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A Thesis Submitted to the Honors College in Partial Fulfil
I LOVE YOU; NOT ENOUGH Item Type text; Electronic Thesis Authors Romano, Avery Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 23:11:59 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/637016 I LOVE YOU; NOT ENOUGH By AVERY ELIZABETH ROMANO ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors degree With Honors in Creative Writing THE UNIVERSITY OF ARIZONA D E C E M B E R 2 0 1 9 Approved by: ____________________________ Ted McLoof Department of English ABSTRACT I Love You; Not Enough is an exploration of family dynamic, relationship dysfunction, secret pasts, and the manner in which individuals handle a drastic shift in their current realities. The story of this family begins in the summer after Janie’s first year at college, when she comes home only to find that their dynamic has been uprooted by her father’s affair. Following are five short stories, a mixture of experimental and traditional fiction, that explore the summer following Janie’s return. Though it begins with a simple view of the family as a whole, as time progresses it is revealed that there is much more to this family than meets the eye. As the collection progresses, it seeks to examine the differences in relationships, the underlying factors in how those act in them, boundaries crossed and limits reached, and what brings a relationship to it’s end. -
Egrove April 1, 2011
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 4-1-2011 April 1, 2011 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "April 1, 2011" (2011). Daily Mississippian. 740. https://egrove.olemiss.edu/thedmonline/740 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. F RIDAY , APRIL 1, 2011 | VOL . 100, NO . 110 1911 THE DAILY 2011 MISSISSIPPIAN C ELEBRATING OUR HUNDREDT H YEAR | TH E STUDENT NEW S PAPER O F TH E UNIVER S IT Y O F MI ss I ss IPPI | SERVING OLE MI ss AND OXF O RD S IN C E 1911 | WWW . T H ED mo NLINE . com this week Tad Pad blasts off into space THE GROVE PANEL ON MRS DEGREE The University of Mississippi will hold a symposium on the prospect of what an MRS. degree would bring to the Oxford campus. Panelists will debate the pros and cons and discuss facility modifica- tions to accomodate classes that would be included in its curricu- lum. If the proposal for the degree is passed, a new committee will be formed to determine the course- work offered, and a budget set. 1 p.m. The Grove real news inside NEWS GRAD STUDENT BEGINS JAPAN FUND PHOTO ILLUSTRATION BY VICTORIA BOATMAN | The Daily Mississippian NEWS The Tad Smith Coliseum floats in space as it runs out of rocket fuel. -
FOR COLORED BOYZ on the Verge of Nervous Breakdown/ When Freedom Aint Enuff
FOR COLORED BOYZ on the verge of nervous breakdown/ when freedom aint enuff __________________ A choreopoem in 2 Acts by Bryan-Keyth Wilson © April 30, 2020 (979) 877-1040 P.O. Box 374 La Marque, TX 77568 [email protected] FOR COLORED BOYZ ACT I Lights fade up on a bare stage with five silhouetted figures scattered in space. Lights come up at different times with the actors dancing reflecting movement from different time periods. “DNA” by Kendrick Lamar begins to play. man in black in the beginning there was me running barefoot on the ivory coast man in orange skin black as onyx/ hair soft as lambs wool a careless disposition… man in blue free from judgment/ labels and phylums my likeness is described in the holy book but its my true identity you took man in green i am here in the present 2 FOR COLORED BOYZ looking back theres resentment pride and strength whipped outta me man in red your slave training and brainwashing affects us today in the present i draw strength from the ancestors so here i am man in green outside baltimore man in red outside north charleston man in black outside ferguson man in orange im in sanford man in blue im in houston man in green im your son man in blue your father 3 FOR COLORED BOYZ man in red your brother man in orange your husband man in black your lover all your friend The dancers walk aggressively in a circle. Each actor runs off one by one. Two actors remain on stage. -
Healthy Eating for Seniors Handbook
