Produced by Lonely Planet for Traditional Irish Dancers

Total Page:16

File Type:pdf, Size:1020Kb

Produced by Lonely Planet for Traditional Irish Dancers Musical Landscapes Produced by Lonely Planet for Traditional Irish dancers Musical Landscapes Trip at a Glance From the busker-packed streets of Galway, this rip-roaring ride takes you around Clare and the Aran Islands to discover fine traditional-music pubs, venues and festivals. Duration 5 Days 1 Galway City 2 Ennis Designated music venues in thrall to the Medieval town simply bursting with fine 139km/86 miles heartfelt outpourings of the singer-songwriter. pubs featuring traditional Irish music. 3 Miltown Malbay Home to one of Ireland’s great Best Time to Go trad music events in July. Summer 4 Ennistymon For outdoor céilidh Charming country village with (traditional dancing) roaring cascades and music at and music festivals. every turn. 1 5 Kilfenora Tiny village with a strong music tradition. Essential Photo 8 6 Lisdoonvarna Kilfenora Nonstop song and dance during 9 Nightly set-dancing the international matchmaking 6 at the crossroads, festival. 7 5 in Vaughan’s of Kilfenora. 7 Doolin 4 The epicentre of traditional Irish music. Best for Song 3 2 8 Inishmór Aran Island with lively pubs Ennis and restaurants. Ennis, on summer nights, where local 9 Inisheer musicians ply their End-of-the-earth landscape and wares. traditional drumming festival. Fiddler in Galway City, County Galway 1 Galway City on the corner of Cooke’s Lane, sees a fine bunch of musicians Galway has a young student rattling even the stone floors population and a largely creative almost every night in summer, and County Clare’s community that give a palpable the plain-tile-fronted John O’Dea energy to the place. Colourful Best Music Festival is a hideout for local musicians medieval streets packed with serious about their trad sessions. Half the population of heritage shops, sidewalk cafes and Cois na hAbhna, a pilgrimage point Miltown Malbay seems pubs ensure there’s never a dull for traditional music and culture, to be part of the annual moment. Galway’s pub selection has frequent performances and a Willie Clancy Irish Summer is second to none and some swing full range of classes in dance and School, a tribute to a native to tunes every night of the week. music, an archive, and a library of son and one of Ireland’s Crane Bar, an atmospheric old Irish traditional music, song, dance greatest pipers. The eight- pub west of the Corrib, is the best and folklore. Traditional music day festival begins on the spot in Galway to catch an informal aficionados might like to time first Saturday in July, when céilidh (traditional dancing) a visit with Fleadh Nua, a lively impromptu sessions occur most nights. Or for something festival held in late May. day and night, the pubs more contemporary, Róisín Dubh are packed and Guinness is the place to hear emerging is consumed by the barrel international rock and singer- 3 Miltown Malbay – up to 10,000 enthusiasts songwriters. from around the globe turn Miltown Malbay was a resort up for the event. Specialist favoured by well-to-do Victorians, workshops and classes Trip Highlight though the beach itself is 2km underpin the event; don’t be 2 Ennis south at Spanish Point. To the surprised to attend a recital north of the Point, there are Ennis (Inis), a medieval town in with 40 noted fiddlers. beautiful walks amid the low cliffs, origin, simply bursts with pubs coves and isolated beaches. featuring trad music. Brogan’s, Traditional Irish music session A classically friendly place in the Cooley’s House, host to music most visiting the local spa to swallow chatty Irish way, Miltown Malbay nights in summer and trad nights on its waters. Down by the river at hosts the annual Willie Clancy Irish Wednesdays and Fridays in winter. Roadside Tavern, third-generation Music Festival, one of Ireland’s great owner Peter Curtin knows every trad music events. Lynch’s Bar (aka 5 Kilfenora story worth telling. There are trad Friel’s) is one of a couple of genuine sessions daily in summer. Look