The City and the Pillar Free Ebook

Total Page:16

File Type:pdf, Size:1020Kb

The City and the Pillar Free Ebook FREETHE CITY AND THE PILLAR EBOOK Gore Vidal | 240 pages | 02 Dec 2003 | Random House USA Inc | 9781400030378 | English | New York, United States The City and the Pillar - Wikipedia This article will be permanently flagged as inappropriate and made unaccessible to everyone. Are you certain this article is inappropriate? The City and the Pillar Address:. The City and the Pillar is the third published novel by American writer The City and the Pillar Vidalwritten in and published on January 10, The story is about a young man who is coming of age and discovers his own homosexuality. The City and the Pillar is significant because it is recognized as the first post-World War II novel whose openly gay and well-adjusted protagonist is not killed off at the end of the story for defying social norms. It is also recognized as one of the "definitive war-influenced gay novels", being one of the few books of its period dealing directly with male homosexuality. In addition, it was among the few gay novels reprinted in inexpensive paperback form as early as the s. Most modern printings contain the updated text; however, they retain the original title The City and the Pillar. The plot centers on Jim Willard, a handsome youth in Virginia in the late s, who is also a very good tennis player. When his best friend Bob Ford, one year his senior, is about to leave high school, the two take a camping trip into the woods. Both are elated to be in each other's company and, after some moaning from Bob about how difficult it is to get the local girls to have sex with him, the two have sexeven though Bob thinks this is not a "normal" thing for two men to do. Jim, who does not find girls so appealing, hopes Bob can stay and is crushed when Bob The City and the Pillar insistent on joining the United States Merchant Marine. The next seven years of Jim's life will be an odyssey, at the end of which he hopes to be happily reunited with Bob. Jim decides he wants to go to sea too and becomes a cabin boy on a cruise ship after going to New York to look for work. Another seaman on his ship, Collins, goes out with him in Seattlebut is more interested in a double date with two girls than in sex with Jim. The date is a disaster for Jim, who must realize that he is unable to drink enough to overcome being repelled by the female body. When he finally storms out, Collins calls him a queerwhich causes him to think about this possibility. He quits his job, fearing another confrontation with Collins, and becomes a tennis instructor at a hotel in Los Angeles. One of the bellboys, Leaper, whose advances he has spurned previously, introduces him to the circle around the mid-thirties Hollywood actor Ronald Shaw, who immediately takes interest in Jim. Eventually, Jim moves in with Ronald, even though The City and the Pillar is not really in love with him. Their affair is ended when Jim meets the writer Paul Sullivan, who is in his late twenties, at a party. Jim is drawn to Paul because he seems so different from the other, The City and the Pillar stereotypical homosexuals he meets at Hollywood parties, even having married once although that marriage was later annulled. Again, he is not in love with Paul but with his boyhood pal, but he considers Paul adequate for the time being. Paul however, needing some pain in his relationships for artistic inspiration, introduces Jim to Maria Verlaine, who seems to specialize in seducing homosexuals, hoping his relationship will end in a suitably tragic way. Jim does feel vaguely attracted to Maria, but he is unable to perform sexually. All the same, for Paul even an imagined affair of his boyfriend with a woman is as painful as he had hoped and warrants a breakup. This of course also means their separation. Jim gets transferred to a Colorado Air Force base, where his sergeant is clearly sexually interested in The City and the Pillar. But Jim has set his sights on a young corporal. Unfortunately, the corporal does not seem to like him in "that" way, even though the sergeant later seems to succeed with the corporal. Due to the cold Colorado weather, Jim contracts rheumatoid arthritis and is eventually discharged from service. He goes back to New York, where The City and the Pillar meets Maria and Ronald again. Ronald has been forced to marry a lesbian by studio executives to uphold his public image and tries unsuccessfully to become a stage actor. He also introduces Jim to his local friends like an effeminate millionaire. Jim begins frequenting gay bars to The City and the Pillar sexual relief. Later, he meets Paul at a party and the two start an open relationship, not because of passion, but out of loneliness. When Jim finally goes home for Christmashe learns that his father is dead and more alarming to him that Bob has married. Hoping their affair can resume despite this, Jim is anxious to see him again. The resolution of their relationship comes again in New York, where they end up on the bed in Bob's hotel room. But when Jim finally thinks he has attained what he wants and moves closer, grabbing his "sex", Bob panics, is outraged to be thought of as gay, and even punches Jim in the face. The two struggle and Jim wins because he is stronger. In the original version, Jim is infuriated enough to murder Bob while in the revision he rapes Bob and then leaves