sink. Directed by Alison Maclean. 1989. 35mm film (color, sound). Gift of the artist Makers of Melody. Directed by S. Jay Kaufman. 1929. 16mm film. Gift of Ron Magliozzi Underground USA. Directed by Eric Mitchell. 1980. 16mm film. Purchase from the artist Final Reward. Directed by Rachid Kerdouche. 1978. 16mm film. Gift of the artist Bikers or Vanity in Leather. Composed by Eric Mitchell and Maripol. 1978. Video. Purchase from Her Name Is Lisa. Directed by Rachid Kerdouche. the artists 1987. 16mm film (color, sound). Gift of the artist Anapoko. Directed by Ko Nakajima. 1963. 16mm King Tut's Wah Wah Hut Speaker Series/Quentin film transferred to video. Gift of the artist, courtesy Crisp. Directed by Robert Kurilla. 1987–89. Video Creative Cataloguing Japan (color, sound). Purchase from the videographer Seizoki. Directed by Ko Nakajima. 1964. 16mm film King Tut's Wah Wah Hut Speaker Series/Joe transferred to video. Gift of the artist, courtesy Franklin. Directed by Robert Kurilla. 1987­–89. Video Creative Cataloguing Japan (color, sound). Purchase from the videographer Fire, Water, Air, & Earth. Directed by Uzi Parnes. King Tut's Wah Wah Hut Speaker Series/Sukhreet 1977. Super 8mm film (color, sound). Purchase from Gabel. Directed by Robert Kurilla. 1987–89. Video the artist (color, sound). Purchase from the videographer

65 Marcello Cycle. Directed by Uzi Parnes. 1977. Super Chandalier Fashion Show. Directed by Uzi Parnes. 8mm film (color, sound). Purchase from the artist 1982. 16mm film (color, sound). Purchase from the artist Disco Marcello, or Excess Baggage—DM/EB. Directed by Uzi Parnes. 1978. Super 8mm film (color, The Silence of Marcel Duchamp. Directed by Uzi sound). Purchase from artist Parnes. 2009. Digital cinema (color, sound). Purchase from the artist Girls Can’t Help It! Directed by Uzi Parnes. 1986. Super 8mm film (black and white, sound). Purchase Happy Mother’s Day. Directed by Uzi Parnes. 1994. from the artist Video (color, sound). Purchase from the artist

World Peace. Directed by Uzi Parnes. 1987. Super Memorimorti. Directed by Uzi Parnes. 2012. Video 8mm film (black and white, sound). Purchase from (color, sound). Purchase from the artist the artist Special Thanks to the United Fruit Company. Squalid Salad. Directed by Uzi Parnes. 1988. Super Directed by Uzi Parnes. 1972. Super 8mm film (color, 8mm film (black and white, sound). Purchase from sound). Purchase from the artist the artist Krazie. Directed by Uzi Parnes. 1979. Super 8mm film Seven Days with the Same Dick. Directed by Uzi (color, sound). Purchase from the artist Parnes. 1992. Video (color, sound). Purchase from the artist Carmelita Gets the Spirit [Excerpt. Candela]. Directed by Uzi Parnes. 1988. 16mm film (black and I Do Exist! Directed by Uzi Parnes. 1993. Video (color, white, sound). Gift of the artist sound). Purchase from the artist Loisaida Lusts. Directed by Uzi Parnes with Ela Batterer. Directed by Uzi Parnes. 1995. Video (color, Troyano. 1985. 16mm film (color, sound). Gift of sound). Purchase from the artist the artist

Tyland Honeymoon. Directed by Uzi Parnes. 1997. La MaMA. February 25, 1988. Directed by Video (color, sound). Purchase from the artist Clayton Patterson. 1988. Video. Purchase from the videographer Queer Turf. Directed by Uzi Parnes. 1991. Super 8mm film (black and white, silent). Purchase from the artist Kembra Pfahler, Joe Coleman...Hotel Amazon. April 8, 1988. Directed by Clayton Patterson. 1988. Queer Love Poem. Directed by Uzi Parnes. 1991. Video. Purchase from the videographer Super 8mm film (black and white and color, sound). Purchase from the artist Joe Coleman. November 27, 1988. Directed by Clayton Patterson. 1988. Video. Purchase from the P‑Town. Directed by Uzi Parnes. 1978. Super 8mm videographer film (color, sound). Purchase from the artist Shadows in the City. April 17, 1989. Directed by My Gay Pride. Directed by Uzi Parnes. 1994. Video Clayton Patterson. 1989. Video. Purchase from the (color, sound). Purchase from the artist videographer

I Wasn’t Counted at the March. Directed by Uzi Act‑up. June 28, 1989. Directed by Clayton Patterson. Parnes. 1993. Video (color, sound). Purchase from 1989. Video. Purchase from the videographer the artist David Catfish Hayes. Home Interview. May 10, 1989. Yoorzite Carnaval. Directed by Uzi Parnes. 2001. Directed by Clayton Patterson. 1989. Video. Purchase Video (color, sound). Purchase from the artist from the videographer

Cocktails with Jack. Directed by Uzi Parnes. 1983. David Catfish Hayes Astrology Reading. January Video (color, sound). Purchase from the artist 1990. Directed by Clayton Patterson. 1990. Video. Purchase from the videographer Home Movie with Ela. Directed by Uzi Parnes. 1980. Super 8mm film (color, sound). Purchase You Go to My Fishnets. Directed by Greg Paxton. from the artist 1984. Super 8mm film. Gift of Greg Paxton

66 Jeannie Smith and Stockings. Directed by Greg Totem of the Depraved. Directed by Ela Troyano. Paxton. 1984. Super 8mm film. Gift of Greg Paxton . 1983. 16mm film. Purchase from the artist

Andy Warhol at the Boston Public Library. Varda by Agnes. Directed by Agnès Varda. 2019. Directed by Greg Paxton. 1985. Super 8mm film. Digital cinema. Pre‑premiere acquisition from the Gift of Greg Paxton producer

Henna John Stefanelli Hennas His Hair. Concern for the City. Directed by Peter von Ziegesar. Directed by Greg Paxton. 1982. Super 8mm film. 1982. 16mm film. Purchase from the artist Gift of Greg Paxton Alaska. Directed by Peter von Ziegesar. 1980. 16mm Can’t Help It Debbie Poulos and TV. Directed by Greg film. Purchase from the artist Paxton. 1982. Super 8mm film. Gift of Greg Paxton The Alphabet. Directed by Peter von Ziegesar. 1975. Lizard Jeff Acts Like a Lizard. Directed by Greg 16mm film. Purchase from the artist Paxton. 1984. Super 8mm film. Gift of Greg Paxton Alchemy of the Word. Directed by Peter von Ziegesar. Beat 85 Judy Lounges in a Chair Showing Off Her 1975. 16mm film. Purchase from the artist Hair. Directed by Greg Paxton. 1985. Super 8mm film. Gift of Greg Paxton Live at the Pyramid: Velvet Johnson and the Love Stains Gimme Hendrix Experience. Directed by Joel Restaurant Bad Service at a Restaurant. Winston with Gerard Little. 1983. Video (color, sound). Directed by Greg Paxton. 1985. Super 8mm film. Purchase from the artist Gift of Greg Paxton Fashion Zombies. Directed by Joel Winston with Yugoslavia, How Ideology Moved Our Collective Gerard Little. 1984. Video (color, sound). Purchase Body. Directed by Marta Popivoda. 2013. Video from the artist (color, sound). Purchase from the artist Bloody Stump. Directed by Michael Wolfe. 1983. The Robot Movie. Directed by Fabio Roberti. Video (color, sound). Gift of Fabio Roberti Produced by DirectArt Ltd. 1985. 16mm film. Purchase from the artist

Introduzione All’Oscuro. Directed by Gastón Solnicki. 2018. Digital cinema (color, sound). Purchase from the Filmmaker

Kékszakállú. Directed by Gastón Solnicki. 2016. Digital cinema (color, sound). Purchase from the Filmmaker

Papirosen. Directed by Gastón Solnicki. 2011. Digital cinema (color, sound). Purchase from the Filmmaker

Süden. Directed by Gastón Solnicki. 2008. Digital cinema (color, sound). Purchase from the Filmmaker

Human Events. Directed by Keiichi Tanaami. 1975. Digital cinema. Gift of the artist

Spectacle. Directed by Keiichi Tanaami. 1975. Digital cinema. Gift of the artist

Henry VIII. Directed by Susan Tremblay. 1985. 16mm film. Purchase from the artist

Bubble People. Directed by Ela Troyano. 1982. 16mm film. Purchase from the artist

67 Media and Performance Art

A total of 144 works were acquired by the Department of Media and Performance Art.

Ant Farm. Sausalito Media Van v.2. 1970. Video (black Ant Farm. “Off‑Air” Australia. 1976. Video (black and and white and color, sound and silent), 2:08 min. Gift white and color, sound), 20:59 min. Gift of Chip Lord of Chip Lord Tauba Auerbach. Pilot Wave Induction III. 2018. Ant Farm. Scottsdale Hilton. 1970. Video (black and Video (color, sound), 9:03 min. Acquired through the white, sound), 2:08 min. Gift of Chip Lord generosity of Jill and Peter Kraus

Ant Farm. Ant Farm Documentation. 1971. Video Trisha Brown. Accumulation with Talking Plus Water (black and white and color, sound and silent), 4:02 Motor. 1986. 16mm film (color, sound), 11:50 min. min. Gift of Chip Lord Film by Jonathan Demme. Acquired in part through the generosity of the Robert Rauschenberg Ant Farm. Apollo 17. 1970. Video (black and white, Foundation, Sarah Arison, Jody & John Arnhold, and sound), 10:49 min. Gift of Chip Lord. Preserved by Aggie Gund University of California, Berkeley Art Museum and Pacific Film Archive Trisha Brown. Ballet. 1968. 8mm and 16mm film (color). Acquired in part through the generosity of the Ant Farm. Media Van at Tulane. 1970. Video (black Robert Rauschenberg Foundation, Sarah Arison, Jody and white, sound), 3:45 min. Gift of Chip Lord. & John Arnhold, and Aggie Gund Preserved by University of California, Berkeley Art Museum and Pacific Film Archive Trisha Brown. Floor of the Forest. 1971. 16mm film (color). Film by Elaine Summers. Acquired in part Ant Farm. Johnny Romeo at Yale. 1970. Video (black through the generosity of the Robert Rauschenberg and white, sound), 4:03 min. Gift of Chip Lord. Foundation, Sarah Arison, Jody & John Arnhold, and Preserved by University of California, Berkeley Art Aggie Gund Museum and Pacific Film Archive Trisha Brown. Homemade. 1968. 8mm and 16mm Ant Farm. Motel Surveillance. 1970. Video (black and film (color, silent). Film by Robert Whitman. Acquired white, sound), 32:28 min. Gift of Chip Lord in part through the generosity of the Robert Rauschenberg Foundation, Sarah Arison, Jody & Ant Farm. Ben Sleeping. 1970. Video (black and John Arnhold, and Aggie Gund white, sound), 33:19 min. Gift of Chip Lord. Preserved by University of California, Berkeley Art Museum and Trisha Brown. Leaning Duets. 1970. 16mm film Pacific Film Archive (black and white, silent). Acquired in part through the generosity of the Robert Rauschenberg Foundation, Ant Farm. AC/DC. 1970. Video (black and white, Sarah Arison, Jody & John Arnhold, and Aggie Gund sound), 35:04 min. Gift of Chip Lord. Preserved by University of California, Berkeley Art Museum and Trisha Brown. Man Walking Down the Side of a Pacific Film Archive Building. 1970. 16mm film (black and white, silent), 2 min. Acquired in part through the generosity of the Ant Farm. Ant Farm's Dirty Dishes. 1971–2003. Video Robert Rauschenberg Foundation, Sarah Arison, Jody (black and white, sound), 8:30 min. Gift of Chip Lord & John Arnhold, and Aggie Gund

Ant Farm. Inflatables Illustrated. 1971–2003. Video Trisha Brown. Planes. 1971. 16mm film (black and (black and white and color, sound), 21:20 min. Gift of white). Film by Elaine Summers. Acquired in part Chip Lord through the generosity of the Robert Rauschenberg Foundation, Sarah Arison, Jody & John Arnhold, Ant Farm. World’s Longest Bridge. 1971. Video (black and Aggie Gund and white, sound), 24:10 min. Gift of Chip Lord. Preserved by University of California, Berkeley Art Trisha Brown. Planes. 1968–71. 16mm film (color, Museum and Pacific Film Archive sound), 17:30 min. Film by Jud Yalkut. Acquired in part through the generosity of the Robert Ant Farm. Time Capsule. 1972–84/2003. Video (black Rauschenberg Foundation, Sarah Arison, Jody & and white and color, sound), 6:15 min. Gift of Chip John Arnhold, and Aggie Gund Lord. Preserved by University of California, Berkeley Art Museum and Pacific Film Archive

68 Trisha Brown. Roof Piece. 1973. Three 16mm films K8 Hardy. Position Series. 2007–12/2017. Fifty transferred to video (color, silent), 32:37 min. Film chromogenic color prints, sheet: 30 × 20" (76.2 × by Babette Mangolte. Acquired in part through the 50.8 cm). Acquired with support from Fund for the generosity of the Robert Rauschenberg Foundation, Twenty‑First Century and through the generosity of Sarah Arison, Jody & John Arnhold, and Aggie Gund Stephen Javaras

Trisha Brown. Solo Olos. 1978. 16mm film Eduardo Kac. Reabracadabra. 1985. Minitel terminal, (black and white, silent). Film by Babette Mangolte. digital poem transferred to video (color, silent; 35 Acquired in part through the generosity of the Robert sec.), 9 ⅝ × 9 1³⁄1₆ × 9 ⅝" (24.5 × 25 × 24.5 cm). Gift of Rauschenberg Foundation, Sarah Arison, Jody & John Adriana Cisneros, Alec Oxenford, and the Latin Arnhold, and Aggie Gund American and Caribbean Fund

Trisha Brown. Walking on the Wall. 1971. 16mm film. Katalin Ladik. R.O.M.E.T. 1972. Ten gelatin silver Film by Walter Gutman. Acquired in part through the prints and typewritten text on paper, photographs generosity of the Robert Rauschenberg Foundation, (each): 4 ⅛ × 5 1³⁄1₆" (10.5 × 14.8 cm), score: 11 11⁄1₆ Sarah Arison, Jody & John Arnhold, and Aggie Gund × 8 ¼" (29.7 × 21 cm). Modern Women’s Fund

