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PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance
Graduate School ETD Form 9 (Revised 12/07) PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Angela C. Ghionea Entitled RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD Doctor of Philosophy For the degree of Is approved by the final examining committee: James R. Farr Chair Myrdene Anderson Anthony T. Grafton To the best of my knowledge and as understood by the student in the Research Integrity and Copyright Disclaimer (Graduate School Form 20), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy on Integrity in Research” and the use of copyrighted material. Approved by Major Professor(s): ____________________________________James R. Farr ____________________________________ Approved by: Douglas R. Hurt 04/16/2013 Head of the Graduate Program Date RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD A Dissertation Submitted to the Faculty of Purdue University by Angela Catalina Ghionea In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 Purdue University West Lafayette, Indiana UMI Number: 3591220 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3591220 Published by ProQuest LLC (2013). -
Alchemylab Articles\374
Alchemical Theory The One Thing (or the Subtle Ether) Space, whether interplanetary, inner matter, or inter-organic, is filled with a subtle presence emanating from the One Thing of the universe. Later alchemists called it, as did the ancients, the subtle Ether. This primordial fluid or fabric of space pervades everything and all matter. Metal, mineral, tree, plant, animal, man; each is charged with the Ether in varying degrees. All life on the planet is charged in like manner; a world is built up in this fluid and move through a sea of it. Alchemical Ether, which some Hermeticists call the Astral Light, determines the constitution of bodies. Hardness and softness, solidity and liquidity, all depend on the relative proportion of ethereal and ponderable matter of which they me composed. The arbitrary division and classification of physical science, the whole range of physical phenomena, proceeds from the primary Ether, for science has reduced matter as we know it to nothing but Ether, which, although not solid matter, is still matter, the First Matter of the alchemists. When most of us speak of matter, of course, we usually visualize solid substance, but it has been proved by that matter is not actually solid, but merely a stress, a strain in the etheric field of time and space. The atom and the electrons and protons of which it is composed, all move in a sea of Ether, so, that in accordance with this theory of alchemy, the very air we breathe, the very bodies we inhabit, all things most likewise be moving in this sea of Ether, the parent element from which all manifestation has come. -
Probatur Temporis
Liber Probatur Temporis Vol I Edited by Brother AMB The Alchemist’s Guild © Page 2 Version Notice v5.1 - 15/5/2000 (first edition 1990) Alchemists Guild NZ © (The Black Book – First Standard edition) The Alchemist’s Guild © Page 3 Orientation This course of study in Hermeticism stretches over a set of ten volumes. Named below: Vol I Probatur Temporis (Temporary trial - Probation) Vol II Probatur totus (Completion of Probation) Vol III Ars Imperium Mens (The Art of Controlling the Mind) Vol IV Prima Alchemae ( Primer Lab manual) Vol V Discipulus Inceptor (Apprentice Papers) Vol VI Regula (Regulations and rules) Vol VII& VIII Miftach Aben (The Key to the Stone – Adept Papers) Vol IX Aspicio Mens (Advanced Trancework) Vol X Annexes The Alchemist’s Guild © Page 4 A Brief Overview Of This Introductory Discourse “I have found that in this Meditation there are five principle heads, which must be diligently considered, as much by all who are in possession of the wisdom of philosophy as by all who aspire after that wisdom which is attained by our art. The first is the invocation of God; the second, the contemplation of Nature; the third, true preparation; the fourth, the way of using; the fifth, the use and profit. He who does not carefully attend to these points will never be included amoung the real Alchemists, or be numbered amoung the perfect professors of the spagyric science.” (Basile Valentine – The Triumphal Chariot of Antimony - 1602) It is important right from the outset to understand exactly what this introductory discourse seeks to achieve, so that we might focus on what is important and avoid unnecessary distractions, thereby making the most of an intention to study productively. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Thirteenth Plate
