Big Pun Album Download Free
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
DJ Honda HII Mp3, Flac, Wma
DJ Honda HII mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: HII Country: US Released: 1998 MP3 version RAR size: 1376 mb FLAC version RAR size: 1944 mb WMA version RAR size: 1986 mb Rating: 4.8 Votes: 863 Other Formats: RA AA AIFF MP1 VQF TTA ASF Tracklist Hide Credits Roc Raida Intro 1 1:10 Producer – Roc RaidaScratches – Roc Raida Trouble In The Water 2 3:45 Featuring – De La Soul 5 Seconds 3 3:58 Featuring – Black Attack Hai! 4 3:25 Featuring – 50 Grand, Keith Murray Every Now & Then 5 2:21 Featuring – Syndicate* Mista Sinista Interlude 6 1:04 Producer – Mista SinistaScratches – Mista Sinista Team Players 7 4:42 Featuring – KRS-One, Doe-V* On The Mic 8 3:45 Featuring – A.L., Cuban Link, Juju , Missin' LinxProducer – Vic* For Every Day That Goes By 9 3:31 Featuring – Rawcotiks WKCR Interlude 10 0:51 Featuring – Lord Sear, Stretch Armstrong Who The Trifest? 11 3:37 Featuring – The Beatnuts Talk About It 12 3:12 Featuring – Al' Tariq Blaze It Up 13 4:09 Featuring – Black Attack 14 DJ Ev Interlude 0:30 Go Crazy 15 2:52 Featuring – S-On Around The Clock 16 3:37 Featuring – Problemz When You Hot You Hot 17 4:12 Featuring – Dug Infinite, No I.D. Interlude 18 1:04 Featuring – Fat Lip Travellin´ Man 19 5:16 Featuring – Mos Def Companies, etc. Phonographic Copyright (p) – Relativity Copyright (c) – Relativity Manufactured By – Sony Music Entertainment (Canada) Inc. Distributed By – Sony Music Entertainment (Canada) Inc. Mastered At – Sterling Sound Credits Mastered By – Tom Coyne Producer – DJ Honda (tracks: 2 to 5, 7 to 19) -
Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube. -
Most Requested Songs of 2019
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2019 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Journey Don't Stop Believin' 4 Cupid Cupid Shuffle 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Walk The Moon Shut Up And Dance 7 Justin Timberlake Can't Stop The Feeling! 8 Earth, Wind & Fire September 9 Usher Feat. Ludacris & Lil' Jon Yeah 10 V.I.C. Wobble 11 DJ Casper Cha Cha Slide 12 Outkast Hey Ya! 13 Black Eyed Peas I Gotta Feeling 14 Bon Jovi Livin' On A Prayer 15 ABBA Dancing Queen 16 Bruno Mars 24k Magic 17 Garth Brooks Friends In Low Places 18 Spice Girls Wannabe 19 AC/DC You Shook Me All Night Long 20 Kenny Loggins Footloose 21 Backstreet Boys Everybody (Backstreet's Back) 22 Isley Brothers Shout 23 B-52's Love Shack 24 Van Morrison Brown Eyed Girl 25 Bruno Mars Marry You 26 Miley Cyrus Party In The U.S.A. 27 Taylor Swift Shake It Off 28 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 29 Montell Jordan This Is How We Do It 30 Beatles Twist And Shout 31 Ed Sheeran Thinking Out Loud 32 Sir Mix-A-Lot Baby Got Back 33 Maroon 5 Sugar 34 Ed Sheeran Perfect 35 Def Leppard Pour Some Sugar On Me 36 Killers Mr. Brightside 37 Pharrell Williams Happy 38 Toto Africa 39 Chris Stapleton Tennessee Whiskey 40 Flo Rida Feat. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