for a Underappreciated Kilfenora (Cill old-style places with occasional trad trail beside the pub that runs 400m Fhionnúrach) lies on the southern sessions. down to two wells by the river. One is fringe of the Burren. It’s a small high in sulphur, the other iron. Next place, with a diminutive 12th-century Trip Highlight door, Burren Smokehouse is where cathedral. Kilfenora is best known 4 you can learn about the ancient Irish Ennistymon for its high crosses. The town has art of oak-smoking salmon. Ennistymon (Inis Díomáin) is a a strong music tradition that rivals timeless country village where that of Doolin but without the 7 people go about their business crowds. The Kilfenora Céili Band is Doolin (which involves a lot of cheerful a celebrated community that’s been Doolin gets plenty of press as a chatting) barely noticing the playing for 100 years, its traditional centre of Irish traditional music, characterful buildings lining Main music featuring fiddles, banjos, owing to a trio of pubs that have St. And behind this facade there’s squeezeboxes and more. Vaughan’s sessions through the year. McGann’s a surprise: the roaring Cascades, Pub has a big reputation – there’s has all the classic touches of a the stepped falls of the River music in the bar every night during full-on Irish music pub; the action Inagh. Not to be missed, Eugene’s the summer and the adjacent barn is often spills out onto the street. is an intimate, cosy pub and has the scene of terrific dance sessions Right on the water, O’Connor’s, a a trademark collection of visiting on Thursday and Sunday nights. sprawling favourite, has a rollicking cards covering its walls, alongside atmosphere. It easily gets the most photographs of famous writers and 6 Lisdoonvarna crowded and has the highest tourist musicians. The inspiring collection Lisdoonvarna (Lios Dún Bhearna), quotient. MacDiarmada’s, also of whiskey will have you smoothly often just called ‘Lisdoon’, is well known as McDermott’s, a simple debating the relative merit of various known for its mineral springs. red-and-white old pub, can be the drops. Another great old pub is For centuries people have been rowdy favourite of locals. When the Inishmór, County Galway fiddles get going, it can seem like a on weekends year-round. Informal Turas to the Well of Enda, which scene out of a John Ford movie. music sessions, turf fires and a leads to an ever-burbling spring broad terrace with harbour views in a remote rocky expanse in the 8 Inishmór make Tí Joe Mac’s a local favourite, southwest. For five days in late while the American Bar has live June the island reverberates to the The Aran Islands sing their own music every night in summer. thunder of traditional drums during siren song to thousands of travellers Craiceann Inis Oírr International each year who find their desolate Trip Highlight Bodhrán Summer School. Bodhrán beauty beguiling. The largest and 9 master classes, workshops and most accessible of the islands, Inisheer pub sessions are held as well as Inishmór, is home to ancient fort On Inisheer (Inis Oírr), the Irish dancing. Rory Conneely’s Dún Aengus, one of the oldest smallest of the Aran Islands, the atmospheric inn Tigh Ruaírí hosts archaeological remains in Ireland, breathtakingly beautiful end-of- live music sessions and, here since as well as some lively pubs and the-earth landscape adds to the 1897, Tigh Ned is a welcoming, restaurants, particularly in the only island’s distinctly mystical aura. unpretentious place with harbour town, Kilronan. Irish remains the Steeped in mythology, traditional views and an irregular schedule of local tongue, but most locals speak rituals are still very much respected lively traditional music. English with visitors. Joe Watty’s here. Locals continue to carry Bar is the best pub in Kilronan, with out a pilgrimage with potential trad sessions nightly in summer and healing powers known as the Produced by Lonely Planet for Tourism Ireland. All editorial views are those of Lonely Planet alone and reflect our policy of editorial independence and impartiality..
