Cuban Link Interview by Joel Marasigan
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Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
Dj Whoo Jae Millz Dj Vlad
BACK 2 SCHOOL FASHIONS MIXTAPE REVIEWS COLLECTOR’S EDITION Re-Defining The Mixtape Game DJ WHOO KIDG-UNIT’S GENERAL ADDS $TREET VALUE TO THE GAME JAE MILLZ PLUS: POPS OFF A CONRAD DIMANCHE XAVIER AEON MILLION ROUNDS HAWK VOLUME 1 ISSUE 2 DJ VLAD THE BUTCHER CUTS IT UP >DJ WHOO KID On the cover and this page: (“Street Value” Pg. 44) Photographed Exclusively for Mixtape Magazine by RON WEXLER FEATURES CONTENT VOL.1 ISSUE 2 44 DJ WHOO KID $TREET VALUE G-Unit General or G-Unit Soldier? Crown the kid king if you call him anything. DJ Whoo Kid in his most upfront story to date alerts the game about his strategy and formula for worldwide, not just domestic success. By Kay Konnect 70 Xavier Aeon 74 DJ VLAD 80 Jae Millz THE BUTCHER Rhythm and Blues new Mix it up. Blend it up. Jae Millz, the lyrical sharp- boy wonder from the CT, Whatever you do, make shooter steps to the streets Connecticut to be exact, sure to cut it up. DJ Vlad in a Mixtape Magazine explains in an uncut manner “The Butcher” slices the exclusive. He drops bullets the difference between a mixtape game in half with regarding his demeanor and typical artist and one with exclusive compilations from operation in the mixtape rap an edge. Shaken with a the east-south-mid-west. world. Ready as ever, Jae Hip Hop feel, Xavier Aeon DJ Vlad’s story plugs the Millz pops off a million exposes his sharpness. world to his sword-like rounds easily. -
Thesis, the Songs of 10 Rappers Were Analyzed
ABSTRACT Get Rich or Die Tryin’: A Semiotic Approach to the Construct of Wealth in Rap Music Kristine Ann Davis, M.A. Mentor: Sara J. Stone, Ph.D. For the past 30 years, rap music has made its way into the mainstream of America, taking an increasingly prominent place in popular culture, particularly for youth, its main consumers. This thesis looks at wealth through the lens of semiotics, an important component of critical/cultural theory, using a hermeneutical analysis of 11 rap songs, spanning the last decade of rap music to find signification and representation of wealth in the rap song lyrics. The research finds three important themes of wealth - relationship between wealth and the opposite sex, wealth that garners respect from other people, and wealth as a signifier for “living the good life” - and five signifiers of wealth – money, cars, attire, liquor, and bling. Get Rich or Die Tryin': A Semiotic Approach to the Construct of Wealth in Rap Music by Kristine Ann Davis, B.A. A Thesis Approved by the Department of Journalism ___________________________________ Clark Baker, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Sara J. Stone, Ph.D., Chairperson ___________________________________ Mia Moody-Ramirez, Ph.D. ___________________________________ Tony L.Talbert, Ed.D. Accepted by the Graduate School August 2011 ___________________________________ J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. Copyright ! 2011 by Kristine Ann Davis All rights reserved! CONTENTS ACKNOWLEDGMENTS v Chapter 1. -
He's Been Fighting for His Career for Near Fifteen Years. Never Afraid of Change, He's Sticking and Moving and Going For
! Ü HE’S BEEN FIGHTING FOR HIS CAREER FOR NEAR FIFTEEN YEARS. NEVER AFRAID OF CHANGE, HE’S STICKING AND MOVING " AND GOING FOR HIS. BUT TIME WEARS HARD ON THE BOOGIE DOWN STREETS. HAS HAD HIS HITS, BUT HE’S TAKEN SOME, TOO. SALTER S JEFFERY // IMAGE GOLIANOPOULOS THOMAS WORDS Ü " ! XXL MAGAZINE 000 ! Ü " " t’s seven o’clock in the evening, album past 500,000 in sales, earning him his and recent audience-expanding cameos with and Fat Joe needs a designated first gold plaque. Three years later, in 2001, Jennifer Lopez, Paris Hilton and Ricky Martin, driver. The 36-year-old rapper isn’t when Murder Inc. was dominating hip-hop he J.O.S.E. remains his only platinum record. inebriated, but he drives like Ricky released “What’s Luv?” a frothy Irv Gotti pro- Joe is well aware of his SoundScan struggles. Bobby after one too many Miller duction that propelled Jealous Ones Still Envy “The strangest thing in the whole universe,” Lites. He breaks too suddenly, ac- to platinum status. Today, the South runs hip- he says, “is Fat Joe being a household name, celerates too carelessly and nearly hop, and, of course, Fat Joe has noticed. making the biggest hit records in the history of crashes too often. He’s also eas- “Joe’s good at reading the future,” says mankind, and not selling that many records. It ily distracted by the radio (Nelly Miami-based DJ Khaled, who’s known him for will be reevaluated years from now.” Furtado’s “Promiscuous” brings more than 10 years. -
Music Matters on BET!