Trisha Brown. Walking on the Wall. 1971. 16mm film Katalin Ladik. Poemim. 1978/2016. Nine gelatin silver (black and white, silent). Film by Elaine Summers. prints, each: 15 ¾ × 10 ¼" (40 × 26 cm). Gift of acb Acquired in part through the generosity of the Robert Galéria, Budapest Rauschenberg Foundation, Sarah Arison, Jody & John Arnhold, and Aggie Gund Katalin Ladik. Poemim. 1980. Video (color, sound), 10:41 min. Gift of acb Galéria, Budapest Trisha Brown. Water Motor. 1978. 16mm film (black and white, silent), 7:55 min. Film by Babette Mangolte. Cinthia Marcelle. O Século. 2011. Video (color, Acquired in part through the generosity of the Robert sound), 9:37 min. Latin American and Caribbean Fund Rauschenberg Foundation, Sarah Arison, Jody & John Arnhold, and Aggie Gund Marta Minujín. MINUCODE. 1968. 16mm film transferred to six-channel video (color, silent), Analivia Cordeiro. M 3x3. 1973. Video (black and duration and dimensions variable. Acquired in part white, sound), 9:54 min. Latin American and through the generosity of the Latin American and Caribbean Fund Caribbean Fund, Anonymous Donor, The Modern Women's Fund, Glenn Fuhrman, and Grazyna Kulczyk Merce Cunningham. Antic Meet. 1964. 16mm film transferred to video (black and white, sound), 27:09 Marta Minujín. Archive of MINUCODE. 1968. Four min. Acquired through the generosity of Ninah and gelatin silver prints, one chromogenic color print, Michael Lynne and printed and handwritten ephemera, duration and dimensions variable. Acquired in part through the Tacita Dean. Antigone. 2018. Two synchronized generosity of the Latin American and Caribbean Fund, 35mm anamorphic color films, optical sound, with a Anonymous Donor, The Modern Women's Fund, Glenn running time of exactly 1 hour, continuous loop Fuhrman, and Grazyna Kulczyk synched to start on the hour. Gift of Maja Oeri Pope.L. ATM Piece. 1997. Video (color, sound), 1:54 John Giorno. Dial‑A‑Poem. 1968/2012. Recordings min. Acquired in part through the generosity of Jill of 200 poems by 80 poets, four telephones, and Peter Kraus, Anne and Joel S. Ehrenkranz, The dimensions variable. Acquired through the generosity Contemporary Arts Council of The Museum of of the International Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Modern Art in honor of Kynaston McShine Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne John Giorno. Archive of Dial‑A‑Poem. 1968/2012. Original answering machine, telephone, reel‑to‑reel Pope.L. ATM Piece. 1997/2018. Inkjet print, 10 × 15" tape recorders, microphone, and printed and (25.4 × 38.1 cm). Acquired in part through the handwritten ephemera, dimensions variable. generosity of Jill and Peter Kraus, Anne and Joel S. Acquired through the generosity of the International Ehrenkranz, The Contemporary Arts Council of The Council of The Museum of Modern Art in honor of Museum of Modern Art, The Jill and Peter Kraus Kynaston McShine Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne

69 Pope.L. ATM Piece. 1997/2018. Inkjet print, 10 × 15" Pope.L. Aunt Jenny Chronicles. 1991/2018. Inkjet (25.4 × 38.1 cm). Acquired in part through the print, 10 × 15" (25.4 × 38.1 cm). Acquired in part generosity of Jill and Peter Kraus, Anne and Joel S. through the generosity of Jill and Peter Kraus, Anne Ehrenkranz, The Contemporary Arts Council of The and Joel S. Ehrenkranz, The Contemporary Arts Museum of Modern Art, The Jill and Peter Kraus Council of The Museum of Modern Art, The Jill and Media and Performance Acquisition Fund, and Jill Peter Kraus Media and Performance Acquisition Fund, and Peter Kraus in honor of Michael Lynne and Jill and Peter Kraus in honor of Michael Lynne

Pope.L. ATM Piece. 1997/2018. Inkjet print, 10 × 15" Pope.L. Aunt Jenny Chronicles. 1991/2018. Inkjet (25.4 × 38.1 cm). Acquired in part through the print, 10 × 15" (25.4 × 38.1 cm). Acquired in part generosity of Jill and Peter Kraus, Anne and Joel S. through the generosity of Jill and Peter Kraus, Anne Ehrenkranz, The Contemporary Arts Council of The and Joel S. Ehrenkranz, The Contemporary Arts Museum of Modern Art, The Jill and Peter Kraus Council of The Museum of Modern Art, The Jill and Media and Performance Acquisition Fund, and Jill Peter Kraus Media and Performance Acquisition Fund, and Peter Kraus in honor of Michael Lynne and Jill and Peter Kraus in honor of Michael Lynne

Pope.L. ATM Piece. 1997/2018. Inkjet print, 10 × 15" Pope.L. Aunt Jenny Chronicles. 1991/2018. Inkjet (25.4 × 38.1 cm). Acquired in part through the print, 10 × 15" (25.4 × 38.1 cm). Acquired in part generosity of Jill and Peter Kraus, Anne and Joel S. through the generosity of Jill and Peter Kraus, Anne Ehrenkranz, The Contemporary Arts Council of The and Joel S. Ehrenkranz, The Contemporary Arts Museum of Modern Art, The Jill and Peter Kraus Council of The Museum of Modern Art, The Jill and Media and Performance Acquisition Fund, and Jill Peter Kraus Media and Performance Acquisition Fund, and Peter Kraus in honor of Michael Lynne and Jill and Peter Kraus in honor of Michael Lynne

Pope.L. ATM Piece. 1997/2018. Inkjet print, 10 × 15" Pope.L. Aunt Jenny Chronicles. 1991/2018. Inkjet (25.4 × 38.1 cm). Acquired in part through the print, 10 × 15" (25.4 × 38.1 cm). Acquired in part generosity of Jill and Peter Kraus, Anne and Joel S. through the generosity of Jill and Peter Kraus, Anne Ehrenkranz, The Contemporary Arts Council of The and Joel S. Ehrenkranz, The Contemporary Arts Museum of Modern Art, The Jill and Peter Kraus Council of The Museum of Modern Art, The Jill and Media and Performance Acquisition Fund, and Jill Peter Kraus Media and Performance Acquisition Fund, and Peter Kraus in honor of Michael Lynne and Jill and Peter Kraus in honor of Michael Lynne

Pope.L. ATM Piece. 1997. Pair of Timberland leather Pope.L. Aunt Jenny Chronicles. 1991. Music stand, boots. Acquired in part through the generosity of 12 ¼ × 18 ¼ × 2" (31.1 × 46.4 × 5.1 cm). Acquired in Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, part through the generosity of Jill and Peter Kraus, The Contemporary Arts Council of The Museum of Anne and Joel S. Ehrenkranz, The Contemporary Arts Modern Art, The Jill and Peter Kraus Media and Council of The Museum of Modern Art, The Jill and Performance Acquisition Fund, and Jill and Peter Peter Kraus Media and Performance Acquisition Fund, Kraus in honor of Michael Lynne and Jill and Peter Kraus in honor of Michael Lynne

Pope.L. Aunt Jenny Chronicles. 1991. Video (color, Pope.L. Aunt Jenny Chronicles. 1991. Cotton button‑ sound), 3:04 min. Acquired in part through the down shirt, 33 × 19" (83.8 × 48.3 cm). Acquired in generosity of Jill and Peter Kraus, Anne and Joel S. part through the generosity of Jill and Peter Kraus, Ehrenkranz, The Contemporary Arts Council of The Anne and Joel S. Ehrenkranz, The Contemporary Arts Museum of Modern Art, The Jill and Peter Kraus Council of The Museum of Modern Art, The Jill and Media and Performance Acquisition Fund, and Jill Peter Kraus Media and Performance Acquisition Fund, and Peter Kraus in honor of Michael Lynne and Jill and Peter Kraus in honor of Michael Lynne

Pope.L. Aunt Jenny Chronicles. 1991/2018. Inkjet Pope.L. Aunt Jenny Chronicles. 1991. Cotton shirt print, 10 × 15" (25.4 × 38.1 cm). Acquired in part with marker drawing, 28 × 19" (71.1 × 48.3 cm). through the generosity of Jill and Peter Kraus, Anne Acquired in part through the generosity of Jill and and Joel S. Ehrenkranz, The Contemporary Arts Peter Kraus, Anne and Joel S. Ehrenkranz, The Council of The Museum of Modern Art, The Jill and Contemporary Arts Council of The Museum of Peter Kraus Media and Performance Acquisition Fund, Modern Art, The Jill and Peter Kraus Media and and Jill and Peter Kraus in honor of Michael Lynne Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne

70 Pope.L. Black Domestic a.k.a. Cow Commercial. Pope.L. Eating the Wall Street Journal (3rd version). 1994. Video (color, sound), 2:49 min. Acquired in 2000/2018. Inkjet print, 10 × 15" (25.4 × 38.1 cm). part through the generosity of Jill and Peter Kraus, Acquired in part through the generosity of Jill and Anne and Joel S. Ehrenkranz, The Contemporary Arts Peter Kraus, Anne and Joel S. Ehrenkranz, The Council of The Museum of Modern Art, The Jill and Contemporary Arts Council of The Museum of Peter Kraus Media and Performance Acquisition Fund, Modern Art, The Jill and Peter Kraus Media and and Jill and Peter Kraus in honor of Michael Lynne Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Black Domestic a.k.a. Cow Commercial. 1994. Cotton button‑down shirt, 32 × 17" (81.3 × 43.2 Pope.L. Eating the Wall Street Journal (2nd version). cm). Acquired in part through the generosity of Jill 2000/2018. Inkjet print, 9 × 6" (22.9 × 15.2 cm). and Peter Kraus, Anne and Joel S. Ehrenkranz, The Acquired in part through the generosity of Jill and Contemporary Arts Council of The Museum of Peter Kraus, Anne and Joel S. Ehrenkranz, The Modern Art, The Jill and Peter Kraus Media and Contemporary Arts Council of The Museum of Performance Acquisition Fund, and Jill and Peter Modern Art, The Jill and Peter Kraus Media and Kraus in honor of Michael Lynne Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Black Domestic a.k.a. Cow Commercial. 1994. Plastic figurine with label, 17 ¼ × 27 ¾ × 6" Pope.L. Eating the Wall Street Journal (3rd version). (43.8 × 70.5 × 15.2 cm). Acquired in part through the 2000/2018. Inkjet print, 6 × 9" (15.2 × 22.9 cm). generosity of Jill and Peter Kraus, Anne and Joel S. Acquired in part through the generosity of Jill and Ehrenkranz, The Contemporary Arts Council of The Peter Kraus, Anne and Joel S. Ehrenkranz, The Museum of Modern Art, The Jill and Peter Kraus Contemporary Arts Council of The Museum of Media and Performance Acquisition Fund, and Jill Modern Art, The Jill and Peter Kraus Media and and Peter Kraus in honor of Michael Lynne Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Black Domestic a.k.a. Cow Commercial. 1994. Brown leather belt, 39 × 1" (99.1 × 2.5 cm). Pope.L. Eating the Wall Street Journal (3rd version). Acquired in part through the generosity of Jill and 2000/2018. Inkjet print, 6 × 9" (15.2 × 22.9 cm). Peter Kraus, Anne and Joel S. Ehrenkranz, The Acquired in part through the generosity of Jill and Contemporary Arts Council of The Museum of Peter Kraus, Anne and Joel S. Ehrenkranz, The Modern Art, The Jill and Peter Kraus Media and Contemporary Arts Council of The Museum of Performance Acquisition Fund, and Jill and Peter Modern Art, The Jill and Peter Kraus Media and Kraus in honor of Michael Lynne Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Eating the Wall Street Journal (3rd version). 2000. Video (color, sound). 2:54 min. Acquired in Pope.L. Eating the Wall Street Journal (3rd part through the generosity of Jill and Peter Kraus, version). 2000. Fabricated wood and metal Anne and Joel S. Ehrenkranz, The Contemporary Arts structure, toilet, newspaper, fishing pole, pillow, Council of The Museum of Modern Art, The Jill and Heinz Ketchup bottles, and milk cartons, approx. Peter Kraus Media and Performance Acquisition Fund, 147 × 96 × 96" (373.4 × 243.8 × 243.8 cm). Acquired and Jill and Peter Kraus in honor of Michael Lynne in part through the generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Pope.L. Eating the Wall Street Journal (3rd version). Council of The Museum of Modern Art, The Jill and 2000/2018. Inkjet print, 6 × 9" (15.2 × 22.9 cm). Peter Kraus Media and Performance Acquisition Fund, Acquired in part through the generosity of Jill and and Jill and Peter Kraus in honor of Michael Lynne Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Museum of Pope.L. Egg Eating Contest (Basement version). Modern Art, The Jill and Peter Kraus Media and 1990. Video (color, sound), 8:04 min. Acquired in Performance Acquisition Fund, and Jill and Peter part through the generosity of Jill and Peter Kraus, Kraus in honor of Michael Lynne Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne

71 Pope.L. Egg Eating Contest. 1990/2018. Inkjet print, Pope.L. Egg Eating Contest (Basement version). 10 × 15" (25.4 × 38.1 cm). Acquired in part through the 1990. Polyester jumpsuit, 63 ½ × 18" (161.3 × 45.7 generosity of Jill and Peter Kraus, Anne and Joel S. cm). Acquired in part through the generosity of Jill Ehrenkranz, The Contemporary Arts Council of The and Peter Kraus, Anne and Joel S. Ehrenkranz, The Museum of Modern Art, The Jill and Peter Kraus Contemporary Arts Council of The Museum of Media and Performance Acquisition Fund, and Jill and Modern Art, The Jill and Peter Kraus Media and Peter Kraus in honor of Michael Lynne Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Egg Eating Contest. 1990/2018. Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in part through the Pope.L. Egg Eating Contest (Basement version). generosity of Jill and Peter Kraus, Anne and Joel S. 1990. Cotton and polyester bra, 12 × 16" (30.5 × Ehrenkranz, The Contemporary Arts Council of The 40.6 cm). Acquired in part through the generosity Museum of Modern Art, The Jill and Peter Kraus Me‑ of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, dia and Performance Acquisition Fund, and Jill The Contemporary Arts Council of The Museum of and Peter Kraus in honor of Michael Lynne Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Pope.L. Egg Eating Contest. 1990/2018. Inkjet print, Kraus in honor of Michael Lynne 10 × 15" (25.4 × 38.1 cm). Acquired in part through the generosity of Jill and Peter Kraus, Anne and Joel S. Pope.L. Eracism (version 8b). 2000. Video (color, Ehrenkranz, The Contemporary Arts Council of The sound), 10:24 min. Acquired in part through the Museum of Modern Art, The Jill and Peter Kraus Me‑ generosity of Jill and Peter Kraus, Anne and Joel S. dia and Performance Acquisition Fund, and Jill Ehrenkranz, The Contemporary Arts Council of The and Peter Kraus in honor of Michael Lynne Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill Pope.L. Egg Eating Contest. 1990/2018. Inkjet print, and Peter Kraus in honor of Michael Lynne 10 × 15" (25.4 × 38.1 cm). Acquired in part through the generosity of Jill and Peter Kraus, Anne and Joel S. Pope.L. Eracism (version 7). 1996/2018. Inkjet print, Ehrenkranz, The Contemporary Arts Council of The 10 × 15" (25.4 × 38.1 cm). Acquired in part through the Museum of Modern Art, The Jill and Peter Kraus Me‑ generosity of Jill and Peter Kraus, Anne and Joel S. dia and Performance Acquisition Fund, and Jill Ehrenkranz, The Contemporary Arts Council of The and Peter Kraus in honor of Michael Lynne Museum of Modern Art, The Jill and Peter Kraus Me‑ dia and Performance Acquisition Fund, and Jill Pope.L. Egg Eating Contest. 1990/2018. Inkjet print, and Peter Kraus in honor of Michael Lynne 10 × 15" (25.4 × 38.1 cm). Acquired in part through the generosity of Jill and Peter Kraus, Anne and Joel S. Pope.L. Eracism (version 7). 1996/2018. Inkjet print, Ehrenkranz, The Contemporary Arts Council of The 10 × 15" (25.4 × 38.1 cm). Acquired in part through the Museum of Modern Art, The Jill and Peter Kraus generosity of Jill and Peter Kraus, Anne and Joel S. Media and Performance Acquisition Fund, and Jill and Ehrenkranz, The Contemporary Arts Council of The Peter Kraus in honor of Michael Lynne Museum of Modern Art, The Jill and Peter Kraus Me‑ dia and Performance Acquisition Fund, and Jill Pope.L. Egg Eating Contest (Basement version). and Peter Kraus in honor of Michael Lynne 1990. Work on paper, 65 ½ × 42" (166.4 × 106.7 cm). Acquired in part through the generosity of Jill and Pope.L. Eracism (version 7b). 1997/2018. Inkjet print, Peter Kraus, Anne and Joel S. Ehrenkranz, The 10 × 15" (25.4 × 38.1 cm). Acquired in part through the Contemporary Arts Council of The Museum of generosity of Jill and Peter Kraus, Anne and Joel S. Modern Art, The Jill and Peter Kraus Media and Ehrenkranz, The Contemporary Arts Council of The Performance Acquisition Fund, and Jill and Peter Museum of Modern Art, The Jill and Peter Kraus Me‑ Kraus in honor of Michael Lynne dia and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Egg Eating Contest (Basement version). 1990. Work on paper, 33 ½ × 26" (85.1 × 66 cm). Pope.L. Eracism (version 7b). 1997/2018. Inkjet print, Acquired in part through the generosity of Jill and 10 × 15" (25.4 × 38.1 cm). Acquired in part through the Peter Kraus, Anne and Joel S. Ehrenkranz, The generosity of Jill and Peter Kraus, Anne and Joel S. Contemporary Arts Council of The Museum of Ehrenkranz, The Contemporary Arts Council of The Modern Art, The Jill and Peter Kraus Media and Museum of Modern Art, The Jill and Peter Kraus Performance Acquisition Fund, and Jill and Peter Media and Performance Acquisition Fund, and Jill and Kraus in honor of Michael Lynne Peter Kraus in honor of Michael Lynne

