feature The Seven Trial in Light of Today's Protest Movements

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N*GGA THEORY: RACE, LANGUAGE, UNEQUAL JUSTICE, AND THE LAW Jody Armour Reprinted with permission from author.

CHAPTER ONE Contingency, Irony, and Solidarity in Blame and Punishment39

As criminal law professors, our primary professional vocabularies are those of morality and law—the two language games prosecutors and defense lawyers must master and deftly deploy— and thus I have thought a lot about the world of shared meanings these vocabularies create and the limits they impose. As the son of a black inmate and a close friend of many others, I would characterize my relationship with the language of blame and punishment inside and outside my law school classrooms over the past 20 years as impossible. I find the proud but calcified language of both the legal academy and conventional morality—“choice,” “free will,” “personal responsibility,” “subjective culpability,” “malice,” “malignant heart,” “moral agency,” and “mens rea”—not adequate to my needs and purposes, to my sense of myself and my world, requiring me, as it plainly does, to view as wicked and irresponsible my closest friends, family, and the up to 90% of young black men in some inner city neighborhoods who will end up in jail, on probation, or on parole at some point in their lives.44 Any language whose words and logic lock up staggering numbers of truly disadvantaged Blacks on the grounds of their own moral deficiencies is a disabled and disabling device for grappling with meaning in moral and criminal matters, one that ignores or discounts savage inequalities in race and class, and that sweeps empirically demonstrable anti-black bias under the rug of jury verdicts and “findings of fact” about guilt and innocence. Prevailing legal and moral language blocks the access of “wicked” black wrongdoers to the empathy, sympathy, care and concern of ordinary, law-abiding people. Such language actively stalls conscience in relation to wrongdoers’ suffering, masking the pity and waste of mass incarceration and draconian punishment. Yet in my scholarly associations and in the legal journals I read, I see an entrenched moral and legal vocabulary content to admire its own paralysis, to accept with serenity its estrangement from the underprivileged and disadvantaged masses.

As Boyd White points out, when words lose their meaning, a speaker must make a new language, remake an old one, or radically repurpose old words to serve new ends.45 In my N-word-laden 1999 AALS performance of AmeriKKKa’s Most Wanted, I radically reconstituted my cultural resources—my possibilities for making and maintaining meaning—in order to make them adequate to my needs. I repurposed “nigger” (and “nigga”)—words Kennedy rightly calls the “nuclear bomb[s] of racial epithets” in his 2002 book Nigger: The Strange Career of a Troublesome Word46—in its most condemnatory sense for critical and conceptual purposes, and in its most compassionate sense for unifying political purposes.

Conceptually, Nigga Theory uses the “morally deficient black man” sense of “nigga” to critique the categories, distinctions, and dichotomies of conventional morality and the substantive criminal law. A “nigga” is a personification of moral blameworthiness in the same sense that the “Reasonable Man” is a legal concept that personifies moral innocence: a Reasonable Man makes “reasonable” mistakes and thus his shortcomings

1 are exculpatory or mitigatory under many doctrines, including negligence, recklessness, self-defense, provocation, extreme emotional disturbance, and duress. Both a nigga and a Reasonable Man exemplify human characteristics, including human limitations and frailties—but in the case of a nigga, the deficiencies and limitations are generally viewed as not excusable, while in the case of the Reasonable Man, they (by definition) are excusable. In this sense nigga means precisely what black comedian Chris Rock meant in his laugh line, “I love black people, but I hate niggas!”— which as you recall struck a resonant chord with black audiences precisely because many did (and still do) view black wrongdoers as morally condemnable. Among its many effects, in its unironically pejorative sense, the word inflames that widely shared and deeply entrenched urge to retaliate and avenge, or, to dress it up in loftier language, to see blameworthy wrongdoers pay their debt to society. Legal philosopher Meir Dan-Cohen aptly dubs this urge to blame and punish wicked wrongdoers “the retributive urge.”47 Because millions of Americans of all races share that laughing black audience’s contempt for black wrongdoers, so-called “niggas” inflame the retributive urge in millions of people of all races.