Thirteenth Plate When examining this thirteenth plate the reader will imme- diately notice that it closely resembles the tenth plate with its partition between the practical and the symbolical parts of the image. We can conclude that there have been six consecutive plates that appear in pairs. Each pair at first glance seems identical but this is not quite the case, as we have pointed out earlier, and neither is it the case for this plate. Upon closer examination a number of suprising discrepancies will come to light. Let us have a closer look at the man who simultaneously pours out two flasks, each into one of the two plates of the scale. Now only two asterisks appear in the flask in his right hand whilst the one he is holding in his left hand shows no more than a tiny sun instead of the flosculus it was marked with previously. The two little signs which have disappeared and which have remained inside the recipient together constitute the famous re, in other words, two thirds of rer and half of the initial rere. It is not our intention here to try and complicate or obscure the earlier mentioned elucidation by Fulcanelli on this matter. Jacob Sulat’s teachings, to which we rigorously adhere, preceded the Mystery of the Cathedrals by two and a half centuries. The book of the Master refers to the compost and it is this same enigma to which the Lallemant hotel and the tenth and thirteenth engravings of the Mutus Liber refer. This compost is the term used in ancient treatises for the philosophic composite which is ready to raise itself and go through the progression that is ponderable both in terms of colour and sound and which is in perfect harmony with the progressive growth of the external or elementary fire. -
Visualization in Medieval Alchemy
Visualization in Medieval Alchemy by Barbara Obrist 1. Introduction Visualization in medieval alchemy is a relatively late phenomenon. Documents dating from the introduction of alchemy into the Latin West around 1140 up to the mid-thirteenth century are almost devoid of pictorial elements.[1] During the next century and a half, the primary mode of representation remained linguistic and propositional; pictorial forms developed neither rapidly nor in any continuous way. This state of affairs changed in the early fifteenth century when illustrations no longer merely punctuated alchemical texts but were organized into whole series and into synthetic pictorial representations of the principles governing the discipline. The rapidly growing number of illustrations made texts recede to 1 the point where they were reduced to picture labels, as is the case with the Scrowle by the very successful alchemist George Ripley (d. about 1490). The Silent Book (Mutus Liber, La Rochelle, 1677) is entirely composed of pictures. However, medieval alchemical literature was not monolithic. Differing literary genres and types of illustrations coexisted, and texts dealing with the transformation of metals and other substances were indebted to diverging philosophical traditions. Therefore, rather than attempting to establish an exhaustive inventory of visual forms in medieval alchemy or a premature synthesis, the purpose of this article is to sketch major trends in visualization and to exemplify them by their earliest appearance so far known. The notion of visualization includes a large spectrum of possible pictorial forms, both verbal and non-verbal. On the level of verbal expression, all derivations from discursive language may be considered to fall into the category of pictorial representation insofar as the setting apart of groups of linguistic signs corresponds to a specific intention at formalization. -
The Practical Handbook of Plant Alchemy
