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Highlander: the Card Game
Highlander: the Card Game Advanced Deck Construction Guide Does the card have a use? The first question is easy. If a card has a desired effect, then it is useful. Depending on what kind of deck I’m making, though, various cards that have no use in one deck become immensely useful in another: Holy Ground: Avoid Attacks is one of those cards that is very useful, but even more useful with Nefertiri, for example. Plot cards, which I find useless in most decks, are perfect for Xavier. The temptation sometimes is to toss in a card that doesn’t really enhance the deck, but does something interesting. I mean, I could put a Darius/Shooting Blade into all my decks, but it clashes with a lot of my deck themes: Amanda wouldn’t use one, though Luther might. So, a lot of the thought I put into certain cards stems from the type of deck I want to play. I don’t care if the deck wins, as long as it does what I want it to do. Is there a better card that does the same thing? Generally, I like to be able to play the cards I have in my hand whenever I want. Many of the Event cards, though, need targets (for example, the Police: Counter Event and Remove Situation cards) before you can play them. The Xavier cards are a lot better, when you are playing him: his Plan Ahead and Forethought cards are both Situations, and can be out of your hand immediately, just waiting to be used. -
One Story, One Reader and Two Decades of Ongoing Appeal
Narrative Attraction: One Story, One Reader and Two Decades of Ongoing Appeal Warren Maynes and Margaret Mackey University of Alberta His wellbeing appears to need spectral entities to oppose it, figures of his own invention whom he can defeat. McEwan, Saturday, 2005, 78 Margaret: Imaginative commitment is an active energizer of our mental economy, but our understanding of how that process works is amorphous and cloudy. What is it that “captures” one person’s imagination while leaving another cold? What matrix of memories, desires, terrors and needs finds expression in a particular story or even in a particular turning point of a story, so that this story plays a significant role in the shaping of someone’s ways of responding to the world? Language and Literacy 1 Volume 8 Number 2 2007 Language and Literacy This article will explore the ramifications of these questions through the lens of one young man’s ongoing response to a single story, told through multiplying media. The story is Highlander, which first appeared as a movie in 1986 and has been retold and expanded through a variety of vehicles: novelizations, sequel movies, a lengthy television series, a card game, and so forth. The fan is Warren Maynes, a recent graduate of the School of Library and Information Studies at the University of Alberta, who made a class presentation on the subject of Highlander and its ongoing hold on his own imagination for nearly twenty years. I was the instructor of that class and I was intrigued at his insider perspective on questions of narrative fascination and connection that are often completely opaque to outsiders. -
HIGHLANDER Brand
HIGHLANDER the brand Property of: Davis-Panzer Productions, Inc. 8500 Melrose Ave. West Hollywood, CA 90069 March 6, 2006 FILMS Five feature films (US & Worldwide) Highlander (1986) (20th Century Fox) Highlander 2 – The Quickening (1991) (Interstar) Highlander 3 – The Sorcerer (1994) (Miramax/Dimension) Highlander – Endgame (2001) (Miramax/Dimension) ~ Highlander – The Source (2006) (Lions Gate) In post-production for late 2006 release TELEVISION Highlander: The Series (Produced in Canada and France) 119 one hour episodes over 6 seasons Highlander: The Raven (Produced in Canada and France) 22 one hour episodes Highlander: The Animated Series (Produced in France) 40 half hour episodes All HIGHLANDER episodic television has been First Run US syndication, Second Run on USA Network, and Third Run on Spike Network BOOKS 14 original Highlander novels published by Warner Aspect. Highlander: Queen As it begins Highlander: The Element of Fire Highlander I Feature Film Novelization Highlander: Scotland The Brave Highlander: Scimitar Highlander: Measure of a Man Highlander: The Path Highlander: Zealot Highlander: Shadow of Obsession Highlander: White Silence Highlander: The Captive Soul Highlander: The Complete Watcher’s Guide An Evening at Joe’s Best of Highlander MERCHANDISING Over $100,000,000 of merchandise sold via catalog, Internet and telemarketing Database of hardcore fans exceeds 2,000,000 Still selling. HOME VIDEO Original Highlander VHS release in 1987 – becomes a Cult Classic In 1999, Highlander is re-released on DVD. Stayed in the top 15 DVD sales for 35 weeks Unit DVD sales – 1,000,000 units Highlander II – Renegade Highlander III – Sorcerer Highlander IV – Endgame All in excess of 1,000,000 units to date Highlander: The Series DVDs have sold over 600,000 9-disc boxed sets with a wholesale gross of approximately $30,000,000 ANIME Feature Film in production with: Madhouse (Japan) & Imagi (US/Japan) (Director: Yoshiaki Kawajiri) Release First Quarter 2007. -