He's Been Fighting for His Career for Near Fifteen Years. Never Afraid of Change, He's Sticking and Moving and Going For
! Ü HE’S BEEN FIGHTING FOR HIS CAREER FOR NEAR FIFTEEN YEARS. NEVER AFRAID OF CHANGE, HE’S STICKING AND MOVING " AND GOING FOR HIS. BUT TIME WEARS HARD ON THE BOOGIE DOWN STREETS. HAS HAD HIS HITS, BUT HE’S TAKEN SOME, TOO. SALTER S JEFFERY // IMAGE GOLIANOPOULOS THOMAS WORDS Ü " ! XXL MAGAZINE 000 ! Ü " " t’s seven o’clock in the evening, album past 500,000 in sales, earning him his and recent audience-expanding cameos with and Fat Joe needs a designated first gold plaque. Three years later, in 2001, Jennifer Lopez, Paris Hilton and Ricky Martin, driver. The 36-year-old rapper isn’t when Murder Inc. was dominating hip-hop he J.O.S.E. remains his only platinum record. inebriated, but he drives like Ricky released “What’s Luv?” a frothy Irv Gotti pro- Joe is well aware of his SoundScan struggles. Bobby after one too many Miller duction that propelled Jealous Ones Still Envy “The strangest thing in the whole universe,” Lites. He breaks too suddenly, ac- to platinum status. Today, the South runs hip- he says, “is Fat Joe being a household name, celerates too carelessly and nearly hop, and, of course, Fat Joe has noticed. making the biggest hit records in the history of crashes too often. He’s also eas- “Joe’s good at reading the future,” says mankind, and not selling that many records. It ily distracted by the radio (Nelly Miami-based DJ Khaled, who’s known him for will be reevaluated years from now.” Furtado’s “Promiscuous” brings more than 10 years. -
8 Nothin` NORE Def Jam/UNIVERSAL 1 2 Cleanin
KW 39/40/2002 Plz LW WoC Title Artist Distribution PP 1 ▲ 9 8 Nothin` N.O.R.E. Def Jam/UNIVERSAL 1 2 ➔ 2 2 Cleanin´Out My Closet EMINEM Interscope/UNIVERSAL 2 3 ▲ 5 10 I’m Gonna Be Alright JENNIFER LOPEZ FT. NAS Epic/SONY MUSIC 1 4 ▲ 22 8 The Magnificent EP DJ JAZZY JEFF BBE/ZOMBA 4 5 ▲ NEW 0 Tainted SLUM VILLAGE FEAT. DWELE Capitol/VIRGIN/EMI 5 6 ▲ 24 6 Gangsta Lovin EVE FT. ALICIA KEYS Interscope/UNIVERSAL 6 7 ▲ 11 2 Good To You / Put It In The Air TALIB KWELI Rawkus/UNIVERSAL 7 8 ▲ NEW 0 Games/Tear Shit Up BIZ MARKIE Superrappin/Groove Attack 8 9 ▲ 19 6 Know My Name (Mixes) NIGHTMARES ON WAX Warp/ZOMBA 9 10 ▼ 6 4 Rock The Beat EDO G Overlooked/Groove Attack 6 11 ▼ 4 8 Feels Good (Don’t Worry Bout A Thing ) NAUGHTY BY NATURE FEAT. 3LW TVT/UNIVERSAL 4 12 ▼ 3 2 Ova