Practical Handbook of Plant Alchemy Manfred M. Junius Translated by Leone Muller Contents Preface V11 1 Spagyria and Spagyrics 1 2 Advice of Basilius Valentinus 23 3 The Three Philosophical Principles and the Elements 30 4 Mercury, Sulfur, and Salt in the Plant World 54 5 The Extraction of the Three Philosophi al Principles from Plants 60 1 . The Extraction of the Essential Oils, That Is, of the Volatile Sulfur 61 A. Distillation by Boiling in Water 62 B. Distillation by Means of Steam 65 C. Distillation with an Oil Separator 66 2. Mercury 69 A . Separation 70 B. Purification 72 3. Fixed Sulfur and Its Salt 86 4. Salt 93 6 The Stars 96 1. The Foundations 96 2. Stars and Medicinal Plants 101 The Sun 101 The Moon 104 CONTENTS 106 109 112 115 119 Days, Hours, and Rhythms of the Planets 122 - Pre ace 4. The Exact Horoscope as the Basis for the Works 132 7 Preparation of Spagyric Tinctures and Essences 138 1 Tinctures 138 A . Spagyric Tinctures through Cold-Maceration 140 The renewed valuation of natural healing methods in our time B. Spagyric Tinctures by Soxhlet Extraction 143 has led to a steadily growing interest in medicinal plants and their 2. Essences 146 classical-and thus also the spagyric--methods of preparation . The C. Spagyric Essences Prepared from Tinctures 147 practice of spagyrics consists in the application of alchemical, or D. Spagyric Essences from Fresh Plants through Fermentation 150 parachemical, findings and methods to the preparation of tinctures, E. Spagyric Essences from Fresh Plants through Fermentation essences, and other products from the medicinal plants at our after Addition of Fermentable Sugars 151 disposal. -
International Journal of Jungian Studies the Alchemical Rare Book
This article was downloaded by: [31.24.12.109] On: 11 February 2014, At: 11:32 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK International Journal of Jungian Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rijj20 The alchemical rare book collection of C.G. Jung Thomas Fischer a a The Foundation of the Works of C.G. Jung Published online: 13 Oct 2011. To cite this article: Thomas Fischer (2011) The alchemical rare book collection of C.G. Jung, International Journal of Jungian Studies, 3:2, 169-180, DOI: 10.1080/19409052.2011.592726 To link to this article: http://dx.doi.org/10.1080/19409052.2011.592726 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
The Philosopher's Stone
The Philosopher’s Stone Dennis William Hauck, Ph.D., FRC Dennis William Hauck is the Project Curator of the new Alchemy Museum, to be built at Rosicrucian Park in San Jose, California. He is an author and alchemist working to facilitate personal and planetary transformation through the application of the ancient principles of alchemy. Frater Hauck has translated a number of important alchemy manuscripts dating back to the fourteenth century and has published dozens of books on the subject. He is the founder of the International Alchemy Conference (AlchemyConference.com), an instructor in alchemy (AlchemyStudy.com), and is president of the International Alchemy Guild (AlchemyGuild. org). His websites are AlchemyLab.com and DWHauck.com. Frater Hauck was a presenter at the “Hidden in Plain Sight” esoteric conference held at Rosicrucian Park. His paper based on that presentation entitled “Materia Prima: The Nature of the First Matter in the Esoteric and Scientific Traditions” can be found in Volume 8 of the Rose+Croix Journal - http://rosecroixjournal.org/issues/2011/articles/vol8_72_88_hauck.pdf. he Philosopher’s Stone was the base metal into incorruptible gold, it could key to success in alchemy and similarly transform humans from mortal Thad many uses. Not only could (corruptible) beings into immortal (incor- it instantly transmute any metal into ruptible) beings. gold, but it was the alkahest or universal However, it is important to remember solvent, which dissolved every substance that the Stone was not just a philosophical immersed in it and immediately extracted possibility or symbol to alchemists. Both its Quintessence or active essence. The Eastern and Western alchemists believed it Stone was also used in the preparation was a tangible physical object they could of the Grand Elixir and aurum potabile create in their laboratories. -
Art and Alchemy