Jordanes and the Invention of Roman-Gothic History Dissertation
Empire of Hope and Tragedy: Jordanes and the Invention of Roman-Gothic History Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian Swain Graduate Program in History The Ohio State University 2014 Dissertation Committee: Timothy Gregory, Co-advisor Anthony Kaldellis Kristina Sessa, Co-advisor Copyright by Brian Swain 2014 Abstract This dissertation explores the intersection of political and ethnic conflict during the emperor Justinian’s wars of reconquest through the figure and texts of Jordanes, the earliest barbarian voice to survive antiquity. Jordanes was ethnically Gothic - and yet he also claimed a Roman identity. Writing from Constantinople in 551, he penned two Latin histories on the Gothic and Roman pasts respectively. Crucially, Jordanes wrote while Goths and Romans clashed in the imperial war to reclaim the Italian homeland that had been under Gothic rule since 493. That a Roman Goth wrote about Goths while Rome was at war with Goths is significant and has no analogue in the ancient record. I argue that it was precisely this conflict which prompted Jordanes’ historical inquiry. Jordanes, though, has long been considered a mere copyist, and seldom treated as an historian with ideas of his own. And the few scholars who have treated Jordanes as an original author have dampened the significance of his Gothicness by arguing that barbarian ethnicities were evanescent and subsumed by the gravity of a Roman political identity. They hold that Jordanes was simply a Roman who can tell us only about Roman things, and supported the Roman emperor in his war against the Goths. -
The Series Highlander: the Raven Version 0.01 (Jumpchain Compliant) by Orion Ultor and Abraxesanon
Highlander (TV Series) CYOA. Highlander: The Series Highlander: The Raven Version 0.01 (Jumpchain Compliant) By Orion Ultor and AbraxesAnon Know Jumper, these are The Rules: ● Engaging in combat on Holy Ground is forbidden. ● Once a battle has begun, interference is not allowed. ● Combat is limited to one on one. ● Combat should be in secret and not in front of a witness. ● Only bladed weapons can be used (IE no ranged, explosive, or projectile weapons.) ● “In the end, there can be only one.” Good Luck, you'll need it to keep your head and just in case luck isn't enough: take these. +1000CP Location : By Century 1. 2700 BC- The Epic of Gilgamesh 2. 1792 BC- The Reign of King Hammurabi of Babylon 3. 510 BC- Classical Greece 4. 221 BC- Qin Dynasty of China 5. 27 BC- The Roman Empire 6. 1603 AD- The Tokugawa Period of Japan 7. 1992 AD- The Start of the Series 8. Free Pick of Any Time Period/Location (Listed Above or Not) Origin: Drop In (Watcher); Immortal (Warrior): Immortal (Witch/Sorcerer): Perks: Undiscounted Perks: ● [Free] Here We Are: Born to be Kings, We're the Princes of the Universe. You get a personal badass theme song by Queen. ● [Free, 200 to keep] Immortality:* As long as your head is not taken, you will never stay truly dead. This doesn't prevent a death from a wound as a loss condition though. You are forever free from disease and the effects of aging. Wounds heal quickly. Think of it as vastly improved regeneration but you can't regrow limbs. -
Arianism and Political Power in the Vandal and Ostrogothic Kingdoms
Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship 2012 Reign of heretics: Arianism and political power in the Vandal and Ostrogothic kingdoms Christopher J. (Christopher James) Nofziger Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the History Commons Recommended Citation Nofziger, Christopher J. (Christopher James), "Reign of heretics: Arianism and political power in the Vandal and Ostrogothic kingdoms" (2012). WWU Graduate School Collection. 244. https://cedar.wwu.edu/wwuet/244 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Reign of Heretics: Arianism and Political Power in the Vandal and Ostrogothic Kingdoms By Christopher James Nofziger Accepted in Partial Completion Of the Requirements for the Degree Master of Arts Kathleen L. Kitto, Dean of the Graduate School Advisory Committee Chair, Dr. Peter Diehl Dr. Amanda Eurich Dr. Sean Murphy MASTER’S THESIS In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work, and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files. -
Tennessee History Day Bibliography 1
