Altar Server Step-By-Step Guide
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Stand Priest: in the Name of the Father, and of the Son, and of the Holy
1 Stand Form B SIGN OF THE CROSS Priest: Have mercy on us, O Lord. Priest: In the name of the Father, and of the Son, and People: For we have sinned against you. ✠of the Holy Spirit. Priest: Show us, O Lord, your mercy. People: Amen. People: And grant us your salvation. GREETING Form C Priest: The grace of our Lord Jesus Christ, and the Priest: You were sent to heal the contrite of heart: love of God, and the communion of the Holy Lord, have mercy. Or: Kyrie, eleison. Spirit be with you all. People: Lord, have mercy. Or: Kyrie, eleison. People: And with your spirit. Priest: You came to call sinners: Christ, have mercy. Or: Christe, eleison. Or: People: Christ, have mercy. Or: Christe, eleison. Priest: Grace to you and peace from God our Father Priest: You are seated at the right hand of the Father and the Lord Jesus Christ. to intercede for us: People: And with your spirit. Lord, have mercy. Or: Kyrie, eleison. People: Lord, have mercy. Or: Kyrie, eleison. Or: Priest: The Lord be with you. People: And with your spirit. All forms of the Penitential Act are concluded by the Priest: PENITENTIAL ACT May almighty God have mercy on us, forgive us our Priest: Brethren, let us acknowledge our sins, and so sins, and bring us to everlasting life. prepare ourselves to celebrate the sacred mys- People: Amen. teries. Form A The Kyrie eleison invocations follow, unless they have just occurred All pause for silent reflection then say: in a formula of the Penitential Act (Form C). -
SAINT BASIL the GREAT ALTAR SERVER MANUAL Prayers of An
SAINT BASIL THE GREAT ALTAR SERVER MANUAL Prayers of an Altar Server O God, You have graciously called me to serve You upon Your altar. Grant me the graces that I need to serve You faithfully and wholeheartedly. Grant too that while serving You, may I follow the example of St. Tarcisius, who died protecting the Eucharist, and walk the same path that led him to Heaven. St. Tarcisius, pray for me and for all servers. ALTAR SERVER'S PRAYER Loving Father, Creator of the universe, You call Your people to worship, to be with You and each other at Mass. Help me, for You have called me also. Keep me prayerful and alert. Help me to help others in prayer. Thank you for the trust You've placed in me. Keep me true to that trust. I make my prayer in Jesus' name, who is with us in the Holy Spirit. Amen. 1 PLEASE SIGN AND RETURN THIS TOP SHEET IMMEDIATELY To the Parent/ Guardian of ______________________________(server): Thank you for supporting your child in volunteering for this very important job as an Altar Server. Being an Altar Server is a great honor – and a responsibility. Servers are responsible for: a) knowing when they are scheduled to serve, and b) finding their own coverage if they cannot attend. (email can help) The schedule is emailed out, prior to when it begins. The schedule is available on the Church website, and published the week before in the Church Bulletin. We have attached the, “St. Basil Altar Server Manual.” After your child attends the two server training sessions, he/she will most likely still feel unsure about the job – that’s OK. -
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass Key Terms: Eucharist: The true presence of Christ in the form of his Body and Blood. During Mass, bread and wine are consecrated to become the Body and Blood of Christ. Whatever remains there are of the Body of Christ may be reserved and kept. Tabernacle: The box-like container in which the Eucharistic Bread may be reserved. Sacristy: The room in the church where the priest and other ministers prepare themselves for worship. Altar: The table upon which the bread and wine are blessed and made holy to become the Eucharist. Sanctuary: Often referred to as the Altar area, the Sanctuary is the proper name of the area which includes the Altar, the Ambo (from where the Scriptures are read and the homily may be given), and the Presider’s Chair. Nave: The area of the church where the majority of worshippers are located. This is where the Pews are. Genuflection: The act of bending one knee to the ground whilst making the sign of the Cross. Soon (maybe even next weekend – August 25-26) , the tabernacle will be re-located to behind the altar. How should I respond to the presence of the reserved Eucharist when it will now be permanently kept in the church sanctuary? Whenever you are in the church, you are in a holy place, walking upon holy ground. Everyone ought to be respectful of Holy Rosary Church as a house of worship and prayer. Respect those who are in silent prayer. -