Under our substantive criminal law, an alleged wrongdoer can be “innocent” in one of two ways: by being innocent of causing the harm or by being morally innocent—that is, the wrongdoer can cause harm but do so without subjective culpability. Prosecutors, defense attorneys, judges, and jurors routinely debate and weigh the moral blameworthiness of wrongdoers because the substantive criminal law directs them to. As the Model Penal Code puts it, “crime does and should mean condemnation,” but not everyone who commits a prohibited or criminal act is culpable. For instance, a driver can hit and kill a pedestrian, thus qualifying as a “wrongdoer” by committing the prohibited act of causing someone’s death, but do so without subjective culpability if the victim darted from between parked cars and the driver’s reactions, even if not perfect, were those of an ordinary or “reasonable person” in the same situation. Thus, if jurors conclude that a wrongdoer killed someone without the requisite subjective wickedness or “vicious will,” they must return a verdict of not guilty. So the criminal law—through its mens rea requirement—routinely directs judges and jurors to distinguish between wicked and innocent wrongdoers and to differentiate degrees of wicked criminality for purposes of punishment. Under the law of homicide, for instance, a wrongdoer can suffer different punishments depending on whether he is found wicked in the First or Second Degree; voluntarily or involuntarily wicked; purposely, knowingly, recklessly or negligently wicked; or wickedly depraved and indifferent.

And thus, a jury could find a morally blameworthy black wrongdoer to be a nigga in the First or Second Degree, a Voluntary or Involuntary nigga, a purposeful, knowing, reckless, or negligent nigga, or a nigga with a depraved and malignant heart. In fact, most “official niggas”—Blacks formally convicted of violent or serious crimes—have been found subjectively wicked in one of these ways beyond a reasonable doubt by a jury or other factfinder, and their criminal conviction provides assurance, backed by the full faith and credit of the US criminal justice system, that these violent and serious black wrongdoers deserve our most corrosive contempt and most extreme forms of retribution. Once I refute the moral and legal grounds for condemning black wrongdoers, any pejorative reference to them as “niggas” should ring hollow and shine an irony- laden light on the fact that some of our most self-righteous and contemptuous labels reinforce and perpetuate unwarranted moral evaluations of black wrongdoers.

Politically, Nigga Theory harnesses the ironic uses of the N-word to assert solidarity with black criminals whom the word seeks to vilify on misguided moral and legal grounds. A

2 key insight of the law and literature movement is that the true center of value of a word, text, or performance of language—its most important meaning—is to be found not in any factual information that it conveys (not in what is says) but in what it does, specifically, in the community that it establishes with its audience. “It is here,” says Boyd White, “that the author offers his reader a place to stand, a place from which he can observe and judge the characters and events of the world.”48 Nigga Theory offers its reader a place to stand beyond the moral condemnations of black wrongdoers, a place from which it can be seen that a person’s self is a tissue of contingencies whose moral record is determined by the union of fortuity and human frailty rather than solely through the workings of “free will.” It is a place that prioritizes restoration, redemption, and rehabilitation over retribution, retaliation, and revenge. Hence, it is a place from which disproportionately poor black criminals can be understood not as wicked wrongdoers mired in self-destruction for which they alone are to blame, but as tragic social facts for which we as a class and race-riven nation are accountable. A brush stroke in a new political landscape, the N-word’s very meaning—its substantive content and range of application—is part of a fierce political contest over the meanings of “us” and “them,” over the formation and transformation of individual and collective black identities.

Politically conscious black urban poets and N-word virtuosos—The Last Poets, Tupac Shakur, dead prez, Nas, Ice Cube, Jay-Z—vividly illustrate how the word can be used to embrace as well as push away, accept as well as reject, recognize as well as deny. In the hands of these poets, gangsta rap is an N-word-laden oppositional political discourse; it is language smitheryed—Toni Morrison’s word49—to challenge conventional characterizations of black criminals, undermining those characterizations with ironies, inversions, and invitations to bond. Modeling solidarity, these oppositional black poets provide the inspiration for my metaphoric re-description of mens rea and moral blame. After all, as Richard Rorty observes in his philosophical essays on language through the lenses of Ludwig Wittgenstein, Donald Davidson, and Friedrich Nietzsche, viewing human history as the history of successive metaphors lets us “see the poet, in the generic sense of the maker of new words, the shaper of new languages, as the vanguard of the species,” and the inspiration for revolutionary science, morality, and legal theory. The common insight animating the word work of these philosophers and “gangsta” poets—Nas and Nietzsche, Davidson and dead prez, Wittgenstein and Ice Cube, George Lakoff and The Last Poets—is that “truth” in matters of morality and justice is “a mobile army of metaphors,” a ceaseless struggle over metaphorical re-description, a pitched political battle over the range of application of words and symbols.50