Recommended publications
  • Studies in Irish Craniology (Aran Islands, Co. Galway)
    Z- STUDIES IN IRISH ORANIOLOGY. (ARAN ISLANDS, CO. GALWAY.) BY PROFESSOR A. C. HADDON. A PAPER Read before the ROYAL IRISH ACADEMY, December 12, 1892; and “ Reprinted from the Procrrimnos,” 3rd Ser., Vol, II.. No. 5. \_Fifty copies only reprinted hy the Academy for the Author.] DUBLIN: PRINTED AT THE UNIVERSITY PRESS, BY PONSONBY AND WELDRICK, PKINTBRS TO THB ACAHRMY. 1893 . r 759 ] XXXVIII. STUDIES IN lEISH CKANIOLOGY: THE ARAN ISLANDS, CO. GALWAY.* By PROFESSOR A. C. HADDON. [Eead December 12, 1892.] The following is the first of a series of communications which I pro- pose to make to the Academy on Irish Craniology. It is a remarkable fact that there is scarcely an obscure people on the face of the globe about whom we have less anthropographical information than we have of the Irish. Three skulls from Ireland are described by Davis and Thumam in the “Crania Britannica” (1856-65); six by J. Aitken Meigs in his ‘ ‘ Catalogue of Human Crania in the Collection of the Academy of Natural Sciences of Philadelphia ” two by J. Van der Hoeven (1857) ; in his “ Catalogus craniorum diversarum gentium” (1860); thirty- eight (more or less fragmentary), and five casts by J. Barnard Davis in the “Thesaurus craniorum” (1867), besides a few others which I shall refer to on a future occasion. Quite recently Dr. W. Frazer has measured a number of Irish skulls. “ A Contribution to Irish Anthropology,” Jour. Roy. Soc. Antiquarians of Ireland, I. (5), 1891, p. 391. In addition to three skuUs from Derry, Dundalk, and Mary’s Abbey, Dublin, Dr.
    [Show full text]
  • PSAI 2014 Programme Final
    PSAI Conference 2014: overview Friday 17 October 2014 Type of Session Session title Time Venue PSAI Executive Committee Meeting 12:30- Inishmore 14:00 Arrival and From Foyer (beside Registration 13:00 Inishturk) Parallel Session 1 A. Irish Politics 1 14:00- Inishmore B. Northern Ireland: international 15:30 Inishturk dimensions C. Participatory and Deliberative Inisheer Democracy: theory and praxis Tea/Coffee Break 15:30- 16:00 Parallel Session 2 A. Global Political Society 16:00- Inishmaan B. Dominating Unionism 17:30 Inishturk C. Political Theory Inisheer D. Publishing workshop with Tony Mason, Inishmore Manchester University Press Event 30th anniversary of the PSAI: 18:00- Inisturk Celebration/Book Launch and Roundtable 19:00 Saturday 18 October, 2014 Type of Session Title of Session Time Venue Parallel Session 3 A. Foreign Policy, Middle East and 9:00- Inisheer International Relations 10:30 B. Re-examining the Roman Catholic Inishturk Church’s Role in 20th C. Irish Politics C. Republicanism, Power and the Inishmaan Constitution D. Remembering conflict and educating Inishmore for peace Tea/Coffee break 10:30-11 Parallel Session 4 A. Gendering Politics and Political 11:00- Inisheer Discourse in the National and 12:30 International Arena B. Conflict and Divided Societies 1 Inishmaan C. Northern Ireland after the Peace Inishturk D. Teaching and Learning Inishmore Lunch 12:30- Harvest Cafe 13:30 (up the stairs) PSAI Specialist 12:30- Group Meetings 13:30 1 Plenary Session Peter Mair Memorial Lecture by 13:30- Inishturk Professor Donatella della Porta (European 14:30 University Institute): Political cleavages in times of austerity.
    [Show full text]
  • West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
    West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B.
