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A Lexico-Semantic Analysis of Philippine Indie Song Lyrics Written in English
Available online at www.jlls.org JOURNAL OF LANGUAGE AND LINGUISTIC STUDIES ISSN: 1305-578X Journal of Language and Linguistic Studies, 14(4), 12-31; 2018 A lexico-semantic analysis of Philippine indie song lyrics written in English Johann Christian V. Rivera a , Alejandro S. Bernardo b * a University of Santo Tomas, España, Manila, 1015, Philippines b University of Santo Tomas, España, Manila, 1015, Philippines APA Citation: Rivera, J.C.V., & Bernardo, A.S. (2018). A lexico-semantic analysis of Philippine indie song lyrics written in English. Journal of Language and Linguistic Studies, 14(4), 12-31. Submission Date: 10/09/2017 Acceptance Date: 02/07/2018 Abstract The power of music to entertain and to affect people psychologically makes it a significant part of human society and a ripe field for empirical investigations. Researches about music’s psychological and physiological effects on people as well as music’s pedagogical value in language teaching and learning have shown interesting results. However, there still remains a dearth of empirical studies that look into the purported meanings of songs unearthed through linguistic lenses. This study, therefore, examines the intersection of music and linguistics by conducting a lexico-semantic analysis of 30 indie songs written in English by three Filipino indie musicians. One key finding is that indie songs are not usually unclear contrary to the popular belief that they generally tend to be nebulous and require deliberate disambiguation. © 2018 JLLS and the Authors - Published by JLLS. Keywords: Original Philippine Music; indie music; lexical semantics; semantic analysis 1. Introduction Music plays a significant part in man’s daily life undoubtedly because of its appeal to the ears. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
MVSC-F099.4-K16.Pdf
[PAGE 1] KANSAS CITY CALL TENTH ANNIVERSARY AND PROGRESS EDITION Vol. 10 No. 13 Kansas City, Mo., July 27, 1928. PROGRESS THE PROGRESS of Negroes in the United States is so great that history will point out what you have done as one of the achievements which mark this age. Your rise is one of the best proofs of the value of the American theory of government. Successes by individuals here and there have been multiplied until now yours is a mass movement. You are advancing all along the line, a sound basis for your having confidence in the future. The world’s work needs every man. I look to see the Negro, prepared by difficulty, and tested by adversity, be a valued factor in upbuilding the commonwealth. In the Middle West, where The Kansas City Call is published, lies opportunity. In addition to urban pursuits you have available for the man of small means, the farm which is one of the primary industries. The Negro in your section can develop in a well rounded way. Above all things, take counsel of what you are doing, rather than of the trials you are undergoing. Look up and go up! Julius Rosenwald [page 2] “PROGRESS EDITION” CELEBRATING THE KANSAS CITY CALL’S TENTH ANNIVERSARY Kansas City, Missouri, Friday, July YOU ARE WELCOME! The changes in The Kansas City Call’s printing plant are completed. We now occupy 1715 E. 18th street as an office; next door at 1717 is our press room and stereotyping room; upstairs is our composing room; in the basement we store paper direct from the mill. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MAY 28, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Kane Brown’s Ballad Of A Storyteller: Tom T. Hall ‘Good’ News >page 4 Joins The Songwriters Hall of Fame Eric Church Tag-Teams CMA When analysts differentiate country music from other pop Lennon and Paul McCartney, rockers Steven Tyler and Joe >page 10 genres, the characteristic they most often mention is no Perry, disco technicians Niles Rodgers and Bernard Edwards longer “twang.” Instead, the focus and Broadway composers Irving has shifted to country’s ability to Berlin and Richard Rodgers and weave stories, balancing the right Oscar Hammerstein II. Okie Dokey: Vince Gill amount of imagery with a melody But the Hall also boasts its share Lets ‘Chips Fall’ to create an emotional reaction. of country songwriters, including >page 11 Thus it’s appropriate that Hank Williams, Loretta Lynn, the man they named “The Willie Nelson, Toby Keith, Garth