May 2, 2016 Music Matters on BET! BET NETWORKS GOES ‘INSIDE' THE MUSIC INDUSTRY WITH ITS NEW ORIGINAL DOCU-SERIES "INSIDE THE LABEL," WHICH EXAMINES THE SHAKESPEAREAN TRAJECTORY OF SOME OF THE MOST ICONIC MUSIC LABELS IN THE HIP HOP INDUSTRY INCLUDING DISTURBING THA PEACE (DTP), GRAND HUSTLE, LOUD RECORDS, MURDER INC., RUFF RYDERS, SLIP-N-SLIDE RECORDS AND TERROR SQUAD Premiere Episode on Tuesday, May 17 at 9PM ET/PT Looks Behind The Scenes of Uptown Records Second Season Premiere of "BET Life Of: Diddy" Premieres Same Night at 8PM ET/PT NEW YORK--(BUSINESS WIRE)-- BET Networks goes deep ‘inside' the music industry with the premiere of its new original series "INSIDE THE LABEL," airing Tuesday, May 17 at 9 PM ET/PT. The original docu-series tells in-depth stories of the rise... and sometimes fall of iconic record labels, told through the eyes of the founders, artists, competitors, and key players involved in the creation of the music that defined us over the last quarter century. "INSIDE THE LABEL" unfolds in eight one-hour episodes and explores how music labels transformed the sound, face and business of hip hop and reveals the behind-the-scenes power players responsible for the rise and success of many artists. Labels featured include in the series include Uptown Records (premiere episode), Disturbing Tha Peace (DTP), Grand Hustle, Loud Records, Murder Inc., Ruff Ryders, Slip-N-Slide Records and Terror Squad. Prior of the premiere of "INSIDE THE LABEL," the second season premiere of the Network's docu-series BET LIFE OF will focus on the career and evolution of Diddy at 8 PM ET/PT. -
Chapter 1—Introduction
NOTES CHAPTER 1—INTRODUCTION 1. See Juan Flores, “Rappin’, Writin’ & Breakin,’” Centro, no. 3 (1988): 34–41; Nelson George, Hip Hop America (New York: Viking, 1998); Steve Hager, Hip Hop: The Illustrated History of Breakdancing, Rapping and Graffiti (New York: St. Martin’s Press, 1984); Tricia Rose, Black Noise: Rap Music and Black Culture in Contemporary America (Hanover, NH: Wesleyan University Press, 1994); David Toop, The Rap Attack 2: African Rap to Global Hip Hop (London: Serpent’s Tail, 1991). 2. Edward Rodríguez, “Sunset Style,” The Ticker, March 6, 1996. 3. Carlito Rodríguez, “The Young Guns of Hip-Hop,” The Source 105 ( June 1998): 146–149. 4. Clyde Valentín, “Big Pun: Puerto Rock Style with a Twist of Black and I’m Proud,” Stress, issue 23 (2000): 48. 5. See Juan Flores, Divided Borders: Essays on Puerto Rican Identity (Hous- ton: Arte Público Press, 1993); Bonnie Urciuoli, Exposing Prejudice: Puerto Rican Experiences of Language, Race and Class (Boulder, CO: West- view Press, 1996). 6. See Manuel Alvarez Nazario, El elemento afronegroide en el español de Puerto Rico (San Juan: Instituto de Cultura Puertorriqueña,1974); Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness (Cam- bridge, MA: Harvard University Press, 1993); Marshall Stearns, The Story of Jazz (Oxford: Oxford University Press, 1958); Robert Farris Thompson, “Hip Hop 101,” in William Eric Perkins, ed., Droppin’ Sci- ence: Critical Essays on Rap Music and Hip Hop Culture (Philadelphia: Temple University Press, 1996), pp. 211–219; Carlos “Tato” Torres and Ti-Jan Francisco Mbumba Loango, “Cuando la bomba ñama...!:Reli- gious Elements of Afro-Puerto Rican Music,” manuscript 2001. -
Top 200 Party Songs