As I have suggested, Nigga Theory refers to a group of interlocking proofs and performances aimed at destroying the moral and legal distinction between disproportionately privileged law-abiding Blacks and disproportionately poor law-breaking ones, and, most importantly, promoting solidarity between them. To be sure, many of the proofs and performances underlying Nigga Theory have the potential to also promote solidarity among all law-abiders and all criminals regardless of race or class. However, black people bear the brunt of our blame and punishment practices, because they are disproportionately trapped in criminogenic conditions, because stereotypes and prejudice make black criminals especially likely to stoke the retributive urge in ordinary Americans, and because many misguided black leaders, lawmakers, scholars, and prosecutors have supported and still support the mass incarceration of black men and women.

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Class plays a central role in the social construction of “niggas.” As Ruth Peterson and Lauren Krivo demonstrate with their careful studies of the links between race, place, class, and crime in the urban black community, the vast majority of violent crimes Americans worry most about—murder, manslaughter, robbery, aggravated assault—are committed by “extremely disadvantaged” Blacks, not the black bourgeoisie, whose crime rates are much closer to those of their white middle and upper-middle-class counterparts.51 In terms of violent crime, Bad Negroes are disproportionately truly disadvantaged Blacks living in extremely disadvantaged neighborhoods. Good Negroes, by contrast, disproportionately come from the ranks of middle- and upper-middle class Blacks living in much better neighborhoods. The hills of View Park that I call home might be the Good Negro capital of America—it is brimming with well-to-do and hence relatively law-abiding Negroes. Known as the “Black Beverly Hills” and “Golden Ghetto,” it is one of the wealthiest majority black areas in the United States.

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CONSPIRACY IN THE STREETS: THE EXTRAORDINARY TRIAL OF THE CHICAGO EIGHT Reprinted with permission from author.

I. Opening Statements

September 26, 1969

The eight defendants were charged with a conspiracy to travel interstate “with the intent to incite, organize, promote, encourage, participate in, and carry out a riot.” , Dave Dellinger, , , , and faced one additional charge of inciting violence. Each of the charges, conspiracy and incitement, carried a five-year sentence; each defendant thus faced a ten-year prison term. and were charged not with incitement, but with teaching others how to make incendiary devices.

FOR THE GOVERNMENT:

Richard G. Schultz was the assistant U.S. attorney. During the convention demonstrations he had served as a liaison between federal authorities and the Chicago police.

Judge

RICHARD SHULTZ: The Government, ladies and gentleman of the jury, will prove in this case, the case which you will witness as jurors, an overall plan of the eight defendants in this case which was to encourage numerous people to come to the city of Chicago, people who planned legitimate protest during the Democratic National Convention which was held in Chicago in August of 1968, from August 26

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through August 29, 1968. The planning to bring these people in to Chicago to protest, legitimately protest, as I said, creating a situation in this city where these people would come to Chicago, would riot. The defendants, in perpetuating this offense, they, the defendants, crossed state lines themselves, at least six of them, with intent to incite this riot.

Richard Shultz, assistant U.S. attorney

The jury was excused from the courtroom.

JUDGE HOFFMAN: This will be but a minute, Mr. Marshal. Who is the last defendant you named?

RICHARD SHULTZ: Mr. Hayden.

JUDGE HOFFMAN: Hayden. Who was the one before?

RICHARD SHULTZ: Davis, and prior to that was Dellinger.

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JUDGE HOFFMAN: The one that shook his fist in the direction of the jury?

TOM HAYDEN: That is my customary greeting, your Honor.

JUDGE HOFFMAN: It may be your customary greeting but we do not allow shaking of fists in this courtroom. I made that clear.

Tom Hayden

TOM HAYDEN: It implied no disrespect for the jury; it is my customary greeting.

JUDGE HOFFMAN: Regardless of what it implies, sir, there will be no fist shaking and I caution you not to repeat it.

The jury returned and Richard Schultz continued with his opening statement.