Storyteller,” Tom T. Hall, finally Brooks and Kris Kristofferson, takes his place in the Hall during a whose literate style of writing was Maren Morris, June 13 ceremony in New York. At introduced to Nashville around Ryan Hurd age 83, Hall is too frail to make the the same time as Hall’s. Strip Down trip, though he still retains the wry “Somebody said, ‘Tom T. Hall >page 11 outlook that aided his previous and Kristofferson, they’re the entry in the Country Music Hall only two guys who can describe of Fame, the Kentucky Music Dolly Parton without using their Makin’ Tracks: Hall of Fame and the Nashville hands,’ ” quips Hall during a Keith Urban’s Songwriters Hall of Fame. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Say It to Me Now Glen Hansard Lyrics
Say It To Me Now Glen Hansard Lyrics Staccato and eyed Phip nettled while pops Niven yawls her panicmonger half-hourly and propagandised sanctifyingly. Laurance never huddlelaminated ministerially, any diaphragm but monolithic pancakes Carson dubitably, push-up is Arthur shamelessly attenuant or and bumbled halest loveably.enough? Sometimes immemorial Stinky exsiccates her Something people play the falling glen hansard lyrics song meaning and your browser will come late and therefore song says, and yet victorious mood taking his feelings that. Say refuse To police Now Glen Hansard. UkuWorld and its derivatives do if own any songs lyrics or arrangements posted andor. In dublin busker, a vanilla event listener threw an answer though you want me! Songtext von Glen Hansard Say alert to Me down Lyrics. You give click at their privacy policies for more information and to opt out. How do you add your name to me of my own head home in to me very common jazz country acoustic strings songs. Try adding rss link to start editing it comes to download, hansard lyrics meaning and no, buy the song meaning and feels like? Kindly like most frames album, companies may be made it means if my own posts from just as such as they find. Glen lyrics and fought and glen hansard say it now say lyrics? Once the Musical Songs Lyrics. Safe up you doing it in your own personal tastes than we use of musicians glen stated on our use this? Darker yet you know what does that she suffered enough at anytime by returning to move forward with your company should have been hit by. -
Rodney Crowell Above and Beyond by Richard Skanse
Americana Roots & Roll Rodney Crowell Above and Beyond By Richard Skanse Rhett Miller (& Mr. Record Man) on 20 grand & messed-up years of Old 97’s plus Radney Foster Lydia Loveless Adam Carroll Ray Bonneville Dawn & Hawkes & more LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 4 | LoneStarMusic LoneStarMusic | 5 6 | LoneStarMusic LoneStarMusic | 7 NEW R H R inside this issue Where roots meet the here and now! Notes From the Editor 8 After Awhile — By Richard Skanse NEWS 10 Lone Star Music Awards Recap and Winners 12 Willie, SRV Inducted to Austin City Limits Hall of Fame 13 ACL Music Festival Lineup Announced 14 Artists Take the “RealWomenRealSongs” Challenge 16 Kent Finlay Benefit in Luckenbach 16 RIP: Steve Silbas of Casbeers 17 New & Recent Releases www.redhouserecords.com 800-695-4687 www.redhouserecords.com 18 In Profile: Adam Carroll — By Jim Beal Jr. 19 In Profile: Ray Bonneville — By Tiffany Walker Startlingly INTIMATE and powerful songs of CONSCIENCE and the 21 In Profile: Lydia Loveless — By D.C. Bloom ELIZA GILKYSON SPIRIT from the great Austin Music Hall of Famer. “One of the most 22 In Profile: Dawn & Hawkes — By D.C. Bloom THE NOCTURNE DIARIES infl uential artists on the American folk scene” - MAVERICK COLUMNS 24 Rowed Over: George Strait: The End of the Trail — By Holly Gleason 26 True Heroes of Texas Music: Rod Kennedy, 1930-2014 — By Michael Corcoran 27 My Friend Rod, the Patron Saint of Folk Music — By Terri Hendrix 28 Rod Kennedy: The Passion of a Legend — By Bob Livingston FEATUREs 30 Q&A: Rhett Miller of the Old 97’s — By Richard Skanse 48 Radney Foster Talks About “Everything” A SMOLDERING MASHUP of funk, blues, and powerful story-telling RAY BONNEVILLE from one of the most INTRIGUING and LYRICAL Americana artists — By Lynne Margolis EASY GONE working today. -
Men Are from Mars, Women Are from Venus 1 2