Tennessee History Day Bibliography 1 TENNESSEE HISTORY DAY BIBLIOGRAPHY: TENNESSEE TOPICS The Tennessee Historical Society has compiled a bibliography for National History Day topics. These topics are the most frequently selected by students. The bibliography conforms to the Chicago Manual of Style, the preferred guide for NHD projects. The ISBN, ASIN, or OCLC number has been included to assist students in locating the sources and is not required in the actual citation. The bibliography has not been formatted with hanging indents. Students who use this resource should: 1) Be careful to do their own research. These sources are intended as a starting point. 2) Conform to the style (MLA, APA, Chicago, Turabian) required by their teacher. 3) Be aware that most of these sources are secondary, and that a good NHD project will rely upon primary sources to make the argument. 4) Annotate their bibliographic citations to explain exactly how the source was used in their project. This bibliography is an evolving document. If you have any suggestions or additions, please contact the state coordinator at [email protected]. revised 10/18/2019 Tennessee History Day Bibliography 2 Topics: I. Cherokee and the Trail of Tears (Nunna-da-ul-tsun-yi) II. Civil War A. Civil War: Bridge Burners III. Civil Rights A. Activists B. Segregationists C. Other Important Figures D. Chattanooga E. Knoxville F. Memphis Sanitation Strike G. Memphis Sit-Ins and Other Activities H. Nashville Sit-Ins IV. Coal Creek War V. Great Smoky Mountains National Park VI. Jackson, Andrew VII. Oak Ridge VIII. Revolutionary War: Overmountain Men and the Battle of King’s Mountain IX. -
Highlander: the Series Thesaurus the Narrative
Heather Turner IST 638 October 22, 2006 Detailed Thesaurus Highlander: The Series Thesaurus The Narrative I. Scope The goal of this project is to create a thesaurus (and eventually an index) of the first season of the television show Highlander: The Series. Each episode of the show is filled with information that desperately needs an organizational tool. Although many websites exist on the Internet their only goals are episode guides. Unfortunately the series has been long cancelled; however, the release of a new Highlander film in the next year will ignite a renewed interest in the show (cancelled in early 1990s). Every year fans get together in Highlander conferences to share their love of the show. Therefore a index would be helpful for fanfiction and in preparation of conferences. The main focus of the series are relationships between immortals, themes/emotions of characters (morals and emotions), flashbacks (histories of immortals), The Gathering (fights between immortals), and weapons (swords and axes). As a result the thesaurus will include themes and subjects unique to the show of Highlander: The Series season one. II. Term Harvesting Highlander: The Series relied heavily on its guest stars and historical flashbacks. During the late eighties and early nineties Highlander: The Series was a popular TV show. In reruns, I enjoyed the series and watched nearly every episode so I was familiar with the most popular terms from the show such as quickening and the gathering. However, I had not seen an episode since I stopped showing reruns on USA in the mid-nineties. I initially watched around eight episodes to refamilarize myself with the series. -
Highlander the Immortals
Highlander The Immortals 1 Rules Kevin Webb http://tv.groups.yahoo.com/group/highlanderd20/ Art Alexander Winston http://stonecrowdesign.deviantart.com/ April Dwiggins http://aprildwiggins.com/blog/ Scott Vincent http://tv.groups.yahoo.com/group/highlanderd20/ Highlander Official Highlander Message Board - http://www.highlander-community.com/Forum/ OGL/SRD Wizards - http://www.wizards.com/default.asp?x=d20/article/srdarchive Pathfinder - http://paizo.com/pathfinderRPG/prd/ 2 Quickening Lace .......................................... 17 Contents The Game ........................................................... 5 Quickening Luck ......................................... 17 Templates ........................................................... 6 Quickening Magic ....................................... 18 Creating an Immortal ..................................... 6 Quickening Pain .......................................... 18 Creating a Watcher ........................................ 8 Quickening Weapon .................................... 18 Immortal Skills................................................. 10 The Beast ..................................................... 19 Knowledge: Immortals ................................. 10 Weapon Bond .............................................. 19 Knowledge: Watcher ................................... 11 Quickening....................................................... 20 Quickening ................................................... 11 Description.................................................. -