Healthy Eating for Seniors Acknowledgements CThehapter Healthy Eating for Seniors1 handbook was originally developed by the British Columbia Ministry of Health in Eat2008. Well, Many seniors Ageand dietitians Well were involved in helping to determine the content for the handbook – providing Therecipes, news isstories good. and Canadian ideas and generallyseniors contributingage 65 to andmaking over are Healthy living Eating longer for thanSeniors ever a useful before. resource. The WellMinistry after they of Health retire, would they like are to continuing acknowledge to and thank all participatethe individuals in their involved communities in the original and development to enjoy of this satisfying,resource. energetic, well-rounded lives with friends and family. For the 2017 update of the handbook, we would like However,to thank recent the public surveys health investigating dietitians from thethe regional eatinghealth and authorities exercise for habits providing of Canadians feedback on – the age nutrition 65 tocontent 84 – revealof the handbook. that seniors The couldupdate bewas doing a collaborative evenproject better. between the BC Centre for Disease Control and the Ministry of Health and made possible through funding from the BC Centre for Disease Control (an agency of the Provincial Health Services Authority). Healthy Eating for Seniors Handbook Update PROJECT TEAM • Annette Anderwald, registered dietitian (RD) • Cynthia Buckett, MBA, RD; provincial manager, Healthy Eating Resource Coordination, BC Centre for Disease Control -
Sabrina Claudio Album Download Zip Sabrina Claudio Album Download Zip
sabrina claudio album download zip Sabrina claudio album download zip. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 669821a70bc215e8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Sabrina claudio album download zip. Free download The Chainsmokers World War Joy, Direct zip link, album hq tracks. Filtered through a pop lens, their material was topping the charts around the world but with each newrelease it started to sound more forced and lacked a spark of creative flow. With harsh criticism starting to form due to the predictable nature of their material, they have pulled a full 360 and reignited thespark with the music they are now releasing. Artist: The Chainsmokers Album: World War Joy Release: 2019 Genre: Electronic Quality: 320 kbps. Track list: 01. The Reaper (feat. Amy Shark) 02. Family (feat. Kygo) 03. See the Way (feat. Sabrina Claudio) 04. P.S. I Hope You’re Happy (feat. blink-182) 05. -
~'7/P64~J Adviser Department of S Vie Languages and Literatures @ Copyright By
FREEDOM AND THE DON JUAN TRADITION IN SELECTED NARRATIVE POETIC WORKS AND THE STONE GUEST OF ALEXANDER PUSHKIN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By James Goodman Connell, Jr., B.S., M.A., M.A. The Ohio State University 1973 Approved by ,r-~ ~'7/P64~j Adviser Department of S vie Languages and Literatures @ Copyright by James Goodman Connell, Jr. 1973 To my wife~ Julia Twomey Connell, in loving appreciation ii VITA September 21, 1939 Born - Adel, Georgia 1961 .•..••. B.S., United States Naval Academy, Annapolis, Maryland 1961-1965 Commissioned service, U.S. Navy 1965-1967 NDEA Title IV Fellow in Comparative Literature, The University of Georgia, Athens, Georgia 1967 ••••.•. M.A. (Comparative Literature), The University of Georgia, Athens, Georgia 1967-1970 NDFL Title VI Fellow in Russian, The Ohio State University, Columbus, Ohio 1969 •.•••.• M.A. (Slavic Languages and Literatures), The Ohio State University, Columbus, Ohio 1970 .•...•. Assistant Tour Leader, The Ohio State University Russian Language Study Tour to the Soviet Union 1970-1971 Teaching Associate, The Ohio State University, Columbus, Ohio 1971-1973 Assistant Professor of Modern Foreign Languages, Valdosta State College, Valdosta, Georgia FIELDS OF STUDY Major field: Russian Literature Studies in Old Russian Literature. Professor Mateja Matejic Studies in Eighteenth Century Russian Literature. Professor Frank R. Silbajoris Studies in Nineteenth Century Russian Literature. Professors Frank R. Silbajoris and Jerzy R. Krzyzanowski Studies in Twentieth Century Russian Literature and Soviet Literature. Professor Hongor Oulanoff Minor field: Polish Literature Studies in Polish Language and Literature. -
NO RAMBLING ON: the LISTLESS COWBOYS of HORSE Jon Davies