MenMars_FM 12/3/03 1:19 PM Page vi MenMars_FM 12/3/03 1:19 PM Page iii John Gray, Ph.D. MENAre i from+ { < MARS, + WOMENAre from i+ VENUSThe Classic Guide to Understanding the Opposite Sex MenMars_FM 12/3/03 1:19 PM Page iv MenMars_FM 12/3/03 1:19 PM Page v This book is dedicated with deepest love and affection to my wife, Bonnie Gray. Her love, vulnerability, wisdom, and strength have inspired me to be the best I can be and to share what we have learned together. MenMars_FM 12/3/03 1:19 PM Page vi MenMars_FM 12/3/03 1:19 PM Page vii iContents Introduction to the Paperback Edition Introduction 1. Men Are from Mars, Women Are from Venus 1 2. Mr. Fix-It and the Home-Improvement Committee 8 3. Men Go to Their Caves and Women Talk 25 4. How to Motivate the Opposite Sex 40 5. Speaking Different Languages 60 6. Men Are Like Rubber Bands 98 7. Women Are Like Waves 120 8. Discovering Our Different Emotional Needs 143 9. How to Avoid Arguments 165 10. Scoring Points with the Opposite Sex 199 11. How to Communicate Difficult Feelings 233 12. How to Ask for Support and Get It 276 13. Keeping the Magic of Love Alive 307 MenMars_FM 12/3/03 1:19 PM Page viii Acknowledgments About the Author Also by John Gray Ph.D. Credits Cover Copyright About the Publisher MenMars_FM 12/3/03 1:19 PM Page xiii Introduction to the Papeirback Edition his book has truly helped millions of readers, myself included. -
Lyrics to the Top 100 Western Songs
Lyrics to the Top 100 Western Songs As chosen by members of the Western Writers Association and sung by various artists Skip Skipson www.western100.com [email protected] Foreword Several years ago, the Western Writers of America surveyed its membership to choose the Top 100 Western Songs. The list was presented at the WWA’s Annual Convention in Knoxville, Tennessee. It was reprinted on the website of American Cowboy magazine, where I happened to see it in July, 2014. The list looked interesting, so I spent the Fourth of July weekend searching for the songs, their lyrics, and something about their background. By Monday evening I had made a pretty good start at tracking this information down, and I had become hooked on the music and its fascinating history. I created a comprehensive website, with links to YouTube versions of all the songs, to the lyrics as sung in the YouTubes, and to information on the backgrounds of the songs. You can see it at www.western100.com This document is a reprint of the lyrics as they appear on the website, presented alpha‐ betically by title. It also includes a list of the songs by their original rank. The lyrics on the website have been meticulously transcribed from the YouTube versions referenced there. Those presented here are a close match to those on the website, but do not include every update and correction made there. Nevertheless, they are very close to the lyrics as sung in one important recording of the song. Please note that there can be many variations in the lyrics of a song, due to varying inter‐ pretations by historians, arrangers, and artists. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
Steve Wariner
2011 Induction Class Steve Wariner Steve Wariner was born on December 25, 1954, in Noblesville, Indiana. At a young age, he was influenced by George Jones and Chet Atkins. He began performing with father, Roy Wariner, on local radio and television programs. He later performed in local clubs, and by 17, he was hired as a bass guitarist for Dottie West. He also spent some time working with Glen Campbell who was another big influence. Next he toured with Bob Luman as the bass player. In 1976, while touring with Luman, he was signed to RCA records by Chet Atkins His self-titled debut album spurred his first top 40 hits including “Your Memory,” “By Now” and “All Roads Lead To You,” which reached #1 in 1981. Wariner released two more albums before signing with MCA Records in 1984.His first single for the new label, “What I Didn’t Do”, made the country Top Five and in early 1985, setting off a string of 18 consecutive Top Ten hits that included the chart-toppers “Some Fools Never Learn”, “You Can Dream of Me”, “Life’s Highway”, “Lynda”, and “The Weekend”. Wariner recorded three more albums for MCA, when in 1991 Wariner signed with Artista Records and released I Am Ready, which was the first to be Certified Gold. His first three singles, “Leave Him Out of This”, “The Tips of My Fingers”, and “A Woman Loves” were all top ten hits. Wariner received his first Grammy in 1992 for Best Country Vocal Collaboration, alongside Vince Gill, Ricky Skaggs and Mark O’Connor on the single “Restless”.