RICHARD SCHULTZ: The defendants Dellinger, Davis, and Hayden joined with five other defendants who are charged in this case in their venture to succeed in their plans to create the riots in Chicago during the time the Democratic National Convention was convened here.

Two of these defendants, the defendant Abbie Hoffman who sits—who is just standing for you, ladies and gentlemen.

JUDGE HOFFMAN: The jury is directed to disregard the kiss thrown by the defendant Hoffman and the defendant is directed not to do that sort of thing again.

RICHARD SCHULTZ: Ladies and gentlemen of the jury, the Government will prove that each of these eight men assumed specific roles in it and they united and that the eight conspired together to encourage people to riot during the convention. We will prove that the plans to incite the riot were basically in three steps. The first step was to use the unpopularity of the war in Vietnam as a method to urge people to come to Chicago during that convention for purposes of protest.

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The second step was to incite these people who came to Chicago, against the police department, the city officials, the National Guard and the military, and against the convention itself, so that these people would physically resist and defy the orders of the police and the military.

The third step was to create a situation where the demonstrators who had come to Chicago and would meet and would confront the police in the streets of Chicago so that at this confrontation a riot would occur.

In sum, then, ladies and gentlemen, the Government will prove that the eight defendants charged here conspired together to use interstate commerce and the facilities of inter- state commerce to incite and to further a riot in Chicago.

FOR THE DEFENSE:

William Kunstler was a dramatic courtroom figure who had argued many civil rights cases in the South; he had represented Martin Luther King, Black Panthers and H. Rap Brown, and Malcolm X.

WILLIAM KUNSTLER: Now the Government has given you its table of contents. I will present to you in general what the Defense hopes to show is the true book. We hope to prove before you that the evidence submitted by the defendants will show that this prosecution which you are hearing is the result of two motives on the part of the Government—

RICHARD SCHULTZ: Objection as to any motives of the prosecution, if the Court please.

WILLIAM KUNSTLER: Your Honor, it is a proper defense to show motive.

JUDGE HOFFMAN: I sustain the objection. You may speak to the guilt or innocence of your clients, not to the motive of the Government.

William Kuntsler, defense attorney

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WILLIAM KUNSTLER: The evidence will show as far as the defendants are concerned that they, like many other citizens of the United States, numbering in the many thousands, came to Chicago in the summer of 1968 to protest in the finest American tradition outside and in the vicinity of the convention, the national convention of the party in power. They came to protest the continuation of a war in South Vietnam which was then and had been for many years past within the jurisdiction of the Democratic Party at that time.

The possibility of influencing delegates to that national convention to take an affirmative strong stand against a continuation of this bloody and unjustified war, as they considered it to be along with millions of persons, was one of the prime purposes of their coming to Chicago.

At the same time as they were making plans to stage this demonstration and seeking every legal means in which to do so, at the same time as all of this was going on, the evidence will show that there were forces in this city and in the national government who were absolutely determined to prevent this type of protest, who had reached a conclusion that such a protest had to be stopped by the—the same phrase used by Mr. Schultz—by all means necessary, including the physical violence perpetrated on demonstrators. These plans were gathering in Washington and they were gathering here in this city, and long before a single demonstrator had set foot in the city of Chicago in the summer of 1968, the determination had been made that these demonstrations would be diffused, they would be dissipated, they would essentially be destroyed as effective demonstrations against primarily the continuation of the war in South Vietnam.

We will demonstrate that free speech died here in the streets under those clubs and that the bodies of these demonstrators were the sacrifices to its death.

The Defense will show that the real conspiracy in this case is the conspiracy to curtail and prevent the demonstrations against the war in Vietnam and related issues that these defendants and other people, thousands, who came here were determined to present to the delegates of a political party and the party in power meeting in Chicago; that the real conspiracy was against these defendants. But we are going to show that the real conspiracy is not against these defendants as individuals because they are unimportant as individuals: the real attempt was—the real attack was on the rights of everybody, all of us American citizens, all, to protest under the First Amendment to the Constitution, to protest against a war that was brutalizing us all.

Dissent died here for a moment during that Democratic National Convention. What happens in this case may determine whether it is moribund.

Leonard Weinglass was a younger, less well known, and less flamboyant figure than Kunstler.

