Annie: a Closer Look

Total Page:16

File Type:pdf, Size:1020Kb

Annie: a Closer Look ANNIE: A CLOSER LOOK WHAT TO EXPECT Watching a play or a musical is different than watching a movie or TV show because the actors are on stage, live, and in person. They can see you and hear you. And you, the audience, have a very important role to play. Can you imagine actors in costumes and stage makeup, or musicians playing their instruments in a room without an audience? Without you there would be no show. So you have a very important job. Your job is to listen with your whole body. That means your ears are open, your eyes are watching, and your voice is silent. You may show your appreciation by reacting to the show appropriately: laugh when something is funny, cry if something is sad, and always clap to show the actors that you appreciate their work. Of course, we know that sometimes movement or noise is necessary, and when it occurs, the actors know how to go on with the show. HERE ARE SOME THINGS TO REMEMBER. • Please completely turn off all phones and electronic devices that may make noise during the show. • Please refrain from taking photographs or video recordings of the show. • It is okay to make noise and/or move in your seat but please do not disturb your fellow audience members or disrupt the performance. ENJOY THE SHOW! MEET THE CHARACTERS OF ANNIE! Annie – 11 year old, spunky, red haired orphan who Grace Farrell – Kind woman who works for hopes for a brighter “Tomorrow.” Oliver Warbucks. The Orphans – Annie’s friends who live with Daniel “Rooster” her in the orphanage. They have a “Hard Knock Life” and Hannigan – The brother of Miss Hannigan. He are named Molly, Kate, Tessie, Pepper, July, and Duffy. has no money and is always thinking up schemes to lead him to “Easy Street.” Miss Hannigan – The woman who runs the orphanage where Annie and her friends live. She hates Lily St. Regis – Rooster’s girlfriend and children, particularly, “Little Girls.” sidekick in his schemes. Oliver Warbucks – Very wealthy man who Sandy – Sweet mutt who becomes Annie’s has no children. He lives in a big mansion in New York best friend. City, also known as, “NYC.” Annie’s World By Jordan Lusink, Marketing Projects Manager Annie takes place in 1933 in The Big Apple – New He served from 1933 (when he won the election York City! While you might know a bit about New in a landslide against Hoover) until his death in York City, here are a few other things to know about 1945. When Annie meets FDR, he is just finishing Annie’s world. up his first year in office and is in the midst of implementing his New Deal. “Little Orphan Annie” The musical Annie is based on a daily newspaper New Deal comic strip that premiered in 1924, itself based FDR’s “New Deal” was a series of programs and on an 1885 poem (“Little Orphan Annie”). “Little projects that were implemented as a means of Orphan Annie” was one of the first adventure attempting to pull the US out of the Depression. comic strips to focus on the stories of a young girl, Social Security, a precursor to FEMA, the Works chronicling the tales of Annie, her faithful dog Progress Administration (WPA), the creation of the Sandy, her benefactor Oliver Warbucks, and many FDIC, passage of the Glass-Steagall Act, the SEC, other friends. the FCC—all of these were New Deal programs. In Washington, for example, the WPA is responsible The Great Depression for the building of the Grand Coulee Dam, the Beginning with a stock market crash that reservoir of which is known as Franklin Delano devastated financial systems in 1929 and Roosevelt Lake. continuing until the start of World War II in 1939, the United States and, in fact, the world, was in The Sun Will Come crisis: soup kitchen lines were never-ending; Out Tomorrow the number of homeless Americans was steadily rising; farmers couldn’t afford to harvest their The musical Annie is about a girl who has no parents crops; and unemployment, which averaged 25% and lives in an orphanage run by a mean woman who doesn’t like children. And yet, Annie is always nationally, reached 90% in some cities. Although an optimist, dreaming of a better life in the future. the Depression didn’t technically end until 1939, The musical Annie is about finding hope in a new day things slowly began to get better in 1933, when tomorrow, and a strong-willed little girl who brightens President Franklin Delano Roosevelt was elected everyone’s world today. and enacted his New Deal. In the musical, Annie imagines what her parents Hoovervilles might be like. In her dreams, they are kind, thoughtful people who are searching for their little girl. In the Hoovervilles were shantytowns built by the end, Annie comes to learn that the people who make homeless. Though many large cities had municipal up a family, are not always the ones we expect. housing for the homeless prior to it, during the Depression, there simply wasn’t enough room to keep up with the growing homeless population. What are your dreams for the future? President Franklin Delano What are some ways that you can make Roosevelt (“FDR”) the world brighter tomorrow? You may recognize FDR as the president whom Who are the people that make up your family? Annie goes to the White House to meet. He was elected to the presidency a record four times! We want to hear from you! Send us your answers to [email protected]..
