How Washington Helped Fidel Castro Rise to Power - Not Even Past
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Draper Committee): RECORDS, 1958-59
DWIGHT D. EISENHOWER LIBRARY ABILENE, KANSAS U.S. PRESIDENT'S COMMITTEE TO STUDY THE UNITED STATES MILITARY ASSISTANCE PROGRAM (Draper Committee): RECORDS, 1958-59 Accession 67-9 Processed by: SLJ Date Completed: February 1977 The records of the President’s Committee to Study the United States Military Assistance Program, a component of Records of Presidential committees, Commissions and Boards: Record Group 220, were transferred to the Dwight D. Eisenhower Library from the National Archives on August 24, 1966. Linear feet: 11.6 Approximate number of Pages: 23,200 Approximate number of items: 9,800 Literary rights in the official records created by the Draper Committee are in the public domain. Literary rights in personal papers which might be among the Committee’s records are reserved to their respective authors. These records were reviewed in accordance with the general restrictions on access to government records as set forth by the National Archives and Records Service. To comply with these restrictions, certain classes of documents will be withheld from research use until the passage of time or other circumstances no longer require such restrictions. SCOPE AND CONTENT NOTE The records of the President’s Committee to Study the United States Military Assistance Program (MAP) span the years 1958-1959 and consist of minutes, reports, correspondence, studies, and other materials relevant to the Committee’s operation. The bipartisan Committee was created in November 1958 when President Eisenhower appointed a group of “eminent Americans” to “undertake a completely independent, objective, and nonpartisan analysis of the military assistance aspects of the U.S. Mutual Security Program (MSP).” To serve as chairman, the President selected William H. -
Che Guevara, Nostalgia, Photography, Felt History and Narrative Discourse in Ana Menéndez’S Loving Che Robert L
Hipertexto 11 Invierno 2010 pp. 103-116 Che Guevara, Nostalgia, Photography, Felt History and Narrative Discourse in Ana Menéndez’s Loving Che Robert L. Sims Virginia Commonwealth University Hipertexto At the risk of seeming ridiculous, let me say that the true revolutionary is guided by a great feeling of love. It is impossible to think of a genuine revolutionary lacking this quality. Che Guevara More and more I've come to understand that when we mourn what a place used to be, we are also mourning what we used to be. Ana Menéndez any of the discussions and debates of the Cuban Revolution in Miami, M Havana and elsewhere converge, merge and diverge in the person and persona of Che Guevara. This process produces a mesmerizing mixture of myth, reality, and nonsense which we are far from unscrambling: “There's just this fascination people have with the man - which is not of the man, but of the photograph," says Ana Menéndez, author of ‘Loving Che’” (http://www.csmonitor.com/2004/0305/p13s02-algn.html). The photograph in question is Alberto Korda’s famous picture of Che Guevara taken on March 5, 1960 at a Cuban funeral service for victims of the La Coubre explosion. The photographic reality of Che soon transformed itself into an iconic image which traveled around the world. Che’s image has since undergone myriad changes and has become a pop culture, fashionista icon and capitalist commodity marketed and sold all over the world, including Cuba. Nostalgia and memory occupy the interstitial space between Che Guevara’s personal and revolutionary life and his now simulacralized iconicity: “Part of Guevara's appeal is that his revolutionary ideals no longer pose much of a threat in the post-cold-war world. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Hungarian Refugee Policy, 1956–1957