72 Pope.L. Eracism (version 2). 1993/2018. Inkjet print, Pope.L. Eracism (version 8b). 2000. Painted wooden 10 × 15" (25.4 × 38.1 cm). Acquired in part through the bench, 38 ½ × 40 × 10" (97.8 × 101.6 × 25.4 cm). generosity of Jill and Peter Kraus, Anne and Joel S. Acquired in part through the generosity of Jill and Ehrenkranz, The Contemporary Arts Council of The Peter Kraus, Anne and Joel S. Ehrenkranz, The Museum of Modern Art, The Jill and Peter Kraus Me‑ Contemporary Arts Council of The Museum of dia and Performance Acquisition Fund, and Jill Modern Art, The Jill and Peter Kraus Media and and Peter Kraus in honor of Michael Lynne Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Eracism (version 8b). 2000. Three glass bottles in suitcase, 11 ½ × 16 ½ × 4 ¾" (29.2 × 41.9 × Pope.L. Eracism (version 8b). 2000. Cotton, 12.1 cm). Acquired in part through the generosity of polyester, and tulle dress, 50 × 48 × 36" (127 × 121.9 Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, × 91.4 cm). Acquired in part through the generosity The Contemporary Arts Council of The Museum of of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, Modern Art, The Jill and Peter Kraus Media and The Contemporary Arts Council of The Museum of Performance Acquisition Fund, and Jill and Peter Modern Art, The Jill and Peter Kraus Media and Per‑ Kraus in honor of Michael Lynne formance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Eracism (version 8b). 2000. Sewn cloth with Velcro, 53 ¾ × 34 ½" (136.5 × 87.6 cm). Acquired in Pope.L. Eracism (version 8b). 2000. Lycra, cotton part through the generosity of Jill and Peter Kraus, jockstrap with plastic case, and plastic cup: 8 ¼ × 4 × 4" Anne and Joel S. Ehrenkranz, The Contemporary Arts (21 × 10.2 × 10.2 cm). Acquired in part through the Council of The Museum of Modern Art, The Jill and generosity of Jill and Peter Kraus, Anne and Joel S. Peter Kraus Media and Performance Acquisition Fund, Ehrenkranz, The Contemporary Arts Council of The and Jill and Peter Kraus in honor of Michael Lynne Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Pope.L. Eracism (version 8b). 2000. Sewn cloth Peter Kraus in honor of Michael Lynne with Velcro, 30 × 23 ½" (76.2 × 59.7 cm). Acquired in part through the generosity of Jill and Peter Kraus, Pope.L. How Much Is that Nigger in the Window Anne and Joel S. Ehrenkranz, The Contemporary Arts a.k.a. Tompkins Square Crawl. 1991/2018. Inkjet Council of The Museum of Modern Art, The Jill and print, 10 × 15" (25.4 × 38.1 cm). Acquired in part Peter Kraus Media and Performance Acquisition Fund, through the generosity of Jill and Peter Kraus, Anne and Jill and Peter Kraus in honor of Michael Lynne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Pope.L. Eracism (version 8b). 2000. Terrycloth Peter Kraus Media and Performance Acquisition Fund, headband, 8 ¾" (22.2 cm). Acquired in part through and Jill and Peter Kraus in honor of Michael Lynne the generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Pope.L. How Much Is that Nigger in the Window Museum of Modern Art, The Jill and Peter Kraus Me‑ a.k.a. Tompkins Square Crawl. 1991/2018. Inkjet dia and Performance Acquisition Fund, and Jill print, 10 × 15" (25.4 × 38.1 cm). Acquired in part and Peter Kraus in honor of Michael Lynne through the generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Pope.L. Eracism (version 8b). 2000. Terrycloth Council of The Museum of Modern Art, The Jill and Croakie, 11" (27.9 cm). Acquired in part through the Peter Kraus Media and Performance Acquisition Fund, generosity of Jill and Peter Kraus, Anne and Joel S. and Jill and Peter Kraus in honor of Michael Lynne Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Pope.L. How Much Is that Nigger in the Window Media and Performance Acquisition Fund, and Jill a.k.a. Tompkins Square Crawl. 1991/2018. Inkjet and Peter Kraus in honor of Michael Lynne print, 10 × 15" (25.4 × 38.1 cm). Acquired in part through the generosity of Jill and Peter Kraus, Anne Pope.L. Eracism (version 8b). 2000. Painted wooden and Joel S. Ehrenkranz, The Contemporary Arts table, 30 × 48 × 36" (76.2 × 121.9 × 91.4 cm). Acquired Council of The Museum of Modern Art, The Jill and in part through the generosity of Jill and Peter Kraus, Peter Kraus Media and Performance Acquisition Fund, Anne and Joel S. Ehrenkranz, The Contemporary Arts and Jill and Peter Kraus in honor of Michael Lynne Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne

73 Pope.L. How Much Is that Nigger in the Window Pope.L. Member a.k.a. Schlong Journey. 1996/2018. a.k.a. Tompkins Square Crawl. 1991/2018. Inkjet Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in print, 10 × 15" (25.4 × 38.1 cm). Acquired in part part through the generosity of Jill and Peter Kraus, through the generosity of Jill and Peter Kraus, Anne Anne and Joel S. Ehrenkranz, The Contemporary Arts and Joel S. Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne and Jill and Peter Kraus in honor of Michael Lynne . Pope.L. Member a.k.a. Schlong Journey. 1996/2018. Pope.L. How Much Is that Nigger in the Window Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in a.k.a. Tompkins Square Crawl. 1991/2018. Inkjet part through the generosity of Jill and Peter Kraus, print, 10 × 15" (25.4 × 38.1 cm). Acquired in part Anne and Joel S. Ehrenkranz, The Contemporary Arts through the generosity of Jill and Peter Kraus, Anne Council of The Museum of Modern Art, The Jill and and Joel S. Ehrenkranz, The Contemporary Arts Peter Kraus Media and Performance Acquisition Fund, Council of The Museum of Modern Art, The Jill and and Jill and Peter Kraus in honor of Michael Lynne Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Member a.k.a. Schlong Journey. 1996/2018. Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in Pope.L. How Much Is that Nigger in the Window part through the generosity of Jill and Peter Kraus, a.k.a. Tompkins Square Crawl. 1991. Pair of Tim‑ Anne and Joel S. Ehrenkranz, The Contemporary Arts berland leather boots. Acquired in part through the Council of The Museum of Modern Art, The Jill and generosity of Jill and Peter Kraus, Anne and Joel S. Peter Kraus Media and Performance Acquisition Fund, Ehrenkranz, The Contemporary Arts Council of The and Jill and Peter Kraus in honor of Michael Lynne Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Pope.L. Member a.k.a. Schlong Journey. 1996. Two Peter Kraus in honor of Michael Lynne white PVC tubes, cardboard, paint, and marker with plastic and metal dolly base and wheels, and white Pope.L. How Much Is that Nigger in the Window stuffed bunny, bunny: 23 × 11 × 2 ½" (58.4 × 27.9 × 6.4 a.k.a. Tompkins Square Crawl. 1991. Asphalt block, cm); cardboard tube: 38 × 1 ¾" (96.5 × 4.4 cm); 11 × 9 × 11 ½" (27.9 × 22.9 × 29.2 cm). Acquired in cardboard tube: 37 × 2" (94 × 5.1 cm); cardboard part through the generosity of Jill and Peter Kraus, tube: 39 × 3 ½" (99.1 × 8.9 cm); dolly base: 25 × 21 × Anne and Joel S. Ehrenkranz, The Contemporary Arts 9" (63.5 × 53.3 × 22.9 cm); dolly wheels (each): 3 × 3 ½ Council of The Museum of Modern Art, The Jill and × 2" (7.6 × 8.9 × 5.1 cm). Acquired in part through the Peter Kraus Media and Performance Acquisition Fund, generosity of Jill and Peter Kraus, Anne and Joel S. and Jill and Peter Kraus in honor of Michael Lynne Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Pope.L. Member a.k.a. Schlong Journey. 1996. Video Media and Performance Acquisition Fund, and Jill and (color, sound), 3:39 min. Acquired in part through the Peter Kraus in honor of Michael Lynne generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Pope.L. Member a.k.a. Schlong Journey. 1996. Museum of Modern Art, The Jill and Peter Kraus Cotton and polyester jacket and pants, belt, polyester Media and Performance Acquisition Fund, and Jill and tie, and cotton button‑down shirt, suit jacket: 33 ½ Peter Kraus in honor of Michael Lynne × 18 ½" (85.1 × 47 cm); shirt: 30 × 30 ½" (76.2 × 77.5 cm); pants: 40" (101.6 cm); tie: 51 × 2 ½" (129.5 × 6.4 Pope.L. Member a.k.a. Schlong Journey. 1996/2018. cm). Acquired in part through the generosity of Jill Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in and Peter Kraus, Anne and Joel S. Ehrenkranz, The part through the generosity of Jill and Peter Kraus, Contemporary Arts Council of The Museum of Anne and Joel S. Ehrenkranz, The Contemporary Arts Modern Art, The Jill and Peter Kraus Media and Council of The Museum of Modern Art, The Jill and Performance Acquisition Fund, and Jill and Peter Peter Kraus Media and Performance Acquisition Fund, Kraus in honor of Michael Lynne and Jill and Peter Kraus in honor of Michael Lynne

Pope.L. Member a.k.a. Schlong Journey. 1996/2018. Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in part through the generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne

74 Pope.L. Snow Crawl. 1992–2001. Wood, mirrors, Pope.L. The Great White Way: 22 miles, 9 years, cardboard, and video (color, sound; 7:42 min.), 1 street. 2001–09. Video (color, sound). 6:34 min. mirrored tube: 101 ½ × 30 × 30" (257.8 × 76.2 × 76.2 Acquired in part through the generosity of Jill and cm); base (with TV installed): 21 ½ × 30 × 30" (54.6 × Peter Kraus, Anne and Joel S. Ehrenkranz, The 76.2 × 76.2 cm). Acquired in part through the Contemporary Arts Council of The Museum of generosity of Jill and Peter Kraus, Anne and Joel S. Modern Art, The Jill and Peter Kraus Media and Ehrenkranz, The Contemporary Arts Council of The Performance Acquisition Fund, and Jill and Peter Museum of Modern Art, The Jill and Peter Kraus Kraus in honor of Michael Lynne Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Training Crawl (for The Great White Way: 22 miles, 5 years, 1 street). 2001/2018. Inkjet print, Pope.L. Sweet Desire a.k.a. Burial Piece. 1996. Video 10 × 15" (25.4 × 38.1 cm). Acquired in part through the (color, sound). 4:19 min. Acquired in part through the generosity of Jill and Peter Kraus, Anne and Joel S. generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Me‑ Museum of Modern Art, The Jill and Peter Kraus Me‑ dia and Performance Acquisition Fund, and Jill dia and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne and Peter Kraus in honor of Michael Lynne Pope.L. Training Crawl (for The Great White Way: Pope.L. Sweet Desire a.k.a. Burial Piece. 1996/2018. 22 miles, 5 years, 1 street). 2001/2018. Inkjet print, Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in 10 × 15" (25.4 × 38.1 cm). Acquired in part through the part through the generosity of Jill and Peter Kraus, generosity of Jill and Peter Kraus, Anne and Joel S. Anne and Joel S. Ehrenkranz, The Contemporary Arts Ehrenkranz, The Contemporary Arts Council of The Council of The Museum of Modern Art, The Jill and Museum of Modern Art, The Jill and Peter Kraus Peter Kraus Media and Performance Acquisition Fund, Media and Performance Acquisition Fund, and Jill and Jill and Peter Kraus in honor of Michael Lynne and Peter Kraus in honor of Michael Lynne

Pope.L. Sweet Desire a.k.a. Burial Piece. 1996/2018. Pope.L. The Great White Way: 22 miles, 9 years, Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in 1 street. 2002/2018. Inkjet print, 10 × 15" (25.4 × 38.1 part through the generosity of Jill and Peter Kraus, cm). Acquired in part through the generosity of Jill Anne and Joel S. Ehrenkranz, The Contemporary Arts and Peter Kraus, Anne and Joel S. Ehrenkranz, The Council of The Museum of Modern Art, The Jill and Contemporary Arts Council of The Museum of Peter Kraus Media and Performance Acquisition Fund, Modern Art, The Jill and Peter Kraus Media and and Jill and Peter Kraus in honor of Michael Lynne Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne Pope.L. Sweet Desire a.k.a. Burial Piece. 1996/2018. Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in Pope.L. The Great White Way: 22 miles, 9 years, part through the generosity of Jill and Peter Kraus, 1 street. 2002/2018. Inkjet print, 10 × 15" (25.4 × 38.1 Anne and Joel S. Ehrenkranz, The Contemporary Arts cm). Acquired in part through the generosity of Jill Council of The Museum of Modern Art, The Jill and and Peter Kraus, Anne and Joel S. Ehrenkranz, The Peter Kraus Media and Performance Acquisition Fund, Contemporary Arts Council of The Museum of and Jill and Peter Kraus in honor of Michael Lynne Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Pope.L. Sweet Desire a.k.a. Burial Piece. 1996/2018. Kraus in honor of Michael Lynne Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in part through the generosity of Jill and Peter Kraus, Pope.L. The Great White Way: 22 miles, 9 years, Anne and Joel S. Ehrenkranz, The Contemporary Arts 1 street. 2002/2018. Inkjet print, 10 × 15" (25.4 × 38.1 Council of The Museum of Modern Art, The Jill and cm). Acquired in part through the generosity of Jill Peter Kraus Media and Performance Acquisition Fund, and Peter Kraus, Anne and Joel S. Ehrenkranz, The and Jill and Peter Kraus in honor of Michael Lynne Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Pope.L. Sweet Desire a.k.a. Burial Piece. 1996/2018. Performance Acquisition Fund, and Jill and Peter Inkjet print, 10 × 15" (25.4 × 38.1 cm). Acquired in Kraus in honor of Michael Lynne part through the generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne

75 Pope.L. The Great White Way: 22 miles, 9 years, Pope.L. Thunderbird Immolation a.k.a. Meditation 1 street. 2001–09. Painted skateboard with bungee Square Piece. 1978/2018. Inkjet print, 6 × 9" (15.2 cords, 29 × 8 × 3 ½" (73.7 × 20.3 × 8.9 cm). Acquired × 22.9 cm). Acquired in part through the generosity in part through the generosity of Jill and Peter Kraus, of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, Anne and Joel S. Ehrenkranz, The Contemporary Arts The Contemporary Arts Council of The Museum of Council of The Museum of Modern Art, The Jill and Modern Art, The Jill and Peter Kraus Media and Peter Kraus Media and Performance Acquisition Fund, Performance Acquisition Fund, and Jill and Peter and Jill and Peter Kraus in honor of Michael Lynne Kraus in honor of Michael Lynne

Pope.L. The Great White Way: 22 miles, 9 years, Pope.L. Thunderbird Immolation a.k.a. Meditation 1 street. 2001–09. Superman costume with knee Square Piece. 1978/2018. Inkjet print, 6 × 9" pads, 60 × 24" (152.4 × 61 cm). Acquired in part (15.2 × 22.9 cm). Acquired in part through the through the generosity of Jill and Peter Kraus, Anne generosity of Jill and Peter Kraus, Anne and Joel S. and Joel S. Ehrenkranz, The Contemporary Arts Ehrenkranz, The Contemporary Arts Council of The Council of The Museum of Modern Art, The Jill and Museum of Modern Art, The Jill and Peter Kraus Peter Kraus Media and Performance Acquisition Fund, Media and Performance Acquisition Fund, and Jill and Jill and Peter Kraus in honor of Michael Lynne and Peter Kraus in honor of Michael Lynne

Pope.L. The Great White Way: 22 miles, 9 years, Pope.L. Times Square Crawl a.k.a. Meditation 1 street. 2001–09. Wool hat, 9 × 8 ¼" (22.9 × 21 cm). Square Piece. 1978/2018. Inkjet print, 10 × 15" Acquired in part through the generosity of Jill and (25.4 × 38.1 cm). Acquired in part through the Peter Kraus, Anne and Joel S. Ehrenkranz, The generosity of Jill and Peter Kraus, Anne and Joel S. Contemporary Arts Council of The Museum of Ehrenkranz, The Contemporary Arts Council of The Modern Art, The Jill and Peter Kraus Media and Museum of Modern Art, The Jill and Peter Kraus Performance Acquisition Fund, and Jill and Peter Media and Performance Acquisition Fund, and Jill Kraus in honor of Michael Lynne and Peter Kraus in honor of Michael Lynne

Pope.L. Thunderbird Immolation a.k.a. Meditation Pope.L. Times Square Crawl a.k.a. Meditation Square Piece. 1978/2018. Inkjet print, 10 × 15" (25.4 Square Piece. 1978/2018. Inkjet print, 10 × 15" × 38.1 cm). Acquired in part through the generosity (25.4 × 38.1 cm). Acquired in part through the of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, generosity of Jill and Peter Kraus, Anne and Joel S. The Contemporary Arts Council of The Museum of Ehrenkranz, The Contemporary Arts Council of The Modern Art, The Jill and Peter Kraus Media and Museum of Modern Art, The Jill and Peter Kraus Performance Acquisition Fund, and Jill and Peter Media and Performance Acquisition Fund, and Jill Kraus in honor of Michael Lynne and Peter Kraus in honor of Michael Lynne

Pope.L. Thunderbird Immolation a.k.a. Meditation Pope.L. Times Square Crawl a.k.a. Meditation Square Piece. 1978/2018. Inkjet print, sheet: 6 × 9" Square Piece. 1978/2018. Inkjet print, 10 × 15" (15.2 × 22.9 cm). Acquired in part through the (25.4 × 38.1 cm). Acquired in part through the generosity of Jill and Peter Kraus, Anne and Joel S. generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne and Peter Kraus in honor of Michael Lynne

Pope.L. Thunderbird Immolation a.k.a. Meditation Pope.L. Times Square Crawl a.k.a. Meditation Square Piece. 1978/2018. Inkjet print, 10 × 15" (25.4 Square Piece. 1978/2018. Inkjet print, 10 × 15" × 38.1 cm). Acquired in part through the generosity (25.4 × 38.1 cm). Acquired in part through the of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, generosity of Jill and Peter Kraus, Anne and Joel S. The Contemporary Arts Council of The Museum of Ehrenkranz, The Contemporary Arts Council of The Modern Art, The Jill and Peter Kraus Media and Museum of Modern Art, The Jill and Peter Kraus Performance Acquisition Fund, and Jill and Peter Media and Performance Acquisition Fund, and Jill Kraus in honor of Michael Lynne and Peter Kraus in honor of Michael Lynne

76 Pope.L. Times Square Crawl a.k.a. Meditation Akram Zaatari. Letter to a Refusing Pilot. 2013. Square Piece. 1978/2018. Inkjet print, 10 × 15" Video (color, sound), 34 min.; /Saida June 6/, 1982 (25.4 × 38.1 cm). Acquired in part through the (2002–13), 16mm film (black and white, silent), generosity of Jill and Peter Kraus, Anne and Joel S. 90 sec., movie theater chair, eight circular Ehrenkranz, The Contemporary Arts Council of The seats, and synchronized light design, dimensions Museum of Modern Art, The Jill and Peter Kraus variable. Acquired through the generosity of Raghida Media and Performance Acquisition Fund, and Jill Ghandour, Sandra and Tony Tamer, and Mrs. Zaza Jabre and Peter Kraus in honor of Michael Lynne

Pope.L. Crawl (new version). 2019. Performance. Acquired in part through the generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne

Pope.L. Eating the Wall Street Journal (new version). 2019. Performance. Acquired in part through the generosity of Jill and Peter Kraus, Anne and Joel S. Ehrenkranz, The Contemporary Arts Council of The Museum of Modern Art, The Jill and Peter Kraus Media and Performance Acquisition Fund, and Jill and Peter Kraus in honor of Michael Lynne

Jon Rafman. Dream Journal 2016–2017. 2017. Video (color, sound), 49:17 min. Fund for the Twenty‑First Century

Enrique Ramírez. Ocean 33° 02' 47" S/51° 04' 00" N. 2013. Video (color, sound), 25 days, 4 hours; 330 min. Gift of Diana, Pablo, Maria Cristina, and Juan Yarur in honor of Amador Yarur through the Latin American and Caribbean Fund

Robin Rhode. The Stripper. 2014. Video (color, sound), 2:22 min. Gift of Ninah and Michael Lynne

Lotty Rosenfeld. A Mile of Crosses on the Pavement. 1979–80. 16mm film transferred to video (color, sound), 5:28 min. Gift of Ronnie Heyman in honor of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund

Wu Tsang. We hold where study. 2017. Two‑channel video (color, sound), 18:56 min, dimensions variable. The Modern Women's Fund

Cecilia Vicuña. What Is Poetry to You? 1980. 16mm film transferred to video (color, sound), 23:20 min. Latin American and Caribbean Fund

Wolf Vostell. TV‑Dé‑coll/age, no. 1. 1958–59. Six television monitors, canvas, 99 × 134 × 32" (251.5 × 340.4 × 81.3 cm). Gift of Yoko Ono

77 Painting and Sculpture

A total of 50 works were acquired by the Department of Painting and Sculpture.

Tarsila do Amaral. The Moon. 1928. Oil on canvas, Peter Fischli. Snowman. 1987/2016. Copper, 43 5⁄1₆ × 43 5⁄1₆" (110 × 110 cm). Gift of Joan H. Tisch aluminum, glass, water, and coolant system, 85 1³⁄1₆ (by exchange) × 50 ⅜ × 64 15⁄1₆" (218 × 128 × 165 cm). Purchase

Rasheed Araeen. (3+4) SR. 1969. Wood and painted Isa Genzken. New Design for World Receivers. wood, in 7 parts, overall 67 × 87 × 4" (170 × 221 × 10 2002. Sheet metal, perforated sheet metal, mirror cm). Purchase foil, metallic paint, and board, in two parts, each 86 ¼ × 18 ⅞" (219 × 48 cm). Gift of Sammlung Hoffmann, Carmelo Arden Quin. [Coplanal]. c. 1945. Oil on Berlin, in honor of Jo Carole and Ronald Lauder wood, 11 × 10 ½ × 2" (27.9 × 26.7 × 5.1 cm). Latin American and Caribbean Fund Wade Guyton. Untitled. 2008. Epson UltraChrome inkjet on linen, 84 × 69" (213.4 × 175.3 cm). Gift Jo Baer. Memorial for an Art World Body of Marie‑Josée and Henry R. Kravis in honor (Nevermore). 2009. Oil on unstretched canvas, of Ann Temkin 72 × 60 ¼" (182.9 × 153 cm). Gift of Marie‑Josée and Henry R. Kravis in honor of Kenneth C. Griffin’s Romuald Hazoumè. Aloda. 1996. Plastic, cowries, 50th birthday and synthetic hair, 7 ⅞ × 5 ½ × 11" (20 × 14 × 28 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Nairy Baghramian. Maintainers A. 2018. Pigmented wax over styrofoam, cast aluminum, and painted Romuald Hazoumè. Bororo du Niger. 1992. Plastic aluminum clamp with cork, overall approx. 64 9⁄1₆ × can, seeds, cowries, stones, cigarettes, metal, and 145 11⁄1₆ × 90 9⁄1₆" (164 × 370 × 230 cm). Fund for the cork, 11 1³⁄1₆ × 4 5⁄1₆ × 3 9⁄1₆" (30 × 11 × 9 cm). CAAC– Twenty‑First Century The Pigozzi Collection. Gift of Jean Pigozzi

Leonora Carrington. Green Tea. 1942. Oil on Romuald Hazoumè. Petite. 1999. Typewriter, metal, canvas, 24 × 30" (61 × 76.2 cm). The Drue Heinz and brush, 14 ³⁄1₆ × 15 ¾ × 6 5⁄1₆" (36 × 40 × 16 cm). Estate (by exchange) CAAC–The Pigozzi Collection. Gift of Jean Pigozzi

Leonora Carrington. And Then We Saw the Daughter Howard Hodgkin. Spring Rain. 2000–02. Oil on wood, of the Minotaur. 1953. Oil on canvas, 23 ⅝ × 27 9⁄1₆" 38 ¾ × 42" (98.4 × 106.7 cm). Bequest of James Duffy (60 × 70 cm). Gift of Joan H. Tisch (by exchange) Jenny Holzer. Trust visions that don't feature buckets Sigfredo Chacón. Gray Gray Grid. Acrylic on wood, of blood. 1983–84. Spray paint on canvas, 107 ⅞ × 67 × 55 × 2" (170.2 × 139.7 × 5.1 cm). Latin American 119 ¾" (274 × 304 cm). Committee on Painting and and Caribbean Fund Sculpture Funds, and gift of The Modern Women's Fund

Saloua Raouda Choucair. Poem. 1963–65. Wood, Huang Yong Ping. Trousers with Firecrackers. 15 ½ × 7 ½ × 3" (39 × 19 × 7.5 cm). The Modern Women’s 1987 (boxed in Paris 1999). Trousers, firecrackers, Fund, Louise Reinhardt Smith Bequest (by exchange), black‑and‑white photograph, and tape in cardboard and gift of Mrs. Henry Pearlman in memory of her box, in two parts, 31 ½ × 41 × 2" (80 × 104.1 × 5.1 cm). husband (by exchange) Committee on Painting and Sculpture Funds, and Abby Aldrich Rockefeller Fund (by exchange) Saloua Raouda Choucair. Composition with Pebbles. 1959. Oil on panel, 13 ½ × 17 ¼" (34.3 ×43.8 cm). The Huang Yong Ping. Palanquin. 1997 (artist’s proof Riklis Collection of McCrory Corporation (by exchange) made in 2002). Bamboo, cane, cushions, colonial hat, and snake skin, 122 × 59 ¾ × 19 ¾" (309.9 × 151.8 Prunella Clough. Stone. 1985. Oil on canvas, × 50.2 cm). Gift of Marlene Hess and James D. Zirin 31 ⅞ × 29 15⁄1₆" (81 × 76 cm). Gift of Amy Sillman and Jerry I. Speyer and Katherine Farley

Suzanne Duchamp. Solitude‑Funnel. 1921. Oil, On Kawara. MAY 20, 1967. 1967. Acrylic on canvas, enamel, cut‑and‑pasted papers, ink, and pencil on cardboard box, 13 × 17" (33 × 43.2 cm). Purchase canvas, 40 ⅜ × 33 1⁄1₆" (102.5 × 84 cm). Gift of Joan H. Tisch (by exchange) On Kawara. 2 AUG. 1988. 1988. Acrylic on canvas, cardboard box, 10 × 13" (25.4 × 33 cm). Purchase

78 On Kawara. 5 JUIN 2006. 2006. Acrylic on canvas, Ulrike Müller. Some. 2017. Vitreous enamel on steel, cardboard box, 10 × 13 ½" (25.4 × 34.3 cm). Gift of 15 ½ × 12" (39.4 × 30.5 cm). Fund for the Ronnie Heyman in honor of Marie‑Josée Kravis and Twenty‑First Century Jerry Speyer Ulrike Müller. Some. 2017. Vitreous enamel on steel, On Kawara. JAN 11, 2012. Acrylic on canvas, 15 ½ × 12" (39.4 × 30.5 cm). Fund for the cardboard box, 8 × 10" (20.3 × 25.4 cm). Purchase Twenty‑First Century

Bodys Isek Kingelez. Reveillon Fédéral. 1992. Paper, Gladys Nilsson. Dreaman. 1971. Acrylic on canvas colored paper, paperboard, printed commercial board and wood, 18 × 16" (45.7 × 40.6 cm). Gift of packaging, wood, plastic, aluminum foil, metallic foil Marlene Hess and James D. Zirin paper, metallic foil cardboard, foamcore, crayon, marker, adhesive, tape, metallic tape, copper wire, Elizabeth Peyton. Dalí. 1990. Oil on wood, 11 × 10" coated wire, toothpicks, and pins, 23 ⅝ × 31 ½ × 20 ⅞" (27.9 × 25.4 cm). Gift of Jay Gorney and Tom Heman (60 × 80 × 53 cm). CAAC–The Pigozzi Collection. Gift of Jean Pigozzi Medardo Rosso. Woman with a Veil. 1895. Wax over plaster, 28 ¼ × 22 ¼ × 11 ¾" (71.8 × 56.5 × 29.8 cm). Bodys Isek Kingelez. U.N. 1995. Colored paper, Promised gift of Emily Rauh Pulitzer and Margot paperboard, plastic, aluminum foil, metallic foil paper, Gottlieb Bequest (by exchange) foamcore, pencil, crayon, marker, adhesive, colored tape, metallic tape, fabric, copper wire, toothpicks, Chéri Samba. Hope Keeps You Going #2. 1997. map pins, metal pins, and plastic bottle caps, 35 1³⁄1₆ Acrylic, sequins, photographs, and glue on canvas, × 29 ⅛ × 20 ⅞" (91 × 74 × 53 cm), irreg. CAAC–The 51 ³⁄1₆ × 76 ⅜" (130 × 194 cm). CAAC–The Pigozzi Pigozzi Collection. Gift of Jean Pigozzi Collection. Gift of Jean Pigozzi