Recommended publications
  • Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
    Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35
    [Show full text]
  • The Curse of Eve - Or, What I Learned in School Margaret Atwood
    The Curse of Eve - Or, What I Learned in School Margaret Atwood Margaret Atwood and less Graeme Gibson La Malediction d'Eve ou - Ce que j'ai appris aI'ecole. knowledge, like all other knowledge, by virtue of gender. The tables have turned and now it's women who are supposed to Dans cet aper~u des stereotypes de femmes ecrivai ns et possess this knowledge, simply by birthright. I can only assume de leur impact sur notre tradition litteraire, Atwood nous that's the reason I've been invited to speak to you, since I'm demande de permettre aux femmes - personnages et not an authority on women, or indeed on anything else. personnes - d'avoir leurs imperfections sans etre I escaped from academia and bypassed journalism - which was categorisees comme types. the other career I considered, until I was told that women journalists usually ended up writing obituaries or wedding announcements for the women's page, in accordance with their Once upon a time, I wou Id have not been invited to speak to ancient roles as goddesses of life and death, deckers of nuptial you today. That time isn't really very long ago. In 1960, when beds and washers of corpses. Finally, I became a professional I was attending university, it was widely known that the writer. I've just finished a novel, so it's as a working novelist University College English department did not hire women, no that I'd li ke to approach this general area. matter what their qualifications. My own college did hire .
    [Show full text]
  • PLAYHOUSE SQUARE January 12-17, 2016
    For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut.
    [Show full text]
  • 2017 | 2018 Season
    2017 | 2018 SEASON Unforgettable characters. Extraordinary stories. Since 1947. A CHRISTMAS STORY, 2014 THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, 2014 Honoring our 70 year history as San Luis Obispo Little Theatre while building our future as San Luis Obispo Repertory Theatre, a professional, nonprofit, regional theatre. Repertory (re-pə(r)-ˌtȯr-ē) 1. a company that performs different plays in the course of a season 2. a theatre in which such a company performs 3. the production and presentation of plays by a repertory company BYE BYE BIRDIE, 2016 THE DROWSY CHAPERONE, 2016 A New Name for Live Theatre This organization was created in the summer of 1947 by a small group of people who wanted to “put on a show.” These 10-15 theatre-lovers, swept up in the last wave of the larger Little Theatre movement across the country, recognized the need for an organized drama troupe in San Luis Obispo. Late in 1947, they decided on the name San Luis Obispo Little Theatre and began rehearsal for their first production – Noel Coward’s Blithe Spirit – which opened at the San Luis Obispo High School Auditorium in early 1948. Since that first show, the San Luis Obispo Little Theatre has produced a full season of plays each year, every year, in 27 different locations around the county. We have had an incredible history as a nonprofit community theatre: 70 years, over 900 plays, hundreds of board members, thousands of volunteers. Now it is time for us to officially become the premier live theatre in San Luis Obispo, and continue the growth we have experienced for the last 5, the last 30, the last 70 years.
    [Show full text]
  • Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
    $39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation.
    [Show full text]
  • Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here.
    [Show full text]
  • JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
    Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer.