The Japanese Journal of American Studies, No. 28 (2017) Copyright © 2017 Akiyo Yamamoto. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. US Hungarian Refugee Policy, 1956–1957 Akiyo YAMAMOTO* INTRODUCTION The United States did not politically intervene during the Hungarian revolution that began on October 23, 1956,1 but it swiftly accepted more Hungarian refugees than any other country.2 The fi rst airplane, which carried sixty refugees, arrived at McGuire Air Force Base located in Burlington County, New Jersey, on November 21, 1956, only seventeen days after the capital was occupied by Soviet forces, and were welcomed by the Secretary of the Army and other dignitaries.3 A special refugee program, created to help meet the emergency, brought 21,500 refugees to the United States in a period of weeks. By May 1, 1957, 32,075 refugees had reached US shores. The United States ultimately accepted approximately 38,000 Hungarian refugees within a year following the revolution.4 The acceptance of Hungarian refugees took place within the framework of existing immigration laws, along with the Refugee Relief Act of 1953. The State Department’s Bureau of Security and Consular Affairs developed this program to bring Hungarians to the United States.5 The Immigration and Nationality Act of 1952, known as the McCarran-Walter Act, permitted entry by a quota system based on nationalities and regions, and only 865 people from Hungary could be accepted each year. -
Sabotage Du Navire Français La Coubre Le 4 Mars 1960 Nadine Lalande
Sabotage du navire français La Coubre le 4 mars 1960 Nadine Lalande Le sabotage du navire La Coubre dans la mémoire du peuple cubain. L’une des premières actions terroristes du Gouvernement des États-Unis contre Cuba eut un caractère monstrueux, le sabotage du navire français La Coubre le 4 mars 1960, à quai dans le port de la Havane. Le bateau avait chargé en Europe un lot important d’armements et d’équipements achetés à l’industrie nationale belge par le Gouvernement Révolutionnaire de Cuba, qui était déjà préoccupé par les actions agressives croissantes des États- Unis. Le chargement fut saboté par les agents de l’Agence Centrale d’Intelligence CIA au point d’embarquement, et les engins placés déclenchèrent une explosion ce jour-là à trois heures dix de l’après-midi alors que se déroulaient les opérations de déchargement. Aux premières heures de l’après-midi du 4 mars 1960, une détonation initiale se produisit et quelques minutes plus tard une deuxième qui causera le plus grand nombre de victimes, puisque à ce moment-là des dizaines de militaires et de travailleurs apportaient leur aide sur place aux victimes de la première explosion. Le navire la Coubre ainsi que le quai alentour étaient remplis de travailleurs portuaires, des soldats rebelles, de membres de la Police Nationale Révolutionnaire, de pompiers et du personnel de secours qui, sans se soucier du danger avaient accouru sur le lieu du désastre pour aider les victimes et pour prévenir les accidents. Le Commandant en Chef Fidel Castro Ruz, et d’autres dirigeants de la Révolution Cubaine firent acte de présence sur le lieu des faits. -
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316.74:77 Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6 Louisa Söllner LMU Munich Abstract: Photography was a key medium for creating, INTRODUCTION spreading, and cementing myths about the Cuban Revolution and its leaders. In the first part of this essay, In her novel Days of Awe (2001), Cuban-American I’ll explore several iconic images as well as responses to novelist Achy Obejas reproduces the following story these pictures, all parts of a Cuban “cross-national about Fidel Castro‟s victory speech on the 8th of memory discourse” (cf. Quiroga, 2005). Walter Benjamin’s media philosophy can help in developing January 1959: “On both sides of the Straits of Florida insights about the functioning of these photographs. In there‟s a story about Fidel‟s first victory speech in the second part of the paper, I turn to Tania Bruguera’s Havana. Sometime shortly after he began, a white dove piece Tatlin’s Whisper#6 (staged at the 10th Havana perched on his left shoulder, leaving everyone Biennial in 2009), which radically rewrites the poetics of breathless. This is Fidel‟s voodoo: He does the the images and aspires to create a sense of participation impossible. He gets that bird to pose with him, and direct involvement. whether through strategy or sorcery it doesn‟t matter. In one case, it’s divine intervention; in the other, a Keywords: Photography, Memory Mediation, Diaspora, ” Performance Art, Walter Benjamin stroke of theatrical genius; in both, he wins. (Obejas, 2001, p. 127) Obejas‟s novel reiterates and simultaneously rewrites a myth about Castro that has entered the collective memory of revolutionary Cuba and its 59 diaspora. -