Here KRS ONE In The Paint/KOCH 3 13 ▲ 16 4 Harlem Brothers MARK THE 45 KING FT. BIG POOH Blazin Records/n.a. 10 14 ▲ 39 6 War DJ DESUE FT. AG & PARTY ARTY Rah Rah Ent./UNIVERSAL 5 15 ▲ NEW 0 Luv You Better LL COOL J Def Jam/UNIVERSAL 15 16 ▲ NEW 0 Brown Sugar MOS DEF FT. FAITH EVANS MCA/UNIVERSAL 16 17 ➔ RE 6 Don´t Mess With My Man NIVEA FEAT BRIAN & BRANDON CASEY OF JAGGED EDGE Jive/ZOMBA 4 18 ▲ NEW 0 Are You Ready DJ JAZZY JEFF BBE/ZOMBA 18 19 ▲ 27 8 Call Me TWEET Elektra/WARNER 19 20 ▼ 7 6 Smack Ya Face DEFARI ABB Records/GROOVE ATTACK 7 21 ▲ 30 4 Grindin THE CLIPSE Star Trak Ent./BMG ARIOLA 21 22 ▲ NEW 0 Multiply XZIBIT FT. -
Wyclef Jean Gone Till November Mp3, Flac, Wma
Wyclef Jean Gone Till November mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Gone Till November Country: US Released: 1997 Style: RnB/Swing MP3 version RAR size: 1799 mb FLAC version RAR size: 1538 mb WMA version RAR size: 1840 mb Rating: 4.2 Votes: 299 Other Formats: AC3 VOC DTS MP2 AU ASF WMA Tracklist 1 Gone Till November (Radio Edit) 3:16 2 Gone Till November (The Makin' Runs Remix) 4:05 3 No Airplay 4:42 4 Gone Till November (The Makin' Runs Remix Instrumental) 3:42 Companies, etc. Distributed By – Sony Music Phonographic Copyright (p) – Sony Music Entertainment Inc. Copyright (c) – Sony Music Entertainment Inc. Published By – Sony/ATV Tunes LLC Published By – Tete San Ko Publishing, Inc. Recorded At – Chung King Studios Mixed At – Chung King Studios Mastered At – Mastervoice Credits Arranged By [Orchestra] – Sonny Kompanek (tracks: 1) Backing Vocals – Khadejiah Bass* (tracks: 2) Backing Vocals [Special] – R. Kelly (tracks: 2) Co-producer – Ché Guevara (tracks: 2, 4), Jerry "Te Bass" Duplessis* Engineer [Assistant] – Mario De Arce (tracks: 2 to 4) Engineer [Recording And Mix] – Chris Theis (tracks: 2 to 4) Featuring [Rap] – Canibus (tracks: 2, 3), Manhunt (tracks: 3) Mastered By – Manny Lecuona (tracks: 2 to 4) Orchestra [Symphony Performed By] – Members Of The Philharmonic Orchestra* (tracks: 1) Producer – Wyclef Jean Recorded By, Mixed By – Warren Riker (tracks: 1) Written-By – N. Jean* Notes The duration of track 3 is incorrectly set as 3:42 on the inlay. published by sony/atv tunes and tete san ko publishing 1 recorded and mixed at chung king studios, nyc. -
Not R&ß Airplay
Billboard. DECEMBER 5, 1998 Billboard DECEMBER 5, 1998 R &B SINGLES A -Z TITLE (Publisher - Licensing Org.) Sheet Music Dist. 96 '98 THUG PARADISE (Michael Moody's Universe. BMI /Jumping Bean, BMVLongitude, BMI) WBM Not R&ß Airplay.. 48 ALL MY LIFE/DONT RUSH RAKE LOVE SLOWLY) (EMI Not R&ß S April, ASCAP/Cord Kayla, ASCAP/Hee Bee Dooinit, ASCAP/2 Singles Compiled from a national sample of airplay supplied by B oadcast Data Systems' Radio Track service. 