the room. One major theme is the portrayal of the homosexual man as masculine. Vidal set out to break the mould of novels that up until The City and the Pillar depicted homosexuals as transvestiteslonely bookish boys, or feminine. Vidal purposefully makes his protagonist a strong athlete to challenge superstitionsstereotypesand prejudices about sex in the United States. To further this theme Vidal wrote the novel in plain, objective prose in order to convey and document reality. Two additional themes identified by Dennis Bolin are the foolishness and destructiveness of wishing for something that can never be and to waste one's life dwelling on the past, the second of which is reinforced by the novel's epigraph from the Book of Genesis "But his wife looked back from behind him and she became a pillar of salt. The City and the Pillar sparked a public scandal, including notoriety and criticism, not only since it was released at a time when [5] Looking back in retrospect fromit is considered by Ian Young to be "perhaps the most notorious of the gay novels of the s and s. Vidal himself said "shock was the most pleasant emotion aroused in the press. Vidal was blacklisted after releasing The City and the Pillar to the extent that no major newspaper or magazine would review any of his novels for six years. Subsequently he reestablished a popular reputation and resumed using his The City and the Pillar name. At the time, Christopher Isherwood privately responded to The City and the Pillar novel enthusiastically, whereas Thomas Mannanother contemporary writer, privately responded with short politeness. Modern scholars note the importance of the novel to the visibility of gay literature. Michael Bronski points out that "gay-male-themed books received greater critical attention than lesbian ones" and that "writers such as Gore Vidal were accepted as important American writers, even when they The City and the Pillar attacks from homophobic critics. The book sold well, enjoying several paperback reprint editions; the Signet edition features a cover painting by the notable artist James Avati. InE. In this version, Vidal removed melodramatic narrative, passages of introspection, and politically offensive language and strove to clarify the intended theme of the work. The original edition was divided into two The City and the Pillar "The City" and "The Pillar"; in the revised edition the narrative is continuous. The City and the Pillar is commonly believed that the publishers of The City and the Pillar in its original form coerced Gore to give the original a cautionary ending, but Gore specifically denied this. It was said by Vidal in a NPR interview that parts of the dynamic of The City and the Pillar were softened for the public and applied to the script for Ben-Hur which The City and the Pillar and others were called in to re-work. Hampton Roads, Washington, D. My Dashboard Get Published. Sign in with your eLibrary Card close. Flag as Inappropriate. Email this Article. The City The City and the Pillar the Pillar. The City and the Pillar Cover of the first edition. The Golden Age of Gay Fiction. Martin's Griffin,page 5. Gore Vidal. The Catered Affair I Accuse! The Telltale Clue Danger Climax! Dutton books. Funding for USA. Congress, E-Government Act of Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles. The City and the Pillar using this site, you agree to the Terms of Use and Privacy Policy. Roosevelt, Myra Breckinridge. All rights reserved. Flag as Inappropriate This article will be permanently flagged as inappropriate and made unaccessible to everyone. Email this Article Email Address:. World Heritage Encyclopedia. Cover of the first edition. The City and the Pillar – Hooray For Dead White Males There are several explanations for the reference to "Iram — who had lofty pillars".
Recommended publications
  • Gore Vidal Free Download
    GORE VIDAL FREE DOWNLOAD Gore Vidal | 272 pages | 26 Oct 2009 | Abrams | 9780810950498 | English | New York, United States BIOGRAPHY NEWSLETTER When asked why he was running for governor Gore Vidal California against incumbent governor Jerry Gore Vidalhe replied that "the chance to compete against a Zen space cadet is too good to pass up. The Library of America has published two volumes of her…. Raised in Gore Vidal, D. Another success was the comedy Myra Breckinridge ; filmin which Vidal lampooned both transsexuality and contemporary American culture. She also had "a long off-and-on affair" with the actor Clark Gable. Retrieved July 29, Gore Vidal is going to direct. So has Barack Obama. Asked his opinion about the arrest of the film director Roman Polanskiin Switzerland, in Septemberin response to an extradition request by U. Sign In. Jack never went to the office - he wanted the presidency and his father bought it for him. Some of his political positions were similarly quarrelsome and provocative. In his youth, Eugene had been a Gore Vidal star at West Edit Gore Vidal. He doesn't define what tyranny is. They asked a whole raft of high school boys across the country a couple years ago, one of those polls about Gore Vidal they would most like to be in life, and what they would hate to be, and so forth, and what they would most hate to Gore Vidal was homosexual. Given the blindness of his maternal grandfather, Senator Thomas Pryor Goreof Oklahoma, Vidal read aloud to him, Gore Vidal was his Senate pageand his seeing-eye guide.