    [Show full text]
  • Terrain of the Aran Islands Karen O'brien
    Spring 2006 169 ‘Ireland mustn’t be such a bad place so’: Mapping the “Real” Terrain of the Aran Islands Karen O’Brien Martin McDonagh’s The Cripple of Inishmaan (1996) responds to and encodes the complexities of representational and ecological issues surrounding life on the rural landscape of the Aran Islands. The three islands that constitute the Aran Islands—Inisheer, Inishmaan, and Inishmore—occupy a unique and dual position of marginality and liminality; they not only reside off the border of the western coast of Ireland but also inhabit an indeterminate space between America and Europe. The archipelagos are described by Irish poet Seamus Heaney as a place “Where the land ends with a sheer drop / You can see three stepping stones out of Europe.”1 Inishmaan employs three strategic interrogations—representation, structure, and aesthetics—that coincide with the project of collaborative ecology. The first strategy juxtaposes two contrasting representations of Ireland’s 1930s rural west, problematizing the notion of a definable Irishness in relation to the unique Arans landscape. Inishmaan revolves around the filming of the American documentary Man of Aran (1934), which claims authenticity in its representation of actual island residents. McDonagh’s depiction of the Aran community, however, contradicts the documentary’s poetic vision of the Aran Islands as a pristine landscape. In scene eight, for example, the screening of Man of Aran does not reflect a mirror image of the Aran residents represented in the play; the film, contrarily, incites mockery. Despite its claim of historical authenticity and authority, the documentary proves fictional. Inishmaan contests the legitimacy of Man of Aran explicitly as well as a history of romanticized notions of western Irish identity implicitly.
    [Show full text]
  • Copyrighted Material
    Index A Arklow Golf Club, 212–213 Bar Bacca/La Lea (Belfast), 592 Abbey Tavern (Dublin), 186 Armagh, County, 604–607 Barkers (Wexford), 253 Abbey Theatre (Dublin), 188 Armagh Astronomy Centre and Barleycove Beach, 330 Accommodations, 660–665. See Planetarium, 605 Barnesmore Gap, 559 also Accommodations Index Armagh City, 605 Battle of Aughrim Interpretative best, 16–20 Armagh County Museum, 605 Centre (near Ballinasloe), Achill Island (An Caol), 498 Armagh Public Library, 605–606 488 GENERAL INDEX Active vacations, best, 15–16 Arnotts (Dublin), 172 Battle of the Boyne Adare, 412 Arnotts Project (Dublin), 175 Commemoration (Belfast Adare Heritage Centre, 412 Arthur's Quay Centre and other cities), 54 Adventure trips, 57 (Limerick), 409 Beaches. See also specifi c Aer Arann Islands, 472 Arthur Young's Walk, 364 beaches Ahenny High Crosses, 394 Arts and Crafts Market County Wexford, 254 Aille Cross Equestrian Centre (Limerick), 409 Dingle Peninsula, 379 (Loughrea), 464 Athassel Priory, 394, 396 Donegal Bay, 542, 552 Aillwee Cave (Ballyvaughan), Athlone Castle, 487 Dublin area, 167–168 433–434 Athlone Golf Club, 490 Glencolumbkille, 546 AirCoach (Dublin), 101 The Atlantic Highlands, 548–557 Inishowen Peninsula, 560 Airlink Express Coach Atlantic Sea Kayaking Sligo Bay, 519 (Dublin), 101 (Skibbereen), 332 West Cork, 330 Air travel, 292, 655, 660 Attic @ Liquid (Galway Beaghmore Stone Circles, Alias Tom (Dublin), 175 City), 467 640–641 All-Ireland Hurling & Gaelic Aughnanure Castle Beara Peninsula, 330, 332 Football Finals (Dublin), 55 (Oughterard),
    [Show full text]
  • Galway Book(AW):Master Wicklow - English 5/1/11 11:21 Page 1
    JC291 NIAH_Galway Book(AW):master wicklow - english 5/1/11 11:21 Page 1 AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE of COUNTY GALWAY JC291 NIAH_Galway Book(AW):master wicklow - english 5/1/11 11:21 Page 2 AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE of COUNTY GALWAY Foreword MAP OF COUNTY GALWAY From Samuel Lewis’ Topographical Dictionary of Ireland, published London, 1837. Reproduced from a map in Trinity College Dublin with the permission of the Board of Trinity College The Architectural Inventory of County is to explore the social and historical context Galway took place in three stages: West Galway of the buildings and structures and to facilitate (Connemara and Galway city) in 2008, South a greater appreciation of the architectural Galway (from Ballinasloe southwards) in 2009 heritage of County Galway. and North Galway (north of Ballinasloe) in 2010. A total of 2,100 structures were recorded. Of these some 1,900 are deemed worthy of The NIAH survey of County Galway protection. can be accessed on the Internet at: The Inventory should not be regarded as www.buildingsofireland.ie THE TWELVE PINS, exhaustive and, over time, other buildings and CONNEMARA, WITH structures of merit may come to light. The BLANKET BOG IN NATIONAL INVENTORY FOREGROUND purpose of the survey and of this introduction of ARCHITECTURAL HERITAGE 3 JC291 NIAH_Galway Book(AW):master wicklow - english 5/1/11 11:21 Page 4 AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE of COUNTY GALWAY Introduction SLIEVE AUGHTY THE CLADDAGH, MOUNTAINS GALWAY, c.1900 The Claddagh village, at the mouth of the River Corrib, had its own fishing fleet and a 'king'.