Bodys Isek Kingelez. Kinshasa la Belle. 1991. Paper, Chéri Samba. Water Problem. 2004. Acrylic on colored paper, paperboard, wood, colored plastic, canvas, 53 ⅛ × 78 ¾" (135 × 200 cm). CAAC–The metallic foil paper, foamcore, pencil, marker, Pigozzi Collection. Gift of Jean Pigozzi adhesive, mesh fabric, and metal pins, 24 1³⁄1₆ × 21 ⅝ × 31 ½" (63 × 55 × 80 cm). CAAC–The Pigozzi Julian Schnabel. AD. 1988. Oil on fabric and paper Collection. Gift of Jean Pigozzi mounted on canvas with painted frame, 73 × 57 ½" (185.4 × 146.1 cm). Gift of Ninah and Michael Lynne Jutta Koether. Kissing the Canvas. 1990. Oil on canvas, two panels, each: 30 × 40" (76.2 × 101.6 cm). William Scott. Untitled. 2018. Acrylic on canvas, 64 Gift of Jean‑Edouard van Praet d’Amerloo × 48" (162.6 × 121.9 cm). Gift of Martin and Rebecca Eisenberg in memory of Michael Lynne Ivan Kožarić. The Shape of Space (Refrigerator). 1964. Plaster, 11 × 9 1³⁄1₆ × 9 7⁄1₆" (28 × 25 × 24 cm). Gift of Neda Kazuo Shiraga. Untitled. 1964. Oil on canvas, 51 ½ × Young, and James Keith Brown and Eric Diefenbach 76 ⅜" (130.8 × 194 cm). Given anonymously

Moke. Long Live Utex Africa. 1989. Oil on canvas, Haim Steinbach. hello again. 2013. Vinyl, dimensions 44 ½ × 70 ⅞" (113 × 180 cm). CAAC–The Pigozzi variable. Acquired on the occasion of the Museum's Collection. Gift of Jean Pigozzi 2019 reopening

Moke. Kinshasa at Noon. 1980. Acrylic on canvas, Florine Stettheimer. Four Panel Screen. n.d. Gilded 45 ¼ × 72 7⁄1₆" (115 × 184 cm). CAAC–The Pigozzi and painted plaster on wood, four panels, each 87 ⅝ × Collection. Gift of Jean Pigozzi 35 ⅞" (222.6 × 91.2 cm). Barbara S. Adler Bequest

Ulrike Müller. Some. 2017. Vitreous enamel on steel, 15 ½ Remedios Varo. The Juggler (The Magician). 1956. Oil × 12" (39.4 × 30.5 cm). Fund for the Twenty‑First Century and inlaid mother of pearl on board, 35 1³⁄1₆ × 48 1⁄1₆" (91 × 122 cm). Gift of Joan H. Tisch (by exchange) Ulrike Müller. Some. 2017. Vitreous enamel on steel, 15 ½ × 12" (39.4 × 30.5 cm). Fund for the Cecilia Vicuña. Black Panther and Me (ii). 1978. Oil on Twenty‑First Century canvas, 26 ½ × 33" (67.3 × 83.8 cm). Latin American and Caribbean Fund Ulrike Müller. Some. 2017. Vitreous enamel on steel, 15 ½ × 12" (39.4 × 30.5 cm). Fund for the Twenty‑First Century

79 Photography

A total of 303 works were acquired by the Department of Photography.

Felix Akinniran Olunloyo. Untitled. c. 1950–70. Yto Barrada. Dormeur (The Sleepers) Série Jardin Gelatin silver print, 5 ½ × 3 ½" (13.9 × 8.9 cm). Public, Tangier, Fig. 2. 2006. Chromogenic color CAAC–The Pigozzi Collection, Geneva print, 49 ³⁄1₆ × 49 ³⁄1₆" (124.9 × 124.9 cm). Vital Projects Fund, Robert B. Menschel Felix Akinniran Olunloyo. Untitled. c. 1950–70. Gelatin silver print, 3 7⁄1₆ × 5 7⁄1₆" (8.7 × 13.8 cm). Yto Barrada. Dormeur (The Sleepers) Série Jardin CAAC–The Pigozzi Collection, Geneva Public, Tangier, Fig. 1. 2006. Chromogenic color print, 49 ³⁄1₆ × 49 ³⁄1₆" (124.9 × 124.9 cm). Vital Felix Akinniran Olunloyo. Untitled. c. 1950–70. Projects Fund, Robert B. Menschel Gelatin silver print, 5 ½ × 3 9⁄1₆" (13.9 × 9 cm). CAAC–The Pigozzi Collection, Geneva Yto Barrada. Palissade de Chantier (Building Site Wall), Ferry, Tangier, Fig. 3. 2009. Chromogenic Felix Akinniran Olunloyo. Untitled. c. 1950–70. color print, 23 ⅝ × 23 ⅝" (60 × 60 cm). Vital Projects Gelatin silver print, 5 ½ × 3 9⁄1₆" (13.9 × 9 cm). Fund, Robert B. Menschel CAAC–The Pigozzi Collection, Geneva Yto Barrada. Dauphin (Dolphin). 2002. Chromogenic Felix Akinniran Olunloyo. Untitled. c. 1950–70. color print, 31 ½ × 31 ½" (80 × 80 cm). Vital Projects Gelatin silver print, 5 ½ × 3 ½" (13.9 × 8.9 cm). Fund, Robert B. Menschel CAAC–The Pigozzi Collection, Geneva Yto Barrada. School of the Strait. 2001. Chromogenic Felix Akinniran Olunloyo. Untitled. c. 1950–70. color print, printed 2011, 49 ³⁄1₆ × 49 ³⁄1₆" (124.9 × Gelatin silver print, 5 7⁄1₆ × 3 7⁄1₆" (13.8 × 8.7 cm). 124.9 cm). Vital Projects Fund, Robert B. Menschel CAAC–The Pigozzi Collection, Geneva Yto Barrada. Baigneurs ou jour de congés (Bathers Felix Akinniran Olunloyo. Untitled. c. 1950–70. or Day Off).1999. Chromogenic color print, 49 ³⁄1₆ × Gelatin silver print, 5 ½ × 3 7⁄1₆" (14 × 8.7 cm). 49 ³⁄1₆" (124.9 × 124.9 cm). Vital Projects Fund, CAAC–The Pigozzi Collection, Geneva Robert B. Menschel

Jonathas de Andrade. Opulência/Opulence por Hippolyte Bayard. Self‑Portrait in the Garden. c. Mendes. 2017. Pigmented inkjet prints on boards, 1847. Salted paper print, 6 15⁄1₆ × 9 1⁄1₆" (17.7 × 23 cm). overall 34 ⅝ × 176" (87.9 × 447 cm). The Family Acquired through the generosity of Jo Carole and of Man Fund Ronald S. Lauder

Jared Bark. Untiled, PB #1199 (San Diego, CA). Jyoti Bhatt. Baroda. 1983–84. Gelatin silver print, 1974. Gelatin silver prints, 7 ⅞ × 9 ⅜" (20 × 23.8 cm). 8 ⅝ × 5 15⁄1₆" (21.9 × 15.1 cm). John Szarkowski Fund Committee on Photography Fund Jyoti Bhatt. Baroda. 1983. Gelatin silver print, 9 ⅝ × Jared Bark. Untiled, PB #1097 (New York City, NY). 5 ⅜" (24.4 × 13.7 cm). John Szarkowski Fund 1969. Gelatin silver prints, 7 ⅞ × 37 ½" (20 × 95.3 cm). Committee on Photography Fund Jyoti Bhatt. Bhupen Khakhar. 1967–68. Gelatin silver print, 10 × 6 1⁄1₆" (25.4 × 15.4 cm). John Szarkowski Fund Matthew Barney. Drawing Restraint 9: Occidental Guest (Bride). 2005. Chromogenic color print in Jyoti Bhatt. Untitled. 1963. Gelatin silver print, 19 ⅝ × self‑lubricating frame, 53 × 43" (134.6 × 109.2 cm). 17 ⅜" (49.8 × 44.2 cm). John Szarkowski Fund Gift of Elizabeth Swofford Jyoti Bhatt. Untitled. 1959–60. Gelatin silver print, Yto Barrada. Dormeur (The Sleepers) Série Jardin 9 ¾ × 9 5⁄1₆" (24.7 × 23.7 cm). John Szarkowski Fund Public, Tangier, Fig. 8. 2006. Chromogenic color print, 49 ³⁄1₆ × 49 ³⁄1₆" (124.9 × 124.9 cm). Vital Julia Margaret Cameron. Pre‑Raphaelite Study. Projects Fund, Robert B. Menschel 1870. Albumen silver print from wet‑collodion glass negative, 14 1⁄1₆ × 10 15⁄1₆" (35.7 × 27.8 cm). Bequest of Yto Barrada. Dormeur (The Sleepers) Série Jardin Paul F. Walter Public, Tangier, Fig. 3. 2006. Chromogenic color print, 49 ³⁄1₆ × 49 ³⁄1₆" (124.9 × 124.9 cm). Vital Proj‑ ects Fund, Robert B. Menschel

80 Julia Margaret Cameron. Mrs. Duckworth. 1867. Carl Chiarenza. Chain/Lock/Door. 1956–57. Albumen silver print from wet‑collodion glass Gelatin silver print, 8 15⁄1₆ × 6" (22.7 × 15.2 cm). Gift negative, 13 11⁄1₆ × 10 ⅝" (34.7 × 27 cm). Bequest of of the artist Paul F. Walter Mark Cohen. Eye Ear Sky. 1980. Gelatin silver print, Alfred Capel Cure. My Beasts. February 1, 1852. 10 ⅜ × 15 7⁄1₆" (26.4 × 39.2 cm). Gift of the artist Paper negative, 7 ¾ × 6 ¼" (19.7 × 15.9 cm). Gift of Paul F. Walter Mark Cohen. Boy Twisting Shirt. 1976. Gelatin silver print, 10 ⅜ × 15 7⁄1₆" (26.4 × 39.2 cm). Gift of the artist Vivian Cherry. Watching the Deconstruction of Third Avenue El. 1955. Gelatin silver print, 8 15⁄1₆ Mark Cohen. Girl Flinching, Wilkes‑Barre, PA. 1972. × 13" (22.7 × 33 cm). Arthur M. Bullowa Fund Gelatin silver print, 10 ⅞ × 15 7⁄1₆" (27.6 × 39.2 cm). Gift of the artist Vivian Cherry. Third Avenue El. c. 1950. Gelatin silver print, 12 ⅞ × 7 ⅞" (32.7 × 20 cm). Arthur M. Mark Cohen. Boy in Pit. 1971. Gelatin silver print, Bullowa Fund 10 9⁄1₆ × 15 7⁄1₆" (26.8 × 39.2 cm). Gift of the artist

Vivian Cherry. Third Avenue El. c. 1950. Gelatin Thomas Demand. Kitchen. 2004. Chromogenic silver print, 9 ½ × 13 ½" (24.1 × 34.3 cm). Arthur M. color print, 52 ⅜ × 65" (133 × 165.1 cm). Gift of Bullowa Fund Elizabeth Swofford

Carl Chiarenza. Solitudes 118. 2004. Gelatin silver Jean Depara. Les musiciens (The Musicians). 1975. print, 12 15⁄1₆ × 10" (32.9 × 25.4 cm). Gift of the artist Gelatin silver print, printed later, 19 11⁄1₆ × 23 ⅝" (50 × 60 cm). CAAC–The Pigozzi Collection, Geneva Carl Chiarenza. Untitled 66. 1990. Gelatin silver print, 17 ½ × 13 15⁄1₆" (44.5 × 35.4 cm). Gift of the artist Jean Depara. Au studio (At the Studio). 1978. Gelatin silver print, printed later, 15 ¾ × 11 1³⁄1₆" (40 × 30 cm). Carl Chiarenza. Noumenon 377. 1984–85. Gelatin CAAC–The Pigozzi Collection, Geneva silver print, 11 9⁄1₆ × 8 ⅞" (29.4 × 22.5 cm). Gift of the artist Jean Depara. Le Progrès (The Progress). 1975. Gel‑ atin silver print, printed later, 15 ¾ × 11 1³⁄1₆" (40 × 30 Carl Chiarenza. Hudson 1. 1975. Gelatin silver print, cm). CAAC–The Pigozzi Collection, Geneva 11 9⁄1₆ × 8 ⅞" (29.4 × 22.5 cm). Gift of the artist Jean Depara. Après le bal (After the Ball). 1970. Carl Chiarenza. Untitled (CX10), Massachusetts. Gelatin silver print, printed later, 11 1³⁄1₆ × 15 ¾" 1964. Gelatin silver print, 9 9⁄1₆ × 7 9⁄1₆" (24.3 × 19.2 (30 × 40 cm). CAAC–The Pigozzi Collection, Geneva cm). Gift of the artist Jean Depara. Un Jazzeur (Jazzman). 1960. Gelatin Carl Chiarenza. The Way to Golgotha, Rockport, MA. silver print, printed later, 23 × 19" (58.4 × 48.3 cm). 1964. Gelatin silver print, 8 × 10" (20.3 × 25.4 cm). CAAC–The Pigozzi Collection, Geneva Gift of the artist Jean Depara. Un Cow‑Boy de Léopodville Carl Chiarenza. Whirling Knothole (AX49), (Léopoldville Cowboy). 1959. Gelatin silver print, Massachusetts. 1962. Gelatin silver print, 8 15⁄1₆ printed later, 23 × 19" (58.4 × 48.3 cm). CAAC–The × 11 ⅞" (22.7 × 30.2 cm). Gift of the artist Pigozzi Collection, Geneva

Carl Chiarenza. Hooded Tree Spirit, Ipswich, MA. Jean Depara. Una Moziki. c. 1960. Gelatin silver 1960. Gelatin silver print, 9 ⅜ × 7 7⁄1₆" (23.8 × 18.9 print, printed later, 23 × 19" (58.4 × 48.3 cm). cm). Gift of the artist CAAC–The Pigozzi Collection, Geneva

Carl Chiarenza. Painted Target. 1958. Gelatin silver Jean Depara. Léopoldville la nuit (Léopoldville print, 10 ⅛ × 12 7⁄1₆" (25.7 × 31.6 cm). Gift of the artist by Night). 1958. Gelatin silver print, printed later, 19 11⁄1₆ × 23 ⅝" (50 × 60 cm). CAAC–The Pigozzi Carl Chiarenza. Bat Window, West End, Boston. Collection, Geneva 1958. Gelatin silver print, 8 ½ × 6 ¾" (21.6 × 17.1 cm). Gift of the artist

81 Jean Depara. Magasin de Photographie Paolo Gasparini. La Habana, Cuba. 1961. Gelatin (Photography Shop). 1958. Gelatin silver print, silver print, 12 ½ × 10" (31.8 × 25.4 cm). Latin printed later, 23 × 19" (58.4 × 48.3 cm). CAAC–The American and Caribbean Fund Pigozzi Collection, Geneva Paolo Gasparini. Concentración, La Habana, Cuba Ei‑Q (Hideo Sugita). Untitled Photo‑Dessin. c. 1936. (Concentration, Havana, Cuba). 1961. Gelatin silver Gelatin silver print with applied color, 10 × 12" print, 13 ⅜ × 9 ¼" (34 × 23.5 cm). Latin American and (25.4 × 30.5 cm). Carl Jacobs Fund Caribbean Fund