    [Show full text]
  • Online Versions of the Handouts Have Color Images & Hot Urls September
    Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B.
    [Show full text]
  • GORE VIDAL the United States of Amnesia
    Amnesia Productions Presents GORE VIDAL The United States of Amnesia Film info: http://www.tribecafilm.com/filmguide/513a8382c07f5d4713000294-gore-vidal-the-united-sta U.S., 2013 89 minutes / Color / HD World Premiere - 2013 Tribeca Film Festival, Spotlight Section Screening: Thursday 4/18/2013 8:30pm - 1st Screening, AMC Loews Village 7 - 3 Friday 4/19/2013 12:15pm – P&I Screening, Chelsea Clearview Cinemas 6 Saturday 4/20/2013 2:30pm - 2nd Screening, AMC Loews Village 7 - 3 Friday 4/26/2013 5:30pm - 3rd Screening, Chelsea Clearview Cinemas 4 Publicity Contact Sales Contact Matt Johnstone Publicity Preferred Content Matt Johnstone Kevin Iwashina 323 938-7880 c. office +1 323 7829193 [email protected] mobile +1 310 993 7465 [email protected] LOG LINE Anchored by intimate, one-on-one interviews with the man himself, GORE VIDAL: THE UNITED STATS OF AMNESIA is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time. SYNOPSIS No twentieth-century figure has had a more profound effect on the worlds of literature, film, politics, historical debate, and the culture wars than Gore Vidal. Anchored by intimate one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining portrait of the last lion of the age of American liberalism.
    [Show full text]
  • Cfa in the News ~ Week Ending 3 January 2010
    Wolbach Library: CfA in the News ~ Week ending 3 January 2010 1. New social science research from G. Sonnert and co-researchers described, Science Letter, p40, Tuesday, January 5, 2010 2. 2009 in science and medicine, ROGER SCHLUETER, Belleville News Democrat (IL), Sunday, January 3, 2010 3. 'Science, celestial bodies have always inspired humankind', Staff Correspondent, Hindu (India), Tuesday, December 29, 2009 4. Why is Carpenter defending scientists?, The Morning Call, Morning Call (Allentown, PA), FIRST ed, pA25, Sunday, December 27, 2009 5. CORRECTIONS, OPINION BY RYAN FINLEY, ARIZONA DAILY STAR, Arizona Daily Star (AZ), FINAL ed, pA2, Saturday, December 19, 2009 6. We see a 'Super-Earth', TOM BEAL; TOM BEAL, ARIZONA DAILY STAR, Arizona Daily Star, (AZ), FINAL ed, pA1, Thursday, December 17, 2009 Record - 1 DIALOG(R) New social science research from G. Sonnert and co-researchers described, Science Letter, p40, Tuesday, January 5, 2010 TEXT: "In this paper we report on testing the 'rolen model' and 'opportunity-structure' hypotheses about the parents whom scientists mentioned as career influencers. According to the role-model hypothesis, the gender match between scientist and influencer is paramount (for example, women scientists would disproportionately often mention their mothers as career influencers)," scientists writing in the journal Social Studies of Science report (see also ). "According to the opportunity-structure hypothesis, the parent's educational level predicts his/her probability of being mentioned as a career influencer (that ism parents with higher educational levels would be more likely to be named). The examination of a sample of American scientists who had received prestigious postdoctoral fellowships resulted in rejecting the role-model hypothesis and corroborating the opportunity-structure hypothesis.
    [Show full text]
  • Reading Publics and Canon Formation in 20Th Century Us Fiction
    Copyright by Laura Knowles Wallace 2016 The Dissertation Committee for Laura Knowles Wallace Certifies that this is the approved version of the following dissertation: QUEER NOVELTY: READING PUBLICS AND CANON FORMATION IN 20TH CENTURY US FICTION Committee: Brian Bremen, Supervisor Chad Bennett Ann Cvetkovich Jennifer Wilks Janet Staiger QUEER NOVELTY: READING PUBLICS AND CANON FORMATION IN 20TH CENTURY US FICTION by Laura Knowles Wallace, BA, MA Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2016 Dedication For who else but my students, whose insistent presence served as persistent reminder of the stakes of this project? The many ways contemporary queer readers and critics have invested pre-Stonewall writing and images with romance or nostalgia or distaste all point to the funny communicability of shadow-relations and secret emotions across time, as if they acquire heft only in the long term, where the difficulty of the problems they want to solve (like historical isolation and suffering) can emerge in their full intractability. Christopher Nealon, Foundlings, 2001 I don’t have to wonder whose group I’m in today. Certainly the people who always think the public problem is theirs are gay. Eileen Myles, “To Hell,” Sorry, Tree, 2007 Acknowledgements Thank you to my committee (Brian Bremen, Jennifer Wilks, Chad Bennett, Ann Cvetkovich, and Janet Staiger) for your time, your enthusiasm, and your questions. Thank you to the other faculty members whose teaching and encouragement shaped this project, especially Hannah Wojciehowski, Eric Darnell Pritchard, Mia Carter, and Heather Houser.