1 Introduction Two Processions Entered Jerusalem on a Spring Day
1 Davidson College Presbyterian Church Davidson, North Carolina Scott Kenefake, Interim Senior Pastor “The Last Week” Palm Sunday March 25, 2018 Introduction Two processions entered Jerusalem on a spring day in the year 30. It was the beginning of the week of Passover, the most sacred week of the Jewish year. One was a peasant procession, the other an imperial procession. From the east, Jesus rode a donkey down the Mount of Olives, cheered by his followers. Jesus was from the peasant village of Nazareth, his message was about the kingdom of God, and his followers came from the peasant class. They had journeyed to Jerusalem from Galilee, about a hundred miles to the north. On the opposite side of the city, from the west, Pontius Pilate, the Roman governor of Idumea, Judea, and Samaria, entered Jerusalem at the head of a column of imperial cavalry and soldiers. Jesus’s procession proclaimed the kingdom of God; Pilate’s proclaimed the power of empire. The two processions embody the central conflict of the week that led to Jesus’s crucifixion. Pilate’s military procession was a demonstration of both Roman Imperial power—imagine cavalry on horses, foot soldiers, leather armor, helmets, weapons, banners, golden eagles mounted on poles, sun glinting on metal and gold. Sounds: the marching of feet, the creaking of leather, and the clinking of bridles, the beating of drums. The swirl of dust. The eyes of the silent onlookers, some curious, some awed, some resentful--and Roman Imperial Theology—they called Caesar (in this case Tiberius) “son of God,” “lord,” and “savior.” Inscriptions refer to him as … one who had brought “peace on earth.” Though unfamiliar to most people today, the imperial procession was well known in the Jewish homeland in the first century …, for it was the standard practice of the Roman governors of Judea to be in Jerusalem for the major Jewish festivals. -
Understanding When to Kneel, Sit and Stand at a Traditional Latin Mass
UNDERSTANDING WHEN TO KNEEL, SIT AND STAND AT A TRADITIONAL LATIN MASS __________________________ A Short Essay on Mass Postures __________________________ by Richard Friend I. Introduction A Catholic assisting at a Traditional Latin Mass for the first time will most likely experience bewilderment and confusion as to when to kneel, sit and stand, for the postures that people observe at Traditional Latin Masses are so different from what he is accustomed to. To understand what people should really be doing at Mass is not always determinable from what people remember or from what people are presently doing. What is needed is an understanding of the nature of the liturgy itself, and then to act accordingly. When I began assisting at Traditional Latin Masses for the first time as an adult, I remember being utterly confused with Mass postures. People followed one order of postures for Low Mass, and a different one for Sung Mass. I recall my oldest son, then a small boy, being thoroughly amused with the frequent changes in people’s postures during Sung Mass, when we would go in rather short order from standing for the entrance procession, kneeling for the preparatory prayers, standing for the Gloria, sitting when the priest sat, rising again when he rose, sitting for the epistle, gradual, alleluia, standing for the Gospel, sitting for the epistle in English, rising for the Gospel in English, sitting for the sermon, rising for the Credo, genuflecting together with the priest, sitting when the priest sat while the choir sang the Credo, kneeling when the choir reached Et incarnatus est etc. -
REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
Location of Choir and Musical Instruments, January 2012
ARCHDIOCESE OF PHILADELPHIA Office for Liturgical Music 222 North Seventeenth Street ! Philadelphia, Pennsylvania 19103-1299 215-587-3696 www.ArchPhilaMusic.org www.CathedralPhilaConcerts.org LOCATION OF CHOIR AND MUSICAL INSTRUMENTS COMMENTARY OFFICE FOR WORSHIP ARCHDIOCESE OF PHILADELPHIA Sacrosanctum Concilium, the document of the Second Vatican Council on the Sacred Liturgy, speaks clearly of the importance of music in the liturgy and, while urging that “choirs … be diligently promoted,” insists that “religious singing by the people … be skillfully fostered.” Implicit is the recognition of the special service and gift given to the people of God by skilled ministers of music who are, at the same time, members of the community at prayer. Subsequent Church documents and statements by the United States Conference of Catholic Bishops