Photo De Che Guevara « Guerrillero Heróico » Alberto Korda (Sources : Wikipedia )
Photo de Che Guevara « guerrillero heróico » Alberto Korda (Sources : Wikipedia ) Guerrillero Heroico est un portrait photographique de Ernesto Che Guevara réalisé par Alberto Korda le 05/05/1960 , alors qu il assistait à l ' enterrement des victimes de l ' explosion de la Coubre ( Le cargo français La Coubre explosa par deux fois le 4 mars 1960, alors qu'il déchargeait des munitions belges dans le port de La Havane à Cuba. L'explosion fit au moins 75 morts et 200 blessés. Le gouvernement cubain accusa la CIA et condamna à mort William Alexander Morgan alors que les États-Unis penchaient pour la thèse d'un accident. ) C est une des photos les plus célèbres au monde . Alberto Korda donna cette photographie à l'éditeur italien Gianfranco Feltrinelli qui lui fit faire le tour du monde avec des centaines de posters et des couvertures de carnets après la mort du Che en 1967. L'année suivante, Andy Warhol en fait un tableau qui devient une icône artistique et commerciale. Korda, révolutionnaire convaincu, ne toucha pas un centime et ne réclama jamais aucun droit d'auteur jusqu'en 1990, quand la société Smirnoff a repris l'image de Guevara pour vendre de la vodka1. Korda était photographe pour le journal cubain Revolución le 6 mars 1960 quand il prit le fameux cliché . Korda raconta ainsi l'instant historique : « Je me trouvais à quelque dix-huit mètres de la tribune où Fidel prononçait un discours et je tenais à la main un appareil muni d'un court téléobjectif, lorsque je vis le Che s'approcher de la balustrade près de laquelle se tenaient Jean-Paul Sartre et Simone de Beauvoir. -
All but 4% of Refuqees ' ~- Resettled, V~Orhees Says :By the Associated Press Tracy Voorhees, Chairman of the Presidential Committee for Hungarian Relief
- ~'Man, You Must Be Out _of Your Mind"' . .. All But 4% of Refuqees ' ~- Resettled, V~orhees Says :By the Associated Press Tracy Voorhees, chairman of the Presidential Committee for Hungarian Relief. says all but about 4 per cent of the refugees . admitted to this country have been resettled. .. Mr. Voorhees, appearing on NBC's TV program, Youth Wants .to Know. said yesterday that up until Saturday night there w--ere only 1,256 refugees remaining at the Camp Kilmer, N. J.,. recep tion center out of a total of --- · - - - ·--- -- - f28,928 · brought to the United 1Pa, earlier that "6,300 Hun- States. garian Communists and crim- : Saying that only 12 persons 1inals were given American visas out of the thousands of refu- and have slipped into this coun gees brought here have proved try along with genuine refugees." to be undesirable-. he added: Mean\vhile, legislation to pro- j "The freedom :fighters them- lvide for the immigration of ref- 1selves knew the secret police Iugees · from the Middle East as type and put the finger on ;well as escapees fror.ll behind 1 1 1them.'' . It he Iron Curtain was proposed by i I But Representative Walter, Senators Javits and Ives, New 1 Democrat of Pennsylvania, told York Republicans. 1 /a veterans' group in Harrisburg, Under the legislation, the 1 Every tin1e this set of notes is ready for the deadline (and sometimes afterward), Tracy Voor hees pops up. This time he appeared on TV on "Youth Wants to Know" on March 10. For half an hour Tracy had a succession of tough ques tions thrown at him by a group of brilliant teenagers about the admission and assimiliation of the 29,000 Hungarian refugees in this country. -
Annotated Bibliography
Annotated Bibliography Primary Sources Books Castro, Fidel, 1926-2016. Fidel Castro: My Life: A Spoken Autobiography. New York: Scribner, 2008. Fidel Castro discusses in his autobiography how the Pedro Pan children, as were the parents, were always free to leave the country. He describes the delay in parent’s reuniting with their children was due to logistical issues, primarily caused by interference and antagonism from the United States government. Grau, Polita. “Polita Grau: A Woman in Rebellion.” Cuba – The Unfinished Revolution, edited by Enrique Encinoso, Eakin Press, 1988. Polita Grau is the niece of the former president of Cuba, Ramon Grau San Martin (1944-1948). This chapter is a first-hand account of her involvement in Operation Pedro Pan. Polita and her brother established the underground network which disbursed Msgr. Walsh’s visas to