George Gershwin

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Late Night Jazz: George Gershwin Samstag, 15. Oktober 2016, 22.05 - 24.00 Uhr Redaktion: Beat Blaser Moderation: Anina Salis Michel Petrucciani - Stéphane Grappelli: Flamingo (1996) Label: Dreyfus Track 6: I Got Rhythm Chet Baker: Young Chet ( 1954) Label: Pacific Track 2: But Not For Me Claire Martin : Too Much In Love To Care (2012) Label: LINN Records Track 2: Embraceable You Dexter Gordon: Our Man In Paris (1962) Label: Blue Note Track 6: Our Love Is Here To Stay Jacob Collier: Single (2015) Label: Eigenvertieb Track Fascination Rhythm Hank Jones: Standard Collection (1995) Label: Denon Track 1: S’Wonderful Count Basie: Sinatra At The Sands With Count Basie (1966) Label: Reprise Track 2: I’ve Got A Crush On You Chet Baker & Stan Getz - West Coast - Live At „The Haig“(1953) Label: Pacific Jazz Track 6: Strike Up the Band Georgie Fame: The Blues and Me (1992) Label: GoJazz Track How Long Has This Been Going On Paul Kuhn: I Wish You Love (1997) Label: Timbre Track 7: Soon Aaron Neville: Nature Boy (2003) Label: Verve Track 1: Summertime Herbie Hancock: Gershwin's World (1998) Label: Verve Track 2: It Ain’t Necessarily So Shirley Horn Trio & Roy Hargrove: I Remember Miles (1998) Label: Verve Track 6: I Got Plenty O’Nuttin Lou Donaldson: The Natural Soul (1962) Label: Blue Note Track 2: Love Walked In Hal Mooney Orchestra: The George Gershwin Songbook Vol.1 (1957) Label: Emarcy Track 8: A Foggy Day In London Town Bennie Wallace: Someone To Watch Over Me (1999) Label : Enja Records Track 1: Nice Work If You Can Get It Willie Nelson: Summertime. Sings Gershwin (2016) Label: Legacy Records Track 4: Let’s Call the Whole Thing Off Michael Moore: Michael Moore Trio plays Gershwin (1994) Label: Mastermix Track 8: Shall We Dance Tony Bennett & Lady Gaga: Cheek To Cheek (2014) Label: UMI Track 10: They All Laughed David "Fathead" Newman: The Blessing (2008) Label: High Note Track 1: Someone To Watch Over Me Billie Holiday: Body And Soul (1957) Label: Verve Track 2: They Can’t Take That Away From Mal Waldron: Blues for Lady Day. A personal tribute to Bill (1972) Label: Black Lion Track 5: The Man I Love Virginie Teychené: Portraits (2006) Label: Altro Suoni Track 11: I Was Doing Allright Zoot Sims: Zoot Sims and the Gershwin Brothers (1975) Label: Pablo Track 9: Isn’t It A Pity Dianne Reeves: We All Love Ella (2007) Label: Verve Track 6: Oh, Lady Be Good Jesper Thilo: I Remember Boone (2004) Label Music Mecca Track 6: Somebody Loves Me Reservetitel Ehud Asherie: Modern Life Label: Positone Track 4: He Loves and She Loves .

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Sellafield Magazine: Issue 7
Editor's Letter Editor’s Letter British engineering making a hole lot of difference page 54 his issue of Sellafield Magazine comes later than originally advertised. As a publicly funded organisation we minimised our communication Tactivity in the run up to the General Election in June. It is our home within the civil service and as a subsidiary of the Nuclear Aspiring young writers visit Sellaﬁeld Decommissioning Authority that prompted another highlight from the page 70 last few months. Our digital home has moved. We are now part of the GOV.UK platform. You can read more about the transition of our website on page 63 and don’t forget to save our new address to your favourites: www.gov.uk/sellafieldltd We have been busy since our last issue so our pages are bursting with stories about the progress we are making on the Sellafield site. You can read about the doors we have installed into the side of an old waste silo on page 54; about the robots our supply chain partner Forth Engineering have developed to help us complete radiological surveys on page 12; and find out everything you need to know about our Site Ion Exchange Plant in the latest of our ‘In Focus’ series on page 50. Our new website: www.gov.uk/sellaﬁeldltd is now live page 63 At a corporate level, we have published our new strategy as well as our transformation plan. Together they provide an overview of our direction and our approach to fundamental and far-reaching changes in our organisation.
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Program Notes
“Come on along, you can’t go wrong Kicking the clouds away!” Broadway was booming in the 1920s with the energy of youth and new ideas roaring across the nation. In New York City, immigrants such as George Gershwin were infusing American music with their own indigenous traditions. The melting pot was cooking up a completely new sound and jazz was a key ingredient. At the time, radio and the phonograph weren’t widely available; sheet music and live performances remained the popular ways to enjoy the latest hits. In fact, New York City’s Tin Pan Alley was overflowing with "song pluggers" like George Gershwin who demonstrated new tunes to promote the sale of sheet music. George and his brother Ira Gershwin composed music and lyrics for the 1927 Broadway musical Funny Face. It was the second musical they had written as a vehicle for Fred and Adele Astaire. As such, Funny Face enabled the tap-dancing duo to feature new and well-loved routines. During a number entitled “High Hat,” Fred sported evening clothes and a top hat while tapping in front of an enormous male chorus. The image of Fred during that song became iconic and versions of the routine appeared in later years. The unforgettable score featured such gems as “’S Wonderful,” “My One And Only,” “He Loves and She Loves,” and “The Babbitt and the Bromide.” The plot concerned a girl named Frankie (Adele Astaire), who persuaded her boyfriend Peter (Allen Kearns) to help retrieve her stolen diary from Jimmie Reeve (Fred Astaire). However, Peter pilfered a piece of jewelry and a wild chase ensued.
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