    [Show full text]
  • Annie Role Breakdown
    Adult Roles Oliver Warbucks : Must be able to appear age 40-65, Male. A powerful billionaire, who always has his mind on business, but has a kind heart looking for someone to love. Sings “Something Was Missing” and “I Don’t Need Anything But You”. (Vocal Range: Baritone to a high F.) Must be able to sing and act. The role involves a very small amount of dance. May be required to SHAVE head. Grace Farrell : Must be able to appear age 25-35, Female. Loyal and intelligent private secretary to Oliver Warbucks. She brings Annie and Warbucks together. Sings “I think I’m Gonna Like It Here”, “NYC”, “You Won’t Be an Orphan For Long” and “I Don’t Need Anything But You”. (Vocal Range: Soprano to high G). Must be able to sing, act and dance. Miss Hannigan : Must be able to appear age 35-60, Female. Desperate and unhappy with her lot in life, she is the alcoholic orphanage matron who is Annie’s nemesis. Sings, “Little Girls” and “Easy Street”. (Vocal Range: Alto A to D) Must be able to sing, act and dance. Lily St. Regis : Must be able to appear age 25 – 35, Female. Shady, floozy girlfriend of Rooster. Sings “Easy Street”. (Vocal Range: Soprano up to a high G) Must be able to sing, act, and dance. Rooster : Must be able to appear age 25-45. Male. Miss Hannigan’s greedy and dishonest brother. Sings “Easy Street” (Vocal Range: Tenor to high G). Must be able to sing, act, and dance. Roosevelt : Age 40-65, Male.
    [Show full text]
  • Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience
    Spring 1993 177 Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience Angelika Czekay Today, after seventeen years in the porn industry, ex-sex worker Annie Sprinkle is a performance artist. In her recent performance piece "Post-Post Porn Modernist Still in Search of the Ultimate Sexual Experience," Sprinkle talks about her life as a former porn star and ex-prostitute. The show's topic is sex, which Sprinkle "understands as her hobby, politics, spiritual experience, expertise, main subject matter . and the key to her great health and happiness" (Program note, Theatre Oobleck, October 1991). The performance is visually graphic: Sprinkle urinates and douches on stages, invites the spectator to look at her cervix, performs a "bosom ballet," and introduces sex toys for the fulfillment of various sexual desires. In a series of loosely linked segments, her narration moves through the different stages in her life and reveals its changes, both in job and attitude. To complement her stories, Sprinkle uses sets of slides; for instance, the "pornstistics" [sic], showing an image of the Empire State Building as a demonstration of the length of all the penises she "sucked," or a diagram that reveals in percentages her reasons for becoming a sex worker. I had the opportunity to see Sprinkle's performance piece on two separate occasions and in two different cultural contexts in 1991, once in Berlin in July and once in Chicago in October. Although the performance had basically remained the same, my reactions were almost directly opposite.
    [Show full text]
  • Feed Is High
    CENTS SMOKE THE C. & M. AND LITTLE JOE CIGARS. 6 CENTS NOVEMBER - Hun i Tuu I Thu Fn r8»l 1 i3 1 3 I One Buys Carpets bocal :i| 4 ft « 7 H W ] 101 11 13 l:t 14 15 to (special When J^ews J 17 ih 19, :o u >t 3a j notice. 341 35 3« 37, iH 3»l SO J Curtains, Shades and other home furnishings, it’s l>est to I and most fashionable ideas, especially when Beginning Oct. 1, 1901, secure latest I’d leave my happy home and cross the What? Fair and supper. When? | we will issue cash In our stock it means no greater outlay. you’ll find the deep blue sea, Thursday evening, Dec. 5. Where ? | sales with all purchases. All customers fashionable ideas, priced be slips neW fall styles -the but along Rather than without Charley and At First Presbyterian church. All my Rocky the same reasonable lines that always characterizes such Mountain Tea. right! I shall shall be there. I buying $25.00 worth of goods or over during —A. L. Bin ford. offerings here. The members of the junior college the balance of tins year lie cash football eleven and of the city high | will entitled to a CARPETS” SeveraI rolls just in at the Morgan Wood, Thanksgiving night. LOWELL school indulged in a pleasant social rebate of 5 percent i same price that you pay for inferior goods. Sherwin sells dry corn cobs. 26t4 time at Woodmen hall on Monday 1 evening. Music and dancing consti- iii our misfit de- Castlewood has organized a business upon presentation exceptional values men's association.