    [Show full text]
  • 2018 Festivals & Events Guide Ww
    2018 FESTIVALS & EVENTS GUIDE WWW.CLARE.IE 2018 FESTIVALS All information in this guide has been provided by the individual promoters. Clare Tourism has made every effort to ensure its accuracy. Responsibility for all aspects of the festivals and events listed lies with the individual promoter. Details of individual events should be veried in advance of visits by contacting the promoter. Come for the festivals & events, Design by imagezoo-design.eu take in the scenery, meet the people, enjoy the food, breathe the fresh air and feel alive! 2018 FESTIVALS & EVENTS GUIDE WWW.CLARE.IE 2018 FESTIVALS Contents Festivals & Events 05 January 10 February All information in this guide has been provided 16 March by the individual promoters. Clare Tourism has made every effort to ensure its accuracy. 23 April Responsibility for all aspects of the festivals and events listed lies with the individual 28 May promoter. 38 June St Patricks Details of individual events should be veried 46 July Day Events in advance of visits by contacting the Easter promoter. 52 August Events HALLOWEEN Come for the festivals & events, Design by imagezoo-design.eu 60 take in the scenery, meet the September Events 66 October CHRISTMAS people, enjoy the food, breathe the Events 73 November SINGERS fresh air and feel alive! CLUBS 78 December WEEKLY MARKETS 83 Map WEEKLY EVENTS January Ennis Spanish Point Kilshanny GLÓR JOHNNY BURKE’S KILSHANNY SINGING Throughout January LIVE MUSIC SESSION CIRCLE If you like music, theatre, comedy and visual art, Every Saturday & Sunday First Sunday of every month at EXPERIENCE check out glór’s website for a programme that Enjoy the atmosphere of an old style bar while features top acts throughout the year, as well 8pm enjoying the sounds of live traditional music Join us in the cosy, intimate and welcoming as the best touring Irish theatre.