Ger van Elk. The Symmetry of Diplomacy at the Paolo Gasparini. Grenada. 1960. Gelatin silver print, Stanhope Hotel, N.Y.C. with Kynaston McShine. 6 ¾ × 7 1³⁄1₆" (17.1 × 19.8 cm). Latin American and 1975. Chromogenic color print with airbrushed Caribbean Fund gouache and graphite, 20 × 30" (50.8 × 76.2 cm). Gift of Kynaston McShine Estate Felix Gonzalez‑Torres. Untitled (Album). 1992. Artist's book with chromogenic color prints, gelatin Leandro Feal. De la Reforma a la Contrarreforma. silver prints, digital prints, photocopies, and plastic 2016. One hundred pigmented inkjet prints, each 2 ¾ photo corners, 14 × 14" (35.6 × 35.6 cm). Gift of the × 3 15⁄1₆" (7 × 10 cm). Gift of María Luisa Ferré Rangel Ruth Stanton Foundation through the Latin American and Caribbean Fund in honor of Luisa Rangel de Ferré Andreas Gursky. Bangkok V. 2011. Pigmented inkjet print, 120 ⅞ × 89 ⅜" (307 × 227 cm). Gift of Brett and Lee Friedlander. New York City. 1960. Gelatin silver Daniel Sundheim print, 8 7⁄1₆ × 5 9⁄1₆" (21.4 × 14.2 cm). Purchase John Gutmann. The Cigarette. 1949. Gelatin Lee Friedlander. New York City. 1960. Gelatin silver silver print, 9 × 7 1³⁄1₆" (22.9 × 19.8 cm). print, 7 15⁄1₆ × 5 ⅜" (20.1 × 13.6 cm). Purchase John Gutmann Bequest

Lee Friedlander. New Orleans. 1958. Gelatin silver John Gutmann. Betty Love Ben. 1948. Gelatin print, 5 ⅝ × 3 ¾" (14.3 × 9.5 cm). Purchase silver print, 9 ½ × 7 ⅝" (24.2 × 19.4 cm). John Gutmann Bequest Paolo Gasparini. Caracas cinética (Caracas Kinetics). 1967. Gelatin silver print, 6 7⁄1₆ × 9 ¾" (16.4 × 24.8 John Gutmann. Ben's Barbershop Window. 1946. cm). Latin American and Caribbean Fund Gelatin silver print, 7 1³⁄1₆ × 7 1³⁄1₆" (19.8 × 19.8 cm). John Gutmann Bequest Paolo Gasparini. Caracas cinética (Caracas Kinetics). 1967. Gelatin silver print, 6 ⅜ × 9 ½" (16.2 × 24.1 cm). John Gutmann. Conversation while Riding the Latin American and Caribbean Fund Monster. 1938. Gelatin silver print, 8 ⅞ × 6 11⁄1₆" (22.5 × 17 cm). John Gutmann Bequest Paolo Gasparini. Santiago de Cuba, Cuba. 1961–65. Gelatin silver print, 3 ¾ × 5 7⁄1₆" (9.5 × 13.8 cm). Latin John Gutmann. A Cowboy's Car, Wyoming. 1936. American and Caribbean Fund Gelatin silver print, 7 11⁄1₆ × 7 11⁄1₆" (19.5 × 19.5 cm). John Gutmann Bequest Paolo Gasparini. La Habana, Cuba. 1961–65. Gelatin silver print, 9 ¼ × 13 7⁄1₆" (23.5 × 34.1 cm). Latin John Gutmann. The Decal. 1935. Gelatin silver print, American and Caribbean Fund 9 ½ × 6 ¼" (24.1 × 15.8 cm). John Gutmann Bequest

Paolo Gasparini. Regreso de los alfabetizadores, Keld Helmer‑Petersen. Untitled. c. 1950. Gelatin La Habana, Cuba (Return of the Literacy Teachers, silver print, 6 5⁄1₆ × 9 5⁄1₆" (16.1 × 23.6 cm). Gift of Havana, Cuba). 1961. Gelatin silver print, 7 ½ × 11 ³⁄1₆" Estate of Keld Helmer‑Petersen (19.1 × 28.4 cm). Latin American and Caribbean Fund Keld Helmer‑Petersen. Untitled. c. 1950. Gelatin Paolo Gasparini. Miliciano, Trinidad, Cuba silver print, 9 5⁄1₆ × 6 9⁄1₆" (23.6 × 16.6 cm). Gift of (Militiaman, Trinidad, Cuba). 1961. Gelatin silver Estate of Keld Helmer‑Petersen print, 7 11⁄1₆ × 5 ½" (19.5 × 14 cm). Latin American and Caribbean Fund David Octavius Hill. Colinton Wood. 1843–47. Salted paper print, 7 ⅞ × 6 ⅛" (20 × 15.5 cm). Bequest of Paul F. Walter

82 David Octavius Hill. Mrs. Murray. 1847. Salted paper Mark Klett. Lena: 24, Mark: 63. September 9, 2015. print, 7 ⅞ × 5 1³⁄1₆" (20 × 14.7 cm). Bequest of Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). Paul F. Walter Gift of Susan and Peter MacGill

Kati Horna. Untitled (Remedios Varo wearing a mask Mark Klett. Lena: 23, Mark: 62. September 9, 2014. by Leonora Carrington). 1962. Gelatin silver print, Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). 5 11⁄1₆ × 6 ¼" (14.5 × 15.8 cm). Carol and David Appel Gift of Susan and Peter MacGill Family Fund Mark Klett. Lena: 22, Mark: 61. August 11, 2013. Adelita Husni‑Bey. The Council. 2018. Chromogenic Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). color print, 72 × 108" (182.9 × 274.3 cm). Gift of the Gift of Susan and Peter MacGill artist and Laveronica arte contemporanea Mark Klett. Lena: 21, Mark: 60. August 9, 2012. Seydou Keïta. Untitled. 1956. Gelatin silver print, Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). 7 ⅛ × 5 ⅛" (18.1 × 13 cm). CAAC–The Pigozzi Gift of Susan and Peter MacGill Collection, Geneva Mark Klett. Lena: 20, Mark: 59. August 5, 2011. Seydou Keïta. Untitled. c. 1952–56. Gelatin silver Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). print, 7 1⁄1₆ × 5 ⅛" (17.9 × 13 cm). CAAC–The Pigozzi Gift of Susan and Peter MacGill Collection, Geneva Mark Klett. Lena: 19, Mark: 58. August 16, 2010. Seydou Keïta. Untitled. c. 1952–56. Gelatin silver Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). print, 7 ⅛ × 5 ⅛" (18.1 × 13 cm). CAAC–The Pigozzi Gift of Susan and Peter MacGill Collection, Geneva Mark Klett. Lena: 18, Mark: 57. September 9, 2009. Seydou Keïta. Untitled. c. 1952–56. Gelatin silver Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). print, printed later, 47 ¼ × 70 ⅞" (120 × 180 cm). Gift of Susan and Peter MacGill CAAC–The Pigozzi Collection, Geneva Mark Klett. Lena: 17, Mark: 56. September 9, 2008. Seydou Keïta. Untitled. 1954. Gelatin silver print, Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). printed later, 70 ⅞ × 47 ¼" (180 × 120 cm). Gift of Susan and Peter MacGill CAAC–The Pigozzi Collection, Geneva Mark Klett. Lena: 16, Mark: 55. September 9, 2007. Seydou Keïta. Untitled. c. 1952–56. Gelatin silver Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). print, 5 1⁄1₆ × 7 1⁄1₆" (12.9 × 17.9 cm). Gift of Susan and Peter MacGill CAAC–The Pigozzi Collection, Geneva Mark Klett. Lena: 15, Mark: 54. September 9, 2006. Seydou Keïta. Untitled. c. 1955. Gelatin silver print, Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). 7 ³⁄1₆ × 5 ⅛" (18.2 × 13 cm). CAAC–The Pigozzi Gift of Susan and Peter MacGill Collection, Geneva Mark Klett. Lena: 14, Mark: 53. September 9, 2005. Seydou Keïta. Untitled. c. 1952–56. Gelatin silver Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). print, 7 ⅛ × 5 ⅛" (18.1 × 13 cm). CAAC–The Pigozzi Gift of Susan and Peter MacGill Collection, Geneva Mark Klett. Lena: 13, Mark: 52. September 9, 2004. Mark Klett. Lena: 27, Mark: 66. September 9, 2018. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). Gift Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). of Susan and Peter MacGill Gift of Susan and Peter MacGill Mark Klett. Lena: 12, Mark: 51. September 9, 2003. Mark Klett. Lena: 26, Mark: 65. September 9, 2017. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). Gift of Susan and Peter MacGill Gift of Susan and Peter MacGill Mark Klett. Lena: 11, Mark: 50. September 9, 2002. Mark Klett. Lena: 25, Mark: 64. September 9, 2016. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). Gift of Susan and Peter MacGill Gift of Susan and Peter MacGill

83 Mark Klett. Lena: 10, Mark: 49. September 9, 2001. George Platt Lynes. Lincoln Kirstein. c. 1948. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). Gelatin silver print, 9 ⅞ × 8" (25.1 × 20.3 cm). Gift of Gift of Susan and Peter MacGill Russell Lynes

Mark Klett. Lena: 9, Mark: 48. September 9, 2000. George Platt Lynes. Glenway Wescott. c. 1941. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). Gelatin silver print, 9 ½ × 7 ½" (24.1 × 19.1 cm). Gift of Susan and Peter MacGill Gift of Russell Lynes

Mark Klett. Lena: 8, Mark: 47. September 9, 1999. George Platt Lynes. Katherine Anne Porter (with Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). portraits of Monroe Wheeler). c. 1940. Gelatin Gift of Susan and Peter MacGill silver print, 14 × 11 5⁄1₆" (35.6 × 28.7 cm). Gift of Russell Lynes Mark Klett. Lena: 7, Mark: 46. September 9, 1998. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). George Platt Lynes. Untitled. c. 1935–40. Gelatin Gift of Susan and Peter MacGill silver print, 8 ¾ × 6 ¾" (22.2 × 17.1 cm). Gift of Russell Lynes Mark Klett. Lena: 6, Mark: 45. September 9, 1997. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). George Platt Lynes. Untitled. c. 1937. Gelatin silver Gift of Susan and Peter MacGill print, 9 ⅜ × 7 ½" (23.8 × 19.1 cm). Gift of Russell Lynes Mark Klett. Lena: 5, Mark: 44. September 9, 1996. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). George Platt Lynes. Untitled (Robert McVoy). Gift of Susan and Peter MacGill c. 1940–41. Gelatin silver print, 9 ⅛ × 7 ⅜" (23.2 × 18.7 cm). Gift of Russell Lynes Mark Klett. Lena: 4, Mark: 43. September 9, 1995. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). George Platt Lynes. Bill Bailey. 1939. Gelatin Gift of Susan and Peter MacGill silver print, 9 ³⁄1₆ × 7 ⅝" (23.3 × 19.4 cm). Gift of Russell Lynes Mark Klett. Lena: 3, Mark: 42. September 9, 1994. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). George Platt Lynes. Lew Christensen in Apollon Gift of Susan and Peter MacGill Musagète. 1937. Gelatin silver print, 9 ⅞ × 8" (25.1 × 20.3 cm). Gift of Russell Lynes Mark Klett. Lena: 2, Mark: 41. September 9, 1993. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). George Platt Lynes. Francisco Moncion in La Gloire. Gift of Susan and Peter MacGill March 10, 1952. Gelatin silver print, 13 ⅞ × 11" (35.2 × 27.9 cm). Gift of Russell Lynes Mark Klett. Lena: 1, Mark: 40. September 9, 1992. Gelatin silver print, 7 1⁄1₆ × 8 ⅞" (17.9 × 22.5 cm). George Platt Lynes. Diana. c. 1938. Gelatin silver Gift of Susan and Peter MacGill print with gouache, ink, and airbrushed paint, 13 ¼ × 10 ⅛" (33.7 × 25.7 cm). Gift of Russell Lynes Dorothea Lange. Women of the Congregation. July 1939. Gelatin silver print, 9 1³⁄1₆ × 13 ¾" Man Ray (Emmanuel Radnitzky). Unconcerned (24.9 × 34.9 cm). Gift of the artist Photograph. 1959. Gelatin silver print, 13 9⁄1₆ × 10 ¼" (34.5 × 26 cm). Gift of the artist Jay Leyda. Lincoln Kirstein. c. 1930. Gelatin silver print, 3 11⁄1₆ × 4 ¾" (9.4 × 12 cm). Gift of the artist Man Ray (Emmanuel Radnitzky). Unconcerned Photograph. 1959. Gelatin silver print, 10 1⁄1₆ × 13 9⁄1₆" George Platt Lynes. Lew Christensen in Apollon (25.5 × 34.5 cm). Gift of the artist Musagète. June 24, 1937. Gelatin silver print, 13 ¼ × 11 ¾" (33.7 × 29.9 cm). Gift of Russell Lynes Man Ray (Emmanuel Radnitzky). Unconcerned Photograph. 1959. Gelatin silver print, 12 ³⁄1₆ × 10 ⅝" George Platt Lynes. Lincoln Kirstein. c. 1943. (31 × 27 cm). Gift of the artist Gelatin silver print, 10 × 8" (25.4 × 20.3 cm). Gift of Russell Lynes Man Ray (Emmanuel Radnitzky). Unconcerned Photograph. 1959. Gelatin silver print, 13 9⁄1₆ × 10 ¼" (34.5 × 26 cm). Gift of the artist

84 Man Ray (Emmanuel Radnitzky). Unconcerned Teresa Margolles. Pista de baile del club La Madelón Photograph. 1959. Gelatin silver print, 13 ⅝ × 10 11⁄1₆" (Dance Floor from La Madelón Nightclub). 2016. (34.6 × 27.2 cm). Gift of the artist Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Latin American and Caribbean Fund Man Ray (Emmanuel Radnitzky). Unconcerned Photograph. 1959. Gelatin silver print, 12 ⅞ × 10 ⅝" Teresa Margolles. Pista de baile del club Irma’s (32.7 × 27 cm). Gift of the artist (Dance Floor from Irma’s Nightclub). 2016. Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Man Ray (Emmanuel Radnitzky). Unconcerned Latin American and Caribbean Fund Photograph. 1959. Gelatin silver print, 10 1³⁄1₆ × 10 15⁄1₆" (27.4 × 27.8 cm). Gift of the artist Teresa Margolles. Pista de baile del club Hollywood (Dance Floor from the Hollywood Nightclub). 2016. Michael Mandel. Untitled (Baseball photographer Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). trading cards). 1975. Two sets of one hundred and Latin American and Caribbean Fund thirty‑five offset lithographs, each 3 ½ × 2 ½" (8.9 × 6.4 cm). Committee on Photography Fund Teresa Margolles. Pista de baile del club El Extranjero (Dance Floor from the El Extranjero Michael Mandel. Mrs. Kilpatric. 1973. Gelatin silver Nightclub). 2016. Pigmented inkjet print, prints, each approx. 8 × 10" (20.3 × 25.4 cm). 47 ¼ × 70 ⅞" (120 × 180 cm). Latin American Committee on Photography Fund and Caribbean Fund

Teresa Margolles. Pista de baile del club Virginia’s Teresa Margolles. Pista de baile del club Eduardo’s (Dance Floor from Virginia’s Nightclub). 2016. (Dance Floor from Eduardo’s Nightclub). 2016. Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Latin American and Caribbean Fund Latin American and Caribbean Fund