LEONARD WEINGLASS: The people who were in charge of granting to these young people the right which they have as citizens to congregate, and meet, and we contend even sleep in our public parks, which are publicly owned property held in trust for the public by the public officials, were reasonable demands which the city could have met if the persons responsible for that decision would not have been persons who were so fearful and so misunderstood the young in this country that they could not meet and talk to them in a reasonable, rational way.

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Leonard Weinglass, defense attorney

I might say at to you at the outset I do not ask you to accept, or like, or understand, or agree with any of the speeches which my clients might have given.

Thomas Foran was a U.S. attorney and the main prosecutor. Earlier, Chicago Mayor Richard Daley had appointed him to a City Hall position. Before the convention, Rennie Davis had asked him to help the demonstrators obtain permits from the city. During the convention protests, he served as a liaison between federal authorities and the Chicago police.

THOMAS FORAN: Your Honor, once again, counsel continues to argue the case. It is improper.

JUDGE HOFFMAN: I sustain the objection. Do I make myself clear to you?

LEONARD WEINGLASS: I am having a little difficulty applying your Honor’s ruling to my opening statement.

JUDGE HOFFMAN: If you persist, I will have to deprive you of the right to proceed further.

LEONARD WEINGLASS: [to the jury] We want to bring before you a full, a clear picture of what happened. While the Government is presenting its case, [we] will be making certain objections.

JUDGE HOFFMAN: I have repeatedly cautioned you. I caution you again, Mr. Weinglass. I think you understand me. You persist in arguing and telling the jury what you propose to do in respect to objections.

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Thomas Foran, chief U.S. attorney

LEONARD WEINGLASS: Yes, I thought that was the purpose of an opening statement.

JUDGE HOFFMAN: That is not the function of an opening statement. I have cautioned you time and time again. I caution you once more.

LEONARD WEINGLASS: I thought that was the purpose of an opening statement. Thank you, your Honor.

JUDGE HOFFMAN: Don’t thank me. I didn’t do it as a favor to you. I am cautioning you not to persist in it.

LEONARD WEINGLASS: My last comment to you, ladies and gentlemen of the jury, is that we of the Defense do consider you in this courtroom to be the highest authority, and we will—

Weinglass was about to advocate the radical doctrine of “jury nullification,” holding that the jury could judge not only the defendants but also the law.

JUDGE HOFFMAN: Ladies and gentlemen of the jury—

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THOMAS FORAN: This is argument.

JUDGE HOFFMAN: I will sustain the objection.

The jury was excused from the courtroom.

JUDGE HOFFMAN: Mr. Weinglass, I think your persistency in disregarding the direction of the Court and the law in the face of repeated admonitions is contumacious conduct, and I so find it on the record.

The jury returned.

JUDGE HOFFMAN: Does any other Defense lawyer wish to make an opening statement? Just a minute, sir, who is your lawyer?

BOBBY SEALE: Charles R. Garry.

The jury was excused.

Bobby Seale and Judge Hoffman

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Charles R. Garry was indeed Bobby Seale’s lawyer, but two weeks before the trial began, he had had emergency gallbladder surgery and had requested a six-week postponement in the trial. Even though postponements are granted all the time for all sorts of reasons, Judge Hoffman had refused to grant this one, and he insisted that William Kunstler represent Bobby Seale—even though Bobby Seale had a clear constitutional right to be represented by the counsel of his choice. Seale’s insistence on this right provided the central drama of the first part of the trial.

JUDGE HOFFMAN: Mr. Kunstler, do you represent Mr. Seale?

WILLIAM KUNSTLER: No, your Honor, as far as Mr. Seale has indicated to me, that because of the absence of Charles R. Garry—

JUDGE HOFFMAN: I will permit you to make another opening statement on behalf of Mr. Seale if you like. I will not permit a party to a case to—

WILLIAM KUNSTLER: Your Honor, I cannot compromise Mr. Seale’s position—

JUDGE HOFFMAN: I don’t ask you to compromise it, sir, but I will not permit him to address the jury with his very competent lawyer seated there.

WILLIAM KUNSTLER: If I were to make an opening statement, I would compromise his position that he has not his full counsel here.

JUDGE HOFFMAN: Mr. Seale, you are not to make an opening statement. I so order you. You are not permitted to in the circumstances of this case.

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