Francois Daubigny in his 19th Century houseboat studio Heinrich Khunrath in his 17th Century ideal laboratory We search for forms that speak They searched for the Aurum Nostrum and call it Painting. and called it The Great Work. Art and Alchemy What work do some artists do in their studios, what work did some alchemists do in their laboratories? How are the two works similar, how are they different.? Vincent Van Gogh: On the Road to Tarascon From “Mutus Liber” (the Silent Book) We gather experience… The alchemists gathered matter— in this case, dew, the milk of the stars… Vincent Van Gogh, Self Portrait at San Remy. From “Mutus Liber” the Working We mix impressions and feelings with paint and The Alchemist mixed the fluid with dirt—they called it canvas, and combine and separate the mixture again prima materia, nigredo, the blackness of the earth (and of and again… the soul); then they solve et coagula (dissolved and coagulated) the mixture again and again… Until we get it. Until they got it. Vermeer: The Studio, 17th Century. It is said that The Great Work was to make gold, and that the art work for us is to make pictures. The gold was worthless in the marketplace, and we don’t sell many pictures. Making Pictures… The work of art, the picture, the object— It is this that galleries, museums and collectors care about. They care at first perhaps for the mental-physical stimulation—the aesthetic experience—the work gives. Later, too often what they care about is social prestige and has the dollar value gone up. -
John Reid's Course on Practical Alchemy
John Reid's Course on Practical Alchemy Dedication and Acknowledgement This book is dedicated to the one true love of my life, my darling Nicholeine. Her love and support have buoyed me through the darkest times of self-doubt and fear. Thanks must first be given to Divine Providence for blessing me with success in my efforts. I never had the good fortune to attend classes at the Paracelsus Research Society or the Paracelsus College. The majority of my education in alchemy was transmitted to me through the good auspices of Divine revelation. Sometimes, Divine Providence will choose a different mode of assistance and elucidation. In this respect, I would like to thank all those who have helped me in writing this book. If it had not been for my father letting me use his computer or providing the lab space, the book would never have been written. My mother deserves special thanks: her freezer was always occupied with one gallon containers of vinegar. The house, too, was regularly incensed with the smell of burnt herbs when experiments went awry. Their love, patience and moral support over the last few years have been invaluable. Also thanks to all those customers of Magnum Opus, Inc. who urged me on to write what I had promised to. Special mention must be made here of a few individuals. A deep heartfelt thanks goes out to Hans W. Nintzel, who put up with incessant phone calls from me when I first got started in alchemy; to Russell House, who helped me to keep an even head about the work that I was doing and for giving me some very valuable hints about mineral alchemy; to Henry Hintz who talked with me for hours about alchemy and its theory; J. -
† Biblioteca Solomonară † † STUDIORUM † ~ 4.215 Free Ebooks ~
† Biblioteca Solomonară † http://solomonar.webege.com/ † STUDIORUM † ~ 4.215 Free Ebooks ~ http://pastebin.com/u/bibliotecasolomonara Actualizare : 02 aprilie 2020 E-mail : [email protected] www.facebook.com/scoala.solomonara http://www.scribd.com/solomonar_studiorum http://bibliotecasolomonara.blogspot.ro/ ALCHEMY Ana Lucia Melo Goncalves - The Rosicrucians Andrew Collins - The Black Alchemist [2015] Archibald Cockren - Alchemy Rediscovered And Restored Arthur Edward Waite - Hermetic Museum Arthur Edward Waite - Turba Philosophorum Athanasius Kircher - Oedipus Aegyptiacus Vol. 1 & 2 [1652] Basil Valentine - Twelve Keys Christer Boke, John Koopmans - Fulcanelli's Most Likely Identity Comte de Saint Germain - Triangle Book Comte de Saint Germain - Trinosophia (Phoenix Press) David Gordon White - The Alchemical Body [1996] Dee's Golden Talisman Of The Great Vision Dylan Warren-Davis - Monas Heiroglyphica - The Inner Journey Elias Ashmole - Theatrum Chemicum Britannicum [1617] Elizabeth Clare Prophet - Saint Germain - Master Alchemist Emilie Granjon - Comprendre la symbolique alchimique [2008] Felix Emil Held - Johann Valentin Andreae - Christianopolis Franz Hartmann - Paracelsus And The Substance Of His Teaching Fulcanelli - Les Demeures Philosophales Fulcanelli - Fulcanelli - Les Demeures Philosophales (Jean-Jacques Pauvert) Fulcanelli - The Dwellings Of The Philosophers Fulcanelli - The Mystery Of The Cathedrals Geheime Figuren der Rosenkreuzer [1875] Heinrich Cornelius Agrippa - De Occulta Philosophia [1533] (Carl Gustav