TOP 200 PARTY SONGS HEY YA! OUTKAST HERO ENRIQUE IGLESIAS BEAUTIFUL CHRISTINA AGUILERA CHA-CHA SLIDE MR. C THE SLIDE MAN CHICKEN DANCE VARIOUS SMOOTH SANTANA YEAH USHER BABY BOY BEYONCE W/ SEAN PAUL COME ON EILEEN DEXY’S MIDNIGHT RUNNERS GET LOW LIL’ JON & THE EAST SIDE BOYZ PICTURE KID ROCK & SHERYL CROW DIP IT LOW CHRISTINA MILIAN AMAZED LONESTAR MY PLACE NELLY W/ JAHEIM KETCHUP SONG LAS KETCHUP IN DA CLUB 50 CENT COULD I HAVE THIS DANCE ANNE MURRAY WHEN THE SUN GOES DOWN KENNY CHESNEY HOT IN HERRE NELLY LIVIN’ ON A PRAYER BON JOVI MY MARIA BROOKS & DUNN ELECTRIC BOOGIE (SLIDE) MARCIA GRIFFITHS I HOPE YOU DANCE LEE ANN WOMACK BUTTERFLY KISSES BOB CARLISLE BABY GOT BACK SIR MIX-A-LOT RIDE WIT ME NELLY KEEPER OF THE STARS TRACY BYRD YOU SHOOK ME ALL NIGHT LONG AC/DC BILLIE JEAN MICHAEL JACKSON HOLLA BACK MARIO YMCA VILLAGE PEOPLE BEER FOR MY HORSES TOBY KEITH BUILD ME UP BUTTERCUP FOUNDATIONS BROWN EYED GIRL VAN MORRISON EVERY TIME BRITNEY SPEARS HELLA GOOD NO DOUBT OLD TIME ROCK ‘N’ ROLL BOB SEGER LOSE YOURSELF EMINEM I WANNA TALK ABOUT ME TOBY KEITH SHAKE YA TAILFEATHER MURPHY LEE WHEN YOU SAY NOTHING AT ALL ALISON KRAUSS LET’S GET DOWN BOW WOW FRIENDS IN LOW PLACES GARTH BROOKS LAST DANCE DONNA SUMMER JUMP AROUND HOUSE OF PAIN WONDERFUL TONIGHT ERIC CLAPTON I SAW HER STANDING THERE BEATLES VIBRATE PETEY PABLO LOVE SHACK B-52’S NEW YORK, NEW YORK FRANK SINATRA SUGA SUGA BABY BASH W/ FRANKIE J. -
Eminem Off the Wall Mixtape
Eminem off the wall mixtape click here to download Eminem - (DJ JD) Off The Wall Hosted by JD - Free Mixtape Download or Stream it. Fuck You (Lab Rat Remix), Dead Wrong (with The Notorious B.I.G.), Off The Wall, If I Get Locked Mixtape by Eminem. Fuck You MusicBrainz: Off the Wall. FREE At: www.doorway.ru Download Eminem - Off The Wall - Album DOWNLOAD album for free by. EMINEM OFF THE WALL MIXTAPE. ALL CDS NOW COME WITH ARTWORK ON CDS SEE ABOVE. ALL PROFESSIONALLY PRINTED AND PLACED ON THE. Click to download Eminem – Off The Wall Mixtape Mixtape here first with NO LOGIN REQUIRED. The Erick Sermon beat largely falls flat, but Eminem gets to work through arguably delivers the better shots as he promises to "rip your lips off. Genre. 1 Funk / Soul. Style. 1 Contemporary R&B · 1 Jazzy Hip-Hop · 1 Thug Rap · 1 Turntablism. Format. 1 CD · 1 Cassette · 1 Compilation · 1 Promo · 1 Stereo. Eminem - Off The Wall - (The Best Of Shady Mixtape) Duration: - Source: youtube - FileType: mp3 - Bitrate: Kbps. play download. Eminem Ft. Redman. Download Eminem Redman Off The Wall free mp3 in kbps format. You can listen and Eminem Off The Wall The Best Of Shady Mixtape. Bitrate: Kbps. We have about 50 mp3 files regarding to your search 'Eminem Off The Wall'. MP3 file Download Eminem - Off The Wall - (The Best Of Shady Mixtape) mp3. Listen and download free mp3 songs like Eminem - Off The Wall ***hq Ft. Redman - Off The Wall, Eminem - Off The Wall - (The Best Of Shady Mixtape). -
50 Cent Get Rich Or Die Tryin Album Zip
1 / 2 50 Cent Get Rich Or Die Tryin Album Zip 6 days ago — ... It Rains It Pours Mp3 Download. 50 Cent has dropped a new song titled 50 Cent When It Rains It Pours, and you can download it below.. All items are fully mounted, backed and ready to be framed. Matte Black 2mm mountboard used. Frame size required is 345mm x 325mm. CD, Album Cover .... Apr 22, 2021 — Download Mase & Olivia ft. 50 Cent Get Rich Or Die Trying Full Album Mp3 Zip File. Actually This Is Another Hot Banging Hit Album By Mase .... Download Get Rich or Die Trying (2003) English Album Songs from Songsify. Get Rich or Die Trying by 50 Cent have 19 Song Tracks for download in this .... Aug 2, 2020 — Full Album Downloads Mp3, ZIP of Get Rich or Die Tryin By 50 Cent containing 1 songs, this album is hot, you can download and stream it On ... Year Nominated work Award Result; 2003: 50 cent get rich or die tryin album download zip sharebeast: Best Artist of the Year: Won: 50 cent get rich or die tryin .. No information is available for this page.Learn why. Feb 6, 2003 — How 50 Cent's 'Get Rich Or Die Tryin'' Changed Hip-Hop ... Debuting atop the Billboard 200, 50 Cent's debut album is a Grammy-nominated, .... Jul 24, 2020 — Stream 50 Cent Get Rich or Die Tryin' Download Direct zip (SEE LINK BELOW) by 2020downloadZipfull on desktop and mobile. Play over 265 .... Olivia) 21 I Dont Need Em 22 Hate It or Love It (G-Unit Remix) feat. -