support, develop, and expand upon Sacrosanctum Concilium regarding music ministers. In particular, they speak of the proper location of the choir, cantor, and other musicians in the church building itself -- as both musicians and members of the assembly. The Office for Worship of the Archdiocese of Philadelphia, based upon the norms expressed in liturgical documents regarding the placement of musicians, offers the following guidelines to pastors, musicians, and worship committees. Musicians (choir, cantor, instrumentalists), recognized and appreciated for the special gift they bring to the celebration of the Sacred Liturgy, must be located in the church in such a way that they are also clearly perceived to be members of the worshipping assembly. While lending their special training and skill, they must also be servants of the Sacred Liturgy and members of the community at prayer. -
A Comparison of the Two Forms of the Roman Rite
A Comparison of the Two Forms of the Roman Rite Mass Structures Orientation Language The purpose of this presentation is to prepare you for what will very likely be your first Traditional Latin Mass (TLM). This is officially named “The Extraordinary Form of the Roman Rite.” We will try to do that by comparing it to what you already know - the Novus Ordo Missae (NOM). This is officially named “The Ordinary Form of the Roman Rite.” In “Mass Structures” we will look at differences in form. While the TLM really has only one structure, the NOM has many options. As we shall see, it has so many in fact, that it is virtually impossible for the person in the pew to determine whether the priest actually performs one of the many variations according to the rubrics (rules) for celebrating the NOM. Then, we will briefly examine the two most obvious differences in the performance of the Mass - the orientation of the priest (and people) and the language used. The orientation of the priest in the TLM is towards the altar. In this position, he is facing the same direction as the people, liturgical “east” and, in a traditional church, they are both looking at the tabernacle and/or crucifix in the center of the altar. The language of the TLM is, of course, Latin. It has been Latin since before the year 400. The NOM was written in Latin but is usually performed in the language of the immediate location - the vernacular. [email protected] 1 Mass Structure: Novus Ordo Missae Eucharistic Prayer Baptism I: A,B,C,D Renewal Eucharistic Prayer II: A,B,C,D Liturgy of Greeting: Penitential Concluding Dismissal: the Word: A,B,C Rite: A,B,C Eucharistic Prayer Rite: A,B,C A,B,C Year 1,2,3 III: A,B,C,D Eucharistic Prayer IV: A,B,C,D 3 x 4 x 3 x 16 x 3 x 3 = 5184 variations (not counting omissions) Or ~ 100 Years of Sundays This is the Mass that most of you attend. -
The Penitential Rite & Kyrie
The Mass In Slow Motion Volumes — 7 and 8 The Penitential Rite & The Kyrie The Mass In Slow Motion is a series on the Mass explaining the meaning and history of what we do each Sunday. This series of flyers is an attempt to add insight and understanding to our celebration of the Sacred Liturgy. You are also invited to learn more by attending Sunday School classes for adults which take place in the school cafeteria each Sunday from 9:45 am. to 10:45 am. This series will follow the Mass in order. The Penitential Rite in general—Let us recall that we have just acknowledged and celebrated the presence of Christ among us. First we welcomed him as he walked the aisle of our Church, represented by the Priest Celebrant. The altar, another sign and symbol of Christ was then reverenced. Coming to the chair, a symbol of a share in the teaching and governing authority of Christ, the priest then announced the presence of Christ among us in the liturgical greeting. Now, in the Bible, whenever there was a direct experience of God, there was almost always an experience of unworthiness, and even a falling to the ground! Isaiah lamented his sinfulness and needed to be reassured by the angel (Is 6:5). Ezekiel fell to his face before God (Ez. 2:1). Daniel experienced anguish and terror (Dan 7:15). Job was silenced before God and repented (42:6); John the Apostle fell to his face before the glorified and ascended Jesus (Rev 1:17). Further, the Book of Hebrews says that we must strive for the holiness without which none shall see the Lord (Heb. -
Processional Cross the Cross Is The