Library of Congress Magazine September/October 2014
INSIDE Tracing the Music of a Movement Mark Twain & Copyright PLUS Warren Harding's Love Letters Anatomy of a Glass Flute History of an Anthem LIBRARY OF CONGRESS MAGAZINE SEPTEMBER/OCTOBER 2014 DocumentingThe Dance Making of APPALACHIAN SPRING WWW.LOC.GOV In This Issue SEPTEMBER/OCTOBER 2014 LIBRARY OF CONGRESS MAGAZINE FEATURES Library of Congress Magazine Vol. 3 No. 5: September/October 2014 Mission of the Library of Congress Tracing the Music of a Movement 8 From its origins in gospel to its reinvention in folk music, “We Shall The mission of the Library is to support the Overcome” became the anthem of the Civil Rights Movement. Congress in fulfilling its constitutional duties and to further the progress of knowledge and creativity for the benefit of the American people. The Making of “Appalachian Spring” 10 A group of artistic titans collaborated on this archetypical American Library of Congress Magazine is issued ballet, commissioned by and premiered at the Library of Congress. bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and Mark Twain & Copyright research institutions, donors, academic libraries, 4 learned societies and allied organizations in 16 Samuel Clemens fought the good fight for intellectual property rights Glass Flute the United States. Research institutions and that helped protect authors at home and abroad. educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. -
Projecting the Nation: Constructions of Scotland in Film Since 1979
Projecting the Nation: Constructions of Scotland in Film Since 1979 Emily Torricelli PhD University of York Theatre, Film and Television January 2016 Abstract This thesis examines questions of the continued significance of national cinemas and identities, focussing on the case of Scottish cinema. As a small, devolved nation with relative autonomy from the United Kingdom, Scotland presents an interesting case for how films are labelled with a national identity, as Scottish films can also often be understood in a British, European, and even global context. Rather than attempting to construct a working model of Scottish cinema based on representation or production context, I ask how films have been constructed as Scottish. I approach the concepts of Scotland and Scottish film as sets of meanings that are subject to change over time and in different contexts. This facilitates a perspective which asks in what ways Scotland and Scottishness is constructed in film. I examine how multiple identities are balanced in the filmic construction of Scotland first by considering how Scottish films—both those made in and which are about Scotland—from the early 1980s to the present construct Scottish identities. I will consider the way these films explored ‘traditional’ Scottish identities in the 1980s, Scottish masculinity in the 1990s, and Scottish identities based on ethnicity and gender in the 2000s and 2010s. Second, I look at how these films are received as Scottish by examining reviews and other press materials to determine how the Scottishness -
"There Can Be Only One!"
"There Can Be Only One!" “From the Dawn of time we came, moving silently down through the centuries, living many secret lives, struggling to reach the time of the Gathering – when the few who remain will battle to the last. No one has ever known we were among you... until now.” - Juan Sanchez Villa-Lobos Ramirez Welcome to the rules that allow you to play an Immortal character – a man/woman that cannot die – unless they lose their head, that is. Making an Immortal “I am Immortal and I am not alone. For centuries we've waited for the time of the Gathering, when the stroke of a sword and a fall of a head will release the power of the Quickening. In the end, there can be only one.” - Duncan Macleod Template Traits: “Immortal” is an acquired template that can be added to any living creature (referred to hereafter as the base creature). Most Immortals were once humanoids, fey, or monstrous humanoids. An Immortal uses the base creature's stats and abilities except as noted here. Challenge Rating & LA: Same as the base creature +2. Becoming an Immortal Ramirez: “ You cannot die, MacLeod, accept it.” Connor Macleod: “I hate you.” Ramirez: Good. “That is a perfect place to start.” First Death: This is the date the Immortal departs from his mortal self and is reborn into Immortality. First Death can only happen as a violent death. This could come from an accident, combat, or any other form of trauma. If a pre- Immortal dies from old age or disease, (a non-trauma death), then the pre-Immortal, dies a mortal death, and is not reborn as an Immortal.