Latino/A Pop Music in the Cultural Mainstream
Denver Law Review Volume 78 Issue 4 Latcrit V Symposium - Class in LatCrit: Theory and Praxis in a World of Economic Article 12 Inequality December 2020 Will the World Survive: Latino/a Pop Music in the Cultural Mainstream Steven W. Bender Follow this and additional works at: https://digitalcommons.du.edu/dlr Recommended Citation Steven W. Bender, Will the World Survive: Latino/a Pop Music in the Cultural Mainstream, 78 Denv. U. L. Rev. 719 (2001). This Article is brought to you for free and open access by Digital Commons @ DU. It has been accepted for inclusion in Denver Law Review by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WILL THE WOLF SURVIVE?:* LATINO/A POP MUSIC IN THE CULTURAL MAINSTREAM STEVEN W. BENDER* 2 The American' news media dubbed 1999 as the year of the Latino based almost entirely on the runaway sales success3 and appeal4 of La- *. Titled after track number 11 of the same name from Los Lobos' debut album in 1984 How Will the Wolf Survive? Los LOBos, How WILL THE WOLF SURVIVE (Wea/Warner Bros. 1984). That track is an anthem of hope for cultural and spiritual survival in a challenging and changing America, as is the less hopeful Los Lobos tune One Time, One Night [In America] from 1987. Los LOBOS, One Time, One Night, on BY THE LIGHT OF THE MOON (Wea/Warner Bros. 1987). **. Associate Professor of Law, University of Oregon School of Law. Thanks to the partici- pants at LatCrit V where I presented this paper as part of the plenary Multi/Cultural Artistic Re/Presentations in Mass Media: Capitalism, Power, Privilege and Cultural Production. -
Press It Through Our MUSIC, How We Feel
women. hip hop. life. SAY MY NAME A FILM BY MAMAMESS WMM Women Make Movies 462 Broadway, Suite 500 New York, NY 10013 Tel 212.925.0606 Fax 212.925.2052 www.wmm.com women. hip hop. life SAY MY NAME A film by Mamamess Synopsis Photo by Mamamess In a hip hop and R’n’B world dominated by men and noted for misogyny, the unstoppable female lyricists of Say My Name speak candidly about class, race, and gender in pursuing their passions as female MCs. This worldwide documentary takes viewers on vibrant tour of urban culture and musical movement, from hip hop’s birthplace in the Bronx, to grime on London’s Eastside and all points Philly, Detroit, Chicago, Atlanta, and L.A. in between. Featuring interviews and musical performances from a diverse cast of women including Remy Ma, Rah Digga, Jean Grae, Erykah Badu, Estelle and newcomers Chocolate Thai, Invincible and Miz Korona, this powerful documentary delves into the amazing personal stories of women balancing professional dreams with the stark realities of poor urban communities, race, sexism, and motherhood, as the more than 18 artist featured in Say My Name battle for a place in a society that creates few chances for women. From emerging artists filled with new creativity, to true pioneers like MC Lyte, Roxxanne Shante, and Monie Love, these are women turning adversity into art. WMM Women Make Movies 462 Broadway, Suite 500 New York, NY 10013 Tel 212.925.0606 Fax 212.925.2052 www.wmm.com women. hip hop. life SAY MY NAME A film by Mamamess Credits 2009, 73 MINUTES, COLOR Festivals, Screenings & UK/USA ENGLISH Awards DIRECTOR/PRODUCER • South by Southwest Film Festival Nirit Peled • AFI Dallas International Film Festival • Sarasota Film Festival PRODUCER • Full Frame Festival Dave Hemmingway/Mamamess WRITER Nirit Peled CINEMATOGRAPHER Dave Hemmingway Nirit Peled EDITORS Chris Scheer Christopher Hillswright MUSIC/SOUND Ronen Sabo Dave Hemmingway CAST Aaries Big Manda Chocolate Thai Dr.