    [Show full text]
  • The Inventory of the Harold Gray Collection #100
    The Inventory of the Harold Gray Collection #100 Howard Gotlieb Archival Research Center Gray, Harold #100 Gifts of Mrs. Harold Gray and others, 1966-1992 Box 1 Folder 1 I. Correspondence. A. Reader mail. 1. Fan mail re: “Little Orphan Annie.” a. 1937. b. 1938. c. 1939. d. Undated (1930s). Folder 2 e. 1940-1943. Folder 3 f. 1944. Folder 4 g. 1945. Folder 5 h. 1946. Folder 6 i. 1947. Folder 7 j. 1948. Folder 8 k. 1949. 2 Box 1 cont’d. Folder 9 l. Undated (1940s). Folder 10 m. 1950. Folder 11 n. 1951. Folder 12 o. 1952. Folder 13 p. 1953-1955. Folder 14 q. 1957-1959. Folder 15 r. Undated (1950s). Folder 16 s. 1960. Folder 17 t. 1961. Folder 18 u. 1962. Folder 19 v. 1963. 3 Box 1 cont’d. Folder 20 w. 1964. Folder 21 x. 1965. Folder 22 y. 1966. Folder 23 z. 1967. Folder 24 aa. 1968. Folder 25 bb. Undated (1960s). Folder 26 2. Reader comments, criticisms and complaints. a. TLS re: depiction of social work in “Annie,” Mar. 3, 1937. Folder 27 b. Letters re: “Annie” character names, 1938-1966. Folder 28 c. Re: “Annie”’s dress and appearance, 1941-1952. Folder 29 d. Protests re: African-American character in “Annie,” 1942; includes: (i) “Maw Green” comic strip. 4 Box 1 cont’d. (ii) TL from HG to R. B. Chandler, publisher of the Mobile Press Register, explaining his choice to draw a black character, asking for understanding, and stating his personal stance on issue of the “color barrier,” Aug.
    [Show full text]
  • TRUCK DRIVERS STRIKE; STILL in DEADLOCK] WHOLE STATE TIED up President Gran Awaiti Arriv­ DR
    / A v n u a a d a i u cuouLATioif for tiM Moatt tt hwgm, INI Oooenlly tair sal ilgMIy 5 . 1 5 4 •r toaifht oad ToMiogr. IlMBbW Of tto A n«t BONM ' of Wt OOOVO O f f (TWELVE PAGES) PRICE THRSP CENTS Adrortfitag oa fa ft iOb) MANCHESTER, CONN^ MONDAY, SEPTEMBER 25, 1988. VOL. U L, NO. 804 FACTIONS IN CUBA Twjce Around The W orld—To ThiB! TRUCK DRIVERS STRIKE; STILL IN DEADLOCK] WHOLE STATE TIED UP President Gran Awaiti Arriv­ DR. DOLANS WORK Labor Official Eitimatoi al of Cuban Leader — Son TO RE aiRTAKEDI Local Trucking Firms 2,000 Tmeks Staii^ Declares Hii Father Not Have Autos Tied Up Idle — Employer! Say Against Government. imiot Wagner to Have Only 400 Men Quit But Tba general walkout of truokAStopped yesterday but wan allowed New Agency Settle Labor | driven throughout tba state, which to nturn Manchester. HtVUA, lopt. 26— (AP) —ItUl Psirett * Glenney are under con­ That They Had Stripped dtadleokcd with Ita polltioal oppoa* Dif putes fa) the State. occurred with startling suddenness tract with rhansy Brothers and tbe •Dti, tba fovtrnmoBt of lUmoB late last night, left local trucking three trucks bald in New Haven are Hnndreds of Others op O rtu Baa MarUn awaltad tba ar* ooncern- wondering what it was all carrying the silk firm’s merchan­ rival today of tba Habal laadar, Juan about, acooiding tc tbs reports from dise. company announced this WMblBfton, Bapt. 26— (AP) — 1 afternoon that bolding up of the Blaa Harmandaa, wbo waa axpaotad leading companies here, ell of whom the Reads.
    [Show full text]