    [Show full text]
  • Visit to a Small Planet and the ―Fish out of Water‖ Comedy
    Audience Guide Written and compiled by Jack Marshall July 8–August 6, 2011 Theatre Two, Gunston Arts Center Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called ―the American Century.‖ The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors.
    [Show full text]
  • I Told You So: Gore Vidal Talks Politics Interviews with Jon Weiner OR
    I Told you So: Gore Vidal Talks Politics Interviews with Jon Weiner OR Books www.orbooks.com Q. Could you tell us about your formative political experiences? What was the process by which you became a radical? A. I don’t know how I did. I was brought up in an extremely conservative family. The British always want to know what class you belong to. I was asked that on the BBC. I said “I belong to the highest class there is: I’m a third generation celebrity. My grandfather, father, and I have all been on the cover of Time. That’s all there is. You can’t go any higher in America.” The greatest influence on me was my grandfather, Senator Thomas Pryor Gore. That’s his chair. Not from the Senate. From his office. He was blind from the age of ten. He would plot in that chair. He made Wilson president twice rocking away in that thing.! Q. He’s denounced by Teddy Roosevelt in Empire.! A. Yes. T.R. didn’t like anything about him. But T.P.G. was only 36, I think, when he came to the Senate. He was a Populist who finally joined the Democratic Party. They all did. He helped write the constitution of the state of Oklahoma, which is the only socialist state constitution. He was school of Bryan: anti-bank, anti- Eastern, anti-railroads, anti-war. Also anti-black and anti-Jew- what they now call nativist. But he was not a crude figure like Tom Watson or the sainted Huey.
    [Show full text]
  • What a Wonderful World: Notes on the Evolution of GLBTQ Literature for Young Adults
    Michael Cart What a Wonderful World: Notes on the Evolution of GLBTQ Literature for Young Adults n his Notes Towards the Definition of Culture, T. S. World War II had brought together “the largest Eliot offered three “permanent” reasons for reading: concentration of gay men ever found inside a single I(1) the acquisition of wisdom, (2) the enjoyment of American institution. Volunteer women who joined art, and (3) the pleasure of entertainment. the WAC and the WAVES experienced an even more When the reading in question is that of young prevalent lesbian culture” (78). adult literature—the quintessential literature of the It did not take long for art to catch up to what outsider—I would suggest there is a fourth reason: the Martin Duberman calls this “critical mass of con- lifesaving necessity of seeing one’s own face reflected sciousness” (76). Only three years after the end of the in the pages of a good book and the corollary comfort war, two important adult novels with gay themes that derives from the knowledge that one is not alone. appeared: Other Voices, Other Rooms by Truman And yet one group of teenage outsiders—GLBTQ Capote and The City and the Pillar by Gore Vidal. youth (gay, lesbian, bisexual, transgender, and They are significant for two reasons. First, they were questioning)—continues to be too nearly invisible. works of serious fiction by writers who would become Since the 1969 publication of John Donovan’s I’ll Get vital forces in American literature. Second, they were There. It Better Be Worth the Trip (Harper & Row), the issued by mainstream publishers—Random House and first young adult novel to deal with the issue of E.