Teresa Margolles. Pista de baile del club Teresa Margolles. Pista de baile del club Tlaquepaque (Dance Floor from the Tlaquepaque Centro Lagunero (Dance Floor from the Centro Nightclub). 2016. Pigmented inkjet print, 47 ¼ × Lagunero Nightclub). 2016. Pigmented inkjet print, 70 ⅞" (120 × 180 cm). Latin American and 47 ¼ × 70 ⅞" (120 × 180 cm). Latin American and Caribbean Fund Caribbean Fund

Teresa Margolles. Pista de baile del club Ruv (Dance Teresa Margolles. Pista de baile del club Bombin Floor from the Ruv Nightclub). 2016. Pigmented (Dance Floor from the Bombin Nightclub). 2016. inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Latin Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). American and Caribbean Fund Latin American and Caribbean Fund

Teresa Margolles. Pista de baile del club Rodarte Teresa Margolles. Pista de baile del club Arthur’s (Dance Floor from the Rodarte Nightclub). 2016. (Dance Floor from Arthur’s Nightclub). 2016. Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Latin American and Caribbean Fund Latin American and Caribbean Fund

Teresa Margolles. Pista de baile del club Nancy’s Teresa Margolles. Pista de baile del club Apache (Dance Floor from Nancy’s Nightclub). 2016. (Dance Floor from the Apache Nightclub). 2016. Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Latin American and Caribbean Fund Latin American and Caribbean Fund

Teresa Margolles. Pista de baile del club Mona Lisa Ray K. Metzker. Chicago. 1958. Gelatin silver print, (Dance Floor from the Mona Lisa Nightclub). 2016. 9 15⁄1₆ × 13 ⅝" (25.2 × 34.6 cm). Purchase Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Latin American and Caribbean Fund Richard Misrach. Swamp Louisiana. 1979. Pigmented inkjet print, overall 36 × 118" (91.4 × 299.7 cm). Gift of Teresa Margolles. Pista de baile del club Las Vegas the artist in honor of Ellie and Albert Fraenkel (Dance Floor from the Las Vegas Nightclub). 2016. Pigmented inkjet print, 47 ¼ × 70 ⅞" (120 × 180 cm). Tina Modotti. Yank and Police Marionette. 1926. Latin American and Caribbean Fund Gelatin silver print, 9 ½ × 7 ½" (24.1 × 19 cm). Gift of Helen Kornblum in honor of Roxana Marcoci

85 Nick de Morgoli. Untitled (Pablo Picasso with PaJaMa. Francis Burton Harrison III, Saint Luke's Oscar Dominguez's surrealist object Jamais, 1937). Place, New York. 1943. Gelatin silver print, 5 × 7" c. 1938. Gelatin silver print, 7 ¾ × 7 ¾" (19.7 × 19.7 cm). (12.7 × 17.8 cm). Photography Purchase Fund The Family of Man Fund Raghu Rai. A View of a Bathroom, Delhi. 1978. Colin Murray. Jagmandir: Water Palace at Udaipur. Gelatin silver print, 7 ¾ × 5 5⁄1₆" (19.7 × 13.5 cm). 1872–73. Albumen silver print from wet‑collodion Agnes Rindge Claflin Fund glass negative, 7 ⅜ × 12 15⁄1₆" (18.7 × 32.9 cm). Bequest of Paul F. Walter Raghu Rai. Portrait of the Gandhi Family. 1977. Gelatin silver print, 7 × 10 ½" (17.8 × 26.7 cm). Ambroise Ngaimoko, Studio 3Z. Petit Londa et son Agnes Rindge Claflin Fund ami L Groupe Odeon. 1974. Gelatin silver print, print‑ ed 1998, 23 ⅝ × 19 11⁄1₆" (60 × 50 cm). Raghu Rai. A Village Near Delhi. 1976. Gelatin silver CAAC–The Pigozzi Collection, Geneva print, 9 ⅜ × 6 ⅛" (23.8 × 15.6 cm). Agnes Rindge Claflin Fund Ambroise Ngaimoko, Studio 3Z. Untitled. 1976. Gelatin silver print, printed 1998, 23 ⅝ × 19 11⁄1₆" Louis‑Rémy Robert. Parc of Saint‑Cloud. c. 1853. (60 × 50 cm). CAAC–The Pigozzi Collection, Geneva Salted paper print, 12 ⅝ × 10 ⅛" (32 × 25.7 cm). Bequest of Paul F. Walter Ambroise Ngaimoko, Studio 3Z. Untitled. 1974. Gelatin silver print, printed 1998, 23 ⅝ × 19 11⁄1₆" Thomas Ruff.w.h.s. 07. 2001. Chromogenic color (60 × 50 cm). CAAC–The Pigozzi Collection, Geneva print, 70 ⅞ × 94" (180 × 238.8 cm). Gift of Carol and John Finley Ambroise Ngaimoko, Studio 3Z. Les catieurs de Kintambo. 1975. Gelatin silver print, printed 1998, Roger Schall. Untitled (International Surrealist 23 ⅝ × 19 11⁄1₆" (60 × 50 cm). CAAC–The Pigozzi Exhibition, Paris). 1938. Gelatin silver print, 8 11⁄1₆ Collection, Geneva × 8 5⁄1₆" (22.1 × 21.1 cm). The Family of Man Fund

Catherine Opie. Lawrence (Black Shirt). 2012. Roger Schall. Untitled (International Surrealist Pigmented inkjet print, 35 × 27" (88.9 × 68.6 cm). Exhibition, Paris). 1938. Gelatin silver print, 8 11⁄1₆ Gift of Elizabeth Swofford × 8 5⁄1₆" (22.1 × 21.1 cm). The Family of Man Fund

Jorge Ortiz. Boqueron (Breach). 1979. Gelatin silver Roger Schall. Untitled (International Surrealist prints (diptych), each 12 × 12" (30.5 × 30.5 cm). Latin Exhibition, Paris). 1938. Gelatin silver print, 8 ¾ American and Caribbean Fund × 8 ⅜" (22.2 × 21.3 cm). The Family of Man Fund

PaJaMa. Paul Cadmus, Nantucket. c. 1945. Gelatin Roger Schall. Untitled (International Surrealist silver print, 5 × 7" (12.7 × 17.8 cm). Photography Exhibition, Paris). 1938. Gelatin silver print, 8 ¾ Purchase Fund × 8 ⅜" (22.2 × 21.3 cm). The Family of Man Fund

PaJaMa. Paul Cadmus. c. 1945. Gelatin silver print, Roger Schall. Untitled (International Surrealist 7 × 5" (17.8 × 12.7 cm). Photography Purchase Fund Exhibition, Paris). 1938. Gelatin silver print, 8 11⁄1₆ × 8 5⁄1₆" (22.1 × 21.1 cm). The Family of Man Fund PaJaMa. Margaret French, Paul Cadmus, Provincetown. c. 1945. Gelatin silver print, 5 × 7" Roger Schall. Untitled (International Surrealist (12.7 × 17.8 cm). Photography Purchase Fund Exhibition, Paris). 1938. Gelatin silver print, 8 ¾ × 8 ⅜" (22.2 × 21.3 cm). The Family of Man Fund PaJaMa. Margaret French, Fire Island. c. 1939. Gelatin silver print, 4 ³⁄1₆ × 6 5⁄1₆" (10.6 × 16 cm). Roger Schall. Untitled (International Surrealist Acquired through the generosity of the William Exhibition, Paris). 1938. Gelatin silver print, 8 11⁄1₆ Talbott Hillman Foundation × 8 5⁄1₆" (22.1 × 21.1 cm). The Family of Man Fund

PaJaMa. Fidelma Cadmus, Fire Island. 1941. Roger Schall. Untitled (International Surrealist Gelatin silver print, 4 5⁄1₆ × 6 ⅛" (11 × 15.6 cm). Exhibition, Paris). 1938. Gelatin silver print, 7 ¾ Photography Purchase Fund × 7 ¾" (19.7 × 19.7 cm). The Family of Man Fund

86 Roger Schall. Untitled (International Surrealist Stephen Shore. Galina Karpenko, Tomashpil, Exhibition, Paris). 1938. Gelatin silver print, 8 ¾ Vinnytska Province, Ukraine. July 25, 2012. × 8 5⁄1₆" (22.2 × 21.1 cm). The Family of Man Fund Chromogenic color print, printed 2017, 16 × 20 ⅛" (40.6 × 51.1 cm). Gift of the artist in honor of Roger Schall. Untitled (International Surrealist Quentin Bajac Exhibition, Paris). 1938. Gelatin silver print, 8 11⁄1₆ × 8 5⁄1₆" (22.1 × 21.1 cm). The Family of Man Fund Stephen Shore. Bazaliya, Khmelnytska Province, Ukraine. July 27, 2012. Chromogenic color print, Roger Schall. Untitled (International Surrealist printed 2017, 16 × 20" (40.6 × 50.8 cm). Gift of the Exhibition, Paris). 1938. Gelatin silver print, 8 ⅝ artist in honor of Quentin Bajac × 8 5⁄1₆" (21.9 × 21.1 cm). The Family of Man Fund Stephen Shore. Yucatán, Mexico. 1990. Chromogenic Roger Schall. Untitled (International Surrealist color print, printed 2017, 24 ⅛ × 30 ½" (61.3 × 77.5 cm). Exhibition, Paris). 1938. Gelatin silver print, 8 11⁄1₆ Gift of the artist in honor of Quentin Bajac × 8 5⁄1₆" (22.1 × 21.1 cm). The Family of Man Fund Stephen Shore. Yucatán, Mexico. 1990. Chromogenic Sherril Schell. Rupert Brooke. 1913. Gelatin silver color print, printed 2017, 24 ⅛ × 30 ½" (61.3 × 77.5 cm). print, 9 9⁄1₆ × 7 ⅝" (24.3 × 19.4 cm). Bequest of Gift of the artist in honor of Quentin Bajac Paul F. Walter Stephen Shore. County of Sutherland, Scotland. Michael Schmidt. Photograph from Frauen series. 1988. Chromogenic color print, printed 2018, 1999. Gelatin silver print, 17 5⁄1₆ × 11 ¾" (44 × 29.8 cm). 36 × 45" (91.4 × 114.3 cm). Gift of the artist in honor Gift of Elizabeth Kessenides of Quentin Bajac

Algirdas Šeškus. 121 80. 1980. Gelatin silver print, Stephen Shore. County of Sutherland, Scotland. 3 9⁄1₆ × 2 ⅜" (9 × 6 cm). The Photography Council Fund 1988. Chromogenic color print, printed 2018, 36 × 45" (91.4 × 114.3 cm). Gift of the artist in honor Algirdas Šeškus. 493 79. 1979. Gelatin silver print, of Quentin Bajac 3 9⁄1₆ × 2 ⅜" (9 × 6 cm). The Photography Council Fund Stephen Shore. Brewster County, Texas. 1988. Algirdas Šeškus. 394 79. 1979. Gelatin silver print, Chromogenic color print, printed 2018, 36 × 45" 3 9⁄1₆ × 2 ⅜" (9 × 6 cm). The Photography Council Fund (91.4 × 114.3 cm). Gift of the artist in honor of Quentin Bajac Algirdas Šeškus. 349 79. 1979. Gelatin silver print, 3 9⁄1₆ × 2 ⅜" (9 × 6 cm). The Photography Council Fund Stephen Shore. Brewster County, Texas. 1987. Chromogenic color print, printed 2018, 36 × 45" Algirdas Šeškus. 348 79. 1979. Gelatin silver print, (91.4 × 114.3 cm). Gift of the artist in honor of 3 9⁄1₆ × 2 ⅜" (9 × 6 cm). The Photography Council Fund Quentin Bajac

Algirdas Šeškus. 342 79. 1979. Gelatin silver print, Stephen Shore. Putnam County, New York. 1985. 3 9⁄1₆ × 2 ⅜" (9 × 6 cm). The Photography Council Fund Chromogenic color print, printed 2017, 36 × 45" (91.4 × 114.3 cm). Gift the artist in honor of Algirdas Šeškus. 312 79. 1979. Gelatin silver print, Quentin Bajac 3 9⁄1₆ × 2 ⅜" (9 × 6 cm). The Photography Council Fund Stephen Shore. Ulster County, New York. 1984. Algirdas Šeškus. 296 79. 1979. Gelatin silver print, Chromogenic color print, printed 2017, 36 × 45" 3 9⁄1₆ × 2 ⅜" (9 × 6 cm). The Photography Council Fund (91.4 × 114.3 cm). Gift of the artist in honor of Quentin Bajac Stephen Shore. Shnuriv Lys, Kyivska Province, Ukraine. October 16, 2013. Chromogenic color print, Stephen Shore. Gallatin County, Montana. July 10, printed 2017, 16 × 20" (40.6 × 50.8 cm). Gift of the 1982. Chromogenic color print, printed 2017, artist in honor of Quentin Bajac 36 × 45" (91.4 × 114.3 cm). Gift of the artist in honor of Quentin Bajac Stephen Shore. Isaak Bakmayev, Berdichev, Zhytomyrska Province, Ukraine. July 29, 2012. Stephen Shore. Gallatin County, Montana. April 18, Chromogenic color print, printed 2017, 16 × 20" 1981. Chromogenic color print, printed 2017, (40.6 × 50.8 cm). Gift of the artist in honor of 36 × 45" (91.4 × 114.3 cm). Gift of the artist in honor Quentin Bajac of Quentin Bajac

87 Stephen Shore. Luzzara, Italy. 1993. Gelatin silver Stephen Shore. New York, New York, 1974. 1974. print, printed 2018, 7 ⅝ × 9 ¾" (19.4 × 24.8 cm). Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. Luzzara, Italy. 1993. Gelatin silver Stephen Shore. New York, New York, 1974. 1974. print, printed 2018, 7 ⅝ × 9 ¾" (19.4 × 24.8 cm). Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. Luzzara, Italy. 1993. Gelatin silver Stephen Shore. New York, New York, 1974. 1974. print, printed 2018, 7 ⅝ × 9 ¾" (19.4 × 24.8 cm). Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. Luzzara, Italy. 1993. Gelatin silver Stephen Shore. New York, New York, 1974. 1974. print, printed 2018, 7 ⅝ × 9 ¾" (19.4 × 24.8 cm). Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. Luzzara, Italy. 1993. Gelatin silver Stephen Shore. New York, New York, 1974. 1974. print, printed 2018, 7 ⅝ × 9 ¾" (19.4 × 24.8 cm). Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. Luzzara, Italy. 1993. Gelatin silver Stephen Shore. New York, New York, 1974. 1974. print, printed 2018, 7 ⅝ × 9 ¾" (19.4 × 24.8 cm). Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. Luzzara, Italy. 1993. Gelatin silver Stephen Shore. New York, New York, 1974. 1974. print, printed 2018, 9 ¾ × 7 ⅝" (24.8 × 19.4 cm). Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. Luzzara, Italy. 1993. Gelatin silver Stephen Shore. New York, New York, 1974. 1974. print, printed 2018, 7 ⅝ × 9 ¾" (19.4 × 24.8 cm). Gift Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. New York, New York, 1974. 1974. Stephen Shore. New York, New York, 1974. 1974. Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. New York, New York, 1974. 1974. Stephen Shore. New York, New York, 1974. 1974. Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. New York, New York, 1974. 1974. Stephen Shore. New York, New York, 1974. 1974. Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. New York, New York, 1974. 1974. Stephen Shore. New York, New York, 1974. 1974. Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. New York, New York, 1974. 1974. Stephen Shore. New York, New York, 1974. 1974. Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