    [Show full text]
  • Census 2011 – Results for County Galway
    Census 2011 – Results for County Galway Population Results Social Inclusion Unit Galway County Council Table of Contents Page Summary 3 Table 1 Population & Change in Population 2006 - 2011 4 Table 2 Population & Change in Population 2006 – 2011 by Electoral Area 4 Figure 1 Population Growth for County Galway 1991 - 2011 5 Table 3 Components of Population Change in Galway City, Galway 5 County, Galway City & County and the State, 2006 - 2011 Table 4 Percentage of Population in Aggregate Rural & Aggregate Town 6 Areas in 2006 & 2011 Figure 2 Percentage of Population in Aggregate Rural & Aggregate Town 6 Areas in County Galway 2006 & 2011 Table 5 Percentage of Males & Females 2006 & 2011 6 Table 6 Population of Towns* in County Galway, 2002, 2006 & 2011 & 7 Population Change Table 7 Largest Towns in County Galway 2011 10 Table 8 Fastest Growing Towns in County Galway 2006 - 2011 10 Table 9 Towns Most in Decline 2006 – 2011 11 Table 10 Population of Inhabited Islands off County Galway 11 Map 1 Population of EDs in County Galway 2011 12 Map 2 % Population Change of EDs in County Galway 2006 - 2011 12 Table 11 Fastest Growing EDs in County Galway 2006 – 2011 13 Table 12 EDs most in Decline in County Galway 2006 - 2011 14 Appendix 1 Population of EDs in County Galway 2006 & 2011 & Population 15 Change Appendix 2 % Population Change of all Local Authority Areas 21 Appendix 3 Average Annual Estimated Net Migration (Rate per 1,000 Pop.) 22 for each Local Authority Area 2011 2 Summary Population of County Galway • The population of County Galway (excluding the City) in 2011 was 175,124 • There was a 10% increase in the population of County Galway between 2006 and 2011.
    [Show full text]
  • Production Area: DL-LF Location: Lough Foyle
    Molluscan Shellfish Production Areas, Sample Points and Co-ordinates for Biotoxin and Phytoplankton Samples. December 2016 Species names / Common names Scientific Name Common Name Crassostrea gigas Pacific Oyster Ensis arcuatus Arched Razor Shell Ensis ensis Pod Razor Shell Ensis siliqua Sword Razor Shell Mytilus edulis Blue Mussel Pecten maximus King Scallop Ostrea edulis Flat/Native Oyster Tapes philipinarum Manilla Clam Tapes semidecussata Paracentrotus lividus Sea Urchin Aequipecten opercularis Queen Scallop Cerastoderma edule Cockle Spisula solida Thick Trough Shell / Surf Clam Dosinia exoleta Rayed Artemis Glycymeris glycymeris Dog Cockle Haliotis discus hannai Japanese Green Abalone Venerupis senegalensis Carpet Shell Venus verrucosa Warty Venus Patella vulgata Common Limpet Littorina littorea Periwinkle Buccinum undatum Common Whelk Echinus esculentus Edible Sea Urchin Production Area Maps Table of Contents Lough Foyle ............................................................................................................................................ 1 Tra Breaga .............................................................................................................................................. 2 Lough Swilly ........................................................................................................................................... 3 Mulroy Bay ............................................................................................................................................. 4 Sheephaven
    [Show full text]
  • Natura Impact Report
    NATURA IMPACT REPORT IN SUPPORT OF THE APPROPRIATE ASSESSMENT OF THE VARIATION NO. 2(B) TO THE GALWAY COUNTY DEVELOPMENT PLAN 2015-2021 IN ACCORDANCE WITH THE REQUIREMENTS OF ARTICLE 6(3) OF THE EU HABITATS DIRECTIVE for: Galway County Council Aras an Chontae Prospect Hill, Co. Galway by: CAAS Ltd. 1st Floor, 24-26 Ormond Quay, Dublin 7 JUNE 2018 Includes Ordnance Survey Ireland data reproduced under OSi Licence Number 2015/20CCMA/Galway County Council. Unauthorised reproduction infringes Ordnance Survey Ireland and Government of Ireland copyright. © Ordnance Survey Ireland Appropriate Assessment of the Variation No. 2(b) to the Galway County Development Plan 2015 - 2021 Table of Contents 1 Introduction ...................................................................................................................... 1 1.1 Background ......................................................................................................................... 1 1.2 Legislative Context ............................................................................................................... 1 1.3 Guidance ............................................................................................................................. 2 1.4 Approach ............................................................................................................................. 3 1.5 Relationship between the Appropriate Assessment process and the Plan ................................. 4 2 Description and background of the Variation No. 2(b) to