WARHOL pages_BFI 25/06/2013 10:57 Page 108 If Andy Warhol’s queer cinema of the 1960s allowed for a flourishing of newly articulated sexual and gender possibilities, it also fostered a performative dichotomy: those who command the voice and those who do not. Many of his sound films stage a dynamic of stoicism and loquaciousness that produces a complex and compelling web of power and desire. The artist has summed the binary up succinctly: ‘Talk ers are doing something. Beaut ies are being something’ 1 and, as Viva explained about this tendency in reference to Warhol’s 1968 Lonesome Cowboys : ‘Men seem to have trouble doing these nonscript things. It’s a natural 5_ 10 2 for women and fags – they ramble on. But straight men can’t.’ The brilliant writer and progenitor of the Theatre of the Ridiculous Ronald Tavel’s first two films as scenarist for Warhol are paradigmatic in this regard: Screen Test #1 and Screen Test #2 (both 1965). In Screen Test #1 , the performer, Warhol’s then lover Philip Fagan, is completely closed off to Tavel’s attempts at spurring him to act out and to reveal himself. 3 According to Tavel, he was so up-tight. He just crawled into himself, and the more I asked him, the more up-tight he became and less was recorded on film, and, so, I got more personal about touchy things, which became the principle for me for the next six months. 4 When Tavel turned his self-described ‘sadism’ on a true cinematic superstar, however, in Screen Test #2 , the results were extraordinary. -
As We Forgive Those
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 As We Forgive Those Therese O'Neil CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/401 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] As We Forgive Those By Tracy O’Neill Mentor: Salar Abdoh April 30, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at the City College of the City University of New York. 1 CUT HIM Most all the stories Ted tells are quoting movies, and some of the movies are even movies we’ve seen together, but I don’t let on that I know. Problems are intrepid to all of us. Like last month, we’re at the Silver Dollar Stack pancake house, when bang! We’ve reared right back into this guy’s minivan. Guy gets out real steamed, saying he’s going to call 911 and get the police over. My mind is spinning like bicycle pedals on a downhill. I’ve got a D‐Dub from driving home from a high school party nine months back, and here we are in the parking lot not having learned our lesson, Ted drinking rum in his orange juice. I can see the whole scenario in cop eyes. “Dump it,” I told Ted. -
Botting Fred Wilson Scott Eds
The Bataille Reader Edited by Fred Botting and Scott Wilson • � Blackwell t..b Publishing Copyright © Blackwell Publishers Ltd, 1997 Introduction, apparatus, selection and arrangement copyright © Fred Botting and Scott Wilson 1997 First published 1997 2 4 6 8 10 9 7 5 3 Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 IJF UK Blackwell Publishers Inc. 350 Main Street Malden, MA 02 148 USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form Or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any fo rm of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Ubrary. Library of Congress Cataloging in Publication Data Bataille, Georges, 1897-1962. [Selections. English. 19971 The Bataille reader I edited by Fred Botting and Scott Wilson. p. cm. -(Blackwell readers) Includes bibliographical references and index. ISBN 0-631-19958-6 (hc : alk. paper). -ISBN 0-631-19959-4 (pbk. : alk. paper) 1. Philosophy. 2. Criticism. I. Botting, Fred. -
The Chainsmokers and Coldplay Something Just Like This Easy Piano Sheet Music
The Chainsmokers And Coldplay Something Just Like This Easy Piano Sheet Music Download the chainsmokers and coldplay something just like this easy piano sheet music pdf now available in our library. We give you 2 pages partial preview of the chainsmokers and coldplay something just like this easy piano sheet music that you can try for free. This music notes has been read 6953 times and last read at 2021-09-24 08:00:39. In order to continue read the entire sheet music of the chainsmokers and coldplay something just like this easy piano you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Vocal Guitar, Voice, Easy Piano, Piano Solo, Violin Solo Ensemble: Mixed Level: Beginning [ READ SHEET MUSIC ] Other Sheet Music Something Just Like This By The Chainsmokers And Coldplay For Piano