Stephen Shore. New York, New York, 1974. 1974. Stephen Shore. New York, New York, 1974. 1974. Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist in honor of Quentin Bajac in honor of Quentin Bajac

88 Stephen Shore. New York, New York, 1974. 1974. Sanlé Sory. Untitled (Man with bicycle). 1970–85. Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gelatin silver print, 8 ⅛ × 12" (20.6 × 30.5 cm). in honor of Quentin Bajac Committee on Photography Fund

Stephen Shore. New York, New York, 1974. 1974. Sanlé Sory. Untitled (Boxing man). 1970–85. Gelatin Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist silver print, 8 ⅛ × 8 1⁄1₆" (20.6 × 20.5 cm). Committee in honor of Quentin Bajac on Photography Fund

Stephen Shore. New York, New York, 1974. 1974. Sanlé Sory. Traveller (Le Voyageur). 1970–85. Gelatin Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist silver print, 8 ⅛ × 8 ⅛" (20.6 × 20.6 cm). Committee in honor of Quentin Bajac on Photography Fund

Stephen Shore. New York, New York, 1974. 1974. Sanlé Sory. Gunman (Le Pistolero). 1970–85. Gelatin Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist silver print, 8 ⅛ × 8 1⁄1₆" (20.6 × 20.5 cm). Committee in honor of Quentin Bajac on Photography Fund

Stephen Shore. New York, New York, 1974. 1974. Sanlé Sory. Intellectual (L’Intellectuel). 1970–85. Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist Gelatin silver print, 8 ⅛ × 8 ⅛" (20.6 × 20.6 cm). in honor of Quentin Bajac Committee on Photography Fund

Stephen Shore. New York, New York, 1974. 1974. Sanlé Sory. American (L’Américain). 1970–85. Gelatin Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist silver print, 8 ⅛ × 8 ⅛" (20.6 × 20.6 cm). Committee in honor of Quentin Bajac on Photography Fund

Stephen Shore. New York, New York, 1974. 1974. Sanlé Sory. Djombalai. 1970–85. Gelatin silver print, Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist printed 2018, 8 ⅛ × 9 ⅜" (20.6 × 23.8 cm). Committee in honor of Quentin Bajac on Photography Fund

Stephen Shore. New York, New York, 1974. 1974. Sanlé Sory. Man with Guitar (L’Homme à la guitare). Stereo slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist 1970–85. Gelatin silver print, 8 1⁄1₆ × 8 ⅛" in honor of Quentin Bajac (20.5 × 20.6 cm). Committee on Photography Fund

Stephen Shore. New York, New York. 1974. Stereo Sanlé Sory. Untitled. 1970–85. Gelatin silver print, slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist in 4 ½ × 6 9⁄1₆" (11.4 × 16.7 cm). Committee on honor of Quentin Bajac Photography Fund

Stephen Shore. New York, New York. 1974. Stereo Sanlé Sory. Untitled. 1970–85. Gelatin silver print, slide, 1 ⅝ × 4" (4.1 × 10.2 cm). Gift of the artist in 4 ½ × 6 ⅝" (11.4 × 16.8 cm). Committee on honor of Quentin Bajac Photography Fund

Malick Sidibé. Untitled. July 28, 1973. Twenty‑four Sanlé Sory. Untitled. 1970–85. Gelatin silver print, gelatin silver prints mounted on paper, 12 ¾ × 19 ¾" 3 ⅛ × 4 ⅝" (7.9 × 11.7 cm). Committee on (32.4 × 50.2 cm). Judith and Wm. Brian Little Fund Photography Fund

Malick Sidibé. Nuit du 10 octobre 1970 (Night of Sanlé Sory. Untitled. 1970–85. Gelatin silver print, October 10, 1970). 1970. Twenty‑two gelatin silver 2 15⁄1₆ × 3 11⁄1₆" (7.5 × 9.4 cm). Committee on prints mounted on paper, 12 ¾ × 19 ¾" (32.4 × 50.2 cm). Photography Fund Judith and Wm. Brian Little Fund Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Malick Sidibé. Les Caïds (Big Shots). July 19, 1970. 3 ⅛ × 4 9⁄1₆" (7.9 × 11.6 cm). Committee on Twenty‑two gelatin silver prints mounted on paper, Photography Fund 12 ⅝ × 18 ⅞" (32.1 × 47.9 cm). Judith and Wm. Brian Little Fund Sanlé Sory. Untitled. 1970–85. Gelatin silver print, 3 ³⁄1₆ × 4 ½" (8.1 × 11.4 cm). Committee on Malick Sidibé. Tiep Mariage. November 5, 1967. Photography Fund Nineteen gelatin silver prints mounted on paper, 12 ⅝ × 18 ⅞" (32.1 × 47.9 cm). Judith and Wm. Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Brian Little Fund 4 ⅛ × 3 1⁄1₆" (10.5 × 7.8 cm). Committee on Photography Fund

89 Sanlé Sory. Untitled. 1970–85. Gelatin silver Stephanie Syjuco. Applicant Photos (Migrants) #1. print, 4 ½ × 3" (11.4 × 7.6 cm). Committee 2013–17. Pigmented inkjet print, 3 ⅝ × 4 ³⁄1₆" on Photography Fund (9.1 × 10.7 cm). Fund for the Twenty‑First Century

Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Stephanie Syjuco. Cargo Cults: Java Bunny. 2013–16. 2 15⁄1₆ × 4 ⅜" (7.5 × 11.1 cm). Committee Pigmented inkjet print, 40 × 30" (101.6 × 76.2 cm). on Photography Fund Fund for the Twenty‑First Century

Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Stephanie Syjuco. Cargo Cults: Head Bundle. 4 ¼ × 3 ⅛" (10.8 × 7.9 cm). Committee on 2013–16. Pigmented inkjet print, 40 × 30" (101.6 × Photography Fund 76.2 cm). Fund for the Twenty‑First Century

Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Stephanie Syjuco. Cargo Cults: Cover‑Up. 2013–16. 4 ¼ × 3 ³⁄1₆" (10.8 × 8.1 cm). Committee on Pigmented inkjet print, 20 × 16" (50.8 × 40.6 cm). Photography Fund Fund for the Twenty‑First Century

Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Stephanie Syjuco. Cargo Cults: Basket Woman. 4 5⁄1₆ × 3" (11 × 7.6 cm). Committee on 2013–16. Pigmented inkjet print, 40 × 30" (101.6 × Photography Fund 76.2 cm). Fund for the Twenty‑First Century

Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Piotr Uklanski. Summer Love. 2000. Fifteen pigment‑ 4 ½ × 3 ⅛" (11.4 × 7.9 cm). Committee ed inkjet prints in leather case with lead bullets, each on Photography Fund 16 × 20" (40.6 × 50.8 cm). Gift of Ninah and Michael Lynne Sanlé Sory. Untitled. 1970–85. Gelatin silver print, 4 ¾ × 3 5⁄1₆" (12.1 × 8.4 cm). Committee on Marianne Wex. Let's Take Back Our Space: “Female” Photography Fund and “Male” Body Language as a Result of Patriarchal Structures. 1977. Two hundred and forty-two gelatin Sanlé Sory. Untitled. 1970–85. Gelatin silver print, silver prints, paper and ink on museum board, 4 ⅝ × 3 1⁄1₆" (11.7 × 7.8 cm). Committee dimensions variable. Committee on Photography on Photography Fund Fund and The Modern Women's Fund

Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Carmen Winant. My Birth. 2018. Approx. 2,000 found 4 9⁄1₆ × 3 1⁄1₆" (11.6 × 7.8 cm). Committee papers and photographic prints with tape, dimensions on Photography Fund variable. The Modern Women's Fund

Sanlé Sory. Untitled. 1970–85. Gelatin silver print, Yasuhiro Ishimoto. Chicago. c. 1950. Gelatin silver 4 9⁄1₆ × 3 1⁄1₆" (11.6 × 7.8 cm). Committee print, 10 1³⁄1₆ × 13 ⅜" (27.5 × 34 cm). Gift of the artist on Photography Fund Yasuhiro Ishimoto. Chicago. c. 1950. Gelatin silver Sanlé Sory. Untitled. 1970–85. Gelatin silver print, print, 10 ⅛ × 9 ³⁄1₆" (25.7 × 23.3 cm). Gift of the artist 3 × 4 9⁄1₆" (7.6 × 11.6 cm). Committee on Photography Fund Yasuhiro Ishimoto. Chicago. c. 1950. Gelatin silver print, 10 ⅛ × 9 ¼" (25.7 × 23.5 cm). Gift of the artist Sturtevant. Duchamp after Man Ray Portrait. 1966. Gelatin silver print, 8 1³⁄1₆ × 7 ½" (22.4 × 19.1 cm). Yasuhiro Ishimoto. Chicago. c. 1950. Gelatin silver Gift of Joel Wachs print, 7 ⅝ × 6 ¼" (19.4 × 15.9 cm). Gift of the artist

Stephanie Syjuco. Applicant Photos (Migrants) #3. Yasuhiro Ishimoto. Chicago. 1951. Gelatin silver 2013–17. Pigmented inkjet print, 3 ⅝ × 4 ³⁄1₆" print, 7 ⅝ × 6 ¼" (19.4 × 15.9 cm). Gift of the artist (9.1 × 10.7 cm). Fund for the Twenty‑First Century Yasuhiro Ishimoto. Chicago. c. 1950. Gelatin silver Stephanie Syjuco. Applicant Photos (Migrants) #2. print, 7 ⅝ × 6 ¼" (19.4 × 15.9 cm). Gift of the artist 2013–17. Pigmented inkjet print, 3 ⅝ × 4 ³⁄1₆" (9.1 × 10.7 cm). Fund for the Twenty‑First Century Unknown photographer. Untitled. c. 1890. Gelatin silver print, 9 1³⁄1₆ × 8 ⅝" (25 × 21.9 cm). Bequest of Paul F. Walter

90 Deaccessioned and Sold, Gifted, or Exchanged

Louise Bourgeois. Accumulations, state III of III. 2006. Jean Dubuffet.La Fleur de Barbe. 1960. Illustrated Etching, plate and sheet: 55 3 × 12 3" (141.6 × book with five collotype reproductions after ink and 31.5 cm). Publisher: Osiris, New York. Printer: Wingate collage drawings, page (each): 19 5⁄1₆ × 12 9⁄1₆" (49 × 32 Studio, Hinsdale, NH. Edition: 7. Gift of the artist cm). Publisher: the artist, Paris. Printer: Duval, Paris. Edition: 500. Gift of Mr. and Mrs. Ralph F. Colin Louise Bourgeois. Are You in Orbit? (#2), version 2 of 3, only state. 2008. Etching, with hand additions, Jean Dubuffet.Leisure Time (Loisirs). 1961, plate (in 2 vertical parts) (overall): 60 5⁄1₆ × 35 11⁄1₆" published 1962. Lithograph, composition: 16 ⅛ × 20 7⁄1₆" (153.2 × 90.7 cm); sheet: 59 1³⁄1₆ × 35 1³⁄1₆" (152 × 91 (41 × 51.9 cm); sheet: 19 1³⁄1₆ × 25 ⅞" (50.3 × 65.8 cm). cm) (dimensions reflect full plate size; this is a partial Publisher: the artist. Printer: Serge Lozingot. Edition: print). Publisher: Osiris, New York. Printer: Wingate 40. Gift of Klaus G. Perls, in memory of Frank Perls, Studio, Hinsdale, NH. Edition: 7. Gift of the artist Art Dealer

Louise Bourgeois. La Maladie de l'Amour, only state, Jean Dubuffet.Poster for the exhibition Écrits et variant. 2008. Etching, plate: 60 ¼ × 15 1³⁄1₆" (153 Lithographies at Galerie La Pochade, Paris, × 40.2 cm); sheet: 61 ⅞ × 16 5⁄1₆" (157.1 × 41.4 cm). February 29–March 1968. 1968. Lithograph, Publisher: Osiris, New York. Printer: Wingate Studio, composition: 24 ⅛ × 18 11⁄1₆" (61.3 × 47.5 cm); sheet: Hinsdale, NH. Edition: one proof before the editions. 25 11⁄1₆ × 20 1⁄1₆" (65.2 × 51 cm). Edition: one of a Gift of the artist limited number of copies. Gift of Klaus G. Perls, in memory of Frank Perls, Art Dealer Louise Bourgeois. Look Up!, only state. 2009. Etching, composition (upper): 46 ¼ × 10 11⁄1₆" (117.5 × Alberto Giacometti. Woman. 1928 (cast 1970–71). 27.2 cm); composition (lower): 45 1⁄1₆ × 10 11⁄1₆" (114.5 Bronze, 15 ½ × 6 ⅝ × 3" (39.2 × 16.7 × 7.7 cm). × 27.2 cm); sheet (overall): 91 5⁄1₆ × 10 11⁄1₆" (232 × Courtesy Mme Alberto Giacometti 27.2 cm) Publisher: Osiris, New York. Printer: Wingate Studio, Hinsdale, NH. Edition: 9. Gift of the artist Ernst Ludwig Kirchner. Girl on a Divan. 1906. Oil on composition board, 18 ⅝ × 26 ¾" (47.3 × 67.9 cm). Louise Bourgeois. Turning Inwards, only state, Margot Gottlieb Bequest variant. 2008. Etching, with hand additions, plate (in 2 vertical parts) (overall): 60 ¼ × 31 ¾" (153 × 80.7 Fernand Léger. Still Life. 1914. Oil on canvas, 39 ⅜ × cm); sheet: 60 ⅜ × 33 ⅞" (153.4 × 86 cm). Publisher: 25 ⅜" (100 × 64.5 cm). Bequest of Joan H. Tisch Osiris, New York. Printer: Wingate Studio, Hinsdale, NH. Edition: one proof before the editions. Claude Monet. Maisons près de la mer. 1865. Chalk Gift of the artist on paper, 9 ¾ × 13 ¼" (24.6 × 33.4 cm). Gift of Mr. and Mrs. Marion Joseph Lebworth Robert Delaunay. Disks. 1930–33. Oil on cardboard, 23 ⅝ × 23 ½" (60 × 59.8 cm). Gift of Judge and Pablo Picasso. La Source. 1921. Pencil on paper, 19 × Mrs. Henry Epstein 25 ¼" (49.4 × 64 cm). John S. Newberry Collection

Jean Dubuffet.Fields of Silence (Champs de silence) Pablo Picasso. The Serenade. 1932. Ink on paper, from Phenomena (Les Phénomènes). 1959. Portfolio 10 ¼ × 13 ⅛" (25.8 × 33.1 cm). Gift of Miss Eve of ten lithographs, composition, dimensions vary; Clendenin sheet (each): approx. 25 ³⁄1₆ × 17 9⁄1₆" (64 × 44.6 cm). Publisher: the artist. Printer: Mourlot, Paris. Edition: Sigmar Polke. Untitled. 2003. Synthetic polymer 18. Gift of Klaus G. Perls, in memory of Frank Perls, paint on paper, 39 ⅛ × 27 ½" (99.4 × 69.9 cm). The Art Dealer Judith Rothschild Foundation Contemporary Drawings Collection Gift Jean Dubuffet.Il y a. 1979. Illustrated book with fifteen screenprints, page (each): 13 11⁄1₆ × 10" (34 × 25.4 cm). Publisher: Editions Fata Morgana, Montpellier, France. Printer: Broutelles and Kizlik, Paris. Edition: 99. Larry Aldrich Fund (by exchange)

91