    [Show full text]
  • Dáil Éireann
    Vol. 773 Thursday, No. 3 19 July 2012 DÍOSPÓIREACHTAÍ PARLAIMINTE PARLIAMENTARY DEBATES DÁIL ÉIREANN TUAIRISC OIFIGIÚIL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Déardaoin, 19 Iúil 2012. Leaders’ Questions ……………………………… 877 Order of Business ……………………………… 883 Child Sex Offenders (Information and Monitoring) Bill 2012: First Stage …………… 889 Broadcasting (Amendment) Bill 2012: First Stage …………………… 890 An Bille um an Aonú Leasú is Tríocha ar an mBunreacht (Cearta Geilleagracha, Comhdhaonnacha agus Cultúir) 2012: First Stage …………………………… 890 Thirty-First Amendment of the Constitution (Economic, Social and Cultural Rights) Bill 2012: First Stage 890 Estimates for Public Services 2012 Vote 32 — Department of Jobs, Enterprise and Innovation (Supplementary)………… 891 Committee of Selection: Motions ………………………… 891 Advance Healthcare Decisions Bill 2012: Leave to Withdraw ……………… 892 Gaeltacht Bill 2012 [Seanad]: Committee and Remaining Stages ……………… 892 Business of Dáil ……………………………… 901 Electoral (Amendment) (Political Funding) Bill 2011 [Seanad]: Order for Report Stage …………………………… 901 Report and Final Stages …………………………… 902 Government Response to Mahon Tribunal Recommendations: Statements…………… 933 Topical Issue Matters ……………………………… 945 Topical Issue Debate Data Protection ……………………………… 946 Public Procurement …………………………… 949 Ambulance Service …………………………… 951 School Transport ……………………………… 953 Ceisteanna — Questions Minister for Communications, Energy and Natural Resources Priority Questions …………………………… 956 Other Questions …………………………… 964 Questions: Written Answers …………………………… 973 DÁIL ÉIREANN ———— Déardaoin, 19 Iúil 2012. Thursday, 19 July 2012. ———— Chuaigh an Ceann Comhairle i gceannas ar 10.30 a.m. ———— Paidir. Prayer. ———— Leaders’ Questions Deputy Éamon Ó Cuív: In last year’s budget the Government made great play of the fact that it did not cut—— Deputy Paul Kehoe: Welcome back. Deputy Éamon Ó Cuív: Thanks very much. I appreciate it. Deputy Alan Shatter: Siberia is a very cold place.
    [Show full text]
  • (1899±1901) Cre- Was Small, with a Shallow Stage Which Dictated Ated by W.B
    A Abbey Theatre The opening of the Abbey from a conversion of the Mechanics' Hall in Theatre on 27 December 1904 followed from Lower Abbey Street and a disused morgue, the Irish Literary Theatre (1899±1901) cre- was small, with a shallow stage which dictated ated by W.B. Yeats and Lady Gregory, with simple sets. But though poorly equipped, the Edward Martyn and George Moore, to pro- early Abbey was aesthetically innovative. duce a `school of Celtic and Irish dramatic Robert Gregory and Charles Ricketts literature'. When Yeats joined forces with the designed for it, Gordon Craig's screens were self-trained Fay brothers ± William the stage first used on its stage, and Ninette de Valois manager and comedian, and Frank the verse- set up a ballet school for theatre use. In 1905 a speaker ± their company (augmented import- permanent salaried company was established antly by Synge and the talented Allgood and controlling powers were given to the sisters) had the potential to create an entirely directors (some actors seceded, thinking the new kind of Irish theatre, one which aimed, changes contrary to nationalist principles). as a later Abbey playwright, Thomas Kilroy, The Abbey's claim to be a national theatre put it, to `weld the fracture between the was aggressively tested by Catholics and Anglo-Irish and Gaelic Ireland'. The Irish nationalists in their audiences. The peasant National Theatre Society became in 1904 drama was the field where cultural interests the National Theatre Society (NTS) Ltd, clashed most spectacularly. Lady Gregory familiarly known from its inception as the popularized the genre with one-act comedies Abbey Theatre.
    [Show full text]