    [Show full text]
  • This Is a Test
    ‘LOVE’S CHRISTMAS JOURNEY’ CAST BIOS SEAN ASTIN (Mayor William Wayne) – Sean Astin is one of Hollywood's most respected young actors with a distinctive list of projects and credits. Astin starred as beloved Sam Gamgee in the Academy Award®-winning "The Lord of the Rings Trilogy." The three films have grossed over $3 billion worldwide and have entered the history books of classic cinema. Astin has just recently signed up for Nickelodeon‟s re-launch of “Teenage Mutant Ninja Turtles.” He will lend his voice to Raphael in the latest animated incarnation of the hugely successful franchise which premieres in fall 2012. Currently, he is lending his voice to Playhouse Disney‟s “Special Agent Oso.” Astin stars as a lovable, bumbling special agent-in-training who enlists viewers at home to help complete his missions. Premiering fall 2011, Astin heads an all star cast in “And They‟re Off,” an independent comedy about thoroughbred horseracing that also stars Kevin Nealon, Cheri Oteri and Martin Mull. Astin also has two other comedies in the can: “Stay Cool” about an older man‟s homecoming whose cast includes Winona Ryder, Chevy Chase, Hillary Duff and more, and “Demoted” in which Astin plays a mean-spirited prank whose victim becomes his boss. Adding to his seemingly boundless list of occupations, Astin released his acting memoir titled There and Back Again: An Actor's Tale. The book opened at #1 on the New York Times Best- seller list, putting him on the map as a true literary story-teller as well as the unabashed screen actor audiences fall in love with again and again.
    [Show full text]
  • Dr. Strangelove's America
    Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar.
    [Show full text]
  • A Living Memory LGBT History Timeline
    http://www.safeschoolscoalition.org/ A Living Memory LGBT History Timeline i Adapted from a document compiled by Loree Cook-Daniels of FORGE (For Ourselves: Reworking Gender Expression) and TAN (The Transgender Aging Network). See notes on page 8. 1920s 1920 “Gay” first used to refer to homosexuals in the publication Underground 1921 U.S. Naval report on entrapment of “perverts” within its ranks 1924 First commercially produced play with a lesbian theme, “God of Vengeance,” opens on Broadway; theatre owner and 12 cast members found guilty of obscenity (later overturned) Illinois charters the Society for Human Rights 1925 After a year of police raids, New York City’s roster of 20 gay and lesbian restaurants and “personality clubs” is reduced to 3 1926 The Hamilton Lodge Ball of Harlem attracts thousands of crossdressing men and women 1927 New York state legislature tries to ban gay-themed plays Well of Loneliness by Radclyffe Hall published, all British copies destroyed as “obscene” 1930s 1930 Encyclopedia of Sexual Knowledge illustrates first “sex-change” procedures 1932 Man Into Woman, the Story of Lili Elbe’s Life, published 1933 Hitler bans gay and lesbian groups, burns the Institute of Sexual Science library 1934 Lillian Hellman’s “The Children’s Hour“ opens on Broadway to rave reviews 1935 “Successful” electric shock therapy treatment of homosexuality reported at American Psychological Association meeting 1937 Morris Kight organizes the Oscar Wilde Study Circle at Texas Christian University 1939 New York City “cleans up” in preparation for the World’s Fair, closing most of the city’s best-known gay bars 1940s 1940s Revealed that Holocaust victims include LGTs 1940 Courts rule New York State Liquor Authority can legally close down bars that serve “sex variants” 1941 “Transsexuality” first used in reference to homosexuality and bisexuality 1942 Switzerland decriminalizes adult homosexuality (men only; lesbianism wasn’t outlawed to begin with) 1943 U.S.
    [Show full text]
  • Monthly at MI 05-13.Indd
    THIS MONTH AT THE Mechanics’ Institute www.milibrary.org VOL. 3, NO. 5 MAY 2013 NEWS CINEMALIT HIGHLIGHT May Theme: Class Rooms Paddy Chayefsky: Scenes from American Lives Grand Opening One of a handful of writers to win three Academy Awards, Thursday, May 23 the brilliant Paddy Chayefsky cut a swath from the Golden 3rd oor Library Age of live television to the New Hollywood of the ‘70s, Reception at 5:30 pm with a memorable foray on the New York stage. Meeting at 6:00 pm oin us for our Spring Members’ Film listings on page 3 Meeting and help us celebrate Jthe grand opening of the Gar eld McNamara Class Rooms and the unveiling of Mr. McNamara’s portrait. CHESS HIGHLIGHT We will be leading tours of the new facility and o er a presentation th 7 Ray Schutt Memorial Blitz Moves come fast and furious in and explanation of Sunday, May 5 this “blitz” tournament, where the technological 10:00 am – 5:00 pm no game can last longer than improvements. ten minutes. Come watch! Learn about the More chess listings on page 7 Library’s upcoming classes and future plans for the space. As usual, you’ll meet the MI sta and Board of Trustees and nd out what’s ahead for MI. CALL FOR ACTORS: AUDITION Members and Guests Only, Free. Monday, May 20, 6:00 pm To register: 4th Floor Meeting Room www.milibrary.org/events Do you love acting? Then step right up! The Authors’ Carnival will be hosting a staged reading of short dramatic material written by our Inside members.
    [Show full text]