102 R &B stations Big Prod., ASCAP/WB, ASCAP) HL/WBM Compiled from a national sub-sample of POS (point of sale) equipped key R &B retail stores which report number are electronically monitored 24 hours a day, 7 days a week. Songs ranked by gross impressions, computed by cross- 9 ALL THE PLACES (I WILL KISS YOU) (Tenyor, BMVNate of units sold to SoundScan, Inc. This data is used in the Hot R &B Singles chart. referencing exact times of airplay with Arbitron listener data. This data is used in the Hot R &B Singles chart. Love's, BMI/MCA. ASCAP/Jamron, ASCAP/BMG, SoundScan® ASCAP/Slack A.D.. ASCAP) HL "" 53 AS LONG AS I UVE (Mike's Rap, BMI) I'll 34 BETTER DAYS (Base Pipe, ASCAP/Wooptewoo, z w w z w z wx z ,;-1 o o ASCAP/Copyright ControVAmazement, BMI/BB, ASCAP) w x 92 B.O.B.B.Y. (Ramecca, BMVCareers-BMG, BMI) 3 3 o Ñ 3 T , TITLE H a w TITLE v 40 THE BOY IS MINE (EMI Blackwood, BMIBran -Bran, `a TITLE h W TITLE ARTIST (IMPRINT /PROMOTION LABEL) ARTIST (IMPRINT/PROMOTION : 5 3 IT 5 3 LABEL) BMVEMI April, ASCAP/Fred Jerkins III, BMI/Ensign, g 3 ARTIST (IMPRINT /PROMOTION LABEL) g= 5 3 ARTIST (IMPRINT /PROMOTION LABEL) BMVHench, BMI) FIL HEARTBREAK HOTEL 66 BREAKFAST IN BED (Frierson, BMVEMI Blackwood) YESTERDAY 38 I 1 38 36 13 -wool NO. -
O 1 O 4 O 6 O Te © 23 ®U
See below °.E complete legend information. AIRPLAY SALES DATA MONITORED BY COMPILED BY nielsen nielse-i 3 3 BDS SoundS:an fn ij2 x TITLE TITLE ARTIST .a 3ó ís-.3 3ó ARTIST !IMPRINT/ PROMOTION LABELI r3 _ 3á AHTI ST ' ',IIMOTIUN _, UMBRELLA WHINE UP 1 ®U UR HAND OUTTA MY SYSTEM cip55. 4 RIHANNA FEAT. JAY -2 (SRP /DEF JAM/IDJMG) KAT DELUNA FEAT. ELEPHANT MAN (EPIC) BOW WOW COLUMBIA MAKES ME WONDER REHAB GIVE IT TO ME 1, BECAUSE 1 9 10 OF YOU 2 54 ? 8 20 1 MAROON 5 (A &M /OCTONE /UNIVERSAL) AMY WFNEHOUSE (UNIVERSAL REPUBLIC) TIMBALAND (MOSLEY /BLACKGROUND / INTERSCOPE) NE -YO (DEF JAM /IDJMG) O 1 PARTY LIKE A ROCKSTAR ROCK YO HIPS SUMMER LOVE NEVER AGAIN 53 46 13 23 7 SHOP BOYZ (ONDECK/UNIVERSAL REPUBLIC) CRIME MOB FEAT. LIL SCRAPPY (CRUNK/BME /REPRISE) JUSTIN TIMBERLAKE (JIVE/ZOMBA) hJ KELLY CLARKSON RCA/RMG 4 14 BUY U A DRANK (SHAWTY SNAPPIN') I DON'T WANNA STOP GIRLFRIEND BEAUTIFUL GIRLS CD80 3 12 35 2 T -PAIN FEAT. YUNG JOC BOY OZZY OSBOURNE 1*I O`% (KONVICT/NAPPY /JIVE/ZOMBA) (EPIC) AVRIL LAVIGNE (RCA/RMG) SEAN KINGSTON BELUGA HEIGHTS /EPIC SUMMER LOVE LOST IN THIS MOMENT HOME WHINE UP 6 8« 55 48 10 ) 10 30 4 O JUSTIN TIMBERLAKE (JIVE /ZOMBA) BIG & RICH (WARNER BROS. (NASHVILLE)/WRN) DAUGHTRY (RCA/RMG) NAT DELUNA FEAT. ELEPHANT MAN EPIC GIRLFRIEND _ WIPE ME DOWN BUY U A DRANK (SHAWTY SNAPPIN) THE WAY I LIVE 6 2 13 11 31 27 14 AVRIL LAVIGNE (RCA/RMG) LIL BOOSIE FEAT. -
Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J.