The Holy Rood Guild / Notes 3 - Processional Cross The cross is the mark of our identity as Christians. Signed with a cross at our baptism, we are most basically cross-bearers, Christbearers. The cross identifies us as those claimed by Christ. We belong to him, purchased at the price of his own blood. Baptized into Christ, the cross is our destiny and our only hope. Paul could therefore write boldly to the Galatians: "May I never boast except in the cross of Christ." (6:14) Yet for many early Christians the cross was an embarrassing symbol with its associations of scandal and humiliation. The first crosses displayed in public were small, timid inscriptions, not easily identifiable. There were X-shaped and T-shaped crosses and even little anchor-shaped crosses. Indeed for those Christians threatened with persecution the cross was a frightening symbol. The 4th century saw more confident depictions of the cross. It was sometimes adorned with the Lamb or the Hand of God in blessing. The persecution of the Church had ended. Christianity had been legitimized by Constantine, who abolished crucifixion throughout the empire out of respect for Christ. It was Constantine who first used the cross in official public insignia. He placed it on the imperial diadem as well as on the shields of his troops. Early accounts are inconsistent, but it seems that just before the battle of the Milvian bridge, he had a dream in which Christ told him to paint on the shields of his soldiers an inverted "X" with one arm curved over - . -
HISTORICAL ANTECEDENTS of ST. PIUS X's DECREE on FREQUENT COMMUNION JOHN A
HISTORICAL ANTECEDENTS OF ST. PIUS X's DECREE ON FREQUENT COMMUNION JOHN A. HARDON, SJ. West Baden College HPHE highest tribute to the apostolic genius of St. Pius X was paid by * his successor on the day he raised him to the honors of the altar: "in the profound vision which he had of the Church as a society, Pius X recognized that it was the Blessed Sacrament which had the power to nourish its intimate life substantially, and to elevate it high above all other human societies." To this end "he overcame the prejudices springing from an erroneous practice and resolutely promoted frequent, even daily, Communion among the faithful," thereby leading "the spouse of Christ into a new era of Euchari^tic life."1 In order to appreciate the benefits which Pius X conferred on the Church by his decree on frequent Communion, we might profitably examine the past half-century to see how the practice which he advo cated has revitalized the spiritual life of millions of the faithful. Another way is to go back in history over the centuries preceding St. Pius and show that the discipline which he promulgated in 1905 is at once a vindication of the Church's fidelity to her ancient traditions and a proof of her vitality to be rid of whatever threatens to destroy her divine mission as the sanctifier of souls. The present study will follow the latter method, with an effort to cover all the principal factors in this Eucharistic development which had its roots in the apostolic age but was not destined to bear full fruit until the present time. -
Inviting a Response: the Altar Call in Contemporary Mission and Ministry in Britain and Ireland
WBC Journal Issue 1 August 2015 Inviting a Response: The altar call in contemporary mission and ministry in Britain and Ireland By Jonathan Roberts Abstract This article charts the use of the ‘altar call’ or ‘appeal’ from its beginnings in America in the 18th century, to its place in Britain and the early Salvation Army. It investigates its use in contemporary denominations within Britain and Ireland, and asks whether it remains an effective evangelistic method. It concludes that it still has a place within a process-orientated approach to evangelism and an overall emphasis upon the journey of faith, worship and ministry. A postmodern culture continues to value opportunities for symbolic public response in faith commitment and spiritual growth and development. Introduction Salvationists are accustomed to the sight of someone walking forward at the end of a sermon in response to an altar call – also known as an appeal or an invitation. It has been part of Salvation Army worship since the movement’s beginnings in 1865. William Booth had used the altar call as a Methodist minister in the 1850s and as a travelling revivalist in the 1860s. Its origins, however, lay on the other side of the Atlantic in the mid-eighteenth century. It was used infrequently to begin with, but by the end of the century it was fairly common among American Baptists, Congregationalists and especially Methodists. Then the camp meetings of the early nineteenth century led to it becoming a standard and commonplace evangelistic practice. These meetings derived from the Presbyterian tradition of holding four or five days of special communion services.