Version Something Just Like This By The Chainsmokers And Coldplay For Piano Version sheet music has been read 2388 times. Something just like this by the chainsmokers and coldplay for piano version arrangement is for Early Intermediate level. The music notes has 3 preview and last read at 2021-09-22 21:31:48. [ Read More ] Something Just Like This Coldplay The Chainsmokers String Quartet Trio Duo Or Solo Violin Something Just Like This Coldplay The Chainsmokers String Quartet Trio Duo Or Solo Violin sheet music has been read 3807 times. Something just like this coldplay the chainsmokers string quartet trio duo or solo violin arrangement is for Intermediate level. The music notes has 5 preview and last read at 2021-09-24 05:57:42. -
"She's Gone, Boys": Vernacular Song Responses to the Atlantic Fisheries Crisis
"She's Gone, Boys": Vernacular Song Responses to the Atlantic Fisheries Crisis Peter Narváez Abstract: In July 1992 a moratorium on the commercial fishing of cod, the staple of the North Atlantic fisheries, urns enacted by the Government of Canada. Because of the continued decline in fish stocks, the moratorium has been maintained, and fishing for domestic personal consumption has also been prohibited. Various compensation programs have not atoned for the demise of what is regarded as a “way of life." Responding to the crisis, vernacular verse, mostly in song form from Newfoundland, reflects the inadequacies of such programs. In addition, these creations assign causes and solutions while revealing a common usage of musical style, language and signifiers which combine to affirm an allegiance to traditional collective values of family, community and province through nostalgic experience. Some of the versifiers have turned to the craft for the first time during this disaster because they view songs and recitations as appropriate vehicles for social commentary. Traditions of songmaking and versifying (NCARP, The Northern Cod Adjustment and responsive to local events (Mercer 1979; O'Donnell Recovery Program, August 1, 1992 to May 15, 1994, 1992: 132-47; Overton 1993; Sullivan 1994) continue and TAGS, The Atlantic Groundfish Strategy, May to thrive in Atlantic Canada, especially in 16, 1994 to May 15, 1999), these have not offset what Newfoundland. As with the sealing protests and is widely perceived as the loss of a traditional counter-protests of the 1970s (Lamson 1979), area "way of life." This study examines expressive residents view as a tragedy the latest event to responses to the fisheries crisis, largely in prompt vernacular poetics and music (i.e., elements Newfoundland, by analysing the lyrics of, at this of expressive culture the people of a particular point, 43 songs and 6 "recitations" (i.e., monologues: region identify as their own: cf. -
The Complete Gastric Band Guide ©
The Sydney Institute for Obesity Surgery 1 The Complete Gastric Band Guide © Success or Failure: Weight loss surgery relies on the right patient, the right surgeon with the correct state of the art surgical technique and patient follow up. This applies to all weight loss surgery. However you are also an important link in the chain. If your operation is technically correct, you are the reason for your success or failure. Ultimately, it depends upon you. The Definition of Success: We all tend to think about success in “weight loss” in terms of the amount of weight lost. Certainly your carers tend to be focussed on weight. This is partly because weight is an easily measurable and reproducible entity. But weight can be a poor indicator of your progress overall. It is far better to think about weight loss in terms of how your size changes, how your shape changes, your well being and quality of life and biochemical markers derived from blood tests. Weight is just one part of all these indicators and they may all be independent of weight. The best weight loss goals therefore are about quality of life, biochemical milestones (i.e. the resolution of fatty liver, remission of diabetes) and simply moving from a larger clothing size to a smaller one. To focus on weight alone neglects all the other important improvements in your being. If your weight does not drop appreciably but your clothes are looser and you are more mobile, something good has happened to your body and should not be discounted given a minimal weight loss.