the children. She falsified thousands more visa waivers and made arrangements for the plane flights. She was jailed for 20 years for allegedly attempting to overthrow the government. She has been referred to as the “Godmother” of Operation Pedro Pan. Films The Lost Apple. Directed by David Susskind. Paramount, 1963. The United States Information Agency created this documentary to document the mission and legacy of Operation Pedro Pan. The 28-minute film follows the journey of Roberto, a six-year old Pedro Pan child, as he adjusts to his new life at the Florida City Camp. The intent was to show the film at various dioceses throughout the U.S. in hopes of getting more foster families to help relieve the overcrowded conditions at the camps. -
60Th Anniversary of La Coubre: U.S
YEAR X NO 3 MAR 4, 2020 HAVANA, CUBA ISSN 2224-5707 Price: 1.00 CUC / 1.00 USD / 1.20 CAN 60th Anniversary of La Coubre: U.S. Terrorism in Cuba P. 3 Cuba-U.S. Spotlight Cubans in the U.S. Against the Travel Havana’s Delightful International Ban Book Fair P. 4 P. 7 The Caribbean Photo Feature Sports Venezuela Withstands Varadero: A Prime Beach Cuban Baseball Sets Sights Coercive Measures Resort on 2020 Olympics P. 9 P. 11 P. 15 2 TOURISM SANTIAGO DE CUBA The Ever Hospitable City Text & Photos RobertoF.CAMPOS important ecological site in the area, which visitors can access after climbing 450 steps. The rock has an estimated weight of about HAVANA.- While surrounded by incredible 70,000 tons, which sits beautifully over a mountains, the city of Santiago de Cuba is vast mountainous valley. as cosmopolitan as the Cuban capital and In fact, the province has a virgin landscape other large tourist cities in the country. This that can be appreciated in the Sierra city, however, also encompasses charms Maestra mountain range, where thousand- that are connected to its history, culture year-old trees and enchanting green and environment. foliage transport visitors to another world. Many of the travelers that come to Cuba, That foliage is also a distinctive feature of especially from Europe and Canada, take natural parks such as the Baconao, which great interest in knowing the religious roots includes a beach area, tourist centers, the and the traditions of this part of Cuba, making Sculptures Promenade and the Prehistoric the region a must in their vacation plans. -
Fidel Castro and Revolutionary Masculinity
University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2012 Deconstructing an Icon: Fidel Castro and Revolutionary Masculinity Krissie Butler University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Butler, Krissie, "Deconstructing an Icon: Fidel Castro and Revolutionary Masculinity" (2012). Theses and Dissertations--Hispanic Studies. 10. https://uknowledge.uky.edu/hisp_etds/10 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. I retain all other ownership rights to the copyright of my work. -
Death Certificate Index - Des Moines County (July 1921-1939) Q 4/11/2015
Death Certificate Index - Des Moines County (July 1921-1939) Q 4/11/2015 Name Birth Date Birth Place Death Date County Mother's Maiden Name Number Box , Blackie c.1884 20 Dec. 1939 Des MoinesUnknown 29C-0402 D2895 Abel, Charley Henry 09 July 1870 Iowa 31 Jan. 1937 Des Moines Bruer H29-0007 D2827 Abel, Ella 01 Feb. 1865 Iowa 06 Dec. 1939 Des Moines Ball 29C-0377 D2895 Abendreth, Emily A. 01 Aug. 1886 Iowa 28 June 1925 Des Moines 029-1468 D2142 Abrisz (Baby Boy) 25 Nov. 1928 Iowa 25 Nov. 1928 Des Moines Goetz 029-2784 D2144 Abrisz (Baby Girl) 03 June 1922 Iowa 03 June 1922 Des Moines Goetz 029-0351 D2141 Abrisz (Baby Girl) 30 July 1921 Iowa 30 July 1921 Des Moines Goetz 029-0030 D2141 Abrisz, Joan 28 Sept. 1929 Iowa 20 Jan. 1930 Des Moines Goetz 029-0023a D2611 Acheson, Oliver Guy 26 June 1891 Iowa 11 July 1939 Des Moines Wilson 29C-0234 D2895 Ackerman, August Herman 09 Apr. 1876 Iowa 16 Feb. 1937 Des Moines Unknown C29-0077 D2827 Ackerman, William F. 06 July 1870 Iowa 17 May 1934 Des Moines Unknown C29-0155 D2727 Ackerson, Peter 05 Oct. 1840 Sweden 22 Feb. 1931 Des Moines Unknown C29-0053 D2639 Adair, Agnes Jane 25 May 1865 Illinois 27 Oct. 1925 Des Moines Stevenson 029-1575 D2142 Adams, Arthur A. 18 Dec. 1858 Iowa 21 Feb. 1923 Des Moines Swain 029-0595 D2141 Adams, Bertha M. 09 Jan. 1896 Iowa 04 May 1932 Des Moines Shepard J29-0160 D2666 Adams, Edwin D.